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"breastbone" poems
In the worst hour of the worst season of the worst year of a whole people a man set out from the workhouse with his wife. He was walking-they were both walking-north. She was sick with famine fever and could not keep up. He lifted her and put her on his back. He walked like that west and north. Until at nightfall under freezing stars they arrived. In the morning they were both found dead. Of cold. Of hunger. Of the toxins of a whole history. But her feet were held against his breastbone. The last heat of his flesh was his last gift to her. Let no love poem ever come to this threshold. There is no place here for the inexact praise of the easy graces and sensuality of the body. There is only time for this merciless inventory: Their death together in the winter of 1847. Also what they suffered. How they lived. And what there is between a man and a woman. And in which darkness it can best be proved.
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10.9k
Quarantine
Your cold hand against mine we are frozen in time with your breastbone against my body and the darkness all around me All I want is to call you my own all day that's what I moan but you've passed away today there's no other way to hear you say "I Love You" or for us to gently woo the other one to marriage where the ledge stood that you jumped off of to the ground below and above the birds sang as the sound of crunching bones against the ground shatter the silence with a scream maybe I'm just in a dream.... But then I awake with an empty bed beside my body and my head I reach across and look for you to grab my hand where my ugly, horrendous scab from when I tried to **** myself lives within the hidden shelves of my lost mind. Oh, lover, where have you gone? I sing a sorrowful song after song hoping that will bring you back but instead your body is cracked and will never house another soul your body is just a black hole within my memories of us you're now a once was after your suicide I've never been the same. a part of me died.
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Apr 26, 2014
Apr 26, 2014 at 8:05 PM UTC
Dead Lover
the words are beads and gems and hooks and strings scattered in a box somewhere in the softness behind my breastbone my palms are up to catch the key whenever it chooses to land a pandora poised to make ornaments from all she uncovers, all she unleashes
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Mar 5, 2016
Mar 5, 2016 at 1:24 PM UTC
treasure chest
1                                                                    4 she offers me,                                             a spot of dust she raises me                                              under the couch, on platitudes and warm bread                I know it’s in return for my devotion                         there she loves me like the boats                       today, I start spring-cleaning, she keeps out on the ocean                      (this alone she loves me to be molded,                      should receive not to be unfolded                                     more recognition than it will)                                                                       I pull out the couch she bore me bones                                     the vacuum doesn’t quite the lacrimal bone                                       reach the dust lying the breastbone                                            on unused carpet, all the cervical vertebrae                          the head I use them to simulate                              keeps hitting the wall her expectations                                        unproductive                                                                      I put the furniture back 2                                                                   in place I have names,                                             no one will see the lack I wear them like badges                           of progress inspired by something not quite earned yet                                                   5                                                                      while lucid dreaming I assigned                                                   constellations were on each name                                                  my skin a compartment                                          and freckles in of me                                                           the night sky If I name them maybe they will become                                       pollution drowned out real, not just necessary                             two thirds                                                                      even if most imploded                                                                      before they were seen 3                                                                   6 with enough necessity                             were it not for shadows anyone can tell a lie                                  I would surely learn to                                                                      hate the light
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Jul 4, 2015
Jul 4, 2015 at 6:43 PM UTC
on deception (vignettes)
1                                                                    4 she offers me,                                             a spot of dust she raises me                                              under the couch, on platitudes and warm bread                I know it’s in return for my devotion                         there she loves me like the boats                       today, I start spring-cleaning, she keeps out on the ocean                      (this alone she loves me to be molded,                      should receive not to be unfolded                                     more recognition than it will)                                                                       I pull out the couch she bore me bones                                     the vacuum doesn’t quite the lacrimal bone                                       reach the dust lying the breastbone                                            on unused carpet, all the cervical vertebrae                          the head I use them to simulate                              keeps hitting the wall her expectations                                        unproductive                                                                      I put the furniture back 2                                                                   in place I have names,                                             no one will see the lack I wear them like badges                           of progress inspired by something not quite earned yet                                                   5                                                                      while lucid dreaming I assigned                                                   constellations were on each name                                                  my skin a compartment                                          and freckles in of me                                                           the night sky If I name them maybe they will become                                       pollution drowned out real, not just necessary                             two thirds                                                                      even if most imploded                                                                      before they were seen 3                                                                   6 with enough necessity                             were it not for shadows anyone can tell a lie                                  I would surely learn to                                                                      hate the light
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36
I think I would like to make a home of your body Like the dens I used to make with my siblings, Before I started saying "no thanks". To take a doctor's scalpel, Clean and new and never used And so very, very sharp And to rest it in the hollow just where the breastbone ends. Then to push it in along your soft smooth shiny skin So unlike the mottled scarring that covers mine. Down, down, down To where you wear the waistband of your jeans. A horizontal swipe at the top, At the bottom, Like making the fold of a window in a paper house. Shh, is anyone home? Lifting the heavy, wet flesh, Your rib cage is so very white And so very perfect Like special cutlery for special occasions- Births and weddings and funerals. They hide your lungs, Bloodshot and tired of the Eternal Moving and moving and moving on and on and on Your stomach, soft And vulnerable in its hideousness Yet it hides the despicable necessity Of human life. And your heart, Plump and fresh and young, It is restless and strains But for what when all that lies outside Is incomprehensible and unnerving and unwelcoming. So I will leave it all behind And with damp heavy fatigue crawl Into your torso like the unborn child We have all been and will be again. And your ribs will cradle me like a birdcage That has grown so sick of the world, And your organs will cushion and comfort me When I feel that I do not want to live. And blood will cover everything Just as I have always wanted. Flooding my eyes and nose and mouth and ears And bathing me in the warmth, the constant gentle pounding, That would make me feel alive.
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May 13, 2014
May 13, 2014 at 2:08 PM UTC
Bodies
I think I would like to make a home of your body Like the dens I used to make with my siblings, Before I started saying "no thanks". To take a doctor's scalpel, Clean and new and never used And so very, very sharp And to rest it in the hollow just where the breastbone ends. Then to push it in along your soft smooth shiny skin So unlike the mottled scarring that covers mine. Down, down, down To where you wear the waistband of your jeans. A horizontal swipe at the top, At the bottom, Like making the fold of a window in a paper house. Shh, is anyone home? Lifting the heavy, wet flesh, Your rib cage is so very white And so very perfect Like special cutlery for special occasions- Births and weddings and funerals. They hide your lungs, Bloodshot and tired of the Eternal Moving and moving and moving on and on and on Your stomach, soft And vulnerable in its hideousness Yet it hides the despicable necessity Of human life. And your heart, Plump and fresh and young, It is restless and strains But for what when all that lies outside Is incomprehensible and unnerving and unwelcoming. So I will leave it all behind And with damp heavy fatigue crawl Into your torso like the unborn child We have all been and will be again. And your ribs will cradle me like a birdcage That has grown so sick of the world, And your organs will cushion and comfort me When I feel that I do not want to live. And blood will cover everything Just as I have always wanted. Flooding my eyes and nose and mouth and ears And bathing me in the warmth, the constant gentle pounding, That would make me feel alive.
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46
Sometimes, I think of taking my hands And ripping - splitting - cracking, My ribcage in two.                                                                          The breastbone splintering apart, My torso opening like a rotten tree. The inside hollowed, Like a lake that has been emptied   I've convinced myself that Fragrant flowers Would grow there. That they would grow feverishly In the gnawing gap I had created. And that time would preserve What I had done.
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Sep 29, 2017
Sep 29, 2017 at 5:48 PM UTC
Anxiety
“and have the richest fluency not only in its words but in the silent lines of its lips and face and between the lashes of your eyes and in every motion and joint of your body.”   Walt Whitman <> having recently been on standby for a permanent-entry residency visa to over & just beyond death’s door, Walt’s prescient prescription strikes my broken breastbone even harder much, than the persistent periodic pains confirming the breaking and the healing of this man’s mending of the human centric poetic ***** for this warped heart mine, now rejoicingly rejiggered with some threads and wires to deliver a new but fresh bloodied wisdom, begs me, eggs me to torrent word streams, but Whitman’s wisdom cautions a new slowness, the wisdom of mortality’s hot breath urges careful consideration of every letter that my second chance, consignment shop flesh, eagerly embraces, to both prescribe and proscribe inside-insights tween the deafening sounds of eyelashes beating synchronized to the revived heart rates rapid renewal and last second-chances…. torn tween minute torso sensations and the running silence of a new battery’s internal rapid intervals, the silent timing gaps tween beats leaves-just-enough-space to ask over and over again, from whence will come my richest fluency? (1) at 300am, I lay carefully caressing and chewing well each transitory thought, absent the former energetic ability to just spill, though highly desired, now requires, like me, steady re-piecing together the steady drumbeat of now-nearer-my-god-than-thee Titanic reflections demands a slowing rapidity this I thought before and now ken, even and ever better, that our primary endeavor shall always be the giving, the disbursement of the act of love…for therein lies the healing of each, and wet eyes, make necessarily concluding this poem about nothing and everything and I comprehend Walt’s dictum: my very flesh is a poem, every sensation a lyric, every breath taken and returned to the atmosphere so unconsciously are my oldest and newest 3:00 AM poetry companions
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Aug 18, 2023
Aug 18, 2023 at 4:41 PM UTC
the breaking and the healing...(“your very flesh shall be a great poem”)
“and have the richest fluency not only in its words but in the silent lines of its lips and face and between the lashes of your eyes and in every motion and joint of your body.”   Walt Whitman <> having recently been on standby for a permanent-entry residency visa to over & just beyond death’s door, Walt’s prescient prescription strikes my broken breastbone even harder much, than the persistent periodic pains confirming the breaking and the healing of this man’s mending of the human centric poetic ***** for this warped heart mine, now rejoicingly rejiggered with some threads and wires to deliver a new but fresh bloodied wisdom, begs me, eggs me to torrent word streams, but Whitman’s wisdom cautions a new slowness, the wisdom of mortality’s hot breath urges careful consideration of every letter that my second chance, consignment shop flesh, eagerly embraces, to both prescribe and proscribe inside-insights tween the deafening sounds of eyelashes beating synchronized to the revived heart rates rapid renewal and last second-chances…. torn tween minute torso sensations and the running silence of a new battery’s internal rapid intervals, the silent timing gaps tween beats leaves-just-enough-space to ask over and over again, from whence will come my richest fluency? (1) at 300am, I lay carefully caressing and chewing well each transitory thought, absent the former energetic ability to just spill, though highly desired, now requires, like me, steady re-piecing together the steady drumbeat of now-nearer-my-god-than-thee Titanic reflections demands a slowing rapidity this I thought before and now ken, even and ever better, that our primary endeavor shall always be the giving, the disbursement of the act of love…for therein lies the healing of each, and wet eyes, make necessarily concluding this poem about nothing and everything and I comprehend Walt’s dictum: my very flesh is a poem, every sensation a lyric, every breath taken and returned to the atmosphere so unconsciously are my oldest and newest 3:00 AM poetry companions
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I’ve begun “The Wasting” once more. That ragged uncovering of bones and peaks and ridges that crop up along my spine and shoulders. My scapulas revealing themselves like the bed of a lake as the waters recede. Indents beside and under my kneecaps, hollows that match the ones slowly sinking themselves back into my cheeks. And the hipbones…the things I truly crave to see through the paper thin layer of my skin… Those…I’d starve myself to waifish proportions just to graze my hands along the mountaintops of those things, those sharp little things. I lose my hair and my colour and my shine just to dig my fingers into the hardness of my breastbone, just to know that my jawbone is an overhang, just to plunge headfirst into the thrill of being thin. “The Wasting” and I are friends, and I want to drown in her.
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Jul 6, 2023
Jul 6, 2023 at 2:50 AM UTC
The Wasting
It is a constant pressure underneath my breastbone That whispers evil at all hours of the day 'I could rip the life from a human without remorse' 'I could bleed them out with a smile on my face' It is an unending notion in every corner of my brain That, had I the motivation, I would immediately claim 'I could ingest a deadly concoction and disappear in a second' 'I could enact any complicated process that ends with me slain' It is a nightly terror that follow me through daybreak That renders me speechless with both fear and liberation 'I could let go of control and forget about mere consequence' 'I could finally allow my brain to drown in this sensation' Homicidal. Suicidial. Manical. I exercise control against these urges. Massacre. Exhaustion. Insanity. I wonder when I will forget this.
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Jul 26, 2014
Jul 26, 2014 at 11:13 PM UTC
Homicidal Suicidal Manical
For I've another soul to help me bear it. The walls were built about my heart But they were only tinder burnt away by first-glances The eyes Glacial blue piercing as the two edged sword between my ribs Hair flame red long cascading upon her marble shoulders The steeple of her breastbone shall I worship Burning incense to the name of her lips carnation petal pink Her Laugh as an hundred bird songs caught within wings flapping Honeysuckle lashes droop curled dancing in a summer wind Cheekbones apple carved blushing at my foolishness Her hands well known to children Sewing needles and pens With hips seaside water crashing She bumps against me in the ancient dance Testing me to see if I'll withstand the winter wind Who am I to boast? What have I to offer? She looks into my eyes only Not into my coffers
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Apr 11, 2013
Apr 11, 2013 at 1:30 AM UTC
The Crown Is Not Heavy
i found a birthmark shaped like Alaska on the inside of your kneecap, and i only saw it the day you let me cross the border; it was sensitive to my touch, the moon-like ripples leading to the needles on the pine tree in your back yard. sometimes i can read behind the lines of DNA makeup, like the lonely biologist you seem to be, but your lingo is foreign to me, tattered words and language deficiencies, i can hardly follow along the braille carved onto your outer layer, the marble you worked so hard to weather on your own time. yet, somehow its turned to rubble again. sometimes i hold an out of order sign against my breastbone so i can set eyes straight and wish anyone would light me on fire, (but not literally, i'm absolutely against abuse) i want the sticks but not the stones, since wood won't leave my body bruised. use my transitions for kindle, and my organs for the flames. i want to be colored red, like ambulance lights, stop signs, painted like a signature to warn others how my frequencies can only be heard by animals. maybe some other life forms, or god, but i have never hoped more that you would pick up on my signals, my freckles scream out samples of how this could be or what we could have known.
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May 25, 2011
May 25, 2011 at 12:00 PM UTC
birthmarks of where we should go.
Your eyes touch the back of my mouth. Make it so hard to swallow. I never breathed so evenly, my stomach feels so hallow. I'll bury my face in your neck. Allow me to sink my tongue, and Drown my teeth into your arms. Your breath fills my lungs. Everything is easy now, since we simply let it be. This is anything but sarcastic, the way our colors bleed. I love your golden irises, I love your sepia skin. Wrap yourself around my bones and melt into my ribs. I feel like our arms glide through each other, Like dancing lovers, after years of familiarization Predictability in every step, but for once Comforting to know what's going to come next. Your hands hieroglyph the language of my fingernails Decoding a sensation that belongs to something bigger than us, And finally understanding that it's okay to touch that. Contentment for war. Trading pity for empathy. Trading sympathy for care. You were always in the confines of my aching head, Your name is in all my search-bars. If I had the right fingers, I would create you in marble I would design a statue and have it be gilded In your honor. And if there was a temple for us, It would be in the shape of a man, aimed at the earth. He would be bowing to a large evergreen tree. And our initials would be carved on the side. Let's finally spraypaint our faces in underpasses Eyes like this deserve to be gazed into. Eyes like yours. Deep breathing, my face in your chest. Breastbone meeting skull Dripping my lips onto your skin Like candlewax. If you kiss me with finality, "I promise, darling, I'll kiss you back."
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Jan 4, 2011
Jan 4, 2011 at 10:35 AM UTC
California Vandals
Your eyes touch the back of my mouth. Make it so hard to swallow. I never breathed so evenly, my stomach feels so hallow. I'll bury my face in your neck. Allow me to sink my tongue, and Drown my teeth into your arms. Your breath fills my lungs. Everything is easy now, since we simply let it be. This is anything but sarcastic, the way our colors bleed. I love your golden irises, I love your sepia skin. Wrap yourself around my bones and melt into my ribs. I feel like our arms glide through each other, Like dancing lovers, after years of familiarization Predictability in every step, but for once Comforting to know what's going to come next. Your hands hieroglyph the language of my fingernails Decoding a sensation that belongs to something bigger than us, And finally understanding that it's okay to touch that. Contentment for war. Trading pity for empathy. Trading sympathy for care. You were always in the confines of my aching head, Your name is in all my search-bars. If I had the right fingers, I would create you in marble I would design a statue and have it be gilded In your honor. And if there was a temple for us, It would be in the shape of a man, aimed at the earth. He would be bowing to a large evergreen tree. And our initials would be carved on the side. Let's finally spraypaint our faces in underpasses Eyes like this deserve to be gazed into. Eyes like yours. Deep breathing, my face in your chest. Breastbone meeting skull Dripping my lips onto your skin Like candlewax. If you kiss me with finality, "I promise, darling, I'll kiss you back."
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Be careful little one You have the frozen globe of existence at your Fingertips Marking Tracing Melting  oh so slowly much too fast Diligently your dead eyes glance gracefully into infinite bright spotlights Your fragile razor-edged smile’s tearing the corners of your lips Insecurely holding yourself excruciatingly precise Marking repugnant lines down your too young face Spine’s held ram-rod straight pretending to keep your world afloat on a Butterflies listless fluttering wings The tiniest misstep reverberating inside your hollowed breastbone In.. InIn…. Inconspicuous Comparable in the manner of a lamp bumping the floor two houses up Breath hitched tattooed pulse brings life to your porcelain pores Tip-toeing on egg-shells of yearning aspiration Flinching at the cold intangible fear that’s grabbed your hand Makes you come to life a stones throw too freedom Diamonds ruthlessly rip into soles and ****** toes imprisoned in silk Wine stained lips sneer at rows of red velvet They grasp everything you've strove for, they are the power Passion, adrenaline, up most urgency sweeping you away The most elegant anguish rushes out forming awestruck wild abandon Waiting your whole life for this moment boiling down to now Day after day year after year Pupils blown wide it’s do or die spread your arms and take your bow Self-loathing narcissist You only dance as if the the sky is falling when you feel all is beyond repair Never have you been more beautiful
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Jul 18, 2014
Jul 18, 2014 at 4:17 AM UTC
Untitled
Be careful little one You have the frozen globe of existence at your Fingertips Marking Tracing Melting  oh so slowly much too fast Diligently your dead eyes glance gracefully into infinite bright spotlights Your fragile razor-edged smile’s tearing the corners of your lips Insecurely holding yourself excruciatingly precise Marking repugnant lines down your too young face Spine’s held ram-rod straight pretending to keep your world afloat on a Butterflies listless fluttering wings The tiniest misstep reverberating inside your hollowed breastbone In.. InIn…. Inconspicuous Comparable in the manner of a lamp bumping the floor two houses up Breath hitched tattooed pulse brings life to your porcelain pores Tip-toeing on egg-shells of yearning aspiration Flinching at the cold intangible fear that’s grabbed your hand Makes you come to life a stones throw too freedom Diamonds ruthlessly rip into soles and ****** toes imprisoned in silk Wine stained lips sneer at rows of red velvet They grasp everything you've strove for, they are the power Passion, adrenaline, up most urgency sweeping you away The most elegant anguish rushes out forming awestruck wild abandon Waiting your whole life for this moment boiling down to now Day after day year after year Pupils blown wide it’s do or die spread your arms and take your bow Self-loathing narcissist You only dance as if the the sky is falling when you feel all is beyond repair Never have you been more beautiful
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sternum (n.) a bone extending along the middle line of the ventral portion of the body consisting of a flat, narrow bone connected with the clavicles and the true ribs. I remember taking an anatomy class in high school, we had to memorize the bones of the body - the skeletal system. Scapula, humerus, mandible all favorable to the tongue, but I never liked the word sternum, it sounds far too angry, nothing like the supple it actually is. Years later I would still find myself walking to work and naming them off. Bones on my mind. Tibia, ulna, femur, breastbone. Breastbone rolls around my mouth, lulls my anxiety towards its twin like a boat in calm waters. I think of your breastbone as a platform to profess my fascination. I am surprisingly amazed every time I count the steady rhythm of your heart, it's sound conducted as though your breastbone is a soundboard. I feel the slight ridges of your ribs when my head lays in the valley of your chest. There's not a day that I wouldn't love to get lost in the formations of your bones, each crevice a new place to hide - lounging in the curve of your collar bone, plucking the muscles of your fingers like guitar strings, getting lost to the soft scent of skin, and memorizing the plush roundness of your ******* each sensation leaves me with a new obsession. I look for replicas in everyday life, the hunt almost as intoxicating as smoke from campfires, or plucking wishbones from hens.
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Feb 9, 2014
Feb 9, 2014 at 5:30 PM UTC
sternum (n.)
I. black & blue as the scissor handles on a hospital desk outside the x-ray room where a scared boy waits for his best friend to emerge safely six sickly pink as the sutures outlining her kneecap and the pale as anesthesia filling up her irises II. black & blue as the waterfall   of markings cascading down sheer breastbone to pool in my bellybutton brown as the split blue moon on ice, and darker as the curls still unable to rival the vehemence      of your stare III. black & blue as the smeared ink of broken contracts bound to my skin in sheets   achromatic as the morning after and the murmured reminder to forget all about it seeping from your pores, as tainted honey from bees beaten blue & black into blindness
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Jun 4, 2013
Jun 4, 2013 at 12:56 AM UTC
saturday, june 1, 2013 (iridescence)
Start with a picture. Any one will do. Names rattled off, like Stars, constellations— Screamed into silence. Blink. Close your eyes; imagine Red ribbons and blood floating Through frigid air, in the snow. See this tall, dark, frail body Consumed by snowflakes and cold Laugh like a choir in the Middle of the stage (bright light) Start with lips. Eyes, nose. Start with clavicle Breastbone and a thigh. Start with oxygen End with a human.
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Jul 25, 2011
Jul 25, 2011 at 2:26 PM UTC
Alpha/Omega
his lips are on your pulse point and his hand is spreading the ribs in your chest, you never realized that being this close to someone meant opening a door. welcoming them in. they make their home beneath your skin and you’re not sure if you want them, their laughter and their touches. their bare chests and their breath. you are a building so many people have tried to wound their way into. there are fault lines in your breastbone and a falter in your pulse and these days your palms are more scar tissue than skin. every breath hurts and the walls of your heart are covered in graffiti you can’t stop yourself from reading. this night is just another room in a hallway that smells of wet paint. burn this house down. leave the cushions on the carpet and the dishes in the sink, smash the mirror with its smudges before you get the chance to think. this has nothing to do with forgiveness. this is how you wake up next to him and tell him to leave. make some new graffiti. sign your name on every surface, fall in love with the contours of your shadow kissing the floors. you are made of smoke and dust and ashes, you are ready to face the day, and there’s no room in you for anyone who doesn’t want to stay.
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Sep 26, 2013
Sep 26, 2013 at 10:36 PM UTC
new graffiti
Kaleidoscopes pushed the music through our bodies in triangles of ebony, purity, hope and confusion. I could lose you in the music, you could lose me in the bass and destruction of ear-dums. What thumps inside us? as we thump genitals, and ride against each other over interlocked thighs. Put me in your lips more than your put your own tongue. Wet me with a burst of love so jarring it could break my mind. Because I like to put two fingers on your breastbone and pull down your shirt so that I can see more. And you like to grab me harder than anyone has grabbed before. And the pain of love is all about grabbing, about having possession in the middle of a club hopping on mushrooms. We get closer, judging our distances by how little we see the kaleidoscopes of broken light and reformed blues, reds, greens and yous. We judge distance by our stale Colgate breath and drunk tongues. We judge distance by how close our hearts have become when we know nothing else but drunk love.
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Mar 19, 2012
Mar 19, 2012 at 8:51 PM UTC
Drunk love.
The eyes should be plucked from their orbits Submerged in formalin Stored in a museum for all to gaze upon and know My love is pure-tried by fire- The fingers cut off at the second knuckle The skin and meat picked from them leave Pale Pale Pale white bone beneath ...Untouched by any other man Scrape Scrape says the knife carving Runes and poetry into the finger bones So that all may know My love was pure-tried by fire The ****** knife danced As in the sleep visions I cried out silently Gray and muted were the eyes and The voice was...lost from those lips I remove the death mask to lick the cold lips of her corpse Purple Petals that wither in the winter air The warm cloud of my breath Filling her nostrils God breathing breath into Adam's first-rib A lock of hair I disrupt Falling from the high place In Hurried Lust I wonder at the stopped machinery that lies beneath Do I dare slip the scalpel once more from its placement And bring it to bare at the left breast? It is the doing of another-I am no longer here Searching for what is lost in the garden of her entrails Wilting Bloom I search the throat with my fingers Reconstructing the final moments Once more I run my fingers against thread Delicatley I have sewn closed the gaping slash wound To the throat warm spray a muted gurgle Air slipping from the vocal chords disjointed dirge she sings to me Forgetting quickly my stone ears deaf to such frivolities as mercy The knife found it's own way through the breastbone She and I are ancient beings Our bodies sarcophagus for the true form Released at last First Breath Picking pieces of it from my teeth Nail marks line my fore arms Wounds tasting of the final throes For she in peace dances at the feet of Him Her wings cover her eyes Her wings cover her feet Holy seraphim returing  crest raised high Among the host The great cycle completed Tried by fire she is found whole once again And I await with joy The eternal punishment
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Aug 24, 2013
Aug 24, 2013 at 6:39 PM UTC
Libations
The eyes should be plucked from their orbits Submerged in formalin Stored in a museum for all to gaze upon and know My love is pure-tried by fire- The fingers cut off at the second knuckle The skin and meat picked from them leave Pale Pale Pale white bone beneath ...Untouched by any other man Scrape Scrape says the knife carving Runes and poetry into the finger bones So that all may know My love was pure-tried by fire The ****** knife danced As in the sleep visions I cried out silently Gray and muted were the eyes and The voice was...lost from those lips I remove the death mask to lick the cold lips of her corpse Purple Petals that wither in the winter air The warm cloud of my breath Filling her nostrils God breathing breath into Adam's first-rib A lock of hair I disrupt Falling from the high place In Hurried Lust I wonder at the stopped machinery that lies beneath Do I dare slip the scalpel once more from its placement And bring it to bare at the left breast? It is the doing of another-I am no longer here Searching for what is lost in the garden of her entrails Wilting Bloom I search the throat with my fingers Reconstructing the final moments Once more I run my fingers against thread Delicatley I have sewn closed the gaping slash wound To the throat warm spray a muted gurgle Air slipping from the vocal chords disjointed dirge she sings to me Forgetting quickly my stone ears deaf to such frivolities as mercy The knife found it's own way through the breastbone She and I are ancient beings Our bodies sarcophagus for the true form Released at last First Breath Picking pieces of it from my teeth Nail marks line my fore arms Wounds tasting of the final throes For she in peace dances at the feet of Him Her wings cover her eyes Her wings cover her feet Holy seraphim returing  crest raised high Among the host The great cycle completed Tried by fire she is found whole once again And I await with joy The eternal punishment
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53
i release secrets hidden behind a breastbone that cracks under (pressure), when gin and tonics enter my achy bloodstream. i only remember her on the floor. i dance like broken bottles upon cement floors when fairy dust kisses foamy glasses. i was in a mental hospital. yeah, basically. i forget the people i supposedly love and blame it on the alcohol, because i do not have the courage to blame it on myself.
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Sep 16, 2013
Sep 16, 2013 at 10:57 PM UTC
sharp edges
De elevating power might seem a futile task for a mere earthling, disadvantaged by stature, and of course due to being under surveillance from an altitude beyond reach, of even, the imagination. Such being the predicament of an elderly Weasel inattentive to the hidden dangers from an intemperate predator soaring directly above, just waiting to profit from this evident dotage. Down swooped the winged carnivore, availing of surprise, up-draught and velocity, it quickly sank its talons into the side of the disabled animal and rose triumphantly into the empty sky and high. But just as possessions fall through fingers, the winds of change were about to reverse the tide of misfortune. The stunned carcass, which only seconds previously seemed as though was dead as dead could be, suddenly posed a problem for its captor (in flight). Immediately, there was a notable change of direction and a notable drop in the flight horizontal, the big bird was visibly in trouble, the Weasel had sunk its teeth into the undercarriage, securing itself from being released of the foot spikes. The underdog was not going to go down without a fight and there was nothing, absolutely nothing The Eagle could do, no negotiation, no solution other than land, because The Weasel was not going to let go and The Eagle was loosing fuel. Efforts to dislodge The Weasel proved nugatory, yet, The Weasel was prepared to **** the Eagle in flight, a pyrrhic victory is as democratic as one could wish for. The Eagle had no option, down it came, flew low along by the tree tops in an effort to detach itself for The Weasel. The Weasel availed of the Hobson Choice and released itself from the breastbone clambered on to the branches, making its way out of the tree. Meanwhile, The Eagle after a huge loss of blood, left a trail along to forest floor for The Weasel to follow Ps. The leech Eagle ended up in College Road Sligo where it has a nest. What became of it, is still unknown, but we are sure, that The Weasel has not given up. This is the Fable of Free Travel. A pass given to the author by a Government agency in Sligo Ireland, and taken away with no explanation.
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Apr 29, 2019
Apr 29, 2019 at 9:33 AM UTC
The Eagle
De elevating power might seem a futile task for a mere earthling, disadvantaged by stature, and of course due to being under surveillance from an altitude beyond reach, of even, the imagination. Such being the predicament of an elderly Weasel inattentive to the hidden dangers from an intemperate predator soaring directly above, just waiting to profit from this evident dotage. Down swooped the winged carnivore, availing of surprise, up-draught and velocity, it quickly sank its talons into the side of the disabled animal and rose triumphantly into the empty sky and high. But just as possessions fall through fingers, the winds of change were about to reverse the tide of misfortune. The stunned carcass, which only seconds previously seemed as though was dead as dead could be, suddenly posed a problem for its captor (in flight). Immediately, there was a notable change of direction and a notable drop in the flight horizontal, the big bird was visibly in trouble, the Weasel had sunk its teeth into the undercarriage, securing itself from being released of the foot spikes. The underdog was not going to go down without a fight and there was nothing, absolutely nothing The Eagle could do, no negotiation, no solution other than land, because The Weasel was not going to let go and The Eagle was loosing fuel. Efforts to dislodge The Weasel proved nugatory, yet, The Weasel was prepared to **** the Eagle in flight, a pyrrhic victory is as democratic as one could wish for. The Eagle had no option, down it came, flew low along by the tree tops in an effort to detach itself for The Weasel. The Weasel availed of the Hobson Choice and released itself from the breastbone clambered on to the branches, making its way out of the tree. Meanwhile, The Eagle after a huge loss of blood, left a trail along to forest floor for The Weasel to follow Ps. The leech Eagle ended up in College Road Sligo where it has a nest. What became of it, is still unknown, but we are sure, that The Weasel has not given up. This is the Fable of Free Travel. A pass given to the author by a Government agency in Sligo Ireland, and taken away with no explanation.
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Lovers trapped in flourescent corners. Skin shimmers underneath loose tees, beige with the kind of sweat that blackens Levi's in the crotches. Her fingers ***** at his mice-sized ears which hunger for the acrylic traps she lays with her fingernails. If lips had tongues his lips would say: "I've had plastic flesh and mercury is in my veins cooling me until I'm frozen in the arms of death." And his lips never touch hers: neck, breastbone, cleft-chin, chapped ear lobe, crackling scalp, fracturing spine, splitting abdomen, scarred heart. his are never touched by hers: lips. They finger the hills of each other's skin: velvetine, innumerable, wet. Starships beep in the night. Beep through receivers from a place against the earth, but not touching it. THeir voices are intimate and not there. Cries are heard from space and cradled as breathing treasure. Intimate, but not there. Their fingers touch each other, infinitely and not at all. He feels her as the earth feels remote beeps in remote intimacy.
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Jun 29, 2012
Jun 29, 2012 at 9:45 PM UTC
Lovers Trapped in Flourescent Corners.
something fit. something aligned under the breastbone ribs pattered out and gave space for breath that didn't taste of anything. something clicked. tortured poet keeping a journal walks the south route instead and sees the spiritual spin on life through the stained glass windows of a shack church in need of extensive renovation. she is inspired and her need bottoms out for the day-- praise is good. good. great. don't bother me when i'm sharpening my pencils. i'm preparing for divine intervention and the clarity i know i'm owed something hit. my words, hey, i'm black and blue and they? they're cut through and through with flecks of tracts lent from life and beyond.
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Apr 14, 2016
Apr 14, 2016 at 5:44 PM UTC
something fit
To open this box... I'd more than like to know What monsters it houses, what Mossy, overgrown flora it grows. Whether 'not it will Blast me with fair, cleansing light, like A sunrise through a painted window, or Plunge me Into dark waters And run my eyes o'er with Soaking ash and floating filament - It's my weakness, It calls me by a fond nickname, like A too good friend after too long, It knows me, Knows I can't displace the Imprints once they are etched In my head I have to uncover the rock the wrong way, I have to Lift it up towards me, brashly, impulsively, And risk The nervous snake Right into my chest That burning feeling, Crackling in my breastbone, Sets a flame and Sends me back yet again Scurrying into another lush, cool sanctuary Somewhere in these woods, my temple, In my center, In my core.
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Jul 24, 2016
Jul 24, 2016 at 2:35 PM UTC
Deviance
obdurate, ****** he fastened twine tied to tarsals around my ventricles, closed off the vena cava i am blue in the breastbone empty blood can't reach the lungs but i am equipped with the tools to deal with this animal instinct to fight off infection or to let it in and cradle me every night at 2 when you wake to make sure you haven't missed the tug at your toes or the platelets & plasma or a warm wavelength -- a chance to record a dream you lost in rising
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Sep 28, 2014
Sep 28, 2014 at 11:22 PM UTC
senses seldom shut