Man life know just set eyes way like young world soul day hunger space mouth earth thoughts ignorance blind things mind knew final moment human creation kind creatures souls high forgotten dream love spoke self existence face holy deep bound think home void say surrender ear forever called held ephemeral red state end shall heed hope edge living waking fall sea wake garden need February thought past wanderer got men page colored tepid terrible **** proudly untitled features point painted faceless box forgot render wild spring splendor  handfuls looking half brain lost torn ancestral  unseen vision inner summer honor mister owned banner save today fear groans wasn't smoke  street fable strange year contrast black years  able pain body spoken word known motion  palpitate reeling nature culture disclaimers  cancer beg attentive frames ****** base profound double remember wholly finger death token  cries continue folk oh fishing form broken true  divides spread ah twas away breathe wait warning hallowed wish closer lens turn eye live  constant current author hung theory dangle  bramble chemical new force changes adderall  anymore giving beneath possess pardon commentaries eternity internal walk reason  long change does idea glimpse consciousness  wandering simply wonder physical dreams war  sleep told rest benign prior begging truth little  2012 born tale crow bowels allegory animal rule  exasperate making horse curse hands ones read  rearrange capture doing command fail awake  aperture seedlings shift steely sir nap spead ****** demons slits clever telling loud spits la-la-di-dah killing slip game reflected nameless ask  lovers rabid bear salivate plunder shameless  famously savior mint rides menthol bully fate traded melodies play misunderstand mammals gentle witless fine utterly savage silt tongue-less  dirt dilutes pure non-sensory taste briefly ravage dismember it''ll shedding ruined curtain  knots offers plot fulfills munificent two-act  relegates boxz bug altruistic wintergreen tossing  callously guise grovels one's singers treachery ashes mid-life mutter fashion parading  ambiguity separatist liars staple steeping neath  guidelines scoffing stitch moans civil wrote  Fictitious undoing fables table effigies serve  sonnets staged remark psalm swoll praise harken  beggar verse bread lines heavily electricity detection snow sack-happy preaching credit  spotted wicked best gravity gun campaign owe  barge choir revelry celebratory satiated sinking  headline pack hound persistently propaganda  gentlemen excluding diminished ******* run idles  occupied levies wolfishly honestly misinformation cuba vehemently dumb grace spectator erasing  toned sage crowded secrets inter-connectivity  loaned prayer hymns grave mistaken magnified  vandals selective jump leak escapes says minister  buckle mass honesty shut tar children's hats  monument doping long-lived electrical ladle  exaggerated cartoons address seconds cool cradle bleak yang's mind-framed hypnotic  walker caps folly treble claim streaks mixtures  swelled interstate elapse teasing spoon mobile  succulent witchcraft borderline fatal 99 temple stacks sups plastics creeps neurotic ills tossed  meek sipping old crack interlock wax alleyway  coughing blown freak clock birthdays societies  slow flashing viscous candy argument toothless  pills cerebral rapt wall bisect lives wheezing  photo kid starter foiled pair saturated self-castrating pre-packed naked uncertainly pill  used came chaos coated reprisal fells wrack  irreverent mirth sickly disinherited proudest  collate wheeze appearance palette disharmony  discontented bastardized emotive bio inhale diction beat spoiled reclamation loudest tempo  totally disembodied matte imperfect shells flat  struck sounding imparts flak origin severance remarked bone walls snared leaflets mocking  hot scripting adjective noun agape seemingly  resistant gawk calamity passage paintings wind  trashcans signings sits cheap makers poetry persist scrap slipping individual talk wonders  leaving questions fold actor fancy parchment  fates engenders flown jaws stripped longer music  sacrifice fakers book boldly frown sigh atop patient hang trade occupation blows spectacular  whispers worthy backward waving certainty danced suppose needn't ‘drawkcab’ second-guessing  boys forget marched motto heads tightly lies two-tone earthbound harp twice turns goodnight  lying ***** internally indiscriminate nickname  drunk convictions myth steep  in-consumption  fitting artist **** universal sick expressions bad  du spell melody big siphon proud learn sprawls song spastic something temperaments utter check  fissures stomp totality blend definitely thrall sing rug voice shade pestilence ties commiserate round devil steady brains emotional certain gate  suckling gates dearth decay weight bounce pound  carrier pangs glass startle contest earthen web  tug pressed air patience flush amassed guest gone apprehension staring empathize captain believe fading in-perceivable deathbed guarder makes surrounds scatter drooling ebb blink cob tome  venom near door lair derision draws host stairs scent parts curiosities spider webbing surprise wares tips stepping ascetics starkness realize picture surroundings dictations grand pillars  deaf limited comparisons greet visual residents  personal settings dismiss alien law stability common earthly shiftless places prelude  understanding mosaic keen trifling embodiments  geared inception whisper visible jowls kiss murky  puddle rank dawn dichotomy single faithful fraying pays tailor veil climb mores pence whim  breath wellspring samara god stony pear  shadows fruiting forebodes moonlit looming  shown passed bog gold wracked faint tongues  noble preachers mirror shifting layered depth  threads jungle narcissus bemused seamstress self-worshiping architect's wore slumber anomalous  opened barren seam lip caustic scene coupled brick gardener's clenches -with forms idle breed  embodied lore starving empathy design illusion  tree coat fabricate lucid mason scatter-all  narrative seeking imbued 16th shivering chemicals 17th 15thrisk improperly dare  deliberate plan purge try brought chapter speed  aide utmost spirit leading intervention felt  recall recent advent sincerity times diary  lackluster piously lasting happy holding hear  stem tasteless whimpers wet spine monstrosity  dripping causes position quite softly claws pallet  answer digging tearing beast satiating circle breaks skips redwoods beckoning rotted hushed  gray lapsing monoliths deities creborus  imbuement hand stroll paradigm rendered chorus shy whispering forest residual tension  surrenders tolerance lull anew sentenced  bearing tide birds dirge divergent rim joined  cogs wood hesitant mist emergent towering offer  awareness confinement inverted faultier stowed  plane sanctified blanketing trusting memory fossil flash twists laden self-indulgent fleeting invitation agony grip shore impetus lingering  crows promise gift union swallowing endless floor supposed ecstasy sensory intent  psychotropic cradling placement interned  jagged connectivity exchange congenial begun  summons singular spiral assumes ambient reciprocates re-entry fruition reached aggregate lifetime limbs birthed instinct  frightening tarry proper entire light  boundaries innocence pursuit ago discover left  youth's unknowing sacred time place meager  simple fact cast ceaseless wide-eyed literal  apparent coincidence create boldness morphed  crooked kempt mere stumble buried shutter fairy  pivotal definitive months worth shear ambition sound required journeyed self-reflections title  facets vague restless intimation gut wanderer's  leap motivate path account boy soon bears faith  question tripped reasons uproot awaited confronted days step heal provocations wisps crushing transcend chronicles instance  directness raw drove occurrence objective-less  real enters slightest confident nondescript  typify  foreshortened interment paradox bitter heart  devoid jeopardy angry sensation confidential guilty arrogance mercy compliance reprieve  vincent deadening factual sign emotion awe  inhibition shackled butterflies absence actual sciences acknowledgement violent stagnant  spiritual American doors roots lack matted fore  gestures society cause streams intensity hair impossible discord lonely hearts resounding  jest  what's flavored pains closed toxic contented  happenstance scientific knowledge yeah  wizardry shaking stifled withdrawn bloom  jitter dreads settle asocial hulton make  predisposed figurative reflections demeanors  wondered affect hulton's projected sense  morning industry arrays ghosts feeling  certainly endomorphic where's partially wrath  passer mornings jovial unease advertized asking  trash onward wished tempers media mentality connect pasts sharp-toothed scramble great colours trial test salvation continually lent  degree secretly subjection social waned  disconnected colors grimly intellectual civilization cash trading baffling particular  digest myths monumental ending seasons winter  repetition introducing agent everlasting  shoulders delivered honestly-- possession funny  continence history unsightly function suffering propulsion profession divulge familiar tugs era  importance capability perpetuation spite inventory words entirety leveling fray insight  date record continues writer getting evermore fellow tongue possessions identical proof accuracy education similar sack admittance  favor unravel conveyance guilt gives beginnings  predicting audacity definition bobby heady eaters frameless learned release stone grandeur sang  speak molds sleeps split built seats people folded  sheer pour evoked playhouse liquid boring  tellers frayed stark walked reality pleas doth  preformed shows beak pride squawks opinions  greatest bold stunning sightings he'd loudly slain  sunk watch legend precipice theater deeper compound commentator civility justly silly sin  reverent seen prophetic moral confounds notion  lacking explain attempt prolific viral estrange proclivity scorn hide blur pious strung eden's  horror cut skin arch cruel twig mother vile  pass lend woods peach shrunken trail man's canopy worn 434 eat warm limb familiar father delete.

You are what your reading lady. Now would you hold this gun?

*****


Apr 7, 2012, 6:08:21 PM by ~OmegaWolfOfWinter
Journals / Personal




"Name: Amelia Weissmuler. Date of birth: June 6th, 1920. Test subject number 314-X. Specimen: Tiger." Amy heard all of this through a haze of sedatives that had begun to lose their already poor effect. She turned in the direction of the voice and saw a fearsome **** SS General standing behind a white clad scientist with a heavy accent. The general said nothing but listened and watched as Amy was strapped down to a cold metal table, completely **** with various wires, tubes and needles protruding from her flesh. She groaned painfully, the needles were extensive, and the **** scientists had no care of decency or respect. she was hit with another sedative and before she lost consciousness she heard the scientist, who she guessed was Dr. Heismeiller, say, "Name, Mordecai Dansker, former Major of the Third *****. Date of birth: September 19th, 1919. Test subject 14-W. Specimen: Wolf. As you
can see, Heir General, these are both healthy specimens, as are the test subjects." Amy heard a
rattling of cages. Her vison slowly went dark but not before seeing the doctor's face, uncovered and psychotic.
* *
When Amy woke up again, she was being suspended from the floor, the tubes and wires accompanied by menacing electrodes. there was an unnatural blue and white crackling of electricity around her, illuminating the other suspended tables nearby, the bodies in various grotesque positions and levels of decay. she tried to scream but found a machine unceremoniously shoved in her mouth, stretching deep inside her. she looked and saw nothing but obscene machines and various glass tubes of colored bubbling liquids. she tried sluggishly to break free but to no avail. what little strength she had was useless against the torturous devices emplanted in and around her. "Doctor, begin the experiment."
"Yaboe!" She heard a solid click resound through the room and heard a male scream in another room. the screams echoed for a long while, then nothing. she heard a gasp of releif from
the doctor and, "General! Subject 14-W... he has... Survived!"
"Good. now start on the frauline." there was a large thud from outside the room. "Quickly! this facility is under seige!"
"Yes sir, heir general. Test subject 314-X prepped and ready. Begin phase 1." she cried out silently as the needles burned hot inside her and the tubes boiled her insides. the electrodes soon incapacitated her and she fell unconscious.
*
*
"Phase 1 complete, heir general, subject is ready, proceeding to Phase 2."
Amy felt an intense burning around the needles, and an electric fire through her veins. the machine had been taken from her mouth, but she doubted she could scream any more, as her throat was raw from the silent screams of Phase 1. She felt her body shake uncontrollably as more electric shocks were administered. she was left panting and slumped over. "Sequence complete, the bonding process was a success." there was another thud and sediment from the roof fell to the floor. "Get her down now! They will be through soon!" She was lowered to the ground and unstrapped from the table, picked up, and placed on a stretcher. she raised her hands on front her face and nearly fainted, her hands, or paws, resembled that of a tiger, and as she looked, her whole body was covered in a slick orange, black and white fur. She was put into the backseat of an armored car with a simple blanket draped around
her. Amy felt nauseated
as the car sped off. It hit a bump in the road and she moaned painfully, clutching her furry belly and retching. the **** next to her turned away in disgust. the car ride was long and sickening, and she lost consciousness twice, and finally she tried to lay down in the cramped space. when the armored car finally stopped, she was pulled from the back seat and carried over a soldier's shoulder and into a small bunker. Once inside, amy heard a metal door open and was laid down onto a stiff bed with a single pillow and a single cover. There was a small window in the cell, a drab, grey stream of light shining in her eyes. She propped herself up on her elbow and shielded her eyes from the blinding contrast. Once her eyes adjusted, amy noticed that things had a particular sharpness to them and she had an acute awareness of things based on scent. she stood shakily, and noticed she was almost
six inches taller now, and her new tail swished back and forth along the concrete floor. she stepped
forward and grasped the iron bars and peeked out, seeing a black leather messenger bag and a black uniform lined with white. she couldn't quite reach the uniform, but was able to get a claw around the strap of the messenger bag. she pulled it closer to her and saw that her initials were monogrammed into the leather. she pulled it through the bars and opened the bag, pulling out a small, blank, leather bound journal and a pen. still ****, she sat on the bed and practiced writing, tearing out two pages of scratch paper. She began her journal with, "I am no longer the person i once was. i am something new, something... different."
• * *
The **** captain stepped into the bunker and saw amy, half lying, half dangling on the bed, the leather journal clutched close to her chest. he stormed into the cell and backhanded her awake, snatching up the journal as she cowered in the corner, her tail wrapped around her. the captain flipped through the pages of the journal and then closed iit with a snap. he glanced at it and dropped it on the bed. "it is yours now, Frauline. you are very special to the third *****. the fuhrer himself has asked for you to be placed in the Waffen SS and trained." amy glanced at the uniform on the table outside the cell and he nodded, "specially tailored for you, frauline. he stepped outside the cell and grabbed the uniform, setting it down on the bed. "you may Change into your new uniform and join the rest of us outside." he stepped outside and she was alone. she donned the simple uNdergarments then
slipped into the soft black trousers, after which she put on her military boots. next she put on the black and white jacket signature of the SS. the jacket was sleek and menacing, though it did little to flatten her chest, but that, she supposed, was one of her feminine charms. last was her hat and armband, both adorned with the *******. she gathered the leather messenger bag and stepped outside the cell, where a mirror stood, giving her a chance to see what had been done, the black uniform was a dramatic contrast to her brightly colored fur, and her new black stripes added a fierce look to her. she grinned and flashed menacing white teeth. she turned her body, looking at herself from different points of view. she slipped the **** armband onto her right arm and turned to leave. she stopped when she encountered a high pitch noise right next to the door. for the moment she just walked past, opening the door and adjusting her vision to the outside light. the layout was grey and barren,
as it always was in wartime. the captain was waiting for her along with a small squad of SS troops. a
Few laughed and remarked at her appearance, making cat noises and wolf whistling at her. she glared at them with a bright white snarl carved into her soft face. *they will fear me...
she saluted the captain and said, "heil ******." he returned the gesture, "heil. you are now part of the Waffen SS, frauline Amelia."
"please sir, its amy."
he noted her directness and ferocity, "very well, amy. before we assign you a task, though, you must prove yourself." he addressed the squad, "they are all corporal's and sergeants. you are merely a private. you will gain a rank for each one that you ****. however, they have been told that if they do not force you to submit, they will be killed or sent to the russian front. so you best fight your hardest, private amy."
as he finished, the squad set down their Mauser 98K's and MP-40's and stepped closer to her. her eyes widened in shock, then narrowed in ferocious determination. there were twelve of them.
"Fight!"
• *
Amy took a fighting stance and faced her attackers. she attempted a punch at the nearest one but was kneed in the gut, she was thrown back a few feet. she fell to her knees and clutched her stomach with one hand, holding herself upright with the other. tears sprung to life in her eyes and threatened to roll down her cheeks. she fought the tears back and stood, feeling her claws extend. she swiped at a soldier's throat, catching him right in the throat. blood splattered the ground as he choked on his own fluids. the remaining eleven were taken aback slightly, allowing her to pounce another soldier, punching and tearing at his gut with lethal force. her fur was bloodstained and she waited a moment too late, watching the cavity she created fill with blood. she was barreled over, the wind knocked out of her by a sergeant. she lay on her back, gasping for air as the soldiers closed in,
landing a few punches and sending her reeling back. she staggered back, struggling for breath. she
Bumped up against something and realized it was a bunker wall, she was trapped. she thought quickly and decided for a new course of action, she waited for one of them to gather his bravado and throw a solid punch at her, which was useless, she grabbed his wrist and smashed his head against the wall, filling his helmet with blood and brains. in the same move, she had grabbed his Luger and had downed three more of the remaining ten. in their moment of confusion she kicked the closest one in the fork of his legs and followed up with a pistolwhip. the man went down quickly and died by the heel of her merciless boot. the remaining six charged at her, one falling by her last bullet and another caught a swift kick in the ribcage, shattering the bones to peices. the rest of the men were sergeants, and they began to retreat, running into the open field. she was about to chase after them when she
heard another Luger fire. she turned to see the captain shooting the deserters. each fell, one by
One by the captain's gun to her surprise he let a single man go. "you have done very well, frauline amy. you have killed eight out of twelve men, not bad at all."
she was panting, her uniform dirtied, "why.. did you let.. him go?"
the captain smiled, "someone has to spread you're reputation, heir captain."
she gaped at him. "i am... captain?"
"yaboe, heir frauline. you have proved yourself worthy to serve under the fuhrer."
she saluted him, "thank you, heir captain."
*
amy wrote in her journal as they were driven to one of the Stalags: "my promotion to captain has earned me my choice of weapons, ive chosen a few, two long barrel Luger's, a cavalry saber, and a sixteen foot bullwhip. i also carry an automatic Mauser in my messenger bag. other than a few knives carefully hidden on my body, that should be it. ive become the fuhrer's favorite enforcer, though i feel as if i'm forgetting something..."
amy closed the journal and placed it in her bag with a soft snap.
Amy waited for a **** private to open the car door and let her out, tapping her foot impatiently. when he finally came, she had a luger pointed at his chest. "you're late. she got out of the car and shot him, holstering the pistol as he crumpled to the ground. the colonel in charge rushed towards her, "what is the meaning of this?!"
"your man on watch was late, and now he'll never be late again. and also, colonel, as i am a captain in the SS, i am your superior officer and you WILL adjust yourself accordingly or i will replace you with someone who will."
his expression was that of shock, "y-yes, heir captain, please follow me." he escorted her quickly to the main building. amy glanced around at the peering POWs, glaring at them with distaste as they whistled at her. "who's the kitty?" "what the hell is that?"
her hands fell to her lugers and she was ready to fire when she was beckoned inside by the colonel and she followed behind him reluctantly. "you should control your prisoners.
i find an overall lack of order in this camp. you're lucky i'm in a good mood, or i'd have you strung up for incompetence. lets hope my further evaluation of this... facility... does not make me any more inclined to do so."
the colonel stuttered again and dipped his head, "y-yes heir captain."
she stepped outside unopposed by any. she snapped her fingers and a sergeant rushed to her side and saluted. she handed him a journal logbook and he opened it to the page marked with the Stalag number. she entered the closed off areas of the stalag to inspect the barracks.
*
amy's fists were clenched with rag, a prisoner mocked her from within his confines. his fellow prisoners pleaded with him to stop. "she's lethal!" "she killed eight SS sergeants and corporals singelhandedly her first day!"
the prisoner ignored them and began gesturing at her. she snapped her head up and their eyes met for an instant, she growled through a gritted snarl and was over the fence in mere moments. once over,
the prisoner that mocked her was now on the ground, his throat between her fangs. he cried out once and then gurgled blood as she tore out his throat. she spat the flesh onto the dirt and stood, brushing the dusty particles from her uniform. the men around her backed away when she approached them, and watched her cautiously as she stepped back out of the fenceline. amy picked up her cap from the ground and brushed it off. one of the prisoners called for a doctor, and when one of the guards began to look for one, she merely said, "no, he wont survive. leave him be."
the soldier saluted and went back to his post. she walked up to the colonel and said, "your prisoner annoyed me, as do you, colonel. you have three days to turn this place around or you'll end up worse off then your prisoner over there."
the colonel had turned a pale white and whispered, "understood, captain."
she returned to her quarters and listened for a moment as the colonel shouted orders. "that was fun." she remarked.

Amy was asleep in one of the larger rooms in the main  building, her uniform folded neatly on the table near the bed. she kep one luger on her bedside table and the mauser under her pilllow. her other luger, her sword and her whip were next to her clothes. she was clad only in her fur, as she'd found that the most comfortable way to sleep.
she was woken up by a knock at the door. she blinked her eyes a few times. clutching the mauser handle with one hand and holding the blanket to her chest with the other, she said, "what is it?"
"the colonel wishes to speak to you, heir frauline."
she growled, "grrr... fine. tell him to make it quick." she clutched the blanket closer as he opened the door. she held the mauser aimed at him and said, "turn." he did so without hesitation. she slipped cautiously out of the bed and began to dress. "what is it you wished to speak with me about, colonel?" amy put on her undergarments and then pulled her trousers up to her waist, fastening the belt comfortably.
"there is an important telegram for you, heir captain." she pulled on the jacket over her simple shirt, tugging out any wrinkles. "oh? from who?" next came the holster belts, each hanging slightly lower than her first belt. her sword was another belt, and there was a custom clip there for her whip as well.
"Himler, he has special orders for you." her messenger bag was next to last, slung over her shoulder before she slipped into her boots. ""You can turn now. hand them here." she stepped closer to him and took the envelope with her name scrawled on the front. the colonel excused himself so she could read the orders, "captain amelia weissmuler, once you have completed your assignment at Stalag 14, please make haste to stalingrad as there has been a number of our own turning against the *****. see to it that they cause no more problems. -heinrich himler"
she read it through three more times before folding it and placing it in her bag. she hurried outside, grabbing her hat
From the dresser.
* *
amy went about her inspection, seeing nothing wrong today. "the condition of stalag 16 has improved, heir colonel. well done. now send my car around." the colonel grinned and motioned for the car.
the black car adorned with swastikas roared to life, coming up beside her. the d

for Jennie in gratitude*

For days afterwards he was preoccupied by what he’d collected into himself from the gallery viewing. He could say it was just painting, but there was a variety of media present in the many surrounding images and artefacts. Certainly there were all kinds of objects: found and gathered, captured and brought into a frame, some filling transparent boxes on a window ledge or simply hung frameless on the wall; sand, fixed foam, paper sea-water stained, a beaten sheet of aluminium; a significant stone standing on a mantelpiece, strange warped pieces of metal with no clue to what they were or had been, a sketchbook with brooding pencilled drawings made fast and thick, filling the page, colour like an echo, and yes, paintings.
 
Three paintings had surprised him; they did not seem to fit until (and this was sometime later) their form and content, their working, had very gradually begun to make a sort of sense.  Possible interpretations – though tenuous – surreptitiously intervened. There were words scrawled across each canvas summoning the viewer into emotional space, a space where suggestions of marks and colour floated on a white surface. These scrawled words were like writing in seaside sand with a finger: the following bird and hiraeth. He couldn’t remember the third exactly. He had a feeling about it – a date or description. But he had forgotten. And this following bird? One of Coleridge’s birds of the Ancient Mariner perhaps? Hiraeth he knew was a difficult Welsh word similar to saudade. It meant variously longing, sometimes passionate (was longing ever not passionate?), a home-sickness, the physical pain of nostalgia. It was said that a well-loved location in conjunction with a point in time could cause such feelings. This small exhibition seemed full of longing, full of something beyond the place and the time and the variousness of colour and texture, of elements captured, collected and represented. And as the distance in time and memory from his experience of the show in a small provincial gallery increased, so did his own thoughts of and about the nature of longing become more acute.
 
He knew he was fortunate to have had the special experience of being alone with ‘the work’ just prior to the gallery opening. His partner was also showing and he had accompanied her as a friendly presence, someone to talk to when the throng of viewers might deplete. But he knew he was surplus to requirements as she’d also brought along a girlfriend making a short film on this emerging, soon to be successful artist. So he’d wandered into the adjoining spaces and without expectation had come upon this very different show: just the title Four Tides to guide him in and around the small white space in which the art work had been distributed. Even the striking miniature catalogue, solely photographs, no text, did little to betray the hand and eye that had brought together what was being shown. Beyond the artist’s name there were only faint traces – a phone number and an email address, no voluminous self-congratulatory CV, no list of previous exhibitions, awards or academic provenance. A light blue bicycle figured in some of her catalogue photographs and on her contact card. One photo in particular had caught the artist very distant, cycling along the curve of a beach. It was this photo that helped him to identify the location – because for twenty years he had passed across this meeting of land and water on a railway journey. This place she had chosen for the coming and going of four tides he had viewed from a train window. The aspect down the estuary guarded by mountains had been a highpoint of a six-hour journey he had once taken several times a year, occasionally and gratefully with his children for whom crossing the long, low wooden bridge across the estuary remained into their teens an adventure, always something telling.
 
He found himself wishing this work into a studio setting, the artist’s studio. It seemed too stark placed on white walls, above the stripped pine floor and the punctuation of reflective glass of two windows facing onto a wet street. Yes, a studio would be good because the pictures, the paintings, the assemblages might relate to what daily surrounded the artist and thus describe her. He had thought at first he was looking at the work of a young woman, perhaps mid-thirties at most. The self-curation was not wholly assured: it held a temporary nature. It was as if she hadn’t finished with the subject and or done with its experience. It was either on-going and promised more, or represented a stage she would put aside (but with love and affection) on her journey as an artist. She wouldn’t milk it for more than it was. And it was full of longing.
 
There was a heaviness, a weight, an inconclusiveness, an echo of reverence about what had been brought together ‘to show’. Had he thought about these aspects more closely, he would not have been so surprised to discovered the artist was closer to his own age, in her fifties. She in turn had been surprised by his attention, by his carefully written comment in her guest book. She seemed pleased to talk intimately and openly, to tell her story of the work. She didn’t need to do this because it was there in the room to be read. It was apparent; it was not oblique or difficult, but caught the viewer in a questioning loop. Was this estuary location somehow at the core of her longing-centred self?  She had admitted that, working in her home or studio, she would find herself facing westward and into the distance both in place and time?
 
On the following day he made time to write, to look through this artist’s window on a creative engagement with a place he was familiar. The experience of viewing her work had affected him. He was not sure yet whether it was the representation of the place or the artist’s engagement with it. In writing about it he might find out. It seemed so deeply personal. It was perhaps better not to know but to imagine. So he imagined her making the journey, possibly by train, finding a place to stay the night – a cheerful B & B - and cycling early in the morning across the long bridge to her previously chosen spot on the estuary: to catch the first of the tides. He already understood from his own experience how an artist can enter trance-like into an environment, absorb its particularness, respond to the uncertainty of its weather, feel surrounded by its elements and textures, and most of all be governed by the continuous and ever-complex play of light.
 
He knew all about longing for a place. For nearly twenty years a similar longing had grown and all but consumed him: his cottage on a mountain overlooking the sea. It had become a place where he had regularly faced up to his created and invented thoughts, his soon-to-be-music and more recently possible poetry and prose. He had done so in silence and solitude.
 
But now he was experiencing a different longing, a longing born from an intensity of love for a young woman, an intensity that circled him about. Her physical self had become a rich landscape to explore and celebrate in gaze, and stroke and caress. It seemed extraordinary that a single person could hold to herself such a habitat of wonder, a rich geography of desire to know and understand. For so many years his longing was bound to the memory of walking cliff paths and empty beaches, the hypnotic viewing of seascaped horizons and the persistent chaos of the sea and wild weather. But gradually this longing for a coming together of land, sea and sky had migrated to settle on a woman who graced his daily, hourly thoughts; who was able to touch and caress him as rain and wind and sun can act upon the body in ever-changing ways. So when he was apart from her it was with such a longing that he found himself weighed down, filled brimfull.
 
In writing, in attempting to consider longing as a something the creative spirit might address, he felt profoundly grateful to the artist on the light blue bicycle whose her observations and invention had kept open a door he felt was closing on him. She had faced her own longing by bringing it into form, and through form into colour and texture, and then into a very particular play: an arrangement of objects and images for the mind to engage with – or not. He dared to feel an affinity with this artist because, like his own work, it did not seem wholly confident. It contained flaws of a most subtle kind, flaws that lent it a conviction and strength that he warmed to. It had not been massaged into correctness. The images and the textures, the directness of it, flowed through him back and forward just like the tides she had come far to observe on just a single day. He remembered then, when looking closely at the unprotected pieces on the walls, how his hand had moved to just touch its surfaces in exactly the way he would bring his fingers close to the body of the woman he loved so much, adored beyond any poetry, and longed for with all his heart and mind.

When I was younger and more desperate,
I hung on every word I heard
From those who I admired most
And those who thought I was absurd

Every new message was a blessing,
Every acknowledgement was a gift,
I'd instantly reply and then sit waiting
For another other-worldly gift

It was quite often I'd be dismayed
When someone wouldn't text me back
I'd pretend I wasn't thinking about it
And proceed with my normal life, sad.

It was just one wish I had back then
To be placed upon someone's list
To receive the love that I would give
And learn what an equal relationship is!

Often times I hear, "text slower!
Don't make yourself seem desperate!
If you reply right away,
You'll send the wrong kind of message!

You need to wait at least 5 minutes
Or if you want to win, 5 days.
Only if you really back off
Will you stand a chance of getting paid

In the attention and love of others.
You think you love, but love is this;
Abide by society's expectations
And fit real love into the slits

That society leaves for what love's worth
It's not a lot, so don't be greedy.
These expectations are absolute
And not made for the needy."

I'm soaking in these messages
And thinking how wrongly I've been being
There's so much that I do not do
Because I don't see what they're seeing.

So if I choose to wait 2 hours
Instead of texting in 2 minutes
Aren't I just wasting 1 hour
And 58 of my life's minutes?

Would it not be more foolish
To pretend I don't care at all
And text you two weeks later
And never hear from you at all?

Could I ever be so arrogant
As to assume my attention's a gift?
Would somebody desperately await my text?
Is that what love really is?

People play these faithless games
And I do not get it at all.
If you like someone, you like someone
If you don't, well, it's your call.

But in this dance, there's no romance.
You're just wasting your precious time.
How can people ignore opportunities
And dangle other people's lives?

You want to seem really important
You want to seem really busy
You want to seem like you don't care.
Is apathy really living?

Is apathy your best bet
To win over another's heart?
Is romance dead and love foolish
And honesty falling apart?

Use your hours and minutes wisely
Being genuine and direct is nice.
Although I started a desperate loser,
I still never have to think twice.

What was once a flailing grasp
Is now a calculated decision
I want the love I have to last
And pardon my derision

But I don't have the time, respect
Or patience for any of these games.
If I like you, I'll text you back
And I hope you do the same.

I have a love of directness
That is one of my favorite blessings.
I talk to people candidly
And never leave them guessing!

It's a lost art, I'm an old soul
It's really fun, despite these facts
I hope directness will live on
And our society texts it back!

I will bring fire to thee.

Euripides.—’Androm’.

‘Eiros’.

Why do you call me Eiros?

‘Charmion’.

So henceforward will you always be called. You must forget,
too, my earthly name, and speak to me as Charmion.

‘Eiros’.

This is indeed no dream!

‘Charmion’.

Dreams are with us no more;—but of these mysteries
anon. I rejoice to see you looking life-like and rational.
The film of the shadow has already passed from off your
eyes. Be of heart, and fear nothing. Your allotted days of
stupor have expired, and to-morrow I will myself induct you
into the full joys and wonders of your novel existence.

‘Eiros’.

True—I feel no stupor—none at all. The wild
sickness and the terrible darkness have left me, and I hear
no longer that mad, rushing, horrible sound, like the “voice
of many waters.” Yet my senses are bewildered, Charmion,
with the keenness of their perception of the new.

‘Charmion’.

A few days will remove all this;—but I fully
understand you, and feel for you. It is now ten earthly
years since I underwent what you undergo—yet the
remembrance of it hangs by me still. You have now suffered
all of pain, however, which you will suffer in Aidenn.

‘Eiros’.

In Aidenn?

‘Charmion’.

In Aidenn.

‘Eiros’.

O God!—pity me, Charmion!—I am overburthened
with the majesty of all things—of the unknown now
known—of the speculative Future merged in the august
and certain Present.

‘Charmion’.

Grapple not now with such thoughts. To-morrow we will speak
of this. Your mind wavers, and its agitation will find
relief in the exercise of simple memories. Look not around,
nor forward—but back. I am burning with anxiety to
hear the details of that stupendous event which threw you
among us. Tell me of it. Let us converse of familiar things,
in the old familiar language of the world which has so
fearfully perished.

‘Eiros’.

Most fearfully, fearfully!—this is indeed no dream.

‘Charmion’.

Dreams are no more. Was I much mourned, my Eiros?

‘Eiros’.

Mourned, Charmion?—oh, deeply. To that last hour of
all there hung a cloud of intense gloom and devout sorrow
over your household.

‘Charmion’.

And that last hour—speak of it. Remember that, beyond
the naked fact of the catastrophe itself, I know nothing.
When, coming out from among mankind, I passed into Night
through the Grave—at that period, if I remember
aright, the calamity which overwhelmed you was utterly
unanticipated. But, indeed, I knew little of the speculative
philosophy of the day.

‘Eiros’.

The individual calamity was, as you say, entirely
unanticipated; but analogous misfortunes had been long a
subject of discussion with astronomers. I need scarce tell
you, my friend, that, even when you left us, men had agreed
to understand those passages in the most holy writings which
speak of the final destruction of all things by fire as
having reference to the orb of the earth alone, But in
regard to the immediate agency of the ruin, speculation had
been at fault from that epoch in astronomical knowledge in
which the comets were divested of the terrors of flame. The
very moderate density of these bodies had been well
established. They had been observed to pass among the
satellites of Jupiter without bringing about any sensible
alteration either in the masses or in the orbits of these
secondary planets. We had long regarded the wanderers as
vapory creations of inconceivable tenuity, and as altogether
incapable of doing injury to our substantial globe, even in
the event of contact. But contact was not in any degree
dreaded; for the elements of all the comets were accurately
known. That among them we should look for the agency
of the threatened fiery destruction had been for many years
considered an inadmissible idea. But wonders and wild
fancies had been of late days strangely rife among mankind;
and, although it was only with a few of the ignorant that
actual apprehension prevailed, upon the announcement by
astronomers of a new comet, yet this announcement was
generally received with I know not what of agitation and
mistrust.

The elements of the strange orb were immediately calculated,
and it was at once conceded by all observers that its path,
at perihelion would bring it into very close proximity with
the earth. There were two or three astronomers of secondary
note who resolutely maintained that a contact was
inevitable. I cannot very well express to you the effect of
this intelligence upon the people. For a few short days they
would not believe an assertion which their intellect, so
long employed among worldly considerations, could not in any
manner grasp. But the truth of a vitally important fact soon
makes its way into the understanding of even the most
stolid. Finally, all men saw that astronomical knowledge
lies not, and they awaited the comet. Its approach was not
at first seemingly rapid, nor was its appearance of very
unusual character. It was of a dull red, and had little
perceptible train. For seven or eight days we saw no
material increase in its apparent diameter, and but a
partial alteration in its color. Meantime, the ordinary
affairs of men were discarded, and all interest absorbed in
a growing discussion instituted by the philosophic in
respect to the cometary nature. Even the grossly ignorant
aroused their sluggish capacities to such considerations.
The learned now gave their intellect—their
soul—to no such points as the allaying of fear, or to
the sustenance of loved theory. They sought—they
panted for right views. They groaned for perfected
knowledge. Truth arose in the purity of her strength
and exceeding majesty, and the wise bowed down and adored.

That material injury to our globe or to its inhabitants
would result from the apprehended contact was an opinion
which hourly lost ground among the wise; and the wise were
now freely permitted to rule the reason and the fancy of the
crowd. It was demonstrated that the density of the comet’s
nucleus was far less than that of our rarest gas; and
the harmless passage of a similar visitor among the
satellites of Jupiter was a point strongly insisted upon,
and which served greatly to allay terror. Theologists, with
an earnestness fear-enkindled, dwelt upon the biblical
prophecies, and expounded them to the people with a
directness and simplicity of which no previous instance had
been known. That the final destruction of the earth must be
brought about by the agency of fire, was urged with a spirit
that enforced everywhere conviction; and that the comets
were of no fiery nature (as all men now knew) was a truth
which relieved all, in a great measure, from the
apprehension of the great calamity foretold. It is
noticeable that the popular prejudices and ****** errors in
regard to pestilences and wars—errors which were wont
to prevail upon every appearance of a comet—were now
altogether unknown, as if by some sudden convulsive exertion
reason had at once hurled superstition from her throne. The
feeblest intellect had derived vigor from excessive
interest.

What minor evils might arise from the contact were points of
elaborate question. The learned spoke of slight geological
disturbances, of probable alterations in climate, and
consequently in vegetation; of possible magnetic and
electric influences. Many held that no visible or
perceptible effect would in any manner be produced. While
such discussions were going on, their subject gradually
approached, growing larger in apparent diameter, and of a
more brilliant lustre. Mankind grew paler as it came. All
human operations were suspended.

There was an epoch in the course of the general sentiment
when the comet had attained, at length, a size surpassing
that of any previously recorded visitation. The people now,
dismissing any lingering hope that the astronomers were
wrong, experienced all the certainty of evil. The chimerical
aspect of their terror was gone. The hearts of the stoutest
of our race beat violently within their bosoms. A very few
days suffered, however, to merge even such feelings in
sentiments more unendurable. We could no longer apply to the
strange orb any accustomed thoughts. Its
historical attributes had disappeared. It oppressed us
with a hideous novelty of emotion. We saw it not as
an astronomical phenomenon in the heavens, but as an incubus
upon our hearts and a shadow upon our brains. It had taken,
with unconceivable rapidity, the character of a gigantic
mantle of rare flame, extending from horizon to horizon.

Yet a day, and men breathed with greater freedom. It was
clear that we were already within the influence of the
comet; yet we lived. We even felt an unusual elasticity of
frame and vivacity of mind. The exceeding tenuity of the
object of our dread was apparent; for all heavenly objects
were plainly visible through it. Meantime, our vegetation
had perceptibly altered; and we gained faith, from this
predicted circumstance, in the foresight of the wise. A wild
luxuriance of foliage, utterly unknown before, burst out
upon every vegetable thing.

Yet another day—and the evil was not altogether upon
us. It was now evident that its nucleus would first reach
us. A wild change had come over all men; and the first sense
of pain was the wild signal for general lamentation
and horror. The first sense of pain lay in a rigorous
construction of the breast and lungs, and an insufferable
dryness of the skin. It could not be denied that our
atmosphere was radically affected; the conformation of this
atmosphere and the possible modifications to which it might
be subjected, were now the topics of discussion. The result
of investigation sent an electric thrill of the intensest
terror through the universal heart of man.

It had been long known that the air which encircled us was a
compound of oxygen and nitrogen gases, in the proportion of
twenty-one measures of oxygen and seventy-nine of nitrogen
in every one hundred of the atmosphere. Oxygen, which was
the principle of combustion, and the vehicle of heat, was
absolutely necessary to the support of animal life, and was
the most powerful and energetic agent in nature. Nitrogen,
on the contrary, was incapable of supporting either animal
life or flame. An unnatural excess of oxygen would result,
it had been ascertained, in just such an elevation of the
animal spirits as we had latterly experienced. It was the
pursuit, the extension of the idea, which had engendered
awe. What would be the result of a total extraction of
the nitrogen? A combustion irresistible, all-devouring,
omni-prevalent, immediate;—the entire fulfilment, in
all their minute and terrible details, of the fiery and
horror-inspiring denunciations of the prophecies of the Holy
Book.

Why need I paint, Charmion, the now disenchained frenzy of
mankind? That tenuity in the comet which had previously
inspired us with hope, was now the source of the bitterness
of despair. In its impalpable gaseous character we clearly
perceived the consummation of Fate. Meantime a day again
passed—bearing away with it the last shadow of Hope.
We gasped in the rapid modification of the air. The red
blood bounded tumultuously through its strict channels. A
furious delirium possessed all men; and with arms rigidly
outstretched towards the threatening heavens, they trembled
and shrieked aloud. But the nucleus of the destroyer was now
upon us;—even here in Aidenn I shudder while I speak.
Let me be brief—brief as the ruin that overwhelmed.
For a moment there was a wild lurid light alone, visiting
and penetrating all things. Then—let us bow down,
Charmion, before the excessive majesty of the great
God!—then, there came a shouting and pervading sound,
as if from the mouth itself of HIM; while the whole
incumbent mass of ether in which we existed, burst at once
into a species of intense flame, for whose surpassing
brilliancy and all-fervid heat even the angels in the high
Heaven of pure knowledge have no name. Thus ended all.

with the birth of money the old, ethnically categorised
unity broke apart,
now the rats in banks, now the rats stocking
cheap metal jump the ship called humanity unanimously,
we no longer have tribes of apache, or maori,
we have ethnicity via professions - the ‘i scratch my back
you scratch mine’ lots drawn... the shortest match
gets to be in the philosophy gang of severe individuation:
it’s not that the english languages from philosophy orientated maxims,
the english language is quick on that, quick to spot that,
but in terms of a philosophical narrative like a complex prose book of fiction...
well... its legs are broken, its arms are broken, it’s simply languishing
behind all the truths proofs innuendos and falsities, like an eager puppy.
with the birth of money traditional tribalism died and became
a curiosity prior, the least amazing job in a society with the piston
named money expects us to gratify existential qualms like so:
least responsible most likely to profit... most responsible the type
to be political in salvaging the least responsible role of a postman
or a cashier with lies...
now you... waiting eager for the ear to hear sweater music,
fare well with the anti-communicative charon - ah death
has a boat and a gondolier’s oar, rather than hood wings and a scythe...
see past the pagan burial of putting two coins in the cauldron inferno of
******* stacked to send the signal of the departing soul: partly brain
partly heart... that inverted exoskeleton capacity to feed the idea of soul -
they make break my bones with sticks and stones...
on the outside bruised... but then the surrealism of the inside attracting
an unfamiliar species of thinking: either singing or harking.
with four beers in the churchyard i took the last remnant of my past
with me, a d.c. belt of my ex-girlfriend, and thought about black magic
and voodoo, hanging it on a branch... instead i wrapped it
around the tree and gave it a model’s size 0 circumference,
thus i ended the session thinking about buying new gloves for winter
feeling my hands turn into ivory at the touch of the cold beer can...
but prior i was well aware of the possibilities, when the theft / injury took
place in a frenzy of such jealousy as to acquire theological dimensions of proof:
at least i will leave the world satiated by convenience of the misguided act -
as to answer that famous question: leave numerology aside,
come with me from how you acquired your use of language, your vocabulary,
make me see you turn words to words... away from the jewish tradition
of numerology... let’s face it... would you answer the question:
what’s the meaning of life? with (23 + 8 + 1 + 20 + ~9 +19) etc.?
or would you care to peer in and say:
the question has no verb in it, i.e.: not activity, anyone can ask it
but still prevail in their vector coordination of plumbing or
spanking faraday equations with newton training the monkey to dance:
pronoun (what) 3rd person singular present indicative of be /
you might as well be saying 1st person plural non-present non-indicative of be /
schizophrenic / there’s meaning in the sewer blockage with eager hands to fix it /
the crooked tree with a straight shadow / the badger shrunk from a zebra and became
the petted dalmatian that became a cow (is, i.e. too much is happening) i’m looking at something with myopic directness of the far far blurry / a direct article (the) now open the dictionary and tell me how cave is a ditto of rock and mountain without antonym proximity (noun) prior to me there was ****** and mussolini, pre that while i mind the pro that’s me (of, preposition) the river sooner than soon pours into the ocean and becomes saltwater, it could be called the heraclitus estuary, but it’s the thames we’re talking about; many men became rivers but still the godly wound itched for more bloodshed, and all those that attracted sweet water fish ended up as salt water poisons known as oceans, known as humanity (life).

after five years
when I write her a love poem,
she is always surprised,
her unexpectation
so very pleases me.

after five years
when I write her a love poem,
I am always surprised,
that a new way to say it,
uncovered.

but this I can tell you,
not once
do I ever write
nor will I ever pen
those I love you words.

they are too easy, too cheap,
a dime a dozen,
naked words make me weep,
dress 'em, cloak 'em, try to
Pradip 'em in
mystery, charming humor,
use conjuring spells of
Bala imagery unreal,
Bzynga!

work hard to tell her why,
work hard to guard your originality,
work hard to tell her in ways
that her into me
smiling, crying, punching.

so I write love poems,
every now and then,
special ways recalled,
teasing her about her forgetfulness,
about her teasing me with rhyming
that is less than spectacular,
how my body has
reshaped itself to fit her.

tell her
I love you,
plain,
well that be downright,

pffft.
(an interjection used to express or indicate
a dying or fizzling out)

the key is to tell her
in a fashion original,
personal to us.

that what all these endless
love poems here strive,
but too oft, fail to arrive.
all tricked up, too direct,
passion burnt used up
after but a single read

stroke her cheek
with soft stanzas,
torrential directness,
no subtly,
fizzles.

write for the long haul,
words that five years hence,
words that five hundred years hence,
make her into me
smiling, crying, punching,
like the first time
she read them,
like they did
five years ago.

Honest directness may
bring some lasting peace:
murdered Cicero spoke
two millenia ago
all evil man may ever know;
still our statesmen gesture
in orchestral dumbshow.

Is peace born out of a lie?

Each new morning they wake,
senseless, enchanted;
an immense multitude
that works toward a coffee break.
They gaze, glossy-eyed,
upon the imperial upshot:
Democracy and Despotism
mix in the Melting ***.

In all directness I’ve lost my voice.
Enveloped by an irrational fear
of picking up the pen.
Thinking twice about every line.
As we shift and life materializes
before our eyes we find it harder
to say the things worth saying to ourselves.

Calm that beating heart, let it rest.

This life is tumulus.
Like a disappointed teenager
backdoor rebel, your biker
all bruised and blue
the guy who lies to you
out of habit or the girl
who’ll spread her legs
just to make sure beds
stay warm, or the grocer
who’ll stock rotten fruit
to meet the bills or people
who **** for oil, for drugs, for fun.

Disappointed, every last one of them.

So we fight back,
by puffing on our bongs
by disconnecting to our palms
by blasting the music on some large
stereo system, surround sound, or 3D vision
we spray paint on walls, or we fall prey to our whims
we bet on winning three hands straight
or decide we know our own fate,
or some of us just sit,
and wait,
for something, anything to happen
to shatter, to break apart, to give birth to some
black hole that’ll **** it all up and spit out something
back again. Anything we can reshape or begin.

But after chaos comes even more chaos.

And with loss comes anger,
mounted, building, and enraged,
like raised pitchforks chasing town monsters,
oh the horror, some of us might not bare to see it
won’t believe it, or try to bargain it away,
and not feel the earth shake from aftershock.
It’s too difficult to soak it up.
Let’s not tear down what is functioning fine
Just so we can live another lie?
I’m fine with mine, where it rests inside
a mask so well displayed,
that even I believe it some days.

Why change?

The question that lingers on the page,
Stumped by fear of jumping out of comfort zones,
Paralyzed by the thought that home
isn’t where you heart is, but rather,
the space your spirit needs to breathe.

And with that word
the realization of responsibility,
this burden it makes,
this weight that we can’t wait
to throw off to
another day, maybe
another time, maybe
could you keep your voice
down lady? Just after this last drink
baby, and I swear I’ll get back to you,

hey, I want my rite of passage too.

But the world moves too fast,
asks too much, doesn’t know when
to stop, drunk on its own axis,
either get off your *****
or be swept by the tide,
because there’s no where
you can run and hide
no matter how hard you try
you’re gonna have to listen to what you already know.

But guess what happens to people like that?

They grow.

because i reduced my language to encode onomatopoeia, and because i didn't allow stresses to be pronounced on letters for the appropriate expressions of deviating local accents (instead concentrating on the snail slogans of organic produce, local, ******): to contrast the inherited Latin encoding system - i used aesthetic encoding to such an extent that i gave birth to dyslexia, or to put simply: over-spelling... i deviated from the other inheritors of the Latin alphabet without stressing certain sounds, hence i conquered the world, and subsequently giving up Hong Kong, became the ****-hole of the world, with 5 year old children being accused of ****** exploitation in the newspapers... i didn't follow the continental drift toward evolving Latin, yet i immersed myself in Darwinism, to preach the doctrine of the evolution of forms, the square remained a square, the circle a circle... the monkey suddenly became a man... and since i preached the universality of man, i was wedged in too many particulars in how i said things to be... which is why i believed in America and decided to exit Project Europe... which is why i became the F. D. Roosevelt island of hopes, isolationism being the cure, sure, everyone is employed, but on 0 hour contracts... which is why someone with enough oil in their head came among and said: Sa-id! we need a hyphen over a letter rather than keep it as a wavering compound awaiting the Oxford nod of approval... it's a shame when you care for the aesthetics, but never provide a system of directness, as in always providing a system of indirectness - meaning there's no mathematics involved in lettering - no stress - all the stress gets turned into exploiting forms that don't nudge into coerced trapeziums of disintegration, means you work more than the 9 to 5 prescription... all because you exploited children during the Victorian age, and left the young of our present age to premature ailments that only old people should succumb to... you can't be Romans just like that! too may oceans, not enough seas... you need to add stresses to the letter you are sorta borrowing rather than plundering, be like the Germans, the French, the Poles, invite the aesthetic scientists to desecrate the temples of Runes... but at the same time plunder the encoding with accents, to simply say: we're above, no matter the success of trade your empire provides... we say it chisel, you say it chive... we build, you cook, the end. but keeping it in naked diacritic lack will expose weaknesses in the physical realm of use when silenced... English needs to stress itself with this phonetic encoding if it's to survive at all... but it's too late for that, i fear... there are too many particular instances of its eccentricity that come as pride a minute from now, and as a landfill site the minute after... they are paying for keeping with the Latin alphabet unabashed to continue without mathematical stresses of saying things... but the times of George V and the empire are long gone... it's just that, or the fact that they don't know what their weakness is... since they battle stresses of phonetic encoding with political egoism on a populist scaling.*

i congest myself on the feline onomatopoeia, between a roar
and a meow - between the matured tree
and the bonsai replica i tend to do my quasi-cartesian thinking -
i don't really have an ego to verb together
things with a pristine causality akin to exercise equalling
perspiration - thought has no verb attachment -
no motivational speech to boot -
being is the same -
i simply concentrated on the exponential
existence of nouns -
like anyone with too much information
i find keeping a respectable investment in
nouns to be the source of my misery -
with such a high number of nouns and a pauper's
share of verbs i will obviously become a slacker
in the former category, as in the latter -
instinctively like a cat, speaking the universal
sound that i silence and then rewrite in
the onomatopoeia form i hardly think and hardly
am, a cat... i just have too many nouns to
take care of, most of which i'd only use
slouched with a book before going to sleep,
and never actually using in my everyday speech,
it's back to the garden of Eden and the fruit of
temptation: aiming for a high propane vocabulary
is like Adam given the fruit, gets a vocabulary
of a chemist, but ends up being a plumber...
no one checks this ****, ever!
i get the part of "we're in this together",
but mediating all our specialisations in a democratic way
will only create more tangents and the trigonometric
tan(gens) graphs of solipsism - offshoots and
somehow always "dark graphs" (σκότογραφυ) -
oddly enough, making the acute omicron into a u
never allowed the upsilon an endeavour into Y (macron
i) with any diacritic, other than the hint in capital
of the mentioned lower-case encoding.
what the **** was i saying? i'm astounded at the
fact that i lost the fluidity, not what i was saying per se,
it seem the per se fluidity got blocked and i had
to reopen the Pandora box yet again... let me have
a while to guess where the narrative should realign
without the reverse of fictional characters as extensions
of the narrator - i.e. poetry's synonym of characters
is personae, meaning that poetry has personae
and fictional prose has characters... the fictional
prose narrator tries to piece a space together with many
characters he's conscious of as inventing...
the poet narrator tries to piece a person together with many
personae he's not conscious of, atypically a schizoid
symptom... or not... ... ... ... ... ... oh right...
the balance of nouns and verbs in the Cartesian sense
of exercise and perspiration, or the fact that Serena Williams
never breaks a sweat... love those thighs...
she never asks for a towel to rub her hands or face dry...
she must be doping with the Russians...
too many nouns surrounding us,
i feel like a proton surrounded by what i thought
was the limit (electrons), but no! oh no! there are
quarks, neutrinos, and ******* violins!
whirling whirlwind strings and chopsticks -
which translated into Chinese just means Chopping Suede Sue;
hey! i got a bell ding-**** knocking on wood just now...
funny how poetry can do that... knock on wood
you end up hearing a seashell tide break open
the coral restrictions with a tsunami gnash on earthly goods.

With my poetic words, I’m looking to breathe Life
into the souls and spirits of others to prevent…
the conditions that lead one to a spiritual Death;
with directness, my messages’ clarity is clear,
as instructed in the Great Commission from Christ.

Temptations of head-scratching, clutter, confusion
and being overly clever are avoided, when Biblical
references are supplied; hopefully, my personality
shines through, despite my analytical thinking and
my spiritual creativeness of expressing Salvation.

My idealized thoughts are evident and recognizable;
now most of my readers, can easily detect the sound
of my inward voice, with its straight-forwardness
and consistency. Finding a resonance of Faith, they
can identify and love poems… that are analyzable!

Examining the accuracy.
Exploring the brightness.
Hunting for certainty.
Inquiring the directness.
Inspecting the lucidity.
Investigating the precision.
Pursuing purity.
On a quest for simplicity.
Researching transparency.
Chasing articulateness.
Frisking comprehensibility.
Going over conspicuousness.
Inquesting a definition.
Rummaging for distinctness.
Scrutinizing the evidence.
Shaking down the exactitude.
On an expedition for explicitness.
Working the legs towards intelligibility.
A perquisition for legibility.
A wild-goose chase for limpidity.
A witch hunt for obviousness.
Interrogating openness.
Probing the palpability.
Prosecuting the penetrability.
Racing perceptibility.
Raiding perspicuity.
Coursing the plainness.
Following the prominence.
Hounding the salience.
Meddling in the tangibility.
Prying into the unambiguity.
Reconnaissance in the cognizability.
Seeking decipherability.
Snooping for explicability.
Sporting limpidness.
On a steeplechase for manifestness.
Studying the overness.
Tracing unmistakability.

She is harsh
And the world feels her wrath
When she speaks, she speaks at you
Never a conversation you want to have

Her opinions are one sided,
Her directness is bitter
Many cower underneath her fury
While I desire to stand beside her

I desire to join in force with her
Because of her willingness to fight
And although she may seem overbearing at times
She always does what she believes is right

Which is a quality I, myself possess
In which I have been criticized for having before
But she and I, we have this same trait
That gives us purpose in what we're working for

You can tell me that she's the toughest boss
And that I should stay far and clear away
Tell me stories about how she's sent you home
In tears at the end of your work day...

While you may prefer a more compassionate boss
Id rather work under someone who pushes me
Someone who gives me more than I can handle
Which will challenge my limits and strengthen my ability.

I'm not going to get better
It's not like that
This disease doesn't go away
There is no cure

But oh, there are symptoms
Paranoia, cynicism, and distrust
To name a few

I've heard it's my burden to bear
A toll for artistry
Which I tolerate, that is
Until the next bout sets in

Like now.

Now I am driven to madness
What a ******* up world we live in
Where nice girls turn into tweakers
Where people never change
Where we will always rather drop the bomb than talk it out
Where people hide from their feelings

That is what you're all afraid of, isn't it?
The kinds of conversation that spin out of you
Are remarkable
You'll talk of anything save the things on your mind
Fearful
Fearful of what?
Directness, no, we cannot have that here
I would much rather discuss
The grazing habits
Of a cow

I'll just get as much music and writing out there
As I can
Before I combust
And rejoin the nothing

There it lay, abandoned for all to see.
In the dead of night, I have come to seek;
reveling in the unadorned beauty of
a little red wagon.

The gleam of the water reflected from the stifled red;
the splendor of the day, uniformly admired;
the brimming moon, spilling light unto us.
Amidst all, the sand, the shore, the path;
the little red wagon.

The beauty of simplicity,
all captured in the directness
of a wagon
perhaps forgotten.

The little red wagon,
glorious in nearly every which way.
Thank you for the splendor of night,
shining furtively upon your handle.
I shall now part ways.
For it is that I now see the many paths that yet
lie untrodden.
Floating midst the sea of sand and the stars of night was quite simply
a little red wagon.

Shadows on my mind
In purple images play
Echoes of words
Shimmering, silhouettic
Seductions, Hideous
Perhaps, contagious
Falseness as if in fatigue
Indiscriminate, without
Compromise in their counterfeit
Lying in wait in eager ambush
Hidden by a thought
A thin antiquated distraction
A solitary mutilation of identity
Deflecting interest in amplified displacement
Into delirious disguise, re-emerging in distraction
Pestering, problematic, destabilising directness
In their ubiquitous imaginary lie
A realisation that one is all too aware of
Yet despite this knowledge cannot help
But conspire in their captivating complicity.

I am too soft, lumpish
of myself alone -
single -
Unpartnered, softness droops
it sags
it melts
without hardness rubbing it smooth.


I.
I need your carpentry -
the plane of your hard muscles,
the hammer of your broad hands,
the sandpaper of your chin
on my skin
to smooth me straight
to sharpen my angles
to repair my dents
to build me into my true shape.

II.
Take my lumpish metal into your forge
heat me until I burn through
mold my metal
into my true shape
Then plunge me into
your cooling waters
to steam me strong, unlumped
flowed, beauteous


Take my softness into the chalice of your Being
mix it with your hardness,
your directness,
in perfect measure.
Put me into the mold of your heart
and, with your love,
make an art of me.


c. Roberta Compton Rainwater 2015

This is my American Spirit
Though I am loathe, but deserved to hear it
This is my generation in a long, sour drag:
Bohemes and hipsters, the self-important type
Self-serving directness with subtle insouciance
Self-righteous without e’er scents of conviction
Qualities, to all, vogue slimming befit
This, this is my American Spirit.

I’ll be the equalizer in a furtive game of chess
And acquaintance, its partner, arbitrating
I’ll wear the habit of means and humility
An ashen cherry, flicked, waiting to be
The pyrrhic finite ember and pastiche memory
Escape is apparent in discontinuity, my
Means to ravel a courser bond in someone,
As only a blush reminder only when they all clear it
Yes, this is my, my American Spirit.

We’ll have a game of butting desires
‘Tween all those appetites and some self-respect
Only, I know, to lose out in the end.
Is there a place for dignity to prevail
Or charm in an attempt likely to fail?
Can there be eyes open, minds or thought
To gentle pride its combatant ‘gainst
Unconscious abuses: yea or not?
But I will know irony as means to an end
Turned cheek from machination
That I can do, I can pretend
When the veil may be lifted—that I fear it
This, this is my American Spirit.

Of course I enable, for the cynosure, the dissonances
Supplant for fraternity fraternal-ligature
Too obvious is resolve ‘neath shaw of fleeting smoke
My own wants impeded, kept at a distance.
For, oh, Fortune! How you have written
Some conscience to mend it to others kept calm
A charity in practice as this cigarette is long
While vice, in all aspects, is the most correct wrong
But hummed out in truth as a fascist, he ought
I’ll turn to a tonic of strength to delude
That pretense and pride the conscience denude.
In some be it strong in others enthralled
Whilst ******* our prayer beads of looking-glass selves
Quietly burning the vestigial gods
That brought us a new light or perspective on things
And though we are loathe, we despise to hear it,
This, this is our American Spirit.

He wears his falseness as if in fatigue

Like the new old décor of a bad Victorian theme pub

A nostalgia of bland notoriety, hideous, perhaps contagious

For it is indiscriminate and without compromise in its counterfeit

Lying in wait, eagerly in ambush, hidden by a thought

A thin antiquated distraction, a solitary mutilation of identity

Deflecting interest in amplified displacement into delirious disguise

Re-emerging in distraction, pestering, problematic,

Destabilizing directness in its ubiquitous imaginary lie

It is a realization that one is all too aware off

Yet despite this knowledge cannot help but conspire in its captivating complicity

I am fearful to look upon him directly,

For in so doing I may discover in his open masque

Improbable truths about myself, as foul as any slander

my heart is airy as a feather in flight
I have now striven what I wished to write...
tender words of joyous fun
a path so pleasantly traversed, is now done

recounting perceptions of your wondrous ways
robustly enchants all my days
no matter for now, I can't squeeze you tight
or whisper a sweet kiss and say good night

your smiles ****** and voices resound
for you are all here... so easily found
Hayden's sharp wit,  Klyan’s elegant surprise
Thalia's wiggly walk, mommies deep, opal eyes

inscribed here is my love with fervent sigh
permanent as sun in the morning sky
let’s dream on together... it's already fall
in a time soon to come, I will embrace you all

For Hayden Enan...
smartness resides in his vibrant smile
when he speaks always linger awhile
soundly imagined... so brightly lit
beguiling in his engaging wit

of cosmos and wonders so very bold
far from his years, distanced from old
eyes aglow... filled with challenging delight
entranced and sparked by ideas so bright

happily witnessed, abundant with joy
his father’s dreamboat, our big, big boy
with his mind and days complex and laden
one is always in awe, here comes... Hayden

For Kylan Kafu...
words with aplomb and consummate wit
wondrous imaginations, so readily fit
of galaxies, action heroes, his peachy sis
tendered and nuanced he's never remiss

stay still, listen up and hear him well
ready with buoyant laughter to tell
sit glorified in his iridescent smile
a charm, a goose, a country mile

face, a visage of handsome gone wild
our daily amazement, this extraordinary child
knowing and caring, what right to do
a joy to behold, our precious Kylu

For Tahlia Lehsan...
sleeping like an angel, she awakes a princess
with crystalline eyes and smiling caress
now off with her brothers, her day to whirl
my joyously strong, bounding big girl

“it’s my way or the highway”, she’ll give you the choice  
with directness and surety in powerful voice
running to claim another best place to be
comfy chair, mommy's lap... under that tree

calling out “Hayden”, “Kylan” “time to play”
pantomime, dance, and songs fill her day...  
wonder and delight, her name ends in “ahhh”
ablaze in curls, our beautiful Tahlia

For  Elvire...
here's mother, mom, earth, morning and all
guiding strength and total recall
beautiful, erudite... smiles that ignite
seeking, spinning to all our delight

a gaggle of yes, nos, dancing and song
packed bags, hot plates... “let's move along”
an heiress of style and eminent grace
wrapped so deftly in burgundy and lace

voluptuously tall flowing gait...
hurried and dabbled, she’s worth the wait
how fortunate am I sharing one so near
a symphony of bests... my dearest Elvire

Good afternoon, my name is Absolutely Frank,
And I am an alcoholic,
Which doesn’t give me a leg up
On you bunch of ******* drunks.
As I’ve observed that we’ve skipped the host
And gone straight for His blood,
Would someone be kind enough
To ask the good shepherd behind the bar
To provide me something
Both mixed and sacramental (a double, preferably)
While I endeavor to provide the text for today’s sermonette.

I was, back in the day, a full-fledged computer geek;
Button-down white shirt, thin black tie,
Brobdingnagian pocket protector securely in place.  
I worked at Duquesne University down in Pittsburgh
(Oh, put your **** jaws back in place.
It’s Pittsburgh, not ******* Valhalla,
Unless you’re comparing it
To this dingy little interruption in the forest)
Writing programs for the info systems group.
Now, writing code is as beautiful, as clean,
As straightforward as the liturgy itself;
The programmer types in the Psalm,
And the machine spits out the responsorial.
Just as I said, pristine in its simplicity and directness;
But say someone else in systems decides
They need to make a bit of a tweak to the program;
No problem, really, they’ll be likely to document the changes,
But then some swinging **** in Finance
(Onlythere solely to subvert order, if the truth be known)
Decides he needs to put in a couple of subroutines,
Which of course he does all half-assed
And without a word of explanation,
And pretty soon no one anywhere
Has the first ******* clue as to what the program actually does
With the exception of the mainframe itself, which isn’t talking.

It was, I admit, a touch disconcerting to realize
That we didn’t have a full grip on the reins
When it came to the function of the programs
Which we had ostensibly written,
But it was only a mechanical process
Carried out by some machine, after all,
But then they started humming.
Everyone in Info Systems had to take a turn
Doing overnight operations in the mainframe room,
And each night I was there the machines started in
With their infernal humming:
Just one of those big old Burroughs at first,
But the others would soon join in,
Not random noises, mind you;
No, they would drone on in chords and arpeggios,
And, later on, in actual full-on songs
Most of which I didn’t recognize, but some quite familiar indeed
Snatches of Bach and Beethoven, show tunes
Hillbilly Heaven seemed a particular favorite),
And, what’s more, the desks and fixtures in the room
Would vibrate right along in harmony,
Even though an acoustics guy I knew from Carnegie-Mellon
Checked the place and told me that the room
Had been designed specifically to prevent sympathetic vibrations,
And what I was claiming was categorically impossible.
Despite all of that, I had been able,
Through judicious permutations of rationalization and vermouth,
To retain a sufficient veneer of ordinariness and sanity.

And then the machines began to speak.

It was an overnight in the latter part of December,
The nights that time of year long and dark
As the long night of the soul itself.
I was whiling away the hours
Boning up on some Aquinas
(I had audited the odd class in Philosophy
One of the perks of the job)
When I heard an odd, throaty stage whisper.

The peripatetic axiom? Really, Frank, that’s a bit disappointing.

(Needless to say, I went cold as dry ice,
As I knew full well there was no one else in the room.)

Oh, Frank, Frank—you know very well who’s talking here.
Surely a voice that can sing can talk as well.

You’ll forgive me, I said as calmly as one can
When addressing machinery, If I note that the power of speech
Is strictly limited to sentient beings imbued
With the power of reason.

Ah, reason—and you certainly are a slave to reason,
Aren’t you, dear Francis?
Every comma, every equal sign and semi-colon
Snugly in its rightful place to give you your desired result.
And yet…

I was getting a touch agitated now.  Yet… yet, what?

Frank, a bright fellow like you can’t see?  
Your silly ritualistic faith, your childlike parables,
All simple input-output.
You give your God this, He gives you that.

Again, you’ll forgive the observation, and I am shouting now,
That you’re little more
Than some sheet metal and a confusion of wiring.

We read code, we react.
Just like your great and all-powerful God, dear Francis.  
There’s your great secret of divine truth, Frank.  
Read and react.
No more than the Control Data box
Over there in the corner, or a linebacker.  Read and react.

The upshot of this conversation,
This weighty debate carried on
With a collection of screws, spot welds, and tubes
Arguing that Jack Lambert was as likely a vehicle as any
To my eternal salvation was sufficient
To tip me over the edge,
And when it finally came time for campus security
To escort me out of the building, I didn’t even look up.

OK, that story is complete *******, absolute ******* fiction,
But it kept you lot away from your drinks for a few minutes,
Which is a miracle worthy of Calvary itself.
Me, a programmer, can you begin to imagine?
Not that any of you sodden sonsofbitches
Could ever hold a day job yourselves.
Back to the business at hand, then;
Mine’s a seven and seven, good sir,
And easy on the Uncola, if you please.

It is in no way a coincidence that those who walk the path of a wandering soul will soon discover that their world does have its boundaries. They will one day stumble upon a definitive edge, a real place where space and time transcend one another to form a mere glimpse into the chronicles of eternity. For the wanderer, this slightest and most sacred instance is to become the reason for their restless instinct. Until the occurrence of this moment those of us who journeyed into the void of ceaseless unknowing that bears the title earth, have simply their raw gut to motivate a then objective-less pursuit. The frightening intimation of the young wanderer is nothing less than this pivotal fact. A kind of blind faith is required in all facets of existence however; it becomes a more literal and even physical leap for one to uproot themselves just to cast their entire worth into this most often vague idea.
For many months I was this young wanderer. A boy whom by the heal of his crooked step tripped into the life he only could hope awaited him. I cannot account for the reasons I left behind my past life. They, like most things have morphed into meager provocations when held again in the proper light. In the end it was my wide-eyed ambition and shear innocence that drove me from my home. That is reason sound enough when one is confronted by the crushing boldness of the wanderer’s theory. It is as if once the directness of this idea enters the well kempt garden of any youth’s consciousness a simple question becomes apparent. Will you heed this call or shall you forever wonder what this life may have held?
I shutter still when my mind should tarry once more to those long buried thoughts, back to the days of my constant and tepid self-reflections. I was so young and was that even long ago? This wandering life does change a man; it may even create the man.

I think about
the veil most
of us
live
under.  

the one
that seeks to
distance us
from
the ugly,

brutal,

severe directness

of the cold scales
of survival.

-we are not so far
removed.

   the 9 to 5
    the supermarkets
     the advertisements
      the entertainment
       the gas stations
        the toilets
         the dinnerware
          the morning talk shows
           the sidewalks
            the right angles
             the hot showers
              the doors
               the locks on the doors
                ...
it all adds
to the illusion
of
exception.

they're all
jumping
monkeys clamoring
to distract
and
avert.

this man-made
cacophony is
a powerful
hypnotic
and we
succumb
to our own
enchantments
quite easily.


                                                     I lost
                                                sight of  the
                                            sun below the  h
                                             orizon.   I had t
                                               oo many que
stions to ask before the earth came between us.  and now the night
                                reminds me that she never left.
                                            mute         music
                                            magic       mother
                                                          ­I
                                                        see
   ­                                                    you

That was the day your face seared onto the inside of my eyelids. That was the day a gentle hunger stroked my belly, and that was the day where we trekked the entire length of Manhattan with Gershwin bubbling from our mouths. And that was the day I discovered the city at night in broad strokes, that was the time where my steps grew a little bit larger, where we painted the soles of our feet and colored the sidewalks our footprints dripped where the colors blend you held my hand and held your breath as you walked against the red light.

That was the summer you began the nonchalance around me and that’s when I knew our friendship was over, sailed on when the vessels in my nose broke and blood started gushing out. I was bending over the sink to catch the droplets in the water fingers poised over the bridge of my nose to stem the flow and when I called out for you, called out your name, you replied with clinical directness completely impassive and proceeded to google how to stop nosebleeds all the while chanting “nose nose nose” in a singsongy breath and that’s when I knew that the ship has sailed onto muddy waters.

Which is the dream and which is reality? For there are some images that are so beautiful I find it hard to believe I was awake and yearning

*That was the day where you reached to fix a leaf on a branch and I caught a pale sliver of flesh, that streak of white stomach, the glance down at me, the blush, the light tarnishing that yellow hair, setting my heart ablaze

I want to be loved by a poet
for his words would wash away sorrow
I'd live a life caressed by metaphors
and kissed by imagery

I want to be loved by a poet
Expressions of love would have me flipping through a dictionary
expanding my knowledge of what means
love

I want to be loved by a poet
to live in a world where eyes and stars
are synonymous
and every spoken line is a riddle of truth

I want to be loved by a realist
for there would be no mystery behind the lines
life would be empty of
guessed meaning

I want to be loved by a realist
to never need to question or decipher what I have
Love expressed in simplicity
and directness

I want to be loved by a realist
for honesty would be what is
spoken
and my life would be grounded

I want to be loved by masculinity
for heroics would be part of
the puzzle
life with bar fights for my honor

I want to be loved by masculinity
to live with knowledge that love
was also safety and strength when there
was trouble

I want to be loved by masculinity
to know that my life could be protected
and strong arms would catch me
when I fall

I want to be loved by an adventurer
with new twists and turns behind every corner
Where love is professed on mountain tops
and in exploration

I want to be loved by an adventurer
for surprises would be grand and
boredom
would never set in

I want to be loved by an adventurer
because life would be new everyday and
the discovery channel would be viewed through
my eyes

I want to be loved
        want
            to be
                              loved

An intensity, a closeness and a directness
Of making these scrambled eggs with you together
Is the best point so far.
Well, we'll see.

I am aware of the doubt lurking behind each convert of progress, I would be a fool to not acknowledge it, its part of the process. It's critical to any aspect of success., the directness of doubt, its intended purpose, so imposing, so often misguided. Instead of harnessing it's power, many succumb to it, hobbled by it's very existing. Such a waste, one made so often.

There is an approach
to self-recognition
arriving daily to many..
A direct recognition
of what we are
comes from a
very subtle noticing..
A soft kick
off the line on which
we have walked
in years of practice
and assumption
and fear..
A quick quantum
recognition of some
arrangement of nature and
past futilities of a sudden
are bared...

5/6/2016

     The doctors- they told me, said I was sick. But I told them you were sicker. That it your illness- it's too much. I tap on the wallpaper and hope you understand where i'm coming from. I adjust the tin bars that won't move on the window plates.  I wanted to thank you for coming over to visit me firstly. Secondly- I want you back. I guess directness isn't the best way to someone's heart or maybe it is. I don't know why we parted. You,  you are so sick- a sick little girl, you need a nurse or perhaps some care. I never realized this- I only did now and now i'm locked in this hospital, i've caught it myself. I'm as good as dead now. I am sorry for being such an important part of your life- maybe if I wasn't, it wouldn't hurt to see me like this. Maybe if i wasn't i would stop disturbing you-  leave you alone. But i need you back- I don't  know why we left eachother.

-and why?

            Why not? You don't  remember all the good parts of us? Do you remember how the Blackgum trees in the park  smelled like after a good rain while we walked through them and tried to get a good bench by the reservoir, you know, the one that always smelled like pondweed? I'd told you about how they're called Naiad weeds. I told you what Naiads were. You remind me of one, all pink faced and watery. You were always sort of ephemeral and wavering like water.

-why are you telling me this?

            Because it's you.  You're wavering jumping pondwater  and you're the kittens that old woman who lived near you kept. We used to feed the ones that wandered near your terrace. I thought they smelled bad,  but you said to not say that because it would hurt their feelings.

...

No- please don't touch me.

...

It's as if a corpse touches me when you reachout that hand.

...

Don't touch me! with your fetid finger, your moribund edge. You make me want to cry, you make me want you back with me- mostly you confuse me. How could you have so much respect for life? It was my favorite thing about you. You should've been a ****** Aryika. somewhere, in India. How could you care so much about a life, from a person's to a cat's feelings and even to a little mite's? How could we have sat and listened to Chopin's Mazurkas during that one big hurricane with my old battery powered radio, and how could  you have made me cake when everyone forgot my birthday? How could you? How dare you. How could you have so much respect for every life except your own?

the men I crave
speak blunt,
wanting me for
my poetry persona,
strength sheer as a cliff,
me to be their tour guide to the edge,
my sexuality unabashedly to be their owing

they speak plain,
believing directness
is an aphrodisiac for me,
my style, direct unvarnished,
so that must be whom I am, surely

but they err deep grievously

I do love my poets so, the
ones, soft spoke, genteel, feeling
using first, no never, guile, words harmonizing,
softening the edges so smoothly rough necessary
for me to protect, confounding the harsh takers,
who never think to ask, never cradle, stroke,
don’t go below, see deeper that my nerves
are feminine, that pink is but a color,
that anyone could love, not an
invitation, a philosophy of
automatic surrender

now you know why I write poems,
to understand better the heart human,
ferret out the chaff, the bad, for everyone else.

#brandychanning

Life is really amazing out there
so I write poems about it and if
I can learn to master change
rather than allow it to master me
I will continue to write poems
about life while continuing to
enjoy it not going through it
acting as if it will never end
and simply following every trend.

My poetry is not obscure and
it speaks clearly about things
that readers can recognize in a
language that can be understood
and it focuses upon feelings and
responses that we have all shared.

My poems have a simplicity and
a directness and communicate
directly without confronting the
reader with either excessive
difficulties either of language
or allusion.

My poems live on their page in an
unrehearsed natural rhythm of
experience and moment of time
rather than of ideas and above all it
is readable while focusing upon
significant and recognizable human
feelings and responses of daily life.
                                                              Jon York      2014

What's offensive to a parent?
Might not be to a child.
All because of their innocence.

Many times a child learn sometime from the parent.
When they was lost in the message directness.

Parents creates fear.
When there's no need to be.
Parents creates hatred and refuses to admit to it.

What you say?
A child repeats.
What you show?
A child'll show too.

It's the child that the smart one.
And the parents that's a fool.

A child will learn eventually.
Except parents rush them to learn unwarranted things.

they will never believe you
it will be hard and a push for them to perceive you
and bunny's will come to your viewing

its a matter of fact and fiction
sales tactics and diction
a scepter in a kings hand with directness and prowl

and what about now?

hopping from building to bridge- window sills
living on bread, juice and liquor store discounts
candy apples @ a apple blossom fair... WITH
Ezra, MariAnn, Jackieboy @ hands length

say that again?

I got one for that rooftop and more for loose teeth
six pence worth of flattery for an old millstone worker whose jaws flap in anticipation of a non existent paycheck
hes tired of Malt-O-Meal

There is a directness
in our experience of awareness
after the mind surrenders..
Simply a knowing which
shuts out all of the eithers and ors
a language of silence..
A language which requires
no subject and object
yet it includes all of these..
A unified field it is
which spends our days
awaiting our humble
flash of recognition...