As a woman, and in the service of my Lord the Emperor Wu, my life is governed by his command. At twenty I was summoned to this life at court and have made of it what I can, within the limitations of the courtesan I am supposed to be, and the poet I have now become. Unlike my male counterparts, some of whom have lately found seclusion in the wilderness of rivers and mountains, I have only my personal court of three rooms and its tiny garden and ornamental pond. But I live close to the surrounding walls of the Zu-lin Gardens with its astronomical observatories and bold attempts at recreating illusions of celebrated locations in the Tai mountains. There, walking with my cat Xi-Lu in the afternoons, I imagine a solitary life, a life suffused with the emptiness I crave.
 
In the hot, dry summer days my maid Mei-Lim and I have sought a temporary retreat in the pine forests above Lingzhi. Carried in a litter up the mountain paths we are left in a commodious hut, its open walls making those simple pleasures of drinking, eating and sleeping more acute, intense. For a few precious days I rest and meditate, breathe the mountain air and the resinous scents of the trees. I escape the daily commerce of the court and belong to a world that for the rest of the year I have to imagine, the world of the recluse. To gain the status of the recluse, open to my male counterparts, is forbidden to women of the court. I am woman first, a poet and calligrapher second. My brother, should he so wish, could present a petition to revoke his position as a man of letters, an official commentator on the affairs of state. But he is not so inclined. He has already achieved notoriety and influence through his writing on the social conditions of town and city. He revels in a world of chatter, gossip and intrigue; he appears to fear the wilderness life.  
 
I must be thankful that my own life is maintained on the periphery. I am physically distant from the hub of daily ceremonial. I only participate at my Lord’s express command. I regularly feign illness and fatigue to avoid petty conflict and difficulty. Yet I receive commissions I cannot waver: to honour a departed official; to celebrate a son’s birth to the Second Wife; to fulfil in verse my Lord’s curious need to know about the intimate sorrows of his young concubines, their loneliness and heartache.
 
Occasionally a Rhapsody is requested for an important visitor. The Emperor Wu is proud to present as welcome gifts such poetic creations executed in fine calligraphy, and from a woman of his court. Surely a sign of enlightment and progress he boasts! Yet in these creations my observations are parochial: early morning frost on the cabbage leaves in my garden; the sound of geese on their late afternoon flight to Star Lake; the disposition of the heavens on an Autumn night. I live by the Tao of Lao-Tzu, perceiving the whole world from my doorstep.
 
But I long for the reclusive life, to leave this court for my family’s estate in the valley my peasant mother lived as a child. At fourteen she was chosen to sustain the Emperor’s annual wish for young girls to be groomed for concubinage. Like her daughter she is tall, though not as plain as I; she put her past behind her and conceded her adolescence to the training required by the court. At twenty she was recommended to my father, the court archivist, as second wife. When she first met this quiet, dedicated man on the day before her marriage she closed her eyes in blessing. My father taught her the arts of the library and schooled her well. From her I have received keen eyes of jade green and a prestigious memory, a memory developed she said from my father’s joy of reading to her in their private hours, and before she could read herself. Each morning he would examine her to discover what she had remembered of the text read the night before. When I was a little child she would quote to me the Confucian texts on which she had been ****** schooled, and she then would tell me of her childhood home. She primed my imagination and my poetic world with descriptions of a domestic rural life.
 
Sometimes in the arms of my Lord I have freely rhapsodized in chusi metre these delicate word paintings of my mother’s home. She would say ‘We will walk now to the ruined tower beside the lake. Listen to the carolling birds. As the sparse clouds move across the sky the warm sun strokes the winter grass. Across the deep lake the forests are empty. Now we are climbing the narrow steps to the platform from which you and I will look towards the sun setting in the west. See the shadows are lengthening and the air becomes colder. The blackbird’s solitary song heralds the evening.  Look, an owl glides silently beneath us.’
 
My Lord will then quote from Hsieh Ling-yun,.
 
‘I meet sky, unable to soar among clouds,
face a lake, call those depths beyond me.’
 
And I will match this quotation, as he will expect.
 
‘Too simple-minded to perfect Integrity,
and too feeble to plough fields in seclusion.’
 
He will then gaze into my eyes in wonder that this obscure poem rests in my memory and that I will decode the minimal grammar of these early characters with such poetry. His characters: Sky – Bird – Cloud – Lake – Depth. My characters: Fool – Truth – Child – Winter field – Isolation.
 
Our combined invention seems to take him out of his Emperor-self. He is for a while the poet-scholar-sage he imagines he would like to be, and I his foot-sore companion following his wilderness journey. And then we turn our attention to our bodies, and I surprise him with my admonitions to gentleness, to patience, to arousing my pleasure. After such poetry he is all pleasure, sensitive to the slightest touch, and I have my pleasure in knowing I can control this powerful man with words and the stroke of my fingertips rather than by delicate youthful beauty or the guile and perverse ingenuity of an ****** act. He is still learning to recognise the nature and particularness of my desires. I am not as his other women: who confuse pleasure with pain.
 
Thoughts of my mother. Without my dear father, dead ten years, she is a boat without a rudder sailing on a distant lake. She greets each day as a gift she must honour with good humour despite the pain of her limbs, the difficulty of walking, of sitting, of eating, even talking. Such is the hurt that governs her ageing. She has always understood that my position has forbidden marriage and children, though the latter might be a possibility I have not wished it and made it known to my Lord that it must not be. My mother remains in limbo, neither son or daughter seeking to further her lineage, she has returned to her sister’s home in the distant village of her birth, a thatched house of twenty rooms,
 
‘Elms and willows shading the eaves at the back,
and, in front,  peach and plum spread wide.
 
Villages lost across mist-haze distances,
Kitchen smoke drifting wide-open country,
 
Dogs bark deep among the back roads out here
And cockerels crow from mulberry treetops.
 
My esteemed colleague T’ao Ch’ien made this poetry. After a distinguished career in government service he returned to the life of a recluse-farmer on his family farm. Living alone in a three-roomed hut he lives out his life as a recluse and has endured considerable poverty. One poem I know tells of him begging for food. His world is fields-and-gardens in contrast to Hsieh Ling-yin who is rivers-and-mountains. Ch’ien’s commitment to the recluse life has brought forth words that confront death and the reality of human experience without delusion.
 
‘At home here in what lasts, I wait out life.’
 
Thus my mother waits out her life, frail, crumbling more with each turning year.
 
To live beyond the need to organise daily commitments due to others, to step out into my garden and only consider the dew glistening on the loropetalum. My mind is forever full of what is to be done, what must be completed, what has to be said to this visitor who will today come to my court at the Wu hour. Only at my desk does this incessant chattering in the mind cease, as I move my brush to shape a character, or as the needle enters the cloth, all is stilled, the world retreats; there is the inner silence I crave.
 
I long to see with my own eyes those scenes my mother painted for me with her words. I only know them in my mind’s eye having travelled so little these past fifteen years. I look out from this still dark room onto my small garden to see the morning gathering its light above the rooftops. My camellia bush is in flower though a thin frost covers the garden stones.
 
And so I must imagine how it might be, how I might live the recluse life. How much can I jettison? These fine clothes, this silken nightgown beneath the furs I wrap myself in against the early morning air. My maid is sleeping. Who will make my tea? Minister to me when I take to my bed? What would become of my cat, my books, the choice-haired brushes? Like T’ao Ch’ien could I leave the court wearing a single robe and with one bag over my shoulders? Could I walk for ten days into the mountains? I would disguise myself as a man perhaps. I am tall for a woman, and though my body flows in broad curves there are ways this might be assuaged, enough perhaps to survive unmolested on the road.
 
Such dreams! My Lord would see me returned within hours and send a servant to remain at my gate thereafter. I will compose a rhapsody about a concubine of standing, who has even occupied the purple chamber, but now seeks to relinquish her privileged life, who coverts the uncertainty of nature, who would endure pain and privation in a hut on some distant mountain, who will sleep on a mat on its earth floor. Perhaps this will excite my Lord, light a fire in his imagination. As though in preparation for this task I remove my furs, I loose the knot of my silk gown. Naked, I reach for an old under shift letting it fall around my still-slender body and imagine myself tying the lacings myself in the open air, imagine making my toilet alone as the sun appears from behind a distant mountain on a new day. My mind occupies itself with the tiny detail of living thus: bare feet on cold earth, a walk to nearby stream, the gathering of berries and mountain herbs, the making of fire, the washing of my few clothes, imagining. Imagining. To live alone will see every moment filled with the tasks of keeping alive. I will become in tune with my surroundings. I will take only what I need and rely on no one. Dreaming will end and reality will be the slug on my mat, the bone-chilling incessant mists of winter, the thorn in the foot, the wild winds of autumn. My hands will become stained and rough, my long limbs tanned and scratched, my delicate complexion freckled and wind-pocked, my hair tied roughly back. I will become an animal foraging on a dank hillside. Such thoughts fill me with deep longing and a ****** desire to be tzu-jan  - with what surrounds me, ablaze with ****** self.
 
It is not thought the custom of a woman to hold such desires. We are creatures of order and comfort. We do not live on the edge of things, but crave security and well-being. We learn to endure the privations of being at the behest of others. Husbands, children, lovers, our relatives take our bodies to them as places of comfort, rest and desire. We work at maintaining an ordered flow of existence. Whatever our station, mistress or servant we compliment, we keep things in order, whether that is the common hearth or the accounts of our husband’s court. Now my rhapsody begins:
 
A Rhapsody on a woman wishing to live as a recluse
 
As a lady of my Emperor’s court I am bound in service.
My court is not my own, I have the barest of means.
My rooms are full of gifts I am forced barter for bread.
Though the artefacts of my hands and mind
Are valued and widely renown,
Their commissioning is an expectation of my station,
With no direct reward attached.
To dress appropriately for my Lord’s convocations and assemblies
I am forced to negotiate with chamberlains and treasurers.
A bolt of silk, gold thread, the services of a needlewoman
Require formal entreaties and may lie dormant for weeks
Before acknowledgement and release.
 
I was chosen for my literary skills, my prestigious memory,
Not for my ****** beauty, though I have been called
‘Lady of the most gracious movement’ and
My speaking voice has clarity and is capable of many colours.
I sing, but plainly and without passion
Lest I interfere with the truth of music’s message.
 
Since I was a child in my father’s library
I have sought out the works of those whose words
Paint visions of a world that as a woman
I may never see, the world of the wilderness,
Of rivers and mountains,
Of fields and gardens.
Yet I am denied by my *** and my station
To experience passing amongst these wonders
Except as contrived imitations in the palace gardens.
 
Each day I struggle to tease from the small corner
Of my enclosed eye-space some enrichment
Some elemental thing to colour meaning:
To extend the bounds of my home
Across the walls of this palace
Into the world beyond.
 
I have let it be known that I welcome interviews
With officials from distant courts to hear of their journeying,
To gather word images if only at second-hand.
Only yesterday an emissary recounted
His travels to Stone Lake in the far South-West,
Beyond the gorges of the Yang-tze.
With his eyes I have seen the mountains of Suchan:
With his ears I have heard the oars crackling
Like shattering jade in the freezing water.
Images and sounds from a thousand miles
Of travel are extract from this man’s memory.
 
Such a sharing of experience leaves me
Excited but dismayed: that I shall never
Visit this vast expanse of water and hear
Its wild cranes sing from their floating nests
In the summer moonlight.
 
I seek to disappear into a distant landscape
Where the self and its constructions of the world may
Dissolve away until nothing remains but the no-mind.
My thoughts are full of the practicalities of journeying
Of an imagined location, that lonely place
Where I may be at one with myself.
Where I may delight in the everyday Way,
Myself among mist and vine, rock and cave.
Not this lady of many parts and purposes whose poems must
Speak of lives, sorrow and joy, pleasure and pain
Set amongst personal conflict and intrigue
That in containing these things, bring order to disorder;
Salve the conscience, bathe hurt, soothe sleight.

Even as the sun with purple-coloured face
Had ta’en his last leave of the weeping morn,
Rose-cheeked Adonis hied him to the chase;
Hunting he loved, but love he laughed to scorn.
Sick-thoughted Venus makes amain unto him,
And like a bold-faced suitor ‘gins to woo him.

“Thrice fairer than myself,” thus she began
“The fields chief flower, sweet above compare,
Stain to all nymphs, more lovely than a man,
More white and red than doves or roses are;
Nature that made thee with herself at strife
Saith that the world hath ending with thy life.

“Vouchsafe, thou wonder, to alight thy steed,
And rein his proud head to the saddle-bow;
If thou wilt deign this favour, for thy meed
A thousand honey secrets shalt thou know.
Here come and sit where never serpent hisses,
And being set, I’ll smother thee with kisses.

“And yet not cloy thy lips with loathed satiety,
But rather famish them amid their plenty,
Making them red and pale with fresh variety:
Ten kisses short as one, one long as twenty.
A summer’s day will seem an hour but short,
Being wasted in such time-beguiling sport.”

With this she seizeth on his sweating palm,
The precedent of pith and livelihood,
And, trembling in her passion, calls it balm,
Earth’s sovereign salve to do a goddess good.
Being so enraged, desire doth lend her force
Courageously to pluck him from his horse.

Over one arm the ***** courser’s rein,
Under her other was the tender boy,
Who blushed and pouted in a dull disdain,
With leaden appetite, unapt to toy;
She red and hot as coals of glowing fire,
He red for shame, but frosty in desire.

The studded bridle on a ragged bough
Nimbly she fastens—O, how quick is love!
The steed is stalled up, and even now
To tie the rider she begins to prove.
Backward she pushed him, as she would be ******,
And governed him in strength, though not in lust.

So soon was she along as he was down,
Each leaning on their elbows and their hips;
Now doth she stroke his cheek, now doth he frown
And ‘gins to chide, but soon she stops his lips,
And, kissing, speaks with lustful language broken:
“If thou wilt chide, thy lips shall never open”.

He burns with bashful shame; she with her tears
Doth quench the maiden burning of his cheeks;
Then with her windy sighs and golden hairs
To fan and blow them dry again she seeks.
He saith she is immodest, blames her miss;
What follows more she murders with a kiss.

Even as an empty eagle, sharp by fast,
Tires with her beak on feathers, flesh, and bone,
Shaking her wings, devouring all in haste,
Till either gorge be stuffed or prey be gone;
Even so she kissed his brow, his cheek, his chin,
And where she ends she doth anew begin.

Forced to content, but never to obey,
Panting he lies, and breatheth in her face;
She feedeth on the steam as on a prey,
And calls it heavenly moisture, air of grace,
Wishing her cheeks were gardens full of flowers,
So they were dewed with such distilling showers.

Look how a bird lies tangled in a net,
So fastened in her arms Adonis lies;
Pure shame and awed resistance made him fret,
Which bred more beauty in his angry eyes.
Rain added to a river that is rank
Perforce will force it overflow the bank.

Still she entreats, and prettily entreats,
For to a pretty ear she tunes her tale;
Still is he sullen, still he lours and frets,
‘Twixt crimson shame and anger ashy-pale.
Being red, she loves him best; and being white,
Her best is bettered with a more delight.

Look how he can, she cannot choose but love;
And by her fair immortal hand she swears
From his soft ***** never to remove
Till he take truce with her contending tears,
Which long have rained, making her cheeks all wet;
And one sweet kiss shall pay this countless debt.

Upon this promise did he raise his chin,
Like a dive-dapper peering through a wave
Who, being looked on, ducks as quickly in;
So offers he to give what she did crave;
But when her lips were ready for his pay,
He winks, and turns his lips another way.

Never did passenger in summer’s heat
More thirst for drink than she for this good turn.
Her help she sees, but help she cannot get;
She bathes in water, yet her fire must burn.
“O pity,” ‘gan she cry “flint-hearted boy,
’Tis but a kiss I beg; why art thou coy?

“I have been wooed as I entreat thee now
Even by the stern and direful god of war,
Whose sinewy neck in battle ne’er did bow,
Who conquers where he comes in every jar;
Yet hath he been my captive and my slave,
And begged for that which thou unasked shalt have.

“Over my altars hath he hung his lance,
His battered shield, his uncontrolled crest,
And for my sake hath learned to sport and dance,
To toy, to wanton, dally, smile, and jest,
Scorning his churlish drum and ensign red,
Making my arms his field, his tent my bed.

“Thus he that overruled I overswayed,
Leading him prisoner in a red-rose chain;
Strong-tempered steel his stronger strength obeyed,
Yet was he servile to my coy disdain.
O be not proud, nor brag not of thy might,
For mast’ring her that foiled the god of fight.

“Touch but my lips with those fair lips of thine,
—Though mine be not so fair, yet are they red—
The kiss shall be thine own as well as mine.
What seest thou in the ground? Hold up thy head;
Look in mine eyeballs, there thy beauty lies;
Then why not lips on lips, since eyes in eyes?

“Art thou ashamed to kiss? Then wink again,
And I will wink; so shall the day seem night.
Love keeps his revels where there are but twain;
Be bold to play, our sport is not in sight:
These blue-veined violets whereon we lean
Never can blab, nor know not what we mean.

“The tender spring upon thy tempting lip
Shows thee unripe; yet mayst thou well be tasted.
Make use of time, let not advantage slip:
Beauty within itself should not be wasted.
Fair flowers that are not gathered in their prime
Rot and consume themselves in little time.

“Were I hard-favoured, foul, or wrinkled-old,
Ill-nurtured, crooked, churlish, harsh in voice,
O’erworn, despised, rheumatic, and cold,
Thick-sighted, barren, lean, and lacking juice,
Then mightst thou pause, for then I were not for thee;
But having no defects, why dost abhor me?

“Thou canst not see one wrinkle in my brow,
Mine eyes are grey and bright and quick in turning,
My beauty as the spring doth yearly grow,
My flesh is soft and plump, my marrow burning;
My smooth moist hand, were it with thy hand felt,
Would in thy palm dissolve or seem to melt.

“Bid me discourse, I will enchant thine ear,
Or like a fairy trip upon the green,
Or like a nymph, with long dishevelled hair,
Dance on the sands, and yet no footing seen.
Love is a spirit all compact of fire,
Not gross to sink, but light, and will aspire.

“Witness this primrose bank whereon I lie:
These forceless flowers like sturdy trees support me;
Two strengthless doves will draw me through the sky
From morn till night, even where I list to sport me.
Is love so light, sweet boy, and may it be
That thou should think it heavy unto thee?

“Is thine own heart to thine own face affected?
Can thy right hand seize love upon thy left?
Then woo thyself, be of thyself rejected,
Steal thine own freedom, and complain on theft.
Narcissus so himself himself forsook,
And died to kiss his shadow in the brook.

“Torches are made to light, jewels to wear,
Dainties to taste, fresh beauty for the use,
Herbs for their smell, and sappy plants to bear;
Things growing to themselves are growth’s abuse.
Seeds spring from seeds, and beauty breedeth beauty;
Thou wast begot: to get it is thy duty.

“Upon the earth’s increase why shouldst thou feed,
Unless the earth with thy increase be fed?
By law of nature thou art bound to breed,
That thine may live when thou thyself art dead;
And so in spite of death thou dost survive,
In that thy likeness still is left alive.”

By this, the lovesick queen began to sweat,
For where they lay the shadow had forsook them,
And Titan, tired in the midday heat,
With burning eye did hotly overlook them,
Wishing Adonis had his team to guide,
So he were like him, and by Venus’ side.

And now Adonis, with a lazy sprite,
And with a heavy, dark, disliking eye,
His louring brows o’erwhelming his fair sight,
Like misty vapours when they blot the sky,
Souring his cheeks, cries “Fie, no more of love!
The sun doth burn my face; I must remove.”

“Ay me,” quoth Venus “young, and so unkind!
What bare excuses mak’st thou to be gone!
I’ll sigh celestial breath, whose gentle wind
Shall cool the heat of this descending sun.
I’ll make a shadow for thee of my hairs;
If they burn too, I’ll quench them with my tears.

“The sun that shines from heaven shines but warm,
And lo, I lie between that sun and thee;
The heat I have from thence doth little harm:
Thine eye darts forth the fire that burneth me;
And were I not immortal, life were done
Between this heavenly and earthly sun.

“Art thou obdurate, flinty, hard as steel?
Nay, more than flint, for stone at rain relenteth.
Art thou a woman’s son, and canst not feel
What ’tis to love, how want of love tormenteth?
O, had thy mother borne so hard a mind
She had not brought forth thee, but died unkind.

“What am I that thou shouldst contemn me this?
Or what great danger dwells upon my suit?
What were thy lips the worse for one poor kiss?
Speak, fair; but speak fair words, or else be mute.
Give me one kiss, I’ll give it thee again,
And one for int’rest, if thou wilt have twain.

“Fie, lifeless picture, cold and senseless stone,
Well-painted idol, image dull and dead,
Statue contenting but the eye alone,
Thing like a man, but of no woman bred!
Thou art no man, though of a man’s complexion,
For men will kiss even by their own direction.”

This said, impatience chokes her pleading tongue,
And swelling passion doth provoke a pause;
Red cheeks and fiery eyes blaze forth her wrong:
Being judge in love, she cannot right her cause;
And now she weeps, and now she fain would speak,
And now her sobs do her intendments break.

Sometime she shakes her head, and then his hand;
Now gazeth she on him, now on the ground;
Sometime her arms infold him like a band;
She would, he will not in her arms be bound;
And when from thence he struggles to be gone,
She locks her lily fingers one in one.

“Fondling,” she saith “since I have hemmed thee here
Within the circuit of this ivory pale,
I’ll be a park, and thou shalt be my deer:
Feed where thou wilt, on mountain or in dale;
Graze on my lips, and if those hills be dry,
Stray lower, where the pleasant fountains lie.

“Within this limit is relief enough,
Sweet bottom-grass and high delightful plain,
Round rising hillocks, brakes obscure and rough,
To shelter thee from tempest and from rain:
Then be my deer, since I am such a park;
No dog shall rouse thee, though a thousand bark.”

At this Adonis smiles as in disdain,
That in each cheek appears a pretty dimple.
Love made those hollows, if himself were slain,
He might be buried in a tomb so simple,
Foreknowing well, if there he came to lie,
Why, there Love lived, and there he could not die.

These lovely caves, these round enchanting pits,
Opened their mouths to swallow Venus’ liking.
Being mad before, how doth she now for wits?
Struck dead at first, what needs a second striking?
Poor queen of love, in thine own law forlorn,
To love a cheek that smiles at thee in scorn!

Now which way shall she turn? What shall she say?
Her words are done, her woes the more increasing.
The time is spent, her object will away,
And from her twining arms doth urge releasing.
“Pity!” she cries “Some favour, some remorse!”
Away he springs, and hasteth to his horse.

But lo, from forth a copse that neighbours by
A breeding jennet, *****, young, and proud,
Adonis’ trampling courser doth espy,
And forth she rushes, snorts, and neighs aloud.
The strong-necked steed, being tied unto a tree,
Breaketh his rein, and to her straight goes he.

Imperiously he leaps, he neighs, he bounds,
And now his woven girths he breaks asunder;
The bearing earth with his hard hoof he wounds,
Whose hollow womb resounds like heaven’s thunder;
The iron bit he crusheth ‘tween his teeth,
Controlling what he was controlled with.

His ears up-pricked; his braided hanging mane
Upon his compassed crest now stand on end;
His nostrils drink the air, and forth again,
As from a furnace, vapours doth he send;
His eye, which scornfully glisters like fire,
Shows his hot courage and his high desire.

Sometime he trots, as if he told the steps,
With gentle majesty and modest pride;
Anon he rears upright, curvets and leaps,
As who should say ‘Lo, thus my strength is tried,
And this I do to captivate the eye
Of the fair ******* that is standing by.’

What recketh he his rider’s angry stir,
His flattering ‘Holla’ or his ‘Stand, I say’?
What cares he now for curb or pricking spur,
For rich caparisons or trappings gay?
He sees his love, and nothing else he sees,
For nothing else with his proud sight agrees.

Look when a painter would surpass the life
In limning out a well-proportioned steed,
His art with nature’s workmanship at strife,
As if the dead the living should exceed;
So did this horse excel a common one
In shape, in courage, colour, pace, and bone.

Round-hoofed, short-jointed, fetlocks **** and long,
Broad breast, full eye, small head, and nostril wide,
High crest, short ears, straight legs and passing strong,
Thin mane, thick tail, broad buttock, tender hide;
Look what a horse should have he did not lack,
Save a proud rider on so proud a back.

Sometime he scuds far off, and there he stares;
Anon he starts at stirring of a feather;
To bid the wind a base he now prepares,
And whe’er he run or fly they know not whether;
For through his mane and tail the high wind sings,
Fanning the hairs, who wave like feathered wings.

He looks upon his love, and neighs unto her;
She answers him as if she knew his mind:
Being proud, as females are, to see him woo her,
She puts on outward strangeness, seems unkind,
Spurns at his love, and scorns the heat he feels,
Beating his kind embracements with her heels.

Then, like a melancholy malcontent,
He vails his tail that, like a falling plume,
Cool shadow to his melting buttock lent;
He stamps, and bites the poor flies in his fume.
His love, perceiving how he was enraged,
Grew kinder, and his fury was assuaged.

His testy master goeth about to take him,
When, lo, the unbacked *******, full of fear,
Jealous of catching, swiftly doth forsake him,
With her the horse, and left Adonis there.
As they were mad, unto the wood they hie them,
Outstripping crows that strive to overfly them.

All swoll’n with chafing, down Adonis sits,
Banning his boist’rous and unruly beast;
And now the happy season once more fits
That lovesick Love by pleading may be blest;
For lovers say the heart hath treble wrong
When it is barred the aidance of the tongue.

An oven that is stopped, or river stayed,
Burneth more hotly, swelleth with more rage;
So of concealed sorrow may be said.
Free vent of words love’s fire doth assuage;
But when the heart’s attorney once is mute,
The client breaks, as desperate in his suit.

He sees her coming, and begins to glow,
Even as a dying coal revives with wind,
And with his bonnet hides his angry brow,
Looks on the dull earth with disturbed mind,
Taking no notice that she is so nigh,
For all askance he holds her in his eye.

O what a sight it was wistly to view
How she came stealing to the wayward boy!
To note the fighting conflict of her hue,
How white and red each other did destroy!
But now her cheek was pale, and by-and-by
It flashed forth fire, as lightning from the sky.

Now was she just before him as he sat,
And like a lowly lover down she kneels;
With one fair hand she heaveth up his hat,
Her other tender hand his fair cheek feels.
His tend’rer cheek receives her soft hand’s print
As apt as new-fall’n snow takes any dint.

O what a war of looks was then between them,
Her eyes petitioners to his eyes suing!
His eyes saw her eyes as they had not seen them;
Her eyes wooed still, his eyes disdained the wooing;
And all this dumb-play had his acts made plain
With tears which chorus-like her eyes did rain.

Full gently now she takes him by the hand,
A lily prisoned in a gaol of snow,
Or ivory in an alabaster band;
So white a friend engirts so white a foe.
This beauteous combat, wilful and unwilling,
Showed like two silver doves that sit a-billing.

Once more the engine of her thoughts began:
“O fairest mover on this mortal round,
Would t

He had been away. Just a few days, but long enough to feel coming home was necessary. He carried with him so many thoughts and plans, and the inevitable list had already formed itself. But the list was for Monday morning. He would enjoy now what he could of Sunday.

Everything can feel so different on a Sunday. Travel by train had been a relaxed affair for once, a hundred miles cross-country from the open skies of the Fens to the conurbations of South Yorkshire. Today, there was no urgency or deliberation. Passengers were families, groups of friends, sensible singles going home after the weekend away. No suits. He seemed the only one not fixated by a smart phone, tablet or computer. So he got to see the autumn skies, the mountain ranges of clouds, the vast fields, the still-harvesting. But his thoughts were full to the brim of traveling the previous November when together they had made a similar journey (though in reverse) under similar skies. They had escaped for two days one night into a time of being wholly together, inseparably together, joined in that joy of companionship that elated him to recall it. He was overcome with weakness in his body and a jolt of passion combined: to think of her quiet beauty, the tilt of her head, the brush of her hair against his cheek. He longed for her now to be in the seat opposite and to stroke the back of her calf with his foot, hold her small hand across the table, gaze and gaze again at her profile as she, always alert to every flicker of change, took in the passing landscape.

But these thoughts gradually subsided and he found himself recalling a poem he had commissioned. It was a text for a verse anthem, that so very English form beloved by cathedral and collegiate choral directors of the 16th C (and just that weekend he had been in such a building where this music had its home). He had been reading The Five Proofs for the Existence of God from the Summa Theologica by Thomas Aquinas, knowing this scholar to have been a cornerstone of the work of Umberto Eco, an author he admired. He had also set a poem that mentioned these Five Proofs, and had set this poem without knowing exactly what they were. He recalled its ending:

They sit by a lake where dead leaves
Float and apples lie on a table. She
ignores him and his folder of papers

but I found later the picture was called
‘In Love’, which coloured love sepia.
Later still, by the time I sat with you,

Watched your arm on the back of a chair
And your hand at rest while you told me
Of Aquinas and his proofs for the existence

Of God I realised love was not always
Sepia, that these hands held invisible
Keys, were pale because the mind was aflame.

He remembered then the challenge of reading Aquinas, this Dominican friar of the 13C. It had stretched him, and he thought of asking his wordsmith of thirty years, the mother of his daughters, to bring these arguments together in a poetic form for him to set to music. She had delivered such a poem and it took him some while to grasp it wholly. He wondered for a moment if he actually had grasped it. But there was this connection with the landscape he was passing through. She had mentioned this, and now he saw it for his own eyes. She had been to Ely for the day, to walk the length of the great Cathedral, to stare at and be amongst the visible past, the past of Aquinas. He remembered the first verse as only a composer can who has laboured over the scheme of words and rhythms:

The Argument from Motion

Everything in the world changes.
A meadow of skewbald horses grazes
Beneath a pair of flying swans
And the universe is different again.

And no sooner is potency reduced to act,
By a whisker’s twitch or a word,
A word, that potent gobbet of air
Than smiles and tears change places.

And everything has changed. Back
Go the tracks beyond seen convergence
To a great self-sufficient terminus
Which terminus we might call God.

And so it was in such a spirit of reflection that his journey passed. He had joined the Edinburgh express at Peterborough to travel north, and the landscape had subsided into a different caste, still rural, but different, the fields smaller, the horizon closer.

Alighting from the train in his home city on a Sunday afternoon the station and surrounding streets were quiet and the few people about were not walking purposefully, they strolled. He climbed the flights of stairs to his third floor studio, unlocked the door and immediately walked across the room to open the window. Seagulls were swooping and diving below him, feeding off the detritus of the previous night’s partying in the clubs and pubs that occupied the city centre, its main shopping area removed to a mall off kilter with the historic city and its public buildings. What shops there were stood empty, boarded up, permanently lease for sale.

Sitting at his desk he surveyed the paper trail of his work in progress. Once so organised, every sketch and plan properly labelled and paginated, he had regressed it seemed to filling pages of his favoured graph paper in a random fashion. Some idea for the probably distant future would find its way into the midst of present work, only (sometimes) a different ink showing this to be the case. Notes from a radio talk jostled with rhythmic abstracts. He realised this was perhaps indicative of his mental state, a state of transience, of uncertainty, a temporariness even.

He was probably too tired to work effectively now, just off the train, but the sense and the relative peacefulness that was Sunday was so seductive. He didn’t want to lose the potential this time afforded. This was why for so many years Sunday had often been such a productive day. If he went to meeting, if he cooked the tea, if he ironed the children’s school clothes for the week, there was this still space in the day. It represented a kind of ideal state in which to think and compose. Now these obligations were more flexible and different, Sunday had even more ‘still’ space, and it continued to cast its spell over him.

He put his latest sketches into a sequential form, editing on the computer then printing them out, listening acutely, wholly absorbed. Only a text message from his beloved (picking blackberries) brought him back to the time and day. There was a photo: a cluster of this dark, late summer fruit, ripe for picking framed against a tree and a white sky. Barely a week ago they had picked blackberries together with friends, children and dogs and he had watched her purposely pick this fruit without the awkwardness that so often accompanied bending over brambles. He wondered at her, constantly. How was this so? He imagined her now in her parents’ garden, a garden glowing in the late afternoon light, as she too would glow in that late-afternoon light . . . he bought himself back to the problem in hand. How to make the next move? There was a join to deal with. He was working with the seven metrics of traditional poetry as the basis for a rhythmic scheme. He was being tempted towards committing an idea to paper. He kept reminding himself of the music’s lie of the land, the effectiveness of it so far. It was still early days he thought to commit to something that would mark the piece out, produce a different quality, would declare the movement he was working on to be a certain shape.

And suddenly he was back on the train, looking at the passing landscape and the next verse of that Aquinas poem insisted itself upon him with its apt description and tantalising argument:

The Argument from Efficient Causality

We are crossing managed washlands.
Pochards so carefully coloured swim
Where cows ruminated last summer
In a landscape fruit of human agency.

And I think of the heavenly aboriginal
Agent of all our doings in this material
Playground of earth I can pick up,
Hold and crumble and cultivate

And air that is mine for the breathing
And the inhabited waters that cling
As if by magic to a sphere. What cause
Sustains the effects we live among?

For there is no smoke without fire
And as we sow, thus we reap. Nihil
Ex nihil, therefore something Is,
Some being we might call God.

So ‘nothing out of nothing, therefore something is’.  Outside in the city the Cathedral bells were ringing in Evensong. The sounds only audible on a Sunday when the traffic abated a little and the sounds in the street below were sporadic. He thought of going out into the Cathedral precinct and listening to the bells roll and rhythm their sequences, those Plain-Bob-Majors and Grand-Sire-Triples. But he knew that would further break the spell, the train of thought that lay about him.

He sketched the next section, confidently, and when he had finished felt he could do know more. There it was: a starting point for tomorrow. He could now go towards home, walk for a while in the park and enjoy the movements of the wind-tossed trees, the late roses, the geese on the lake. He would think about his various children in their various lives. He would think about the woman he loved, and would one day assuage what he knew was a loneliness he could not quench with any music, and though he tried daily with words, would not be assuaged.

Solvent and solution
Kept assuaged for so long
Treading in the selfishness of my subconscious state
Of barely traceable memories, spurred on by the gravity of time spent
At the briefest hint at past involvement

Each leaf falls, eventually.
Every pristine little well formed tended to.
Each nurtured, cared for, parcel or idea.

I can watch them for hours
Watching them fall, one by one, for hours.
When days start to bleed together, out of the corner of my eye,
I can always see them, marking progression.
Collecting in drifts, then, taken by the wind, then
The rot sets in.

I used to watch this.

I used to find time.

The roof cast me in its shadow, even standing along the banister that runs along the length

Even as the final rays of sun start to vanish one at a time

the universe was toothache, the stars were giant cavities. “but it’s been far too long since i’ve had sugar,” cried the sun, the concerned star. “don’t lie to me,” said ever so smart mercury, “when we are right by the milky way.” the other planets jeered and the sun shed a tear and on the earth was rain, peeking through the clouds. you see, the sun was always body conscious. the planetary publication "zodiac almanac" always had an unruly comment or three to share, and after copious poring, the sun felt a little dimmer every time. but every night when the stars twinkled in all of their saccharine glory, they had the sun to thank. the sun, who boldly held itself up in the sky for the little specks on the planet earth, from the people taking walks in the park to the plants preparing to soak up their daily delight. they engaged in photosynthesis while the sun never felt too photogenic at all. the sun mused while listening to the twinkling music of the rotating planets and stars that kissed each other as they formed constellations, faint but audible nonetheless. the sun mused that it wasn’t shining brightly enough. it cried and wept and the people on earth mirrored its melancholy, for a day without the sun morphed into a day of rain-induced laziness.

mercury, who had since apologized, urged the sun to read a book to reinvigorate her intricate mind. jupiter and uranus suggested a workout for empowerment. mars recommended her to write an angry diatribe or five, she was so very fond of venting. venus reminded her again and again that she was beautiful. neptune sang her a lullaby every night. and saturn offered her a ring to lean on. pluto was on sabbatical, but sent her a postcard. all of these gestures were warm and lovely, but the sun still felt trapped and unworthy.

she felt too enormous, too blinding, and too far from earth, where she’d heard many wonderful stories about. the other planets had grown complacent with their distance from earth, but the sun always wanted more, and that was why it was so sunny sometimes, because she wanted to stretch out her wispy arms and embrace the world she knew she could never touch. so she never felt good enough.

but one day the earth seemed to have had enough, and the people were growing dreary of the absence of their beloved sunlight. the moon was especially privy to this information, as she’d watched over earth night after night (except in her first phases when she would rest), and witnessed many a complaint as the clouds would clock off from their shifts and heave sighs of resignation. they knew their golden friend was still weeping.

the moon decided to take a stand. she floated towards the sun even though they were so far away and told her softly: "darling, i know it’s sad that every day you can give so much to people who will never be able to give you anything back. i know it’s hard to peer over, having to watch their countless stories unfold and not ever being able to be one of them. but every time you shine down on that tiny planet over there, you change things. you are bigger because you are so full of light, gently cascading onto those lucky tiny specks down there. and i know you’ll never know what it feels to be fed rays of sunlight, but you can take all the moonlight you want from me and it won’t bother me at all."

and the sun cried more but this time, the tears were out of happiness, and the moon assuaged her again that it would all be fine. she knew she didn’t need to have her own sun, feeding her light, because she knew the light was within her, and her ***** friend, the moon. millenniums later the two would laugh about this.

"what was wrong with me?" inquired the sun.

"everything happens in phases," replied the moon.

Bring to me a strong ***
By which my soul's sorrow will be forgot:
Filled with an ****** divine
So that Woman may be driven from my mind.
For I no longer want
This stream inspiring a heartly haunt,
That once flows will not stop
'Til my heart's blood drains to its last drop,
And so drained, then breaks.
Leaves me with an art held for its own sake.
So bring me forth this draught,
Deepest as ever one from Lethe quaffed.
From my broken heart charm
This fair Image of the earth's Fairest Form
That ever my heart has held,
That ever my reveling heart has swelled.

Alas, seems never shall be
My mind's eye, my heart, my soul ever free
Of this tort'rous torment.
Left with naught to do, only lament.
Away I cannot chase
The mind numbing beauty of her face.
'Tis all in vain it seems
For such a draught appears only in my dreams.
My sight did so invest,
Bringing damning pain abreast.
No longer can delight
Be brought forth from sights seen in any light.

Had she only known how
My heart, once free, only beat for her now
And with but a smile
Assuaged that murd'rous pain but for a while
I would then know relief,
That most bittersweet pain, the "joy of grief."

in this
pocketful
        of limbo
          the distance rises
               in curls of smoke
        a prairie fire
siphoning into
crisp edge
           of forest
          Inside my
uncloaked ventricle
primeval forces
turn my blood into
dusted gold
as they pump
        sacred texts
into my oxygen
      They roll your quintessence
upon my fingers,
            playing inside
     my psyche's  
wild ache
a spread of orifice
in spellbound mantra,
       as I spit out
          the
            hairy thorns,
a holy purge of
   internal
        engravings
    
Somehow ---
like a miracle,
I grow ripe seedlings
from deep within
            my womb
as I trip into
a universe rising
I take wisps
of your grace
as it brushes
the jut of my
astral collarbone
You are always
         grounding me
                    like this,
               my tongue
              tripping
         over velvet
stance of warrior
        assuaged into silk
    
        Without you,
I might be
whisked off into
the periphery
of chaos
but instead
       I am simply
tied to
      the urgency
of the little novas
about to
        explode

While I wait
            I tend to
              the wildfires.
     to make sure they
                   are still burning
I keep my honey
wet and fresh
upon your
                   lips,
let my pores
drip moonpools
    into your glistening
wet of mouth
and only when
          it is time
I let the whole of
           me burst
into the
      fire -wrapped
tips of
   stars

O Venus, beauty of the skies,
To whom a thousand temples rise,
Gaily false in gentle smiles,
Full of love-perplexing wiles;
O goddess, from my heart remove
The wasting cares and pains of love.

If ever thou hast kindly heard
A song in soft distress preferred,
Propitious to my tuneful vow,
A gentle goddess, hear me now.
Descend, thou bright immortal guest,
In all thy radiant charms confessed.

Thou once didst leave almighty Jove
And all the golden roofs above:
The car thy wanton sparrows drew,
Hovering in air they lightly flew;
As to my bower they winged their way
I saw their quivering pinions play.

The birds dismissed (while you remain)
Bore back their empty car again:
Then you, with looks divinely mild,
In every heavenly feature smiled,
And asked what new complaints I made,
And why I called you to my aid?

What frenzy in my ***** raged,
And by what cure to be assuaged?
What gentle youth I would allure,
Whom in my artful toils secure?
Who does thy tender heart subdue,
Tell me, my Sappho, tell me who?

Though now he shuns thy longing arms,
He soon shall court thy slighted charms;
Though now thy offerings he despise,
He soon to thee shall sacrifice;
Though now he freezes, he soon shall burn,
And be thy victim in his turn.

Celestial visitant, once more
Thy needful presence I implore.
In pity come, and ease my grief,
Bring my distempered soul relief,
Favour thy suppliant's hidden fires,
And give me all my heart desires.

the words that once flowed off my tongue have all been dried,
leaving nothing but a cracked and barren wasteland,
desert termites squeeze themselves into places they’re not wanted,
the phantom figure of what was once alive cries for water in a broken voice that will never be heard,
even by the most intent of listeners.
the fruits of my labor are met with mud on my clothes and spit in my face.
at the night’s fall i bask in the eternal cold,
the air i abuse is extracted from my lungs with sleight of hand
and an unnervingly charming smile,
a cherry tree beckons me forward as it waves in the midnight wind,
the crickets fall silent and i am momentarily assuaged,
bathed in the yellow light of the moon.
time ebbs and time flows, bringing with her the judge, jury, and executioner.
like Saint Bartholomew, i am strewn up to be flayed,
from my pocket falls a needle and thread, a note from someone long ago left behind,
and a rotting apple core.
they belong to the Earth now,
and soon so will my precariously perched form,
my very essence pooling around the tree and staining the leaves pink.
at my decaying touch, maggots spawn.
as if trained, they surround my body,
a cocoon in which i metamorphosize into who i’ve always been.
in my chest, the vultures will nest,
feeling safer than i ever could have,
nothing left of the girl who once wove tales of grandeur and painted paradises in her mind,
but a torn canvas and an empty shell waiting for its puppeteer.

The fingerprint of life
Sounded very good,
And the flash of death
Appeared very dim,

Yet the sparrow led me
To the mighty stream
That has no source,

Yes, the appearance of the
Stream was very good,
Yet she came around
With her immaculate ***,

Yes, she was in a flabby
Kente cloth which looked very dense,
Yet she came around
With her pleasant beacon,

Ah, look again,
This mighty tree has no roots
The shadow that can quench
The darts of the true enemy,
Has created a new wave of love,

See how I have grown to read
Between her apron white teeth,
For her bark looked black,
Because white was not yet beautiful,

This story must be told,
Oh yes, she must be known
By the ancestors and the Gods,
She is indeed the true
Likeness and image of Kabutuwaa,

Stir straight down the valley
And observe how beautiful
Her emperor Majesty of Ethiopia is,

Indeed, Montewab , She that bears
The eternal edible fruits of Africa
Is the fir of life,

Now that I have found
Empress Berhan Mogasa,
I am assuaged to rain against drought.


© PRINCE NANA ANIN-AGYEI
Email: nanaspeaks@gmail.com

I'm different from the advertisements
I'm different from being able to check the diffident
I'm differently formed, coffered the affidavit
The defendant left me in a spell of the time that I had lost
Imbibing my guilt in the adequate alacrity, inevitable wasn't it
The loss of my sensible sagaciousness and I took it to curtsy for my childish grin
Smirks and lenience were standing upon at gaze, in the confused crowd
Only you, you were standing in the surface flowing with troughs of tridents of storms
Making choices beyond your gayness, and pristine condition was your choice of gentleness

an illusion of the heart

it clouds your eyes

to the simple signs

that lead to the lies

of this broken art



a parasite of the mind

you believe this is bliss

from the first to last kiss

as you start to dismiss

the fact you are blind



so fly with your wings

and escape from that stage

to become quite assuaged

beyond all that rage

that's attached by strings



disintegrating, piece by piece

you start to decay

still smiling everyday

unaware you were just prey

to this creature who continues to feast



thus when the time is deserved

speak loud and clear

and ignore all the leer

from them and your peers

and all the attempts to make you unnerved



while the ties have been cut

and your vision has cleared

you're no longer adheared

to the leech that appeared

to be more than you thought



still this cycle remains

with the exception of few

who stick together like glue

but that will be you

when, vanished is the pain

Love is bereft ---abandoned by the heartless
    cry not, nor lament--none is around to listen
     sorrows of the broken heart
    are never assuaged by reason
    
   ..ah ! when would love
  its splendour once more  glisten?
  my pillow I #bite this sombre night
  in tears--I never knew love was such a prison.

There was an old man whose despair
Induced him to purchase a hare:
Whereon one fine day,
He rode wholly away,
Which partly assuaged his despair.

Sitting in silence, in her gold gilded cage
Filled with wistful wonder
With doors left open, fears are assuaged
Neither bound nor torn asunder

Yet broken wings cannot take flight
Even if she chose to try
Alone in a cage with no one in sight
She can't sing, but silently cries

Born to be loved in deep adoration
Her heart, won over with words
Consumed to ash in conflagration
A bird with no song to be heard

Mislayed into a abysmal reverie
Like sitting idly in the dark
Relegated and cast aside
Residing in a transitional place
A midway state of imprisonment
Bordering a intermediate reality
In a fantasy of the unknown
Compacted within rage and peace
Hallucinations and premonitions
Guide my space of entrapment
Inside this world of inception
I feel like a ghostly embodiment
A entity inside my own mind
Lost in a indefinite mirage
The apparition of a phantom
Longing for a way out
Into a externalizing release
To reach a metigated outward form
To becalm and sooth my waves
Assuaged my grief and pain
My spirit must alleviate
Wake into the shimmering light
From this overwhelming dreamland
I often question myself
How did I cross the border?
Into the threshold of chimera
This beastly uncanny form
A wonderland of uncertainty
My brain has seemed to freeze
Succumbing to a brick of emotions
I have a potpourri of thoughts
A war of the good, bad and ugly
Yielding of a unrestrained musing
And now I seem to be descending
Furthermore dropping deeper
Into a vagary of dreams
A occurrence of sloping slumber
Such a unbearable enclosure
It's hard to snap out of..
It's difficult to escape from..
This ******* of my soul
Tightly submerged in the depths
Of a hammering state of limbo...

©Michael P. Smith

It all started with a big mistake;
I’m here to tell it was all a big fake.
Fred hit Kelly in his great big mouth;
He said he caught Kelly at his girl’s house.
Rosie was jealous of Fred’s main squeeze;
Said she always does what she pleases.
So, she cooked up the story about her.
And Kelly never knew a thing either.
But that didn’t stop the fur from flying.
I tell you the truth, if I’m lying I’m dying.
The mood changed in the old hangout.
Everyone stuck around, nobody cut out.

Everyone was gathered for birthday cheer.
You know, some pool and some beer.
Nobody knew about Rosie’s big lie
Or what kind of crap would soon fly.
They just laughed and cracked jokes;
Enjoyed some legal and illegal smokes.
And when the mood was sufficiently jolly
Rosie quietly took Kelly out into the ally.
Said she saw Kelly go into the house
Fred started fuming, calling Kelly a louse.
He went back in and he smacked old Kelly
And followed it up with a shot to the belly.

While Kelly was reacting, Fred purely raged.
He wasn’t quite done, was not even assuaged.
But Kelly’s girl Lydia heard what Fred said
And smacked Rosie up side of her head.
She started screaming that Rosie was a liar,
And then there were two more irons in the fire.
It was two women and two men slugging.
The Fist City Express started chugging.
Mirrors were broken by costly pool sticks
The bartender finally got tired of the tricks
And got out his baseball bat and stepped in.
Rosie ******* up and hit him on the chin.

By now, a customer called nine one one,
And the end of the brouhaha had begun.
All four of the combatants were busted.
And the cops finally decided they trusted
The regular customers who all insisted
That the bartender not be arrested.
It might be good to say it was a big shame
But fights in bars are the name of the game.
Especially when women fight, it’s a show
And bystanders in bars always let them go
And then cheer and some even take bets.
This is how selling alcohol to fools often gets.

jasmine jostles
leaves fold

I watch

steel and glass contain
assuaged by structure

the wind blows
but not here

Being the black sheep of the family
Is all well and good until winter comes.
The grass is frozen, food is scarce
And those stomachs don't stop rumbling,
Ever wailing to be appeased,
Unaware and uncaring to the icy conditions.
They're not monsters, no.
They huddle together for warmth;
Snow dusting their coarse wool
As they stand, determined to make it through the cold.
But their stomachs scream like dying beasts,
And the ache is so prevalent in their empty bellies.
No fat to chew on, time passes by so slowly,
And that black sheep is starting to look like the odd one out.
It doesn't look like food,
But it does seem just enough like an other
To smother any guilt that may linger
At the bottom of a recently-assuaged hunger.
They're not monsters, no,
Because the black sheep was never one of them.

Examining the tee from the game that you loved
I imagine your swing and thoughtfully rub
my thumb over imperfections made
of time, spent and gone;
now emptiness so. . . wrong.
I hold it for the ties to you.
Your nearness seeping in faint wisps
into my bones
but they are ghostly tethers.
Sitting in the home
you built. Amid the ruins of years
gladly spent in labor. Fears
gently assuaged and now forgotten
even as you fade.
As the time with you fades.
Your nearness pales,
After all, it is just a tee.
Now my panic fills the moment
as this tether fails
too.

I stalked into the brothel with
a cinnamon tongue
hot and ready to pierce.

The room tasted like child’s play
smooth banisters and
bunk beds and
upstairs, the double doors
locked where mom and dad slept.

Its not a love you feel
for the lump beneath the quilt
you just arrange it with your soles
kick it into place
until it no longer aches
or impedes your peaceful dream
until it no longer aches
or impedes your selfish, peaceful dream

assuaged and self-contained
without faces
without names
you can learn to share yourself
like a cactus shares its spines
you can stare right into cries for help
and tell yourself
you’re not powerful enough to do harm

And **** to hell the belle
that comes above the lace
looking as beautiful as she felt
but this time, with a face

eyes like submarine lights
uncovering this corner of deep id-rich sea
without which, otherwise,
I might be perfectly happy
To follow my hunger and
the little bright star
of some angler fish’s mottled lure
hungry like the man
into the monster’s
hungrier jaws

But empathy’s enough
a knowing glance
to give any monster pause
and to keep me from leaving there
without her on my arms.

I took this quilt lump
this time with a face
and told her in due time
I could learn to speak her name.

She clawed not to be stolen,
she had been once before
but in these rank and sweaty halls
between these ***** sheets
she knew what end she could expect
a luxury she would not have with me

Those double doors lay dormant
but soon they would erupt
and fury would fly out to find
like some low cattle thief
I had run off with a head of his herd

We slipped like stench out of the brothel, new gods within ourselves
picked a furnace of a day to hide and run
the sun was a lantern
to young old tourist moths
whose dead dust wings flipped like flora
into the Spanish fountains

we moved,
we found a hill that  stood alone
crowned with plastic turrets, that
someday would be sails in a landfill
but now they stood like great vats
for the mass to leave the masses
uncover their bare *****
and hide the fact that every
human tube takes the world
the living beauty
and turns it into truth

“Waste Not, Want Not”
“Waste None, Live None”


   .   .   .   .   .   .   .   .    .   .   .   .


Resting on this hill of waste
under the gorgeous sun
the brothel coughed out another face
this one with a gun

I knew him for the fear
that he put into my prize’s eyes
and the goat’s head grimace
the same that once convinced
my hot and cinnamon tongue
now flicking to pierce
the back of my teeth

And he chased after me

I know the love was true for it came second to self-preservation
When violence came upon me
I let the ***** go free
I did not see her as we ran
hunter and prey
through Mission walls
and old stone alleys

I couldn’t wish for better aim
not a bullet found my feet
nor did fatigue, but I turned to met him
in some lone canyon of a city
some conquistador’s old drag

And there was no exchange of eyes
No quick game of words
No businessman charade
No Humanity deserved

I flew upon him like a coyote
and danced with tooth and claw
and pulled out little threads of red from
his eyes and nose and jaw

till finally the apple bruised
a little flattened spot
just pushed upon his brain enough

and then I saw his face
as if it had been laid
at the bottom of a box
where some red soaked marbles
were thrown in and
shook and rolled across
like finger paints from little hands
if I could push mine into his skull
I’d bet his brain
his thoughts and plans
would feel just like Play-Doh

Then I called the elected gods of judgment
and told them that in the historic district
some boy lay dead at my hands

As I walked to my awaking
I saw her once again
blank with the eyes of a beaten retriever
back into the brothel
where she decides to stay
inside, where no one dies in plain sight

hope blossoms once again
in a desert bereft for so long
the ache of dust-filled emptiness
is assuaged by healing rain
a kiss from your lips showers me
the light in your eyes brings life
you tell me time and again
that there can be a future for us
I often struggle with what I lack
incompetent to give what you deserve
you ask nothing, yet wholly trust
when I've given no reason at all
it is exactly this trust which wakes me anew
from a long-lived, lifeless slumber
New growth springs forth as I strive to be
the woman you behold in me

we've seen pain and sorrow beyond compare
yet we've known both bliss and peace
through the long roads ahead I know there'll be more
of beauty mingled with scars
but, truly my love, so long as you're there
I'll take each one in stride
I may not always glow with happiness and hope
but I will certainly give it my all
because to hold you close and walk with you
through all life's mysteries and labyrinths
is all I've dreamed of, all I've wanted
since dreams were mine to conjure
I am with you today, yours tomorrow,
and beside you as long as you'll have me
though distance may separate my hand from yours
my heart will always be yours

Come to me vagrant, O Death:
starved of bone, starved of lung,
dime-eyed and savage.
Do not come to me gorged and gorgeous,
for it is only when you have known
true hunger, withered to a stalk,
submitted to beggary and stale breads,
you may come to my door, my table.
It will be then, O Death, that pity
becomes you - it will be there
in my clouding eyes you bear witness
to what makes grief a giving - it will be
there in my dry cracked palms held
empty before you, not a partaking of life,
but a share of a hunger assuaged and willing.

‘Once fire is the form of the spectacle the problem
becomes how to set fire to fire.’
—Joshua Clover, ‘My Life in the New Millennium’

i’m back
back with a thunderclap.
no wait, scratch that.
back with a thunderous tone from the seldom seen soul
groaning lonely long sung melodies, if it please.
welcome to a kingdom of dreams
and agony.
a stone’s throw from here:
a face
Unseen.
and somewhere between(:) low
oceans rolling under the moon,
a storm approaching,
crazed wind whirling,
my sails unfurl, searching for the open seas of your gaze;
sick of being furtive;
i live and i yearn and i speak what i learn
and i know when i haven’t earned it,
too often too stern and i know you don’t deserve it,
i know everyone i know and too many more deserve so much more
and for them to have this i live and i yearn!
Justice!
for this i live and i yearn
on the turning earth that gives
no rest to the world weary
left alone
to burn out, i burn out, i burn out
i rise from the ashes
a phoenix grasping wheat and hammer in its talons,
seeking to pass out gifts and set fire
to fire itself, to sing Clover in the streets,
to render the helpless
helpless no longer.
i am (not) unbroken
like infinite waves.
friends fan the flames of my brazen heart
ablaze at three minutes to the midnight of my flagrant soul.
a toll on your life,
a tax on your poverty.
shouting: no more!
shouting: we will not settle for less than we are owed!
shouting: down with the dictatorship of the plutocrat!
shouting: down with the rich Man’s socialism!
shouting: …
in a fantasy, odiously
no more, doubt ridden,
not yet traversed nor even intraversed,
not yet reified, not quite versed;
apartheids’ unovercoming, voices atrophied,
walls rising higher, reception terse
and curse those bless’ed curses
transdescending themselves
in blessings through me!
they haven’t yet found me at my worst
so things couldn’t get worse if i hurt them.

my intentions a mess,
my effect bereft.

wake me from my slumber, let be the aching of my chest;
let the heaviness of my heart be the weight of solidarity;
let be! the political is personal to some, life and death to some:
that’s why i’m so glum, chum,
they’re killing quicker than i finish another straight ***…
****.
and on our own soil too – see, it’s partly not for oil;
blind to land grabs and assets stolen, our toil exploited – that’s what’s up.
can’t handle serfdom? physical, mental, or spiritual health problem?
abject subsistence and misread decisions not assuaged by some other ***?
unconditional basic income?—say what?
choose starvation, hypothermia, suicide, fear—
it’s a numbers game
and every loss is a ******,
it’s ****** up.
state cuts ****, zombie banks ****, transnationals ****, TTIP will ****,
our heroes are experienced
as torturous humiliators and mass murderers in other countries,
it’s ****** up.
and reactions to shock and awe, pollution, imperialism and stolen raw materials be the chorus.
and i hope the NSA and other such state ***** hear clearly what i have to say.
and always from the pools of blood,
money trickles up.
structurally omni-parasitic,
-cataclysmic, -containing
an unlucky lucky one formula;
“profits today, **** tomorrow!”;
a system of mass extinction and violence;
cultures of hate;
distain for compassion;
secret social cleansings;
privatised gain, nationalised pain;
a plaguing absence of understanding;
sanction fetishes;
rational genocides;
wages; ***; television; grumpy cat; death drive;
armies of invisible slaves and pillaged unpeoples,
and sordid crowds of visible ones in denial or denied;
and an honest and patronising pastiche poet!
to not even begin.

but a promise shall be a promise.

weeping won’t get it done.
i shall muster my forces even before four horsemen,
the long attricious charge toward a universal freedom from fear
and hierarchy shattered
under banners of equality axiomatic sworn.
my wingbeat shall be adorned with thunderous applause,
it shall disclose smokescreens and it shall cleanse you of opiates
and not just those you have in mind.
watch me soar, join these skies;
rise above the immoral laws and their warped economic concord;
be aware of where the wealth is hoarded;
don’t concern yourself with lies,
concern yourself with liars and who they’re lying for.
be wary where your desire’s from.
there’s still longer than a long way to go
but your sense of urgency is needed now.
the shadows of the Bomb and of ecological catastrophe now grow longer
than the shadow of death
in any old sad song in history
in scarcity, surrendering abundant potential for post-scarcity
to strings of the superego, demons, conductors, controllers
and orchestrated outrage!
and i know we have more to lose than our chains.
but the view from the night of Terror is of the far off tranquil stars
and the moon never brighter!
bind, unbind, entwine.
i will not leave behind only wasted time.
find yourself, find the source, give out your hand
to dance, to share, suffer, fall—
find the hand of another, there find recourse—
and consider the Call, and consider the Course.

The lovers in their windows
drew my bitter eyes;
Heavens aligned that I would find a heart on to rely.

The eyes that caught me glancing
were faded as my boots.
The words inane, we shared our pain in darkened disrepute.

Her breath assuaged discomfort
and hazed my gazeless stare.
Reserves dismissed for hollow bliss, I came to be ensnared.

She stole from me my envy
and catered to my pride.
At my whim she’d quell my dreams and hold herself astride.

Today is not remembered
by distant sons, estranged.
The grand divide one must decide is cold comfort or change.

The grains upon my table
could satisfy no more.
Again enticed, against advice, I shattered our rapport.

I sent my love a dying spring
so she’d remember me.
But when the tears fell from her face, they washed into the sea.

The stars that rose above me
emerged from out the foam.
And by their light, I stood, contrite, and spent the night alone.

Removed beside the brookbank,
in hopeless disarray,
The rock and roll will steal her soul and watch her float away.

left to right,
all looks the same to me.
as far as the eye can see,
a cadre of thieves
waiting for their chance.
when our vigilance slips
they'll kick the chair beneath our feet
and leave us hanging
from the bows of a willow tree.

if ever there was a time
to smash windows, burn limos,
and punch Nazis, the moment is here.
you fancy yourself progressive
yet here you sit on your hands, regressing,
playing the hand you've been dealt.
did you forget the deck is stacked?
the House always wins.

it's time to flip the table over.

toss their rule-book in the gutter.
a clenched fist is not just an image
you stick on a protest sign
to appear edgy. the movement
for gender equality is not an opportunity
for you to get laid. fighting the State
is not a weekend getaway.
carve the reality into your thick skull:
people are dying.

don't you see? they want us divided.
we're easier prey that way.
if they demonize the anarchists
and socialists then they can make
the liberals feel safe. "don't be violent,"
they say. "comply. obey. and we'll mete out
just enough concessions to keep
your guilty conscience assuaged."

if we fail to hold their feet to the fire
they'll throw us in the ovens.
the fascists will drag us out
behind the chemical sheds,
pull a burlap sack over our heads,
and won't stop the firing squad
'till we're long dead.

will you sit idle and watch
them drag us away? or will you
get aggressive, stand up to the State
and say, "not today."
don't be a passive participant
in your own arrest. the human mind
is omnipotent, an emancipatory instrument.
we have to begin
imagining a world without gods and masters,
envisioning what it means to be truly free.
resist the corpulence of false democracy
and make the prefigurative dream
our new reality.

Green grass along a cerulean sky
                Sought I
                                To write:
                                                The perfect prose.
Thoroughly I searched,
                Yet my pad remained plain and pure
                And quite unquenched.
I strolled stolidly and walked wearily
        To the water’s unexpected whims.
                                Amusing as it were, well…
                        With its lacking of lapping—
                                                 just somewhat lazy:
                                For the wind blew blessedly refreshingly,
                Yet the waves seemed scared to surface—
                        Somewhat suspiciously.
Then my ears caught quite a commotion
        Coming from behind me:
                                Chuckling and chasing squirrels
                        Pounced past perched pigeons
                        As if to bother the birds
                        Because of blatant boredom.
Deafeningly distracted became I
        When all of a sudden
                A fickle photographer focused her
                Large lens
                        Dangerously, daringly in my direction.
        Vainly I ventured to assume,
                Yet I assuaged,
                        And I moved
                                Maturely… (as anyone should).  
        Pointed and positioned to the person of peace
                                placed in the park,
        She snapped, and she snipped a picture or two
                Inevitably to post on a wasted wall space.
As the sun set,
        To be clearly cliché,
        I wrapped up my writings
                On my once plain and pure pad.
        Had it had eyes,
                It would have gawked and glanced
                        For my gaze in return:
“You call that a creation? Corny it is,
        Not at all concise.”
Carelessly content, I closed the cover
        Leaving my pad
                Quite unquenched.