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Of that sort of Dramatic Poem which is call’d Tragedy.


Tragedy, as it was antiently compos’d, hath been ever held the
gravest, moralest, and most profitable of all other Poems:
therefore said by Aristotle to be of power by raising pity and fear,
or terror, to purge the mind of those and such like passions, that is
to temper and reduce them to just measure with a kind of delight,
stirr’d up by reading or seeing those passions well imitated. Nor is
Nature wanting in her own effects to make good his assertion: for
so in Physic things of melancholic hue and quality are us’d against
melancholy, sowr against sowr, salt to remove salt humours.
Hence Philosophers and other gravest Writers, as Cicero, Plutarch
and others, frequently cite out of Tragic Poets, both to adorn and
illustrate thir discourse.  The Apostle Paul himself thought it not
unworthy to insert a verse of Euripides into the Text of Holy
Scripture, I Cor. 15. 33. and Paraeus commenting on the
Revelation, divides the whole Book as a Tragedy, into Acts
distinguisht each by a Chorus of Heavenly Harpings and Song
between.  Heretofore Men in highest dignity have labour’d not a
little to be thought able to compose a Tragedy.  Of that honour
Dionysius the elder was no less ambitious, then before of his
attaining to the Tyranny. Augustus Caesar also had begun his
Ajax, but unable to please his own judgment with what he had
begun. left it unfinisht.  Seneca the Philosopher is by some thought
the Author of those Tragedies (at lest the best of them) that go
under that name.  Gregory Nazianzen a Father of the Church,
thought it not unbeseeming the sanctity of his person to write a
Tragedy which he entitl’d, Christ suffering. This is mention’d to
vindicate Tragedy from the small esteem, or rather infamy, which
in the account of many it undergoes at this day with other common
Interludes; hap’ning through the Poets error of intermixing Comic
stuff with Tragic sadness and gravity; or introducing trivial and
****** persons, which by all judicious hath bin counted absurd; and
brought in without discretion, corruptly to gratifie the people. And
though antient Tragedy use no Prologue, yet using sometimes, in
case of self defence, or explanation, that which Martial calls an
Epistle; in behalf of this Tragedy coming forth after the antient
manner, much different from what among us passes for best, thus
much before-hand may be Epistl’d; that Chorus is here introduc’d
after the Greek manner, not antient only but modern, and still in
use among the Italians. In the modelling therefore of this Poem
with good reason, the Antients and Italians are rather follow’d, as
of much more authority and fame. The measure of Verse us’d in
the Chorus is of all sorts, call’d by the Greeks Monostrophic, or
rather Apolelymenon, without regard had to Strophe, Antistrophe
or Epod, which were a kind of Stanza’s fram’d only for the Music,
then us’d with the Chorus that sung; not essential to the Poem, and
therefore not material; or being divided into Stanza’s or Pauses
they may be call’d Allaeostropha.  Division into Act and Scene
referring chiefly to the Stage (to which this work never was
intended) is here omitted.

It suffices if the whole Drama be found not produc’t beyond the
fift Act, of the style and uniformitie, and that commonly call’d the
Plot, whether intricate or explicit, which is nothing indeed but such
oeconomy, or disposition of the fable as may stand best with
verisimilitude and decorum; they only will best judge who are not
unacquainted with Aeschulus, Sophocles, and Euripides, the three
Tragic Poets unequall’d yet by any, and the best rule to all who
endeavour to write Tragedy. The circumscription of time wherein
the whole Drama begins and ends, is according to antient rule, and
best example, within the space of 24 hours.



The ARGUMENT.


Samson made Captive, Blind, and now in the Prison at Gaza, there
to labour as in a common work-house, on a Festival day, in the
general cessation from labour, comes forth into the open Air, to a
place nigh, somewhat retir’d there to sit a while and bemoan his
condition. Where he happens at length to be visited by certain
friends and equals of his tribe, which make the Chorus, who seek
to comfort him what they can ; then by his old Father Manoa, who
endeavours the like, and withal tells him his purpose to procure his
liberty by ransom; lastly, that this Feast was proclaim’d by the
Philistins as a day of Thanksgiving for thir deliverance from the
hands of Samson, which yet more troubles him.  Manoa then
departs to prosecute his endeavour with the Philistian Lords for
Samson’s redemption; who in the mean while is visited by other
persons; and lastly by a publick Officer to require coming to the
Feast before the Lords and People, to play or shew his strength in
thir presence; he at first refuses, dismissing the publick officer with
absolute denyal to come; at length perswaded inwardly that this
was from God, he yields to go along with him, who came now the
second time with great threatnings to fetch him; the Chorus yet
remaining on the place, Manoa returns full of joyful hope, to
procure e’re long his Sons deliverance: in the midst of which
discourse an Ebrew comes in haste confusedly at first; and
afterward more distinctly relating the Catastrophe, what Samson
had done to the Philistins, and by accident to himself; wherewith
the Tragedy ends.


The Persons

Samson.
Manoa the father of Samson.
Dalila his wife.
Harapha of Gath.
Publick Officer.
Messenger.
Chorus of Danites


The Scene before the Prison in Gaza.

Sam:  A little onward lend thy guiding hand
To these dark steps, a little further on;
For yonder bank hath choice of Sun or shade,
There I am wont to sit, when any chance
Relieves me from my task of servile toyl,
Daily in the common Prison else enjoyn’d me,
Where I a Prisoner chain’d, scarce freely draw
The air imprison’d also, close and damp,
Unwholsom draught: but here I feel amends,
The breath of Heav’n fresh-blowing, pure and sweet,
With day-spring born; here leave me to respire.
This day a solemn Feast the people hold
To Dagon thir Sea-Idol, and forbid
Laborious works, unwillingly this rest
Thir Superstition yields me; hence with leave
Retiring from the popular noise, I seek
This unfrequented place to find some ease,
Ease to the body some, none to the mind
From restless thoughts, that like a deadly swarm
Of Hornets arm’d, no sooner found alone,
But rush upon me thronging, and present
Times past, what once I was, and what am now.
O wherefore was my birth from Heaven foretold
Twice by an Angel, who at last in sight
Of both my Parents all in flames ascended
From off the Altar, where an Off’ring burn’d,
As in a fiery column charioting
His Godlike presence, and from some great act
Or benefit reveal’d to Abraham’s race?
Why was my breeding order’d and prescrib’d
As of a person separate to God,
Design’d for great exploits; if I must dye
Betray’d, Captiv’d, and both my Eyes put out,
Made of my Enemies the scorn and gaze;
To grind in Brazen Fetters under task
With this Heav’n-gifted strength? O glorious strength
Put to the labour of a Beast, debas’t
Lower then bondslave! Promise was that I
Should Israel from Philistian yoke deliver;
Ask for this great Deliverer now, and find him
Eyeless in Gaza at the Mill with slaves,
Himself in bonds under Philistian yoke;
Yet stay, let me not rashly call in doubt
Divine Prediction; what if all foretold
Had been fulfilld but through mine own default,
Whom have I to complain of but my self?
Who this high gift of strength committed to me,
In what part lodg’d, how easily bereft me,
Under the Seal of silence could not keep,
But weakly to a woman must reveal it
O’recome with importunity and tears.
O impotence of mind, in body strong!
But what is strength without a double share
Of wisdom, vast, unwieldy, burdensom,
Proudly secure, yet liable to fall
By weakest suttleties, not made to rule,
But to subserve where wisdom bears command.
God, when he gave me strength, to shew withal
How slight the gift was, hung it in my Hair.
But peace, I must not quarrel with the will
Of highest dispensation, which herein
Happ’ly had ends above my reach to know:
Suffices that to me strength is my bane,
And proves the sourse of all my miseries;
So many, and so huge, that each apart
Would ask a life to wail, but chief of all,
O loss of sight, of thee I most complain!
Blind among enemies, O worse then chains,
Dungeon, or beggery, or decrepit age!
Light the prime work of God to me is extinct,
And all her various objects of delight
Annull’d, which might in part my grief have eas’d,
Inferiour to the vilest now become
Of man or worm; the vilest here excel me,
They creep, yet see, I dark in light expos’d
To daily fraud, contempt, abuse and wrong,
Within doors, or without, still as a fool,
In power of others, never in my own;
Scarce half I seem to live, dead more then half.
O dark, dark, dark, amid the blaze of noon,
Irrecoverably dark, total Eclipse
Without all hope of day!
O first created Beam, and thou great Word,
Let there be light, and light was over all;
Why am I thus bereav’d thy prime decree?
The Sun to me is dark
And silent as the Moon,
When she deserts the night
Hid in her vacant interlunar cave.
Since light so necessary is to life,
And almost life itself, if it be true
That light is in the Soul,
She all in every part; why was the sight
To such a tender ball as th’ eye confin’d?
So obvious and so easie to be quench’t,
And not as feeling through all parts diffus’d,
That she might look at will through every pore?
Then had I not been thus exil’d from light;
As in the land of darkness yet in light,
To live a life half dead, a living death,
And buried; but O yet more miserable!
My self, my Sepulcher, a moving Grave,
Buried, yet not exempt
By priviledge of death and burial
From worst of other evils, pains and wrongs,
But made hereby obnoxious more
To all the miseries of life,
Life in captivity
Among inhuman foes.
But who are these? for with joint pace I hear
The tread of many feet stearing this way;
Perhaps my enemies who come to stare
At my affliction, and perhaps to insult,
Thir daily practice to afflict me more.

Chor:  This, this is he; softly a while,
Let us not break in upon him;
O change beyond report, thought, or belief!
See how he lies at random, carelessly diffus’d,
With languish’t head unpropt,
As one past hope, abandon’d
And by himself given over;
In slavish habit, ill-fitted weeds
O’re worn and soild;
Or do my eyes misrepresent?  Can this be hee,
That Heroic, that Renown’d,
Irresistible Samson? whom unarm’d
No strength of man, or fiercest wild beast could withstand;
Who tore the Lion, as the Lion tears the Kid,
Ran on embattelld Armies clad in Iron,
And weaponless himself,
Made Arms ridiculous, useless the forgery
Of brazen shield and spear, the hammer’d Cuirass,
Chalybean temper’d steel, and frock of mail
Adamantean Proof;
But safest he who stood aloof,
When insupportably his foot advanc’t,
In scorn of thir proud arms and warlike tools,
Spurn’d them to death by Troops.  The bold Ascalonite
Fled from his Lion ramp, old Warriors turn’d
Thir plated backs under his heel;
Or grovling soild thir crested helmets in the dust.
Then with what trivial weapon came to Hand,
The Jaw of a dead ***, his sword of bone,
A thousand fore-skins fell, the flower of Palestin
In Ramath-lechi famous to this day:
Then by main force pull’d up, and on his shoulders bore
The Gates of Azza, Post, and massie Bar
Up to the Hill by Hebron, seat of Giants old,
No journey of a Sabbath day, and loaded so;
Like whom the Gentiles feign to bear up Heav’n.
Which shall I first bewail,
Thy ******* or lost Sight,
Prison within Prison
Inseparably dark?
Thou art become (O worst imprisonment!)
The Dungeon of thy self; thy Soul
(Which Men enjoying sight oft without cause complain)
Imprison’d now indeed,
In real darkness of the body dwells,
Shut up from outward light
To incorporate with gloomy night;
For inward light alas
Puts forth no visual beam.
O mirror of our fickle state,
Since man on earth unparallel’d!
The rarer thy example stands,
By how much from the top of wondrous glory,
Strongest of mortal men,
To lowest pitch of abject fortune thou art fall’n.
For him I reckon not in high estate
Whom long descent of birth
Or the sphear of fortune raises;
But thee whose strength, while vertue was her mate
Might have subdu’d the Earth,
Universally crown’d with highest praises.

Sam:  I hear the sound of words, thir sense the air
Dissolves unjointed e’re it reach my ear.

Chor:  Hee speaks, let us draw nigh.  Matchless in might,
The glory late of Israel, now the grief;
We come thy friends and neighbours not unknown
From Eshtaol and Zora’s fruitful Vale
To visit or bewail thee, or if better,
Counsel or Consolation we may bring,
Salve to thy Sores, apt words have power to swage
The tumors of a troubl’d mind,
And are as Balm to fester’d wounds.

Sam:  Your coming, Friends, revives me, for I learn
Now of my own experience, not by talk,
How counterfeit a coin they are who friends
Bear in their Superscription (of the most
I would be understood) in prosperous days
They swarm, but in adverse withdraw their head
Not to be found, though sought.  Wee see, O friends.
How many evils have enclos’d me round;
Yet that which was the worst now least afflicts me,
Blindness, for had I sight, confus’d with shame,
How could I once look up, or heave the head,
Who like a foolish Pilot have shipwrack’t,
My Vessel trusted to me from above,
Gloriously rigg’d; and for a word, a tear,
Fool, have divulg’d the secret gift of God
To a deceitful Woman : tell me Friends,
Am I not sung and proverbd for a Fool
In every street, do they not say, how well
Are come upon him his deserts? yet why?
Immeasurable strength they might behold
In me, of wisdom nothing more then mean;
This with the other should, at least, have paird,
These two proportiond ill drove me transverse.

Chor:  Tax not divine disposal, wisest Men
Have err’d, and by bad Women been deceiv’d;
And shall again, pretend they ne’re so wise.
Deject not then so overmuch thy self,
Who hast of sorrow thy full load besides;
Yet truth to say, I oft have heard men wonder
Why thou shouldst wed Philistian women rather
Then of thine own Tribe fairer, or as fair,
At least of thy own Nation, and as noble.

Sam:  The first I saw at Timna, and she pleas’d
Mee, not my Parents, that I sought to wed,
The daughter of an Infidel: they knew not
That what I motion’d was of God; I knew
From intimate impulse, and therefore urg’d
The Marriage on; that by occasion hence
I might begin Israel’s Deliverance,
The work to which I was divinely call’d;
She proving false, the next I took to Wife
(O that I never had! fond wish too late)
Was in the Vale of Sorec, Dalila,
That specious Monster, my accomplisht snare.
I thought it lawful from my former act,
And the same end; still watching to oppress
Israel’s oppressours: of what now I suffer
She was not the prime cause, but I my self,
Who vanquisht with a peal of words (O weakness!)
Gave up my fort of silence to a Woman.

Chor:  In seeking just occasion to provoke
The Philistine, thy Countries Enemy,
Thou never wast remiss, I hear thee witness:
Yet Israel still serves with all his Sons.

Sam:  That fault I take not on me, but transfer
On Israel’s Governours, and Heads of Tribes,
Who seeing those great acts which God had done
Singly by me against their Conquerours
Acknowledg’d not, or not at all consider’d
Deliverance offerd : I on th’ other side
Us’d no ambition to commend my deeds,
The deeds themselves, though mute, spoke loud the dooer;
But they persisted deaf, and would not seem
To count them things worth notice, till at length
Thir Lords the Philistines with gather’d powers
Enterd Judea seeking mee, who then
Safe to the rock of Etham was retir’d,
Not flying, but fore-casting in what place
To set upon them, what advantag’d best;
Mean while the men of Judah to prevent
The harrass of thir Land, beset me round;
I willingly on some conditions came
Into thir hands, and they as gladly yield me
To the uncircumcis’d a welcom prey,
Bound with two cords; but cords to me were threds
Toucht with the flame: on thi
Faking Bad

In anticipation of my
Evaluation to be declared
Non Compos Mentos
I slept under a bridge
For three days
"Getting into character,"

But on the morning of
My intake interview
My hair fell perfectly,
I mean I looked like
A ******* rock star.
College girls on the bus
Were giving me their
Numbers and my skin,
Which I'd purposely sunburnt
And caked in the finest filth,
Glowed like an Australian
Chippendale dancer named Weegie
And even the female Assisstant D.A.
Who had busted me for vagrancy
Waved her ******* from
The third story building
Of the Courthouse.

No matter how much I
Tried to speak gibberish
Poetry and philosophical
Tracts spewed from my mouth.

Shuffling past the park
I beat eight
Grand Masters
At chess on move 1

Inadvertently I solved
The Phi Epsilom Theorem
By kicking stones
Into an algorythym.

When I arrived they didn't
Make me wait at all.

My caseworker giggled like
A schoolgirl while I told her
Each day was like an endless shift
In a Chinese fish- gutting
Sweatshop and every one of my fellow
Employees was motivationalist
Richard Simmons.
She ungirdled her enormous
**** and as they spilled
Like fishguts onto the desk
She began to howl
"**** me, **** me, oh ****
Me right here in
Front of the open window
On State Street as everyone
Watches me ******* the strongest,
Healthiest, smartest, most popular,
Well-adjusted man in the world.

The rest of the examination was
Also a success.
But as I left the Mental HealthCenter
feeling marvelous
I accidentally bumped
An old woman with the door:
"Watch out you manic-depressive
Schizoid with Socially Avoidant
Features klutz."
-Thomas L. Vaultonburg
Poem from Outsider Poetry Magazine http://outsiderpoetrymagazine.blogspot.com/
Earl Jane Oct 2015
.


Dear Mrs. Nagley

Oh my dearest mother-in-law,
Did Brandon my king write you?
I am in my utmost state of agitation,
I don’t know what to do, I’m going “non compos mentis”.


Did he left a letter for me before he go?
He said he’ll be in my arms for less than a week,
Oh my goodness it’s been more than 2 weeks!
Oh, this throe is burying me alive in my grave.


Mother-in-law, Oh, mother-in-law,
I am in extreme dejection,
Oh where is my soulmate, my king, my all?
Where is he, please tell me where is he.


Please assure me nothing bad happened,
Oh this eyes shed bucket of tears,
They’re swollen and I am so weary,
Please mother-in-law, tell me what’s going on.

Sincerely your daughter-in-law
Earl Jane Nagley
September 27th, 1876




(Mrs. Nagley's response letter)

Dearest daughter in law Jane........

He left over two week's ago, didst he not correspond?
Mineself either hath no way to knoweth;
I'm worried mineself, me and his father,
We hast not heard one word from ourn son, dearest daughter.

Do not fret Jane, maby mine son's cruise ship is late
If he doth get there, telleth him to write his mum;
I'm crying now from this stress, there art no word's to calm,
Me and his father heard a storm was coming in, I'm anxious.

We need to hath faith mine son wilt maketh it.
Maby the captain's running late, maby the ocean's shaking;
Mine baby is strong, as I prayest he mayest hold on to the thunderous lightning that's hitting the dawn, I want mine son.

Im on mine knee's now, begging God to bringeth him to thee
If he dost not maketh it to thee Jane, mine daughter and sweet;
I wouldst not knoweth what to do without thy king, mine son!
I'm beseeching Yahweh's mercy, mayest god protect his ship run.

Your Mother in law, Juna Nagley............
October 9th, 1876


ONE WEEK LATER MRS. NAGLEY WRITES ONE LAST LETTER TO HER DAUGHTER IN LAW JANE NAGLEY ON THE NEWS OF BRANDON........


Dearest daughter in law Jane.........

Me and mine husband hath received news on mine son, and thine king, I'm heartbroken to telleth thee, but the ship succumbed to the storm's ferocious sting; I prayed and begged to god, yet mine son no longer couldst cling, he passed at twenty-seven. The front half of the vessel broke into many pieces, the lightning struck the sail as tis all the men were flung west and east: Mine baby found some wood to grasp onto, though shark's were around, as ******* they made there move. He was taken by the man-eater's and sunk into the deep blue. O' how saddened I am, O' how I miss mine son, this ****'s mine soul and break's me in ways more than one...... Here is the letter mine son left when they found him floating by the blood of his vest.
Sincerely mom ...
October 16, 1876

( Brandon's letter to his wife Jane Nagley)

Dear amour', I canst not write thee much, mine limbs art bleeding out from the shark bites and cuts. Mine ship went down, as tis this is God's will, please if thou shalt get this letter please knoweth thou art mine queen, mine body shalt be renewed in the presence of the Lord's feet; thou art not losing me, remember? No goodbye's, if I'm to goeth now and if I'm to die, smileth for me lass, drieth thine eye's; I'll meeteth thee in the third celestial, i'll meet thee there.... By the pearly gate's. On cloud nine.

Thy king and soulmate, always and forever





© Earl Jane - Brandon Collaborations
♥ Lovers Incorporated
fourth collab with my king Brandon <3


I suggested to Brandon to have  a collab with him again, he gave me this idea,... though this is sooo much heartbreaking, it turned out to be interestingly amazing and genius! i knew he is genius :)))

i love you lots Brandon! me most! <3 :)))
brandon nagley Oct 2015
Dear Mrs. Nagley

Oh my dearest mother-in-law,
Did Brandon my king write you?
I am in my utmost state of agitation,
I don’t know what to do, I’m going “non compos mentis”.


Did he left a letter for me before he go?
He said he’ll be in my arms for less than a week,
Oh my goodness it’s been more than 2 weeks!
Oh, this throe is burying me alive in my grave.


Mother-in-law, Oh, mother-in-law,
I am in extreme dejection,
Oh where is my soulmate, my king, my all?
Where is he, please tell me where is he.


Please assure me nothing bad happened,
Oh this eyes shed bucket of tears,
They’re swollen and I am so weary,
Please mother-in-law, tell me what’s going on.

Sincerely your daughter-in-law
Earl Jane Nagley
September 27th, 1876



(Mrs. Nagley's response letter)

Dearest daughter in law Jane........

He left over two week's ago, didst he not correspond?
Mineself either hath no way to knoweth;
I'm worried mineself, me and his father,
We hast not heard one word from ourn son, dearest daughter.

Do not fret Jane, maby mine son's cruise ship is late
If he doth get there, telleth him to write his mum;
I'm crying now from this stress, there art no word's to calm,
Me and his father heard a storm was coming in, I'm anxious.

We need to hath faith mine son wilt maketh it.
Maby the captain's running late, maby the ocean's shaking;
Mine baby is strong, as I prayest he mayest hold on to the thunderous lightning that's hitting the dawn, I want mine son.

Im on mine knee's now, begging God to bringeth him to thee
If he dost not maketh it to thee Jane, mine daughter and sweet;
I wouldst not knoweth what to do without thy king, mine son!
I'm beseeching Yahweh's mercy, mayest god protect his ship run.

Your Mother in law, Juna Nagley............
October 9th, 1876


ONE WEEK LATER MRS. NAGLEY WRITES ONE LAST LETTER TO HER DAUGHTER IN LAW JANE NAGLEY ON THE NEWS OF BRANDON........


Dearest daughter in law Jane.........

Me and mine husband hath received news on mine son, and thine king, I'm heartbroken to telleth thee, but the ship succumbed to the storm's ferocious sting; I prayed and begged to god, yet mine son no longer couldst cling, he passed at twenty-seven. The front half of the vessel broke into many pieces, the lightning struck the sail as tis all the men were flung west and east: Mine baby found some wood to grasp onto, though shark's were around, as ******* they made there move. He was taken by the man-eater's and sunk into the deep blue. O' how saddened I am, O' how I miss mine son, this ****'s mine soul and break's me in ways more than one...... Here is the letter mine son left when they found him floating by the blood of his vest.
Sincerely mom ...
October 16, 1876

( Brandon's letter to his wife Jane Nagley)

Dear amour', I canst not write thee much, mine limbs art bleeding out from the shark bites and cuts. Mine ship went down, as tis this is God's will, please if thou shalt get this letter please knoweth thou art mine queen, mine body shalt be renewed in the presence of the Lord's feet; thou art not losing me, remember? No goodbye's, if I'm to goeth now and if I'm to die, smileth for me lass, drieth thine eye's; I'll meeteth thee in the third celestial, i'll meet thee there.... By the pearly gate's. On cloud nine.

Thy king and soulmate, always and forever

Brandon Cory nagley........
September 23rd, 1876........




©Brandon nagley \Earl Jane Nagley duo
©Lonesome poets poetry
©Hari-reyna incorporated
This is a duo me and mine queen Earl Jane Nagley wrote together.... Its a poem about me going off on a ship to go to the Philippines to see Jane..! And Jane writes mine mother because she's worried because mine ship didint make it to her... So Jane writes mine mother ( Jane's part is her writing mine mother) mine part is me playing mine mother.. And I also play part of me writing mine last letter to Jane while dying holding onto piece of wood. Kind of like titanic in a way,.. Enjoy,,,
Mateuš Conrad Nov 2018
.simone biles (the gymnast)...
                 miles davis (the trumpet guy)...
     must be black privilege;
wasn't there a movie...
starring
woody harrelson
and wesley snipes?
you sure?
i thought it was
called: white men can't jump...
sure as **** ****** can
sing church gospel!
how's that for
privilege?
    if you're going to
culturally box, and repeatedly
punch below the belt...
you're quiet likely going
to get a reaction...
i have an acne wart growing
on my *** the size
of a cauliflower,
it's itchy my brain,
it's differentiating between
agitate and: lying back...
i guess the excess of...
look... you may have
the excess melanin...
    i have lactose tolerance...
we're even?!
   no?
  so how come some smurf,
some European hobbit
shackle your N.B.A.
Goliath(s)?!
explain that one to me...
if these people were so
****-unsure...
how they **** did they
tame the Zulu Apache Goliath
bodybuilders?!
  what the ****?!
i already said, and it was proven...
IQ...
i don't like it...
     but i'm pretty sure that
the whites **** more people
in terrorist attacks than...
camel-jockeys...
         it took 3 or over three...
to perform the Bataclan Massacre...
three... the third of the IQ
that required a Breivik...
   130 in France...
dissociated among 3 attackers
that gorged on testicles after the spree...
fun, fun fun fun...
like: you're trying to say that without
irony...
    and how many in Norway?
    77...
i only look at the IQ of killers...
so... what's the ratio?
    77 / 1
   130 / 3 = 43...
         like i said... low IQ...
              you really want your little
racial insurrection?
you'll have it, don't worry..
i'll just the narrative...
  must be black privy...
if you can mash up a jazz compos.,
right?
                crackers read from
a prepared script...
you ******* just, "improvise"...
          rapping contra talking...
****... come to think of it...
******* boys took it too far from
your Oreos...
           like... too much drums...
not enough wind, or strings...
too much drumming...
pulverizing the ears
with drum & bass and what not...
if i wasn't deaf prior,
i'm deaf by now;
******* boy to Oreo woo-oo-oops
boy;
same ****, different cover.
Olga Valerevna Feb 2013
My dreams have lost their luster and I read them easy now
With everything in lucid rhyme that doesn't skip a sound
I'm summoned by a certain note and open both my eyes
And what constructs the things I see puts hoods upon the lies
But how can I approach them now without becoming stained
Without becoming subject to the motives they've unchained
In retrospect I take a step, enough to make a start
Without delay my legs begin to move our worlds apart
In time I'll reach the ground I knew and tended to, before
Though blind I be my hands contain the key that sealed the door
In sanity.
OH ! born to sooth distress, and lighten care ;
Lively as soft, and innocent as fair ;
Blest with that sweet simplicity of thought
So rarely found, and never to be taught ;
Of winning speech, endearing, artless, kind,
The loveliest pattern of a female mind ;
Like some fair spirit from the realms of rest
With all her native heaven within her breast ;
So pure, so good, she scarce can guess at sin,

But thinks the world without like that within ;
Such melting tenderness, so fond to bless,
Her charity almost becomes excess.
Wealth may be courted, wisdom be rever'd,
And beauty prais'd, and brutal strength be fear'd ;
But goodness only can affection move ;
And love must owe its origin to love.


*
OF gentle manners, and of taste refin'd,
With all the graces of a polish'd mind ;
Clear sense and truth still shone in all she spoke,

And from her lips no idle sentence broke.
Each nicer elegance of art she knew ;
Correctly fair, and regularly true :
Her ready fingers plied with equal skill
The pencil's task, the needle, or the quill.
So pois'd her feelings, so compos'd her soul,
So subject all to reason's calm controul,
One only passion, strong, and unconfin'd,
Disturb'd the balance of her even mind :
One passion rul'd despotic in her breast,
In every word, and look, and thought confest ;
But that was love, and love delights to bless
The generous transports of a fond excess.
Where, like a pillow on a bed
A pregnant bank swell’d up to rest
The violet’s reclining head,
Sat we two, one another’s best.
Our hands were firmly cemented
With a fast balm, which thence did spring;
Our eye-beams twisted, and did thread
Our eyes upon one double string;
So to’intergraft our hands, as yet
Was all the means to make us one,
And pictures in our eyes to get
Was all our propagation.
As ‘twixt two equal armies fate
Suspends uncertain victory,
Our souls (which to advance their state
Were gone out) hung ‘twixt her and me.
And whilst our souls negotiate there,
We like sepulchral statues lay;
All day, the same our postures were,
And we said nothing, all the day.
If any, so by love refin’d
That he soul’s language understood,
And by good love were grown all mind,
Within convenient distance stood,
He (though he knew not which soul spake,
Because both meant, both spake the same)
Might thence a new concoction take
And part far purer than he came.
This ecstasy doth unperplex,
We said, and tell us what we love;
We see by this it was not ***,
We see we saw not what did move;
But as all several souls contain
Mixture of things, they know not what,
Love these mix’d souls doth mix again
And makes both one, each this and that.
A single violet transplant,
The strength, the colour, and the size,
(All which before was poor and scant)
Redoubles still, and multiplies.
When love with one another so
Interinanimates two souls,
That abler soul, which thence doth flow,
Defects of loneliness controls.
We then, who are this new soul, know
Of what we are compos’d and made,
For th’ atomies of which we grow
Are souls. whom no change can invade.
But oh alas, so long, so far,
Our bodies why do we forbear?
They’are ours, though they’are not we; we are
The intelligences, they the spheres.
We owe them thanks, because they thus
Did us, to us, at first convey,
Yielded their senses’ force to us,
Nor are dross to us, but allay.
On man heaven’s influence works not so,
But that it first imprints the air;
So soul into the soul may flow,
Though it to body first repair.
As our blood labors to beget
Spirits, as like souls as it can,
Because such fingers need to knit
That subtle knot which makes us man,
So must pure lovers’ souls descend
T’ affections, and to faculties,
Which sense may reach and apprehend,
Else a great prince in prison lies.
To’our bodies turn we then, that so
Weak men on love reveal’d may look;
Love’s mysteries in souls do grow,
But yet the body is his book.
And if some lover, such as we,
Have heard this dialogue of one,
Let him still mark us, he shall see
Small change, when we’are to bodies gone.
O Thou, the Nymph with placid eye !
O seldom found, yet ever nigh !
Receive my temperate vow :
Not all the storms that shake the pole
Can e'er disturb thy halcyon soul,
And smooth unalter'd brow.

O come, in simplst vest array'd,
With all thy sober cheer display'd

To bless my longing sight ;
Thy mien compos'd, thy even pace,
Thy meek regard, thy matron grace,
And chaste subdued delight.

No more by varying passions beat,
O gently guide my pilgrim feet
To find thy hermit cell ;
Where in some pure and equal sky
Beneath thy soft indulgent eye
Thy modest virtues dwell.

Simplicity in Attic vest,
And Innocence with candid breast,
And clear undaunted eye ;
And Hope, who points to distant years,
Fair opening through this vale of tears
A vista to the sky.

There Health, thro' whose calm ***** glide
The temperate joys in even tide,
That rarely ebb or flow ;
And Patience there, thy sister meek,
Presents her mild, unvarying cheek
To meet the offer'd blow.

Her influence taught the Phrygian sage
A tyrant master's wanton rage
With settled smiles to meet ;
Inur'd to toil and bitter bread
He bow'd his meek submitted head,
And kiss'd thy sainted feet.

But thou, oh Nymph retir'd and coy !
In what brown hamlet dost thou joy
To tell thy simple tale ;

The lowliest children of the ground,
Moss rose, and violet, blossom round,
And lily of the vale.

O say what soft propitious hour
I best may chuse to hail thy power,
And court thy gentle sway ?
When Autumn, friendly to the Muse,
Shall thy own modest tints diffuse,
And shed thy milder day.

When Eve, her dewy star beneath,
Thy balmy spirit loves to breathe,
And every storm is laid ;
If such an hour was e'er thy choice,
Oft let me hear thy soothing voice
Low whispering thro' the shade.
Obadiah Grey Jan 2012
A diagnosis of masturbatory insanity
is the inevitable conclusion
that I, as a fellow onanist,
debaucher of sheep,
and baby goat buggerer
have bestowed upon your befuddled mind.

Your insistence in frequenting
the Heinous Sin of Self-Pollution
and self evacuation of one's seed
with mutual onanistic pursuits of sodamistic bed fellows
and other anti Christian pursuits,
have finally brought a visitation of madness
to the perverted soggy mess
masquerading as your brain;


If one may make an
advantageous suggestion
to your befuddled self,
it would be to seek out a restorative nervous elixir
or wrist strengthening electuary,
the former of which would aid in the
"compos mentis" of your good self;
and the latter is extremely efficacious in the
soothing of onanist wrist
and vinegar stroke eye.

but alas; neither is of use against the
" ejaculatio praecox " of foetid poetry..

your Servant, Obadiah Grey.

Secretary for spermatorrhea conservation
rafsan Oct 2014
Today, yes today.
I found something new about you,

Those philosophical thoughts of yours keep
repeating the same *chains-rhymes
, that circulate
in the air - showing me
that you are that worth;
to keep, to treasure for.

When those sparks of fire arises,
Let me be the water,
To be the tranquility of yours, to deliquesce you.

When those 'non compos mentis' thoughts of yours emerge,
Let me be the scholar,
To figure them, to decipher them for you.

However, the truth is my love,
Even after breaking those codes,
Smashing those unbreakable walls and barriers
of yours;
I will never fully understand you,
as you yourself don't.

The thoughts of me not having you;
disrupts the sea within me,
destroys the fort within me,

Sayang (read:love),
those inequalities of ours should not be
the river that separates two lands,
the wall that separates two nations,
the line that separates between black and white (even the grey exists)

Promise me that you will
bare with me, will you?

*Even promises are meant to be broken.
the room - 9:40pm
Proudly self diagnosed as non compos mentis  , the gallivanting hermetic of Hill Country , walking barefoot this evening , scantly clad ,  joyfully whistling beneath astonishing skies of blue , fields of clover , clear running creeks , copious woodland greenery ! A fickle , fanatical , fervent lover of every creature the forest has to offer ! Rolling hill , pasture and homestead , Wood duck , blue jay , otter and crawdad ! Every rooster , wild turkey and dairy cow ! A boisterous , benevolent , painfully reverent disciple of Earth and sky , lover of cascading brooks , placid lakes , the cool breeze , bumblebees and centipedes , bobcats and chickadees ..
Copyright November 12 , 2015 by Randolph L Wilson * All Rights Reserved
When I eat I chew equally on both sides of my mouth
This is because if I don’t
I worry the teeth on one side will get cavities and eventually fall out
I touch with my toes the yellow stripes lining the stairs outside
alternating a different foot and different parts of my shoes every time
If I don’t the paint will stick to my feet
Turning my shoes the same yellow as the concrete
They’ve recently come in contact with
Now I know you think these notions are crazy and I agree
For people with obsessive compulsive disorder little everyday things
Can take a little longer
We think differently
And honestly I don’t mind that my mind minds things
Other’s brains don’t seem to be constantly thinking about.
My uncle, the child psychologist, once told my mother
I don’t have this illness
Because often I’m not bothered by my abstract obsessions
With frustration wrinkling her face she snapped back
That I most certainly do because they bother her!
My mom hates that I can’t stand to be in our living room
When the volume of our television isn’t on a number divisible by five
Or an even number if the digit’s below twenty  
She’s afraid I’ll revert back to that time when I was in grade school
That time where I would wash my hands so much they cracked and bled
Whenever she tried to hold them
The pain for me was temporary but she tells me she can still feel the sting
My mother blames herself for my problems like your average parent does
I catch her thinking to herself
“Maybe if I hadn’t constantly clipped my daughter’s nails”
“She wouldn’t bite them until blood”  
Maybe, but probably not
When she looks at me
I can see her thinking
“What if I’d never told her about the germs?”  
“What if I had listened?”
"What if I'd done more to help?"
“What if I’d paid more attention?”
She doesn’t realize that she did
She’s always helped me
She was the one who listened while I cried as the monsters called bacteria
Crawled under my skin
Holding my crumbling hands
My mother, keeper of the non compos mentis
Never cried
Never yelled
Instead she took my ****** palms and sang
As she fixed them with Band-Aids, lotion, and kisses.
She’s always there to try and fix me when I fall apart
When I worried so much my hair grew thin
She gave me her own mother’s worry dolls
Telling me they would do all the fretting for me
she placed them ‘round my room
But I worried that my worries would make them too worried
And wondering if you could die from anxiety
I stuffed them in the back of my dresser drawer whispering,
“You’ll be safer here”
I want to do that to my mother
I know I cause her sleepless night
I can see her lying in bed wondering if I’m eating,
If I’m living
If I’m even breathing
You see,
My lack of sanity is slowly taking hers
This woman who raised me spent so long defending me from my demons
She forgot to fight off her own
Well now it’s my turn
I’ll tuck her safely in my dresser drawer
Nestled next to my old worry dolls
ThereI’ll keep her safe
I’ll take my meds
I’ll eat my supper
I won’t upset her
She’s my mother
She doesn’t deserve a crazy daughter
I'll Shield her from my worries to protect her from her own
Because that’s what love is
Love is the lotion on my hands
Love is changing the volume when no ones looking
Love is not understanding but still listening
And most importantly love is worrying
My mother shows her love by trying to keep me together
I’ll show mine by trying not to break her or myself apart
Today I missed my Mom for the first time in a long time. She calls and asks me how I'm doing on my own up here. I know she worries about me. I worry about her too, and to me that's love.
Preech Apr 2013
He hears voices; but do you hear his?
Spitting crystals from his teeth,
he says he drank the magic of time
and now every second passing of mine is nervous
knowing every passing second of his mind.
His internal monologue eternally seeping into external,
leaking into the verbal.

He wears many faces; many places know his steps.
How do you react when you see him?
Do you retract and take action to extract yourself
from his immediate surroundings? I do.
His impact is astounding, found in my hometown
are two types of intimidation;
the vexed son and the wrecked **** of Wrexham.

Giant in the crowd, bald with a dead stare.
Constantly looking down, clothes so thin with many a tear.
Academic with his head in the clouds, to look at,
epidemic with his eyes to the ground in reality.
Local myth whose pith is to be barefoot,
you daren’t look. Innocent elder, non compos mentis,
tells you she carries bombs.  

It carries on, in plain sight
there are so many vacant minds walking these streets.
They incite fear, recite dreams and live near
the edge. Of the kerb. Of the absurd.
I have had the chance to meet some frail lives,
one gave me their last drop of wisdom and the tale of his bullet wound.
He told me to remember where I was from.
You can find my first book *With Words for Weapons* for the small price of £6 on Amazon :)
A poet's cat, sedate and grave
As poet well could wish to have,
Was much addicted to inquire
For nooks to which she might retire,
And where, secure as mouse in *****,
She might repose, or sit and think.
I know not where she caught the trick--
Nature perhaps herself had cast her
In such a mould philosophique,
Or else she learn'd it of her master.
Sometimes ascending, debonair,
An apple-tree or lofty pear,
Lodg'd with convenience in the fork,
She watch'd the gardener at his work;
Sometimes her ease and solace sought
In an old empty wat'ring-***;
There, wanting nothing save a fan
To seem some nymph in her sedan,
Apparell'd in exactest sort,
And ready to be borne to court.

     But love of change, it seems, has place
Not only in our wiser race;
Cats also feel, as well as we,
That passion's force, and so did she.
Her climbing, she began to find,
Expos'd her too much to the wind,
And the old utensil of tin
Was cold and comfortless within:
She therefore wish'd instead of those
Some place of more serene repose,
Where neither cold might come, nor air
Too rudely wanton with her hair,
And sought it in the likeliest mode
Within her master's snug abode.

     A drawer, it chanc'd, at bottom lin'd
With linen of the softest kind,
With such as merchants introduce
From India, for the ladies' use--
A drawer impending o'er the rest,
Half-open in the topmost chest,
Of depth enough, and none to spare,
Invited her to slumber there;
**** with delight beyond expression
Survey'd the scene, and took possession.
Recumbent at her ease ere long,
And lull'd by her own humdrum song,
She left the cares of life behind,
And slept as she would sleep her last,
When in came, housewifely inclin'd
The chambermaid, and shut it fast;
By no malignity impell'd,
But all unconscious whom it held.

     Awaken'd by the shock, cried ****,
"Was ever cat attended thus!
The open drawer was left, I see,
Merely to prove a nest for me.
For soon as I was well compos'd,
Then came the maid, and it was clos'd.
How smooth these kerchiefs, and how sweet!
Oh, what a delicate retreat!
I will resign myself to rest
Till Sol, declining in the west,
Shall call to supper, when, no doubt,
Susan will come and let me out."

     The evening came, the sun descended,
And **** remain'd still unattended.
The night roll'd tardily away
(With her indeed 'twas never day),
The sprightly morn her course renew'd,
     The evening gray again ensued,
And **** came into mind no more
han if entomb'd the day before.
With hunger pinch'd, and pinch'd for room,
She now presag'd approaching doom,
Nor slept a single wink, or purr'd,
Conscious of jeopardy incurr'd.

     That night, by chance, the poet watching
Heard an inexplicable scratching;
His noble heart went pit-a-pat
And to himself he said, "What's that?"
He drew the curtain at his side,
And forth he peep'd, but nothing spied;
Yet, by his ear directed, guess'd
Something imprison'd in the chest,
And, doubtful what, with prudent care
Resolv'd it should continue there.
At length a voice which well he knew,
A long and melancholy mew,
Saluting his poetic ears,
Consol'd him, and dispell'd his fears:
He left his bed, he trod the floor,
He 'gan in haste the drawers explore,
The lowest first, and without stop
The rest in order to the top;
For 'tis a truth well known to most,
That whatsoever thing is lost,
We seek it, ere it come to light,
In ev'ry cranny but the right.
Forth skipp'd the cat, not now replete
As erst with airy self-conceit,
Nor in her own fond apprehension
A theme for all the world's attention,
But modest, sober, cured of all
Her notions hyperbolical,
And wishing for a place of rest
Anything rather than a chest.
Then stepp'd the poet into bed,
With this reflection in his head:

MORAL

Beware of too sublime a sense
Of your own worth and consequence.
The man who dreams himself so great,
And his importance of such weight,
That all around in all that's done
Must move and act for him alone,
Will learn in school of tribulation
The folly of his expectation.
Thomas W Case Sep 2021
She wants me to
believe that her
bibulous moon calf
copulates with
her in her slumber.

She's too far
gone for me to
**** with.
rookelyn Aug 2017
i aspire to write great poetry,
where words carry the remains of the inconsolable population inked with misery.
i've bathed in the conclusion it's the only factual part of me.
concrete & sturdy.
practitioners drain me of life then use my own words to keep me strapped & straight on a gurney.
& then they carry me away.
Sam Hain Oct 2015
.
      My lute doth sound
With music soft and sad this pitchy night,—
      A plodding ground
Largo e sostenuto play'd by a wight
Long dead, and living yet to his despite.

      He gins to sing.
His voice is strange, and ghostly is the tone.
      The song, a thing
Witless and wordless, compos'd is of a groan,
And a long, drawn-out, agonizing moan.

      About his *****,
The plaintive melody painful is to hear.
      The song recalls
A time long-past—a very distant year—
When they were clipp'd to please a sadist's ear.

      A throbbing pain
Resonates, sounds in every sombre note;
      And like a rain
Of wept droplets from a sad fountain, mote
Forever be the weirdness in his throat.  

O.O
Frieda P Jan 2014
Fallen under a darkly cast spell
eerie spectral vibrations in my bones
music compos'd upon churchly organs
rushing shivers up my uncompromising spine,
demons playing charades on blacken'd keys
heart bleeds a dull beryl hue of expir'd crimson
mind whirling in gray'd remuneration tunes  
dance tracks takes fight without raven's hindsight
commission'd by devil's own apathetic self
Andrew Saromines Dec 2014
Her
Beautifully cultivated and so carefully crafted
Into intricate designs of the mine
Are words flowing from perfect lips
So lovely they could slow down time
For all the world would turn and gaze
At the colour of sounds swirling in the marvelous ways
Tying stomachs in knots and setting hearts on ablaze
I find the words and in the right place
Compos a tale with the emotional weight
I can order the order of these words in my corner
To flow from your tongue in fluttering fervor
Or drop your tone line a sun setting lower
The power of these words an invisible wonder
Creating these moments for you
So see what I see and feel what I fear
Taste what I love and hold these things dear
The stars in your eyes are more than real
And the light of your mind so brightly shines
I capture these moments for you
Riya Trehan May 2014
Air was filled with love
She was oblivious
Too naive to be compos mentis
Then something extra-mundane happened
She was enchanted by a smile
That everlasting smile made her go loony
Those eyes were twinkling like a star
Too close yet too far
That face was shining so bright
Slowly her feelings were blazed down
He faded like a rose, evanesces
Something pricked her eyes, Perplexed
And she was doomed by one thought
The thought of not seeing him again
The thought which discerned her
That he was just an illusion.
Natalie Mar 2018
I do not know what the trouble was that caused this.
It was soft, supple, and bright.
It was whole, and I watched it all I could,
My mouth agape with love and joy.
I hugged it closely to my *****, like a babe,
And felt the fluttering thump of livingness.
I held it as it dried to dust.
What loss! What dissolution!
What betrayal of trust!
I am soiled with the ashes of what once was
And what could have been.
I wash these blackened hands again
And again, yet the smell,
The burning stench of rot
Has soaked into my very flesh.
I tote it now, like a badge, the black hands.
I am a murderous brute.
Brandon Cotter Oct 2017
The tea boils
As the food spoils
And my tears
Fall harder each day

I check the time
And again check the time
Because without you
I have lost my way

Mold in the sink
Dishes start to stink
The cats need to be fed
As we starve in the cold

My heart aches in the morning
And again when it's storming
You promised forever
Or atleast until we were old

But go ahead have your fun
While I sit with this gun
And test my luck
On a game of chance

One click two click
The sound makes me sick
As the devil smiles
With his haunting prance
zebra Aug 2019
diaphanous girl
a headless masquerade
her black lipstick and shivering pearls
giggle like earthquake chandeliers

festooned  buttocks
curves a lyrical hell of desire

pocket eyes
dead suns  
aloof
yield vacant split azure vault
a fetish horror  
zoomorphic and decapitated

a thrilled non compos mentis
her mouth widens
like a line turning into a circle
turning into a jagged city
of twining red wet mayhem

fish head stare
and toothy kisses
on red abdomen posy hook
jutting her spine for sadistic fires
she rolls her velvet thighs
wriggling
a wrench
and twitch
a mad headless lunar sputnik
circumambulates spit tongue sputum

she is the eye in the sky of eternal night
her spirit impaled upon
torrential mountain libidos
impaled on a wild life park of *****

wet ******* a basket of skulls
she nestled
her depraved tilted crown
lilting onto the stained guillotine

saying come on
i can hardly wait to get started
make me the ghastly queen
goddess of the witching hour
bone blood
and black glitter dead of night
guillotine fetish
Thursday rouses me,
eyes opening and
somewhat drowsily
I figure out where
I am.
K B May 2020
She creases her forehead in confusion
She wonders what they say as they pass her by
What are they saying, to whom and why?
They murmur, frown, giggle and titter
As if they have no emotional filter
The little she hears almost brings her to tears
Do they dance to the tune of some shadow puppeteer?

Call them rumors, gossip, lies, hearsay or fabrication
Call them improvised news or forged information
Little difference would it make.
Malicious whispers, known to topple empires
Sunder relationships and cause death
Her chest hurts and she can’t seem to take a breath
As her heart tumbles in her chest, her mind is drawn to Wilkinson v. Downton
In that moment, she could almost relate to Miss Wilkinson.

Ware those Whispers
They travel far and wide
But their source is always close to home
Who tattled? Was it a loved one or a close friend?
She may never know.
Ware those whispers.
They may have as little as a kernel or as much as a boatload of truth
At this point, the defence of truth is surely moot
She called them girls, squad, friends and besties
In their company, she was merely lollygagging
Behind her back, their tongues were wagging

A mere misrepresentation can cause complete devastation
They scoff at her frantic utterances of truth
To them, it is no more than mere superstition
She retreats into her Fortress of Solitude
In this bubble of quietude, she lifts her hands in gratitude
Though she knows it is no more than a blanket fort of self-deception

They continue to natter and chatter
She ceases her cries of protest, for it no longer matters
In calm desperation, she starts to twine the hanging rope
But wait, suicide is still a crime under the law
She stands helpless as the whispers sneak past her defences
She grips her head in an effort to drown out their voices
To this they mutter, “look, surely she is non compos mentis”

Dear child, let them run their mouth for God is thy witness
Guard your tongue for the walls have ears
Calm your heart and hear no whispers
Let them speak, they are no more than vipers
Do not be sad, though you may lose some friends
It is only the beginning and not the end
They may think they have you assessed
But they have no idea how much you’re blessed
And at all times, ware those whispers.
Olivia Kent May 2014
She thinks,
she thinks she could quite like you,
she wonders,
she wonders if offers ever genuine,
are  they worth playing with?

In her life,
genuine is non-existent,
she may even grow to love you,
now,
those roses thorns are all stripped bare,
the once decadent silver foliage,
repatriated to the garden,
to be mulched into dreams of what may come,
compost for the compos mentis,
should the lady of the day be lucky?
she was right to doubt,
so right!
(C) Livvi
Onoma Feb 2017
Were you well as sunlight's ascendancy left darkening footnotes everywhere?

Their cerebral pitch and polish--
non compos mentis, were you well?

Stalactited as Nostrefaru's leaking enamel...emergent, crooked shape of a shifting focal point overspread to no more of itself.

Your sun hissed as it plumbed its depth...covert feelers circumscribed the injunction of tongue caught at speak, bifurcated and serpentine.

Wherefrom runnels of india ink ran, corresponded with stones to their haphazard period, numb with duplication...broken down nervously.
Kelly McManus May 2021
Insane mad deranged
out of its mind off its nut
that's the world today

                Kelly McManus
Wolfey Jan 2017
I want to change.
I want to feel it rushing through my veins,
growing in my bones
and threading through my thoughts.
I want to change for better this time,
rather than worse.
I want to change in a way not only I notice.
Strangers will look at me and think
"She's a new person now, look at her aura"
I want to prove to my surroundings that I can bare to be compos mentis.
Mother nature will close around me in a way I can finally understand.
Stress is no longer an obstacle but an opportunity.
Uncertainty is no longer scary, but alluring.
I can't stand to see my time go wasted.
Chances never taken.
My mind, body and soul will be one,
not three.
To change.
Mike Hauser Dec 2016
There's no need for you to worry
No need for you to fret
I've been to see the doctor
And he says I'm not a threat

He says that I'm not dangerous
And I will be okay
And that the voices in my head
Will one day go away

If unhinged were bottle rockets
I might light up the night sky
I could snap at any moment
But I promise not to bite

Don't be nervous I'm not contagious
Though I'm not a betting man
My mind's just on hiatus
Out building castles in the sand

So you see there's no need to worry
Or call the authorities
But if non compos mentis came in Slurpees
I'm pretty sure my brain would freeze

Perhaps I see things differently
Than the normal side of town
Doesn't mean I'm pushing crazy
I'm just tugging on its hand
Ryan O'Leary Apr 2019
It is a good day for nothing
else, a visit to see my mother.

I'll not be telling her that, now,
will I, to be sure.

Ah: she'll be thinking that I am
a great lad, testimony, considered.

There's more than me you know,
siblings, I mean.

We are all mean and greedy trying to
outdo each other on the home straight.

She is ninety six, compos mentis and
watching us like hawks.

Playing us off against each other, so
it is difficult to know how to gauge it.

It rains a lot in Ireland, more frequent
than sunny days en Provençe.

If my mother was French, there's no way
I'd be living here in Mallow, County Cork.
David R Jul 2021
He dipped a pen into the ink
and let the letters flow
like running a finger down a mink
forming blackbirds in the snow
the liquid flowed in courses deep
betwixt the fibrous path
on either side an ivory heap
as plaster 'tween the lath

the letters had a life their own
glinting in the sun
as shiny beads or poppy seeds
sprinkled on iced bun
and then, as corn, newly sown
choreographed as one
the letters marched, in unison,
as soldiers with a gun

each distinct, they swayed together
as wing compos'd of feather
the harmony of black and white
milk stars on velvet night,
and then, just when, all was right,
they vanished all together,
as all at once, they took to flight
and flew into the ether.

and now, each night, when all is still,
they visit me in my dreams,
those raven-black letters of quill
dance wisdom in moonlight streams
as homing pigeons coming to roost
coo mysteries in the dew
as prancing horses newly hoofed
flashing waves of sea-green hue,

and as young maid new seduced
'neath heavens of sky-blue
where rainbow colours introduce
soft butterflies flying through,
wherein conception, zen-induced,
old friends appear as new
i lend my ear to hear produced
their music i once knew

when pen in hand i sought to spill
the secrets hidden 'n true
of why the very highest hill
is home to lowly shrew
and why from ash beneath the grill
a phoenix wakes anew
and why the soul allows its will
to bivouac in corpse shoe.
BLT's Merriam-Webster Word of The Day Challenge
#bivouac

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