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Shades31 May 2016
In life we tend build bridges
But not all are meant to last
Sometimes we burn those bridges
To keep us from what lies beyond

Everyday we meet new people
Have fun and make new friends
We form bonds and links; as such
We end up building bridges

Throughout our lives we go about
Being scared - in fear
But when we overcome the fear
We grow - we build our bridges

As time progresses - we age
We move on to do so much
We gain property and wealth
And at this very stage
Grow a family - get married
And go about our lives
Ease into reality
And we tend to then build bridges

All the time, things happen
Positive and bad
But we must overcome our problems
And learn from our mistakes
Take lessons from our failures
Know we don't cause success
And as we grow and learn
And as we learn and grow
We form more tightened, strengthened bonds
We tend to build up bridges

Memories are formed
And memories are kept
Stored in many forms
To remembered for being great
And as time passes us by
It brings with memory
As we add to vast memory
We reinforce our bridge

But not all stories flow
Like that of a fairy tale
In life we hurt and get hurt
And ******* seems to break
And when the key stones crack
And are shifted out of place
Our bridges looses and fall down
And our lives with them
And after all the pain is felt
We pull ourselves back up
And what remains after the storm -
We burn what was our bridges

People leave, people die
These things occur in life
Once they're gone, we break down
And are burning our bridges

Another reason why
We burn down our bridges
Is Friends who do us harm
And it's safer if we're apart
Instead of succumbing to evil deeds
We rather stay away
Refrain from any contact
And set ablaze those bridges

When trouble hits us hard
We lose our wealth and money
We hurt all those around
Unintentionally burning bridges

No memory can replace
The presences of a loved one
Instead of mourning forever
And hurting others too
We try our best to rid ourselves
Of memories and reminders
And as we force-forget
The things of our past
We end up sick of flames
Yet still burn down our bridges

In life we build and break
Many weak/strong bridges
Of a lifetime's worth of loved
memories and people
But this cannot be helped -
it is but human nature -
We build up what we love
And burn it 'cause we love it
all i got's a rusty truck
some dreams and my guitar
out of all them three
not one will get me far

the truck don't run
the guitar's out of tune
the day just must get better
it's only ten past noon

i'm building bridges out of sand
with water and some glue
i'm building bridges that won't stand
unless they're built with you
i'm building bridges out of sand
that may not last the night
i'm building bridges out of sand
and with you i'll build them right

my roof is always leaking
my boat won't stay afloat
i'm tone deaf and i stutter
i can not hold a note

the truck has rusted floorboards
they've rusted clear on through
the thing that makes me keep it
is it's where i first kissed you

i'm building bridges out of sand
with water and some glue
i'm building bridges that won't stand
unless they're built with you
i'm building bridges out of sand
that may not last the night
i'm building bridges out of sand
and with you i'll build them right

with your voice there beside me
a new truck and new guitar
the dreams won't seem so distant
we'll be closer to the stars

a good and strong foundation
and belief in what i dream
with two hearts it is stronger
with two hearts, we're a team

i'm building bridges out of sand
with water and some glue
i'm building bridges that won't stand
unless they're built with you
i'm building bridges out of sand
that may not last the night
i'm building bridges out of sand
and with you i'll build them right
SøułSurvivør Feb 2016
You're lookin' at the river
Feelin' down and weak
When you're
Wadin' in the water
and it's rushing 'round your feet
When you want to
Reach the other side
And feel you can't retreat
The same insane song
In your head
And it is on "repeat"...

Just remember there are Bridges
They are made of words
Remember there are Bridges
Things you haven't heard
Remember there are Bridges
Made with human hands
Remember there are Bridges
Then you'll understand


The waters in that riverbed
They are cold and deep
They have a riptide current
So look before you leap!
You can't stand against them
They will take you down
You may just go under
Brother, sister, you will drown!

(chorus)


Reaching out ain't easy
But it don't get much worse
Than feeling down and vulnerable
Living with a curse
It's like picking up the planet
To lift that lifeline phone
But there people who
Will care for you...
You are not alone!

Just remember there are bridges
They are made of Words,
Remember there are bridges
Things you haven't heard,
Remember there are bridges
Made with God's own hand
Remember there are bridges
Then you'll understand.



BRIDGE:
Remember there are Bridges
When you are at a loss
They weren't made to jump from

They were made to CROSS.


SoulSurvivor
(C) 2/12/2016
This song was written for a friend.
I hope he hears the music behind it.

Have Faith! God will see
you safely through!

---
Nomad Apr 2014
Burning Bridges you say?
Just want to end it all? Something of a get away?

Well that's a solid plan,
best of luck to you my friend.
Or how about this.
Fix the bridge, just don't cross it again,
because it's such a harsh demand.
The toll is high,
on the other side.
But don't worry,
just fix the bridge
and Leave it there.
Let the troll under the bridge, continue to blow hot air.

Burnt bridges tend to leave scars,
and we all ask why after the ashes all settle down,
and we're still screaming their name all across town.
Burning bridges, playing with fire,
it's a wonder when we'll stop, when we ever tire?

It's true, sometimes, if not always, we're making mistakes,
it's true, some of us just can't learn, some of us don't want to,
but burning bridges isn't something we shouldn't do!
Let's learn from the bridges that we once crossed before,
let's continue to build bridges, we need to build more.

Because this is our time,
to learn and not forget,
to make mistakes, get messy, and learn,
because in life, it's only memories and experience that we earn.
So quit burning bridges, just get over it,
then don't hold the rail of grudges, and help rebuild it.

If this makes sense, then you know what I mean,
you can be a child, you can be 109 or just a teen.
But burning bridges isn't something we should do,
I wouldn't want to burn my little island with fire, would you?
Our heart burns broken at the ends, they fail us, keep building
my lungs are wax inside my ribs, you’re burning, well I’m breathing
this back breaks walked on from carrying friends, can’t stop now, still working
your life’s like rain drops on my tongue, I believe you, keep raining
and it’s alright, it’s alright, we are not right now complete
and I’m alright, you’re gonna be alright, we might never be complete
but the water keeps rising, it’s rising, everybody get into the water
and hold each others hands and lives, let’s all push our hearts together....
we’re gonna leave these shores right now, be everything we’ve never been
but you gotta swear to promise that we’ll never go back again, ever again
and we’re not just islands lying beside each others shorelines
we’re all bound with veins and hopes, we are not each others ghosts
our hearts are abridged, let's build bridges to each other
so this river won’t take us under
filled with monsters and goblins, they keep dragging the bottom
our life is a bridge, let’s build bridges to each other
and pray we don’t go under, oh these careless waters

I’m trying not to confuse: being used, with giving all I am
by: being used, and giving everything I have, all I am
so I’ll build a bridge with hollow bones filled with hollow teeth
inside a hollow heart, with the insides carved
and let the blood in these veins freeze
let the water in these veins freeze and break and flood the dam
we are all we have, this is all we need, hold on it may never end
and I might have to drink my teeth again if I wash up on the coast
so I’ll build a bridge with all that’s left, & not make any more new ghosts
show me your life, wide and bright, I hope that patience fills the seams
keep what’s inside, dry and right, you arch the frame I’ll span the beams
our lives are a bridge for us to give, I want to build a better bridge
from every wrong we’ve done to each other, if I forgive will you forgive?
cause one day we’re gonna close our eyes for death or rest
and abandon ourself, this weak mind and breath
and the columns we made, and roots we grew down deep
will be pulled and gathered in to firewood, and burnt for heat
but when the tension shifts, and these braces turn
I’ll try and build a better bridge
and when all our piers burn, and the hinges miss
I’m gonna build a better bridge
our hearts are abridged, let’s build bridges to each other
so we don’t take ourselves under

Our heart burns broken at the ends, they fail us, keep building
my lungs are wax inside my ribs, you’re burning, I’m still breathing
this back breaks walked on carry friends, can’t stop now, still working
your life’s like rain drops on my tongue, I believe you, keep raining
our lives are a bridge for us to give, I want to build a better bridge
from every wrong we’ve done to each other, if I forgive will you forgive?
our hearts are abridged, let’s build bridges to each other
so this river won’t take us under, so we don’t take ourselves under
our lives are a bridge, let’s build bridges to each other
and pray we don’t go under, oh these careless waters
our lives are a bridge for us to give, I want to build a better bridge
from every wrong we’ve done to each other, if I forgive will you forgive?
our lives are a bridge for us to give, I want to build a better bridge
from every wrong we’ve done to each other, if I forgive will you forgive?
our hearts are abridged, let’s build bridges to each other
so this river won’t take us under, so we don’t take ourselves under
When the sun goes down
we need a light
so we burn our bridges down

And holding each other tight in fright
We know we cannot go back
because all our bridges are down

. . . . the sun has gone down
but a full moon of love is rising
we will see our way forward

I won't look back if you won't
there is no turning back
are you with me ?

The bridge burning away to yesterday
too hot to hang onto . . . ouch !
Let it go for today
Patricia Drake Mar 2013
First we build bridges
With Lego bricks
In primary colours
And we move on
To build bridges
From  words
With tought
In many languages
Because we have to
And we build bridges
In steel and concrete
Between islands and peninsulas
Between us and them
We prioritise bridges
With our money
On our money
To showcase magnificence
And to replace expired glories
And we cross bridges
In real life and cyberspace
To seek community
In alternate relations
Outside the confines
Of Hans Christian Andersen’s  quiet pond.
Ottar Feb 2015
Social breaks and cultural ridges,
Double takes and building bridges,

Seems like ages, for twenty four hour wages,
Boys to men in uniforms, training in stages,

To be soldiers, first, Engineers, second,
Every province shares, before The Reckoning,

Hands calloused, hearts as well, hands hold a couple o' beers,
Which will rouse, the parts, when the day is done, with cheers!

Thing, an exercise called a bridge gallop, where
For two weeks and twenty two hours a day we share,

A work ethic to assemble and strip bridges built,
Practice for the real deal, with a unified will,

We all know when some one else is not lift-
ing their load, brothers in arms not using theirs,

But we built bridges, long day into night
we played Euchre, in the down time,
Short night into day, smoky rooms and beers,
In play, we called empty brown beer bottles,

Dead soldiers,

We became a unit, unified, by our trade,
Jack of all trades, master of none,

All of us were from Canada's various parts,
Building bridges, in the light, in the dark.

Assembling parts, to make a whole, bridge,
From bank seat, to bank seat,
It took many bridges, for Canada to meet,
The soldiers and Engineers, UBIQUE.
What I call The Reckoning is the first Gulf War
Bank Seat, definition - Each end of the bridge must sit on a bank seat of solid ground.
Unique Latin for Everywhere, motto of the Canadian Engineers
Kim Essary Aug 2018
I believe it's time, time for me to run down this long and winding road full of bridges and every memory we ever made.
I've got to put it all behind me now and learn to live without you, it's so hard for me to face:
The first bridge was the hardest, as I poured the gasoline, wondering what went wrong, did I give up to soon, maybe I should have stayed.
As I lit the match, I watched as it turned to Ash;
I'm Burning Bridges along the way:
Ive got to keep pushing forward like the water in the creeks, Never looking back, no turning around , I'm setting our memories free. I don't want to relive this anymore:
I'm Burning Bridges along the way:
I don't want to remember how you held me in our bed at night or woke me with a good morning kiss. I don't want to remember the feel of your touch, or the way I could see the love you had for me shining in your eyes, it's time to set our memories free:
I'm Burning Bridges along the way:
Tears roll down my cheeks as I pour the last drop of gasoline, one more match, one more memory, as I turn around one last time with nothing left to say, One last bridge up in smoke:
I'm Burning Bridges along the way:
One step forward towards the rest of my life, I've set all our memories free,
I've Burned every Bridge along the way!
©kimmied1105
Just something I wrote
Hooflip Jan 2013
Seeking a reality,
bridges, boats, and canopies.
Calamity surrounds and swarms
my skin of wicked tragedy.
A cavalcade of traveling;
a taste of fleeting sanity.
Settle with the is or question off into the can it be.

Bridges, boats, and canopies,
Bridges, boats, and canopies,
Ripples in the water always fade but follow straggling.
Bridges, boats, and canopies,
Vistas, view or craft the scene,
Settle with the is or question off into the can it be.
https://soundcloud.com/thehumbleloud
Him Feb 2021
I don't burn bridges, I preserve those wonders of old. I let the waters rise, whilst I remain underneath its ridges and contours.

I don't burn bridges, not because that I am mature.

I don't burn bridges, because I am alone; and a bridge is a well travelled road.
Abraham Montalvo Dec 2014
Burn Your Bridges, Cut Your Anchors By Abraham Montalvo

Treading through the pain and sorrows, this life I'm living almost as feelin no reason to be living, emotions running, apathy a comin, deliver me from this hell that's has me forsaken,
My mind is troubled,
Heart is shuttled,
Spirit in turmoil,
Darkness has taken over almost all judgment
Like a veil that's been placed before me, blinds me in my ways and treads my paths, burning my bridges and cutting my anchors. Like a curse been laid upon me, a light that shines through me rips through what darkness that dines before my very eyes, in a midst of chaos like a war fought without the arms and weapons of soldiers to operate with the blunt force of destruction, burn your bridges cut your anchors... All this is temporary, it's all just and emotional trip into a world of agony that will cease to exist, for time is an understatement of what I can comprehend, lift my soul up high, bring me out of the distressful times ive been going through, help me, free me, save me...
misconstrued self emotions and deprived nights of sleep, body feeling weak and weary... Help me cut these anchors of emotions and burn these bridges of oppression...™
Brian Pack Nov 2010
As another one falls apart
I regret the day I burnt those bridges
Destroying my way to get away
Destroying my way back home

Another one that didn’t work
And now I’m left with nothing more
Than the rubble that was left over
That which I have caused

Relationships fall apart
This I know far too well
All I want is one to work
But instead I burn bridges

Good times run afoul
Now that I have risen up
Make my mark upon this life
Burn that bridge to the ground

Love but only one time works
The lack of results far too great
All I want is to come back to you
But I’ve already burnt that bridge

Now I’m left with empty shells
That I must share with myself
Bricks that lay along the ground
But bridges, they won’t build

Now I lay on my lonely land
With no way in or out
Because I’ve burnt those bridges
Home with you I’ll never see
Hope you enjoy
B Nov 2014
You burn bridges and take names
Playing love like its a game
You'll never be able to return
After all the bridges you've burned
You burn them trying to escape
That which is sealed in fate
I'll collect the charred scraps of wood
And build you a house for good
Maybe then you'll stop and realize
In fire, not everything dies
FIRST DAY

1.
Who wanted me
to go to Chicago
on January 6th?
I did!

The night before,
20 below zero
Fahrenheit
with the wind chill;
as the blizzard of 99
lay in mountains
of blackening snow.

I packed two coats,
two suits,
three sweaters,
multiple sets of long johns
and heavy white socks
for a two-day stay.

I left from Newark.
**** the denseness,
it confounds!

The 2nd City to whom?
2nd ain’t bad.
It’s pretty good.
If you consider
Peking and Prague,
Tokyo and Togo,
Manchester and Moscow,
Port Au Prince and Paris,
Athens and Amsterdam,
Buenos Aries and Johannesburg;
that’s pretty good.

What’s going on here today?
It’s friggin frozen.
To the bone!

But Chi Town is still cool.
Buddy Guy’s is open.
Bartenders mixing drinks,
cabbies jamming on their breaks,
honey dew waitresses serving sugar,
buildings swerving,
fire tongued preachers are preaching
and the farmers are measuring the moon.

The lake,
unlike Ontario
is in the midst of freezing.
Bones of ice
threaten to gel
into a solid mass
over the expanse
of the Michigan Lake.
If this keeps up,
you can walk
clear to Toronto
on a silver carpet.

Along the shore
the ice is permanent.
It’s the first big frost
of winter
after a long
Indian Summer.

Thank God
I caught a cab.
Outside I hear
The Hawk
nippin hard.
It’ll get your ear,
finger or toe.
Bite you on the nose too
if you ain’t careful.

Thank God,
I’m not walking
the Wabash tonight;
but if you do cover up,
wear layers.

Chicago,
could this be
Sandburg’s City?

I’m overwhelmed
and this is my tenth time here.

It’s almost better,
sometimes it is better,
a lot of times it is better
and denser then New York.

Ask any Bull’s fan.
I’m a Knickerbocker.
Yes Nueva York,
a city that has placed last
in the standings
for many years.
Except the last two.
Yanks are # 1!

But Chicago
is a dynasty,
as big as
Sammy Sosa’s heart,
rich and wide
as Michael Jordan’s grin.

Middle of a country,
center of a continent,
smack dab in the mean
of a hemisphere,
vortex to a world,
Chicago!

Kansas City,
Nashville,
St. Louis,
Detroit,
Cleveland,
Pittsburgh,
Denver,
New Orleans,
Dallas,
Cairo,
Singapore,
Auckland,
Baghdad,
Mexico City
and Montreal
salute her.



2.
Cities,
A collection of vanities?
Engineered complex utilitarianism?
The need for community a social necessity?
Ego one with the mass?
Civilization’s latest *******?
Chicago is more then that.

Jefferson’s yeoman farmer
is long gone
but this capitol
of the Great Plains
is still democratic.

The citizen’s of this city
would vote daily,
if they could.

Chicago,
Sandburg’s Chicago,
Could it be?

The namesake river
segments the city,
canals of commerce,
all perpendicular,
is rife throughout,
still guiding barges
to the Mississippi
and St. Laurence.

Now also
tourist attractions
for a cafe society.

Chicago is really jazzy,
swanky clubs,
big steaks,
juices and drinks.

You get the best
coffee from Seattle
and the finest teas
from China.

Great restaurants
serve liquid jazz
al la carte.

Jazz Jazz Jazz
All they serve is Jazz
Rock me steady
Keep the beat
Keep it flowin
Feel the heat!

Jazz Jazz Jazz
All they is, is Jazz
Fast cars will take ya
To the show
Round bout midnight
Where’d the time go?

Flows into the Mississippi,
the mother of America’s rivers,
an empires aorta.

Great Lakes wonder of water.
Niagara Falls
still her heart gushes forth.

Buffalo connected to this holy heart.
Finger Lakes and Adirondacks
are part of this watershed,
all the way down to the
Delaware and Chesapeake.

Sandburg’s Chicago?
Oh my my,
the wonder of him.
Who captured the imagination
of the wonders of rivers.

Down stream other holy cities
from the Mississippi delta
all mapped by him.

Its mouth our Dixie Trumpet
guarded by righteous Cajun brethren.

Midwest?
Midwest from where?
It’s north of Caracas and Los Angeles,
east of Fairbanks,
west of Dublin
and south of not much.

Him,
who spoke of honest men
and loving women.
Working men and mothers
bearing citizens to build a nation.
The New World’s
precocious adolescent
caught in a stream
of endless and exciting change,
much pain and sacrifice,
dedication and loss,
pride and tribulations.

From him we know
all the people’s faces.
All their stories are told.
Never defeating the
idea of Chicago.

Sandburg had the courage to say
what was in the heart of the people, who:

Defeated the Indians,
Mapped the terrain,
Aided slavers,
Fought a terrible civil war,
Hoisted the barges,
Grew the food,
Whacked the wheat,
Sang the songs,
Fought many wars of conquest,
Cleared the land,
Erected the bridges,
Trapped the game,
Netted the fish,
Mined the coal,
Forged the steel,
Laid the tracks,
Fired the tenders,
Cut the stone,
Mixed the mortar,
Plumbed the line,
And laid the bricks
Of this nation of cities!

Pardon the Marlboro Man shtick.
It’s a poor expostulation of
crass commercial symbolism.

Like I said, I’m a
Devil Fan from Jersey
and Madison Avenue
has done its work on me.

It’s a strange alchemy
that changes
a proud Nation of Blackhawks
into a merchandising bonanza
of hometown hockey shirts,
making the native seem alien,
and the interloper at home chillin out,
warming his feet atop a block of ice,
guzzling Old Style
with clicker in hand.

Give him his beer
and other diversions.
If he bowls with his buddy’s
on Tuesday night
I hope he bowls
a perfect game.

He’s earned it.
He works hard.
Hard work and faith
built this city.

And it’s not just the faith
that fills the cities
thousand churches,
temples and
mosques on the Sabbath.

3.
There is faith in everything in Chicago!

An alcoholic broker named Bill
lives the Twelve Steps
to banish fear and loathing
for one more day.
Bill believes in sobriety.

A tug captain named Moe
waits for the spring thaw
so he can get the barges up to Duluth.
Moe believes in the seasons.

A farmer named Tom
hopes he has reaped the last
of many bitter harvests.
Tom believes in a new start.

A homeless man named Earl
wills himself a cot and a hot
at the local shelter.
Earl believes in deliverance.

A Pullman porter
named George
works overtime
to get his first born
through medical school.
George believes in opportunity.

A folk singer named Woody
sings about his
countrymen inheritance
and implores them to take it.
Woody believes in people.

A Wobbly named Joe
organizes fellow steelworkers
to fight for a workers paradise
here on earth.
Joe believes in ideals.

A bookkeeper named Edith
is certain she’ll see the Cubs
win the World Series
in her lifetime.
Edith believes in miracles.

An electrician named ****
saves money
to bring his family over from Gdansk.
**** believes in America.

A banker named Leah
knows Ditka will return
and lead the Bears
to another Super Bowl.
Leah believes in nostalgia.

A cantor named Samuel
prays for another 20 years
so he can properly train
his Temple’s replacement.

Samuel believes in tradition.
A high school girl named Sally
refuses to get an abortion.
She knows she carries
something special within her.
Sally believes in life.

A city worker named Mazie
ceaselessly prays
for her incarcerated son
doing 10 years at Cook.
Mazie believes in redemption.

A jazzer named Bix
helps to invent a new art form
out of the mist.
Bix believes in creativity.

An architect named Frank
restores the Rookery.
Frank believes in space.

A soldier named Ike
fights wars for democracy.
Ike believes in peace.

A Rabbi named Jesse
sermonizes on Moses.
Jesse believes in liberation.

Somewhere in Chicago
a kid still believes in Shoeless Joe.
The kid believes in
the integrity of the game.

An Imam named Louis
is busy building a nation
within a nation.
Louis believes in
self-determination.

A teacher named Heidi
gives all she has to her students.
She has great expectations for them all.
Heidi believes in the future.

4.
Does Chicago have a future?

This city,
full of cowboys
and wildcatters
is predicated
on a future!

Bang, bang
Shoot em up
Stake the claim
It’s your terrain
Drill the hole
Strike it rich
Top it off
You’re the boss
Take a chance
Watch it wane
Try again
Heavenly gains

Chicago
city of futures
is a Holy Mecca
to all day traders.

Their skin is gray,
hair disheveled,
loud ties and
funny coats,
thumb through
slips of paper
held by nail
chewed hands.
Selling promises
with no derivative value
for out of the money calls
and in the money puts.
Strike is not a labor action
in this city of unionists,
but a speculators mark,
a capitalist wish,
a hedgers bet,
a public debt
and a farmers
fair return.

Indexes for everything.
Quantitative models
that could burst a kazoo.

You know the measure
of everything in Chicago.
But is it truly objective?
Have mathematics banished
subjective intentions,
routing it in fair practice
of market efficiencies,
a kind of scientific absolution?

I heard that there
is a dispute brewing
over the amount of snowfall
that fell on the 1st.

The mayor’s office,
using the official city ruler
measured 22”
of snow on the ground.

The National Weather Service
says it cannot detect more
then 17” of snow.

The mayor thinks
he’ll catch less heat
for the trains that don’t run
the buses that don’t arrive
and the schools that stand empty
with the addition of 5”.

The analysts say
it’s all about capturing liquidity.

Liquidity,
can you place a great lake
into an eyedropper?

Its 20 below
and all liquid things
are solid masses
or a gooey viscosity at best.

Water is frozen everywhere.
But Chi town is still liquid,
flowing faster
then the digital blips
flashing on the walls
of the CBOT.

Dreams
are never frozen in Chicago.
The exchanges trade
without missing a beat.

Trading wet dreams,
the crystallized vapor
of an IPO
pledging a billion points
of Internet access
or raiding the public treasuries
of a central bank’s
huge stores of gold
with currency swaps.

Using the tools
of butterfly spreads
and candlesticks
to achieve the goal.

Short the Russell
or buy the Dow,
go long the
CAC and DAX.
Are you trading in euro’s?
You better be
or soon will.
I know
you’re Chicago,
you’ll trade anything.
WEBS,
Spiders,
and Leaps
are traded here,
along with sweet crude,
North Sea Brent,
plywood and T-Bill futures;
and most importantly
the commodities,
the loam
that formed this city
of broad shoulders.

What about our wheat?
Still whacking and
breadbasket to the world.

Oil,
an important fossil fuel
denominated in
good ole greenbacks.

Porkbellies,
not just hogwash
on the Wabash,
but bacon, eggs
and flapjacks
are on the menu
of every diner in Jersey
as the “All American.”

Cotton,
our contribution
to the Golden Triangle,
once the global currency
used to enrich a
gentlemen class
of cultured
southern slavers,
now Tommy Hilfiger’s
preferred fabric.

I think he sends it
to Bangkok where
child slaves
spin it into
gold lame'.

Sorghum,
I think its hardy.

Soybeans,
the new age substitute
for hamburger
goes great with tofu lasagna.

Corn,
ADM creates ethanol,
they want us to drive cleaner cars.

Cattle,
once driven into this city’s
bloodhouses for slaughter,
now ground into
a billion Big Macs
every year.

When does a seed
become a commodity?
When does a commodity
become a future?
When does a future expire?

You can find the answers
to these questions in Chicago
and find a fortune in a hole in the floor.

Look down into the pits.
Hear the screams of anguish
and profitable delights.

Frenzied men
swarming like a mass
of epileptic ants
atop the worlds largest sugar cube
auger the worlds free markets.

The scene is
more chaotic then
100 Haymarket Square Riots
multiplied by 100
1968 Democratic Conventions.

Amidst inverted anthills,
they scurry forth and to
in distinguished
black and red coats.

Fighting each other
as counterparties
to a life and death transaction.

This is an efficient market
that crosses the globe.

Oil from the Sultan of Brunei,
Yen from the land of Hitachi,
Long Bonds from the Fed,
nickel from Quebec,
platinum and palladium
from Siberia,
FTSE’s from London
and crewel cane from Havana
circle these pits.

Tijuana,
Shanghai
and Istanbul's
best traders
are only half as good
as the average trader in Chicago.

Chicago,
this hog butcher to the world,
specializes in packaging and distribution.

Men in blood soaked smocks,
still count the heads
entering the gates of the city.

Their handiwork
is sent out on barges
and rail lines as frozen packages
of futures
waiting for delivery
to an anonymous counterparty
half a world away.

This nation’s hub
has grown into the
premier purveyor
to the world;
along all the rivers,
highways,
railways
and estuaries
it’s tentacles reach.

5.
Sandburg’s Chicago,
is a city of the world’s people.

Many striver rows compose
its many neighborhoods.

Nordic stoicism,
Eastern European orthodoxy
and Afro-American
calypso vibrations
are three of many cords
strumming the strings
of Chicago.

Sandburg’s Chicago,
if you wrote forever
you would only scratch its surface.

People wait for trains
to enter the city from O’Hare.
Frozen tears
lock their eyes
onto distant skyscrapers,
solid chunks
of snot blocks their nose
and green icicles of slime
crust mustaches.
They fight to breathe.

Sandburg’s Chicago
is The Land of Lincoln,
Savior of the Union,
protector of the Republic.
Sent armies
of sons and daughters,
barges, boxcars,
gunboats, foodstuffs,
cannon and shot
to raze the south
and stamp out succession.

Old Abe’s biography
are still unknown volumes to me.
I must see and read the great words.
You can never learn enough;
but I’ve been to Washington
and seen the man’s memorial.
The Free World’s 8th wonder,
guarded by General Grant,
who still keeps an eye on Richmond
and a hand on his sword.

Through this American winter
Abe ponders.
The vista he surveys is dire and tragic.

Our sitting President
impeached
for lying about a *******.

Party partisans
in the senate are sworn and seated.
Our Chief Justice,
adorned with golden bars
will adjudicate the proceedings.
It is the perfect counterpoint
to an ageless Abe thinking
with malice toward none
and charity towards all,
will heal the wounds
of the nation.

Abe our granite angel,
Chicago goes on,
The Union is strong!


SECOND DAY

1.
Out my window
the sun has risen.

According to
the local forecast
its minus 9
going up to
6 today.

The lake,
a golden pillow of clouds
is frozen in time.

I marvel
at the ancients ones
resourcefulness
and how
they mastered
these extreme elements.

Past, present and future
has no meaning
in the Citadel
of the Prairie today.

I set my watch
to Central Standard Time.

Stepping into
the hotel lobby
the concierge
with oil smooth hair,
perfect tie
and English lilt
impeccably asks,
“Do you know where you are going Sir?
Can I give you a map?”

He hands me one of Chicago.
I see he recently had his nails done.
He paints a green line
along Whacker Drive and says,
“turn on Jackson, LaSalle, Wabash or Madison
and you’ll get to where you want to go.”
A walk of 14 or 15 blocks from Streeterville-
(I start at The Chicago White House.
They call it that because Hillary Rodham
stays here when she’s in town.
Its’ also alleged that Stedman
eats his breakfast here
but Opra
has never been seen
on the premises.
I wonder how I gained entry
into this place of elite’s?)
-down into the center of The Loop.

Stepping out of the hotel,
The Doorman
sporting the epaulets of a colonel
on his corporate winter coat
and furry Cossack hat
swaddling his round black face
accosts me.

The skin of his face
is flaking from
the subzero windburn.

He asks me
with a gapped toothy grin,
“Can I get you a cab?”
“No I think I’ll walk,” I answer.
“Good woolen hat,
thick gloves you should be alright.”
He winks and lets me pass.

I step outside.
The Windy City
flings stabbing cold spears
flying on wings of 30-mph gusts.
My outside hardens.
I can feel the freeze
deepen
into my internalness.
I can’t be sure
but inside
my heart still feels warm.
For how long
I cannot say.

I commence
my walk
among the spires
of this great city,
the vertical leaps
that anchor the great lake,
holding its place
against the historic
frigid assault.

The buildings’ sway,
modulating to the blows
of natures wicked blasts.

It’s a hard imposition
on a city and its people.

The gloves,
skullcap,
long underwear,
sweater,
jacket
and overcoat
not enough
to keep the cold
from penetrating
the person.

Like discerning
the layers of this city,
even many layers,
still not enough
to understand
the depth of meaning
of the heart
of this heartland city.

Sandburg knew the city well.
Set amidst groves of suburbs
that extend outward in every direction.
Concentric circles
surround the city.
After the burbs come farms,
Great Plains, and mountains.
Appalachians and Rockies
are but mere molehills
in the city’s back yard.
It’s terra firma
stops only at the sea.
Pt. Barrow to the Horn,
many capes extended.

On the periphery
its appendages,
its extremities,
its outward extremes.
All connected by the idea,
blown by the incessant wind
of this great nation.
The Windy City’s message
is sent to the world’s four corners.
It is a message of power.
English the worlds
common language
is spoken here,
along with Ebonics,
Espanol,
Mandarin,
Czech,
Russian,
Korean,
Arabic,
Hindi­,
German,
French,
electronics,
steel,
cars,
cartoons,
rap,
sports­,
movies,
capital,
wheat
and more.

Always more.
Much much more
in Chicago.

2.
Sandburg
spoke all the dialects.

He heard them all,
he understood
with great precision
to the finest tolerances
of a lathe workers micrometer.

Sandburg understood
what it meant to laugh
and be happy.

He understood
the working mans day,
the learned treatises
of university chairs,
the endless tomes
of the city’s
great libraries,
the lost languages
of the ancient ones,
the secret codes
of abstract art,
the impact of architecture,
the street dialects and idioms
of everymans expression of life.

All fighting for life,
trying to build a life,
a new life
in this modern world.

Walking across
the Michigan Avenue Bridge
I see the Wrigley Building
is neatly carved,
catty cornered on the plaza.

I wonder if Old Man Wrigley
watched his barges
loaded with spearmint
and double-mint
move out onto the lake
from one of those Gothic windows
perched high above the street.

Would he open a window
and shout to the men below
to quit slaking and work harder
or would he
between the snapping sound
he made with his mouth
full of his chewing gum
offer them tickets
to a ballgame at Wrigley Field
that afternoon?

Would the men below
be able to understand
the man communing
from such a great height?

I listen to a man
and woman conversing.
They are one step behind me
as we meander along Wacker Drive.

"You are in Chicago now.”
The man states with profundity.
“If I let you go
you will soon find your level
in this city.
Do you know what I mean?”

No I don’t.
I think to myself.
What level are you I wonder?
Are you perched atop
the transmission spire
of the Hancock Tower?

I wouldn’t think so
or your ears would melt
from the windburn.

I’m thinking.
Is she a kept woman?
She is majestically clothed
in fur hat and coat.
In animal pelts
not trapped like her,
but slaughtered
from farms
I’m sure.

What level
is he speaking of?

Many levels
are evident in this city;
many layers of cobbled stone,
Pennsylvania iron,
Hoosier Granite
and vertical drops.

I wonder
if I detect
condensation
in his voice?

What is
his intention?
Is it a warning
of a broken affair?
A pending pink slip?
Advise to an addict
refusing to adhere
to a recovery regimen?

What is his level anyway?
Is he so high and mighty,
Higher and mightier
then this great city
which we are all a part of,
which we all helped to build,
which we all need
in order to keep this nation
the thriving democratic
empire it is?

This seditious talk!

3.
The Loop’s El
still courses through
the main thoroughfares of the city.

People are transported
above the din of the street,
looking down
on the common pedestrians
like me.

Super CEO’s
populating the upper floors
of Romanesque,
Greek Revivalist,
New Bauhaus,
Art Deco
and Post Nouveau
Neo-Modern
Avant-Garde towers
are too far up
to see me
shivering on the street.

The cars, busses,
trains and trucks
are all covered
with the film
of rock salt.

Salt covers
my bootless feet
and smudges
my cloths as well.

The salt,
the primal element
of the earth
covers everything
in Chicago.

It is the true level
of this city.

The layer
beneath
all layers,
on which
everything
rests,
is built,
grows,
thrives
then dies.
To be
returned again
to the lower
layers
where it can
take root
again
and grow
out onto
the great plains.

Splashing
the nation,
anointing
its people
with its
blessing.

A blessing,
Chicago?

All rivers
come here.

All things
found its way here
through the canals
and back bays
of the world’s
greatest lakes.

All roads,
rails and
air routes
begin and
end here.

Mrs. O’Leary’s cow
got a *** rap.
It did not start the fire,
we did.

We lit the torch
that flamed
the city to cinders.
From a pile of ash
Chicago rose again.

Forever Chicago!
Forever the lamp
that burns bright
on a Great Lake’s
western shore!

Chicago
the beacon
sends the
message to the world
with its windy blasts,
on chugging barges,
clapping trains,
flying tandems,
T1 circuits
and roaring jets.

Sandburg knew
a Chicago
I will never know.

He knew
the rhythm of life
the people walked to.
The tools they used,
the dreams they dreamed
the songs they sang,
the things they built,
the things they loved,
the pains that hurt,
the motives that grew,
the actions that destroyed
the prayers they prayed,
the food they ate
their moments of death.

Sandburg knew
the layers of the city
to the depths
and windy heights
I cannot fathom.

The Blues
came to this city,
on the wing
of a chirping bird,
on the taps
of a rickety train,
on the blast
of an angry sax
rushing on the wind,
on the Westend blitz
of Pop's brash coronet,
on the tink of
a twinkling piano
on a paddle-wheel boat
and on the strings
of a lonely man’s guitar.

Walk into the clubs,
tenements,
row houses,
speakeasies
and you’ll hear the Blues
whispered like
a quiet prayer.

Tidewater Blues
from Virginia,
Delta Blues
from the lower
Mississippi,
Boogie Woogie
from Appalachia,
Texas Blues
from some Lone Star,
Big Band Blues
from Kansas City,
Blues from
Beal Street,
Jelly Roll’s Blues
from the Latin Quarter.

Hell even Chicago
got its own brand
of Blues.

Its all here.
It ended up here
and was sent away
on the winds of westerly blows
to the ear of an eager world
on strong jet streams
of simple melodies
and hard truths.

A broad
shouldered woman,
a single mother stands
on the street
with three crying babes.
Their cloths
are covered
in salt.
She pleads
for a break,
praying
for a new start.
Poor and
under-clothed
against the torrent
of frigid weather
she begs for help.
Her blond hair
and ****** features
suggests her
Scandinavian heritage.
I wonder if
she is related to Sandburg
as I walk past
her on the street.
Her feet
are bleeding
through her
canvass sneakers.
Her babes mouths
are zipped shut
with frozen drivel
and mucous.

The Blues live
on in Chicago.

The Blues
will forever live in her.
As I turn the corner
to walk the Miracle Mile
I see her engulfed
in a funnel cloud of salt,
snow and bits
of white paper,
swirling around her
and her children
in an angry
unforgiving
maelstrom.

The family
begins to
dissolve
like a snail
sprinkled with salt;
and a mother
and her children
just disappear
into the pavement
at the corner
of Dearborn,
in Chicago.

Music:

Robert Johnson
Sweet Home Chicago


jbm
Chicago
1/7/99
Added today to commemorate the birthday of Carl Sandburg
Nina A Attia Nov 2015
How many bridges can you build,
How many places can you see.
The more bridges you build.
The less bridges you burn.
The more you do.
The less you know.
Julie Grenness Dec 2016
To cross bridges, let's have faith,
In the ultimate survival of the human race,
Why demonise migrants this way?
We're humans, just the same,
Even terrorists who use their creed
As a mask for greedy power, indeed,
If we spread brotherhood far and wide,
We could cross bridges that divide......
Feedback welcome.
SE Reimer Jul 2016
~

each intersection, a crossroad made,
every answer, a question began;
each wrong, a right opposing,
every song, a note composing,
after darkness, the light again!

angry words won’t heal the pain,
apologies like ointment’s rain;
flood-washed roads a crossing need,
no line in sand, a bridge instead,
points me north, your heart to claim!

i am no island, though often seems,
my pained retreat, a blood trail leaves;
i find my greatest strength of all,
within your heart’s loving embrace,
held firmly in your grip of grace!

there is no strength in platitudes,
cliches are weak, like worn out shoes;
the darkened bank cannot hold sway,
o’er lighted bridge that leads the way,
points me north, and back to you!

~

*post script.

learning something of
defense mechanisms,
mine in particular;  
sadly, when brokenness
is too acute to hide,
the retreat is not bloodless.
bridges built of simple
three-word sentences
greatly needed ...  not a
crafted flood of well-worded,
defensive responses.

“i am sorry!” and “i love you!”...
two, eight-letter, three-cord ropes,
requiring no word-smithing,
yet are sound-ly engineered
for mending souls and
building hearts-bridges
not easily broken...
each capable of bearing
(baring) great weights.

and yes, there are notes composing here,
for it is said, “a song solidifies
the heart’s passionate decisions!”
Walking down this dark highway
Wondering if you pass thought my way
And if you do then what do you say?
Your memory is all I have left today
Not what you needed at the time I guess
Because if I were you wouldn't have left
So I find myself now holding my breath..
Staring down counting back my steps
Its funny how life twists and turns
Its amazing how fast bridges burn
Light the right ones up and a lesson learned
Spending every penny earned
Don't need the money or society
Because all I need is already inside me
My way back to you and our rivalry
Through the night the burning bridges guide me
Spectacular view.. from where I'm now stranded
You threw me away but look where I landed
For all the miles I have now expanded
Fought my way back nothing's been handed..
I spit out your taste and your name
Point your finger yeah I'm to blame
For being a loyal lover and the one that came
For you when your life was going insane..
So now I walk and all that's left to say
I'm not sorry I wasn't good enough that day
I look into the night and wander astray
and these burning bridges light my way.
n)Ethno-spirit and Biodiversity (Diogiversity)

Given its ethnikos factor and contribution towards a common origin of multiethnic and languages, in values and traditions, its morphological factors of Verthian sub-mythology, are provided with content, features, colors, and textures of neutrality, focused on a biosphere ecosystem, where the air conditioning, flora-fauna will make Sub-mythological Biodiversity, where the beings that inhabit it and will be in the range of evolution of mythological living beings, whose diversity of genetic seizures, will adopt natural and compound patterns, but always predominant in the biological pattern and organic. Wandering the world in desert places, in alloys and classified plant compounds, emptying their species through the hollow of the atmosphere and through the green grasslands in the reviving surviving evolution of organisms and species that for the first time see each other as a biotype between rocks and plantations, reciprocally among themselves, and extemporaneously generating mythological genetics heritages. Considering millions of years in evolution with explosions of multicellular and fossilized species extinct in massive and occlusive memories. Inert matter and geological strata will make millions of years converted into microseconds in the Verthian Biodiversity of the Duoverse, in a Psychic and spiritual Universe, emerging in all macroscopic perspectives and parapsychological regressions. Impact They will cause the maturity of all the diversity of externality and sensations in new topologies of anonymous universes and species of biodiversity, under a pillar of culture based on the Sub-Mythological biosphere process, encompassing all mythological species where the hope of Life and Super life. Transforming systems of functionality under the protection of spontaneous generation and in a matter that is availably underlined in the mountainous tissues of the mechanics of the subset of the air mass, water, climatic biospheres, and biogeochemistry, that in the unreal juncture of, and inter-procedural reality of carbon, that factor the species key and specimen disclosure, in the collection and in sinks, water drains but without carbon. encompassing all mythological species where the Life expectancy and Super life unfolds.

Hyperdisis, the galaxy connected to the Duoverso, in its biotic diversity, reinsert thick clumps of Nothofagus Obliqua forests, in waste processes, to domesticate the Leiak ethno-forest species, as balance nutrients and repair the disgraceful disgrace of unnatural toxicity and fragile of the agrosystem, maturing cultures and preventive pollination in succulent transfers for purposes of food webs and the environment. Making the appearance of species more effective and perceptible, reunited in community chains of coherence, to amortize low-resource needs and distance economic-political impacts, in view of new base resources and the sustainability of balance of allopathic crops, for the good of driving the extinction of plagues or flagrant excesses not converted, Hyperdisis has a mass of inert matter that creates accesses of resilience, for salinity, rainfall, and human adaptive mythological innovation, given its versatile opening of complement and generation of substances, for the convenience of living beings and No. Having adopted in the context of mythological Galaxy, related to beings of light comparable to distant elements, by means of Psychic Trisomies and tell transportation, for energy sources and soil and water mechanics with Leiak, constituting molecules for the simplification of phenomena of exacerbation of chronic diseases and endogenous. Forests and parks of Hyperdisis in the symbiotic open air, for more airs in microbiological space, in the intimate portion from greatest to least challenge of elements exclusive of antinomies of hieratic human bio culturalization, in a showcase of communities with an interest in technologies and renewable empirical usability, each part doing its scientific role and biodiversity in the portico of its home. As a hieratic quality, presenting amendments that are glimpsed and more existing, although it passes before our eyes without a Carbon Footprint, figuring logical mathematics by sponsoring its count more than a shadowy synthetic body, anticipating super-appraisal measures, averaging them in tiny theological portions, with varied and dissimilar levels of genetic habitats and alleles or heterozygous in the taxonomic functionality of reproductive and approving biological elements. The wealth and abundance of this item are delegated to Leiak, in all the revolutionary processes of the oak forests and the high mountains,

Within the gasifications of Cinnabar, there was Carbon in its Life cycle, being Zefián; the curator of the Duoverse, destined for a lifetime, under Universal and intergalactic effects. Claiming innocent beings with greater attributes of predation survival in the ecological chain, with the mix of Tsambika and Theoskepatis, granting multidirectional dynamic residual matter for green energy emissions. Feedback quantifies offset options in carbon circulation, offsetting multipurpose CO₂ inventory. Through the darkness Zefián and Vernarth traveled in the streets of Rhodes, and in Tsambika looking for the distilled portions of the carbon and sulfur emanated by the Cinnabar. In the same way Etréstles in Theoskepatis initiating with the Archpriest by virtue of the honors and the rubies of accumulations of water mass and of sulfur and carbonated air, which hung over the low sky of Rhodes and Kimolos. They were going to the Necropolis of Hellenika, when the gnostic rampages were glimpsed in the surrounding slab, minting half of the gold bars for the great goldsmith who erects the conventionality of having the physis imperturbably established, as a matter of patriarchal character. They entered Helleniká and the souls that wandered were ringed under crescent-encrusted rings, lavishing the independence of the night in the hands of Borker, which was reflected in the capitals of a mausoleum. Borker is consistent in saying that he is free in Helleniká, In the myth of the dustbin woodworm of the frieze where Etréstles perched next to Zefián's strap, who would manipulate the gold and alabaster chain, to pull its ascetic and rubies from it, approaching a final night in the astronomical autumn, in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn, and the mountainous temple of the one that follows the equinox in the meridian of seven days towards the southern and northern hemisphere. in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn. They enter the Necropolis of Helleniká, by upper and lower trays, cordoned off by obelisks in a series of petrified labels, in the square sections of the convergent ones and the linearity of the central pyramid, where they sponsored all the sectors of the stones of the prismatic geometric body, next to some piloneos that flanked the third of those that were in the figurative memory of funerary monuments of Vernarth. In harmony with the radiosities of the Cinnabar, they purged the carbon emanations in the intra-bodies of petrified breaths, expanding in the segments of frenetic life of the behavior of the inert matter, crushed by the organic, polishing the degrading character of the excavated prayers, under a superfluous shade. It was already dawn, Etréstles and the Archpriest broke the loaves to deposit them in the bowl of the Day, stretching in the arms of heaven under the gargle of the god Vertumnus who forged from the materiality of Jupiter. Vernarth nodded his head to the movement of the winds that cut the profile of a Citarista yawning on the frieze that raises all the crowns of the princes of the living-dead, making them part of the royal occasion, preparing petty spaces and tyrannies for devouring vassals in Helleniká, from the lair of his rib one, sees Diogenes of Sinope emerge, splitting with his doctrinal staff all the Isthmian paroxysms, which declared the cell of his life as Diogiversity.

"There were murmurs of astonishment at the surprising response of the wise man because no one dared to speak like that to the king. Alexander the Great asked: "Why do they call you Diogenes, the dog?", To which Diogenes replied: "Because I praise those who give me, I bark at those who don't give me, and the bad ones I bite." Again, more murmurs, but Alejandro was not moved by those answers and said: "Ask me what you want." So Diogenes, undeterred, replied: "Get away from where you are, you cover the sun for me"..., Vernarth replied: "Look for him in the bones of those who refused to die and fear beyond expiration who rejoices in the cold of the dean ossuary seed, without heat or memory here in Corinth and its Diogiversity ".

o)Reflection space length (π)

The hemispheres were out of proportion, one another was modified in the air, leaving the horizon exorbitant and the poles out of square. Coastal the lengths of the sun around areas that some Helleniká countrymen had never put on the crowns of their consciousness. Certain pressure changes dislocated other modules in the filaments that had rudimentary inaccuracies, creating reflection space failures in the installation of the Duoverso, due to the due calculation defect. The observations of Hyperdisis, generated superpositions of the Zigzag Universe, before the crescent moon, after the full moon, again de-calculating the sphere of Hyperdisis in relation to the ecstatic length of itself in the hands of a third of a second a day, to overflow in impositions that They revealed Dekas Cove in Kimonos(π).

The value of the opinion of reflections will be the originality of breaking of statics, of the motors of the verb and the conscience of the flushed being, and of erudition of the naive contrast when decanting the perceived morality. They concur with the moral value in every sub-mythology of an ambivalent being of supernatural human co-belonging, not dependent on gnoseological reflections, rather spontaneous under the embankment of reason. The latter being absent in the shadow of its shadow, no reflection can take hold of anti-values, self-valorized in contingencies under the effects of the drug of lies or truth, in a difficult equation to refer to in gnosis treatises, declaring the absence of consciousness to species without reflection or length of their molecular evolution, in evidence of mythological humans. The triangle Patmos, Rhodes, and Kímolos, make up a Venusian adonis, of stimuli in the nostrils of Aion, which sneezed on the integrity of the reflex arc at high speed superseded in the tremors of Athens until Hyperdisis, flashing anatomical and pejorative on the optic nerve of the Colossus Rodino, and the twisting of the multi-personal muscles..., but already depersonalized..., with little telluric reaction in the core of the symmetry of his legs, dodging as he thrashed on his frowned arms, behind the legs of the lycaons..., digging his jaws in reflex arches, for ages that only an immemorial one would enchant him, and be it the throbbing of the earth in the crust and seams of the calcined Colossus. Existing like this their reflection of attenuated light, they shook through the sea full of sinewy pieces of precise length. Frequently in the hydronium cations, undermining the temporality of Tsambika in random stones in the humid, and dark narrowness of the anthropic reflection, having lived in the heavenly paradise that formed them by the volcanic tube and its syngenetic, by the erosion of the subsoil of Rhodes. In Helleniká, everything that is expected, flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas it flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas from Devonian to Cretaceous, escaping from the ferocities of the Etesios and these same escaping from the roars of Vernarth.

p) One-Dimensional Beams II

When their ears fell in love with the Orthoptera or Grylloideas before Joshua, the night became restless, abandoning them from their shelters, they brushed the seeds of the thistle that trembled with the new millennium of the Duoverse. Levitating their ailerons in the tenors of their birth and dilettante sounds, before an ovipositing candor of the remains of the abdomen that remained in their jaws, always being from one of the Beams, for the largest Enciphers that hung from their antennas in search of Joshua's telepathic messages in the manger. Sappho of Mytilene, also known as Sappho of ****** or simply Sappho, pretended to be a marigold proliferating in the twenty corridors of the Greek poet, and also as the tenth poet in the other ten that was reflected with transparent wings of the dew that stuck, phenomenal of physique -Saphonic and in the recent rain of wind and condensed air, in the form of drops due to the sudden decrease in temperature in contact with cold surfaces. Sappho's dew was talked about in Kafersesuh, usually when it comes to condensation on a Poetic Grylloidae surface, naturally on the ground cover or artificially in a dull cloudy crystalline, in the amount of supernatural tradition, heroes, superheroes, and anti-heroes conspiring with the territorialities of hexagonality.

The Aramaic message comes forward with vigor from the orthopterans and birds that piled up on the journey, going back and forth. The Beams shone from the celestial kingdom holding on to the Cherubim and the Archangels, through the paths of conversion and the support of the bizarre Christian time, in implacable hegemony for the propaedeutic of phylogeny, but more than perfumers chemistry and the same creation. carrying Lepidoptera winged tetra and Sand Crickets, on the interlocking and obfuscated pheromones from a nascent-elemental child, in his own evangelical philosophy, from a winged dimensionality and in the gloom of Manger shouted and aligned, before the compendiums of double pyramidal landmarks and of inflection, of his word in the Grylloids and panaceas created in the affinities of the world and Animalia, stylizing muleteers carriers, phrasing acronyms and parabolizing the polygonic nomenclature of the child made a territorial man on the wings of a Cricket, already being it !, but representing himself as a lifeless man in the entirety of an advantageous canon child, from a sudden bi-dimensionality of Grylloideos. A great Zohar light gathered all towards a whole in those vantage points of terrestrial columns and orthopterans that Joshua felt in advance in his resined ears, like irreversible entropy giving back his wise existence to prepare them for the day of his holocaust. Pre Existing in catharsis and busilis substance of divinity connected with the Grylloid phylogenetic species, classifying until the Aramaic crackle, pontifying pheromones settled in the lithosphere site of Gethsemane, coincidence in the wading of a Libraco period, or in the phenomenological simultaneity of Eukaryota and Glaucophyta until late Animalia, giving relation parental in the characters of the vibrational timbre of the Beams and the atavistic pedestal, readapting in the evolutionary ellipticals of tetra-winged species, allowing to change the ancestral linguistic accouterments in processes of redesigning the genetic historical tree..., divine and increasing.

Inter-Duoverse, in space demography, has been frequented since today in a nuptiality between the Sun and Earth, wrapping the inter-generational homes that have prostrated themselves to the One-dimensional Beams, evolving millions of years between links of angels from the north and the south., for each year between half years and decades that the ancestors are passionate about, unleashing in what they aged in their youthful lives and eternal ideals, as an atom not guaranteed in families that did not get to know their Duoverse. When they walk through the urbanized farm of their parents they go in their shoes and in the paternal and inter-parental sun barefoot, the children travel far from the monographic patriarchy, declaring themselves between psychic families and unstable plots of core conformity and procreation.

The line of supra healthy cerebral is born from the Beams of deforested family trees and treasured in the Trunk of the seventh ascending generation, towards a nefarious tribal of industrious and vegetating regressive parapsychology, bringing zombie societies, to great lethargy that disorganizes the parallel emotion of the Being descended from a Messiah, with the prophetic organization. There in the Koumeterium of Messolonghi, in past generations, the "IO" was omitted to limit them from the spellings like Ghost Cemetery lost in other lost sacramental ancestors. The inappropriate location of our ancestral duties has guided us in the axis of the pabulum, before the second coming of Messiah Parousia, to continue the re-sprouting foliage of the Universal theological tree. The children of the seven intergeneration generations, will be from the endearing of a patriarchal family, and those of Exo family lineage will be from outside the non-generational family, where everything flourishes according to the requiems of ******-domestic economies, and in the new chimera from new shocks and reprimands, already being spouses the Sun and the Earth after being divorced from a deluge of immolations and inter-millennia and rotations, further than those of any prophet wandering without advancing or rotating, enlisting and expiring in succumbed and pre-historicized generations of other prehistoric ones. Pre and post Flood; not presenting itself as the object of linking a thousand decades where not even a holy chirp from the Thrush, praises on the windows of the world bringing us babies that are born without past or future quantum generations. Ready to the hint of Duality and its nuptiality with the Sun and the Earth, They will make us magical creditors of the increase in demography and of unions that will marry in inter generations, not seeing passions in exhaustion, under the grass of the allegory of defeated love. Giving ourselves conjugal virtuosity, but of immanent dogma for the purposes of multi-figurative coexistence, under the Yoke of an individualized Faith, in the passing of millennia, we continue to crawl on the floor of the nebulae, and we do not rise to establish ourselves as masters of ecstasy, and the pendulum of the stars, creating us more in the orthogonal egalitarian of the cosmos and its Vernarthian architecture, of poly productivity, of Sun-Earth and its post-genetics, of high-grade clay, expanding with halberds on the self-insolated Suns, and highly calorific inherited towards a rupture of Solar freedom leaving us in the horizontal, not having ascendants of sin enriching their illicit chromosome. Made a beast, from the inertia of a paradise full of hidden public and private exchanges, but not secular, for those who pay tributes of ecstasy in a reborn and weakened state. This is how Diogiversality is verticalized (Diogenes's anthological action), concluding the variants that weaken the nexus of the denatured society of its atavistic social nuclear concomitant, extending eco-life gaps, but eco-unstructured and crucial inter-generational nature, being of arbitrary passion and of seismological doctrines, of haughty morality and of sociology fabrics without body or motor, with frail of castes and generations evolved age in a retrograde and elemental psychic sense, but biologically and reversibly to their boomerang lineage.

q)Amphibology Cosmogonic, Sub-Mythological root

The threshold, as a minimum rubric, must be in force from the Constellation of Orion, with barely a hundred millionths under the same eye of Orion and his psychophysical space, sensitive to the falcado charioteers and the water vessels on the backs of the probable Barnard Loop., and its nebula presence. The icy impulsiveness brought her under her right shoulder and the lean hollow under her arm unraveling from a staircase, at the entrance point of Betelgeuse coming from the cosmogony of Eridanus and in tune with Ptolemaic astrology. In the Sibyl and with a hint of a metric brilliant mass triplet, Betelgeuse Orionis, is the scale of the Aulos and piccolos expelling hydrogen as an Ace in 240 scales of harmonies and in sounds of light, for cycles and years of Light. The binary of Orion, is pre-born of the sub-mythological root, with binaries of Poetic Parapsychology, or Para-poetical; which is the trapezoid and the kinetics of the hunter Orion arrowing the Pleiades and its nebulous plains, with diametrical diarthrosis in his synovial joints, with the third militarizing joints already formed by the hyaline cartilage, which joins the two bones with the synovial fluid, before reaching the deltoid of Hunter Aurion, to awaken the Asleep world.

Vernarth in one of his adventures in Pella, scapula with his arms the force of the friction discs of the Olympics and corrected his hands and shoulders, for this purpose of Aurion and his dilettante Astro Betelgeuse, with giant arrows against matters towards the sky of its Constellation, embedded in beaten Odyssey and turpentine in the sullen Hellenistic, being for May its amber trapeze of trunk and arm, in each hand a Xifos and Dorus, always in right-handed hemispheric pathologies of their shrewd hands in Kopis swords, and in the memories of the wind that throws pain to the whistle of the combatant, when the meteorites decay in the Tyrrhenian Sea. With his brass-bronze club and Vernarth's corrosive breath, he proceeded to file odyssey on Eos's ******* and peduncles; Goddess of the Dawn, in Dionysian beauty in bulk, Mintaka, Alnitak, Alnilam, (The Three Mariah), For the twelfth lunation of the Celestial Vault, together with Pleione, in its bolometric Oceanid matrix; against borderline stellar magnitude in the major and minor dogs, and in there a priori waves of misdeeds lending measurements in the eyes of Aurion, always henchmen on their Pleiades.

From this intricacy, Cosmo-is born the Vernarth Duoverso incited towards the Horcondising, so that it is mythical co-property at the origin of the universality of the Duoverse in the Vernarth scapulae, bleeding towards the cosmos that was born from his stellar blood, conjuring chaos and uncertainty in messenger Gonies, facilitating community life free of ethnocentric, psychic, intersubjective life, the metaphor of myth and dogmatic, by the imaginary struggle that leads its bleeding back over the Cosmos, and its demiurgic brilliance over the atmosphere of the earth like bronzes that twist in the necks of oxen, that urinate on the officers of the Barnard Loop, and its polyphonic magnetic exciter, on it the ***** of Orion falling on the poles, like flagrant Amphibology.

The Kanti Steed and the Aurion nebula, to the beat of a waltz ionize, lavish chemical ions free of electrons, on the neutral molecules of Betelgeuse, to proclaim in the nerves of the shoulders and its bronze club, as musical praxis and harmony net, giving way to the nebula and the art of the Duoverso, which shows the pristine astral days, how his alchemical arm sprouting in chemo-astralities of the pectoral, and his armpit that joined in its maximum stick, cutting down roots of Olive Bernar, behind Barnard's Loops, in the midst of runaway stars that are systematized in their ionized bleeding esplanade, such as Stellae Novae, who retrograded the astronomical ritual into cosmogony, and in her escape by going at night to sleep near her father Poseidon and Euryale, who cheered him near the grassy fields to paste explosive clay on the sheet of his drunken smiley face with Ionic wine, in advance of spreading the nascent Duoverso throughout the new world.

r) Hyperdisis

Sitting on the edge of Andromeda, in his planetary chamber Zefián; The Duoverso computer separated the parasitic inter-chamber from the Duoverso, which would be born from the Auriga, which in his buggy would unleash the senses of structures and luminosity between this colossal interplanetary chamber. Being between points that venture through the axon of time infinitesimal and longitudinally for light-years, which even so, will intervene from the Duoverse, for thermal purposes and other changes of the remnants, when especially the luminosity will speak of the destruction of the darkness inherent in the eyes of the universe, which can only stabilize areas that have not been fused in the discs of the Universe-Duoverse spatiality, long before the initial explosive between the Constellation of Orion and Andromeda. Globular clusters that will make up the perfect delay of transfusing the blood and no other, which makes the character Hyper naming and hyper-pectoral blood, which flows from this tri-astral polynomial, compromising the method of area, shape, and refinement of the sagittal profile of Hyperdisis in the Duoverse in the reversible intergalactic plane. Going from lenticular to irregular over the keystone of the trapezoid, towards the right arm of Orion, where its radius becomes hypocentral sequentially, but it takes advantage of interstellar matter, to generate its own light. Some explicit explosive arms of Andromeda were expelled from their center towards the right arm of Orion, for the purpose of implosions in the effect of the clubs or snails, as a sublime effusion on other stars, which lost essential stellar mass, to differ from one another.

Radio-Patmos, or galactic energies of Andromedian origin, would arrive as devout prayers at the border of Skalá, such astro-omegas and Invisible Universes, which inhabit the flaccidity of the Universe of Consciousness of the pole contact with the Xifos or Kopis, when Andromeda contacts the spur of the clubs or snails, inciting the capos of Astro-Omegas spaces, which would begin to take the front and front, after having been the atrium of invisible stars, only visible in the spurs of the swords, which were only moistened with the viscous blood draining from Orion, towards Hellenic lands as Omega age, for Vernarth early when he carries the keys of the Omega World, towards the shadowy proto galaxies, knowing that the Milky Way and Andromeda come so close in their stellar mass, being able to collide in a few million of light years, in advance, since the Duoverse of Hyperdisis will be formed as a Galaxy of change, to interact with each other, dismembering, but re-transforming into the new speculative nucleus of the Duoverse as a great Black Hole, embedded in the Kardiá of Patmos.

Hyperdisis, navigates from the most ancient confines, from the origin of nothingness itself on the threshold of the Universe, but now it is already converted into the Duoverse, re-implanting itself in helical polarity, and in bifurcations of luminosity, of colorful reincarnations or astral, to consent to the cessation of darkness and valuing luminance, possessing colorimetry and chromatic steps of childish tales in infant galaxies, which in all the lives of Greece and Vernarth delivered for their ancestors, articulating the iconology of Orion, in candlesticks per square meter, in vigils of:

LV is the luminance, measured in Nits or candela per square meter (cd / m²).

• F is the luminous flux, in lumens for the Andromeda triad, Milky Way e Hyperdisis in conjunction with Orion.
• dS is the surface element considered in the triad of Kímolos, Rhodes, and Patmos.
• dΩ is the solid angle element, from Vernarth Omega and the origin of the Duoverse.
• θ is the angle between the diameter of Andromeda and the Milky Way (2.5 million light-years)

The luminance can be defined from the radiometric magnitude and the radiance without more than weighting each wavelength by the sensitivity curve of the eye. Thus, if LV is the luminance, Lλ represents the spectral radiance and V (λ) symbolizes the sensitivity curve of the Vernath's eye of the Betelgeuse area below, dumping plasma and bruises on the galaxies and the Orion Eyes.

s) Zigzag Universe

The Zig Zag Universe was and will be excluded between time and space, in a world adjusted to the senses that are driven within the contextual totality, the world and the biosphere framed in the phenomena of the Zig Zag Universe, being born on a stellar night when Our life searched the earth, being able to see how cordial matters of the cosmos caressed its cosmology, making it its magistracy and descendants of the Hellenic cosmos, in constant caresses of the universe already predisposed to the Bing Bang, emerging from another type of self-observation, seeing ourselves in the face of Horcondising anti-material and Universal Biomass. We preexist under science that models the system of energy and matter in causes of ancestors, with whom their vital and ours sneakily crashed. Gravity made great paternity in the Vernarth Biomass, being in the Dodecanese, being cosmos in its arcuate curvature, which makes us screen with the moon in its romantic astrophysical swings, and with the exaggerated geometry of a zigzag. We are the versatile and multi-dynamic mass that expands simultaneously in the head that pauses in the Nothofagus Obliqua of Vernarth's Horcondising and also time2-space2, which has not been troubled by the origin or abscess of the stars that move irregularly in zigzag, for the fractality of its component, which is clearly Aramaic blue light, in circuits of clusters and movements brushing the air, attracting the attention of the entire order of the hypnotized universe and making the duplication of the universe itself appear before them; in Duoverso that is the Universe shaken and young of its gratitude's ".The distribution of nearby galaxies are keys to the paleo universe already arranged in macro waves, which are percentages of spaces in the Trisolate energy fields, which interact with the Mashiach of Gethsemane phylogeny, now tending to a stagnant decomposed future, towards a specific frozen present. Its final station is to bet the Zig Zag Universe on the re-expanding temporal Medieval chrestomathy, in gregarious qualities of Sub-mythology, already conformed here in Archangelos. The implosion of gravity has created worlds of visibility in great astronomical yearnings, in some fractions of time zigzagged by millions of fractured light-years, as an irregularity that resembles the measurements of everything quantifiable, being omniscience or not, acquiring the hexagonality of the birthright in the passage, Here the Mashiach emerged and died in its abstraction in the One-dimensional Beams and in the foreign eyes, eroding those who are mortal and do not see with divine eyes in the self-resemblance, of our hypochondria and of the failed plan to amplify the size of the unknown analytic, of this new dimension in the implosive movement of the Verthian Duoverse. The nature of the snowflakes in Bethlehem are natural fractals, detailed in their nature and in the natural infinity, here the privileged new world was envisioned, for self-similarity in the speculative and cosmogonic functions of Vertnarth, at intervals in each space of the shadowy walls, bringing accelerated courier bombs from Gethsemane among mutated olive trees to other humans. "Its correlation is an infinite fractal with reversible observable time.

Finite is the curvature, between the time that walks between the grove of the Duo-Universe as an alternative of energy Zig Zag and Duoverso, which triggers our subconscious observable world, which is a great reflecting lantern eye, which ignores and prescribes extreme distant and focal parts of the One-dimensional Beams of Kafersuseh in Ein Karem, since the Duoverse is the trial Universe that the Mashiach had, before coming to the Holy Land, provided by his form of Hyperdisis escorting him from Betelgeuse and in Orion. Change from arduous colors to the gradient in Avant-Garde, for the confines of perspectives and verbality, in amendments of physical fields, interwoven by an external gravitational means. The macro waves, are exposed matter not contained in the abrupt changes of the optical selection of the Mashiach with the One-dimensional Beams, attracting selection crystals to atomize them, in reaction disturbances and recreation of multiform plasma saviors of Christian cosmic. The double expression of macro waves and the equation of them over the axial of the universe turned into the universe Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion energy with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all being more than time... !, remaining at the expense of the wick of all electro-matter " The double examination of the macro waves and the equation of them on the axial of the universe turned into Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all of them being more than time... !, remaining at the expense of the wick of all electro-matter. The sub-mythology having already been constituted, Hestia appears, having slept a great slumber. When he appeared before Vernarth in Tsambika, he was seen changing in size, when he was six meters away he looked dwarf and when he was already two meters from him he looked monumentally huge, but in a versatile physiognomy, therefore he was already appreciated in his last steps, with her domestic Goddess figure that emanated light-years from the chimneys of the habitable galaxies. The critical immanence will happen, pre-existing of the perfectible plan for the Universe Zig Zag and Hyperdisis, as Hyper-Hestia, bringing torn words for those who were approaching the main altar of Vas Auric, which was in the great ratio of the proscenium in the vicinity of Tsambika, between Mind / Meditation for constant mechanisms of Wisdom / Meditate, according to the cosmological constant, taking them perhaps to the beginning of a decade and the third universe called Traverse. The oscillations of all these fantasies, Vernarth observed, but he knew that he would have to collide with these worlds finally already precipitated, and of temperature that acted on the average of the normal range, therefore it was imminent to mutate it to the provisional Christian Duoverse, which moves backward. among the dizzying lights of creation. Immediately afterward, the Universe has torn apart and lost among those around it, establishing itself in units of millions of years of light compressed in the piccolo Aulos, which Hestia carried in one of its golden hands, from the prytaneion, igniting with the flames of the Kardiá on fire and the passion of consanguineous love, "Prytaneum", the omphalos stone, marking the navel of the world with the boast of wandering towards the island of Delos, in the daily warmth of a spring afternoon in Rhodes. She is a woman with veils on her face, always walking to and from her virginal abode, in the house of foolish or vestal virgins, there is no Hestia, only maybe there are some similar ones staying in the cold fire of her menopause, losing fertility afterward. that his father swallowed it, and then it was expelled from himself, regurgitated in flames of love candles in a blessed house and full of immunity, giving the Duoverse another geometric category with never contained angles, sliding vibratory between the distances that discount minutes of the Hestian space, for such a corollary by approaching its finitude, and inaugurating the sub-finite, that it will never be the source of the end of a disconcerting end of time, neither equationally consummated nor physical. "This consolidates the Duoverse into Duo-Universe, expressed in figures that moderate the length of a physical state before it is finished and restarted in a process that does not end (sub-infinity)

t) Vernarth Omega (Ω) - Preface

before facing the Achaemenides. Being Omega and Micron in the warlike primer of their cause, within the prophetic in all necropolises of tiny omega (ω), towards an Omega that reaffirmed the good hand in Saint John the Apostle by rewriting the Apocalypse twice, coexisting the same but with the voice of Vernarth commanding the ten thousand Falangists, who made up inter-generational gaps, of camouflaged alien ancestors. For this purpose, he opened the windows with their pillars sheathed with tetrachloride of chlorine, at solid angles of Ω, in what was Virgo institutionum / Aurion-entity that interfered by projections and leaks, which converged on the strut of the omphalos of his heavenly father dealing frequently and bled his immortality, constituting from a helper being to the planes of subconscious reprogramming and perspective. With his arms raised, in each hand a raised sword to pierce the vanishing point, between the spaces that were ascribed, under the solid projection, from an observer that inhibits ad limits the biomass in all the masses of aqueous filter and lumen flow, towards the throne of the angelic guardian of Avant-guard by the stereotype and sclerosis of Zeus in his dissociated physicality, even though he is an amorphous entity with pulverized magnitudes, between Pi and Golden numbers, fading away without area or volume. Vernarth in the humanoid apocalypse was transfigured from a solid point in Hyperdisis, as a direct escape settlement to Aurion, towards a surface of conical vestige in three-dimensionality towards Andromeda, the Milky Way, and the shoulder of Betelgeuse,

Vernarth distracted the emeritus stars in the corner of his room and in the convex the points of his celestial patriarchs in the conical spheres of perenniality, leaving only solid angles in each of the two parts of space-delimited by two semi-planes that start from their common edge, under the ideal geometric concept and that it is only possible to partially represent it as duplication in parallelograms with a common side, symbolizing two half-planes, making from all distances seclusion of visions in the culmination of imagination and apparent angles, seen from any point of the Celestial Vault in invisible counterpoint.

The decalcified cells of Vernarth solfying together with Sophocles in orpheons after the victory of Salamis. Already being a tragedy in the next act of the prologue and their friendship bordering on his tragedy, he continues to exist in energetic arms to write, and Vernarth to dispute the characters from a regular prologue writing with his own blood hematology verses, which traveled meters and that they shrunk from the anti-verses scarring their declaimed intra-breath, in corals that only the wind clarifies of what precedes and happens towards the suffering, in the metrics of the Areimos chorus that were lectured anti-verses, and that they tried to ****** him from the hands to Sophocles, in immortality that refined him by abandoning him in sub-units. With masks and mythical cycles, he mixed the metaphorical facsimile of momentum and the separation of friendship with him, seeing him in an episode of his works, and instead of Vernarth's transcript sheltering him in the origins of the volatilizations of his orpheons, converted into physical waves of a dramatic-oracular order. Gods re-transformed into divination and futuristic germination, they were hidden dormant and forgotten in times of subconsciousness in the Selenite collection, felt in the Colossi signs of parliamentary, where the oracle leans on the lines of vibrational words and how they cough their " páthis "in the place where the language dissociated from the heart nucleus speaks. In misguided divination, the oracular mantic brought the cold of loneliness and the fiery heat that guesses in the laurel forests in oracular daphnomancy, Vernarth omega self-erects as a versatile column that temporalizes the threads of his organic brain, creating synaptic logos in Pashkein or the alert regret of abandoning the arm that rewrites his heroic Sophoclean and tragediographic biography, in ancients transiting in disintegrated emotionality and ****** Hellenic neurotransmission, "Two omega men or omega speedometers, carrying neurons from ankylosed and frustrated herd of pleasure, for tripartite meson form of routine grinding in Alzheimer's lost, lost in sympathetic and para-sympathetic routines, with probability of Hellenic gray matter; That is to say, of all memory that does not sin of ignorance in the ancient world, in more than nineteen hours of vehemence, the dangers will brighten when reliving nth times in the twilight of omega, Vernarth, was already narrowing on the tracontero Eurydice, to save his pains, deposed in terms that would renew anti-economies by supplying unsustainable in liquefactions and in synaptic melts, extra energetic vesicle of pure natural law of the eyebrows, of lunation that rests in the inter millennium, beating with ecstasy in the Buddhist suttas, and in the adaptation of the flesh of the hypersonic fissures of the Meltemi, and attachments that still beat over the dermis of pain. Vernarth draws his sword Xifos of phenomenal structure and he cuts on the Sutta or sermon that mimicked him at the time of the lunation, doing sabotage of redemption of the anti-verse from the court of Sophocles, as a myth-saboteur and anti-value, overvaluing the wiles of the same utilitarian tragedy, conquering in the curtain of mourning and sadness, unguarded and overcome by the stoic duel of jubilation. From here Vernarth, opens the gates of hell, eight hundred times going mad with omega value, by reiterating omeganymy, creates the numbering of the anti-verse and the suffering that does not even sleep further from the departure of a soul and a body only asleep of concave omega, overlapping in golden transfinite chests, which reorder the natural numerals with the ordinal transfinite omega, but on frictionless wheels of other omegas that break in recirculation rules on alpha, in supra omega levels such as parades, stamens, episodes, and Vernarth-omega paradigmatic exodus.

Omega I Prologue: "Once upon a time, amidst a rain of clouds full of drama, in a time that was oriented regime of the armpit of Betelgeuse and Aurion, 334 BC, it was the penultimate breeze of Tsambika, in the spiritual devotion that hovered over the unison voice in the magnanimous Zeusian chorus, as an alternate event of imprisoning past and next in an episode of the present act. The expectant was curious about the retouched makeup of the drama's superlative consonant, in a disembodied place, but with a good narrative source when it came to fruition. Here the myth is plausible, among everything mythical, more than all the super sums of expectations of the Ismo "

Parod I: "For the submissive words on the stage of the trident fire, where I have to warm my hands with ashes of eternal fire"
(Directing the scenes through the coripheum, there is the master lord who, in flames and by unequal numbers, pawned in the Aulos and piccolos, whose bare feet bordered the risk of the bellies of the Maenad damsels united in processions, between princes, powers and Dionysian dances holding on to the Pufios; in Baquian and ceremonial liturgy near Vernarth, taking a glass every seven minutes in animosity, in cages of his stuck little finger, whistling from organic pimping, next to dancers raising an arm and directing the palm towards the heaven, while the other remained down with the palm towards the earth; in this position, since he was like Vernarth buried by the tides of Patmos wandering him in times that marked the entrance from Mars to Jupiter, and from autumn to winter in fifteen times agreed with Sophocles, hanging from the penultimate to the entrance with his trembling voice desalted..., tolerating himself in his own tragedy)

This is I: "Through the right hemi-body, Vernarth intoned his laterality exposed in harsh penumbras, while Hera brandished over his existentialism clouds of oatmeal and candies in a liturgy, a homily that personified the Stasis, in the choral intermission resisting his angry hands in tragic passion and frenzy, unleashing oratory of self-blame, unraveling drama-tragic, and in each pause the emotion that was accompanied in new episodes when it was stoked "

(Vernarth says: "submitted in parts that are not its parts, my pain has blinded me, where it has embittered the conflict of ethical interest if the stars as a public cheer are anointed, sentencing the opposition of other lesser stars who cheer what that does not shine. The principle of the voice violates the normal parenthesis, which is governed by itself in the omega voice, mocking the modal in four magistrates, in martyrdoms of an ideal of the procession, each one being with his super-private toga, before me It must not be who recognizes if I will be who I am, on the seventh judgment of my surviving ethics)

Episode I: "Vernarth extrapolates the values of his judgment, which override the first, the coryphaeus directs his promenade from the countryside on his Horse Alikantus"

(Vernarth says: "I have instantiated the steps that my chestnut crossed with you in the future if I am to sing with a sorrowful voice, no choir will be able to follow me when you are gone. However, I have to define what personifies who, more than a thousand miles away, carries with him the lamp that opens the light of your roguish contemplation... "
Alikantus wailing says: "From the luster of your heartbeat, I obfuscated the jailer from your ribs, for the preference of the one who takes you even further in tempestuous pro-hedonistic prose "

Exodus I: "Sometimes the endings smell like fields of lavender, where the call of the almighty is heard, to take him over his loaded plantations, which are emerging from the dialogues in the afternoon with its twilight, as well as stanzas that smell of lavender anointing, separated in syllables and tonic that flex my charm, not to say that I was anointed with Lavender when I was prepubescent "

(In fifteen times, in syllables and rakes, the sentences of its paragraphs are sterilized, leaving the audience speechless, without a gesture or word that emanates from a sacred paradise, rather from the Stasis that never purged the omission of the syllable that is not of proscenium nor trident, but it is umlauts on Omega, between syllables of fire that burn from its proscenium)

With few and precise changes of consciousness, Vernarth approaches his Omega Point, as the end of his self is identical to his consciousness. He was leaving Tsambika and Kímolos, diligent towards Theoskepatis, warning Etréstles for defiance goods in the aftermath of the Eschaton. His spiritual cerebellum faded identically when he wandered through the distances of the entities that competed and are prominent, transforming his Hetairoi reliquary, here his tendentious impulse begins and dehumanizes him by becoming a Celestial entity, but with Noosphere endowment. The tendencies are established hyper-connected, with him Tsambika, Theoskepatis, and Patmos were triangulated for consummations and finality from the rudiment of Universal deity, reprogramming the end of restricted humanity to a mere boundary of dogmatic morality declared existential.

Within the Omega points, his unfolding acted as a disembodied statue and redemption of similarity and humanity, leading him to a self-conspiracy, by abandoning himself to his own equal, for the duration of the final sulfurous sublimation of the Cinnabar's margin of abstraction, after joining in all the quantum, physical and biological lines, making the Duoverse an inter chamber of the prior Master in a process of change, to sensitize his image of physical-chemical Man, but of God in his rigid powers. Cataloged as hommo sapiens who expresses himself in fallen beings under the arms of his sword in a limpid target, rather than in his own pointed tongue, and steely towards the point of unification in the hyper-dimensional of good achieve spatiality and volume, only contacted by his devoid of a Xifos hand. Consciousness rarely loomed in its compendium in nth bytes and data, much more than those recirculated in astrobiological quantum, creating blind exclusive and patrimonial universes, on the basis of nth bytes, which kept reorganizing itself in the personality of the unknown, fewer than four bridges of consciousness united in their own gregarious universe. The transcendence of the basic data of consciousness will lie in the Maenads, and their deliberate acre magic, extending through the limbs of the Nymphs, to re-possess it and take them to the confines of mystical paranoia, perhaps towards the embodied Vestal Virgins, purging their paths that they notice a variant of licentious departure in the stanzas when seeking final swings, which are not for the sake of shedding everything before the Universe rescinds its intellectual limitations, contracted in an orgiastic Imaginary Universe, and the precariousness of the concept transporting us to the origins of the species and its behavioral rapture of loss of sensation, and reason, for this reason, Vernarth takes them with him for his ******* and alienated perceiving of inherent reality and its opposite sunset. The ministry of the sacramental mystery is the consciousness of the Dionysian being in gestation, wanting to be the paroxysm of its equivalent, in an eternal Omega effect, for the purposes of omeganymy of conscious chaos, being the same portion of omega ad limit of its secondary reluctant personality of being, to found the hermit solitude on his revived empty ego, residing in his being by bilocating with two idiosyncrasies for a Venarthian Thiasoi, succumbing to weightlessness over all the Maenads and the intoxication of community in its opacity,

The madness was a transcript of reasons lost by the Vernarthian Omeganymy, sometimes the disproportionate of his steps by more than what should be generated was objected to in the circles of the Tsambika monastery. The unification of blood was confused by the viscous wine of the mysterious foliage of the Diospyros tree that led them through the enigmatic unaware, in primary practices that tore apart some somatized ones of the order of a third body, which still transmitted the last organic matter, refusing to spread at the omeganimic points. The consciousness of replicated beings of themselves challenged themselves towards the perfect copy of their transcendent alter ego, in an understanding of the present-future elucidating for whom or those who demystify the visions of an arbitrary creation, allied to the evolutionary myth-truth, in the face of any real and human maturity gap, the conclave of the near pious Christ, bequeathed in us and in the venerated hominization, at his sole and directional will. Now we are all in the aqueducts of Christian Science, for specimens of eternal categorization and frontally in view of a God-Mashiach, as ordinal inclusion and in greater ecumenical diversity, with variables of independence range, for staggering motor skills, retaining the attention of all the powers of the Christian world at an Omega point that seemed to be Alpha. The sense of the Duoverse in Vernarth Omega makes us rethink the central phenomenon of thought and frustrations, by the socialization of distant species from prudent dogmatic ostracism, towards refractory empathic and ultra-rational reasoning.

The supra intelligence has to become in them and those, the pre-existing point of duality, to reunify them in Patmos, as the only spirited meaning, and biomass evolving on the super-dimensioned materiality, in a greater radius where it will have to be delivered to whoever speaks with words. of living energy, and not complex towards all processes of emancipatory concord of personal authorship, on levels of relative lust in the absolution of medium integrity, and towards an elemental unitary totality of animal instinct guarded by the instinct of Being, that from its similar awakened rebirth of the sleeping mass matter, and in the animal purifying multiplicity. The man stands in his memorandum bend, like a haughty memorial, evolving in the cosmic expiration of the molecular transverse, admitting us in its vestige of complex extinction, but not in human slip, nor in acid and self-instituting scenery, on the real creation of its DNA, which reverts from the formality of helical reiterative rings, by heights of whoever oscillates in their coupled pairings, and their silent probable associations, in the nature of real origin and their structural perfection. The acceptability scenarios derive from the feasible concretion, and the approval of their tendencies and mobilizations of the structure of life, and codes greater than those that limit them to reside, to more than one body, residing from an incorporeal body, capable of its quantitative life and the extension of existence, super existing in the heights of the helical rings, which may vary more than they are, and which could be, without being seen under a scientific gaze. "Becoming a mechanics of maturation and prayer, which the energy from the material world to the spiritual, as a moving particle of inert matter in parasitized free radicals, which are re-energized by the mystery of the helical trans-threshold of the Aramaic mystery of the Olives Bern. "Vernarth disintegrates in omeganymy in laxity towards Aurion, descending pro-tenebrosity towards the profanity of Patmos, engulfed by Love in a dark summer, brushing the silos of DNA in the will of the automated world"
DUOVERSE
MBishop Sep 2015
This right here, this exact situation is the reason I keep my hopes down low. Why I practically walk over them, keep them dragging under my heels. I didn't want to end up like this. If you don't expect anything, you are contented with what you knew was inevitably going to happen. You can go about it in an I-told-you-so pessimistic manner.

But when you have even a slight hope of improvement, the reality drags you lower than where your hopes should've been. It's the lesson they give.
Now, things are complicated with too many loose ends. Too many people. People are loose ends. Too many appearances to unwillingly keep up.
Things would be so much simpler if there was no one.  I would spend my days blissfully alone, maybe even get done what I need to.
But now there are bridges that would be burned if I let loose the hermit inside me.
Lousy excuses for bridges, more like strewn pieces of driftwood in a creek, but passage nonetheless.
And however feeble they may be, they're still there, and destruction always leaves an aftertaste.
A smell of ashes in the air clogging your lungs when you come near.
Not to mention the other bridges that whisper about the fallen and create gated barriers of words.
Soon enough you're not in blissful solitude, but rather isolated speculation. You don't go unnoticed, but rather alone under watch.
Well, consider my lesson learned. Never make ties out of hope. Both with be weak and unfashionable. A fallacy at the very least. And you?
You'll end up being water under the bridge.
SH Dec 2011
i burned the bridges between us,
whittled down this love into dust,
and watched the river weave it away.

i told myself to

build new bridges with the old and broken bricks,
carve and sculpt the dust into someone new,
or wait for the river to return me another lost lover.

or at the least,

leave it there charred and in a thousand pieces,
leave the whittled love as a broken-winged bird,
stop weeping by the waters and feeding it with tears.

and yet you,

you appeared not even as a physical reminder,
not even as a ghost who haunted me, it was  
just a word that remotely resembled your name

and you throw me back to
building bridges.
On how the slightest of reminders can just have us building bridges again, bringing us back to loving someone we  cannot have.
Always enjoyed crossing bridges
Looking down to see what
divided the land so

I hoped to see rivers
their flow
I like the waters to be on the go

Sometimes there were
railroad tracks
Sometimes trains with horns blowing back

Then there were trees
sometimes
swishing in the breeze

I loved the bridges
connecting
the Florida Keys

And Ponchatrain
going on endlessly
or so it seemed to me

Never been to Brooklyn
no I didn't buy a bridge
I have a picture of it taped upon my fridge

I crossed the Mississippi on bridges that were high and sometime low
One bridge fell into the river and it's not there anymore

Too bad HP has no picture avatars
I have pictures of the pillars
Still reminding me and Willard
Madisen Kuhn Oct 2014
is it new york i love
or do i crave being
near you; crave the
one in a million
chance that if we
were in the same city
we would run into
each other on the
sidewalk while i’m
on my way to buy
flowers and you’re
smoking a cigarette
dressed in all black
and i’d smile at you
and you’d grab me by
the wrists and scold
me for being away
for so long and then
i’d let you kiss my face
as you interlock your
fingers with mine and
you’d never let me go
again, you would
take me with you
wherever you went
and i’d never look back.
april 2, 2014
Kim Denise Jul 2014
I've burned my bridges
to the past; I didn't know
it knew how to swim.
We cross our bridges
When we come to them.
We burn our bridges behind us.
Why don't we just
Burn our **** bridges
When we get there?
Saves & lot of wear & tear,
*Non c'est pas?
Ignatius Hosiana Jun 2016
When we start building Walls
Amidst neighbourhood woes
neighbours we encouraged to construct
their homestead close to our doors in assurance
of a strong shoulder on which to lean in times of adversity,
you definitely know the wines we call Wars
are brewing somewhere, walls are just a wine cellar
Divisions are the bottle to the wine seller
We once built bridges to unite the world
that peacefully lived as a divided entity
That's what happens in times of crisis
Some build walls to quarantine the endemic
while others choose to build more bridges
even if it means risking an entire generation
for we were once a world without boundaries
neighbourhood miseries were our miseries
their laugh was our laugh and their cry was our cry
We sung a single anthem in unison without a sigh...
always wait for drums of war to judge who is true
wait until then to know who honestly loves you
Henry the Navigator might carry the blame
but Britain spearheaded globalisation as a country
Now that we are here, ready to leap into her lap
she's closed doors,
Britain is for Brits, the rest of the world is for us All...
IN SEARCH OF THE PRESENT

I begin with two words that all men have uttered since the dawn of humanity: thank you. The word gratitude has equivalents in every language and in each tongue the range of meanings is abundant. In the Romance languages this breadth spans the spiritual and the physical, from the divine grace conceded to men to save them from error and death, to the ****** grace of the dancing girl or the feline leaping through the undergrowth. Grace means pardon, forgiveness, favour, benefice, inspiration; it is a form of address, a pleasing style of speaking or painting, a gesture expressing politeness, and, in short, an act that reveals spiritual goodness. Grace is gratuitous; it is a gift. The person who receives it, the favoured one, is grateful for it; if he is not base, he expresses gratitude. That is what I am doing at this very moment with these weightless words. I hope my emotion compensates their weightlessness. If each of my words were a drop of water, you would see through them and glimpse what I feel: gratitude, acknowledgement. And also an indefinable mixture of fear, respect and surprise at finding myself here before you, in this place which is the home of both Swedish learning and world literature.

Languages are vast realities that transcend those political and historical entities we call nations. The European languages we speak in the Americas illustrate this. The special position of our literatures when compared to those of England, Spain, Portugal and France depends precisely on this fundamental fact: they are literatures written in transplanted tongues. Languages are born and grow from the native soil, nourished by a common history. The European languages were rooted out from their native soil and their own tradition, and then planted in an unknown and unnamed world: they took root in the new lands and, as they grew within the societies of America, they were transformed. They are the same plant yet also a different plant. Our literatures did not passively accept the changing fortunes of the transplanted languages: they participated in the process and even accelerated it. They very soon ceased to be mere transatlantic reflections: at times they have been the negation of the literatures of Europe; more often, they have been a reply.

In spite of these oscillations the link has never been broken. My classics are those of my language and I consider myself to be a descendant of Lope and Quevedo, as any Spanish writer would ... yet I am not a Spaniard. I think that most writers of Spanish America, as well as those from the United States, Brazil and Canada, would say the same as regards the English, Portuguese and French traditions. To understand more clearly the special position of writers in the Americas, we should think of the dialogue maintained by Japanese, Chinese or Arabic writers with the different literatures of Europe. It is a dialogue that cuts across multiple languages and civilizations. Our dialogue, on the other hand, takes place within the same language. We are Europeans yet we are not Europeans. What are we then? It is difficult to define what we are, but our works speak for us.

In the field of literature, the great novelty of the present century has been the appearance of the American literatures. The first to appear was that of the English-speaking part and then, in the second half of the 20th Century, that of Latin America in its two great branches: Spanish America and Brazil. Although they are very different, these three literatures have one common feature: the conflict, which is more ideological than literary, between the cosmopolitan and nativist tendencies, between Europeanism and Americanism. What is the legacy of this dispute? The polemics have disappeared; what remain are the works. Apart from this general resemblance, the differences between the three literatures are multiple and profound. One of them belongs more to history than to literature: the development of Anglo-American literature coincides with the rise of the United States as a world power whereas the rise of our literature coincides with the political and social misfortunes and upheavals of our nations. This proves once more the limitations of social and historical determinism: the decline of empires and social disturbances sometimes coincide with moments of artistic and literary splendour. Li-Po and Tu Fu witnessed the fall of the Tang dynasty; Velázquez painted for Felipe IV; Seneca and Lucan were contemporaries and also victims of Nero. Other differences are of a literary nature and apply more to particular works than to the character of each literature. But can we say that literatures have a character? Do they possess a set of shared features that distinguish them from other literatures? I doubt it. A literature is not defined by some fanciful, intangible character; it is a society of unique works united by relations of opposition and affinity.

The first basic difference between Latin-American and Anglo-American literature lies in the diversity of their origins. Both begin as projections of Europe. The projection of an island in the case of North America; that of a peninsula in our case. Two regions that are geographically, historically and culturally eccentric. The origins of North America are in England and the Reformation; ours are in Spain, Portugal and the Counter-Reformation. For the case of Spanish America I should briefly mention what distinguishes Spain from other European countries, giving it a particularly original historical identity. Spain is no less eccentric than England but its eccentricity is of a different kind. The eccentricity of the English is insular and is characterized by isolation: an eccentricity that excludes. Hispanic eccentricity is peninsular and consists of the coexistence of different civilizations and different pasts: an inclusive eccentricity. In what would later be Catholic Spain, the Visigoths professed the heresy of Arianism, and we could also speak about the centuries of ******* by Arabic civilization, the influence of Jewish thought, the Reconquest, and other characteristic features.

Hispanic eccentricity is reproduced and multiplied in America, especially in those countries such as Mexico and Peru, where ancient and splendid civilizations had existed. In Mexico, the Spaniards encountered history as well as geography. That history is still alive: it is a present rather than a past. The temples and gods of pre-Columbian Mexico are a pile of ruins, but the spirit that breathed life into that world has not disappeared; it speaks to us in the hermetic language of myth, legend, forms of social coexistence, popular art, customs. Being a Mexican writer means listening to the voice of that present, that presence. Listening to it, speaking with it, deciphering it: expressing it ... After this brief digression we may be able to perceive the peculiar relation that simultaneously binds us to and separates us from the European tradition.

This consciousness of being separate is a constant feature of our spiritual history. Separation is sometimes experienced as a wound that marks an internal division, an anguished awareness that invites self-examination; at other times it appears as a challenge, a spur that incites us to action, to go forth and encounter others and the outside world. It is true that the feeling of separation is universal and not peculiar to Spanish Americans. It is born at the very moment of our birth: as we are wrenched from the Whole we fall into an alien land. This experience becomes a wound that never heals. It is the unfathomable depth of every man; all our ventures and exploits, all our acts and dreams, are bridges designed to overcome the separation and reunite us with the world and our fellow-beings. Each man's life and the collective history of mankind can thus be seen as attempts to reconstruct the original situation. An unfinished and endless cure for our divided condition. But it is not my intention to provide yet another description of this feeling. I am simply stressing the fact that for us this existential condition expresses itself in historical terms. It thus becomes an awareness of our history. How and when does this feeling appear and how is it transformed into consciousness? The reply to this double-edged question can be given in the form of a theory or a personal testimony. I prefer the latter: there are many theories and none is entirely convincing.

The feeling of separation is bound up with the oldest and vaguest of my memories: the first cry, the first scare. Like every child I built emotional bridges in the imagination to link me to the world and to other people. I lived in a town on the outskirts of Mexico City, in an old dilapidated house that had a jungle-like garden and a great room full of books. First games and first lessons. The garden soon became the centre of my world; the library, an enchanted cave. I used to read and play with my cousins and schoolmates. There was a fig tree, temple of vegetation, four pine trees, three ash trees, a nightshade, a pomegranate tree, wild grass and prickly plants that produced purple grazes. Adobe walls. Time was elastic; space was a spinning wheel. All time, past or future, real or imaginary, was pure presence. Space transformed itself ceaselessly. The beyond was here, all was here: a valley, a mountain, a distant country, the neighbours' patio. Books with pictures, especially history books, eagerly leafed through, supplied images of deserts and jungles, palaces and hovels, warriors and princesses, beggars and kings. We were shipwrecked with Sinbad and with Robinson, we fought with d'Artagnan, we took Valencia with the Cid. How I would have liked to stay forever on the Isle of Calypso! In summer the green branches of the fig tree would sway like the sails of a caravel or a pirate ship. High up on the mast, swept by the wind, I could make out islands and continents, lands that vanished as soon as they became tangible. The world was limitless yet it was always within reach; time was a pliable substance that weaved an unbroken present.

When was the spell broken? Gradually rather than suddenly. It is hard to accept being betrayed by a friend, deceived by the woman we love, or that the idea of freedom is the mask of a tyrant. What we call "finding out" is a slow and tricky process because we ourselves are the accomplices of our errors and deceptions. Nevertheless, I can remember fairly clearly an incident that was the first sign, although it was quickly forgotten. I must have been about six when one of my cousins who was a little older showed me a North American magazine with a photograph of soldiers marching along a huge avenue, probably in New York. "They've returned from the war" she said. This handful of words disturbed me, as if they foreshadowed the end of the world or the Second Coming of Christ. I vaguely knew that somewhere far away a war had ended a few years earlier and that the soldiers were marching to celebrate their victory. For me, that war had taken place in another time, not here and now. The photo refuted me. I felt literally dislodged from the present.

From that moment time began to fracture more and more. And there was a plurality of spaces. The experience repeated itself more and more frequently. Any piece of news, a harmless phrase, the headline in a newspaper: everything proved the outside world's existence and my own unreality. I felt that the world was splitting and that I did not inhabit the present. My present was disintegrating: real time was somewhere else. My time, the time of the garden, the fig tree, the games with friends, the drowsiness among the plants at three in the afternoon under the sun, a fig torn open (black and red like a live coal but one that is sweet and fresh): this was a fictitious time. In spite of what my senses told me, the time from over there, belonging to the others, was the real one, the time of the real present. I accepted the inevitable: I became an adult. That was how my expulsion from the present began.

It may seem paradoxical to say that we have been expelled from the present, but it is a feeling we have all had at some moment. Some of us experienced it first as a condemnation, later transformed into consciousness and action. The search for the present is neither the pursuit of an earthly paradise nor that of a timeless eternity: it is the search for a real reality. For us, as Spanish Americans, the real present was not in our own countries: it was the time lived by others, by the English, the French and the Germans. It was the time of New York, Paris, London. We had to go and look for it and bring it back home. These years were also the years of my discovery of literature. I began writing poems. I did not know what made me write them: I was moved by an inner need that is difficult to define. Only now have I understood that there was a secret relationship between what I have called my expulsion from the present and the writing of poetry. Poetry is in love with the instant and seeks to relive it in the poem, thus separating it from sequential time and turning it into a fixed present. But at that time I wrote without wondering why I was doing it. I was searching for the gateway to the present: I wanted to belong to my time and to my century. A little later this obsession became a fixed idea: I wanted to be a modern poet. My search for modernity had begun.

What is modernity? First of all it is an ambiguous term: there are as many types of modernity as there are societies. Each has its own. The word's meaning is uncertain and arbitrary, like the name of the period that precedes it, the Middle Ages. If we are modern when compared to medieval times, are we perhaps the Middle Ages of a future modernity? Is a name that changes with time a real name? Modernity is a word in search of its meaning. Is it an idea, a mirage or a moment of history? Are we the children of modernity or its creators? Nobody knows for sure. It doesn't matter much: we follow it, we pursue it. For me at that time modernity was fused with the present or rather produced it: the present was its last supreme flower. My case is neither unique nor exceptional: from the Symbolist period, all modern poets have chased after that magnetic and elusive figure that fascinates them. Baudelaire was the first. He was also the first to touch her and discover that she is nothing but time that crumbles in one's hands. I am not going to relate my adventures in pursuit of modernity: they are not very different from those of other 20th-Century poets. Modernity has been a universal passion. Since 1850 she has been our goddess and our demoness. In recent years, there has been an attempt to exorcise her and there has been much talk of "postmodernism". But what is postmodernism if not an even more modern modernity?

For us, as Latin Americans, the search for poetic modernity runs historically parallel to the repeated attempts to modernize our countries. This tendency begins at the end of the 18th Century and includes Spain herself. The United States was born into modernity and by 1830 was already, as de Tocqueville observed, the womb of the future; we were born at a moment when Spain and Portugal were moving away from modernity. This is why there was frequent talk of "Europeanizing" our countries: the modern was outside and had to be imported. In Mexican history this process begins just before the War of Independence. Later it became a great ideological and political debate that passionately divided Mexican society during the 19th Century. One event was to call into question not the legitimacy of the reform movement but the way in which it had been implemented: the Mexican Revolution. Unlike its 20th-Century counterparts, the Mexican Revolution was not really the expression of a vaguely utopian ideology but rather the explosion of a reality that had been historically and psychologically repressed. It was not the work of a group of ideologists intent on introducing principles derived from a political theory; it was a popular uprising that unmasked what was hidden. For this very reason it was more of a revelation than a revolution. Mexico was searching for the present outside only to find it within, buried but alive. The search for modernity led
Show your strength
by building bridges
instead of walls, and
show your passion
by illuminating them
not by burning them
Becka Traite Feb 2010
Burning bridges
is a form of suicide

Well I guess I've died
a million times over

Can I rebuild those bridges?
Can I be reborn?
Felicia C Jul 2014
You tip my femininity when you scratch my back with your stubble before you shave in the mornings and it is so lovely to be near one who can cry.

You wear heavy boots with the tip of the steel toe showing to match the glint of mischief bouncing off your eyeglass frames and i stand on your toes to kiss you goodnight on my porch in the snow where you brought me oatmeal cookies to talk with you about foundations.

I don’t know if you needed help with that paper, but I certainly needed the cookies.
January 2013
Robert C Howard Aug 2013
A bridge is a curious thing to cover.
mile after mile of naked road -
then a wooden box over stream or ravine.

Why not cover the road instead
leaving the bridge unclothed?
But where's the charm in that, you say?  

So perhaps it was fashioned for Currier and Ives
or to embellish the music
of iron shod hooves on oaken planks.

Or maybe was built as a kiosk
for fading feed and carnival posters
and jackknife glyphs of amorous initials.

No, all our covered bridges, imagined or real,
guide our passage over deadly waters -
holding us fast on the road
and safe from drowning.  

*March,  2007
Included in Unity Tree - Collected poems
pub. CreateSpace - Amazon.com
Adam Struble Apr 2014
city in the shadow of a mountain
like denver on vacation
shady and deep
flowing down like the river
seeking centre
houses cling to the crags like barnacles
inverted ship cavity
jutting out of the rainforest

paradise of truants and travellers
eternally in transit to islands and misfit fringes, cold floors and warm couches
and displaced ***** enthusiasts
sailors without floatation
treading land and bills and PTA meetings
cast off travellers on their way to golden gates or northern lights
rivers under troubled bridges
fish suffocating underwater
living on the refuse of the nuclear generation
transmuting the lead into sustainable energy
recycling the atmosphere into breathable air
apathetic anarchists return from extremity
living on the dole
or working for the man
we are building something greater than this
Marshal Gebbie Mar 2020
Jottings from David Bagerow's "Quickie"

Shame on she, the selfless *****
Who caused your temperature to fire,
caressed your sandy, sweated brow
To rivers of desire,
Tho she fled at poignant time
To leave you in the lurch.
Best you weave your magic touch
And promise her, the church.
Then woo her and caress her
In your happy, carefree way
Then at that moment of exultance,
Laugh and run away.

David Lessar's "To an Unread Poet"

Dave, You are right ,of course, once committed you raise an expectation and once that expectation is released to the world you are obliged to maintain face...but that damnable thing called "Life" intervenes and totally stuffs up the programme. Take the current interlude of coronavirus...the whole world has been taken by the scruff of the neck and jammed, inconveniently and complaining, into seclusion, all systems ground to a halt, production lines vacated, malls and city centres deserted, blown newspaper cascading across the deserted pavement...a testament to mans ultimate frailty when his house of cards collapses, without a whimper.
So you see, as life intervenes...we are excused from maintaining face.
But fear not, like McArthur, we shall return.
Cheers mate M.

Fawn's "Happy Trails"

Were it not the touch profound
That doth caress my feathered ear
Would thou wish a thousandfold
That I should shed a tear?

A glistened tear suspended there
in iridescent light,
While you, my love, with parted lips
Await, the ruby night.

Victoria's "Wherefore Art Thou"

Strides, he does, through corridors of lust bound lessers,
through forests of small penised dwarfs, through canyons of would be's who could be.....just to countenance the promise within your words....Dear Vix!

Terry O'Leary's "Sweet Butterfly"

You enter the portals of entomology where bugs, flies,butterflies and moths are the true rulers of the planet.
A world vastly magnified by compound eyes, of lightening lifetimes and vivid, saturated colour. A world where life and death are synonomous with the culmination of a single ****** union and the reproduction of a batch of precious pearly eggs. Yea Brother thee hath entered the portal...rejoice!
M.

Fun with Terry O'Leary

"Buried in the Sand" by Terry O’Leary

A beggar clump adorns a dump, his pencil box in hand -
With sightless eyes upon the skies he’s lying there unmanned.

He’s fallen down in Shantytown, his knees too weak to stand,
With no relief and bitter grief too dark to understand.

The Bowery blight is hid from sight, it’s covered up and bland,
And Robin Hood and Brother Hood lie buried in the sand.

"A Rebuttal" by Marshalg

So Hood lied low, despite the show ensueing without help,
One would have thought a British sort would spring forth with a yelp!

Would spring ***** to help deflect contusions which occurred
When beggar Clump adorned the dump confusing all deferred.

Whilst sister Ant, attired in scant, ran forth on spindly legs
And brother Frog with shaggy dog said "****" and drank the dregs.

It all became too much, as such, a meelee did ensue,
So all called HALT and as one did BOLT...to the local for a brew!

Phew...that was FUN & hard work!
M.

Singing the Devil's Song*

There is no Makers formula
This life depends on chance,
The way you play your given cards
Depicts your daily dance.

Oh dogma flows in utterance
From pulpits far and wide
From those who claim to understand
Eternity's vast hide.
From those who hold damnation
As a weapon from on high,
From those who claim a judgement
As their finger points to sky.
The good, the bad are absolute,
The right bedevils wrong,
Redeemed shall live eternally
The bad shall singe for long.

Old men stand in pulpits
Across this Sunday's land
To threaten with damnation
If you should cross God's hand.
"Belief" is now their catchword
Abomination's wrong
Is to seek to proffer proof of claim
....to Sing the Devil's Song.

So gather all ye faithfull
Go listen to your man,
Sing the Gospel loud and long
And pay your tithe, as planned.
...But should you find you're dying
From cancer's frozen claw
And the the Godly fail to sweep you
To eternity's gold door?
Remember my clear message
Your life depends on chance,
You live within your own good sphere
....There is no Maker's Dance.

Marshalg
After an overdose of Pulpit hogwash.
10 March 2013

Singing the Song of Angels:
A Response to Marshal Gebbie's "Singing the Devil's Song"
By Luca Anselm
There’s a church in the city with pillars of stone
And windows like sea-glass, still and alone,
A fountain, and cloisters of ivy, away
From the noise of the street, and the hum of the day.
There my father would tell me of Christ, how he died
Surrounded by soldiers and thieves, crucified,
How he wept for the women, and fell in the sands,
And loved those who hammered the nails in his hands.  

Marshal, dear poet, you have heard the priests tell
Of a god who left heaven to walk into hell?
Of a god who wept softly for men he had known?
Of a god who dripped blood in a garden alone?
Of a god who sent men with book and with sword
With eyes bright as fire for love of their Lord,
With limbs dressed in black, on altars of stone
By windows of sea-glass, still and alone?

So they give up their lives for a lie, as we say,
And toiled for centuries, long as each day--
And our money built palaces, lofty and tall
With frescoes and candlesticks, gold on the wall--
They preach with words awful and deadly and free,
Of gorgons and hell-fire, worms and the sea,
Of the last day of judgment, and mankind amassed
By the wailing of angels and bright trumpet blasts…

But Marshal, they preach something sweeter and kind--
Of a mother’s soft love, of a father resigned,
Of a still, soft voice, that comes with a light,
And gives hope to the hopeless, and conquers the night.
Of charity, piety, sweetness and love
Like fiery ***-cakes, but soft as a dove,
Spicy as Christmas, solemn and grand--
(Like throne-rooms or magic or the roar of the strand)
Then you wake, and the house smells of peppermint-pine,
And a child is laid in the crèche, now a shrine.  

And all that I long for, dear Marshal, you see,
Are the gold-blooming gardens that soar by the sea,
The mountains and dragons, the prophets and kings
And Icarus falling with fire-fraught wings,
The grey-shifting sea-lanes, the flutter of sails,
Temples on mountaintops, graves in the vales,
And Dido who bleeds from her breast as she cries
For her Love, and stares helplessly into the skies.
But more than the shadows of worlds that might be
Of fairies or phantoms or rocks by the sea,
Dear Marshal, I long for who made me a man.
And would love and give glory as best as I can.

But these days oh! sad days, the loss and the shame
In which all of my loveliness falls into flame--
Where gardens have withered, and sails have been furled,
And kings plodded off in the dust of the world.
Our cities rise higher, and burn through the night
And rear into heaven with noise and with light,
The palisades echo with horns and sound
And the churches with voices and quarrels resound.
But the statues sit silent, and some say they cry
For the shame of the sins against children. Oh! My God, Why?

And those old men—well—they taught me the loveliest things
Of my gardens of gold, and the sunsets of things,
They told me of kindness, and honor, a way
That winds to the West, where the end of the day
Breaks bright like fresh bread, and crimson like wine,
And the sun sets to purple and green in the brine.

And still I remember their words and their songs
And the churches which taught me so well and so long--
Though I’ve turned my head, to the lands where the sun
Will rise again brighter when starlight is spun,
Somewhere fresher and pale, where the cold and the air
Spreads the dew like a lawn paved of crystal, and there,
In the meadows of silver, with light in my eyes,
I will honor my god in the dome of the skies.

Marshal Gebbie's poem "Singing the Devil's Song" inspired this. It's in anapestic tetrameter, for you metric buffs. If you haven't, you should absolutely check out Marshal's stuff--it's awesome and poetry-inspiring--seriously amazing. Thanks again, Marshal!

Sepia Sown

Sepia sown as best it can
Where you and I, as one, once ran
Across, beyond a savored sea
Where lust became reality.
Where spiraled lust, entwined, entrenched
Left you gasping, pale, en benched...
a figment of a thought, now lost
Forever..at what cost, what cost?
M.

Addenum to "obituary" by V

So no one notices, at all
When golden greys of aged fall?
Except perhaps, for those who stay
To blend with every ordinary day

Plus you and I as time flies by
And too, those starlings flocking high.
That old man loitering in street,
Who eyes the million passing feet.
And she too at corner store,
Toothless face and wrinkled maw,
Exchanging cigarettes for coin
(With surreptitious scratch of groin).
Mailman, fat, long, loop mustache
Complaining long and rather harsh,
That they, gone, without a word,
Should vanish into air...absurd!

Someone in their every day
Feels the absence in the way
Details don't fall into place
And warmth is absent from the face.
M.

The Kraken Arises

From blue tranquillity where turquoise waters wash white golden sand, where brilliant fish school in myriad colour and shape, where magnificent squadrons of sleek tarpon and barracuda dash in perfect formation, grazing schools of silver mackeral through diamond flecked deep green shallows, to plunge vertically down to the depths of the black abyss and security.

Calm tropical waters which shimmer like aqua blue glass in the mid day heat and turn to simmering,red fire at the setting of the enormous, ovate, orange sun.

Sea birds flock above wind blown waves, their sharp cries a symphony of the sea, to suddenly wheel and dive en mass, to dine amidst teeming schools of flashing, shiny minnows.

The idyllic picture of a calm blue infinity of ocean framed, in brilliant sunshine, by white sands and gracefully bowed coconut palms.....and suddenly, at the horizon, a thin black line appears, It approaches with steadily, mounting speed, the coastline surf recedes dramatically seaward leaving exposed coral, mountains of seaweed and frantic flapping, beached fish everywhere. A sudden, oppressive silence becomes a distant roar. The sea birds, as one, take panicked flight... and a massive wall of water rears up and rises like a giant beast, to rush headlong, raging, at the coastline.

What once was blue and serene is now a huge cascade of violent black death and destruction, gigantically it destroys the coast, snapping huge trees like twigs, surging ashore, a tsunami of unimaginable violence it obliterates, housing, streets, bridges, vehicles, shipping, aircraft and people, thousands of panicked, helpless, struggling people, killed in a titanic, black, swirling maelstrom of inexorable violence. The wave is followed by another...and another, extending right along the coastline and beyond. Each wave larger and more violent than the last...surging inland for miles  until defeated by the accident of gravity in rising land.

Those who have survived, on high land, on tall buildings, in treetops....cling to each other and look on in horror and utter helplessness. They can only wait, in fear, for the monster to retreat before venturing down to the devastation below to render help where ever they possibly can.

Twice in the space of the last forty thousand years the Kraken has awaken and risen from the depths of the Tasman Sea to the west of New Zealand. It has risen to gigantic proportions and driven right across the Auckland isthmus to the Pacific Ocean. It has twice flattened gigantic primeval Kauri forests laying them waste, all lying in one direction, each time beneath twenty feet of debris and black mud.

Born in innocence from a natural tectonic adjustment of the earth plates, the Kraken doth arise at any time, in any place to wreak it's dreadful work upon we, who reside in our comfortable, seemingly secure and beautiful coastal idylls.

Marshalg
Dedicated to all the coastal population exposed to the threat of inevitable tectonic induced tsunami.
JAPAN. WEST COAST, USA. WEST COAST, SOUTH AMERICA. ALL PACIFIC ISLANDS. NEW ZEALAND. INDONESIA. AUSTRALIA. SOUTH AFRICA. EAST COAST, CHINA. MALAYSIA.
KOREA. THAILAND. PAPUA NEW GUINEA, VIETNAM. PHILIPPINES. TAIWAN. BURMA.

Part of My Job (A love Poem) by Nat Lipstadt

A little embarrassed by all the attention but great to hear from you Sweetheart...all fine and dandy, here...except for being forbidden to go to the beach and the park..and anywhere else except in cases of dire need..(And on punishment of prison time if caught out!)...but hey, I'm not really complaining...All for he common good, aint that right?
M.

Bridges Burnt....

Bridges burnt in Winter rain
Holds a saddened felt refrain,
Holds a touch of muted horn
Blown in passion unadorned.
Blown away in errant winds
Where no truthlessness rescinds,
Where a lie begat the night
Interceding lost love's plight.

Bridges burnt in Winter rain
Sacraments of loss remain,
Sacraments fragmented drift
Redemption clad in bloodied shift,
Redemption worn as wrong slays right
Till wrongfulness blots out the night,
Till no return this path can be
Until they torch eternity.

M.
SE Reimer's words float before me in his impassioned poem "Bridges"
allowing me to wallow in this, my own dark tangential refrain.
M.

Perchance, in a Bus Shelter

Here I sit amidst the ruin of a white winters' day
Convulsive rain and harsh wind outside, contribute tumult.
And in here, in this small shelter, there is a tension in the air.

We two sit apart, uncommunicative, remote and quite detached.
Not for any reason other than the fact that we are strangers,
We have never met, nor are we ever likely to.
She has an elegance and a stylish angularity whilst I am bald, bearded, unfashionable and somewhat overweight.
She is singularly indifferent to my presence, whilst I am uncomfortable with the circumstance that placed us in this small proximity.
We would, in truth, rather both be elsewhere.

I break the ice in throwing her a small smile and complain about the weather,
Her eyes flick across my face and immediately resume their distant focus on the rain,
She adjusts her seating to face,ever so slightly, askance.
Her choice of course, to assume an air of indifference or superiority...or adopt a measure of defense..or perhaps a combination of a bit all three.  
Regardless... I wipe my backside in exactly the same manner as does she, I  am definitely no less a person for my dumpy demeanor and friendly overture
And I really feel that I don't have to share my space with coldness and impertinence,
Better, I think, to be wet and content with my own company
..So, donning my cap and jacket, I stride out into the deluge to leave the remote and uncommunicative young woman alone and dry with her thoughts.

And then....
Howling rain and shards of wind
Pelt me as I walk
Along the foreshore wild and white
As hovered seagulls squark.
When all at once she's by my side
Walking pace for pace,
Her linen suit a sodden mess
Hair plastered to her face.

"Thought I ought to make it right"
She told me with a smile
I threw my coat upon her back
And walked another mile.
We called into a coffee shop
And sat down by the fire
And sipped a steaming latte
As she told her story dire,

"The cancer's all but killed me
My husband's left the home,
The baby's gone to mother
And I'm facing death alone."
We quietly spoke for ages
I held her hand in mine
Then suddenly she stood to leave
And thanked me for my time.

I sat there in a stupor
Recalling how it played
And felt the guilt impact on me
For judgements I had made.
Those callow, shallow judgements
Made in ignorance, my friend,
Will haunt me as she girds herself
To boldly meet her end.

Marshalg
On a bleak and blustery cold winters day.
Titirangi
5th September 2010

The Old Café by Steve Yocum

It's my go to place,
has been for years,
The Wildwood Café,
an eclectic tiny place
with a mix of old dinette
tables and mismatched chairs.
the cutlery also unmatched
and well used, old photos
and signs adorn the walls
and there is usually a line
of people waiting patiently
on benches outside.

Best of all there is this pleasant
girl, always wearing a welcoming
smile, who seems to know us all.
She knows my order by heart,
Ham and eggs over medium,
a half ration of potatoes, home baked
slice of bread, well toasted, well buttered,
home made salsa on the side, a cup of
"hot" Black English Tea. Tall water no ice.

If I arrive between the busy times, she may
sit down at my table and we talk a while,
It's not a big thing, just chitchat, I'm old
enough to be her grandfather, it's the
dessert before my meal served with genuine
friendliness and unforced civility, not often
encountered in these strange days and times, it's a slice of small town America at it's purest best, she and folks like her help sustain my belief that basic human decency is far from dead.

The food is always good, but it's the comforting embrace of familiarity and
simple warm kindness that assures my frequent return.
It's the little things in life that make living
wonderful, small moments in time felt and
recorded, this is but one of those.
written by Steve Yocum

It's the little things in life that make living
wonderful, small moments in time felt and
recorded, this is but one of those

Marshal Gebbie
  That old world touch suits you Stevo,
When I come visit your beautiful state of Oregon, We shall partake this delightful repast in the company of your fair maid.... and we shall tip her well!
M.

Scoot the Streak
One must believe in something be he misanthrope or gambler
In tomorrows omniscience or the future proof of God
The penance in a drunk's decay sets self destruct's imposer
Wether speaker phone's on disconnect or cellphone's in the bog.

Conveyance of a threat to adherents of St Selfwise
Show atheist's are proof here, in belief of disbelief,
Haunted by the images painting painful retribution
Picture sympathetic **** star's allocated hand relief.

A moments allocation of a syllogist abstraction
Shows perspective of the caliber we now reserve for Saints
A paradox regarded as autistic fascination
In a one act play of living disregarding all restraints.

Deliberately indicative of fraternal heat's expression
Notebook at the ready and deep frowning at the brow,
Question definition's collage of confusion's contribution
Do we sit it out pretending or just catch the late bus now?

Marshalg
13 February 2014
© 2014 Marshal Gebbie
Marshal Gebbie
Written by

victoria  Intriguing work...so I search the comments for help... Ah
0
Feb 2014
Terry O'Leary  Marshal, I kinda like this (I read it several times since yesterday)... but I'm still not sure what it says... maybe I'll down a shot tonight and try again... ;-)) Terry
0

3 replies

Feb 2014
Marshal Gebbie
Marshal Gebbie   A confession Terrance.. I was half cut when I wrote it!
I have no idea what it means.
Feb 2014
Terry O'Leary   :-)) Great... I'll be back in a bit... T
Feb 2014
Terry O'Leary   Well, in the meantime I've had a few shots... now I think I know what it means... hic°°.... hope I remember in the morning... ;-)) Terry
Feb 2014

Pradip Chattopadhyay
Residues
By the night one long dark road
the houses are deep in slumber.

Lucky I'm alive and awake,
can see the stars
in their vast magnitude of silence
gentle and not drunk
have love to count upon
filled with a will to live
feeling I'm almost done.

Having a life is a great reward
and with the residues
gets more valuable.

I won't cry over the lost years
would rather think
have been blessed with enough.

The stars grow blurry dots
as I slip into dreams.

I had a once upon place
and I'm grateful.

With dewy eyes
I hurry to the warmest space
beside her.

You slip into your years well, Pradip.
Your woman must relish your peace, your contentment.
Cheers mate
M.


Tony Grannell
Autumn's Sonneteer
Behold, upon yon ivy bunch, my darling blackbird sings;
I know not why nor shall I try to understand such things.
For born this morning on a song, pray hark, her sweet refrain;
to chance a sigh, oh, dare not I, for this is God's domain.

Out of the night the art of song in tuning in the day;
unknowed afore or evermore such music on display.
'Tis love begad, a lover's song, a diva, I declare,
in soaring o'er both vale and moor, this morning's love affair.

In wonder's charm, this precious bird in song to comfort me.
Alone I stroll, no proffered soul to share my company.
Yet rare this morn, in splendours all, true love like none afore;
let passions roll, in song extol, in verse the morn's rapport.

Be succour in such music found for autumn ails me so,
when summer's run, the harvest done, to rest my scythe and ***.
Of idle lands and nowt ado, to wait without employ.
Yet, hail the sun, my kingdom won, when sings that bird of joy.

Behold her charm and charmed, I am while autumn leaves still fall.
'Tis life anew, a sweeter brew when hear the songstress call.
Though winter’s nigh, with strength and will, we’ll bear our pain and fear;
'tis all to do, good hearts and true, sings autumn's sonneteer.

Written by
Tony Grannell  62/M/Spain

Marshal Gebbie  I stood out at the rock wall and gazed at the splendour of Autumn in Taranaki, as I read, aloud, your sonnet.
...and my heart sang.
M.

Dr Peter Lim
When?
When is the when
of when?  
rampant still is the ravage
which will not relent-

the claustrophobic shut-in
hearts toward gloomy moods they bend
no happy voices of kids heard outdoors
the green fields do not comfort lend-

the downcast look, the sinking feeling
are the joys and delights of yesterday years all spent?
the spectre of pain brings bitterest tears
in the faces of every continent-

oh, when is the when
of when?
such a wash-down
we could never comprehend.

Marshal Gebbie:  But isn't that the way, Dr Pete? Mankind builds his castles in the air, thrusts out his chest and proclaims himself, King of all!
...to be decimated, in an instant, by a microbe of infinitesimal stature. Oh! the fragility of it all.
Life cometh, life goeth....but somewhere, down the track, life shall come again.
M.


Al Drood
The Merman of Orford Ness

So long ago in King Hal’s time, our nets we cast upon the wave;
and drawing in did stand a-feared at what we’d caught in Orford Bay.

Entangled ‘midst our dripping catch, with eyes that stared all hellish green,
enscaléd like some creature deep, a Merman writhed as one obscene.

All webbéd were his hands and feet, his body dripped with ocean bile;
upon his head the ****-wrack grew, green-bearded was this demon vile.

Fast to the shore with awful haste we sped before the wind and tide;
Lord Glanville for to summon forth, the Merman’s fate all to decide.

Upon the quay his Lordship stood with men at arms and shriven priest,
and all did cross themselves in fear before this strange unholy beast.

“Enchain it,” cried Lord Glanville loud, “then to God’s Kirk with all good speed!”
The shriven priest prayed long and hard as to the church we did proceed.

With Holy Water, cross of gold, with candle and with testament,
the priest then exorcised the beast, who knew not what was done nor meant.

To all’s dismay he would not bow before the Host on bended knee;
and so to dungeon was he dragged to dwell upon his blasphemy!

The silent Merman beaten was, and hung in chains in for seven weeks,
and fed was he on fish and shells, yet never did he sleep nor speak.

And so at length his Lordship said, “Across the harbour tie a net,
and we shall see how he shall swim, but by his ankles chainéd, yet!”

The net a-fixed, the village folk came down to see the Merman’s plight;
into the sea they threw him then, with foam and wavelet flashing white.

He vanished ‘neath the waters like some seabird in pursuit of prey,
then surfaced laughing, chain in hand, and to his Lordship he did say;

“You thought to make me such as you, who walk in blindness o’er the land!
You’d punish me for difference!  You thought to treat me like a Man!”

So long ago in King Hal’s time our nets we cast upon the wave;
and drawing in did stand a-feared at what we’d caught in Orford Bay.
Al Drood
Written by
Al Drood  M/North Yorkshire

Marshal Gebbie:  Tones here of the Rhyme of the Ancient Mariner.
An original work in time honoured rhyme and metre.
I devoured every syllable..Bravo!
M.

G Alan Johnson
Kafka's Bug

When I shed the last skin
last year
there was left a hardened shell
protecting a patched up heart
and a petrified husk
of a soul.

You can throw your bombs
if you wish
and they will hurt inside
but I will just eat them
and **** them out
flushed and forgotten.

Sometimes my antennae
come out in a social setting
and people look at me
with an odd expression
or look off into space
a kind of awkward acceptance,
(the ones that know me).

My mandibles will at times
spit out a divine stupidity
a slacker kind of opinion
and no amount of saliva
can dissolve it
so it sits in the heavy air
stinking like a butterfly corpse.

It was an attempt
at transformation
that failed
(I'm too weak with ego),
and I'm glad that I tried
otherwise I would always wonder.

Vincent Price in a cheap suit
and a lost puppy daydream
a world full of flies, wasps and failed caterpillars
patient spiders and polished leeches...
and all I can do is write.
Written by
G Alan Johnson  65/M/USA

Response by Marshal Gebbie

Pelting rain adheres to soil
As spiders sprint and earthworms roil,
World in turmoil stinkbugs, stink
And Satan beetles disgorge ink
But thee, my budding, sodden flea,
Hath entertained quiescent....me.
M.

Nat Lipstadt
Pandemic Poems: Unclaimed bodies, There’s ain’t no anonymity in heaven.

There are more poems inside me, but I intuit it is longer fair to impose on you by sharing more.  The deep seeded infection of my spirit waxes and wanes, and there is no antidote, and unlike the virus itself, there never will be, a future cure, an inexpensive replacement cost for the spirit spent, the time and futures spirited away.

Perhaps you recall I was one mile away from Ground Zero on September 11th.  Rarely do I walk there.

The coronavirus poetry inserts itself unaided, never asking permission, a like minded, but a contra-cousin to the coronavirus.

I live in New York City, the epicenter where now, close to 800 die daily.

Normally, about 25 bodies a week are interred on Hart island, mostly for people whose families can't afford a funeral, or who go unclaimed by relatives.  In recent days, though, burial operations have increased from one day a week to five days a week, with around 24 burials each day.^^

Each dies with no last words, no Kaddish recited, Last Rites, too late, no Ṣalāt al-Janāzah or Om Namo Narayanaya.  Each one, a numbered pine coffin, and each one will have at the very least, a poem of their own, so help me god.

Buried side by side in large trench, room plenty for new arrivals,
I hear the banging, protesting, resisting, this is not the way, I was promised, my ears left pounding!  Hillel, the great scholar in this dream, reminds that “the time is short, and the work is great.”          

He paraphrases, though, “the bodies many, the poems too few.”

There ain’t no anonymity in heaven, but I’ll reconfirm that with you later.

Written by
Nat Lipstadt

Marshal Gebbie
God! It's harrowing to feel the raw spirit in a New York City man's soul.

You speak for the dead, the ailing and the fearful.

You speak for beggar in the street, the broker, quaking in his plenty, imprisoned on the 14th floor.

You speak for the cop, in face mask, on 24th and Vine, doing, as always what he must, with authority.

And you speak for the White Clad Angels who carry the dead to Hart Island and who forgive you, your fear and safer seclusion.

You speak also for we, who watch and sorrow from afar your agony, in our own fear and seclusion.
M.

Nat Lipstadt
raw is the word, oft need to lie down midday to escape the the viral infection of every outlet we use to pass these days. don’t know when i’ll go outside again, because the virus kills and wounds in horrible ways... thank u MG for the kind appreciation natty

Sally A Bayan
Conduits
In distance and in proximity...in despair
and joy...in existing and in dying...in the
bliss of love reciprocated, and in the pain
of love unrequitted...verses dance and call,
awaiting......

poetry has its own pulse, its own heartbeat,
it calls, taps the shoulders any moment,
awake, or adrift, it just can't be ignored...
even in a tangled, or weird circumstance,
it sparks like a bulb or a comet, curving
in a rainbow...riotous some days, teasing, fleeing,
then, turning up at unexpected times and places.

in every bit and breath of life, in every seed,
in every drop of dew, in every ember burning,
there is poetry birthing, growing...

deep within us flows green, purple, red,
glum gray, darkened inspirations...fleeting,
but, when time is ripe, they linger long,
giving us time to capture them all
.............................................
we sense them...we give space
we speak them, or we write them,
:::::::we are conduits:::::::


Sally

©Rosalia Rosario A. Bayan
February 11, 2020

Marshal Gebbie

  A touch, so light,
So sensitively slight
As to be caress,
In dead of night


Don Bouchard
And then
We become old men
And old women, and

We look back wistfully, and
We look forward hopefully, and

We wonder....


Written by
Don Bouchard  60/M/Minnesota

Marshal Gebbie
  Slipped betwixt the then and now
Methinks, with finger on the brow,
Thee needs a shot of earthy ***
And a wanton ****, to rub your tum.
Thee needs a cheery pick me up,
Some hairy mates to help you sup
Elixir from the joy of life
To salve tomorrows' threat of strife.
Cheers mate M.
0
Tommy Randell
From a young man's parlance, tripping from an old man's tongue; Right On, brother, Right On!

— The End —