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"detonations" poems
The artichoke of delicate heart ***** in its battle-dress, builds its minimal cupola; keeps stark in its scallop of scales. Around it, demoniac vegetables bristle their thicknesses, devise tendrils and belfries, the bulb's agitations; while under the subsoil the carrot sleeps sound in its rusty mustaches. Runner and filaments bleach in the vineyards, whereon rise the vines. The sedulous cabbage arranges its petticoats; oregano sweetens a world; and the artichoke dulcetly there in a gardenplot, armed for a skirmish, goes proud in its pomegranate burnishes. Till, on a day, each by the other, the artichoke moves to its dream of a market place in the big willow hoppers: a battle formation. Most warlike of defilades- with men in the market stalls, white shirts in the soup-greens, artichoke field marshals, close-order conclaves, commands, detonations, and voices, a crashing of crate staves. And Maria come down with her hamper to make trial of an artichoke: she reflects, she examines, she candles them up to the light like an egg, never flinching; she bargains, she tumbles her prize in a market bag among shoes and a cabbage head, a bottle of vinegar; is back in her kitchen. The artichoke drowns in a *** So you have it: a vegetable, armed, a profession (call it an artichoke) whose end is millennial. We taste of that sweetness, dismembering scale after scale. We eat of a halcyon paste: it is green at the artichoke heart.
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16.7k
Ode To an Artichoke
what i cant understand is how people can write poetry about the flowers or the sunshine it just seems so irrelevant when there are so many more beautiful things to write about like your dainty, thin, long fingers and the way your lips emit a tiny bit of air when you pronounce ‘th’ words your towering, awkward, bony body loosely, limply entwined in mine that make up your gentle, comforting hugs how melodic your voice is, almost lulling me to sleep your contagious, animated smile how you write as if embroidering the pages gracefully, an art and the words float mid-lines reflecting how your thoughts float among the clouds doolally detonations of enigmatic pure excitement   over the most extraneous of matters your eyes, the captivating bluish-steel of a mid-winter night sky their flare, and the way they light up when you maunder lovingly of such passions alas perhaps, poetry about plants or the weather are just as beautiful but i would not know for even the planet, and nature and sheer beauty of life seems pale in prejudiced comparison to your radiance and how bright you make my insides feel
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Mar 11, 2015
Mar 11, 2015 at 9:15 PM UTC
Bias Among The Tulips
there is a darkness that the silver song of soft illusion lights in symbolic equivalents of images real it is a light brutally interrogative magnifying with dazzling rays the breakage at the jagged edges of the world and lays hostage to impersonation that resembles fragments of smashed oval shaped mirrors reflecting pieces of broken brown terracotta soldiers and causes the eyes to hurt with a watched inner holocaust of disturbing coloured detonations, implosively autonomous given to a deceived departure a departure from reality given by the advocacy of ideological rationalism that sees three kings with blood on their crowns in amplified convulsions call mustre for disturbance, disorder, destruction and death as blood stains the Balkan streets and all emotional impulse is volatilized and a sinister, stuporous, stagnancy stalks the land where sustaining minds are subject to a brutal insensitivity that dazzles on the edge of a spiral vertigo it is a light brutally interrogative magnifying with dazzling rays a vocabulary of incoherence like the rancid stains of ***** that inhabit the jagged edges of the world
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Apr 24, 2014
Apr 24, 2014 at 1:25 PM UTC
Crimean War???
How far is it? How far is it now? The gigantic gorilla interior Of the wheels move, they appall me --- The terrible brains Of Krupp, black muzzles Revolving, the sound Punching out Absence! Like cannon. It is Russia I have to get across, it is some was or other. I am dragging my body Quietly through the straw of the boxcars. Now is the time for bribery. What do wheels eat, these wheels Fixed to their arcs like gods, The silver leash of the will ---- Inexorable. And their pride! All the gods know destinations. I am a letter in this slot! I fly to a name, two eyes. Will there be fire, will there be bread? Here there is such mud. It is a trainstop, the nurses Undergoing the faucet water, its veils, veils in a nunnery, Touching their wounded, The men the blood still pumps forward, Legs, arms piled outside The tent of unending cries ---- A hospital of dolls. And the men, what is left of the men Pumped ahead by these pistons, this blood Into the next mile, The next hour ---- Dynasty of broken arrows! How far is it? There is mud on my feet, Thick, red and slipping. It is Adam's side, This earth I rise from, and I in agony. I cannot undo myself, and the train is steaming. Steaming and breathing, its teeth Ready to roll, like a devil's. There is a minute at the end of it A minute, a dewdrop. How far is it? It is so small The place I am getting to, why are there these obstacles ---- The body of this woman, Charred skirts and deathmask Mourned by religious figures, by garlanded children. And now detonations ---- Thunder and guns. The fire's between us. Is there no place Turning and turning in the middle air, Untouchable and untouchable. The train is dragging itself, it is screaming ---- An animal Insane for the destination, The bloodspot, The face at the end of the flare. I shall bury the wounded like pupas, I shall count and bury the dead. Let their souls writhe in like dew, Incense in my track. The carriages rock, they are cradles. And I, stepping from this skin Of old bandages, boredoms, old faces Step up to you from the black car of Lethe, Pure as a baby.
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3.6k
Getting There
How far is it? How far is it now? The gigantic gorilla interior Of the wheels move, they appall me --- The terrible brains Of Krupp, black muzzles Revolving, the sound Punching out Absence! Like cannon. It is Russia I have to get across, it is some was or other. I am dragging my body Quietly through the straw of the boxcars. Now is the time for bribery. What do wheels eat, these wheels Fixed to their arcs like gods, The silver leash of the will ---- Inexorable. And their pride! All the gods know destinations. I am a letter in this slot! I fly to a name, two eyes. Will there be fire, will there be bread? Here there is such mud. It is a trainstop, the nurses Undergoing the faucet water, its veils, veils in a nunnery, Touching their wounded, The men the blood still pumps forward, Legs, arms piled outside The tent of unending cries ---- A hospital of dolls. And the men, what is left of the men Pumped ahead by these pistons, this blood Into the next mile, The next hour ---- Dynasty of broken arrows! How far is it? There is mud on my feet, Thick, red and slipping. It is Adam's side, This earth I rise from, and I in agony. I cannot undo myself, and the train is steaming. Steaming and breathing, its teeth Ready to roll, like a devil's. There is a minute at the end of it A minute, a dewdrop. How far is it? It is so small The place I am getting to, why are there these obstacles ---- The body of this woman, Charred skirts and deathmask Mourned by religious figures, by garlanded children. And now detonations ---- Thunder and guns. The fire's between us. Is there no place Turning and turning in the middle air, Untouchable and untouchable. The train is dragging itself, it is screaming ---- An animal Insane for the destination, The bloodspot, The face at the end of the flare. I shall bury the wounded like pupas, I shall count and bury the dead. Let their souls writhe in like dew, Incense in my track. The carriages rock, they are cradles. And I, stepping from this skin Of old bandages, boredoms, old faces Step up to you from the black car of Lethe, Pure as a baby.
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68
*how many ways may i undo you ... each sublime i crave your vermilion waters copper gilded plush falling to my hungry naked mouth drug euphoria drooling ***** toy as i stroke your ankles with tender fingers and brush your delicate feet with my lips before i lift you floating girl and you lose yourself thanking God for the inconceivable pleasure of unbearable pain as you are split and ruptured open oh pink flowers splashing in a stained tub of blood like a blotter sanguine perfume mouth melting kisses heaping vulva's detonations adorations petition am i not vulturous holding you in my warm arms while i whisper in the caverns of your hollow breath that you mean the world to me i drink rain storming from torrid gates howling from your cleaved ******* and unfurled belly your eyes moons trembling immersed in your fathomless yawning soul as you take your last breaths tell me baby is it tender cruel are angels kissing you yet are you caressed by powder pearlescent clouds are you butter on the lips of God while dark curtains flutter and shut while i weep and convulse in heaping waves of ecstasy there is only you like heavens  thunder*
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Jun 4, 2017
Jun 4, 2017 at 3:55 PM UTC
FLOATING GIRL
How far is it? How far is it now? The gigantic gorilla interior Of the wheels move, they appall me --- The terrible brains Of Krupp, black muzzles Revolving, the sound Punching out Absence! Like cannon. It is Russia I have to get across, it is some was or other. I am dragging my body Quietly through the straw of the boxcars. Now is the time for bribery. What do wheels eat, these wheels Fixed to their arcs like gods, The silver leash of the will ---- Inexorable. And their pride! All the gods know destinations. I am a letter in this slot! I fly to a name, two eyes. Will there be fire, will there be bread? Here there is such mud. It is a trainstop, the nurses Undergoing the faucet water, its veils, veils in a nunnery, Touching their wounded, The men the blood still pumps forward, Legs, arms piled outside The tent of unending cries ---- A hospital of dolls. And the men, what is left of the men Pumped ahead by these pistons, this blood Into the next mile, The next hour ---- Dynasty of broken arrows! How far is it? There is mud on my feet, Thick, red and slipping. It is Adam's side, This earth I rise from, and I in agony. I cannot undo myself, and the train is steaming. Steaming and breathing, its teeth Ready to roll, like a devil's. There is a minute at the end of it A minute, a dewdrop. How far is it? It is so small The place I am getting to, why are there these obstacles ---- The body of this woman, Charred skirts and deathmask Mourned by religious figures, by garlanded children. And now detonations ---- Thunder and guns. The fire's between us. Is there no place Turning and turning in the middle air, Untouchable and untouchable. The train is dragging itself, it is screaming ---- An animal Insane for the destination, The bloodspot, The face at the end of the flare. I shall bury the wounded like pupas, I shall count and bury the dead. Let their souls writhe in like dew, Incense in my track. The carriages rock, they are cradles. And I, stepping from this skin Of old bandages, boredoms, old faces Step up to you from the black car of Lethe, Pure as a baby.
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Aug 7, 2013
Aug 7, 2013 at 10:35 PM UTC
Getting there
How far is it? How far is it now? The gigantic gorilla interior Of the wheels move, they appall me --- The terrible brains Of Krupp, black muzzles Revolving, the sound Punching out Absence! Like cannon. It is Russia I have to get across, it is some was or other. I am dragging my body Quietly through the straw of the boxcars. Now is the time for bribery. What do wheels eat, these wheels Fixed to their arcs like gods, The silver leash of the will ---- Inexorable. And their pride! All the gods know destinations. I am a letter in this slot! I fly to a name, two eyes. Will there be fire, will there be bread? Here there is such mud. It is a trainstop, the nurses Undergoing the faucet water, its veils, veils in a nunnery, Touching their wounded, The men the blood still pumps forward, Legs, arms piled outside The tent of unending cries ---- A hospital of dolls. And the men, what is left of the men Pumped ahead by these pistons, this blood Into the next mile, The next hour ---- Dynasty of broken arrows! How far is it? There is mud on my feet, Thick, red and slipping. It is Adam's side, This earth I rise from, and I in agony. I cannot undo myself, and the train is steaming. Steaming and breathing, its teeth Ready to roll, like a devil's. There is a minute at the end of it A minute, a dewdrop. How far is it? It is so small The place I am getting to, why are there these obstacles ---- The body of this woman, Charred skirts and deathmask Mourned by religious figures, by garlanded children. And now detonations ---- Thunder and guns. The fire's between us. Is there no place Turning and turning in the middle air, Untouchable and untouchable. The train is dragging itself, it is screaming ---- An animal Insane for the destination, The bloodspot, The face at the end of the flare. I shall bury the wounded like pupas, I shall count and bury the dead. Let their souls writhe in like dew, Incense in my track. The carriages rock, they are cradles. And I, stepping from this skin Of old bandages, boredoms, old faces Step up to you from the black car of Lethe, Pure as a baby.
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62
Jihadi  Orange sand Raw sewage Diesel fumes and burning flesh Screams and the black blood boiling This is Sadr City It might still be mourning Time for prayer Imams calling Even now We hope for the night In darkness, we lose our reasons not to hide Between the sirens and the screaming We still dream Our dreams Involve silence Not the detonations Ripping closer and closer We dream of thick re-enforced cement Faltering drones IEDs that fail Strong hands on friendly weapons And somewhere a door that opens on home Warm food, open arms and home.
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Mar 5, 2012
Mar 5, 2012 at 8:51 PM UTC
Jihadi
Bleeding eclipse splatters anguish, scorching frozen terrain Reservoir transmits despair, vaporizing humid remains Noxious fumes plague ventilation, incinerating methane mutilates Inhumane detonations ignite smog, dismembering shrapnel decimates Bombardments stimulate hallucinations, assailants discharge magazines Incendiaries barrage trenches, vulnerability flourishes disease Artilleries eject carnage, atrocious quarantine impedes retreat Projectiles massacre infantry, heinous airstrike parries deceit Howitzer impersonates tempest, kamikaze technique revealed Nautical battleships converge, perilous adversaries concealed Submarines launch torpedoes, oblivious warships sealed doom Submersed submersibles clash, claustrophobic vessels entomb Drowning agony crushes depths, forsaken lagoon transforms necropolis Aquatic daemons consume decrepit, infernal torment surrenders providence Condemned mortals cauterize compassion, genocide exterminates consciousness Snorkeling corpses mound topside, eradicated infestation forfeited holocaust
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May 11, 2017
May 11, 2017 at 8:26 PM UTC
Holocaust
the war zone is open a simple stumble onto a carelessly unplanted landmine the photographic proof of the ones in the winning troops a wire was tripped my carefully grounded feet now stumble sightlessly through confused by combat as the clouds of battle brew and storm mushroom around me my soul is shattered by the shrapnel of the relationships that were never quite had grenades packed with unbidden love a thousand times stronger than any known explosive scar and pock my psyche with their silent detonations the rockets of unreason guided by an unbalanced radar pierce the pretend walls of armor which were never successfully reinforced this isn't the first or worst battle know it won't be the last, because there is no safe zone there is no ceasefire there is only surrender to the ceaseless uncertainty a prisoner of my own hostile forces
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Feb 13, 2010
Feb 13, 2010 at 7:31 PM UTC
Friendly Fire
Criminal Arson, lyrical Spartan All coming from the dark abyss of my apartment I'm Aiming for your cartilage Heart attacks happen often Watch your **** watch your next step Slip up, to get surgery like open neck Don't expect this **** to be progressive nor a lullaby I've been non-aggressive for the longest time I deserve some credit for this overtime I have reached a point where I'm disrupting lives Cold bars see we're living in some chilly times Every day I cross the street yet I'm negligent of the signs if I get hit is that ****** or suicide? I see it as do or die that action is to defined These words move faster For people with slower minds This accent is Anglo-Saxon, to massive yet to disguised I write in the form of acid too drastic for you and I Avoiding all of the masses by acting like I am passive When really my minds a passage That leads to actions erratic Most people are systematic Calculated by habits Always missing in action Due to lack of a passion Distorted by forms of havoc Armageddon again, again and again Tell this message to your fam and a friend Famine, no salmon nor small m&ms; This is the end counter clockwise is this demonstration Illustrations in the form of verbal detonations Professor X with a hex that will stop all ovulations So that the idea of having a child will only exist in imaginations This is future annihilation instinctual termination Nuclear concentrated enough to change all that's physical, the removal of hair follicles So visceral, diabolical cynical my methodical rituals Render foes to their minimal state I trust as far as I can throw you What's you physical weight? I'm hoping to take, this **** to the next level So I pulled out the Weegee board and had a chat with the devil He made me a solid offer I simply couldn't refuse There was one thing that I had to do I dipped a dreidel in a bowl of holy water, then spun it on top the altar, father took a turn but it seems that his luck had Faltered, broke was the man, so in turn, the church had to offer a bundle inside a basket Which cradled a couple dollars
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Nov 22, 2016
Nov 22, 2016 at 12:41 AM UTC
Poetic Annihilation
Criminal Arson, lyrical Spartan All coming from the dark abyss of my apartment I'm Aiming for your cartilage Heart attacks happen often Watch your **** watch your next step Slip up, to get surgery like open neck Don't expect this **** to be progressive nor a lullaby I've been non-aggressive for the longest time I deserve some credit for this overtime I have reached a point where I'm disrupting lives Cold bars see we're living in some chilly times Every day I cross the street yet I'm negligent of the signs if I get hit is that ****** or suicide? I see it as do or die that action is to defined These words move faster For people with slower minds This accent is Anglo-Saxon, to massive yet to disguised I write in the form of acid too drastic for you and I Avoiding all of the masses by acting like I am passive When really my minds a passage That leads to actions erratic Most people are systematic Calculated by habits Always missing in action Due to lack of a passion Distorted by forms of havoc Armageddon again, again and again Tell this message to your fam and a friend Famine, no salmon nor small m&ms; This is the end counter clockwise is this demonstration Illustrations in the form of verbal detonations Professor X with a hex that will stop all ovulations So that the idea of having a child will only exist in imaginations This is future annihilation instinctual termination Nuclear concentrated enough to change all that's physical, the removal of hair follicles So visceral, diabolical cynical my methodical rituals Render foes to their minimal state I trust as far as I can throw you What's you physical weight? I'm hoping to take, this **** to the next level So I pulled out the Weegee board and had a chat with the devil He made me a solid offer I simply couldn't refuse There was one thing that I had to do I dipped a dreidel in a bowl of holy water, then spun it on top the altar, father took a turn but it seems that his luck had Faltered, broke was the man, so in turn, the church had to offer a bundle inside a basket Which cradled a couple dollars
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68
Between conjecture and classification there is observation, experiment, data (collection and analysis), statistics, calculus, and a good guess about God's intentions -- probabilities, fractals, chaos and complexity. This is the thunderous city. The form of the poem, the rhyme. *Form cannot be first if you want to reach high artistic levels, since you are then bound by form, and that form is very often a betrayal of reality*. Yet I find I am attracted all the time to philosophies in short skirts, jewels and eyes lined with kohl. I love where her legs lead, to her very soul. Three women hike by under an umbrella in a winter rain. Two men side by side run in rhythm. An oil truck takes the hill in low steady gear. My old Marine, 89, died last night without anxiety or fear. May I overcome my pain enough to reach the place where the deer lay down their bones and, like them, die alone. When making an axe handle, the pattern is not far off. The purpose of school is to introduce us to the world's innumerable wonders. The periodic table, World Wars I and II, Huckleberry Finn and Jim. But soft, what light through yonder window breaks? It is a billion trillion nuclear detonations per second without which nothing can be done or faked. The temple bell stops, but the sound still comes out of the flowers. Forests and the composite species will be nameless. Genetic prowess, receiving the sacrament, performing Lohengrin from the Great American Songbook, the look of love in all the wrong places, facebook, fakebooks, folios of old family photos on or in pianos. When we took Pop-Pop off the ventilator, we put him in a refrigerator. He stopped eating, he stopped breathing. Circle with a dot. He had his dream, he'd rowed his boat. Later came organic computers using polymerase and qubits.
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Aug 11, 2015
Aug 11, 2015 at 6:05 PM UTC
The World Without the Self
Between conjecture and classification there is observation, experiment, data (collection and analysis), statistics, calculus, and a good guess about God's intentions -- probabilities, fractals, chaos and complexity. This is the thunderous city. The form of the poem, the rhyme. *Form cannot be first if you want to reach high artistic levels, since you are then bound by form, and that form is very often a betrayal of reality*. Yet I find I am attracted all the time to philosophies in short skirts, jewels and eyes lined with kohl. I love where her legs lead, to her very soul. Three women hike by under an umbrella in a winter rain. Two men side by side run in rhythm. An oil truck takes the hill in low steady gear. My old Marine, 89, died last night without anxiety or fear. May I overcome my pain enough to reach the place where the deer lay down their bones and, like them, die alone. When making an axe handle, the pattern is not far off. The purpose of school is to introduce us to the world's innumerable wonders. The periodic table, World Wars I and II, Huckleberry Finn and Jim. But soft, what light through yonder window breaks? It is a billion trillion nuclear detonations per second without which nothing can be done or faked. The temple bell stops, but the sound still comes out of the flowers. Forests and the composite species will be nameless. Genetic prowess, receiving the sacrament, performing Lohengrin from the Great American Songbook, the look of love in all the wrong places, facebook, fakebooks, folios of old family photos on or in pianos. When we took Pop-Pop off the ventilator, we put him in a refrigerator. He stopped eating, he stopped breathing. Circle with a dot. He had his dream, he'd rowed his boat. Later came organic computers using polymerase and qubits.
Continue reading...
40
his mind a shatterbox of edges his thoughts weary and dull limp along like thorazine smiles appearing one after another to be following him down the hall begging him for semblance of inner peace stop chasing me he whispers mock harshness to the darkness hoping to frighten the thoughts away he closes his door shutting out the dark hallway and escapes to the exact center of light in his safe warm room mind a shatterbox full of slow motion detonations of thought and flashes of fragment memory scary things in his head he keeps wrapped in wool sweaters and mittens like little children sent out to play in the bitter cold their voices scratchy with distance and time laughing at him soon enough with runny noses they go home for cocoa and cookies leaving him in the exact center of the room as alone as he has been all night all of his life in the exact center of nothing a shatterbox filled with mystery things a broken man and his broken mind he opens the door to the hallway and with almost gentle grace steps slowly into the darkness whispering fast prayers to protect from the fingerless hands that reach but never grasp from the shadows he moves up the hall to the cold floor bathroom the chipped tiles are filthy with the tread of feet from up the hall all the working men from the burning fields and the crop to be harvested their language is a song that he cherishes but their eyes see too much of him so he hides from them the night wears on as it always will he repeats to himself that dawn cant be too far off he only has to survive the silence of night for a little longer survive the scary things just a little longer his mind a shatterbox of broken things protecting the world from the creature within dawn has come and the new neighbor taps at the door with the meal he was waiting for he pulls the door open slowly and without a revealing word takes the hot food and cakes darkness is gone to sleep somewhere hopefully far far  away shatterbox filled with sleepy things now hunger isnt a companion *i knock at his door at dawn and slip the bag of food into him as light begins to creep into the world this is his world each new neighbor passes the torch to the next 'make sure the old man eats the mans son pays the bill at the store and they leave the meals at the door but the old man almost never leaves that room' i wish i could do more for him but they tell me that he is happier alone i never have been happier alone*
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Jul 6, 2013
Jul 6, 2013 at 9:53 PM UTC
shatterbox man
his mind a shatterbox of edges his thoughts weary and dull limp along like thorazine smiles appearing one after another to be following him down the hall begging him for semblance of inner peace stop chasing me he whispers mock harshness to the darkness hoping to frighten the thoughts away he closes his door shutting out the dark hallway and escapes to the exact center of light in his safe warm room mind a shatterbox full of slow motion detonations of thought and flashes of fragment memory scary things in his head he keeps wrapped in wool sweaters and mittens like little children sent out to play in the bitter cold their voices scratchy with distance and time laughing at him soon enough with runny noses they go home for cocoa and cookies leaving him in the exact center of the room as alone as he has been all night all of his life in the exact center of nothing a shatterbox filled with mystery things a broken man and his broken mind he opens the door to the hallway and with almost gentle grace steps slowly into the darkness whispering fast prayers to protect from the fingerless hands that reach but never grasp from the shadows he moves up the hall to the cold floor bathroom the chipped tiles are filthy with the tread of feet from up the hall all the working men from the burning fields and the crop to be harvested their language is a song that he cherishes but their eyes see too much of him so he hides from them the night wears on as it always will he repeats to himself that dawn cant be too far off he only has to survive the silence of night for a little longer survive the scary things just a little longer his mind a shatterbox of broken things protecting the world from the creature within dawn has come and the new neighbor taps at the door with the meal he was waiting for he pulls the door open slowly and without a revealing word takes the hot food and cakes darkness is gone to sleep somewhere hopefully far far  away shatterbox filled with sleepy things now hunger isnt a companion *i knock at his door at dawn and slip the bag of food into him as light begins to creep into the world this is his world each new neighbor passes the torch to the next 'make sure the old man eats the mans son pays the bill at the store and they leave the meals at the door but the old man almost never leaves that room' i wish i could do more for him but they tell me that he is happier alone i never have been happier alone*
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57
The shore is always there— beyond the rocky coast a hawk whips a wing at the volatile sea, quaking from the force of an unseen monster below whose walloping jaws flop open to consume all, yet some nights the monster’s mouth matches mine; she gently kisses me inside a sea-strewn dream, her slick blue skin descending beneath moonlit flesh—she’s emerging from the waves, lunging toward the clouds adorned with detonations of sea green and foam Her dive ends She’s the whale again A shadow beneath blue white glass On I sail, scanning the dark familiar ocean       it means everything.
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Sep 15, 2014
Sep 15, 2014 at 1:16 PM UTC
Ahab's Son
are you there? listen, i'm going deaf, you can go on without me, i need to wait out the post-sound cacophony in my ears, to clear out the sonic clutter, the finely-braided metal radio chains in my head, you know - it's soothing, the sound of silence, it's bliss, that rich, negative space - you go on ahead, and after the war, the ringing detonations, and the harmonic riots, after the static on my tv is carefully rearranged grain by grain into a colorless frame of the past, a pointillistic polaroid, maybe i'll catch up, that is, if i can somehow hear the world again
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Apr 16, 2014
Apr 16, 2014 at 9:39 PM UTC
head noise
you see my honourable rabbi, i have this problem,       Sauron just keeps igniting me...    i either buckle and fall over laughing     on the second h of the gemini -                the ** the woman bit, or i am struck with a need to catch my breath (my vowels) ah eh:                exasperated, surd-surfing: f k p c s t - gargantuan waves of effort...   in genetics you can say xy          - but that still makes no coordinate sense, given the z-antics. Alice looking at the H -    and when i wasn't looking at the YHWH i swear i could see a sun, a sea, a mountain - quantum physics **** right there, a melissa mccarthy punchline on the ready. yep... crude trigonometry central: starting with sharpened cosine - and then pinpointing on the Y - convergent exponential...      plus: so little calculations were involved.   i swear to god... mingle the latin phonetic encoding with the hebraic key,   and you can attest to seeing a million 'allah'u akbar'    cockerels shout in simultaneous detonations and in a Solomonic guise... barely flinch.
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Dec 14, 2016
Dec 14, 2016 at 11:01 AM UTC
in a venetian synagogue
gimme a flaming pumpkin seed for i wanna do some trouble create havoc down below me hypseronic devil craft created by man to **** thermonuclear detonations wherever i wish got 122 nuclear warheads snug in my belly each one a city killer or able to destroy an army kicked out by springs easy as having a beer nobody or nothing can touch me unlike me upon high easily the most evil weapon riding my own shckwave skipping the atmsophere into space where i reign the winner of all wars before they begin but winning without mercy if they start soviet russia my target and any one else who wants to dance my flaming pumpkin seed power beyond god created by america to rule you all
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Jan 12, 2018
Jan 12, 2018 at 6:59 PM UTC
flaming pumpkin seed