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"cypress" poems
O'er the midnight moorlands crying, Thro' the cypress forests sighing, In the night-wind madly flying, Hellish forms with streaming hair; In the barren branches creaking, By the stagnant swamp-pools speaking, Past the shore-cliffs ever shrieking, Damn'd demons of despair. Once, I think I half remember, Ere the grey skies of November Quench'd my youth's aspiring ember, Liv'd there such a thing as bliss; Skies that now are dark were beaming, Bold and azure, splendid seeming Till I learn'd it all was dreaming — Deadly drowsiness of Dis. But the stream of Time, swift flowing, Brings the torment of half-knowing — Dimly rushing, blindly going Past the never-trodden lea; And the voyager, repining, Sees the wicked death-fires shining, Hears the wicked petrel's whining As he helpless drifts to sea. Evil wings in ether beating; Vultures at the spirit eating; Things unseen forever fleeting Black against the leering sky. Ghastly shades of bygone gladness, Clawing fiends of future sadness, Mingle in a cloud of madness Ever on the soul to lie. Thus the living, lone and sobbing, In the throes of anguish throbbing, With the loathsome Furies robbing Night and noon of peace and rest. But beyond the groans and grating Of abhorrent Life, is waiting Sweet Oblivion, culminating All the years of fruitless quest.
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26k
Despair
Dearest, you who have moved with me as the waves to the pull of the moon, You are leaving me now. I know I am not the only moon to your sea. There is another who sways you to her tune. Her name is scrawled in the furrows of your brow. But the tears in your eyes and your heartache Should they not be mine? I who live on this island, immortal and alone? You are leaving me a prisoner in your wake, You with your talk of crooked highlands and fragrant pine And rugged crags. Dangerous talk, I should have known. Now I close my eyes and dream Not of the sweetness of the cypress Nor of familiar violet-eyed meadows, But of birds that spin and gleam high above the land's caress. You have turned me into another Echo Stupidly repeating the names of places and people I will never know.
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Jan 16, 2015
Jan 16, 2015 at 1:41 AM UTC
Calypso speaks to Odysseus
—and not simply by the fact that this shading of forest cannot show the fragrance of balsam, the gloom of cypresses, is what I wish to prove. When you and I were first in love we drove to the borders of Connacht and entered a wood there. Look down you said: this was once a famine road. I looked down at ivy and the scutch grass rough-cast stone had disappeared into as you told me in the second winter of their ordeal, in 1847, when the crop had failed twice, Relief Committees gave the starving Irish such roads to build. Where they died, there the road ended and ends still and when I take down the map of this island, it is never so I can say here is the masterful, the apt rendering of the spherical as flat, nor an ingenious design which persuades a curve into a plane, but to tell myself again that the line which says woodland and cries hunger and gives out among sweet pine and cypress, and finds no horizon will not be there.
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That the Science of Cartography Is Limited
You brave heroic minds, Worthy your country's name, That honour still pursue, Go, and subdue, Whilst loit'ring hinds Lurke here at home with shame. Britons, you stay too long, Quickly aboard bestow you; And with a merry gale Swell your stretched sail, With vows as strong As the winds that blow you. Your course securely steer, West and by South forth keep; Rocks, lee-shores, nor shoals, When Eolus scowls, You need nor fear, So absolute the deep. And cheerfully at sea, Success you still entice To get the pearl and gold; And ours to hold Virginia, Earth's only Paradise. Where Nature hath in store Fowl, venison, and fish; And the fruitfull'st soil, Without your toil, Three harvests more, All greater than your wish. And the ambitious vine Crowns with his purple mass The cedar reaching high To kiss the sky, The cypress, pine, And useful sassafras. To whom the golden age Still Nature's laws doth give, No other cares attend But them to defend From winter's rage, That long there doth not live. When as the luscious smell Of that delicious land, Above the sea that flows, The clear wind throws, Your hearts to swell, Approaching the dear strand. In kenning of the shore, (Thanks to God first given) O you, the happiest men, Be frolic then! Let canons roar, Frighting the wide heaven! And in regions far Such heroes bring ye forth As those from whom we came, And plant our name Under that star Not known unto our North. And as there plenty grows Of laurel everywhere, Apollo's sacred tree, You may it see A poet's brows To crown, that may sing there. Thy voyages attend Industrious Hakluit, Whose reading shall inflame Men to seek fame, And much commend To after-times thy wit.
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Passions in PoetryTo the Virginian Voyage
You brave heroic minds, Worthy your country's name, That honour still pursue, Go, and subdue, Whilst loit'ring hinds Lurke here at home with shame. Britons, you stay too long, Quickly aboard bestow you; And with a merry gale Swell your stretched sail, With vows as strong As the winds that blow you. Your course securely steer, West and by South forth keep; Rocks, lee-shores, nor shoals, When Eolus scowls, You need nor fear, So absolute the deep. And cheerfully at sea, Success you still entice To get the pearl and gold; And ours to hold Virginia, Earth's only Paradise. Where Nature hath in store Fowl, venison, and fish; And the fruitfull'st soil, Without your toil, Three harvests more, All greater than your wish. And the ambitious vine Crowns with his purple mass The cedar reaching high To kiss the sky, The cypress, pine, And useful sassafras. To whom the golden age Still Nature's laws doth give, No other cares attend But them to defend From winter's rage, That long there doth not live. When as the luscious smell Of that delicious land, Above the sea that flows, The clear wind throws, Your hearts to swell, Approaching the dear strand. In kenning of the shore, (Thanks to God first given) O you, the happiest men, Be frolic then! Let canons roar, Frighting the wide heaven! And in regions far Such heroes bring ye forth As those from whom we came, And plant our name Under that star Not known unto our North. And as there plenty grows Of laurel everywhere, Apollo's sacred tree, You may it see A poet's brows To crown, that may sing there. Thy voyages attend Industrious Hakluit, Whose reading shall inflame Men to seek fame, And much commend To after-times thy wit.
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72
Dear diabolic debutante / Spawn of the unfathomable abyss of blackness / Daughter of dreadful dead desire / Black-shrouded sinister sister of celestial gloom before whose imperious gaze the heavens fall silent / Whip-lash girl-child of the graves whose pallid visage kindles the myriad infernal fires / Autocratic vampiress of lunar doom whose winding-cloth enfolds the thousand horrors of blood-drenched nightmare / Thou that wanderest the cypress-crested hills of funereal necropolises / Whose icy glance cracks the ungraven tombstones of utter desolation / Empress of night and madness / Who stalks the locked and shadowed hallways of unhallowed thought / Whose burial-boat glides the still waters over Lethe’s silent depths to the unglimpsed isle of eternal mourning / Whose parapets tower above the fiefdoms of quotidian banality / Whose flying buttresses overlook the Stygian waters of the forgotten drowned denizens of damnation / Whose unshackled dungeons open to worlds of regal splendor / Whose spires pierce dark skies where oblivion buries the ruined cities of revelry under the drifting clouds of leaden time / Oh maiden of melancholic alchemy whose petrified passions transmute base metal into pure gold… May the gibbous moon of equinox shine its baleful eye upon you; may you tread in sacramental calm the winding starlit paths of somnolent cemeteries; may my unmixed metaphors unveil in delirium their parabolic mysteries before the smoldering altar of your uninterpretable allegory; may the favor of your scorn forever lay me out, embalmed, undead, on the cold stone of merciless reality. Behold: in cryptic script of spectral apparition, in tracery of coded illumination, amidst the dawning rays of torment I write thine unknown name on the threshold of daylight. And from within the mortared wall of self I speak forth from my sepulcher the Sibylline utterance, unsought, unheard, undreamt: JUST WANTED TO SAY ‘HI’ !
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Sep 10, 2015
Sep 10, 2015 at 9:15 PM UTC
Ω Gothic Postcard Ω
Dear diabolic debutante / Spawn of the unfathomable abyss of blackness / Daughter of dreadful dead desire / Black-shrouded sinister sister of celestial gloom before whose imperious gaze the heavens fall silent / Whip-lash girl-child of the graves whose pallid visage kindles the myriad infernal fires / Autocratic vampiress of lunar doom whose winding-cloth enfolds the thousand horrors of blood-drenched nightmare / Thou that wanderest the cypress-crested hills of funereal necropolises / Whose icy glance cracks the ungraven tombstones of utter desolation / Empress of night and madness / Who stalks the locked and shadowed hallways of unhallowed thought / Whose burial-boat glides the still waters over Lethe’s silent depths to the unglimpsed isle of eternal mourning / Whose parapets tower above the fiefdoms of quotidian banality / Whose flying buttresses overlook the Stygian waters of the forgotten drowned denizens of damnation / Whose unshackled dungeons open to worlds of regal splendor / Whose spires pierce dark skies where oblivion buries the ruined cities of revelry under the drifting clouds of leaden time / Oh maiden of melancholic alchemy whose petrified passions transmute base metal into pure gold… May the gibbous moon of equinox shine its baleful eye upon you; may you tread in sacramental calm the winding starlit paths of somnolent cemeteries; may my unmixed metaphors unveil in delirium their parabolic mysteries before the smoldering altar of your uninterpretable allegory; may the favor of your scorn forever lay me out, embalmed, undead, on the cold stone of merciless reality. Behold: in cryptic script of spectral apparition, in tracery of coded illumination, amidst the dawning rays of torment I write thine unknown name on the threshold of daylight. And from within the mortared wall of self I speak forth from my sepulcher the Sibylline utterance, unsought, unheard, undreamt: JUST WANTED TO SAY ‘HI’ !
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5
In a city full of fake thugs and now record beef they just settle it with 8 slugs There rose a kid from out of Rogers parkway who kicks slow flows containing dopamine in the bars I slay like Dre Day I'm celebrating out the melon insane like dry water the sheep I'll slaughter like a psychopathic ********** with a daughter Allow me to introduce Nero The Damphir psychotic and I kick knowledge like a field goal my pen is spinning the rumpelillest gold causing static with the lyrical automatic I splatter brains on the floor it's a nasty habit to endure. I'm Chicago's poet I spit knowledge and split spines with the rhymes so solid no one will notice I roll this ***** up like the best cest and smoke it unless you take it off the wax and into the turf I'll make you taste the salt of the earth and after you're in the dirt I'll bear you like Paul you have no chance at all against me the pen is all I need to destroy then employ my victims my rhymes stay within them like That dude they net in juvenile detention center I'm centric on hip-hop that is I got love for cold crush sugarhill grandmaster flash and whodini Wu-Tang naughty by nature and Cypress Hill
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Jan 28, 2015
Jan 28, 2015 at 12:57 AM UTC
Chicago's Poet (Rap)
I DREAMED that one had died in a strange place Near no accustomed hand, And they had nailed the boards above her face, The peasants of that land, Wondering to lay her in that solitude, And raised above her mound A cross they had made out of two bits of wood, And planted cypress round; And left her to the indifferent stars above Until I carved these words: She was more beautiful than thy first love, But now lies under boards.
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A Dream Of Death
This is now. Now is. Don't postpone till then. Spend the spark of iron on stone. Sit at the head of the table; dip your spoon in the bowl. Seat yourself next your joy and have your awakened soul pour wine. Branches in the spring wind, easy dance of jasmine and cypress. Cloth for green robes has been cut from pure absence. You're the tailor, settled among his shop goods, quietly sewing.
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Jul 16, 2016
Jul 16, 2016 at 4:22 PM UTC
Begin by Rumi
Dry land, quiet land of night's immensity. (Wind in the olive groves, wind in the Sierra.) Ancient land of oil lamps and grief. Land of deep cisterns. Land of death without eyes and arrows. (Wind on the roads. Breeze in the poplar groves.) Village Upon a barren hill, a Calvary. Clear water and century-old olive trees. In the narrow streets, men hidden under cloaks, and on the towers the spinning vanes. Forever spinning. Oh, village lost in the Andalucia of tears! Dagger The dagger enters the haert the way plowshares turn over the wasteland. No. Do not cut into me. No. Like a ray of sun, the dagger ignites terrible hollows. No. Do not cut into me. No. Crossroads East wind, a street lamp and a dagger in the heart. The street quivers like tightly pulled string, like a huge, buzzing horsefly. Everywhere, I see a dagger in the heart. Ay! The cry leaves shadows of cypress upon the wind. (Leave me here, in this field, weeping.) The whole world's broken. Only silence remains. (Leave me here, in this field, weeping). The darkened horizon's bitten by bonfires. (I've told you already to leave me here, in this field, weeping.) Surprise He lay dead in the street wit ha dagger in his chest. Nobody knew who he was. How the streep lamp flickered! Mother of god, how the street lamp faintly flickered! It was dawn. Nobody could look up, wide-eyed, into the glare. And he lay dead in the street with a dagger in his chest, and nobody knew who he was. Soleá Wearing black mantillas, she thinks the world is tiny and the heart immense. Wearing black mantillas. She thinks that tender sighs and cries disappear into currents of wind. Wearing black mantillas. The door was left open, and at dawn the entire sky emptied onto her balcony. Ay, yayayayay, wearing black mantillas. Cave From the cave come endless sobbings. (Purple over red.) The gypsy calls forth the distance. (Tall towers and mysterious men.) In an unsteady voice his eyes wander. (Black over red.) And the white-washed cave trembled in gold. (White over red.) Encounter For you and I aren't ready to find each other. You... as you well know. I loved her so much! Follow the narrowest path. I have holes in my hands from the nails. Can't you see how I'm bleeding to death? Don't look back, go slowly, and pray as I do to San Cayetano for you and I aren't ready to find each other. Dawn Bells of Cordoba in the early morning. Bells of Granada at dawn. You are felt by all the girls who weep to the tender, weeping Solea. The girls of upper Andalucia, and of lower. You girls of Spain, with tiny feet and trembling skirts, who've filled the crossroads with crosses. Oh, bells of Cordoba in the early morning, and, oh, the bells of Granada at dawn!
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Poem of the Soleá
Dry land, quiet land of night's immensity. (Wind in the olive groves, wind in the Sierra.) Ancient land of oil lamps and grief. Land of deep cisterns. Land of death without eyes and arrows. (Wind on the roads. Breeze in the poplar groves.) Village Upon a barren hill, a Calvary. Clear water and century-old olive trees. In the narrow streets, men hidden under cloaks, and on the towers the spinning vanes. Forever spinning. Oh, village lost in the Andalucia of tears! Dagger The dagger enters the haert the way plowshares turn over the wasteland. No. Do not cut into me. No. Like a ray of sun, the dagger ignites terrible hollows. No. Do not cut into me. No. Crossroads East wind, a street lamp and a dagger in the heart. The street quivers like tightly pulled string, like a huge, buzzing horsefly. Everywhere, I see a dagger in the heart. Ay! The cry leaves shadows of cypress upon the wind. (Leave me here, in this field, weeping.) The whole world's broken. Only silence remains. (Leave me here, in this field, weeping). The darkened horizon's bitten by bonfires. (I've told you already to leave me here, in this field, weeping.) Surprise He lay dead in the street wit ha dagger in his chest. Nobody knew who he was. How the streep lamp flickered! Mother of god, how the street lamp faintly flickered! It was dawn. Nobody could look up, wide-eyed, into the glare. And he lay dead in the street with a dagger in his chest, and nobody knew who he was. Soleá Wearing black mantillas, she thinks the world is tiny and the heart immense. Wearing black mantillas. She thinks that tender sighs and cries disappear into currents of wind. Wearing black mantillas. The door was left open, and at dawn the entire sky emptied onto her balcony. Ay, yayayayay, wearing black mantillas. Cave From the cave come endless sobbings. (Purple over red.) The gypsy calls forth the distance. (Tall towers and mysterious men.) In an unsteady voice his eyes wander. (Black over red.) And the white-washed cave trembled in gold. (White over red.) Encounter For you and I aren't ready to find each other. You... as you well know. I loved her so much! Follow the narrowest path. I have holes in my hands from the nails. Can't you see how I'm bleeding to death? Don't look back, go slowly, and pray as I do to San Cayetano for you and I aren't ready to find each other. Dawn Bells of Cordoba in the early morning. Bells of Granada at dawn. You are felt by all the girls who weep to the tender, weeping Solea. The girls of upper Andalucia, and of lower. You girls of Spain, with tiny feet and trembling skirts, who've filled the crossroads with crosses. Oh, bells of Cordoba in the early morning, and, oh, the bells of Granada at dawn!
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157
It's deep night, damp and sticky with the residue of southern heat which refuses to totally dissipate this far into the night. The night is thick with the voices of insects and sleepers sweating atop their sheets, committing sins in their vivid imaginings. Dreaming, I'm standing by the wide river wishing I could fly with the breeze through the trees, the soft, warm, cradling breeze that comes up from the Mississippi River. It stirs the boughs of cypress and oak trees and arouses a wind chime's music somewhere down the dimly-lit street, while scattering a newspaper like huge leaves; a wind that smells of magnolia and dogwood blossoms and river mud. A full moon casts long shadows which melt into even darker, yet benign shadows. The night has compiled its secrets, mysteries, transgressions; surely that is the charm of night - it frees the mind to settle not on what seemed important during the day, but on the longings kept locked away, hidden from the disclosing light, struggling to break free and take wing with this night wind. --
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Sep 14, 2011
Sep 14, 2011 at 1:34 PM UTC
Magnolia and Dogwood
Thinking with short breath, gripping my chest, sinking with stress? Just to attest, Imagine putting stress to the test Over pushing boundaries set with intent Chasing leads, gaining lost time pursuing a lust with broken trust Only to rise to the question Can the duality of morals and ethics which define us.. Be overwritten? Misconstrued needs for skeptics lost in line Slowly assimilating breathless methods Hijacked Black rose petals spiraling to conclusion, Decomposing as if to forget this Why don't I neglect this elusive euphoria defined in terms of confusion? Split paths once veering in opposite directions begin running parallel I know I'm here, but who's that there? Ominous reflections veer back with eyes unfamiliar A face with no definition grabs my wrist lurching me forward Weightlessly ***** following a diverging direction with questioned intention. Where are you taking me? (Silence) Operating in two places at once, questioning who is the driver Hijacked There but ever increasingly distant, attempting to reach you The sunrise rekindling the spark of yesterdays intuitions Preserving eloquence like a flower in full bloom Suddenly fades eerie in an instant, dwindling on gloomy restless expressions Cloudy perception refracted by crystalline illusions The evanescent cypress terpene, king of bliss Flowing in the direction towards what has been calling it most An icy chill enters my chest, a constant race to chase an endless quest A ploy of acceptance with a cotton ball
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Aug 22, 2019
Aug 22, 2019 at 11:50 AM UTC
Dopamine
Thinking with short breath, gripping my chest, sinking with stress? Just to attest, Imagine putting stress to the test Over pushing boundaries set with intent Chasing leads, gaining lost time pursuing a lust with broken trust Only to rise to the question Can the duality of morals and ethics which define us.. Be overwritten? Misconstrued needs for skeptics lost in line Slowly assimilating breathless methods Hijacked Black rose petals spiraling to conclusion, Decomposing as if to forget this Why don't I neglect this elusive euphoria defined in terms of confusion? Split paths once veering in opposite directions begin running parallel I know I'm here, but who's that there? Ominous reflections veer back with eyes unfamiliar A face with no definition grabs my wrist lurching me forward Weightlessly ***** following a diverging direction with questioned intention. Where are you taking me? (Silence) Operating in two places at once, questioning who is the driver Hijacked There but ever increasingly distant, attempting to reach you The sunrise rekindling the spark of yesterdays intuitions Preserving eloquence like a flower in full bloom Suddenly fades eerie in an instant, dwindling on gloomy restless expressions Cloudy perception refracted by crystalline illusions The evanescent cypress terpene, king of bliss Flowing in the direction towards what has been calling it most An icy chill enters my chest, a constant race to chase an endless quest A ploy of acceptance with a cotton ball
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29
I shall never get you put together entirely, Pieced, glued, and properly jointed. Mule-bray, pig-grunt and ***** cackles Proceed from your great lips. It's worse than a barnyard. Perhaps you consider yourself an oracle, Mouthpiece of the dead, or of some god or other. Thirty years now I have labored To dredge the silt from your throat. I am none the wiser. Scaling little ladders with glue pots and pails of Lysol I crawl like an ant in mourning Over the weedy acres of your brow To mend the immense skull-plates and clear The bald, white tumuli of your eyes. A blue sky out of the Oresteia Arches above us. O father, all by yourself You are pithy and historical as the Roman Forum. I open my lunch on a hill of black cypress. Your fluted bones and acanthine hair are littered In their old anarchy to the horizon-line. It would take more than a lightning-stroke To create such a ruin. Nights, I squat in the cornucopia Of your left ear, out of the wind, Counting the red stars and those of plum-color. The sun rises under the pillar of your tongue. My hours are married to shadow. No longer do I listen for the scrape of a keel On the blank stones of the landing.
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4.5k
The Colossus
When I am dead, my dearest, Sing no sad songs for me; Plant thou no roses at my head, Nor shady cypress tree: Be the green grass above me With showers and dewdrops wet; And if thou wilt, remember, And if thou wilt, forget. I shall not see the shadows, I shall not feel the rain; I shall not hear the nightingale Sing on, as if in pain: And dreaming through the twilight That doth not rise nor set, Haply I may remember, And haply may forget.
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When I Am Dead, My Dearest
the palms keep vigil over the tired countryside. orange trees bear clusters of golden sun ripened in the red noon. cypress clean clouds from the azure where insects glimmer, sparks born of incandescent sunlight. i listen to the rhythm of silence scented by fabulous blossoms. and my spirit is drawn towards these heavy desires that haunt the coolness of shade.
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noon
I Half of the fellow father as he doubles His sea-sucked Adam in the hollow hulk, Half of the fellow mother as she dabbles To-morrow's diver in her ***** milk, Bisected shadows on the thunder's bone Bolt for the salt unborn. The fellow half was frozen as it bubbled Corrosive spring out of the iceberg's crop, The fellow seed and shadow as it babbled The swing of milk was tufted in the pap, For half of love was planted in the lost, And the unplanted ghost. The broken halves are fellowed in a ******* The crutch that marrow taps upon their sleep, Limp in the street of sea, among the rabble Of tide-tongued heads and bladders in the deep, And stake the sleepers in the savage grave That the vampire laugh. The patchwork halves were cloven as they scudded The wild pigs' wood, and slime upon the trees, ******* the dark, kissed on the cyanide, And loosed the braiding adders from their hairs, Rotating halves are horning as they drill The arterial angel. What colour is glory? death's feather? tremble The halves that pierce the pin's point in the air, And ***** the thumb-stained heaven through the thimble. The ghost is dumb that stammered in the straw, The ghost that hatched his havoc as he flew Blinds their cloud-tracking eye. II My world is pyramid. The padded mummer Weeps on the desert ochre and the salt Incising summer. My Egypt's armour buckling in its sheet, I scrape through resin to a starry bone And a blood parhelion. My world is cypress, and an English valley. I piece my flesh that rattled on the yards Red in an Austrian volley. I hear, through dead men's drums, the riddled lads, ******** their bowels from a hill of bones, Cry Eloi to the guns. My grave is watered by the crossing Jordan. The Arctic scut, and basin of the South, Drip on my dead house garden. Who seek me landward, marking in my mouth The straws of Asia, lose me as I turn Through the Atlantic corn. The fellow halves that, cloven as they swivel On casting tides, are tangled in the shells, Bearding the unborn devil, Bleed from my burning fork and smell my heels. The tongue's of heaven gossip as I glide Binding my angel's hood. Who blows death's feather? What glory is colour? I blow the stammel feather in the vein. The **** is glory in a working pallor. My clay unsuckled and my salt unborn, The secret child, I sift about the sea Dry in the half-tracked thigh.
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3.9k
My World Is Pyramid
I Half of the fellow father as he doubles His sea-sucked Adam in the hollow hulk, Half of the fellow mother as she dabbles To-morrow's diver in her ***** milk, Bisected shadows on the thunder's bone Bolt for the salt unborn. The fellow half was frozen as it bubbled Corrosive spring out of the iceberg's crop, The fellow seed and shadow as it babbled The swing of milk was tufted in the pap, For half of love was planted in the lost, And the unplanted ghost. The broken halves are fellowed in a ******* The crutch that marrow taps upon their sleep, Limp in the street of sea, among the rabble Of tide-tongued heads and bladders in the deep, And stake the sleepers in the savage grave That the vampire laugh. The patchwork halves were cloven as they scudded The wild pigs' wood, and slime upon the trees, ******* the dark, kissed on the cyanide, And loosed the braiding adders from their hairs, Rotating halves are horning as they drill The arterial angel. What colour is glory? death's feather? tremble The halves that pierce the pin's point in the air, And ***** the thumb-stained heaven through the thimble. The ghost is dumb that stammered in the straw, The ghost that hatched his havoc as he flew Blinds their cloud-tracking eye. II My world is pyramid. The padded mummer Weeps on the desert ochre and the salt Incising summer. My Egypt's armour buckling in its sheet, I scrape through resin to a starry bone And a blood parhelion. My world is cypress, and an English valley. I piece my flesh that rattled on the yards Red in an Austrian volley. I hear, through dead men's drums, the riddled lads, ******** their bowels from a hill of bones, Cry Eloi to the guns. My grave is watered by the crossing Jordan. The Arctic scut, and basin of the South, Drip on my dead house garden. Who seek me landward, marking in my mouth The straws of Asia, lose me as I turn Through the Atlantic corn. The fellow halves that, cloven as they swivel On casting tides, are tangled in the shells, Bearding the unborn devil, Bleed from my burning fork and smell my heels. The tongue's of heaven gossip as I glide Binding my angel's hood. Who blows death's feather? What glory is colour? I blow the stammel feather in the vein. The **** is glory in a working pallor. My clay unsuckled and my salt unborn, The secret child, I sift about the sea Dry in the half-tracked thigh.
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62
Mirage I sit up in bed and rub my blurry eyes is that you I see coming towards me no it's just a shadow on the wall it was nothing more than a mirage walking down Cypress Avenue I can't believe there you are across the street looking my way wait oh no it was someone else completely it was just another wishful dream I see buying my groceries for tonites dinner wait is that you I seen turning the corner I rush to the end of the aisle to find it was your memory playing with my mind I was sitting at the stoplight on Maple Drive I glanced over at the car in the lane next to me I can't believe it must be you sitting there I waved and you frowned it was just a mirage I see your face in every little thing I do I just can't get you out of my mind maybe I should check myself into the ward I think I still have that doctor's card last nite you told me that you would go to the prom so I bought you a nice corsage but you weren't really there were you it was just another dam mirage Gomer LePoet ....
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Aug 31, 2011
Aug 31, 2011 at 7:19 PM UTC
Mirage
The roses of Love glad the garden of life, Though nurtur’d ’mid weeds dropping pestilent dew, Till Time crops the leaves with unmerciful knife, Or prunes them for ever, in Love’s last adieu! In vain, with endearments, we soothe the sad heart, In vain do we vow for an age to be true; The chance of an hour may command us to part, Or Death disunite us, in Love’s last adieu! Still Hope, breathing peace, through the grief-swollen breast, Will whisper, “Our meeting we yet may renew:” With this dream of deceit, half our sorrow’s represt, Nor taste we the poison, of Love’s last adieu! Oh! mark you yon pair, in the sunshine of youth, Love twin’d round their childhood his flow’rs as they grew; They flourish awhile, in the season of truth, Till chill’d by the winter of Love’s last adieu! Sweet lady! why thus doth a tear steal its way, Down a cheek which outrivals thy ***** in hue? Yet why do I ask?—to distraction a prey, Thy reason has perish’d, with Love’s last adieu! Oh! who is yon Misanthrope, shunning mankind? From cities to caves of the forest he flew: There, raving, he howls his complaint to the wind; The mountains reverberate Love’s last adieu! Now Hate rules a heart which in Love’s easy chains, Once Passion’s tumultuous blandishments knew; Despair now inflames the dark tide of his veins, He ponders, in frenzy, on Love’s last adieu! How he envies the wretch, with a soul wrapt in steel! His pleasures are scarce, yet his troubles are few, Who laughs at the pang that he never can feel, And dreads not the anguish of Love’s last adieu! Youth flies, life decays, even hope is o’ercast; No more, with Love’s former devotion, we sue: He spreads his young wing, he retires with the blast; The shroud of affection is Love’s last adieu! In this life of probation, for rapture divine, Astrea declares that some penance is due; From him, who has worshipp’d at Love’s gentle shrine, The atonement is ample, in Love’s last adieu! Who kneels to the God, on his altar of light Must myrtle and cypress alternately strew: His myrtle, an emblem of purest delight, His cypress, the garland of Love’s last adieu!
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Love’s Last Adieu
The roses of Love glad the garden of life, Though nurtur’d ’mid weeds dropping pestilent dew, Till Time crops the leaves with unmerciful knife, Or prunes them for ever, in Love’s last adieu! In vain, with endearments, we soothe the sad heart, In vain do we vow for an age to be true; The chance of an hour may command us to part, Or Death disunite us, in Love’s last adieu! Still Hope, breathing peace, through the grief-swollen breast, Will whisper, “Our meeting we yet may renew:” With this dream of deceit, half our sorrow’s represt, Nor taste we the poison, of Love’s last adieu! Oh! mark you yon pair, in the sunshine of youth, Love twin’d round their childhood his flow’rs as they grew; They flourish awhile, in the season of truth, Till chill’d by the winter of Love’s last adieu! Sweet lady! why thus doth a tear steal its way, Down a cheek which outrivals thy ***** in hue? Yet why do I ask?—to distraction a prey, Thy reason has perish’d, with Love’s last adieu! Oh! who is yon Misanthrope, shunning mankind? From cities to caves of the forest he flew: There, raving, he howls his complaint to the wind; The mountains reverberate Love’s last adieu! Now Hate rules a heart which in Love’s easy chains, Once Passion’s tumultuous blandishments knew; Despair now inflames the dark tide of his veins, He ponders, in frenzy, on Love’s last adieu! How he envies the wretch, with a soul wrapt in steel! His pleasures are scarce, yet his troubles are few, Who laughs at the pang that he never can feel, And dreads not the anguish of Love’s last adieu! Youth flies, life decays, even hope is o’ercast; No more, with Love’s former devotion, we sue: He spreads his young wing, he retires with the blast; The shroud of affection is Love’s last adieu! In this life of probation, for rapture divine, Astrea declares that some penance is due; From him, who has worshipp’d at Love’s gentle shrine, The atonement is ample, in Love’s last adieu! Who kneels to the God, on his altar of light Must myrtle and cypress alternately strew: His myrtle, an emblem of purest delight, His cypress, the garland of Love’s last adieu!
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Stay away from the voodoo, love. Resist the swamp music the bells on her ankles her feathered fan and when she sways at the hip— goddess of sudden changes patroness of prostitutes and abandoned lovers— chanting Mambo, terrible beauty. Say nothing when she leans close (cinnamon, tree bark and, faintly, smoke) and breathes *If you have no altar, I am your altar.* Stay away from the voodoo, love— her drumbeats and cypress trees, her hocus pocus honeylocust.
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Dec 25, 2010
Dec 25, 2010 at 6:03 PM UTC
Swamp Mambo
Now sleeps the crimson petal, now the white; Nor waves the cypress in the palace walk; Nor winks the gold fin in the porphyry font: The fire-fly wakens: waken thou with me. Now droops the milk-white peacock like a ghost, And like a ghost she glimmers on to me. Now lies the earth all Danae to the stars, And all thy heart lies open unto me. Now slides the silent meteor on, and leaves A shining furrow, as thy thoughts in me. Now folds the lily all her sweetness up, And slips into the ***** of the lake: So fold thyself, my dearest, thou, and slip Into my ***** and be lost in me.
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The Princess: Now Sleeps the Crimson Petal
Scorn not the Sonnet; Critic, you have frowned, Mindless of its just honours; with this key Shakespeare unlocked his heart; the melody Of this small lute gave ease to Petrarch’s wound; A thousand times this pipe did Tasso sound; With it Camöens soothed an exile’s grief; The Sonnet glittered a gay myrtle leaf Amid the cypress with which Dante crowned His visionary brow: a glow-worm lamp, It cheered mild Spenser, called from Faery-land To struggle through dark ways; and, when a damp Fell round the path of Milton, in his hand The Thing became a trumpet; whence he blew Soul-animating strains—alas, too few!
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Scorn Not The Sonnet
Like burnt-out torches by a sick man’s bed Gaunt cypress-trees stand round the sun-bleached stone; Here doth the little night-owl make her throne, And the slight lizard show his jewelled head. And, where the chaliced poppies flame to red, In the still chamber of yon pyramid Surely some Old-World Sphinx lurks darkly hid, Grim warder of this pleasaunce of the dead. Ah! sweet indeed to rest within the womb Of Earth, great mother of eternal sleep, But sweeter far for thee a restless tomb In the blue cavern of an echoing deep, Or where the tall ships founder in the gloom Against the rocks of some wave-shattered steep.
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The Grave Of Shelley
Oh! snatched away in beauty’s bloom, On thee shall press no ponderous tomb; But on thy turf shall roses rear Their leaves, the earliest of the year; And the wild cypress wave in tender gloom: And oft by yon blue gushing stream Shall Sorrow lean her drooping head, And feed deep thought with many a dream, And lingering pause and lightly tread; Fond wretch! as if her step disturbed the dead! Away! ye know that tears are vain, That death nor heeds nor hears distress: Will this unteach us to complain? Or make one mourner weep the less? And thou—who tell’st me to forget, Thy looks are wan, thine eyes are wet.
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Oh! Snatched Away In Beauty’s Bloom
A ring of gold and a milk-white dove Are goodly gifts for thee, And a hempen rope for your own love To hang upon a tree. For you a House of Ivory, (Roses are white in the rose-bower)! A narrow bed for me to lie, (White, O white, is the hemlock flower)! Myrtle and jessamine for you, (O the red rose is fair to see)! For me the cypress and the rue, (Finest of all is rosemary)! For you three lovers of your hand, (Green grass where a man lies dead)! For me three paces on the sand, (Plant lilies at my head)!
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Chanson