I
in the dark starvation is real.
In dark, the emesis that fills my
cheeks is a currency I soak inside, animal
coinage, the fine
bulbous talons of Sepiidae.
Savagely, pelagically
starving made me rich when
Muskrat’s claws pull apart delicate meat.
Sad Spanish blood, I would like you
to panic about what has been lost.
No body, no crime—we are all cannibals; so the muskrat ate
flesh from the dugong-heavy remora
a parallax of sorts occurs
when I cannot find my own entrails—
perhaps they are ruminating in my gut—
boiling in my optic nerve.
But–I found little boys betting quarters for eating bowels
of goat. I was small enough to fit through
playground gates so I could swing
swing in earthquakes, and portents
ride out this day on the waves—to succeed
foothills, grasses, and bath salts
by the creek. I got my quarters.
They asked me who made me as Mountain
Dew dribbled down my chest.
Infant teeth shattered my infant
fists and I did not eat divvied livers and
Victim watchers.
I wrote on
my protruding
viscera
proverbs from my ancient days
–extraordinary porch things, depleted
Phosphorus, and, on bendable limbs
I catalogued my windscraped knees.
How does one so young
become
so fed up with
hunger.
II
Starving made me easier to tie.
easier to lift.
my ancient autopsy of starvation
made me feel gutted out
like Finished
ice-cream containers.
Made me able to hold my breath for
up to six minutes—starving
made me full of Household Gods and rickety
rosaries,
small brown globular clusters,
1 arcsecond of stress
capable of aligning me
with spring-loaded washers
I pop one nut—two—
Dental Work can be a rhizome,
ordering wee-soldiers from
its tethered nodes without
lactation, laceration, infection into
my sleep-deprived throat,
Choking on bird chirps
and x-ray bursts
below the cradle where
my android sleeps. I
have named him The Alabaster.
(Synching The Alabaster.)
The Alabaster–Allie–is a kind of boat
that I have hole-punched into; like
children of the deep I have hurled
nearby rocks into its lungs.
I have wrenched crumbs of my honeymoon
sidewalk, for a beast that panics.
I would trade
the last of the dugongs
for a muskrat’s smile–
now there exists a cult for Plastic
that the spotlights started,
and in the night it will not
end with the filter feeder sinking
to the depth of the imagined water column,
spinning in the Gyre disposal.
There isn’t a colander large enough
to sift through the pejorative waste.
I knew the night would be fraught.
It makes my fusiform body necessary for
transport. Makes Monophyletic solid consumption
trucks and ACE arms reach for
well-behaved spearfish bodies.
Makes days disappear and cold
seem like simmering.
Makes staying out of sight
a trim.
And I told them,
the Fusiforms and Balusters, that
the spearfish would devour the hero who comes
from afar bearing the gift of travel–
Tully-Fisher, with his cottonseed oil
“Manufactured in USA” in
compounding pharmacies.
He made me.
And I told him:
to Tell me to trawl for something less
plastic than my second
self–that I which exists
in Mary Poppins cannons, compact
intimacies, medical and portable–
to dig within my throat, discover a nurdle
that failed to photodegrade during the the day
the Sirenia sang,
the Muskrat gnawed off his leg and hand
fed it to the remora.
III
My mouth is parched
for diagnosis of rickets, for
my un-mineralized bones.
I need RR Lyrae, Statistical π,
population “II”s
to stand in for my night.
I need Sweetened,
Spoonfuls of BB pellets and
Spoonfuls of cepheids to help
the tetany go down,
myopathic infants and
ricket Rosary symbols only work
in sacrifice–In this sense,
I have constructed a panic
architecture–Craniotabes are too
vast. Prions and viroids have seeped
through,
Infections more than dreams,
for injured muskrats who yearn for
the last real mermaid’s smile,
or tears if that would smash open
the cluttered ocean and scatter
the unwanted hosts multiplying
in my spinal fluid.
In day there is no more starvation–
the remora bring me
Libations and admire
my six pack rings mobile.
My connective obligatory.
Under my fingernails are thin
crisps that may somehow create equilibrium.
Although I nibble them regularly
I can’t always swallow.
Surrounded by a dense fog of fleas
my tongue is itching.
My teeth are scratching, scraping
away the space that will always be there.
The antique aisle at the local international
superstore is handing out shriveled
heads of past didactic patients.
But I tell them it’s not what’s there that matters
it’s what’s not there. And in my case
there’s a surplus of nothing that
I can live without.
