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n)Ethno-spirit and Biodiversity (Diogiversity)

Given its ethnikos factor and contribution towards a common origin of multiethnic and languages, in values and traditions, its morphological factors of Verthian sub-mythology, are provided with content, features, colors, and textures of neutrality, focused on a biosphere ecosystem, where the air conditioning, flora-fauna will make Sub-mythological Biodiversity, where the beings that inhabit it and will be in the range of evolution of mythological living beings, whose diversity of genetic seizures, will adopt natural and compound patterns, but always predominant in the biological pattern and organic. Wandering the world in desert places, in alloys and classified plant compounds, emptying their species through the hollow of the atmosphere and through the green grasslands in the reviving surviving evolution of organisms and species that for the first time see each other as a biotype between rocks and plantations, reciprocally among themselves, and extemporaneously generating mythological genetics heritages. Considering millions of years in evolution with explosions of multicellular and fossilized species extinct in massive and occlusive memories. Inert matter and geological strata will make millions of years converted into microseconds in the Verthian Biodiversity of the Duoverse, in a Psychic and spiritual Universe, emerging in all macroscopic perspectives and parapsychological regressions. Impact They will cause the maturity of all the diversity of externality and sensations in new topologies of anonymous universes and species of biodiversity, under a pillar of culture based on the Sub-Mythological biosphere process, encompassing all mythological species where the hope of Life and Super life. Transforming systems of functionality under the protection of spontaneous generation and in a matter that is availably underlined in the mountainous tissues of the mechanics of the subset of the air mass, water, climatic biospheres, and biogeochemistry, that in the unreal juncture of, and inter-procedural reality of carbon, that factor the species key and specimen disclosure, in the collection and in sinks, water drains but without carbon. encompassing all mythological species where the Life expectancy and Super life unfolds.

Hyperdisis, the galaxy connected to the Duoverso, in its biotic diversity, reinsert thick clumps of Nothofagus Obliqua forests, in waste processes, to domesticate the Leiak ethno-forest species, as balance nutrients and repair the disgraceful disgrace of unnatural toxicity and fragile of the agrosystem, maturing cultures and preventive pollination in succulent transfers for purposes of food webs and the environment. Making the appearance of species more effective and perceptible, reunited in community chains of coherence, to amortize low-resource needs and distance economic-political impacts, in view of new base resources and the sustainability of balance of allopathic crops, for the good of driving the extinction of plagues or flagrant excesses not converted, Hyperdisis has a mass of inert matter that creates accesses of resilience, for salinity, rainfall, and human adaptive mythological innovation, given its versatile opening of complement and generation of substances, for the convenience of living beings and No. Having adopted in the context of mythological Galaxy, related to beings of light comparable to distant elements, by means of Psychic Trisomies and tell transportation, for energy sources and soil and water mechanics with Leiak, constituting molecules for the simplification of phenomena of exacerbation of chronic diseases and endogenous. Forests and parks of Hyperdisis in the symbiotic open air, for more airs in microbiological space, in the intimate portion from greatest to least challenge of elements exclusive of antinomies of hieratic human bio culturalization, in a showcase of communities with an interest in technologies and renewable empirical usability, each part doing its scientific role and biodiversity in the portico of its home. As a hieratic quality, presenting amendments that are glimpsed and more existing, although it passes before our eyes without a Carbon Footprint, figuring logical mathematics by sponsoring its count more than a shadowy synthetic body, anticipating super-appraisal measures, averaging them in tiny theological portions, with varied and dissimilar levels of genetic habitats and alleles or heterozygous in the taxonomic functionality of reproductive and approving biological elements. The wealth and abundance of this item are delegated to Leiak, in all the revolutionary processes of the oak forests and the high mountains,

Within the gasifications of Cinnabar, there was Carbon in its Life cycle, being Zefián; the curator of the Duoverse, destined for a lifetime, under Universal and intergalactic effects. Claiming innocent beings with greater attributes of predation survival in the ecological chain, with the mix of Tsambika and Theoskepatis, granting multidirectional dynamic residual matter for green energy emissions. Feedback quantifies offset options in carbon circulation, offsetting multipurpose CO₂ inventory. Through the darkness Zefián and Vernarth traveled in the streets of Rhodes, and in Tsambika looking for the distilled portions of the carbon and sulfur emanated by the Cinnabar. In the same way Etréstles in Theoskepatis initiating with the Archpriest by virtue of the honors and the rubies of accumulations of water mass and of sulfur and carbonated air, which hung over the low sky of Rhodes and Kimolos. They were going to the Necropolis of Hellenika, when the gnostic rampages were glimpsed in the surrounding slab, minting half of the gold bars for the great goldsmith who erects the conventionality of having the physis imperturbably established, as a matter of patriarchal character. They entered Helleniká and the souls that wandered were ringed under crescent-encrusted rings, lavishing the independence of the night in the hands of Borker, which was reflected in the capitals of a mausoleum. Borker is consistent in saying that he is free in Helleniká, In the myth of the dustbin woodworm of the frieze where Etréstles perched next to Zefián's strap, who would manipulate the gold and alabaster chain, to pull its ascetic and rubies from it, approaching a final night in the astronomical autumn, in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn, and the mountainous temple of the one that follows the equinox in the meridian of seven days towards the southern and northern hemisphere. in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn. They enter the Necropolis of Helleniká, by upper and lower trays, cordoned off by obelisks in a series of petrified labels, in the square sections of the convergent ones and the linearity of the central pyramid, where they sponsored all the sectors of the stones of the prismatic geometric body, next to some piloneos that flanked the third of those that were in the figurative memory of funerary monuments of Vernarth. In harmony with the radiosities of the Cinnabar, they purged the carbon emanations in the intra-bodies of petrified breaths, expanding in the segments of frenetic life of the behavior of the inert matter, crushed by the organic, polishing the degrading character of the excavated prayers, under a superfluous shade. It was already dawn, Etréstles and the Archpriest broke the loaves to deposit them in the bowl of the Day, stretching in the arms of heaven under the gargle of the god Vertumnus who forged from the materiality of Jupiter. Vernarth nodded his head to the movement of the winds that cut the profile of a Citarista yawning on the frieze that raises all the crowns of the princes of the living-dead, making them part of the royal occasion, preparing petty spaces and tyrannies for devouring vassals in Helleniká, from the lair of his rib one, sees Diogenes of Sinope emerge, splitting with his doctrinal staff all the Isthmian paroxysms, which declared the cell of his life as Diogiversity.

"There were murmurs of astonishment at the surprising response of the wise man because no one dared to speak like that to the king. Alexander the Great asked: "Why do they call you Diogenes, the dog?", To which Diogenes replied: "Because I praise those who give me, I bark at those who don't give me, and the bad ones I bite." Again, more murmurs, but Alejandro was not moved by those answers and said: "Ask me what you want." So Diogenes, undeterred, replied: "Get away from where you are, you cover the sun for me"..., Vernarth replied: "Look for him in the bones of those who refused to die and fear beyond expiration who rejoices in the cold of the dean ossuary seed, without heat or memory here in Corinth and its Diogiversity ".

o)Reflection space length (π)

The hemispheres were out of proportion, one another was modified in the air, leaving the horizon exorbitant and the poles out of square. Coastal the lengths of the sun around areas that some Helleniká countrymen had never put on the crowns of their consciousness. Certain pressure changes dislocated other modules in the filaments that had rudimentary inaccuracies, creating reflection space failures in the installation of the Duoverso, due to the due calculation defect. The observations of Hyperdisis, generated superpositions of the Zigzag Universe, before the crescent moon, after the full moon, again de-calculating the sphere of Hyperdisis in relation to the ecstatic length of itself in the hands of a third of a second a day, to overflow in impositions that They revealed Dekas Cove in Kimonos(π).

The value of the opinion of reflections will be the originality of breaking of statics, of the motors of the verb and the conscience of the flushed being, and of erudition of the naive contrast when decanting the perceived morality. They concur with the moral value in every sub-mythology of an ambivalent being of supernatural human co-belonging, not dependent on gnoseological reflections, rather spontaneous under the embankment of reason. The latter being absent in the shadow of its shadow, no reflection can take hold of anti-values, self-valorized in contingencies under the effects of the drug of lies or truth, in a difficult equation to refer to in gnosis treatises, declaring the absence of consciousness to species without reflection or length of their molecular evolution, in evidence of mythological humans. The triangle Patmos, Rhodes, and Kímolos, make up a Venusian adonis, of stimuli in the nostrils of Aion, which sneezed on the integrity of the reflex arc at high speed superseded in the tremors of Athens until Hyperdisis, flashing anatomical and pejorative on the optic nerve of the Colossus Rodino, and the twisting of the multi-personal muscles..., but already depersonalized..., with little telluric reaction in the core of the symmetry of his legs, dodging as he thrashed on his frowned arms, behind the legs of the lycaons..., digging his jaws in reflex arches, for ages that only an immemorial one would enchant him, and be it the throbbing of the earth in the crust and seams of the calcined Colossus. Existing like this their reflection of attenuated light, they shook through the sea full of sinewy pieces of precise length. Frequently in the hydronium cations, undermining the temporality of Tsambika in random stones in the humid, and dark narrowness of the anthropic reflection, having lived in the heavenly paradise that formed them by the volcanic tube and its syngenetic, by the erosion of the subsoil of Rhodes. In Helleniká, everything that is expected, flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas it flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas from Devonian to Cretaceous, escaping from the ferocities of the Etesios and these same escaping from the roars of Vernarth.

p) One-Dimensional Beams II

When their ears fell in love with the Orthoptera or Grylloideas before Joshua, the night became restless, abandoning them from their shelters, they brushed the seeds of the thistle that trembled with the new millennium of the Duoverse. Levitating their ailerons in the tenors of their birth and dilettante sounds, before an ovipositing candor of the remains of the abdomen that remained in their jaws, always being from one of the Beams, for the largest Enciphers that hung from their antennas in search of Joshua's telepathic messages in the manger. Sappho of Mytilene, also known as Sappho of ****** or simply Sappho, pretended to be a marigold proliferating in the twenty corridors of the Greek poet, and also as the tenth poet in the other ten that was reflected with transparent wings of the dew that stuck, phenomenal of physique -Saphonic and in the recent rain of wind and condensed air, in the form of drops due to the sudden decrease in temperature in contact with cold surfaces. Sappho's dew was talked about in Kafersesuh, usually when it comes to condensation on a Poetic Grylloidae surface, naturally on the ground cover or artificially in a dull cloudy crystalline, in the amount of supernatural tradition, heroes, superheroes, and anti-heroes conspiring with the territorialities of hexagonality.

The Aramaic message comes forward with vigor from the orthopterans and birds that piled up on the journey, going back and forth. The Beams shone from the celestial kingdom holding on to the Cherubim and the Archangels, through the paths of conversion and the support of the bizarre Christian time, in implacable hegemony for the propaedeutic of phylogeny, but more than perfumers chemistry and the same creation. carrying Lepidoptera winged tetra and Sand Crickets, on the interlocking and obfuscated pheromones from a nascent-elemental child, in his own evangelical philosophy, from a winged dimensionality and in the gloom of Manger shouted and aligned, before the compendiums of double pyramidal landmarks and of inflection, of his word in the Grylloids and panaceas created in the affinities of the world and Animalia, stylizing muleteers carriers, phrasing acronyms and parabolizing the polygonic nomenclature of the child made a territorial man on the wings of a Cricket, already being it !, but representing himself as a lifeless man in the entirety of an advantageous canon child, from a sudden bi-dimensionality of Grylloideos. A great Zohar light gathered all towards a whole in those vantage points of terrestrial columns and orthopterans that Joshua felt in advance in his resined ears, like irreversible entropy giving back his wise existence to prepare them for the day of his holocaust. Pre Existing in catharsis and busilis substance of divinity connected with the Grylloid phylogenetic species, classifying until the Aramaic crackle, pontifying pheromones settled in the lithosphere site of Gethsemane, coincidence in the wading of a Libraco period, or in the phenomenological simultaneity of Eukaryota and Glaucophyta until late Animalia, giving relation parental in the characters of the vibrational timbre of the Beams and the atavistic pedestal, readapting in the evolutionary ellipticals of tetra-winged species, allowing to change the ancestral linguistic accouterments in processes of redesigning the genetic historical tree..., divine and increasing.

Inter-Duoverse, in space demography, has been frequented since today in a nuptiality between the Sun and Earth, wrapping the inter-generational homes that have prostrated themselves to the One-dimensional Beams, evolving millions of years between links of angels from the north and the south., for each year between half years and decades that the ancestors are passionate about, unleashing in what they aged in their youthful lives and eternal ideals, as an atom not guaranteed in families that did not get to know their Duoverse. When they walk through the urbanized farm of their parents they go in their shoes and in the paternal and inter-parental sun barefoot, the children travel far from the monographic patriarchy, declaring themselves between psychic families and unstable plots of core conformity and procreation.

The line of supra healthy cerebral is born from the Beams of deforested family trees and treasured in the Trunk of the seventh ascending generation, towards a nefarious tribal of industrious and vegetating regressive parapsychology, bringing zombie societies, to great lethargy that disorganizes the parallel emotion of the Being descended from a Messiah, with the prophetic organization. There in the Koumeterium of Messolonghi, in past generations, the "IO" was omitted to limit them from the spellings like Ghost Cemetery lost in other lost sacramental ancestors. The inappropriate location of our ancestral duties has guided us in the axis of the pabulum, before the second coming of Messiah Parousia, to continue the re-sprouting foliage of the Universal theological tree. The children of the seven intergeneration generations, will be from the endearing of a patriarchal family, and those of Exo family lineage will be from outside the non-generational family, where everything flourishes according to the requiems of ******-domestic economies, and in the new chimera from new shocks and reprimands, already being spouses the Sun and the Earth after being divorced from a deluge of immolations and inter-millennia and rotations, further than those of any prophet wandering without advancing or rotating, enlisting and expiring in succumbed and pre-historicized generations of other prehistoric ones. Pre and post Flood; not presenting itself as the object of linking a thousand decades where not even a holy chirp from the Thrush, praises on the windows of the world bringing us babies that are born without past or future quantum generations. Ready to the hint of Duality and its nuptiality with the Sun and the Earth, They will make us magical creditors of the increase in demography and of unions that will marry in inter generations, not seeing passions in exhaustion, under the grass of the allegory of defeated love. Giving ourselves conjugal virtuosity, but of immanent dogma for the purposes of multi-figurative coexistence, under the Yoke of an individualized Faith, in the passing of millennia, we continue to crawl on the floor of the nebulae, and we do not rise to establish ourselves as masters of ecstasy, and the pendulum of the stars, creating us more in the orthogonal egalitarian of the cosmos and its Vernarthian architecture, of poly productivity, of Sun-Earth and its post-genetics, of high-grade clay, expanding with halberds on the self-insolated Suns, and highly calorific inherited towards a rupture of Solar freedom leaving us in the horizontal, not having ascendants of sin enriching their illicit chromosome. Made a beast, from the inertia of a paradise full of hidden public and private exchanges, but not secular, for those who pay tributes of ecstasy in a reborn and weakened state. This is how Diogiversality is verticalized (Diogenes's anthological action), concluding the variants that weaken the nexus of the denatured society of its atavistic social nuclear concomitant, extending eco-life gaps, but eco-unstructured and crucial inter-generational nature, being of arbitrary passion and of seismological doctrines, of haughty morality and of sociology fabrics without body or motor, with frail of castes and generations evolved age in a retrograde and elemental psychic sense, but biologically and reversibly to their boomerang lineage.

q)Amphibology Cosmogonic, Sub-Mythological root

The threshold, as a minimum rubric, must be in force from the Constellation of Orion, with barely a hundred millionths under the same eye of Orion and his psychophysical space, sensitive to the falcado charioteers and the water vessels on the backs of the probable Barnard Loop., and its nebula presence. The icy impulsiveness brought her under her right shoulder and the lean hollow under her arm unraveling from a staircase, at the entrance point of Betelgeuse coming from the cosmogony of Eridanus and in tune with Ptolemaic astrology. In the Sibyl and with a hint of a metric brilliant mass triplet, Betelgeuse Orionis, is the scale of the Aulos and piccolos expelling hydrogen as an Ace in 240 scales of harmonies and in sounds of light, for cycles and years of Light. The binary of Orion, is pre-born of the sub-mythological root, with binaries of Poetic Parapsychology, or Para-poetical; which is the trapezoid and the kinetics of the hunter Orion arrowing the Pleiades and its nebulous plains, with diametrical diarthrosis in his synovial joints, with the third militarizing joints already formed by the hyaline cartilage, which joins the two bones with the synovial fluid, before reaching the deltoid of Hunter Aurion, to awaken the Asleep world.

Vernarth in one of his adventures in Pella, scapula with his arms the force of the friction discs of the Olympics and corrected his hands and shoulders, for this purpose of Aurion and his dilettante Astro Betelgeuse, with giant arrows against matters towards the sky of its Constellation, embedded in beaten Odyssey and turpentine in the sullen Hellenistic, being for May its amber trapeze of trunk and arm, in each hand a Xifos and Dorus, always in right-handed hemispheric pathologies of their shrewd hands in Kopis swords, and in the memories of the wind that throws pain to the whistle of the combatant, when the meteorites decay in the Tyrrhenian Sea. With his brass-bronze club and Vernarth's corrosive breath, he proceeded to file odyssey on Eos's ******* and peduncles; Goddess of the Dawn, in Dionysian beauty in bulk, Mintaka, Alnitak, Alnilam, (The Three Mariah), For the twelfth lunation of the Celestial Vault, together with Pleione, in its bolometric Oceanid matrix; against borderline stellar magnitude in the major and minor dogs, and in there a priori waves of misdeeds lending measurements in the eyes of Aurion, always henchmen on their Pleiades.

From this intricacy, Cosmo-is born the Vernarth Duoverso incited towards the Horcondising, so that it is mythical co-property at the origin of the universality of the Duoverse in the Vernarth scapulae, bleeding towards the cosmos that was born from his stellar blood, conjuring chaos and uncertainty in messenger Gonies, facilitating community life free of ethnocentric, psychic, intersubjective life, the metaphor of myth and dogmatic, by the imaginary struggle that leads its bleeding back over the Cosmos, and its demiurgic brilliance over the atmosphere of the earth like bronzes that twist in the necks of oxen, that urinate on the officers of the Barnard Loop, and its polyphonic magnetic exciter, on it the ***** of Orion falling on the poles, like flagrant Amphibology.

The Kanti Steed and the Aurion nebula, to the beat of a waltz ionize, lavish chemical ions free of electrons, on the neutral molecules of Betelgeuse, to proclaim in the nerves of the shoulders and its bronze club, as musical praxis and harmony net, giving way to the nebula and the art of the Duoverso, which shows the pristine astral days, how his alchemical arm sprouting in chemo-astralities of the pectoral, and his armpit that joined in its maximum stick, cutting down roots of Olive Bernar, behind Barnard's Loops, in the midst of runaway stars that are systematized in their ionized bleeding esplanade, such as Stellae Novae, who retrograded the astronomical ritual into cosmogony, and in her escape by going at night to sleep near her father Poseidon and Euryale, who cheered him near the grassy fields to paste explosive clay on the sheet of his drunken smiley face with Ionic wine, in advance of spreading the nascent Duoverso throughout the new world.

r) Hyperdisis

Sitting on the edge of Andromeda, in his planetary chamber Zefián; The Duoverso computer separated the parasitic inter-chamber from the Duoverso, which would be born from the Auriga, which in his buggy would unleash the senses of structures and luminosity between this colossal interplanetary chamber. Being between points that venture through the axon of time infinitesimal and longitudinally for light-years, which even so, will intervene from the Duoverse, for thermal purposes and other changes of the remnants, when especially the luminosity will speak of the destruction of the darkness inherent in the eyes of the universe, which can only stabilize areas that have not been fused in the discs of the Universe-Duoverse spatiality, long before the initial explosive between the Constellation of Orion and Andromeda. Globular clusters that will make up the perfect delay of transfusing the blood and no other, which makes the character Hyper naming and hyper-pectoral blood, which flows from this tri-astral polynomial, compromising the method of area, shape, and refinement of the sagittal profile of Hyperdisis in the Duoverse in the reversible intergalactic plane. Going from lenticular to irregular over the keystone of the trapezoid, towards the right arm of Orion, where its radius becomes hypocentral sequentially, but it takes advantage of interstellar matter, to generate its own light. Some explicit explosive arms of Andromeda were expelled from their center towards the right arm of Orion, for the purpose of implosions in the effect of the clubs or snails, as a sublime effusion on other stars, which lost essential stellar mass, to differ from one another.

Radio-Patmos, or galactic energies of Andromedian origin, would arrive as devout prayers at the border of Skalá, such astro-omegas and Invisible Universes, which inhabit the flaccidity of the Universe of Consciousness of the pole contact with the Xifos or Kopis, when Andromeda contacts the spur of the clubs or snails, inciting the capos of Astro-Omegas spaces, which would begin to take the front and front, after having been the atrium of invisible stars, only visible in the spurs of the swords, which were only moistened with the viscous blood draining from Orion, towards Hellenic lands as Omega age, for Vernarth early when he carries the keys of the Omega World, towards the shadowy proto galaxies, knowing that the Milky Way and Andromeda come so close in their stellar mass, being able to collide in a few million of light years, in advance, since the Duoverse of Hyperdisis will be formed as a Galaxy of change, to interact with each other, dismembering, but re-transforming into the new speculative nucleus of the Duoverse as a great Black Hole, embedded in the Kardiá of Patmos.

Hyperdisis, navigates from the most ancient confines, from the origin of nothingness itself on the threshold of the Universe, but now it is already converted into the Duoverse, re-implanting itself in helical polarity, and in bifurcations of luminosity, of colorful reincarnations or astral, to consent to the cessation of darkness and valuing luminance, possessing colorimetry and chromatic steps of childish tales in infant galaxies, which in all the lives of Greece and Vernarth delivered for their ancestors, articulating the iconology of Orion, in candlesticks per square meter, in vigils of:

LV is the luminance, measured in Nits or candela per square meter (cd / m²).

• F is the luminous flux, in lumens for the Andromeda triad, Milky Way e Hyperdisis in conjunction with Orion.
• dS is the surface element considered in the triad of Kímolos, Rhodes, and Patmos.
• dΩ is the solid angle element, from Vernarth Omega and the origin of the Duoverse.
• θ is the angle between the diameter of Andromeda and the Milky Way (2.5 million light-years)

The luminance can be defined from the radiometric magnitude and the radiance without more than weighting each wavelength by the sensitivity curve of the eye. Thus, if LV is the luminance, Lλ represents the spectral radiance and V (λ) symbolizes the sensitivity curve of the Vernath's eye of the Betelgeuse area below, dumping plasma and bruises on the galaxies and the Orion Eyes.

s) Zigzag Universe

The Zig Zag Universe was and will be excluded between time and space, in a world adjusted to the senses that are driven within the contextual totality, the world and the biosphere framed in the phenomena of the Zig Zag Universe, being born on a stellar night when Our life searched the earth, being able to see how cordial matters of the cosmos caressed its cosmology, making it its magistracy and descendants of the Hellenic cosmos, in constant caresses of the universe already predisposed to the Bing Bang, emerging from another type of self-observation, seeing ourselves in the face of Horcondising anti-material and Universal Biomass. We preexist under science that models the system of energy and matter in causes of ancestors, with whom their vital and ours sneakily crashed. Gravity made great paternity in the Vernarth Biomass, being in the Dodecanese, being cosmos in its arcuate curvature, which makes us screen with the moon in its romantic astrophysical swings, and with the exaggerated geometry of a zigzag. We are the versatile and multi-dynamic mass that expands simultaneously in the head that pauses in the Nothofagus Obliqua of Vernarth's Horcondising and also time2-space2, which has not been troubled by the origin or abscess of the stars that move irregularly in zigzag, for the fractality of its component, which is clearly Aramaic blue light, in circuits of clusters and movements brushing the air, attracting the attention of the entire order of the hypnotized universe and making the duplication of the universe itself appear before them; in Duoverso that is the Universe shaken and young of its gratitude's ".The distribution of nearby galaxies are keys to the paleo universe already arranged in macro waves, which are percentages of spaces in the Trisolate energy fields, which interact with the Mashiach of Gethsemane phylogeny, now tending to a stagnant decomposed future, towards a specific frozen present. Its final station is to bet the Zig Zag Universe on the re-expanding temporal Medieval chrestomathy, in gregarious qualities of Sub-mythology, already conformed here in Archangelos. The implosion of gravity has created worlds of visibility in great astronomical yearnings, in some fractions of time zigzagged by millions of fractured light-years, as an irregularity that resembles the measurements of everything quantifiable, being omniscience or not, acquiring the hexagonality of the birthright in the passage, Here the Mashiach emerged and died in its abstraction in the One-dimensional Beams and in the foreign eyes, eroding those who are mortal and do not see with divine eyes in the self-resemblance, of our hypochondria and of the failed plan to amplify the size of the unknown analytic, of this new dimension in the implosive movement of the Verthian Duoverse. The nature of the snowflakes in Bethlehem are natural fractals, detailed in their nature and in the natural infinity, here the privileged new world was envisioned, for self-similarity in the speculative and cosmogonic functions of Vertnarth, at intervals in each space of the shadowy walls, bringing accelerated courier bombs from Gethsemane among mutated olive trees to other humans. "Its correlation is an infinite fractal with reversible observable time.

Finite is the curvature, between the time that walks between the grove of the Duo-Universe as an alternative of energy Zig Zag and Duoverso, which triggers our subconscious observable world, which is a great reflecting lantern eye, which ignores and prescribes extreme distant and focal parts of the One-dimensional Beams of Kafersuseh in Ein Karem, since the Duoverse is the trial Universe that the Mashiach had, before coming to the Holy Land, provided by his form of Hyperdisis escorting him from Betelgeuse and in Orion. Change from arduous colors to the gradient in Avant-Garde, for the confines of perspectives and verbality, in amendments of physical fields, interwoven by an external gravitational means. The macro waves, are exposed matter not contained in the abrupt changes of the optical selection of the Mashiach with the One-dimensional Beams, attracting selection crystals to atomize them, in reaction disturbances and recreation of multiform plasma saviors of Christian cosmic. The double expression of macro waves and the equation of them over the axial of the universe turned into the universe Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion energy with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all being more than time... !, remaining at the expense of the wick of all electro-matter " The double examination of the macro waves and the equation of them on the axial of the universe turned into Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all of them being more than time... !, remaining at the expense of the wick of all electro-matter. The sub-mythology having already been constituted, Hestia appears, having slept a great slumber. When he appeared before Vernarth in Tsambika, he was seen changing in size, when he was six meters away he looked dwarf and when he was already two meters from him he looked monumentally huge, but in a versatile physiognomy, therefore he was already appreciated in his last steps, with her domestic Goddess figure that emanated light-years from the chimneys of the habitable galaxies. The critical immanence will happen, pre-existing of the perfectible plan for the Universe Zig Zag and Hyperdisis, as Hyper-Hestia, bringing torn words for those who were approaching the main altar of Vas Auric, which was in the great ratio of the proscenium in the vicinity of Tsambika, between Mind / Meditation for constant mechanisms of Wisdom / Meditate, according to the cosmological constant, taking them perhaps to the beginning of a decade and the third universe called Traverse. The oscillations of all these fantasies, Vernarth observed, but he knew that he would have to collide with these worlds finally already precipitated, and of temperature that acted on the average of the normal range, therefore it was imminent to mutate it to the provisional Christian Duoverse, which moves backward. among the dizzying lights of creation. Immediately afterward, the Universe has torn apart and lost among those around it, establishing itself in units of millions of years of light compressed in the piccolo Aulos, which Hestia carried in one of its golden hands, from the prytaneion, igniting with the flames of the Kardiá on fire and the passion of consanguineous love, "Prytaneum", the omphalos stone, marking the navel of the world with the boast of wandering towards the island of Delos, in the daily warmth of a spring afternoon in Rhodes. She is a woman with veils on her face, always walking to and from her virginal abode, in the house of foolish or vestal virgins, there is no Hestia, only maybe there are some similar ones staying in the cold fire of her menopause, losing fertility afterward. that his father swallowed it, and then it was expelled from himself, regurgitated in flames of love candles in a blessed house and full of immunity, giving the Duoverse another geometric category with never contained angles, sliding vibratory between the distances that discount minutes of the Hestian space, for such a corollary by approaching its finitude, and inaugurating the sub-finite, that it will never be the source of the end of a disconcerting end of time, neither equationally consummated nor physical. "This consolidates the Duoverse into Duo-Universe, expressed in figures that moderate the length of a physical state before it is finished and restarted in a process that does not end (sub-infinity)

t) Vernarth Omega (Ω) - Preface

before facing the Achaemenides. Being Omega and Micron in the warlike primer of their cause, within the prophetic in all necropolises of tiny omega (ω), towards an Omega that reaffirmed the good hand in Saint John the Apostle by rewriting the Apocalypse twice, coexisting the same but with the voice of Vernarth commanding the ten thousand Falangists, who made up inter-generational gaps, of camouflaged alien ancestors. For this purpose, he opened the windows with their pillars sheathed with tetrachloride of chlorine, at solid angles of Ω, in what was Virgo institutionum / Aurion-entity that interfered by projections and leaks, which converged on the strut of the omphalos of his heavenly father dealing frequently and bled his immortality, constituting from a helper being to the planes of subconscious reprogramming and perspective. With his arms raised, in each hand a raised sword to pierce the vanishing point, between the spaces that were ascribed, under the solid projection, from an observer that inhibits ad limits the biomass in all the masses of aqueous filter and lumen flow, towards the throne of the angelic guardian of Avant-guard by the stereotype and sclerosis of Zeus in his dissociated physicality, even though he is an amorphous entity with pulverized magnitudes, between Pi and Golden numbers, fading away without area or volume. Vernarth in the humanoid apocalypse was transfigured from a solid point in Hyperdisis, as a direct escape settlement to Aurion, towards a surface of conical vestige in three-dimensionality towards Andromeda, the Milky Way, and the shoulder of Betelgeuse,

Vernarth distracted the emeritus stars in the corner of his room and in the convex the points of his celestial patriarchs in the conical spheres of perenniality, leaving only solid angles in each of the two parts of space-delimited by two semi-planes that start from their common edge, under the ideal geometric concept and that it is only possible to partially represent it as duplication in parallelograms with a common side, symbolizing two half-planes, making from all distances seclusion of visions in the culmination of imagination and apparent angles, seen from any point of the Celestial Vault in invisible counterpoint.

The decalcified cells of Vernarth solfying together with Sophocles in orpheons after the victory of Salamis. Already being a tragedy in the next act of the prologue and their friendship bordering on his tragedy, he continues to exist in energetic arms to write, and Vernarth to dispute the characters from a regular prologue writing with his own blood hematology verses, which traveled meters and that they shrunk from the anti-verses scarring their declaimed intra-breath, in corals that only the wind clarifies of what precedes and happens towards the suffering, in the metrics of the Areimos chorus that were lectured anti-verses, and that they tried to ****** him from the hands to Sophocles, in immortality that refined him by abandoning him in sub-units. With masks and mythical cycles, he mixed the metaphorical facsimile of momentum and the separation of friendship with him, seeing him in an episode of his works, and instead of Vernarth's transcript sheltering him in the origins of the volatilizations of his orpheons, converted into physical waves of a dramatic-oracular order. Gods re-transformed into divination and futuristic germination, they were hidden dormant and forgotten in times of subconsciousness in the Selenite collection, felt in the Colossi signs of parliamentary, where the oracle leans on the lines of vibrational words and how they cough their " páthis "in the place where the language dissociated from the heart nucleus speaks. In misguided divination, the oracular mantic brought the cold of loneliness and the fiery heat that guesses in the laurel forests in oracular daphnomancy, Vernarth omega self-erects as a versatile column that temporalizes the threads of his organic brain, creating synaptic logos in Pashkein or the alert regret of abandoning the arm that rewrites his heroic Sophoclean and tragediographic biography, in ancients transiting in disintegrated emotionality and ****** Hellenic neurotransmission, "Two omega men or omega speedometers, carrying neurons from ankylosed and frustrated herd of pleasure, for tripartite meson form of routine grinding in Alzheimer's lost, lost in sympathetic and para-sympathetic routines, with probability of Hellenic gray matter; That is to say, of all memory that does not sin of ignorance in the ancient world, in more than nineteen hours of vehemence, the dangers will brighten when reliving nth times in the twilight of omega, Vernarth, was already narrowing on the tracontero Eurydice, to save his pains, deposed in terms that would renew anti-economies by supplying unsustainable in liquefactions and in synaptic melts, extra energetic vesicle of pure natural law of the eyebrows, of lunation that rests in the inter millennium, beating with ecstasy in the Buddhist suttas, and in the adaptation of the flesh of the hypersonic fissures of the Meltemi, and attachments that still beat over the dermis of pain. Vernarth draws his sword Xifos of phenomenal structure and he cuts on the Sutta or sermon that mimicked him at the time of the lunation, doing sabotage of redemption of the anti-verse from the court of Sophocles, as a myth-saboteur and anti-value, overvaluing the wiles of the same utilitarian tragedy, conquering in the curtain of mourning and sadness, unguarded and overcome by the stoic duel of jubilation. From here Vernarth, opens the gates of hell, eight hundred times going mad with omega value, by reiterating omeganymy, creates the numbering of the anti-verse and the suffering that does not even sleep further from the departure of a soul and a body only asleep of concave omega, overlapping in golden transfinite chests, which reorder the natural numerals with the ordinal transfinite omega, but on frictionless wheels of other omegas that break in recirculation rules on alpha, in supra omega levels such as parades, stamens, episodes, and Vernarth-omega paradigmatic exodus.

Omega I Prologue: "Once upon a time, amidst a rain of clouds full of drama, in a time that was oriented regime of the armpit of Betelgeuse and Aurion, 334 BC, it was the penultimate breeze of Tsambika, in the spiritual devotion that hovered over the unison voice in the magnanimous Zeusian chorus, as an alternate event of imprisoning past and next in an episode of the present act. The expectant was curious about the retouched makeup of the drama's superlative consonant, in a disembodied place, but with a good narrative source when it came to fruition. Here the myth is plausible, among everything mythical, more than all the super sums of expectations of the Ismo "

Parod I: "For the submissive words on the stage of the trident fire, where I have to warm my hands with ashes of eternal fire"
(Directing the scenes through the coripheum, there is the master lord who, in flames and by unequal numbers, pawned in the Aulos and piccolos, whose bare feet bordered the risk of the bellies of the Maenad damsels united in processions, between princes, powers and Dionysian dances holding on to the Pufios; in Baquian and ceremonial liturgy near Vernarth, taking a glass every seven minutes in animosity, in cages of his stuck little finger, whistling from organic pimping, next to dancers raising an arm and directing the palm towards the heaven, while the other remained down with the palm towards the earth; in this position, since he was like Vernarth buried by the tides of Patmos wandering him in times that marked the entrance from Mars to Jupiter, and from autumn to winter in fifteen times agreed with Sophocles, hanging from the penultimate to the entrance with his trembling voice desalted..., tolerating himself in his own tragedy)

This is I: "Through the right hemi-body, Vernarth intoned his laterality exposed in harsh penumbras, while Hera brandished over his existentialism clouds of oatmeal and candies in a liturgy, a homily that personified the Stasis, in the choral intermission resisting his angry hands in tragic passion and frenzy, unleashing oratory of self-blame, unraveling drama-tragic, and in each pause the emotion that was accompanied in new episodes when it was stoked "

(Vernarth says: "submitted in parts that are not its parts, my pain has blinded me, where it has embittered the conflict of ethical interest if the stars as a public cheer are anointed, sentencing the opposition of other lesser stars who cheer what that does not shine. The principle of the voice violates the normal parenthesis, which is governed by itself in the omega voice, mocking the modal in four magistrates, in martyrdoms of an ideal of the procession, each one being with his super-private toga, before me It must not be who recognizes if I will be who I am, on the seventh judgment of my surviving ethics)

Episode I: "Vernarth extrapolates the values of his judgment, which override the first, the coryphaeus directs his promenade from the countryside on his Horse Alikantus"

(Vernarth says: "I have instantiated the steps that my chestnut crossed with you in the future if I am to sing with a sorrowful voice, no choir will be able to follow me when you are gone. However, I have to define what personifies who, more than a thousand miles away, carries with him the lamp that opens the light of your roguish contemplation... "
Alikantus wailing says: "From the luster of your heartbeat, I obfuscated the jailer from your ribs, for the preference of the one who takes you even further in tempestuous pro-hedonistic prose "

Exodus I: "Sometimes the endings smell like fields of lavender, where the call of the almighty is heard, to take him over his loaded plantations, which are emerging from the dialogues in the afternoon with its twilight, as well as stanzas that smell of lavender anointing, separated in syllables and tonic that flex my charm, not to say that I was anointed with Lavender when I was prepubescent "

(In fifteen times, in syllables and rakes, the sentences of its paragraphs are sterilized, leaving the audience speechless, without a gesture or word that emanates from a sacred paradise, rather from the Stasis that never purged the omission of the syllable that is not of proscenium nor trident, but it is umlauts on Omega, between syllables of fire that burn from its proscenium)

With few and precise changes of consciousness, Vernarth approaches his Omega Point, as the end of his self is identical to his consciousness. He was leaving Tsambika and Kímolos, diligent towards Theoskepatis, warning Etréstles for defiance goods in the aftermath of the Eschaton. His spiritual cerebellum faded identically when he wandered through the distances of the entities that competed and are prominent, transforming his Hetairoi reliquary, here his tendentious impulse begins and dehumanizes him by becoming a Celestial entity, but with Noosphere endowment. The tendencies are established hyper-connected, with him Tsambika, Theoskepatis, and Patmos were triangulated for consummations and finality from the rudiment of Universal deity, reprogramming the end of restricted humanity to a mere boundary of dogmatic morality declared existential.

Within the Omega points, his unfolding acted as a disembodied statue and redemption of similarity and humanity, leading him to a self-conspiracy, by abandoning himself to his own equal, for the duration of the final sulfurous sublimation of the Cinnabar's margin of abstraction, after joining in all the quantum, physical and biological lines, making the Duoverse an inter chamber of the prior Master in a process of change, to sensitize his image of physical-chemical Man, but of God in his rigid powers. Cataloged as hommo sapiens who expresses himself in fallen beings under the arms of his sword in a limpid target, rather than in his own pointed tongue, and steely towards the point of unification in the hyper-dimensional of good achieve spatiality and volume, only contacted by his devoid of a Xifos hand. Consciousness rarely loomed in its compendium in nth bytes and data, much more than those recirculated in astrobiological quantum, creating blind exclusive and patrimonial universes, on the basis of nth bytes, which kept reorganizing itself in the personality of the unknown, fewer than four bridges of consciousness united in their own gregarious universe. The transcendence of the basic data of consciousness will lie in the Maenads, and their deliberate acre magic, extending through the limbs of the Nymphs, to re-possess it and take them to the confines of mystical paranoia, perhaps towards the embodied Vestal Virgins, purging their paths that they notice a variant of licentious departure in the stanzas when seeking final swings, which are not for the sake of shedding everything before the Universe rescinds its intellectual limitations, contracted in an orgiastic Imaginary Universe, and the precariousness of the concept transporting us to the origins of the species and its behavioral rapture of loss of sensation, and reason, for this reason, Vernarth takes them with him for his ******* and alienated perceiving of inherent reality and its opposite sunset. The ministry of the sacramental mystery is the consciousness of the Dionysian being in gestation, wanting to be the paroxysm of its equivalent, in an eternal Omega effect, for the purposes of omeganymy of conscious chaos, being the same portion of omega ad limit of its secondary reluctant personality of being, to found the hermit solitude on his revived empty ego, residing in his being by bilocating with two idiosyncrasies for a Venarthian Thiasoi, succumbing to weightlessness over all the Maenads and the intoxication of community in its opacity,

The madness was a transcript of reasons lost by the Vernarthian Omeganymy, sometimes the disproportionate of his steps by more than what should be generated was objected to in the circles of the Tsambika monastery. The unification of blood was confused by the viscous wine of the mysterious foliage of the Diospyros tree that led them through the enigmatic unaware, in primary practices that tore apart some somatized ones of the order of a third body, which still transmitted the last organic matter, refusing to spread at the omeganimic points. The consciousness of replicated beings of themselves challenged themselves towards the perfect copy of their transcendent alter ego, in an understanding of the present-future elucidating for whom or those who demystify the visions of an arbitrary creation, allied to the evolutionary myth-truth, in the face of any real and human maturity gap, the conclave of the near pious Christ, bequeathed in us and in the venerated hominization, at his sole and directional will. Now we are all in the aqueducts of Christian Science, for specimens of eternal categorization and frontally in view of a God-Mashiach, as ordinal inclusion and in greater ecumenical diversity, with variables of independence range, for staggering motor skills, retaining the attention of all the powers of the Christian world at an Omega point that seemed to be Alpha. The sense of the Duoverse in Vernarth Omega makes us rethink the central phenomenon of thought and frustrations, by the socialization of distant species from prudent dogmatic ostracism, towards refractory empathic and ultra-rational reasoning.

The supra intelligence has to become in them and those, the pre-existing point of duality, to reunify them in Patmos, as the only spirited meaning, and biomass evolving on the super-dimensioned materiality, in a greater radius where it will have to be delivered to whoever speaks with words. of living energy, and not complex towards all processes of emancipatory concord of personal authorship, on levels of relative lust in the absolution of medium integrity, and towards an elemental unitary totality of animal instinct guarded by the instinct of Being, that from its similar awakened rebirth of the sleeping mass matter, and in the animal purifying multiplicity. The man stands in his memorandum bend, like a haughty memorial, evolving in the cosmic expiration of the molecular transverse, admitting us in its vestige of complex extinction, but not in human slip, nor in acid and self-instituting scenery, on the real creation of its DNA, which reverts from the formality of helical reiterative rings, by heights of whoever oscillates in their coupled pairings, and their silent probable associations, in the nature of real origin and their structural perfection. The acceptability scenarios derive from the feasible concretion, and the approval of their tendencies and mobilizations of the structure of life, and codes greater than those that limit them to reside, to more than one body, residing from an incorporeal body, capable of its quantitative life and the extension of existence, super existing in the heights of the helical rings, which may vary more than they are, and which could be, without being seen under a scientific gaze. "Becoming a mechanics of maturation and prayer, which the energy from the material world to the spiritual, as a moving particle of inert matter in parasitized free radicals, which are re-energized by the mystery of the helical trans-threshold of the Aramaic mystery of the Olives Bern. "Vernarth disintegrates in omeganymy in laxity towards Aurion, descending pro-tenebrosity towards the profanity of Patmos, engulfed by Love in a dark summer, brushing the silos of DNA in the will of the automated world"
DUOVERSE
KnudsonK Oct 2013
Im so Alone..     ..... .on my own .
Im bent....Iam spent..... darkness my only friend.
Another secret we will share.
Inot sure when and I dont know where.
But I dont care. Im glad Im there.
It    Whispers  Images that come in waves...
Each appearing  in it own unique way.
In a  vibrant white and yellow glow..
A silhouette of a man...   I do not know.
The outline of a  very high bridge....
That spans across a narrow ridge.
Letters, numbers a bass guitar....
A lined highway road that  goes straight ,very far.

Each image manifests,and dissipates...
into the pitch black, empty space.
Illuminated in electric light.
Shifting shape before my eyes.
They see all ,theyre opened wide.
What happened to gravity.?Why do they glide?


What I thought was a loud buzzing hum...
Accompanied  by the pound of a  drum.
Is  the silence that  echos in  my head.
 It courses my   veins...Like the blood I have bled.
Only it  holds me here instead,as if im incased  in a ton of lead
To  my bed and pillow held under this weight.
 Only I could be fragile glass about to break
Until  I reminded myself that what I feel is fake.
Then my mind is pulled to a quiet hush. 
Where my  head sinks down in  inviting plush

Suddenly I feel as if  I'm floating  in time.....   
Forward yet I'm moving into mine.
Theses images -that  continue to fade in....  
Then changing as it fades right back out again.
 While others make there way with a pop
That flashes  down low and shifts up to the top....
And lingers for a moment til its shape forms  another to take its place.
 What omce  vague I come to realize that what actually fades in and out is  I.
In and out but forward into myself .I wonder how thought  it was anything else.
 Am I in flight or am I floating ...into the images I go through.?
Should I question if what I see if false or true?
I won't look down for fear the view.
It might will let me drop and'.I dont know if I want to start.

As I go forward   into my self I move  on- In this current  Im carried it pulls me  along .
Through a timeless space of nowhere.
Every thing is as meaningful  as it  is pointless  there.
 I m drifting.... I drift in a slow steady pace. 
Not just watching .....but Ive become part of the space 
Not only within.... but all over the place.

Interacting with each scene - that I see - as I glide.
Looking from inside .....but also within.
When what I watch ends....another begins.

As if it is the most normal thing in my whole life
What seems strangely familiar, Is too vague to realize.
While It escapes all  logic  Its so incredibly wise.
I even ask myself not to believe my eyes.
But Im true to myself I tell no lies.?..Not this time....
Not  to me myself and I.
I f  there were times , surely, this is not one.
  I see myself  doing things I've done
 And doing these things.... things I'd never do.
Yet Im continueing to do them all the way through.
And Im feeling the same emotions I see me haveing too.
They come and go as quickly as what surrounds me.
Whatevers around me..
. Laughter, surprise,embarrassment they go on and on.... 
Anger, contentment.....but  I feel mostly mostly calm.
  In a hum of  energy that  sometimes snaps and sparks.
But It continues in motion even when I dont want it.
 In a current pulled away  but within it ....Im on it.

In a flash I stop. It lets me drop...
With that halt - I m in a fall .
Gravity ****** me heavily away.
It pulls my body and stretches my face.....
It tosses my tummy like a carnival ride.
And me, with this awful fear of heights...
Thats when I remember- I know how to fly.
I dont end in a crash....I soar to  the skies....
Im an expert at this I barely have to try.

I feel so safe, so free from harm.Oh great ,Whats the noise coming out of my arm?
I this sound ,'What is it ?
Why...thats my alarm!!!
                       Eyes open wide.What a ride!
MEDITATION Astro glide.
    
                                      

                        ­          -
un sauce de cristal, un chopo de agua,
un alto surtidor que el viento arquea,
un árbol bien plantado mas danzante,
un caminar de río que se curva,
avanza, retrocede, da un rodeo
y llega siempre:
                          un caminar tranquilo
de estrella o primavera sin premura,
agua que con los párpados cerrados
mana toda la noche profecías,
unánime presencia en oleaje,
ola tras ola hasta cubrirlo todo,
verde soberanía sin ocaso
como el deslumbramiento de las alas
cuando se abren en mitad del cielo,

un caminar entre las espesuras
de los días futuros y el aciago
fulgor de la desdicha como un ave
petrificando el bosque con su canto
y las felicidades inminentes
entre las ramas que se desvanecen,
horas de luz que pican ya los pájaros,
presagios que se escapan de la mano,

una presencia como un canto súbito,
como el viento cantando en el incendio,
una mirada que sostiene en vilo
al mundo con sus mares y sus montes,
cuerpo de luz filtrada por un ágata,
piernas de luz, vientre de luz, bahías,
roca solar, cuerpo color de nube,
color de día rápido que salta,
la hora centellea y tiene cuerpo,
el mundo ya es visible por tu cuerpo,
es transparente por tu transparencia,

voy entre galerías de sonidos,
fluyo entre las presencias resonantes,
voy por las transparencias como un ciego,
un reflejo me borra, nazco en otro,
oh bosque de pilares encantados,
bajo los arcos de la luz penetro
los corredores de un otoño diáfano,

voy por tu cuerpo como por el mundo,
tu vientre es una plaza soleada,
tus pechos dos iglesias donde oficia
la sangre sus misterios paralelos,
mis miradas te cubren como yedra,
eres una ciudad que el mar asedia,
una muralla que la luz divide
en dos mitades de color durazno,
un paraje de sal, rocas y pájaros
bajo la ley del mediodía absorto,

vestida del color de mis deseos
como mi pensamiento vas desnuda,
voy por tus ojos como por el agua,
los tigres beben sueño en esos ojos,
el colibrí se quema en esas llamas,
voy por tu frente como por la luna,
como la nube por tu pensamiento,
voy por tu vientre como por tus sueños,

tu falda de maíz ondula y canta,
tu falda de cristal, tu falda de agua,
tus labios, tus cabellos, tus miradas,
toda la noche llueves, todo el día
abres mi pecho con tus dedos de agua,
cierras mis ojos con tu boca de agua,
sobre mis huesos llueves, en mi pecho
hunde raíces de agua un árbol líquido,

voy por tu talle como por un río,
voy por tu cuerpo como por un bosque,
como por un sendero en la montaña
que en un abismo brusco se termina,
voy por tus pensamientos afilados
y a la salida de tu blanca frente
mi sombra despeñada se destroza,
recojo mis fragmentos uno a uno
y prosigo sin cuerpo, busco a tientas,

corredores sin fin de la memoria,
puertas abiertas a un salón vacío
donde se pudren todos los veranos,
las joyas de la sed arden al fondo,
rostro desvanecido al recordarlo,
mano que se deshace si la toco,
cabelleras de arañas en tumulto
sobre sonrisas de hace muchos años,

a la salida de mi frente busco,
busco sin encontrar, busco un instante,
un rostro de relámpago y tormenta
corriendo entre los árboles nocturnos,
rostro de lluvia en un jardín a oscuras,
agua tenaz que fluye a mi costado,
busco sin encontrar, escribo a solas,
no hay nadie, cae el día, cae el año,
caigo con el instante, caigo a fondo,
invisible camino sobre espejos
que repiten mi imagen destrozada,
piso días, instantes caminados,
piso los pensamientos de mi sombra.
piso mi sombra en busca de un instante,

busco una fecha viva como un pájaro,
busco el sol de las cinco de la tarde
templado por los muros de tezontle:
la hora maduraba sus racimos
y al abrirse salían las muchachas
de su entraña rosada y se esparcían
por los patios de piedra del colegio,
alta como el otoño caminaba
envuelta por la luz bajo la arcada
y el espacio al ceñirla la vestía
de una piel más dorada y transparente,

tigre color de luz, pardo venado
por los alrededores de la noche,
entrevista muchacha reclinada
en los balcones verdes de la lluvia,
adolescente rostro innumerable,
he olvidado tu nombre, Melusina,
Laura, Isabel, Perséfona, María,
tienes todos los rostros y ninguno,
eres todas las horas y ninguna,
te pareces al árbol y a la nube,
eres todos los pájaros y un astro,
te pareces al filo de la espada
y a la copa de sangre del verdugo,
yedra que avanza, envuelve y desarraiga
al alma y la divide de sí misma,

escritura del fuego sobre el jade,
grieta en la roca, reina de serpientes,
columna de vapor, fuente en la peña,
circo lunar, peñasco de las águilas,
grano de anís, espina diminuta
y mortal que da penas inmortales,
pastora de los valles submarinos
y guardiana del valle de los muertos,
liana que cuelga del cantil del vértigo,
enredadera, planta venenosa,
flor de resurrección, uva de vida,
señora de la flauta y del relámpago,
terraza del jazmín, sal en la herida,
ramo de rosas para el fusilado,
nieve en agosto, luna del patíbulo,
escritura del mar sobre el basalto,
escritura del viento en el desierto,
testamento del sol, granada, espiga,

rostro de llamas, rostro devorado,
adolescente rostro perseguido
años fantasmas, días circulares
que dan al mismo patio, al mismo muro,
arde el instante y son un solo rostro
los sucesivos rostros de la llama,
todos los nombres son un solo nombre,
todos los rostros son un solo rostro,
todos los siglos son un solo instante
y por todos los siglos de los siglos
cierra el paso al futuro un par de ojos,

no hay nada frente a mí, sólo un instante
rescatado esta noche, contra un sueño
de ayuntadas imágenes soñado,
duramente esculpido contra el sueño,
arrancado a la nada de esta noche,
a pulso levantado letra a letra,
mientras afuera el tiempo se desboca
y golpea las puertas de mi alma
el mundo con su horario carnicero,

sólo un instante mientras las ciudades,
los nombres, los sabores, lo vivido,
se desmoronan en mi frente ciega,
mientras la pesadumbre de la noche
mi pensamiento humilla y mi esqueleto,
y mi sangre camina más despacio
y mis dientes se aflojan y mis ojos
se nublan y los días y los años
sus horrores vacíos acumulan,

mientras el tiempo cierra su abanico
y no hay nada detrás de sus imágenes
el instante se abisma y sobrenada
rodeado de muerte, amenazado
por la noche y su lúgubre bostezo,
amenazado por la algarabía
de la muerte vivaz y enmascarada
el instante se abisma y penetra,
como un puño se cierra, como un fruto
que madura hacia dentro, echa raíces,
crece dentro de mí, me ocupa todo,
me expulsa el follaje delirante,
mis pensamientos sólo son sus pájaros
su mercurio circula por mis venas,
árbol mental, frutos sabor de tiempo,

oh vida por vivir y ya vivida,
tiempo que vuelve en una marejada
y se retira sin volver el rostro,
lo que pasó no fue pero está siendo
y silenciosamente desemboca
en otro instante que se desvanece:

frente a la tarde de salitre y piedra
armada de navajas invisibles
una roja escritura indescifrable
escribes en mi piel y esas heridas
como un traje de llamas me recubren,
ardo sin consumirme, busco el agua
y en tus ojos no hay agua, son de piedra,
y tus pechos, tu vientre, tus caderas
son de piedra, tu boca sabe a polvo,
tu boca sabe a tiempo emponzoñado,
tu cuerpo sabe a pozo sin salida,
pasadizo de espejos que repiten
los ojos del sediento, pasadizo
que vuelve siempre al punto de partida,
y tú me llevas ciego de la mano
por esas galerías obstinadas
hacia el centro del círculo y te yergues
como un fulgor que se congela en hacha,
como luz que desuella, fascinante
como el cadalso para el condenado,
flexible como el látigo y esbelta
como un arma gemela de la luna,
y tus palabras afiladas cavan
mi pecho y me despueblan y vacían,
uno a uno me arrancas los recuerdos,
he olvidado mi nombre, mis amigos
gruñen entre los cerdos o se pudren
comidos por el sol en un barranco,

no hay nada en mí sino una larga herida,
una oquedad que ya nadie recorre,
presente sin ventanas, pensamiento
que vuelve, se repite, se refleja
y se pierde en su misma transparencia,
conciencia traspasada por un ojo
que se mira mirarse hasta anegarse
de claridad:
                  yo vi tu atroz escama,
melusina, brillar verdosa al alba,
dormías enroscada entre las sábanas
y al despertar gritaste como un pájaro
y caíste sin fin, quebrada y blanca,
nada quedó de ti sino tu grito,
y la cabo de los siglos me descubro
con tos y mala vista, barajando
viejas fotos:
                    no hay nadie, no eres nadie,
un montón de ceniza y una escoba,
un cuchillo mellado y un plumero,
un pellejo colgado de unos huesos,
un racimo ya seco, un hoyo *****
y en el fondo del hoy los dos ojos
de una niña ahogada hace mil años,

miradas enterradas en un pozo,
miradas que nos ven desde el principio,
mirada niña de la madre vieja
que ve en el hijo grande su padre joven,
mirada madre de la niña sola
que ve en el padre grande un hijo niño,
miradas que nos miran desde el fondo
de la vida y son trampas de la muerte
-¿o es al revés: caer en esos ojos
es volver a la vida verdadera?,

¡caer, volver, soñarme y que me sueñen
otros ojos futuros, otra vida,
otras nubes, morirme de otra muerte!
-esta noche me basta, y este instante
que no acaba de abrirse y revelarme
dónde estuve, quién fui, cómo te llamas,
cómo me llamo yo:
                              ¿hacía planes
para el verano -y todos los veranos-
en Christopher Street, hace diez años,
con Filis que tenía dos hoyuelos
donde veían luz los gorriones?,
¿por la Reforma Carmen me decía
"no pesa el aire, aquí siempre es octubre",
o se lo dijo a otro que he perdido
o yo lo invento y nadie me lo ha dicho?,
¿caminé por la noche de Oaxaca,
inmensa y verdinegra como un árbol,
hablando solo como el viento loco
y al llegar a mi cuarto -siempre un cuarto-
no me reconocieron los espejos?,
¿desde el hotel Vernet vimos al alba
bailar con los castaños - "ya es muy tarde"
decías al peinarte y yo veía
manchas en la pared, sin decir nada?,
¿subimos juntos a la torre, vimos
caer la tarde desde el arrecife?,
¿comimos uvas en Bidart?, ¿compramos
gardenias en Perote?,
                                  nombres, sitios,
calles y calles, rostros, plazas, calles,
estaciones, un parque, cuartos solos,
manchas en la pared, alguien se peina,
alguien canta a mi lado, alguien se viste,
cuartos, lugares, calles, nombres, cuartos,

Madrid, 1937,
en la Plaza del Ángel las mujeres
cosían y cantaban con sus hijos,
después sonó la alarma y hubo gritos,
casas arrodilladas en el polvo,
torres hendidas, frentes escupidas
y el huracán de los motores, fijo:
los dos se desnudaron y se amaron
por defender nuestra porción eterna,
nuestra ración de tiempo y paraíso,
tocar nuestra raíz y recobrarnos,
recobrar nuestra herencia arrebatada
por ladrones de vida hace mil siglos,
los dos se desnudaron y besaron
porque las desnudeces enlazadas
saltan el tiempo y son invulnerables,
nada las toca, vuelven al principio,
no hay tú ni yo, mañana, ayer ni nombres,
verdad de dos en sólo un cuerpo y alma,
oh ser total...
                      cuartos a la deriva
entre ciudades que se van a pique,
cuartos y calles, nombres como heridas,
el cuarto con ventanas a otros cuartos
con el mismo papel descolorido
donde un hombre en camisa lee el periódico
o plancha una mujer; el cuarto claro
que visitan las ramas del durazno;
el otro cuarto: afuera siempre llueve
y hay un patio y tres niños oxidados;
cuartos que son navíos que se mecen
en un golfo de luz; o submarinos:
el silencio se esparce en olas verdes,
todo lo que tocamos fosforece;
mausoleos del lujo, ya roídos
los retratos, raídos los tapetes;
trampas, celdas, cavernas encantadas,
pajareras y cuartos numerados,
todos se transfiguran, todos vuelan,
cada moldura es nube, cada puerta
da al mar, al campo, al aire, cada mesa
es un festín; cerrados como conchas
el tiempo inútilmente los asedia,
no hay tiempo ya, ni muro: ¡espacio, espacio,
abre la mano, coge esta riqueza,
corta los frutos, come de la vida,
tiéndete al pie del árbol, bebe el agua!,

todo se transfigura y es sagrado,
es el centro del mundo cada cuarto,
es la primera noche, el primer día,
el mundo nace cuando dos se besan,
gota de luz de entrañas transparentes
el cuarto como un fruto se entreabre
o estalla como un astro taciturno
y las leyes comidas de ratones,
las rejas de papel, las alambradas,
los timbres y las púas y los pinchos,
el sermón monocorde de las armas,
el escorpión meloso y con bonete,
el tigre con chistera, presidente
del Club Vegetariano y la Cruz Roja,
el burro pedagogo, el cocodrilo
metido a redentor, padre de pueblos,
el Jefe, el tiburón, el arquitecto
del porvenir, el cerdo uniformado,
el hijo predilecto de la Iglesia
que se lava la negra dentadura
con el agua bendita y toma clases
de inglés y democracia, las paredes
invisible, las máscaras podridas
que dividen al hombre de los hombres,
al hombre de sí mismo,
                                      se derrumban
por un instante inmenso y vislumbramos
nuestra unidad perdida, el desamparo
que es ser hombres, la gloria que es ser hombres
y compartir el pan, el sol, la muerte,
el olvidado asombro de estar vivos;

amar es combatir, si dos se besan
el mundo cambia, encarnan los deseos,
el pensamiento encarna, brotan alas
en las espaldas del esclavo, el mundo
es real y tangible, el vino es vino,
el pan vuelve a saber, el agua es agua,
amar es combatir, es abrir puertas,
dejar de ser fantasma con un número
a perpetua cadena condenado
por un amo sin rostro;
                                    el mundo cambia
si dos se miran y se reconocen,
amar es desnudarse de los nombres:
"déjame ser tu puta", son palabras
de Eloísa, mas él cedió a las leyes,
la tomó por esposa y como premio
lo castraron después;
                                    mejor el crimen,
los amantes suicidas, el incesto
de los hermanos como dos espejos
enamorados de su semejanza,
mejor comer el pan envenenado,
el adulterio en lechos de ceniza,
los amores feroces, el delirio,
su yedra ponzoñosa, el sodomita
que lleva por clavel en la solapa
un gargajo, mejor ser lapidado
en las plazas que dar vuelta a la noria
que exprime la sustancia de la vida,
cambia la eternidad en horas huecas,
los minutos en cárceles, el tiempo
en monedas de cobre y mierda abstracta;

mejor la castidad, flor invisible
que se mece en los tallos del silencio,
el difícil diamante de los santos
que filtra los deseos, sacia al tiempo,
nupcias de la quietud y el movimiento,
canta la soledad en su corola,
pétalo de cristal es cada hora,
el mundo se despoja de sus máscaras
y en su centro, vibrante transparencia,
lo que llamamos Dios, el ser sin nombre,
se contempla en la nada, el ser sin rostro
emerge de sí mismo, sol de soles,
plenitud de presencias y de nombres;

sigo mi desvarío, cuartos, calles,
camino a tientas por los corredores
del tiempo y subo y bajo sus peldaños
y sus paredes palpo y no me muevo,
vuelvo adonde empecé, busco tu rostro,
camino por las calles de mí mismo
bajo un sol sin edad, y tú a mi lado
caminas como un árbol, como un río,
creces como una espiga entre mis manos,
lates como una ardilla entre mis manos,
vuelas como mil pájaros, tu risa
me ha cubierto de espumas, tu cabeza
es un astro pequeño entre mis manos,
el mundo reverdece si sonríes
comiendo una naranja,
                                    el mundo cambia
si dos, vertiginosos y enlazados,
caen sobre la yerba: el cielo baja,
los árboles ascienden, el espacio
sólo es luz y silencio, sólo espacio
abierto para el águila del ojo,
pasa la blanca tribu de las nubes,
rompe amarras el cuerpo, zarpa el alma,
perdemos nuestros nombres y flotamos
a la deriva entre el azul y el verde,
tiempo total donde no pasa nada
sino su propio transcurrir dichoso,

no pasa nada, callas, parpadeas
(silencio: cruzó un ángel este instante
grande como la vida de cien soles),
¿no pasa nada, sólo un parpadeo?
-y el festín, el destierro, el primer crimen,
la quijada del asno, el ruido opaco
y la mirada incrédula del muerto
al caer en el llano ceniciento,
Agamenón y su mugido inmenso
y el repetido grito de Casandra
más fuerte que los gritos de las olas,
Sócrates en cadenas (el sol nace,
morir es despertar: "Critón, un gallo
a Esculapio, ya sano de la vida"),
el chacal que diserta entre las ruinas
de Nínive, la sombra que vio Bruto
antes de la batalla, Moctezuma
en el lecho de espinas de su insomnio,
el viaje en la carreta hacia la muerte
-el viaje interminable mas contado
por Robespierre minuto tras minuto,
la mandíbula rota entre las manos-,
Churruca en su barrica como un trono
es
Kuzhur Wilson Sep 2013
My poetry, which knew it was
the cry of a lonely bird
on a solitary tree
in my village,
asked Spring its name.

Spring began to speak –

The fruit laden Vayyankatha, her thorny pangs, hijab-wearing  Guf, her minarets, Thondi  blushing red with kisses,  her moist lips, orphaned Adalodakam, Nellippuli in a polka dotted dress, Pulivakawaiting for the breeze, Anjili   head towards the south, yawning Cherupuuna, Pera with the names of grandmas scribbled on her leaves, Ilantha blowing into the hearth, Ilapongu rubbing his eyes, Irippa, Atha laughing noisily,Cholavenga in tattered clothes, Irumbakam, Padappa catching his breath after running, Pattipunna wagging his tail, bare footed Pattuthali, Thekku the noblest among them, Thekkotta, Neervalam  recollecting her last birth, Neeraal, sobbing Neelakkadambu, Pathimukam, lazy thanal murikku, Karimaruthu, Karinkura, Asttumayil, Velladevaram, Kattukadukka, the gluttonous Badam, amnesiac Vazhanna, boredVarachi, Nangmaila, Eucalyptuswith a sprained back, viscous red Rakthachandanam, saffron robed Rudraksham, Vakka, Vanchi,  Parangimaavu nostalgic of his ancestral home, Vari, Nedunaar, Marotti with a hundred offsprings, Malangara, Malampunna ,Nenmeni Vaka trying his luck in a lottery, Nelli with a sour smile.

Kadaplaavu doing sketches with leaves, Kari straying from the queue, Kattuthuvara buying things on credit, Kattutheyila boiling over, Kattupunna with a pus-oozing sore, Kumkumam putting a bindi on her forehead, starving Ventheku, Vellakadambu making a missed call, Kattadi standing aloof, her feeble hands,  flowering Ilanji, her fragrant trunk, sighing Aalmaram, Pachavattil, Pachilamaram  gossiping with the chameleon, Panachi,Pamparakumbil, Kadambu memories adorning her head, Kudamaram carrying provisions for the home,  Punnappa,Poongu, gray hairedChuruli, Chuvannakil  singing a folk song, dark skinned Vattil, Kulaku, Karinjaaval, sozzled Pamparam, Chorappayir, njama, Njaaval  tempting the birds, Njaara, Alasippooscratching his palm, Ashokam  humming a sad song.

Ezhilampala chewing on a masala paan, Peenaari wearing a tie, Peelivaka, Pulichakka with a broken leg, Pezhu demanding his wages, Kumbil, Kurangaadi, Kasukka with a dislocated elbow,Valiyakaara, Vallabham, Chavandi, stunning Chinnakil , Chittal with a failed brake, Vidana, Sheemappanji, the loan shark Odukku, Oda  on musth,fatherless Kadakonna, childlessShimshapa, Sindooram with a flushed face, Karinthakara singing the thannaaro, Vellappayir high on grass, Poothilanji showing off her blossoms, sour faced Kudampuli.

Wet in the rain Kulamaavu, Kudamaavu circling around himself, Pari from the netherworld,Poopathiri in a priest’s robe,  Poochakadambu on all fours, Kulappunna covered in a blanket, Kundalappala checking his astro forecast, Pachotti, ******* Perumaram, Perumbal  thinking of the sea, phlegm clogged Anathondi, Anakkotti, Cheruthuvara, Ilavangam, Thanni,naughty Thirukkalli,  Karappongu, embracing Kattadi, Thudali, Thelli, Kara, Malayathi,Malavirinji, shameless Kashumaavu,mud slinging Karuka, Vedinal, suicide prone Attumaruthu,Attuvanchi  who glides on the stream like a fallen shadow.

Mandaram  dressed in white, Vanna, brazen Mahagani, Karivelam doing the accounts,Jakarantha, Koombala, friendless Koovalam, Kattukamuku with his hands around friends, Kolli, Paruva,Krishnanaal with a crooked smile, Cocoa with no one to turn to, Cork,Palakapayyani, Pavizhamalli wearing necklace and bangles, a lonely Mazhamaram, Mangium, Mathalam exposing her *******, Chemmaram, Pashakottamaram, Malavembu, tearful Chamatha, Vatta, Vattakoombitired of running around, smoking Pine, Porippovanam, Kaaluvnthatherakam, Thembaavu, grinningDantaputri, Narivenga, Navathi, grumbling Mazhukkanjiram,Arayanjili,  Arayal playing a game with the wind.

Choola kissing the sizzling wind, Arinelli, Maavu reciting sadly the poem Mampazham,  Chandana vembu, Peraal stretching its back, Pulivaaka, Unnam, Naythanbakam,Karpooram in a slow glow, Naaykumbil, trumpeting Pongu, outcast Pottavaaka, bursting Poriyal, vagabond Ponthavaaka, Plaavu lost in some thought, Pootham  head covered , Ethappana  greening while yellowing, Manjadi, Mullanvenga, Mullilam lifting his dhoti to expose his genitals, Mullilavu hopping around, Moongappezhu, Neermaruthu saying enough is enough, withered Neermathalam ,Moottikkay, Ithi, Ithiyaal, Vella velam, Kalppayir, Kallar, Majakkadambu singing a lullaby, Choondappana wary of fish bones.

Stooping Punna, Matti scared of her big brother, Paarijaatham watching the midnight movie, Paalakal, Paali,Paarakam doing cartwheels, Viri, Athi showing off  her seeds,Ampazhammassaging his chest, Ayani inlove with her son, Manjakkonna, Manjamandaram in search of something, Chullithi with eyes closed, Kallilavu like an oozing rock, Malamandaram eyeing the vultures,Velleetti cursing the thunder, Venga,Veppu, Vraali, Akil, sighing Acacia,Balsa, Blanka, Beedimaram with a rattling cough,  Agasthi, Cherukonna with a sheepish smile, Kambali, woundedNagamaram.

Pathiri, touching his forehead to the ground, his eyes heavenward, Ankolam ruined by debts,Kattumarotti, Kundalappala, Aattumaruthu,Poovam, Erumanaakku, Karingotta, Vediplaavu his salary still unpaid, Venmurikku, Manjanaathi, Manimaruthu jolted awake, Mathagirivembu, Karaanjili  escorting his daughter, Karakongu,Karappongu, Ilippa on her way back, Ooravu half-awake after a dream and with a sucker smile, Ennappana about to immolate himself, fattened  Ennappine,Azhantha waiting for someone, Chorapatri with a cracked head,Sheemappoola,Poovankara, Malampuli, Puli with sharpened stakes.

Obese Theettipplaavu,Malambongu, Chorimathimurikku, Irippa bailing out his friend, Irumbakamwho lost his job, Kunkumappoo, Karinthaali, Scoot, Rose Kadambu, Aamathali, Aarampuli,Attilippucaught in the crowd, Irul  blessed by the elders, Vellavatti, whistling Mula, Kattukonna in a hat, Kaniiram learning the alphabets, broker Cheru,Kattuchembakam exposing his arm pit,Thandidiyan, Neeroli, Ezhachembakam waiting for her bus, Karimbana in a newly constructed house, Karivenga,Karivali writing a poem, Ungu in a baby frock, Udi, Plasha, Elamaruthupromising to meet later, Chembakam dying to hug.

Vellakil who bathes the kids, Vellavaaka who forgot his umbrella, Attuthekku who failed the exam, lustful Aattunochi,Malanthudali with her legs spread, Malanthengu with chest ****** up,Malamanchadi who is learning to count, Malambarathi exposing her *******, intoxicated Aval, Arana reciting the poem Karuna, insane Alakku who dashes off to the temple, Cheru who cannot stop washing clothes, Kudappana ready to elope, irreligious Jaathi, Silver Oak laughing boisterously, Kattuveppu waiting for the kids, Sumami ******* on a toffee, annoyed Parappoola,frightened Pinar, Ithi stopping her ears at swear words, Ithiyal with lots of smiles, Kovidaram with music in his mind, Ilakkali showing her belly, blossoming Ilavu, Chadachi who ***** sadistically, cool fingered Chandanam.

dominating Charakkonna, office going Cheelanthi, Gulgulu glued to Kochu channel, Gulmohur with dyed hair, Irul with a fuming face, early rising Kanikonna, Kanala who has a sound sleep, Karingali  who pees standing, Kambakam with an ***** *****, Kallavi  beseeching to stuff her up, Karanjili  quivering in lust, calm Karaal, Kaari who hums while *******, Kaavalam who naps after the toil,Thannimaram showing off her petals, Thambakam kissing the ****, Thellipayar savouring a *****,Neerkurunda in post-****** languor, Malaya breastfeeding her kid, bullying Kathi, mad hat Eetti,Cheeni  not remembering his mom,  Kunnivaka showing his gums, Kuppamanja who laughs in sleep, Othalanga swallowing poison, blooming Poovarasu.

Spring went on,
reeling off names to me.
The rain the sun the wind and the cold
Rolled in one after the other.
Spring kept pulling out
names from its memory.

People got scared of
my poetry gone wild.
They stopped passing that way.

A snake goes slithering away.
A hare finds its own path and dashes away.
A poothankiri, from a bush, flies away.



(Trans from Malayalam by Ra Sh)
1.      Mampazham (Ripe Mango) is the title of a famouspoem by Vyloppilli.
2.      Karuna (Compassion) is the title of a long poemby Kumaran Asan.
3.      Poothankiri – A white headed babbler.
4.      Thanaaro - An obscene devotional song.
Sacrelicious Jun 2012
In every bad-day-dream,
you have ever had.

There was always
a giant
Silver Serpent.

Staring at you.
&
Just a slithery second
away from your ******.  

That little ghost-tail.
Apparition-creature-thing.
That everyone seems to talk about?

While he is.

Slithering in through
the cracks of your mind.
&
Out of your hollowed out
graveyard heart.

I say, Astro.
Don't chu know?
Ya can't trick him.
Cause he is many years dead,
before you.

You can visit, him.

You just need a
different air-plane
to travel in.

Think about it.....

You little astral-star,
you.

Need to listen, closely.
Serpent talk
is
simply shady-speech
for
slutty-scummy-snakes.
GaryFairy Jul 2018
we go higher than a plane
and further than a car
is it not good enough
to enjoy beauty from afar?

we are the aliens

(we are propelled to take chances
with trajectory toward illumination
lifting off into oblivion
to our new space station)

we build rocket ships
to keep us up to par
is it not good enough
to only wish upon a star?

we are the aliens
I remember, road trips in the astro,
Times were always great but the trips were never fast though
Such a hassle, wishing it'd be faster,
Looking like a box turtle, moved just as slow.
We'd leave almost every weekend in the summer,
I never thought any of the trips we took were ******,
In my mind were fun, they probably were funner,
Man, we loved that van, what I'd do for another.

Many great times, sand, beach and sun
Some taboo nights, lustful and fun
Thanks for the times, van,
****, what a run.
Louise Ruen May 2017
There will be astronauts who will take your space.
Wanting no more space between you
Enveloping you in a sheet of stars and warm spheres
With the promise of your love living forever like stars
because you’re the only thing prettier than the milkyway
His love for you is bigger than all the galaxies combined
He’ll say
To heat up that heart of yours, till it collides with his like shooting stars
Two universes become one

But stars don’t live forever
In love as deep as space you can’t avoid black holes
That will consume all your love, all your strength, happiness until there is no more
You
Or him
Or love
Just to spit you out into lower atmospheres
And hey, Andromeda is kind of pretty too
You are no longer good enough to go to space
Mainly because they made you so

Earth feels like hell once you’ve been to heaven,
Trust me I know
I have been deprived of my fuel too
....just realized this poem is about falling in love with a *******. Oh, well.
Sitting on the edge of Andromeda, in his planetary chamber Zefián; Duoverso computer, separated the parasitic interchamber of the Duoverso, which would be born from the Charioteer and that in its gigs would unleash the senses of structures and luminosity between this colossal interplanetary chambers. Being between points that venture through the axon of infinite time longitude for light years, which even so, will intervene from the Duoverso, for purposes of thermicity and other changes of the remnants, when especially the luminosity will speak of the destruction of the darkness inherent in the eyes of the universe, which can only stabilize areas that have not been fused in the discs of the Universe-Duoverse spatiality, long before the initial explosion between the Orion Constellation and Andromeda. The central axis of time between both astral components, is in the dissonant nebula that contracted in the dark portion of the Universe, making the field of Andromeda and Orion, the ring that was spectra towards the lower consciousness of Betelgeuse, expropriating the Hunter's boast, for that of Commander Hetairoi, for his right chest invading semi-coagulated blood and liquid homeostatic body-mind with miscellanea, versus matter and energy, between the central nuclear circulators and the tangent, which caused changes but of a galaxy pierced by Hetairoi glebes, satirizing brick outlets for retracting galaxies from existentiality, under the precept of Soldier and his solar mass, under the super homeostasis of his distance on an astronomical scale of 2.5 million light years. Within the chins and phylastics that covers the greater proportional between the milky Galaxy and the peripheral spiral that outlines Andromeda, breaking out the twisted phylasticism of the Duoverse, along with the Spiral that rolls over the Betelgeuse sobalcal, postponing to telescope regions and spell, to execute its nocturnal translation, like the Hypersdisis Galaxy that collects the bubbles from the belt of minor star conjunctions, making star mechanics for exalted infra-luminosity and sky disorders, generating other higher atmospheres in the heads of the phylastic that they detached themselves from the Andromeda cordon, the Milky Way and Orion. Globular clusters will make up the perfect delay of transfusing the blood and not another, which makes the Hyper character calling pectoral hyper-blood, which flows from this tri-astral polynomial, compromising the method of area, shape and refinement of the sagittal profile of Hyperdisis in the Duoverse in the reversible intergalactic plane. Going from lenticular to irregular over the bludgeon of the trapezoid, towards the right arm of Orion, where its radius becomes hypocentric sequentially, but taking advantage of interstellar matter, to generate its own light. Some explicit explosive arms of Andromeda were expelled from its center towards the right arm of Orion, in order to implode in the effect of the Club or Clava, as a sublime hemorrhage on other stars, which lost essential stellar mass, to differ from one another. They carried nuclear energy, like wifi waves, for each gaseous region that multiplied its Solar speed towards Hyperdisis, causing hyper channeling with Patmos and its impetrations, even being empty in the establishment of Hyperdisis as dogmatic matter, towards the Omega Man prototype in Orion and in Vernarth.


Radio-Patmos, or galactic energies of Andromedian origin, would arrive as devout prayers to the confine of Skalá, as astro-omegas and Invisible Universes, which inhabit the flaccidity of the Universe of Conscience from the contact of the pole, with the Xifos or Kopis, when Andromeda contacts the spur of the club or Clava, inciting the Astro-Omegas space capos, which would begin to take the front and front, after having been the atrium of invisible stars, only visible in the spurs of the swords, which were only moistened with the viscous blood draining from Orion towards Hellenic land, as an Omega age, for Vernarth that is done early when he carries the keys of the Omega world, towards the protogalaxies that overshadow, knowing that the Milky Way and Andromeda come so close in their matting mass, being able to collide in a few million light years, as an anticipation since the Duoverse of Hyperdisis will be conformed as a Galaxy of change, to interact with each other by dismembering, but retransform ending in the new mental nucleus of the Duoverse, like A great Black Hole, embedded in the heart of Patmos.

Hyperdisis, navigates from the past confines, from the origin of nothingness itself to the origin of the Universe, but now it has become a Duoverse, reimplanted in the helical polarity and bifurcations of its luminosity, of colorful reincarnations or re-astralities, to allow the cessation of darkness and to value luminance, opening steps of collyrimetry and children's cuetosa chromatics in requests of inafant galaxies, which of all lives by Greece Vermart gave by their ancestors, articulated in the iconology of Orion, in candles per square meters, in vigils of :


LV is the luminance, measured in Nits or candela per square meter (cd / m²).
• F is the luminous flux, in lumens for the triad Andomeda, Milky Way and Hyperdisis in conjunction with Orion.
• dS is the surface element considered the triad Kímolos, Rhodes and Patmos.
• dΩ is the solid angle element, Vernarth Omega and origin of the Duoverse.
• θ is the angle between the diameter from Andromeda and the Milky Way (2.5 million light years)

The luminance can be defined from the radiometric magnitude and the radiance without more than weighting each wavelength by the sensitivity curve of the eye. Thus, if LV is the luminance, Lλ represents the spectral radiance and V (λ) symbolizes the sensitivity curve of the Vernath eye in the area of the Betelgeuse, with plasma and hematoms derived over the galaxies and the Orion Eyes.
Hyperdisis
Vaniexe Kafka Sep 2018
And then he didn't come back

The summers passed, autumns faded, winters roared, and springs bloomed but he's nowhere to be seen.

As she made her way to the shore, she felt the gentle breeze and the embrace of the waves and as she looked up; she saw the moon alone in the vast nothingness of the sky with no star to keep her company.

She remembered him, thinking that maybe the stars are gone for the moon is too broken and is not as illuminated as it was the first time.

Then she remembered the first time he laid eyes on her. His eyes shone so bright, held much admiration in his gaze that she couldn't understand for she is nothing sort of a goddess the moon had blessed.

None of her poems caught the light and the life in his eyes when they first met: of how it looked silver and storm that reflects his turbulent emotions, of how his eyes reached the depths of her soul with his gaze, of how he saw her as his moon.

None of them could ever describe how his eyes demand to be stared at. None of them.

But then, he was a fleeting light like a poem you will only read once for it is blindingly painful that it hurts looking the second time.

And now, she feels a part of her is missing as she search for the stars up above.

And then she fixed her gaze, closing her eyes to the moon: wishing that when he said "It's because of you." He doesn't mean goodbye. Wishing he doesn't mean she's the reason why he's gone. Wishing that dreams aren't supposed to be just dreams for when they become reality, they take away the magical feeling.

A few tears escaped her closed lids and glistened as they bathe on the light of the moon as she thought of the last poem she'll ever write to him.

And then she finally whispered hoping the wind will bring it to him:

" And maybe,
   paintings and poetry
   couldn't hold a candle
   To every emotion
   we once had.

    You
    hold a key
    when we
    first met.

    I should've known
    that that key
    is not for me

    For I
    was never
    your home. "
Entry # 2 To the Book I Will Never Write
Arcassin B May 2014
by Arcassin Burnham




the stars couldnt keep me away from embrace,
i love your face,
i love your face,
so when they tried to throw shade,
i hit escape,
i hit escape,
And if you share the same feeling of desperation,
i ignore you,
i ignore you,
trying to find my light years in location,
i confront you,
i confront you,
i may have made mistakes in my life,
this ones the worst,
this ones the worst,
Not trying to avoid you i just had to set it right,
but you did it first,
but you did it first,

i dont wanna fall in love,
not now,
not ever,
put your insecurities behind,
and try to see it clearer,
make your feelings roll over,
do a summer sult,
then backflip,
take your problems out on somebody else,
go take a galactic cruise ship,
astro girl you are delusional,
your begging for forgiveness,
did you forget the golden rule,
there should be no sign of weakness,
i dont wanna fall in love,
just like you dont see a dentist,
that galaxy breath is melting my face,
i can not take it.
http://arcassin.blogspot.com/2013/11/astro-luv-snippet.html
Aquinas Sep 2015
I went biking at sunset
And the yellow and blue clouds reminded me of you
I felt your presence as if you were there too
And if you were I'd be whispering soon
"I want to be in love with you like the sky loves the moon"
But you're more like the sun
And I am just Venus
It might not seem like a lot but there is great space in between us
I need to stop falling for boys that are nice to me
Mike Arms Jan 2012
In your very pure mouth ( god save it )
clanked metal mouthpiece
by cold water in a strange basement
or perhaps even less

Morning doves catapult
leukemia
Astro goth acid wars
White fire black ****** mania

Could we just kiss
right here this September
not have to wake up
or sleep ever again ?
Anand Prakasque Jul 2015
" I'm your orbit "*, he whispered around her neck.
Like a fizz for the shuttle,
calling it home.

To revolve as one.
was obsessed with astro physics one night and wrote this in a play.
samantha neal Feb 2015
I doodled a mini solar system on my homework today
It made me think about your eyes.
I want to travel through space and never come home
Go to the moon and never worry about the absence of gravity because your mind pulls me in just the same.
¿Por qué volvéis a la memoria mía,
Tristes recuerdos del placer perdido,
A aumentar la ansiedad y la agonía
De este desierto corazón herido?
¡Ay! que de aquellas horas de alegría
Le quedó al corazón sólo un gemido,
Y el llanto que al dolor los ojos niegan
Lágrimas son de hiel que el alma anegan.

¿Dónde volaron ¡ay! aquellas horas
De juventud, de amor y de ventura,
Regaladas de músicas sonoras,
Adornadas de luz y de hermosura?
Imágenes de oro bullidoras.
Sus alas de carmín y nieve pura,
Al sol de mi esperanza desplegando,
Pasaban ¡ay! a mi alredor cantando.

Gorjeaban los dulces ruiseñores,
El sol iluminaba mi alegría,
El aura susurraba entre las flores,
El bosque mansamente respondía,
Las fuentes murmuraban sus amores...
ilusiones que llora el alma mía!
¡Oh, cuán suave resonó en mi oído
El bullicio del mundo y su ruido!

Mi vida entonces, cual guerrera nave
Que el puerto deja por la vez primera,
Y al soplo de los céfiros suave
Orgullosa desplega su bandera,
Y al mar dejando que sus pies alabe
Su triunfo en roncos cantos, va velera,
Una ola tras otra bramadora
Hollando y dividiendo vencedora.

¡Ay! en el mar del mundo, en ansia ardiente
De amor velaba; el sol de la mañana
Llevaba yo sobre mi tersa frente,
Y el alma pura de su dicha ufana:
Dentro de ella el amor, cual rica fuente
Que entre frescuras y arboledas mana,
Brotaba entonces abundante río
De ilusiones y dulce desvarío.

Yo amaba todo: un noble sentimiento
Exaltaba mi ánimo, Y sentía
En mi pecho un secreto movimiento,
De grandes hechos generoso guía:
La libertad, con su inmortal aliento,
Santa diosa, mi espíritu encendía,
Contino imaginando en mi fe pura
Sueños de gloria al mundo y de ventura.

El puñal de Catón, la adusta frente
Del noble Bruto, la constancia fiera
Y el arrojo de Scévola valiente,
La doctrina de Sócrates severa,
La voz atronadora y elocuente
Del orador de Atenas, la bandera
Contra el tirano Macedonio alzando,
Y al espantado pueblo arrebatando:

El valor y la fe del caballero,
Del trovador el arpa y los cantares,
Del gótico castillo el altanero
Antiguo torreón, do sus pesares
Cantó tal vez con eco lastimero,
¡Ay!, arrancada de sus patrios lares,
Joven cautiva, al rayo de la luna,
Lamentando su ausencia y su fortuna:

El dulce anhelo del amor que guarda,
Tal vez inquieto y con mortal recelo;
La forma bella que cruzó gallarda,
Allá en la noche, entre medroso velo;
La ansiada cita que en llegar se tarda
Al impaciente y amoroso anhelo,
La mujer y la voz de su dulzura,
Que inspira al alma celestial ternura:

A un tiempo mismo en rápida tormenta
Mi alma alborotaban de contino,
Cual las olas que azota con violenta
Cólera impetuoso torbellino:
Soñaba al héroe ya, la plebe atenta
En mi voz escuchaba su destino:
Ya al caballero, al trovador soñaba,
Y de gloria y de amores suspiraba.

Hay una voz secreta, un dulce canto,
Que el alma sólo recogida entiende,
Un sentimiento misterioso y santo,
Que del barro al espíritu desprende;
Agreste, vago y solitario encanto
Que en inefable amor el alma enciende,
Volando tras la imagen peregrina
El corazón de su ilusión divina.

Yo, desterrado en extranjera playa,
Con los ojos extático seguía
La nave audaz que en argentado raya
Volaba al puerto de la patria mía:
Yo, cuando en Occidente el sol desmaya,
Solo y perdido en la arboleda umbría,
Oír pensaba el armonioso acento
De una mujer, al suspirar del viento.

¡Una mujer!  En el templado rayo
De la mágica luna se colora,
Del sol poniente al lánguido desmayo
Lejos entre las nubes se evapora;
Sobre las cumbres que florece Mayo
Brilla fugaz al despuntar la aurora,
Cruza tal vez por entre el bosque umbrío,
Juega en las aguas del sereno río.

¡Una mujer!  Deslizase en el cielo
Allá en la noche desprendida estrella,
Si aroma el aire recogió en el suelo,
Es el aroma que le presta ella.
Blanca es la nube que en callado vuelo
Cruza la esfera, y que su planta huella,
Y en la tarde la mar olas le ofrece
De plata y de zafir, donde se mece.

Mujer que amor en su ilusión figura,
Mujer que nada dice a los sentidos,
Ensueño de suavísima ternura,
Eco que regaló nuestros oídos;
De amor la llama generosa y pura,
Los goces dulces del amor cumplidos,
Que engalana la rica fantasía,
Goces que avaro el corazón ansía:

¡Ay! aquella mujer, tan sólo aquélla,
Tanto delirio a realizar alcanza,
Y esa mujer tan cándida y tan bella
Es mentida ilusión de la esperanza:
Es el alma que vívida destella
Su luz al mundo cuando en él se lanza,
Y el mundo, con su magia y galanura
Es espejo no más de su hermosura:

Es el amor que al mismo amor adora,
El que creó las Sílfides y Ondinas,
La sacra ninfa que bordando mora
Debajo de las aguas cristalinas:
Es el amor que recordando llora
Las arboledas del Edén divinas:
Amor de allí arrancado, allí nacido,
Que busca en vano aquí su bien perdido.

¡Oh llama santa! ¡celestial anhelo!
¡Sentimiento purísimo! ¡memoria
Acaso triste de un perdido cielo,
Quizá esperanza de futura gloria!
¡Huyes y dejas llanto y desconsuelo!
¡Oh qué mujer! ¡qué imagen ilusoria
Tan pura, tan feliz, tan placentera,
Brindó el amor a mi ilusión primera!...

¡Oh Teresa! ¡Oh dolor! Lágrimas mías,
¡Ah! ¿dónde estáis que no corréis a mares?
¿Por qué, por qué como en mejores días,
No consoláis vosotras mis pesares?
¡Oh! los que no sabéis las agonías
De un corazón que penas a millares
¡Ay! desgarraron y que ya no llora,
¡Piedad tened de mi tormento ahora!

¡Oh dichosos mil veces, sí, dichosos
Los que podéis llorar! y ¡ay! sin ventura
De mí, que entre suspiros angustiosos
Ahogar me siento en infernal tortura.
¡Retuércese entre nudos dolorosos
Mi corazón, gimiendo de amargura!
También tu corazón, hecho pavesa,
¡Ay! llegó a no llorar, ¡pobre Teresa!

¿Quién pensara jamás, Teresa mía,
Que fuera eterno manantial de llanto,
Tanto inocente amor, tanta alegría,
Tantas delicias y delirio tanto?
¿Quién pensara jamás llegase un día
En que perdido el celestial encanto
Y caída la venda de los ojos,
Cuanto diera placer causara enojos?

Aun parece, Teresa, que te veo
Aérea como dorada mariposa,
Ensueño delicioso del deseo,
Sobre tallo gentil temprana rosa,
Del amor venturoso devaneo,
Angélica, purísima y dichosa,
Y oigo tu voz dulcísima y respiro
Tu aliento perfumado en tu suspiro.

Y aún miro aquellos ojos que robaron
A los cielos su azul, y las rosadas
Tintas sobre la nieve, que envidiaron
Las de Mayo serenas alboradas:
Y aquellas horas dulces que pasaron
Tan breves, ¡ay! como después lloradas,
Horas de confianza y de delicias,
De abandono y de amor y de caricias.

Que así las horas rápidas pasaban,
Y pasaba a la par nuestra ventura;
Y nunca nuestras ansias la contaban,
Tú embriagada en mi amor, yo en tu hermosura.
Las horas ¡ay! huyendo nos miraban
Llanto tal vez vertiendo de ternura;
Que nuestro amor y juventud veían,
Y temblaban las horas que vendrían.

Y llegaron en fin: ¡oh! ¿quién impío
¡Ay! agostó la flor de tu pureza?
Tú fuiste un tiempo cristalino río,
Manantial de purísima limpieza;
Después torrente de color sombrío
Rompiendo entre peñascos y maleza,
Y estanque, en fin, de aguas corrompidas,
Entre fétido fango detenidas.

¿Cómo caiste despeñado al suelo,
Astro de la mañana luminoso?
Ángel de luz, ¿quién te arrojó del cielo
A este valle de lágrimas odioso?
Aún cercaba tu frente el blanco velo
Del serafín, y en ondas fulguroso
Rayos al mando tu esplendor vertía,
Y otro cielo el amor te prometía.

Mas ¡ay! que es la mujer ángel caído,
O mujer nada más y lodo inmundo,
Hermoso ser para llorar nacido,
O vivir como autómata en el mundo.
Sí, que el demonio en el Edén perdido,
Abrasara con fuego del profundo
La primera mujer, y ¡ay! aquel fuego
La herencia ha sido de sus hijos luego.

Brota en el cielo del amor la fuente,
Que a fecundar el universo mana,
Y en la tierra su límpida corriente
Sus márgenes con flores engalana.
Mas ¡ay! huid: el corazón ardiente
Que el agua clara por beber se afana,
Lágrimas verterá de duelo eterno,
Que su raudal lo envenenó el infierno.

Huid, si no queréis que llegue un día
En que enredado en retorcidos lazos
El corazón con bárbara porfía
Luchéis por arrancároslo a pedazos:
En que al cielo en histérica agonía
Frenéticos alcéis entrambos brazos,
Para en vuestra impotencia maldecirle,
Y escupiros, tal vez, al escupirle.

Los años ¡ay! de la ilusión pasaron,
Las dulces esperanzas que trajeron
Con sus blancos ensueños se llevaron,
Y el porvenir de oscuridad vistieron:
Las rosas del amor se marchitaron,
Las flores en abrojos convirtieron,
Y de afán tanto y tan soñada gloria
Sólo quedó una tumba, una memoria.

¡Pobre Teresa! ¡Al recordarte siento
Un pesar tan intenso!  Embarga impío
Mi quebrantada voz mi sentimiento,
Y suspira tu nombre el labio mío.
Para allí su carrera el pensamiento,
Hiela mi corazón punzante frío,
Ante mis ojos la funesta losa,
Donde vil polvo tu bondad reposa.

Y tú, feliz, que hallastes en la muerte
Sombra a que descansar en tu camino,
Cuando llegabas, mísera, a perderte
Y era llorar tu único destino:
¡Cuando en tu frente la implacable suerte
Grababa de los réprobos el sino!
Feliz, la muerte te arrancó del suelo,
Y otra vez ángel, te volviste al cielo.

Roída de recuerdos de amargura,
Árido el corazón, sin ilusiones,
La delicada flor de tu hermosura
Ajaron del dolor los aquilones:
Sola, y envilecida, y sin ventura,
Tu corazón secaron las pasiones:
Tus hijos ¡ay! de ti se avergonzaran
Y hasta el nombre de madre te negaran.

Los ojos escaldados de tu llanto,
Tu rostro cadavérico y hundido;
único desahogo en tu quebranto,
El histérico ¡ay! de tu gemido:
¿Quién, quién pudiera en infortunio tanto
Envolver tu desdicha en el olvido,
Disipar tu dolor y recogerte
En su seno de paz? ¡Sólo la muerte!

¡Y tan joven, y ya tan desgraciada!
Espíritu indomable, alma violenta,
En ti, mezquina sociedad, lanzada
A romper tus barreras turbulenta.
Nave contra las rocas quebrantada,
Allá vaga, a merced de la tormenta,
En las olas tal vez náufraga tabla,
Que sólo ya de sus grandezas habla.

Un recuerdo de amor que nunca muere
Y está en mi corazón: un lastimero
Tierno quejido que en el alma hiere,
Eco suave de su amor primero:
¡Ay de tu luz, en tanto yo viviere,
Quedará un rayo en mí, blanco lucero,
Que iluminaste con tu luz querida
La dorada mañana de mi vida!

Que yo, como una flor que en la mañana
Abre su cáliz al naciente día,
¡Ay, al amor abrí tu alma temprana,
Y exalté tu inocente fantasía,
Yo inocente también ¡oh!, cuán ufana
Al porvenir mi mente sonreía,
Y en alas de mi amor, ¡con cuánto anhelo
Pensé contigo remontarme al cielo!

Y alegre, audaz, ansioso, enamorado,
En tus brazos en lánguido abandono,
De glorias y deleites rodeado
Levantar para ti soñé yo un trono:
Y allí, tú venturosa y yo a tu lado.
Vencer del mundo el implacable encono,
Y en un tiempo, sin horas ni medida,
Ver como un sueño resbalar la vida.

¡Pobre Teresa!  Cuando ya tus ojos
Áridos ni una lágrima brotaban;
Cuando ya su color tus labios rojos
En cárdenos matices se cambiaban;
Cuando de tu dolor tristes despojos
La vida y su ilusión te abandonaban,
Y consumía lenta calentura,
Tu corazón al par de tu amargura;

Si en tu penosa y última agonía
Volviste a lo pasado el pensamiento;
Si comparaste a tu existencia un día
Tu triste soledad y tu aislamiento;
Si arrojó a tu dolor tu fantasía
Tus hijos ¡ay! en tu postrer momento
A otra mujer tal vez acariciando,
Madre tal vez a otra mujer llamando;

Si el cuadro de tus breves glorias viste
Pasar como fantástica quimera,
Y si la voz de tu conciencia oíste
Dentro de ti gritándole severa;
Si, en fin, entonces tú llorar quisiste
Y no brotó una lágrima siquiera
Tu seco corazón, y a Dios llamaste,
Y no te escuchó Dios, y blasfemaste;

¡Oh! ¡cruel! ¡muy cruel! ¡martirio horrendo!
¡Espantosa expiación de tu pecado,
Sobre un lecho de espinas, maldiciendo,
Morir, el corazón desesperado!
Tus mismas manos de dolor mordiendo,
Presente a tu conciencia lo pasado,
Buscando en vano, con los ojos fijos,
Y extendiendo tus brazos a tus hijos.

¡Oh! ¡cruel! ¡muy cruel!... ¡Ay! yo entretanto
Dentro del pecho mi dolor oculto,
Enjugo de mis párpados el llanto
Y doy al mundo el exigido culto;
Yo escondo con vergüenza mi quebranto,
Mi propia pena con mi risa insulto,
Y me divierto en arrancar del pecho
Mi mismo corazón pedazos hecho.

Gocemos, sí; la cristalina esfera
Gira bañada en luz: ¡bella es la vida!
¿Quién a parar alcanza la carrera
Del mundo hermoso que al placer convida?
Brilla radiante el sol, la primavera
Los campos pinta en la estación florida;
Truéquese en risa mi dolor profundo...
Que haya un cadáver más, ¿qué importa al mundo?
collin Jun 2015
i love your violet tipped words
and how they could sip a cup
filled to the lip with cheese curds
another night has bent over backwards
seemingly for me but secretly to see
the sun smile at its pain
Salamandra
                        (negra
armadura viste el fuego)
calorífero de combustión lenta
entre las fauces de la chimenea
-o mármol o ladrillo-
                                          tortuga estática
o agazapado guerrero japonés
y una u otro
                      -el martirio es reposo -
impasible en la tortura.

                                            Salamandra
nombre antiguo del fuego
y antídoto antiguo contra el fuego
y desollada planta sobre brasas
amiante amante amianto

Salamandra
                        en la ciudad abstracta
entre geometrías vertigiosas
-vidrio cemento piedra hierro-
formidables quimeras
levantadas por el cálculo
multiplicadas por el lucro
al flanco del muro anónimo
amapola súbita

                              Salamandra
garra amarilla
                            roja escritura
en la pared de sal
                                  garra de sol
sobre el montón de huesos

Salamandra
                        estrella caída
en el sinfín del ópalo sangriento
sepultada
bajo los párpados del sílex
niña perdida
en el túnel del ónix
en los círculos del basalto
enterrada semilla
                                  grano de energía
dormida en la médula del granito

Salamandra
                      niña dinametera
en el pecho azul y ***** del hierro
estallas como un sol
te abres como una herida
hablas como una fuente

Salamandra
                        espiga
hija del fuego
espíritu del fuego
condensación de la sangre
sublimación de la sangre
evaporación de la sangre

Salamandra de aire
la roca es llama
                              la llama es humo
vapor rojo
                  recta plegaria
alta palabra de alabanza
exclamación
                      corona de incendio
en la testa del himno
reina escarlata
(y muchacha de medias moradas
corriendo despeinada por el bosque)

Salamandra
                      animal taciturno
***** paño de lágrimas de azufre
(Un húmedo verano
entre las baldosas desunidas
de un patio petrificado por la luna
oí vibrar tu cola cilíndrica)

Salamandra caucásica
en la espalda cenicienta de la peña
aparece y desaparece
breve y negra lengüeta
moteada de azafrán

                          Salamandra
bicho ***** y brillante
escalofrío del musgo
devorador de insectos
heraldo diminuto del chubasco
y familiar de la centella
(Fecundación interna
reproducción ovípara
las crías viven en el agua
ya adultas nadan con torpeza)

Salamandra
Puente colgante entre las eras
puente de sangre fría
eje del movimiento
(Los cambios de la alpina
la especie más esbelta
se cumplen en el claustro de la madre
Entre los huevecillos se logran dos apenas
y hasta el alumbramiento
medran los embriones en un caldo nutricio
la masa fraternal de huevos abortados)

La salamandra española
montañesa negra y roja

No late el sol clavado en la mitad del cielo
no respira
no comienza la vida sin la sangre
sin la brasa del sacrificio
no se mueve la rueda de los días
Xólotl se niega a consumirse
se escondió en el maíz pero lo hallaron
se escondió en el maguey pero lo hallaron
cayó en el agua y fue el pez axólotl
el dos-seres
                        y "luego lo mataron"
Comenzó el movimiento anduvo el mundo
la procesión de fechas y de nombres
Xólotl el perro guía del infierno
el que desenterró los huesos de los padres
el que coció los huesos en la olla
el que encendió la lumbre de los años
el hacedor de hombres
Xólotl el penitente
el ojo reventado que llora por nosotros
Xólotl la larva de la mariposa
del doble de la Estrella
el caracol marino
la otra cara del Señor de la Aurora
Xólotl el ajolote

                            Salamandra
dardo solar
                    lámpara de la luna
columna del mediodía
nombre de mujer
balanza de la noche.
(El infinito peso de la luz
un adarme de sombra en tus pestañas)

Salamandra
                      llama negra
heliotropo
                    sol tú misma
y luna siempre en torno de ti misma
granada que se abre cada noche
astro fijo en la frente del cielo
y latido del mar y luz ya quieta
mente sobre el vaivén del mar abierta

Salamandria
saurio de unos ocho centímetros
vive en las grietas y es color de polvo

Salamandra de tierra y de agua
piedra verde en la boca de los muertos
piedra de encarnación
piedra de lumbre
sudor de la tierra
sal llameante y quemante
sal de la destrucción
y máscara de cal que consume los rostros

Salamandra de aire y de fuego
avispero de soles
roja palabra del principio

La salamandra es un lagarto
su lengua termina en un dardo
su cola termina en un dardo
Es inasible Es indecible
reposa sobre brasas
reina sobre tizones
Si en la llama se esculpe
su monumento incendia.
El fuego es su pasión es su paciencia

Salamadre                           Aguamadre
Aj Jun 2012
...plain, white light of conscious sight

carved with the black of depictions,

stretched imaginations, dance of

curves and shapes, the inner vision

needs a pair of shades, color it

with flames of passion, free flow

of feeling, breeze of dreams

whistling through the meadows

of vibrant forms

...from the dust

this thought was born, to the

dust, the vision fades, in the dust

are the sparks, minerals, elements

of life, fertile fields, sow the seeds


...from the groves, the forms are

reborn, then the critters and grubs

swarm in, eating the scraps, *******

new life into the soil, new sparks

and minerals, eggs and chances,

rhythms for the new generations,

vibrant once more, a matter of

potent renditions, the breath fueling

the black depictions, white light geyser,

grey clouds, tarnished ores,

dirt and dust, all colored with the minerals

of light

...and in that light is solar life,

lunar reflections, Earthly fullfillment of

'son'shine, mother's milk, and dad's

beer brewing in the astro's firmament.

Dancing all through again and again of

swirvy curls, recollection of scattered pearls,

casted and then returned.
I may add more to this, ran out of Zen :j
Señor, deja que diga la gloria de tu raza,
la gloria de los hombres de bronce, cuya maza
melló de tantos yelmos y escudos la osadía:
!oh caballeros tigres!, oh caballeros leones!,
!oh! caballeros águilas!, os traigo mis canciones;
!oh enorme raza muerta!, te traigo mi elegía.Aquella tarde, en el Poniente augusto,
el crepúsculo audaz era en una pira
como de algún atrida o de algún justo;
llamarada de luz o de mentira
que incendiaba el espacio, y parecía
que el sol al estrellar sobre la cumbre
su mole vibradora de centellas,
se trocaba en mil átomos de lumbre,
y esos átomos eran las estrellas.Yo estaba solo en la quietud divina
del Valle. ¿Solo? ¡No! La estatua fiera
del héroe Cuauhtémoc, la que culmina
disparando su dardo a la pradera,
bajo del palio de pompa vespertina
era mi hermana y mi custodio era.Cuando vino la noche misteriosa
-jardín azul de margaritas de oro-
y calló todo ser y toda cosa,
cuatro sombras llegaron a mí en coro;
cuando vino la noche misteriosa
-jardín azul de margaritas de oro-.Llevaban una túnica espledente,
y eran tan luminosamente bellas
sus carnes, y tan fúlgida su frente,
que prolongaban para mí el Poniente
y eclipsaban la luz de las estrellas.Eran cuatro fantasmas, todos hechos
de firmeza, y los cuatro eran colosos
y fingían estatuas, y sus pechos
radiaban como bronces luminosos.Y los cuatro entonaron almo coro...
Callaba todo ser y toda cosa;
y arriba era la noche misteriosa
jardín azul de margaritas de oro.Ante aquella visión que asusta y pasma,
yo, como Hamlet, mi doliente hermano,
tuve valor e interrogué al fantasma;
mas mi espada temblaba entre mi mano.-¿Quién sois vosotros, exclamé, que en presto
giro bajáis al Valle mexicano?
Tuve valor para decirles esto;
mas mi espada temblaba entre mi mano.-¿Qué abismo os engendró? ¿De qué funesto
limbo surgís? ¿Sois seres, humo vano?
Tuve valor para decirles esto;
mas mi espada temblaba entre mi mano.-Responded, continué. Miradme enhiesto
y altivo y burlador ante el arcano.
Tuve valor para decirles esto;
¡mas mi espada temblaba entre mi mano...!Y un espectro de aquéllos, con asombros
vi que vino hacia mí, lento y sin ira,
y llevaba una piel sobre los hombros
y en las pálidas manos una lira;
y me dijo con voces resonantes
y en una lengua rítmica que entonces
comprendí: -«¿Que quiénes somos? Los gigantes
de una raza magnífica de bronces.»Yo me llamé Netzahualcóyotl y era
rey de Texcoco; tras de lid artera,
fui despojado de mi reino un día,
y en las selvas erré como alimaña,
y el barranco y la cueva y la montaña
me enseñaron su augusta poesía.»Torné después a mi sitial de plumas,
y fui sabio y fui bueno; entre las brumas
del paganismo adiviné al Dios Santo;
le erigí una pirámide, y en ella,
siempre al fulgor de la primera estrella
y al son del huéhuetl, le elevé mi canto.»Y otro espectro acercóse; en su derecha
levaba una macana, y una fina
saeta en su carcaje, de ónix hecha;
coronaban su testa plumas bellas,
y me dijo: -«Yo soy Ilhuicamina,
sagitario del éter, y mi flecha
traspasa el corazón de las estrellas.»Yo hice grande la raza de los lagos,
yo llevé la conquista y los estragos
a vastas tierras de la patria andina,
y al tornar de mis bélicas porfías
traje pieles de tigre, pedrerías
y oro en polvo... ¡Yo soy Ilhuicamina!»Y otro espectro me dijo: -«En nuestros cielos
las águilas y yo fuimos gemelos:
¡Soy Cuauhtémoc!  Luchando sin desmayo
caí... ¡porque Dios quiso que cayera!
Mas caí como águila altanera:
viendo al sol, y apedreada por el rayo.»El español martirizó mi planta
sin lograr arrancar de mi garganta
ni un grito, y cuando el rey mi compañero
temblaba entre las llamas del brasero:
-¿Estoy yo, por ventura, en un deleite?,
le dije, y continué, sañudo y fiero,
mirando hervir mis pies en el aceite...»Y el fantasma postrer llegó a mi lado:
no venía del fondo del pasado
como los otros; mas del bronce mismo
era su pecho, y en sus negros ojos
fulguraba, en vez de ímpetus y arrojos,
la tranquila frialdad del heroísmo.Y parecióme que aquel hombre era
sereno como el cielo en primavera
y glacial como cima que acoraza
la nieve, y que su sino fue, en la Historia,
tender puentes de bronce entre la gloria
de la raza de ayer y nuestra raza.Miróme con su límpida mirada,
y yo le vi sin preguntarle nada.
Todo estaba en su enorme frente escrito:
la hermosa obstinación de los castores,
la paciencia divina de las flores
y la heroica dureza del granito...¡Eras tú, mi Señor; tú que soñando
estás en el panteón de San Fernando
bajo el dórico abrigo en que reposas;
eras tú, que en tu sueño peregrino,
ves marchar a la Patria en su camino
rimando risas y regando rosas!Eras tú, y a tus pies cayendo al verte:
-Padre, te murmuré, quiero ser fuerte:
dame tu fe, tu obstinación extraña;
quiero ser como tú, firme y sereno;
quiero ser como tú, paciente y bueno;
quiero ser como tú, nieve y montaña.
Soy una chispa; ¡enséñame a ser lumbre!
Soy un gujarro; ¡enséñame a ser cumbre!
Soy una linfa: ¡enséñame a ser río!
Soy un harapo: ¡enséñame a ser gala!
Soy una pluma: ¡enséñame a ser ala,
y que Dios te bendiga, padre mío!.Y hablaron tus labios, tus labios benditos,
y así respondieron a todos mis gritos,
a todas mis ansias: -«No hay nada pequeño,
ni el mar ni el guijarro, ni el sol ni la rosa,
con tal de que el sueño, visión misteriosa,
le preste sus nimbos, ¡y tu eres el sueño!»Amar, ¡eso es todo!; querer, ¡todo es eso!
Los mundos brotaron el eco de un beso,
y un beso es el astro, y un beso es el rayo,
y un beso la tarde, y un beso la aurora,
y un beso los trinos del ave canora
que glosa las fiestas divinas de Mayo.»Yo quise a la Patria por débil y mustia,
la Patria me quiso con toda su angustia,
y entonces nos dimos los dos un gran beso;
los besos de amores son siempre fecundos;
un beso de amores ha creado los mundos;
amar... ¡eso es todo!; querer... ¡todo es eso!»Así me dijeron tus labios benditos,
así respondieron a todos mis gritos,
a todas mis ansias y eternos anhelos.
Después, los fantasmas volaron en coro,
y arriba los astros -poetas de oro-
pulsaban la lira de azur de los cielos.Mas al irte, Señor, hacia el ribazo
donde moran las sombras, un gran lazo
dejabas, que te unía con los tuyos,
un lazo entre la tierra y el arcano,
y ese lazo era otro indio: Altamirano;
bronce también, mas bronce con arrullos.Nos le diste en herencia, y luego, Juárez,
te arropaste en las noches tutelares
con tus amigos pálidos; entonces,
comprendiendo lo eterno de tu ausencia,
repitieron mi labio y mi conciencia:
-Señor, alma de luz, cuerpo de bronce.
Soy una chispa; ¡enséñame a ser lumbre!
Soy un gujarro; ¡enséñame a ser cumbre!
Soy una linfa: ¡enséñame a ser río!
Soy un harapo: ¡enséñame a ser gala!
Soy una pluma: ¡enséñame a ser ala,
y que Dios te bendiga, padre mío!.Tú escuchaste mi grito, sonreíste
y en la sombra infinita te perdiste
cantando con los otros almo coro.
Callaba todo ser y toda cosa;
y arriba era la noche misteriosa
jardín azul de margaritas de oro...
Cebolla
luminosa redoma,
pétalo a pétalo
se formó tu hermosura,
escamas de cristal te acrecentaron
y en el secreto de la tierra oscura
se redondeó tu vientre de rocío.
Bajo la tierra
fue el milagro
y cuando apareció
tu torpe tallo verde,
y nacieron
tus hojas como espadas en el huerto,
la tierra acumuló su poderío
mostrando tu desnuda transparencia,
y como en Afrodita el mar remoto
duplicó la magnolia
levantando sus senos,
la tierra
así te hizo,
cebolla,
clara como un planeta,
y destinada
a relucir,
constelación constante,
redonda rosa de agua,
sobre
la mesa
de las pobres gentes.

Generosa
deshaces
tu globo de frescura
en la consumación
ferviente de la olla,
y el jirón de cristal
al calor encendido del aceite
se transforma en rizada pluma de oro.

También recordaré cómo fecunda
tu influencia el amor de la ensalada
y parece que el cielo contribuye
dándote fina forma de granizo
a celebrar tu claridad picada
sobre los hemisferios de un tomate.
Pero al alcance
de las manos del pueblo,
regada con aceite,
espolvoreada
con un poco de sal,
matas el hambre
del jornalero en el duro camino.
Estrella de los pobres,
hada madrina
envuelta
en delicado
papel, sales del suelo,
eterna, intacta, pura
como semilla de astro,
y al cortarte
el cuchillo en la cocina
sube la única lágrima
sin pena.
Nos hiciste llorar sin afligirnos.

Yo cuanto existe celebré, cebolla,
pero para mí eres
más hermosa que un ave
de plumas cegadoras,
eres para mis ojos
globo celeste, copa de platino,
baile inmóvil
de anémona nevada

y vive la fragancia de la tierra
en tu naturaleza cristalina.
From the depression of the distances with respect to the horizontal and the planes that separated them from the surface, below the references that came against, single sediment had been destined towards the high eminence, before the fossal of megatons of aldehyde below the bilges of the final base, where the seventh rings of the goat ibex were perforated, all in the antipode of the Constellation of Capricornus; where the goats were enraptured in the binary of Wonthelimar, behind the floods of absorption that took the Diadocos far from where they should never have left, in order to extrasolar wishes and never to come. From the node of the supreme and poked aldehyde of the horn of Amalthea, with the bizarre analogy of Zeus and Wonthelimar, both mammals with milk from goat's udders, one from goat from Mount Ida and the other from Aldaine in the Alps, with milk from ibex and In the face of Amalthea that appeared in the fossal, all the Seleucid generals had already vanished, starting from the Viper Typhon, who in the retracting sub-mythology of Capricornus was transmigrated to Wonthelimar, swollen with the aldehyde transmuted into this alcohol and into the udder milk of the Ibix that He lactored, while they were all carried away as in the chambers of Auschwitz, in distant lanterns and lamps of the Calypso that he dismissed them, leaving them with the escorts of the ibex or goatfish in laudable stratagems, which vanished them away from their desires from a new polis or Nostos Patrída, sprinkling them with goatskin and flourishing essences of the kashmar of Zeus' nurse; Amaltheum or Amalthea.

The Iberian rings from the medrones in advance reached the two final ring nodes, here Wonthelimar intimidated them with an accurate adjacent bleat of the kashmar that rubbed their back, before the newest and last lux of Amalthea that vanished into herbaceous fruits that always He carried the barefoot medron with him, to start with the antlers dumbbells and re-transport them defeated to the species of snake that frightened the pastoral god Pan who shepherded, and then he submerged in the water after becoming Capricornus Ibex Fish. Being aware of this and of those who refused to continue listening, Ibics rings were unleashed until the seventh medron, feeding back with Wonthelimar who ad libitum created Venus in triads of Zeus. Wonthelimar and Amalthea were remote in the eighth and ninth medron of the antlers, they appropriated to each the portion of the Parasha or Parashot of the Torah, and of the thirteenth Shemot so that their dualities and fumes from the unbreathable fossa would remain under the possessed surface of the pendular property balance and positive-negative gender correspondence. Right here Amalthea transmuted her mercy to save the world with her lactation of syrup and honey that was not in short supply, and that was extrapolated into a future abundance of food and nectar, making up for crusts that were uneven in average terms. From this bezel, both beings of the goat genome contributed to the pole of goodness for each one at the end of the benevolent cuirassiers of prospering, and not from the opposite that would lead them, even though they were dissimilar causes, towards a retrograde event that was not a consequence of the becoming of the plagues, and of the malignancy that does not flourish with the Shemot of the Parasha, to agree and lavish themselves on blessed virtues or deliberate wicked ones.

The meaning of a relative synchronic and factotum coexisting does not redeem the disintegration of an existential relativism in Skalá, the Hexagonal Primogeniture from one of its angular visions, metaphysically transfers from its temporary contingencies after its arrival on Patmos, while the temporary Seleucid temporality vanishes, It was affirmed from a contradiction since its truth was distended in the arena of Skalá not implying being welcomed, rather it was victimized by the absurd political dimorphism in a meta spiritual state, abdicating its dispersed retrospective, and now contemplating a compromise of the Hellenic genre, to gradually rebuke the virtues of their banners, twice as good for the purpose of reinforcing the will to accede, and not perish in the attempt to lead Alexander the Great. The criticism of founding the memories are of a revived past where it was not, marking the anthropological fact and false truth judgment, in meaning and contradiction in the polarity of both axiomatic genres, but that is saved when quantifying in who has to defend himself, if seeks to abrogate itself, in the entity that is characterized by induction and attraction of egonies and not of exo-egonies, thus describing it in the theme of "Do not support egos that recriminate other characters of frustration and empowerment of a Vernarthian logic split into Vern-narth. Vern has etymology of Bern or Bern olive tree of Gethsemane and narth of the ordinal scale that speculates its nickname in millions of northern sections of its origin, which subsumes the truth and the criterion of apocalyptic parapsychology, re-life of quantum historicity of the metaphysical and sub-block. -Mythological of Vernarth in his identical.

Everything seemed a strange self-annulment from a clear and understandable limit, but Wonthelimar rose to the surface of the Állos kósmos, finding himself in atmospheres of truth and reality of a Cantabile, who decided about the horse Kanti coming with him towing him from the Erebo de Chauvet Bilocated. As a musical and festive ending, he received them on the upper plate of the happened gestures, where a cabaletta rendered parts of a Cantabrian aria, in sulfurous and remorseful cavatina married with the cross emotions of a finale who sponsored expressions and festive Templar tales, with the descendants of Zeus or minor children, or grandchildren after this had to give him milk and honey but with báchkoi. Among the couplets that received him, some came about the smoke of terror that was confused with the dustbin of a Cavallo or horse acclaimed Kanti, with gasping bustling from a cardex, containing all the repertoires of a cantabile if this scene were to be repeated in The same epic allusion, and in random consequences, that go after a cavalcade that is not abstracted in real characters, but more in conformity with the well-deserved place of epic imaginative beings or in the operatic psychotropic of a duet, which would go flagellating in individuality and in each which is not content from another section of the Cantabrian.

The Universality of emotion and feeling is a tragic Parodo emulating voices of all those who sing from a cantabile galloping in their voices to the beat of the heart in some, and at the same time chanting stanzas and antistrophe in reverse epic and tragic lines, for the purposes of the coliseum that diametrically obstructs the Hellenic choir, which is attached to the intervention of the Hexagonal Primogeniture that was already beginning to rise in height, and in the prayers of Saint John, the Apostle and Prochorus from the captaincy and the ode that would begin to stanza, from the west to this and the antistrophe would follow with Vernarth, Wonthelimar and Alexander the Great from east to west. Ad libitum of their enjoyments, they were eating Greek snacks or Katogorias on the way in bases of Almonds, cinnamon, olive oil, sugar, and sweet wine that they carried on their backs in Rhytas shaped like the horns of Zeus and the Ibix of Wonthelimar, which the same Procorus carried on his golden back. The meaning is affirmed as a meaningless infringement of laws of temporality, and truthfulness at the expense of short evidence, and of facts that vanish in the light haze of causalism and not of effectism, when the adjective or noun is made of a strong verb in the Metabasis and in the imprecations that Vernarth gave.

Vernarth's metabasis: “the verse and the adjective will be subsidized by the noun in the construction of Állos Kosmo Megarón, from where mathematics will immaterially explain sap suckers under the noun in liquid milk of the color white and of the high nutritional value in female lactated, and of mammals to feed their goats or ibex. The soul of this prerogative implies that the verb will be to promote species rather than a nutritious milky elixir for Zeus, and the candor of his **** will tend to the bipedal or quadruped subject self-procreating from a Milky Specie. (Milky species).  Being ****** into milk by self-procreating snitches. Vernarth says (give me some milk, and I will be the son of Zeus, perhaps as a means in everything and not a whole of which I never thought...!)

Amalthea in rituals and relics from prospects of demigods was purposely cordoning them off in Mycenaean deities, from a contemporary Westerner comforting them near a hippocampus; with signs of ibex Capricornus, rapt at the nymph that spoke from Mount Ida in Crete and that she made congruent with the constellation of Capricornus, more precisely in the Cornucopia making this heraldry of Wonthelimar with Fortune, Abundance, Occasion, Liberality, Prudence and Joy. In a woman sitting on a throne, a young nymph with a flower crown, a naked woman with one foot on a wheel and the other unstable, a woman with sunken eyes and an aquiline nose dressed in white, two faces from the past and future, a woman happy with the exuberance of the Cornucopia with children and a palm leaf. Being the abundance that in serial Amalthea bordered all the ladies in different esoteric and Mycenaean prosperity, constantly shining with radiations on the present in the Unicorn Ibix, which Zeus left after breaking its antlers, unleashing kindness and plethora in fruit buds, and vegetables that were appropriated in the Fortune of Wonthelimar reissuing what in their domains they can do, and now in Patmos with its Cornupia being transferred from that liquefied shaft honey and milk cultivated with attributes of herbs contributing to the leisure, peace, and relaxation of the cosmic world that ascended in Wonthelimar as Ibix in advance of Capricornus, from where the Auriga always broke into his expeditions with a trajectory towards the eighth cemetery of Messolonghi, where he brought it from the Capella Star for the femurs of the Diplodocuses who seconded Drestnia to watch over the hydraulic pits of the Koumeterium from Messolonghi, before traveling to Tangier.

The entire herd went back to an ancient promontory that was halfway up the mound towards the black styes or abscesses, in the central intuition of the fossa that began to dissipate towards their backs. Amalthea extends into the Állos Kósmos, which came in zoomorphic receptacles collecting the announced blood of the animals that flowed in black planks from the vortex of the fossal, towards the liminal or transitory sleeper of the fossal that oozed acetosities of the Aldehyde to be transmigrated after the bilocation of the Chauvet cavern. All wore willow halos on the crowns or diadems of their caps, including the proliferation of phantasmagoric Allies that went in rows from 780 to 680 BC. C., with fortunes of the Cornucopia that arched in magical arches due to the dissociative changes of the universe, as well as the circumstantial creed of some omnipotence that will cause emotional transgenerational transgression, in the rain vessels that they made fall from the Ombrio de Zeus, in a daily latticework closing the spaces, and only leaving for some intruders and onlookers to see his flashing Astrepé. Right here the diádoc fossal vanished, when it rose above the horizontal that poured into the Chronic Vernagrams of parapsychological personalities of ingenuity classicism and in Astro-concomitance, which would rethink everything that is past and future from a Vernagram, which is more than a compression of a mere future of the quantum spaces and the sacred medrones of the Ibixes with their direct relationship with Capricornus. Diverse capital moments were treasured in the breeze of the Vas Auric that was traced from the opposing moraine that fell in lapse-time, through the labyrinth in storms and thunderings that became planetary with the Lynothorax cuirass that Alexander the Great accommodated in the festoon border of his Aspis Koilé, kicking copiously as a sign of shaking the head of the gods who deceived him to be alive, and who was now reborn in the faith of Saint John the Apostle, favorite of the Mashiach and where he will have to wipe his face with the shroud of Veronica Before entering the Állos Kósmos Megaron that everyone built, in favor of a Panagia or Temple, unlocking the majolica that seeped out from the rest of the transmigration, and his own in the configuration of a corpse with a tricolor gesture.

The presumptive eradicated the side of the forearm rots that was being restored in Wonthelimar's laps, which helped him get up and catch his breath while the Katogorias snack filled his mouth with nectar and almonds with Macedonian Psiloi combat tactics with serum and flames of Alcohol dripped from her nostrils and sinuses in the sweet wine, which in pompous dilemma defied the judges of her life in the choir of the Bilocated Epidary Theater on Patmos, and in the ***** dry Kashmar of the orchard with the pale faces of the grotesque, that rested in the memory or Mnmosyne and in the fauna of the Thracian and Thessalian helmets.

Alexander the Great says: “here I agonized and now in the fresh waters of the springs of the Lerna, I will also marry the glorious mystay and bákchoi, in the memories of Vernarth seeing him besieged by Achaemenides in the stooped position of Dario III, to come purifying and sustaining of my limbs, learning to walk and speak in Neolithic techniques, which extruded me from the Lerna by barriers of the moon that shone from the bronze of my Leonatus helmet. Thus I could see that Vernarth, fought alone against thousands throwing fire through his mouth and his eyes, separating the waters of the Falangists, who plowed like ships deforesting the Persians, and leaving them in their mud, imposing glorious Hypaspists who unbolted from their back some arrows with heads of snakes and Hydras.

Vernarth watched as everyone climbed the Profitis Ilias mound, two hundred and sixty-nine meters above sea level, where the monastery of San Juan is located; here he was suspended in his solitude after everything that happened at the end of the moat that definitely I would return without the Diádocos, with a hint and its functionalities. From here Helios became genealogical, who snatched him from the kingdom of dead flowers, which were to be assumed from the Olympian where he will join him to the essential of Aïdoneus; immaterializing in the darkness of dizzies and the flowers that died in the genealogy of a new species. The scenic swept its cognitive and ferns with more than three hundred frank species that frowned like the enemy of an evil friend, with seedlings that expectorated from the resonance of the bushes that invited to thrive in the salty ripples that made a dreamer fall asleep on top of the kerchiefs or brambles that memorialized Gethsemane, burning his face and hands with psalms, telling him about his Baba. For when it is a luminary by night and by day, they will compare it with the white grayish drupes and mops, like those of the Bern orchard of Olives, in aqueous and resinous colloidal, which was crowned in harmony and syntropia in Vernarth activating intellectual conscious plantations, which will restructure its balance of ultra Hoplite, in metabolism of the Lentiscus flowers, with great brotherhood in the Olives that each time exercised the gift of bending their oleaginous self-species, towards planes of the Cornicabra olives, with large branches and high tree altitude that fruit within of the Cornucopia that he now carried on his back, supported by an oiko spin, juxtaposed with the fibula on the right shoulder of his lymphoma, which with large branches and high tree altitude fruit within the Cornucopia that he now carried on his back, supported by an oiko line juxtaposed with the fibula on the right shoulder of his lymphoma, and with polyphenols in scale geothermal energy that still leveled the Ponto Sea towards the tectonic plate to give it the flavor that was owed from remote prehistoric times.

Patmos was aborted from an immanent consent and new force of the impending enemy in Pythagorean perorations and an offending thought. From this prerogative is born the generalized punishment of sub-mythological ethics in favor of legacies of allusions to reorder or defragment the enslaving and demolished bio culture, which would begin from the establishment of the Vas Auric found in Limassol, which took possession from Rhodes with clean scenes from Tsambika monastery. The epic ran like icy cold down the shoulders of all those who sweated for the generation of cops, and in domestic evasions in superior lordships to Hades or Wonthelimar itself, both sons of flocks and goats that nourished them by providing them with a mountain perspective, as a magnetic pole towards gothic energy that ruled more in the Magnetic North Pole, and the geographic oversize that reviled latitudes in riches that would dismiss Borker and Zefian, as masters distributors of the ethics of the Áullos Kósmos of Patmos, redeploying thousands of dead from pre-Hellenic times, so that they recirculate through the roots of the Kashmar, re-sulfurizing cinnabar saps as the germ of the subterranean Acheron, which consecrates the living and the dead in the eternity of the infinite Duoverse Universe. The order will lie in semi-shadows that even in the dark provide the pleasant warmth of camphor, with advanced Horcondising formulas, which will appeal to hungry souls by suppressing gifted energies, and by inseminating them with ovules without originally conceived organisms.

From Hylates, Cyprus; Zefian came by order of Vernarth, assisted with the extension of the earthly laborers of the Attic Calendar on the twenty-first of September, from the device of Apollo at the site of Boeotia, and especially of the Boedromion. The arrows that Zefian brought had an instant Boedromion crossing the lines from spring to winter, with seven arrows that Zefian threw into the sky and never fell, but if portentously received in the virginity of animals. The flora with seven golden arrows of the Chauvet de Wonthelmar cavern, condoned the exhaustive end of the fossal where they still remained, in a gesture of tenderness and relative Mycenaean genealogy, from Crete the contravention of Apollo and Artemis towards an olive tree was approaching, originating in the Zefian's arrows, to mark the new cardinal points, begin with the first two arrows that they put on the string of the bow, each one flying north and south trajectories and the other two that were once again attacked with the east bow, to shoot the arrows of east-west with southern magnetism limits. Zefian's imagination was of proportions that were not limited without wandering from their phalanxes when they pulled the string, like joys of a ghostly existence that pushed him in each bolt, presuming that where they fell would be the beginning of the storms that would originate the Állos Kósmos Megarón, for belated courts imposed from a cosmos, which he led by insisting on his will and from a doubtful Vestal god advocating the association of the hospitable Canephores, such as Vestal Virgins of Roman bilocation, and quantum parapsychological of the feared inter-tale alive that rebels in the arrows that they had not yet fallen and did not know their whereabouts. As plates or serial hosts, they were evoked from where the origin of the Universe was broken, to open towards the organic, vigorous, and anti-burn contravened Duoverse to the divine celestial origin as a parameter of *****-ovule, rather in aeonic instances in the fireplace of Hestia, running in eternities towards vast volumes of light-years, where eternity has no measure, let alone the existence that begins and ends born from a homozygous arising without a Universe, to hatch from the branch of the Heterozygous Duoverse, bringing different unions of eternal cells by universal divine decree, and not the union of disparate cells. The science of the Mashiach came in these divine arrows that marked the points of the cardinal in the numinous and exclamatory expansions of the exiled universe of Vernarth, towards the perenniality in itself, but being heterozygous for a world that would begin to live in non-organic cells, but yes of divine composition, over saturating the limits of the origin, and destiny of syntropy of the conscious actions of the metabolism of the Alma Mater and of the great doors when losing the bodyweight of the physical-ether, but yes from the platform of the Mashiach that will take them hands without leaving them abandoned, showing them that they were no longer children born of ovule-*****, but rather in the luminous matter, envisioning expansions of prayers beyond from the universe, where it will accompany them in a multidimensional plane..., and will have no end from a human scientific conception.

Wonthelimar says: “Since the omphalos was swallowed by Cronos, Hera's elegy was unleashed, for not raising her son Zeus in free clumps of goats and Ida's honey. I in the Alps went to the herd of the Ibix like a Zeus saved from the darkness of Chauvet in the mountains of Gaul. There are chisels that cut stones in beautiful whirlwinds, but I know that a lot of cosmology would not speak of the Mediterranean Cornicabra and its olive drupe, nor less of the Cornucopia that sinks with sumptuous and ephebian flavors in the fruit, and the greenish heraldry of the binominal that is disturbed in its phalanges eating and sipping honey, in antler pots with pride of the Ida and the Vercors massif”
Wonthelimar Amaltheum, Állos Kosmos Megaron
Cantar a ese gigante soberano
Que al soplo de su espíritu fecundo
Hizo triunfar el pensamiento humano,
Arrebatando al mar un nuevo mundo;
Cantar al que fue sabio entre los sabios,
Cantar al débil que humilló a los grandes,
Nunca osarán mi lira ni mis labios.
Forman su eterno pedestal los Andes,
El Popocatepelt su fe retrata,
Las pampas son sus lechos de coronas,
Su majestad refleja el Amazonas,
Y un himno a su poder tributa el Plata.

No es la voz débil que al vibrar expira,
La digna de su nombre; ¿puede tanto
La palabra fugaz?... ¿Quién no lo admira?
La mar, la inmensa mar, ésa es su lira,
Su Homero el sol, la tempestad su canto.

Cuando cual buzo audaz, mi pensamiento
Penetra del pasado en las edades,
Y mira bajo el ancho firmamento
De América las vastas soledades:
El inca dando al sol culto ferviente,
El araucano indómito y bravío,
El azteca tenaz que afirma el trono,
Adunando al saber el poderío:
¡A cuántas reflexiones me abandono!...
Todas esas sabanas calentadas
Por la luz tropical, llenas de flores,
Con sus selvas incultas, y sus bosques
Llenos de majestad; con sus paisajes
Cerrados por azules horizontes,
Sus montes de granito,
Sus volcanes de nieve coronados,
Semejando diamantes engarzados
En el esmalte azul del infinito;

Las llanuras soberbias e imponentes,
Que puebla todavía
En la noche sombría
El eco atronador de los torrentes;
Los hondos ventisqueros,
Las cordilleras siempre amenazantes,
Y al aire sacudiéndose arrogantes,
Abanicos del bosque, los palmeros;
No miro con mi ardiente fantasía
Sólo una tierra virgen que podría
Ser aquel legendario paraíso
Que sólo Adán para vivir tenía;
Miro las nuevas fecundantes venas
De un mundo a las grandezas destinado,
Con su Esparta y su Atenas,
Tan grande y tan feliz como ignorado.
Para poder cantarlo, busca el verso
Una lira con cuerdas de diamante,
Por único escenario el Universo,
Voz de huracán y aliento de gigante.

Que destrence la aurora
Sus guedejas de rayos en la altura:
Que los tumbos del mar con voz sonora
Pueblen con ecos dulces la espesura:
Que las aves del trópico, teñidas
Sus alas en el iris, su contento
Den con esas cadencias tan sentidas
Que van de selva en selva repetidas
Sobre las arpas que columpia el viento.
Venid conmigo a descorrer osados
El velo de los siglos ya pasados.

Tuvo don Juan Segundo
En Isabel de Portugal, la bella,
Un ángel, que más tarde fue la estrella
Que guió a Colón a descubrir un mundo.
El claro albor de su niñez tranquila
Se apagó en la tristeza y en el llanto.
En el triste y oscuro monasterio
Donde, envuelta en el luto y el misterio,
Fue Blanca de Borbón a llorar tanto.
Allí Isabel fortaleció su mente,
Y aquel claustro de Arévalo imponente
Fe le dio para entrar al mundo humano,
Dio vigor a su espíritu intranquilo,
Fue su primer asilo soberano,
Cual la Rábida fue primer asilo
Del Vidente del mundo americano.
Muerto Alfonso, su hermano,
En el convento de Ávila se encierra,
Y hasta allí van los grandes de la tierra,
Llenos de amor, a disputar su mano.
Ella da el triunfo de su amor primero
A su igual en grandeza y en familia,
Al que, rey de Sicilia,
Es de Aragón el príncipe heredero.
A tan gentil pareja
Con ensañado afán persigue y veja
De Enrique Cuarto la orgullosa corte;
Pero palpita el alma castellana
Que de Isabel en la gentil persona,
Más que la majestad de la corona,
Ve la virtud excelsa y soberana.
La España en Guadalete decaída,
Y luego en Covadonga renacida,
No vuelve a unirse, ni por grande impera,
Hasta que ocupa, sin rencor ni encono,
De Berenguela y Jaime el áureo trono,
El genio augusto de Isabel Primera.
Grande en su sencillez, es cual la aurora
Que al asomarse, todo lo ilumina;
Humilde en su piedad, cual peregrina
Va al templo en cada triunfo, y reza, y llora;
Nada a su gran espíritu le agobia:
Desbarata en Segovia
La infiel conjuración: libra a Toledo,
Fija de las costumbres la pureza,
El crimen blasonando en la nobleza
Castiga, vindicando al pueblo ibero:
Por todos con el alma bendecida,
Por todos con el alma idolatrada,
Rinde y toma vencida,
Edén de amores, la imperial Granada.
Dejadme que venere
A esa noble mujer... Llegóse un dia
En que un errante loco le pedía,
Ya por todos los reyes desdeñado,
Buscar un hemisferio, que veía
Allá en sus sueños por el mar velado.
No intento escudriñar el pensamiento
Del visionario que a Isabel se humilla.
¿La América es la Antilla
En que soñó Aristóteles? ¿La
Atlántida
Que Platón imagina en su deseo,
Y menciona en su diálogo el Timeo?
¿Escandinavos son los navegantes
Que cinco siglos antes
De que el insigne genovés naciera,
Fijo en Islandia su anhelar profundo,
Al piélago se arrojan animados,
Y son por ruda tempestad lanzados
A la región boreal del Nuevo Mundo?...
¡Yo no lo sé! Se ofusca la memoria
Entre la noche de la edad pasada;
Sólo hay tras esa noche una alborada:
Isabel y Colón: ¡la Fe y la Gloria!
¡Cuántos hondos martirios, cuántas penas
Sufrió Colón! ¡El dolo y la perfidia
Le siguen por doquier! ¡La negra envidia
Al vencedor del mar puso cadenas!
Maldice a Bobadilla y a Espinosa
La humanidad que amamantarlos plugo...
¡El hondo mar con voz estrepitosa
Aun grita maldición para el verdugo!
El mundo descubierto,
A hierro y viva sangre conquistado,
¿Fue solamente un lóbrego desierto?
¿Vive? ¿palpita? ¿crece? ¿ha progresado?
¡Ah sí! Tended la vista... Cien naciones,
Grandes en su riqueza y poderío,
Responden con sonoras pulsaciones
Al eco tosco del acento mío.
El suelo que Cortés airado y fiero,
Holló con planta osada,
Templando lo terrible de su espada
La dulzura y bondad del misionero,
Cual tuvo en Cuauhtemoc, que al mundo asombra
Tuvo después cien héroes: un Hidalgo,
Cuya palabra sempiterna vibra;
Un Morelos, en genio esplendoroso;
¡Un Juárez, el coloso
Que de la Europa y su invasión lo libra!
Bolívar, en Santa Ana y Carabobo,
Y en Ayacucho Sucre, son dos grandes,
Son dos soles de América en la historia,
Que tienen hoy por pedestal de gloria
Las cumbres gigantescas de los Andes.
¡Junín! el solo nombre
De esta epopeya mágica engrandece
El lauro inmarcesible de aquel hombre,
Que un semidiós al combatir parece.
Sucre, Silva, Salom, Córdoba y Flores,
Colombia, Lima, Chile, Venezuela,
En el Olimpo para todos vuela
La eterna fama, y con amor profundo
La ciñe eterna y fúlgida aureola:
¡Gigantes de la América española,
Hoy tenéis por altar al Nuevo Mundo!
Ningún rencor nuestro cariño entraña:
Del Chimborazo, cuya frente baña
El astro que a Colombia vivifica,
A la montaña estrella,
Que frente al mar omnipotente brilla,
Resuena dulce, sonorosa y bella
El habla de Castilla:
Heredamos su arrojo, su fe pura,
Su nobleza bravía.

¡Oh, España! juzgo mengua
Lanzarte insultos con tu propia lengua;
Que no cabe insultar a la hidalguía.
En nombre de Isabel, justa y piadosa,
En nombre de Colón, ningún agravio
Para manchar tu historia esplendorosa
Verás brotar de nuestro humilde labio.
¡A Colón, a Isabel el lauro eterno!
Abra el Olimpo su dorada puerta,
Y ofrezca un trono a su sin par grandeza:
Resuene en nuestros bosques el arrullo
Del aura errante entre doradas pomas:
Las flores en capullo
Denles por grato incienso sus aromas:
El volcán, pebetero soberano,
Arda incesante en blancas aureolas,
Y un himno cadencioso el mar indiano
Murmure eterno con sus verdes olas...
El universo en coro
Con arpas de cristal, con liras de oro,
Al ver a los latinos congregados,
Ensalce ante los pueblos florecientes
Por la América misma libertados,
Aquellos genios, soles esplendentes
De Colón e Isabel, y con profundo
Respeto santo y con amor bendito,
Libre, sereno, eterno, sin segundo,
Resuene sobre el Cosmos este grito:
¡Gloria al descubridor del Nuevo Mundo!
¡Gloria a Isabel, por quien miró cumplida
Su gigantesca empresa soberana!
¡Gloria, en fin, a la tierra prometida,
La libre y virgen tierra americana!
Yo tuve una prima
como un lirio bella,
como un mirlo alegre,
como un alba fresca,
rubia como una
mañana abrileña.   Amaba los versos aquella rapaza
con predilecciones a su edad ajenas.
La música augusta del rtimo cantaba
dentro de su espíritu como ignota orquesta;
todo lo que un astro le dice a otro astro,
todo lo que el cielo le dice a la tierra,
todo lo que el alma pregunta a la Esfinge,
todo lo que al alma la Esfinge contesta.   Pobre prima rubia,
pobre prima buena;
hace muchos años que duerme ese sueño
del que ni los pájaros, alegres como ella,
ni el viento que pasa, ni el agua que corre,
ni el sol que derrocha vida, la recuerdan.   Yo suelo, en los días
de la primavera,
llevar a su tumba
versos y violetas;
versos y violetas, ¡lo que más amaba!   En torno a su losa riego las primeras,
luego las estrofas recito que antaño
su deleite eran:
las más pensativas, las más misteriosas,
las más insinuantes, las que son más tiernas;
las que en sus pestañas, como en blonda de oro,
ponían las joyas de lágrimas, trémulas,
con diafanudades de beril hialino
y oriente de perlas.
  Se las digo bajo, bajito, inclinándome
hacia donde yace, por que las entienda.
Pobre prima rubia, ¡pero no responde!
Pobre prima rubia, ¡pero no despierta!   Cierto día, una joven condiscípula,
con mucho sigilo le prestó en la escuela
un libro de versos musicales, hondos.
¡Eran los divinos versos de Espronceda!   Se los llevó a casa bajo el chal ocultos,
y los escondimos, con sutil cautela,
del padre y la madre, y hasta de su sombra;
de la anciana tía, devota e ingenua,
que sólo gustaba de jaculatorias
y sólo entendía los versos de Trueba.   En aquellas tardes embermejecidas
por conflagraciones de luz, en que bregan
gigánticamente monstruos imprecisos
del Apocalipsis o de las leyendas;
de aquellas tardes que fingen catástrofes;
en aquellas tardes en que el iris vuelca
todos sus colores, en que el sol vacía
toda su escarcela;
en aquellas tardes del trópico, juntos
los dos, en discreto rincón de la huerta,
bajo de la trémula hospitalidad
de nuestras palmeras,
a furto de extraños, vibrantes leíamos
el Canto a Teresa.   ¡Qué revelaciones nos hizo ese canto!
Todas las angustias, todas las tristezas,
todo lo insondable del amor, y todo
lo desesperante de las infidencias:
todo el doloroso mundo que gravita
sobre el alma esclava que amó quimeras,
del que puso estrellas en la frente amada,
y al tornar a casa ya no encontró estrellas.   Todo el ansia loca de adorar en vano
tan sólo a una sombra, tan sólo a una muerta;
todos los despechos y las ironías
del que se revuelca
en zarzal de dudas y de escepticismos;
todos los sarcasmos y las impotencias.   Y después, aquellas ágiles canciones
de prosodia alada, de gracia ligera,
que apenas si tocan el polvo del mundo
con la orla de oro del brial de seda;
que, como el albatros, se duermen volando
que, como el albatros, volando despiertan:
  La ideal canción del bravo Pirata
que iba viento en popa, que iba a toda vela,
y a quien por los mares nuestros pensamientos,
como dos gaviotas, seguían de cerca;   Y la del Mendigo, cínico y osado,
y la del Cosaco del Desierto, bélica,
bárbara, erizada de ferrados hurras,
que al oído suenan
como los tropeles de potros indómitos
con jinetes rubios, sobre las estepas...   Pasaba don Félix, el de Montemar,
con una aureola roja en su cabeza,
satánico, altivo; luego, doña Elvira,
«que murió de amor», en lirios envuelta.
¡Con cuántos prestigios de la fantasía
ante nuestros ojos se alejaba tétrica!   Y el Reo de muerte que el fatal instante,
frente a un crucifijo, silencioso espera;
y aquella Jarifa, cuya mano pálida
la frente ardorosa del bardo refresca.
  Poco de su Diablo Mundo comprendíamos;
pero adivinábamos, como entre una niebla,
símbolos enormes y filosofías
que su Adán desnudo se llevaba a cuestas   ¡Oh mi gran poeta de los ojos negros!,
¡oh mi gran poeta de la gran melena!,
¡oh mi gran poeta de la frente vasta
cual limpio horizonte!, ¡oh mi gran poeta!   Te debo las horas más inolvidables;
y un día leyendo tu Canto a Teresa.,
muy juntos los ojos, muy juntos los labios,
te debí también, cual Paolo a Francesca,
un beso, el más grande que he dado en mi vida;
un beso, más dulce que miel sobre hojuelas;
¡un beso florido que envolvió en perfumes
toda mi existencia!   Un beso que, siento, eternizaría
del duro Gianciotti la daga violenta,
para que en la turba de almas infernales,
como en la terrible página dantesca,
fuera resonando por los anchos limbos,
fuera restallando por la noche inmensa,
y uniendo por siempre mi boca golosa
con la boca de ella!   ¡Oh, mi gran poeta de los ojos negros!
¡Quién hubiera dicho que yo te trajera,
como pobre pago de los inefables
éxtasis de entonces, esta humilde ofrenda!...
¡Oh, gallardo príncipe de la poesía!
Pero tú recíbela con la gentileza
de un Midas que en oro todo lo transmuta;
en claros diamantes mi abalorio trueca,
y en los viles cobres de mis estrofillas,
para acaudalarlos, engasta tus gemas.
Así tu memoria por los siglos dure,
¡oh, mi gran poeta de la gran melena!,
¡oh, mi gran poeta de los ojos negros!
¡oh, mi gran poeta!
One day
when the nights are long and the Winter's nipping at my skin,
when the time I'm out is far better spent within by the crackling of the
open fire and
the clothes I wear are only there to bear the cold
and I'm old
and I'm grey,
One day but not today
today I weigh in with all I've got,
today I've still got a shot at the moon
but soon it will be
that day.
One day
La mirada interior se despliega y un mundo de vértigo y llama nace bajo la frente del que sueña:
soles azules, verdes remolinos, picos de luz que abren astros como granadas,
tornasol solitario, ojo de oro girando en el centro de una explanada calcinada,
bosques de cristal de sonido, bosques de ecos y respuestas y ondas, diálogo de transparencias,
¡viento, galope de agua entre los muros interminables de una garganta de azabache,
caballo, cometa, cohete que se clava justo en el corazón de la noche, plumas, surtidores,
plumas, súbito florecer de las antorchas, velas, alas, invasión de lo blanco,
pájaros de las islas cantando bajo la frente del que sueña!Abrí los ojos, los alcé hasta el cielo y vi cómo la noche se cubría de estrellas.
¡Islas vivas, brazaletes de islas llameantes, piedras ardiendo, respirando, racimos de piedras vivas,
cuánta fuente, qué claridades, qué cabelleras sobre una espalda oscura,
cuánto río allá arriba, y ese sonar remoto de agua junto al fuego, de luz contra la sombra!
Harpas, jardines de harpas.Pero a mi lado no había nadie.
Sólo el llano: cactus, huizaches, piedras enormes que estallan bajo el sol.
No cantaba el grillo,
había un vago olor a cal y semillas quemadas,
las calles del poblado eran arroyos secos
y el aire se habría roto en mil pedazos si alguien hubiese gritado: ¿quién vive?
Cerros pelados, volcán frío, piedra y jadeo bajo tanto esplendor, sequía, sabor de polvo,
rumor de pies descalzos sobre el polvo, ¡y el pirú en medio del llano como un surtidor petrificado!Dime, sequía, dime, tierra quemada, tierra de huesos remolidos, dime, luna agónica,
¿no hay agua,
hay sólo sangre, sólo hay polvo, sólo pisadas de pies desnudos sobre la espina,
sólo andrajos y comida de insectos y sopor bajo el mediodía impío como un cacique de oro?
¿No hay relinchos de caballos a la orilla del río, entre las grandes piedras redondas y relucientes,
en el remanso, bajo la luz verde de las hojas y los gritos de los hombres y las mujeres bahándose al alba?
El dios-maíz, el dios-flor, el dios-agua, el dios-sangre, la Virgen,
¿todos se han muerto, se han ido, cántaros rotos al borde de la fuente cegada?
¿Sólo está vivo el sapo,
sólo reluce y brilla en la noche de México el sapo verduzco,
sólo el cacique gordo de Cempoala es inmortal?Tendido al pie del divino árbol de jade regado con sangre, mientras dos esclavos jóvenes lo abanican,
en los días de las grandes procesiones al frente del pueblo, apoyado en la cruz: arma y bastón,
en traje de batalla, el esculpido rostro de silex aspirando como un incienso precioso el humo de los fusilamientos,
los fines de semana en su casa blindada junto al mar, al lado de su querida cubierta de joyas de gas neón,
¿sólo el sapo es inmortal?He aquí a la rabia verde y fría y a su cola de navajas y vidrio cortado,
he aqui al perro y a su aullido sarnoso,
al maguey taciturno, al nopal y al candelabro erizados, he aquí a la flor que sangra y hace sangrar,
la flor de inexorable y tajante geometría como un delicado instrumento de tortura,
he aquí a la noche de dientes largos y mirada filosa, la noche que desuella con un pedernal invisible,
oye a los dientes chocar uno contra otro,
oye a los huesos machacando a los huesos,
al tambor de piel humana golpeado por el fémur,
al tambor del pecho golpeado por el talón rabioso,
al tam-tam de los tímpanos golpeados por el sol delirante,
he aqui al polvo que se levanta como un rey amarillo y todo lo descuaja y danza solitario y se derrumba
como un árbol al que de pronto se le han secado las raíces, como una torre que cae de un solo tajo,
he aquí al hombre que cae y se levanta y come polvo y se arrastra,
al insecto humano que perfora la piedra y perfora los siglos y carcome la luz,
he aquí a la piedra rota, al hombre roto, a la luz rota.¿Abrir los ojos o cerrarlos, todo es igual?
Castillos interiores que incendia el pensamiento porque otro más puro se levante, sólo fulgor y llama,
semilla de la imagen que crece hasta ser árbol y hace estallar el cráneo,
palabra que busca unos labios que la digan,
sobre la antigua fuente humana cayeron grandes piedras,
hay siglos de piedras, años de losas, minutos espesores sobre la fuente humana.Dime, sequía, piedra pulida por el tiempo sin dientes, por el hambre sin dientes,
polvo molido por dientes que son siglos, por siglos que son hambres,
dime, cántaro roto caído en el polvo, dime,
¿la luz nace frotando hueso contra hueso, hombre contra hombre, hambre contra hambre,
hasta que surja al fin la chispa, el grito, la palabra,
hasta que brote al fin el agua y crezca el árbol de anchas hojas de turquesa?Hay que dormir con los ojos abiertos, hay que soñar con las manos,
soñemos sueños activos de río buscando su cauce, sueños de sol soñando sus mundos,
hay que soñar en voz alta, hay que cantar hasta que el canto eche raíces, tronco, ramas, pájaros, astros,
cantar hasta que el sueño engendre y brote del costado del dormido la espiga roja de la resurrección,
el agua de la mujer, el manantial para beber y mirarse y reconocerse y recobrarse,
el manantial para saberse hombre, el agua que habla a solas en la noche y nos llama con nuestro nombre,
el manantial de las palabras para decir yo, tú, él, nosotros, bajo el gran árbol viviente estatua de la lluvia,
para decir los pronombres hermosos y reconocernos y ser fieles a nuestros nombres
hay que soñar hacia atrás, hacia la fuente, hay que remar siglos arriba,
más allá de la infancia, más allá del comienzo, más allá de las aguas del bautismo,
echar abajo las paredes entre el hombre y el hombre, juntar de nuevo lo que fue separado,
vida y muerte no son mundos contrarios, somos un solo tallo con dos flores gemelas,
hay que desenterrar la palabra perdida, soñar hacia dentro y también hacia afuera,
descifrar el tatuaje de la noche y mirar cara a cara al mediodía y arrancarle su máscara,
bañarse en luz solar y comer los frutos nocturnos, deletrear la escritura del astro y la del río,
recordar lo que dicen la sangre y la marea, la tierra y el cuerpo, volver al punto de partida,
ni adentro ni afuera, ni arriba ni abajo, al cruce de caminos, adonde empiezan los caminos,
porque la luz canta con un rumor de agua, con un rumor de follaje canta el agua
y el alba está cargada de frutos, el día y la noche reconciliados fluyen como un río manso,
el día y la noche se acarician largamente como un hombre y una mujer enamorados,
como un solo río interminable bajo arcos de siglos fluyen las estaciones y los hombres,
hacia allá, al centro vivo del origen, más allá de fin y comienzo.
Jane Tricky Mar 2013
March 3, 2004**

It was a cool night. We sat bundled up sweat pants and hoodies. She lived in a trailer (a mobile home for those who dislike such terminology) on the outskirts of town, on a farm to market road that many blunts had been smoked on. One of our favorite activities was piling into my four door compact car and rolling up delicious strawberry Phillies or Swishers filled with half brown, half green **** of the earth bud. But that’s a different story…
Her parents and sisters were gone for the evening. The porch swing was situated in the backyard just outside the sliding door, beside the riding lawn mower, ratty trampoline which had been bounced on one million and one times (she even broke her tailbone on that stupid recreation device), and the newly constructed chicken coop. The swing creaked every time we swung, but we didn’t mind. I’m sure a small spritz of WD-40 would have cleared it right up but our teenage minds were incapable of such logical decision making.
It was not the first time we had partaken in such events and it certainly would not be the last. The canister was plastic, red, and a familiar sight for most. Anyone who uses a combustible engine fueled by such a horrific liquid knows what I speak of. However, when you’re sixteen and too broke to buy *** and too young to purchase alcohol and cigarettes, sometimes your options are limited. But we must have a vice. It’s a requirement for all humans, regardless of what some might say. Being the reckless young woman I was at the time, I had many of them, and honestly, I still do today. On this particular evening, the heavenly aroma of gasoline was both our friend and our savior. We would inhale and then pass the canister to one another, over and over again. Between the intense sessions of déjà vu and cat naps, our night was a blur. Incessant giggling and talks of silly adolescent affairs was all that occurred. The feeling of being somewhere you’ve been before a thousand times in a row is overwhelming and really makes one question the concept of time and experience. How can I be somewhere now and have been in the exact same position before? How can I experience something that has potentially never occurred because of the inhalation of a substance? It is quite boggling really. After exploring the realm of drugs extensively, it is quite odd to look back at a night in question like this and wonder how a substance can do what it did.
My best friend and I sat there for hours on end, inhaling and chatting. We would occasionally salvage a blunt roach to smoke on or steal a cigarette from her older sister or father. They were never my choice in brands but it’s difficult to be picky when you’re a thief. Up until this point in time, I had always enjoyed the aroma emitted from gasoline. However, this night would mark a change in perception.
The majority of what occurred is not only uninteresting but extremely hard to remember. Gasoline has a way of doing that… expelling memories from your brain in a whirlwind of déjà vu and uncontrollable nap taking. But, at some point in time we decided to take our little private party inside; perhaps because of the weather but more likely because of a lack of clear reasoning.
All I can vividly remember is that we both woke up to her father beating on the window of her bedroom to let him inside the house. We were both so startled by this event occurring that she knocked over the canister filled with the petroleum based product. Quickly scrambling to resolve the issue, we hid the gas can in her closet. We then looked at each other in pure disbelief over the situation. Not only was it scary but it was also quite amusing. The situations we would put ourselves in were always quite delightful, even when they were horrific beyond belief. We tried to muster up a plan of action but it was no use.
She then ran to unlock the door to let her dad in. The first thing he asked upon entrance into the house was, “Why does it smell like gasoline in here?” Obviously we did not have an adequate answer for him other than, “We don’t know, we were wondering the same thing,” The best part is that he never even questioned us. Why would he? We were just sweet teenage girls with smiles plastered across our faces because we had been huffing gasoline all ******* night.
On a night not too far in the future, we would partake in the same type of inhalation but because there was not a canister at my house, we would huff it straight from my grandma’s van. Our neighbor saw us doing it and called the police. For the rest of my grandmother’s life (six short months) she passionately believed that people in our neighborhood were trying to siphon gas from her Chevy Astro. She made me go to an auto parts store to purchase a gas tank lock to deter such activities. That marked the end of our gas huffing days.
Aa Harvey Sep 2020
Astro-Nought


I never said I was dead.
I never claimed I was real.
I never saw you as a great.
I only tried to feel.


I couldn’t help you in space.
I’m way too far away from love.
I remember your tear-stained face.
I am giving up.


I never believed down there.
I never believed up here.
I never seemed to care.
I only saw what was never near.


I lived in my dreams.
I hid away from the world,
By floating off into a place of make believe.
Fantasy kept me alive when I wanted to be still.
Here, take my grief.


(C)2020 Aa Harvey. All Rights Reserved.
samantha neal Jan 2015
I always saw a fascination in the stars, the far away galaxies
Your eyes, the creases in your hands
The way these all formed together in a constellation
Exploding with stellar being
Everything about you was celestial.

Hours studying Zodiac signs left me empty
I needed to find myself in your solar system
Forcing life onto other planets
Deserted meteors I saw in your mind
I wanted to restore you.

As I looked to you I felt ablation
My mind melting away the ideas of horoscopes
Making room for you and your astro being
Never once wanting any sort of apastron
I awaited the chaos.

You are an evolved star
Burning out slowly, ever so
Sinking to be extragalactic
A place I never imagined
I was far from extraterrestrial.

But orbiting around you I felt the brightness of our galactic halo
Pushing deeper to reach your nucleus, I became your gravity
As one, our luminosity pressed tightly on all sides
Forcing darkness to disband, a large nova exploding from us
And now we are an elliptical galaxy.
A pastel blue backdrop
behind three glass frames
not a cloud in the sky
not a plane flying by

Yet I cannot learn to love
the sky without the trails
smoky puffs of vapour
line a day with uncertainty

For a blue sky is bland
without the odd trace
of imperfection, even
birds in formation become
the aforementioned.

"I can't stand to sing
the same song the same way
two nights in succession"
Routine it seems is its
own imperfection.

Give me a grey sky in June
And thunder in peace
A stark croaking crow
Can be sheer bliss

All things aligned,
Excitements amiss
For the brain needs
A puzzle, a challenge...

Confrontation, **** your
Hollywood films and
Normalisation, your
predictable habits

And false gestation;

Astro-Turf fields
And palm tree islands,
Man-made beaches
And glacier skylines

Synthetic audio
and bastardisation
of the arts, your
contempt for nature

Shall be your Achilles
for the world we live in,
the forests and canopy's
are the very providers

Of human abilities,
rid us of them and face
extinction, this is the
nature of colonisation.

The earth which houses us
is not formulaic, It's a collision
of astronomic proportions
every detail as vital as another

Mankind can be primal, Oedipal
and graceless, but respecting your
home is not an optional gift, for
we cannot survive as a species adrift.
Scottie Green Jul 2013
The boy walking in front of me
With a slight limp on his left leg
A backwards astro hat
And dark skin underneath darker clothes
Smelled of coffee
And the humid breeze lifted axe from his neck
Backwards and up my nose

He smelled of trouble
Of seventh grade solitude
And looked as if  he walked out of my fifth grade memories

Still I thought of you

***** and dark
Dope across your tee shirt
Freckles spotting your smile that press into your dimples
Lifting the corners of my mouth

I'd like to lick cologne from your neck
Made of sweat and ****** solitude

You made none of my memories
Smelled and looked of nothing familiar
Only past daydreams

Maybe I'm just tired

I was up all night thinking of Ma
She has always smelled of Ck perfume
No matter how much money we had

She looks like all of my memories

Her short boy haircut
Her androgynous women's work suit
I remember her younger

Still loving women

Made of muscle, teaching me how to run
After soccer and before the gym

At night
She went out in slinky tank tops
Made of sparkles or silk, and sometimes both

Leaving, she'd kiss my forehead as she left me with father and my 101 Dalmatians sippy cup
I'd hug around her neck
And breathe in her Ck perfume
Kam Yuks Dec 2013
I like to talk **** when I write - so
-
Astro management
Secure the banished talisman
Martyrdom and ice cream
Melt of the establishment.

What's that? You don't recognize this as a style in your text book?
Doesn't fit inside your box, eh?

It's poetry **** face!

I'm not writing for a grade. This isn't meant to fit anywhere other than outside of my head.

Can't relate to me?

Chances are you've fit in with the normalcy of manufactured lies - I admire your blissful ignorance.

Go ahead and cite your work. I do this to get relief from the APA format.

What's it feel like for someone who ***** at living?

Keep reading, you're not alone.
My submissions were turned down recently. Just me criticizing the critic.  

Projection at its finest.
Coop Lee Feb 2015
like swirling colors, we begin at a party.
at a school
in a town
and a time on earth with the people and the streets and the trees.
tv’s/

like swirling oil of holy alignment. we begin
as a glob  (or embryo)
tiny little me/you/each
   (organic ******).

as children, involved and wearing warm hats,
we wait
on furniture.

the home stretch is free
unto college,
unto seasons, moss or mold, to bud new spells.
boy dunked in the river/
baptized.
transformed into horror.
(summer slash winter)

little brother,
little baby orb of water / air / mountain(s).
fish.
my son becomes a stoner.
he puts a giant-squid on his head
& dances the cha-cha.

star ghoul &
star-calc, skull of light/
bits of she beaming through and known only as the sky at night.
charted;
astro-logically.

in goatsblood.
& the mathematic sacraments of babylon.
meat and feast on forests of tall city steel beasts in beams; towers;
with the blood of men to raise them;
molochi.
(the consumed one)
(consumers)
swallowing dreams and family force nutrients for more and more and
more; as said to sustain.
for life is to devour.
previously published in Deluge Mag. by Radioactive Moat Press
http://issuu.com/radioactivemoat/docs/deluge_issue_three/69?e=2514487/9385958
Ottar Aug 2013
I am sorry to announce that due to intermittent
thick cloud cover,
(I am so a lover
of meteor showers) our viewing is cancelled,
no wait is that
a clearing in the sky the deep blue colour and
are those stars
not near but afar, nope, just some plane, making
for Bellingham or Blaine, might
as well be Spain.

Shower me with flowers. (no thorns please)
Shower me with (dark)chocolate.
Shower me with meteors.
                                           No not me personally.
What lights their tales
What makes their beards
  Flame...to warm my heart
I know the physics, astro-too
Does it affect me, like it affects you
Just one hour of a meteor shower
I'll be good for another year of power,
like one super hero (or ONE with a super lot of zeroes, after)
We can hold an after meteor party at my place and
your all invited and I will put your names on the
guest list, now we can't now we won't there is no
shower here this night
clouds shield my sight
they are like a blight
on the fruit
that I toiled
for a year,
readied my
sleep cycle,
pruned back
tree tops to
see the horizon,
set up lines
of sight to
track their
paths this night
across the heavens
but now I will
go to bed,
if you show
up to a dark
house, I am
sorry in advance
as I said sadly at
the start the
show is cancelled
and for my part
I will try again
tomorrow night!
Jack L Martin Sep 2018
As I stare into the starlit sky
I wonder if i'll catch this guy?
Does Jupiter hide behind it's moons?
Do specters and goblins dance it's tunes?

Will Velma ever sing my song?
My heart for her will ever long!

Daphne, don't laugh at me!
Can't you see that what's happening,
is beautiful and sacred,
I wish you were naked
in my Mystery Van, half bake-ed
Tristan Neve May 2010
Astro space dust peaking over the bows
Jesters prance across your belly causeing blindness
And practical giants pick your clothes for tonight.
Although we have danced together
Yesterdays lunch backs up our crusades.
The spiked pants have formed a crust
Around the water bed
Filled with the tears of your family.
Your halos burn in the fire of the ages
Scorching the carpet.
Liquor and wine fill the packs
A toast to life is a thirst quenching mission
Taking away our lust and bleaches our skin
Forgotten births spread across the floor
Covered in last nights brew.
The night bodies jangle around under the gauze
Bells toll in the distance but the breath drows it out.
Under the bridge, behind the stores,
In the Inns, out inside.
The physics are catestrophic in their own way.
Crys begin once the breathing stops and the men leave.
Today we are creatures but how did we get this way
Who was the one who came up with the idea?
Don't question yourself
The leopards can't chase you forever
Give yourself to the hunters
They starve another night.

— The End —