"I am made up out of dreary routinely aspects."*
.
The afternoon always spans out throughout each morning,
And I awake within each in a bed I have spent eternity within.
I unveil the sheets, stand myself up onto the ground,
And rub my eyes of their tiredness.
I adjust the straps of the clothes I wear, and stand up
And just wait there.
The room is usually empty and often I feel like I am apart of the paint of the walls.
Like I am stuck upon them like a rock in the concrete or a figure that can be scraped from it.
I un-mount my position like a fly un-mounts a jar and swindle across my bedroom to
The door and go through the unfamiliar house to the kitchen where I collapse onto the chair.
I stare at the table, and caress its granite. I stand up and fix up the coffee in the corner.
I listen to the whistling of the kettle as it replaces the birth of an old silence.
'Its cold outside' it reminds me. It's always cold outside.
I pour the coffee and add the sedatives that would otherwise leave my thoughts racing within me,
And sip from the cup as I stand in the corner.
I leave it, sit at the table, and stare at the granite again.
The wind outside is not whistling, but rustling the leaves. I am reminded of thunderstorms.
Lightning, thunder, clouds, lightning, thunder, clouds,
I sip the cup again.
There is an old familiarity behind the noises outside the window,
I **** myself uselessly to infatuate a rhythm to the steps of the branches of the winter trees.
The kitchen is filled with the noises of these audacities,
and once, perhaps last year July,
Their repetitive sounds would escape their waves and induce me frightened alone in my kitchen chair...
But now, they do not frighten me.
Not since last year July.
I pick up the teaspoon from the side and enter it into the cup,
Neither have been washed from their last usage or usages.
As I stir, I hum a melody that is quieter than the rustling. A melody that is quieter than me myself.
When the coffee cup is empty, I lay my hands onto the granite and force myself up.
I stumble towards the door and through the house and back into the bedroom.
Sometimes the days are loud, and sometimes I am a figure to its silence.
I enter the bedroom and sit at the rocking chair that would of belonged to someone else
In another world where there was furniture for the restless women who stayed awake...
And I do not rock, I only sit.
My sleeping gown covers my legs,
but if I could, I would imagine a dress much shorter than this.
Showing the scars, the marks, the knees, the bones, the skin layers, the worn-out
Wrinkles and the sighing thighs.
I would picture their lengths dominated by the visibility of threads of cloths that
Are for some other woman in some other world.
I sit up and almost fall,
Then use the armchair to balance me as I mount onto the carpet,
Where I stand again and tremble.
I walk towards the bed,
Then turn around. I exit the bedroom.
I walk through the house and past the kitchen and enter
The bigger room with the chandelier and the grand piano.
There are picture frames in this room, but they do not show faces-
They only show sentences.
Scriptures,
and I ignore them, and sit myself at the grand piano.
Middle C has turned from the ivory color to
Brown. And I blow the dust away.
Ave Maria begins with the note G,
But I play the highest note on the set of keys
With my left hand,
Then roll across it one by one as if I'm playing an infinite scale.
And watch my fingers as they shake upon each valorous key.
'One, two, three' I whisper
Then play another note.
'One
Two
Three.'
I put my hands to my side then realize that there are tears rolling down my cheeks.
There is no window in this room,
I hum again and now it is the loudest sound in the house...
But it is still, oh so quiet.
The furniture in the room is all in standard condition,
As I stand up, I close my eyes and remember them without having to look at them.
As they are, as they have always been.
I walk to one of the walls that present four picture frames.
All of them show a man and a woman in each-
And all of them are blank.
There is a quote underneath one of them that reads, "The house must be tendered well-
for now home is where the heart is."
I read it out aloud, repeat it, then read it out a third time.
"If home is where the heart is," I then say, "then my heart must still be in July."
I look around...
"Last year."
This is my house... And it has not been tendered in a very long time.
I walk away from the wall again, face the piano,
Then walk out of the room and past the kitchen to the bedroom again.
There is a bathroom to the side, I remember,
I enter it and place myself fragilely at the sink and the mirror.
My face is in its center, and the tiles around of me create a green shade to my pale skin.
There is little hair left on my head, but I brush it away and look deeply into the shallowness
Of my eyes.
I hum again,
and I am echoed by the tiles of the bathroom walls.
But I am still oh so quiet. I hum louder.
Then I turn to the bathtub in the area of space in the corner of the bathroom.
There is still water inside of it from the previous day...or week.
I walk to it and realize that there are no windows in this room.
I enter the water, and sit in the bathtub.
The dress floats at the surface.
I am still humming.
I submerge my head within the water,
then bring it out after a few seconds.
I submerge it again and keep it in for longer,
then bring it out again.
I submerge myself within it again...
It is drastically cold and it's temperature permeates my bones and leaves me feeling
Bloodless.
The water enters my nose, my mouth, goes down my throat and suddenly,
I am out of it again and choking at the head of the bathtub.
I bring myself out of it, weakly and exasperated, onto the bathroom tiles.
I exit the bathroom and walk back into the bedroom.
I collapse onto the bed and then pull the sheets on top of my dried shaking body.
I exhale...
"The sheets used to love you." A voice in my head says.
"If you were to veil yourself every-night like a queen in marriage to a dead man,
Then no one would blame you for never actually showing yourself."
And I listen...
Then that is exactly what I do.
I think about the loss of my neurons,
Then append my thoughts to race under their sedatives as I pull the sheets around my entire body.
Eventually, I stop shaking.
But when I open my eyes, I realize that only my body has.
"I wonder how these memories would feel like," I whisper again,
"If they were in the mind of some other woman,
In some other world..."
I close my eyes,
I close my mouth,
And I go to sleep.

It’s an early hour
At least for me.
I’m half asleep yet full of thought.
As if my brain has churned through everything
Throughout the night
And come up with
Some answers.

This happens often
So poems and things emerge
At times like this.

It’s cool and calm right now.
I love this peaceful, early morning time:
No birdsong even.
Yet a pigeon and sparrow on my back lawn.
No sound of cars
Or any of the hustle and bustle
Of a working day.

So serene and soothing to my soul.
Safe as though I’ve hidden
Under the floorboards
Away from the sun’s hot glare
And the turbulence
Of Life.

I suppose I’m mindful now
Of all around me
As I meditate
About nothing in particular.

Even a little spider in my diary this morning
Has not disturbed this serene feeling,
This atmosphere of calm.
Carbon dioxide cools this room.
Ah, wrong kind of atmosphere!
I speak (inside my head) of more soulful emotion
As I said
But I’d better be careful
That I don’t fall back to sleep
Laid back here
In my comfy armchair…

Paul Butters

© PB 16\6\2018.

i am grateful for stretch denim on days
when
          **** it
is a fashion statement
for lavender laundry detergent
because that smell reminds me of the home i've built in my head
for tea at
2 a.m.
when all the things i've done race in my head
because the next morning, i usually get my **** together
for colds
because they make eating an entire roll of cinnamon buns
completely justifiable
for the mountains that surround me
for NPR and good, rated M fanfiction
for def poetry when i can't find the right words
for finding a pack of cigarettes when it is only
11:30pm on a thursday night
and i am well past drunk in a slightly damp armchair
for harry potter and neil gaiman
for when twenty dollars fills up my gas tank
for my grandma's potato salad and biscuits with honey
for feminist zines that make me want to smash the patriarchy
for burts bees chapstick and jasmine-green tea
for friends who let me cry on their
bedroom floors
for books that keep me entertained
(even if that means me crying in my bathtub while reading them)
for courtney love and joan jett because those *******
have ridden in my car with me over many
heart-breaks
for well-water and sulfate free red wine
for johnny cash and new orleans and whiskey
for salt-- because that **** can wash away anything
for farmer's markets and co-ops
for bottles of water  and for cookie dough
when my mouth
is the consistency of cotton  and my mind is a little bit gone
for warm days in January and cold days in September
for breakfast and for hikes that begin at five a.m.
for summer nights drunk on wine and a little too much fire
for friends who call me 'momma bear' and for friends that call me 'baby bird'
for poems that give you cold chills
and flowers stolen from my neighbor's yard
for skin that smells like the sun and sage
for beeswax candles
and the smell of clean laundry
for days when i wake up and realize
i could have died on a bathroom floor

oh! oh I might have survived
gripping firm on all the wrong choices
I hear my heart no longer beat
I keep to my armchair seat
and hear it sizzle in a frying pan
drip drip drip! roasted! grilled.
I do not mind not feeling
not knowing of the haphazard rhytmes
that people play, or are played by
Life!
I do not submerge in my own sea of despair
I do much regret those days
memories of that pounding heart
of those unmade mistakes
and the supreme love
imprisoned by wrong words.

Tessa stirred, lifted her head from the pink pillow, saw bright daylight coming through the gap in the yellow curtains. What day is it? Saturday. Good. No rush. Can lay here for a while. She laid her head down again. She felt beside her with her hand. No one there. Good. Sometimes she invited a man back if he seemed ok and she liked him enough. Obviously, last night she’d not met anyone worth the coming back with. Just as well. She wasn’t in the mood for waiting on them over a breakfast table; talking about the previous night, what it had been like for him or sometimes for her if she had brought back a girl. No one. Just empty space. Although Teddy was there. His one ear was smooth; his fur was thin and sparse. She brought him to her lips, kissed his small head. Hello, Teddy. His glass eye seemed to gaze back at her; the button eye was darker, unseeing. Poor Teddy. Battered and worn. We’ve been together now for…how long? Twenty years? She laid him beside her; kissed his nose. He lay there looking at the white ceiling. Silence. Not a great conversationalist was Teddy. He’d not said a word in all the years they’d been together. Although as a child, she thought he had, would talk with him, play games with him, told him all her secrets and worries. Moreover, of course, he had witnessed things, seen her play with her dolls, with men, the occasional girl, and seen her with all kinds. She brooded for a moment; let the idea of what he may have seen swim around her mind. She had become so used to him being there in her bedroom that she’d given no thought to what he may have seen over the years. Good God. He’d seen all that, never said a word, or moaned or complained or judged her. Too many did that; judged her. But never Teddy. She turned her head, kissed his furry cheek. He didn’t always lie on her bed, when she had company she put him in the armchair in the corner, or on the dressing table by the window. Once one of the men she’d brought back has tossed Teddy across the room, she had become cross, swore at the man, picked up Teddy, kissed his brow, cuddled him against her cheek, told the man to go, leave her because if he could do that to her Teddy he might do it to her. The man shook his head, left thinking her slightly touched, ******* up one of his eyes as if he thought she had lost the plot. Maybe she had, she didn’t care. Teddy had seen her as a little girl, seen her cousin creep into her room, seen him climbed into her bed and do things to her, seen her squirm, seen his hand over her mouth, heard his threats. She hadn’t thought about that; hadn’t given it any thought until now. Remember that, Teddy? He threatened me with all kinds of things if I told anyone what he did. What a *******; what a creep. He’s married now, Teddy; got kids of his own. Poor things. Makes you think. She sat up in bed, stared at the daylight through the gap in the curtains. She got out of bed, sat on the end looking at the wall. Never said a word. Never told anyone, except Teddy; she’d told him. Everything. How it felt; how she felt; how ***** it had made her feel. Teddy listened; never judged. Always there with that look about him, that wise gaze. She sighed. If she saw her cousin now, she said nothing, just stared at him and he stared at her, a knowing look on his fat face. She looked back at Teddy in bed, saw his gaze on her, saw his uncritical gaze. She loved that about him. Loved that look. Breakfast, Teddy? Like I used to make you? She mused on her efforts to get him to eat his breakfast as a child, but he never did. You were awful at eating your breakfast. Mother told me not to give you any, but I always did; always gave you some of mine. It made Father cross, made his face become all stern and cross looking, and he threatened once to throw you out when we moved from that old house to the new one. But I hid you so he couldn’t. You saw him when he spanked me; heard my cries. Mother never came or said anything, but you were always there; I am sure I heard you say you loved me, would always be there for me. She nodded her head. Sighed. The strong silent type was Teddy. Always there. With his one glass eye, his balding fur, his one ear. Haven’t seen them for years now, the parents. They’re in Oxford; I’m here in New York. An ocean between us. Miles and miles. We’re here, Teddy, you and me. Just the two of us. Just us, this apartment, the paintings on the walls, the jazz on the CD player, our secrets, all our own secrets. Just us. Just you and me. Eh, Teddy? Eh? Silence. Teddy, the strong silent type and me the mouthy *****. What a couple. What a pair. Me here, you there. She laughed, looked at Teddy’s moon shaped smile, the smile was always there, a welcome smile, a smile to warm her, to tell her she was good, she was loved. Yes, loved; wanted for whom she was inside, not for what she said or did or didn’t do. Just you and me, Teddy. Just you and me.

they’re
walking through the wall, to the parlor
where it rains in mid-summer;
where you never patched the holes.
after the spring when
you promised to rebuild the wall
between the garden—
posies and marigolds—
and the girls’ crib.

they’re somewhere between
where the bed lay—
sideways,
where we were together,
but always alone—
and the bookshelf collected
dust on Atlas’s shoulders.

they make tracks in the ash
where mom’s old cedar chest
held heirlooms and your
father’s armchair—
rickety thing.

they’re somewhere—
not here—
between the mailbox
without a home
and us without
hope.

Vernarth says: “Nocturnal mutism, nocturnal stuttering, goes from the fragile phrasing, peripheral phrase, hovering last word, where my loudspeaker hits, dissonant Sagittarius, I must prepare my denarius, not but, beforehand, cheers of hope to Zion, who among the bush of the millionaire wind that travels from Pluto to Mercury, each day that we map ourselves, trying to be more earth than in its own flowering. Paradiso Omega, nap of the oldest dream, adobe path. My  to fly Anne genuflects her heart towards Mariah from Heaven, in the title of hundreds of throats and gargles of the pyogenic sediment rambling. Oh so long night!, so clear firmament born of the fallen ether of the great Heaven so clear and enlightening Compass 37 on the quilt of God, three by three towards one, linking above the easy pit and dreams, dying Paradiso, Agonizing Horcondising, a fragile mass disoriented, discouraged, with numeral letters and quadruple letters, stone after stone of forage falling on the cinnabar sky "

Joshua de Piedra from the high pinnacle exclaimed…: “Stone after stone in its correction is born of a new silence eternal bond. It eats it during the day, it eats at night, just like the galaxies licking the frivolous awakening from a starless night, but being the substance of stars liquefied with a whip. Pilgrimage or Path of the Cross, on the stony ground of Uncle Hugh's house, in the other similar, my Anne's house, further on in the hidden and clayey chaos, the last Indigenous in Western clothing, working and stuffing the wells with green size, distributing alms for his apprentices, I keep looking from the high hill earlier. Kaitelka the whale and a Dwarf Leviathan; steward of the unnameable, perhaps of an unknown Cyprian squirrel censoring Noah in his animals empowered to tell him about a magnificent episode.  Each species balancing its essence to make the most grandiloquent dossier in the world, to join them and value them towards the unknown peasant world. The big apple to go, with its tailcoat worms, well dressed and united by the march of the rock sentinel Evangelus. Kaitelca alpha and omega cetacean, fluffy with bast for all the most lost seas of the watery world. She so down cetacean, she throws herself into the sea in fears in this gloomy space, exhausted warehouse, lifesaver between lives of lives, like wishes without delay, to beat the divergent period, falling on the flat ceiling. Enter to sail through the mud of Iodine, of this great Parnassus of all iodine, the Messiah was squeezing his robe of love all over the upper margin of the face, Jesus light, loving great pilgrims who helped me to urbanize the skeleton of this great demolition, of a great geyser on its oceanic back, distributing gifts through the tangled brow of the Horcón and Cantillana massif.  Freshwater meringue, fluffy flowers, incense, fuchsias, and Calypso smoke migrating from house to house in Sudpichi.  Adelimpia, holding the cord of the axis of the fatigued planet, Queen Anne restored the acute respiratory meridians, which moved her heart from the sinister side encompassed, cursed globe moving to another galaxy towards its 9600 years of expansion. The stumbling of the sun's rays, crowded on the back of the Jacinta, which multiplied on her bank of meek ideas, to reside above all the assemblages of millions of benefits, since the world is an improper world. The world has no end, God is a beautiful mute world, where we make mistakes every day believing that we are ..., being less true. Rather, we are the waste of the almost noise that tried to leave us as a legacy of the first noise of creation that was felt wandering, perhaps it was its breathing, of its lipped wise crater, in the most irresistible protoforms, devoutly preparing turgid liquids for driving through every dinner, without stars tasting their multi-polygonal sandwiches. Memory is a raging waste, every time we try to get to lick his honey-like him, we run out of a famished minute of life not lived”

Says the spirit Leiak:

“Without a doubt, without drooling, without Buddha… the tendrils of the universe flamed, like rolling pickets within his hearing sea ear.  Striped with wounded marks in zigzag, by the middle row between the unarmed infidels.  Filled with the greatest amazement, massacred with laughter riddled with the non-shining meteor. From temple to temple, without Buddha close to him, he continues lost on the path of valleys among several, by the waves of chimneys like the snout of a mastiff with typhus, infected badly that detonates a thousand times, circular or macrocosmic chemistry in submissive grounds, to drink, where no one is wrong. Pendency of the lymphatic jellyfish, among the meek otolith of Kaitelka, almost deaf, of so many prayers of impious savages to hunt her ..., she continues begging for mercy as a species, she shakes and shakes as if eliminating the supposed flea jellyfish in whirlwinds of babies in her ears of children's stories. Anne came out of her basket as if she had been picked up from the Nile, but in reality, she was close to Chocalan, Popeta, or Polulo, lit up like coal from a steppe oven. I continued walking shirtless on an insomniac night, waiting in the decimals of the full moon, some indebted Solaris of the evangelist, in a space that slowly locked the crooked tongue of sleep, locked by the treacherous luck of doubt. Plague and doubt, plague and nail, which opens the vast sea, unsanitary radio, from the messianic ****** of the muses to Botticelli blaspheming. Anne, a diva of the division of past lives, does not die in misapplication against all odds like a thousand sperms of an ensign, making her stipends simple, to buy sensitive chaste little flowers in suitcases of her super-saucy folds ..., there is no probing look similar to the ocean Cousteau's journey, through which the lost retina drains, lies the selective gaze, covered by the Guardian, who looks before the denigrated sap unfolds, which wears away scarlet fever, the gaze of substance, in front of thousands of sayings, plagiarizing Tramontane rumors "

Queen Anne rolls up her sleeves, collects ashes from the ill-fated victims sifted, by the tobacco, a very good service from the fumes of venerable lost in disbelief, this painting becomes vague and with a sordid diametric image and silent cataclysm. The confine of evil godson in a duo and verse of the Universe, of the concrete displaced with pieces of the tobacco, has been spoiled. Joshua de Piedra with filings in his stomach was with hundreds of particles tickling the metaverse on the beards of extraterrestrial comets. Heaven and Hell, interrupted sleep, fatal nap, draconian wind, Ultrasensitive Glory of austere forces, as long as you are alive, you are prey to it. Ignorance continues to spend the night in the empty vapors of the valley of chaos, duels of masses of sleeping consciences underlying the erosive *****, Queen Anne, is gathered at a gallop by Joshua de Piedra, blindfolds him so that he does not numb more body incense and set on a spring flower. By the knees, they are incinerated, but sometimes they are half-burned, burning like incense with Joshua in reversible adulation, of the rawest exquisiteness of essence of escapes of blossoming in chains, with the drama of carcinoma petals in anti-carcinoma times and of eternal life external. At the Post Office, the postman envelopes the new vignettes, new gardens of relevant highlights. The friend Joshua links the trough of flames escaping from his domain, at a faster pace for other readings, varying in shreds of first-time, delineating, and walking breaths that are lost in the misty vividness.

Says Leiak: “After making a round, Adelimpia with Hugh and Bernardolipo, restart their adventure, almost at the top of the Horcondising massif, collecting riches from between stranded galleys, and vaults dragged by the cataclysm towards this consistent mountainous ..., The amounts of coins from different origins were countless, from all those wealthy who stole from all their belongings, the tainted and intrepid wisdom, getting rid of everything before confronting the thunderous flashes of the Guardian, to subtract intelligent action from the oppressive limit in maintaining the Gnostic parallel. Adelimpia saw how the thousands of nausea cleaned themselves, before liquids and gastric ills, of which they are the bad residences, deciding to die acidly or spiritually towards an alkaline light.  Karmic oppression, anhydrous bubbles, carbonating every breathing capsule of compassionate life. Every day there is more foul-smelling hunger in men of acid rust, for the good spirits of the dipsomaniac in the diet of the most lost undefeated blind, a universal record of walking impoverished at the end of his objectivity. Adelimpia…., And Carmina; maiden of the extravagant silence is linked to the ox Xenon, master of his pumpkin ox, collects bubbling fragments from their stomachs of acid and fragmented, with unfortunate applicants to obtain him, all of them exalted before his prayers, as well as that fleece that the other possessed ox; Cricket that was grazing in the radiant spaces of the grasslands, ruminating lost ties for the good of all and being able to observe in the distance going beyond all sensitive imagination, being me Leiak, the spirit of Vernarth who looks over where he does not it does, sometimes incomprehensibly because of its purging. "

Joshua de Piedra says: “Horcondising, land of Spa, of beautification to correct your beautiful osteological inhabitant, your beautiful pro-lieutenant inhabitant, I believed that wealth would flow from my hands to finance my own poverty. Horcondising, is my nurse Luz, tracing with her blood the route of the Talami reign, everything continues without direction, the lustrín lost his paste of ruby cream and powders, of the conductor who governs their destinies in my hands ..., and it is required. Horcondising, badly and fearfully I say genuflected, here are my riches, but I swear by the most sacred, that I never thought I was so poor at the same time, in the presence of the almighty. Karmic planet, you come like bread and honey from a dazzled bee, you come to fill us with light through the horns of the cat, mounted on the back of the rooster, mounted on the roan bovine. Horcondising ... What a memory! When I was running fast through good waters and Sudpichi, I saw in line some swindlers in uncertain Faith, loudly dismantling the stunning consciousness of possessing without letting those who do not have know, and what it is to lack, what is the love of the slightest doubled second, until it brings honey and milk to the mouth of the beggar and with new clothes, around the circular saffron, the light of isolation and God's judgment on Hommo Sapiens. Baba, Vrja Ananda, I know that to ascend you have to put clean, white clothes on the wind, lavender with druid purple and stuffed on the petioles that fell on the stumpy back of the little elephant. I never got tired, I always laughed and the manly wind stretched my cheeks of purple roses, to laugh at the feminine world like a new man being born from the darkness of loneliness, in a new man, with a new life, in a deranged valley of Solitude, gaseous, ulcerative and asphaltic soil, of Horcondising, in the blaze of a fierce virtuous lantern ..., lying with its lost light on the rich and poor, entangled in resin from a hopper and a villain with feet tired from walking. As immeasurable to act I continue, although there is too much, among which nothing was ever forbidden from an ominous advance. But more awaits me, whoever wants numb oppressive anti-libertarian oppression, I will continue to ruin myself after this world, in the jaws of the rogue armchair of emptiness, with strong and pious prayer, strong and pious karmic augury to ruin the ruffian, that he holds and looks at you like a kitchen log in his dispensary. Karma comes to without and are, with are without are, with dream sounds, hallucinated sounds to realize the truth of accuracy. I have no vocabulary when I am hungry or thirsty for Faith or equanimity, but rather, more than all the power of the high massif to fall on the despotic ripper and cutthroat, accursed beings of the night darkness! I decree worse evil than all the bad curses to which it provokes by a glance, and stuns you like an ant in the fragrant countryside. Karma, baba nam kevalam, anti-karmic, to anyone who doubles your life, to **** you more than three times, without falling into the arms of Forgione or a Buddhist Monk tired of getting tired, self-love and improper Karma from now on everyone and all who with their deeds and gaze invade them with disloyal flatteries and evils, the true triumph of Truth and Equality so that it is equal to all resigned, looking less like the worldly offering of goodness, but rather bad at last of counts. Francesco, are you coming right...? Here I wait for you, low-cut I will also get in line to be supplanted. My story will be vital and oppressive, full of capital, anti-charitable because I have never been able to understand it. I know that powerful affiliations will come, and I will be in your lap, and all those who process your consummation and death will fall, a bad omen of their whim like any piece. Force the spirit that outside is evil, always yours, Master...! I am going, I am going, each one who looks at me as his prey will have to govern and feed him, for better or for worse, and otherwise, I will be eternally burned along with all his progeny in the Horcondising. "


So Joshua spoke when making a wooden whistle. He cut his index finger with transparent grease, and saw a viscous bleeding liquid fall into the constant complaint, from each head of frustrated saboteurs, and mercilessly squandered by those who aim at you every day to finish you and beg your entire eternal psychic substance, without Numbers or paternal letters, Vernarth and the Hexagonal Birthright, attended with great enthusiasm this regression, knowing that he was in their nation and domains where their mythological beings accompanied them beyond all vision. They all remain normal; doing everyday things, but Vernarth's voice accompanied them from an altar in a vivid voice and with great clarity in the voice that expressed their pilgrimage.

Vernath says with an infernal tone: “The Horcondising rack runs out of people benches, to attend to their requests the sky has become convex and unattended, to walk down the fragile plateau crouching down, weightless trees rub their bruised roots on the scrubbed Living spirits over each parlor, each present master along with his present consort seemed like perfect strangers, each separated by name in their new and uncertain divided destiny. All by putting the hand where the ulcer makes intermittent unhealthy purulence, on whether we are and correspond what we are or those who manage to have in this twisted life without a surplus, and what would it be if we had surplus ...? Rows of speakers and auditors are compressed, trying to want to be understood, but the words are keys and conclaves of high architecture sifted, of the wild despair in which we are beasts escaping from an eternal safari of thunder and cannon, vaping fumaroles of ancestry and drinking Bourbon to the thunder of the steely ***** on the orphanage of looming. Here Fray Andresito unfolds his body, you know it here is…! Right here he aimed at the weakest, the strongest, perhaps being a slave. What a difficult word to define... This cell without adjoining limits, called Atman, or female soul engendering another female soul, in the arms of the sorcerer, whose packaging and the serial knot would be made by a novice, who did not know if it was tightly closed, so as not to know if it would be fine in the future and reopen it with light in Gandhi's eyes, or by a child in care appointments without his arms to approach his mother cradle, perhaps being ivy or algae that sway his breaths vain…, from the flickering of the dotted throbbing of the Sun in flight through the lost night of the altarpiece, putting silicone because it comes out of the picture. Today a being was born in the arms of the almighty, a being anointed in the placenta of golden liquid and augrum, filling everyone and everyone leaving them speechless… ”.

Its ancestry of eternal way comes from mutual funds, equivalent prices in promoting values, on falls and rises, in franc growth, and various financial statements to beat dividends. The lines of people obediently migrated to the Horcondising, they never thought that they would be a great family, all in chains of multicolored and endless shapes, all in the high mountain at more than three thousand meters, and no higher, because in this Age again life, I cannot count more than thousands, in which the hundreds stay up late every day on this streetcar called the alliance. Branches of salty puree and ammonite soups with coriander, in the transversal valleys, to the southeast, with verve envelopes and their large moral excess on their backs and their hope of leaving all their treasures on the sidelines, before entering the muddy showers. when swarming with turbulent regrets and losing all ego money, highlighting a new epidermis, with an unprotected but opulent soul. Each being devoid of the word and thought, was trans walking through the heavenly ranks, with buzzing in their hearing aids attenuated and a smelly shanghai screeching, nothing would be left to pour into the channels near the almighty, the one who picked them up from the ground satin in some small sulfur coins and bleeding hollow, nothing will charge to their accounts or in their excess pride, only white skin in dark skin, and dark turning to dawn gray dermis, for exclusiveness, only lost in the jungle of ignorance shipwrecked tundra. Grandmother Adelimpia cleaned with sweepers and pine feather dusters, wormwood trunk and molle, and with the ceiling. My Anne, swept the flat floor with her wedding dress, years ago seasoned ..., Hugh and Bernardolipo laced some wines pigeonholed in the devil's segment, so as not to lose track of the high hill, which could be seen falling on the witnesses of the fallen Calvary Before the world ends for many, but not for the Huasos. The auction continued; Anne still had an end-of-the-world fever, with so many degrees…. Don't worry Anne, a Mapu aboriginal boy; the one with the sinister ..., brings a good herb to improve you, it is said that he comes from less to more, with his face like a beautiful farm landscape, stream water that quiets fevers and ills of charm. Have faith, says the elder Sylph Angelita Huenuman, reborn to Anne…: “The bark of that oak will be demolished and crumbled to cover you from evil and worse evil charm. Tomorrow on the high snow-covered peak, sweet cakes will fall steamed with berries and flavored almonds in your Word, which always deserves to smile to the limit, you are the omega star stele that will know how to smile, you will see it just like your Joshua de Piedra; which is an eternal incense of ruse, you will be dressed as a coco channel between aromas of eternity like spring light and first communion, between your snowy new garland of sap and in which you are always like a web-footed dreamy bird, moving away from the Aculeo lagoon, away from the giant hermit emerging from a nucleus of water and its pool, sobbing on each step of lake light of ascending sketch and of a lagoon avoiding new despised damage "

take rain from sky
take the way tall men straighten your stance
take the students of dance
see the little ballerina stretch her toes
see her mother warm with the floodlight

take your plea to the judiciary
take your eye to the statue of David
smear on the dust of Somalia
rub raw the frost of Croatia
refresh your aim in the heights of Angola
but do not stop only at this

breathe every impediment
trust every promise of clemency
stumble if you will
fall under cease-fire
take it all

take the watchmaker
bent over time
with fine tools
clasp each second

take the sculptor who
chisels and scalpels for the grandiose

later in your armchair
fold creases in your newspaper with care

be with every nourishment
be with the cloth of your nakedness
make sail for your harbour of origin

remember the milk of your mothe?r
warm or cold or sweet if it is so
appease hunger
with the ambidextrous mouth
of a soldier
fed with death in his jungle

be the bystander, be the bi-partisan,
the *******, the timeless,
the dancer
be it all

breathe each increment
do it now
measure the infinite
the possible


MChallis © 2015

someday I'd like to sit
in my armchair
by the window
bathed with sunlight
book open at a portal
to drift off into storyland
like Alice
down the rabbit hole

in the bathroom
in the morning
I pack little bottles and brushes into a paper bag
nothing left of me now but my armchair and the hole
that I'll soon kick in the bedroom wall

There's something brutally honest about
A dog in heat ******* your leg.
I'd like to explore this theme with you,
But I can't right now.
I just got home from my
Nightly walk inside the gates
Of my over-55 lunatic asylum,
And I gotta get this down on paper,
VERBATIM.

I'm wearing sandals tonight, unlike
This morning's power walk in Skechers.
I'm strolling around the turn
At the corner of Don January & Lee Trevino,
And look clearly into a curtain-less,
Shade-free living room. BAM!
Poleaxed, gobsmacked, am I.
She's sitting in a Barcalounger,
Spotlighted by a pole lamp.
Naked, her legs spread &
******* herself.
Stunned dead in my tracks, am I.
By this time she's standing in her
Open doorway, calling to me:
"Hello Dere!"
She is a silver-haired sireen,
A granny Marty Allen.
"Take me," she demands.
Sometimes I'm a little slow on the uptake,
But there was no mistaking that invitation.
"Wait right here," I say.
"I want to go home, shower &
Brush my teeth."
"No , you idiot," she answers.
"Take me now."
"I want to be ravished by a brute,
***** by a savage,
A mountain man from Boulder."
I assume she means Boulder, Colorado.

Now, I can't promise that this is a
Daily occurrence at Del Webb Alegria,
"For Active Adults"
But it happened to me.

Walking home I see a crowd.
Some neighbors admiring the
Asian couple's landscaping prowess.
For weeks they've been pulling off a
Green grass to drought-tolerant
Xeriscape switcheroo.
"Bravo!" I yell. "Nicely done!"
Finally, I am home.
Exhausted, I flop down in
My over-stuffed leather armchair.
Pen in hand. Notebook open.
From across the room,
My dog sidles over
A glazed look in his eyes.

Busy humble bumble bees buzz and hum amongst my geraniums.
I squeeze past them as they hover
From flower to flower,
On my way into my electric blue
Kia Rio car.

At last the sun is out here,
Brightening up my garden vista.
Most days we have wallowed
Under a sea fret,
Feeling cold and damp
And annoyed
By news of record high-temperatures
Inland.

But now it’s warm and sunny,
With Red Admiral butterflies
And my back-garden Abelia Shrub –
“Beauty Bush or Pink Cloud” –
Bedecked with light pink flowers
With their subtle aroma.

My days of sport have gone well
And I can sit back in my armchair
And relax.

Paul Butters

© PB 8\6\2018.

It was Friday evening
the time for being weighed
before bath in the nursing home
and Anne was standing

behind you in the queue of kids
leaning on her crutch
the stump of her leg
just visible beneath

her short red skirt
and she whispered to you
how much do you weigh Skinny Kid?
I don’t know

you replied
maybe 84lbs
she snorted 84lbs?
my ***** weighs more than that

she whispered
her warm breath
on your ear
the kids in front of you

moved up and Monica
the girl with burn scars
climbed off
the weighing scales

what do you weigh Scarface?
Anne called out
don’t be cruel Anne
the nurse near the scales said

oops sorry nurse
it just slipped out
Anne said
(so the bishop said

to the actress
Anne whispered
in your ear)
after a few more kids

got on and off
the scales after
being weighed
it was your turn

and you climbed on the scales
and the red line
showed 77lbs
and the nurse said

what it showed
and you got off
and Anne crutched herself
onto the scales

and you stood
and watched
as the red line showed 112lbs
now that

said Anne looking at you
is real poundage
and as she got off the scales
she ushered you outside

into the passageway
and said
here feel my thigh
go on

have a feel
and she grabbed
your hand
and made you

touch her thigh
it was smooth
and warm
you’re such a thin *******

Skinny Kid
you need to fatten yourself up
she released your hand
and you followed her

along to the lounge
where others waited
for bath time
she nibbled

your earlobe affectionately
and crutched herself
over to the armchair
in the corner

and pinched Monica
on her way
giving out
a snort of laughter

as Monica uttered
loud moans
and you sensed
the dampness

on your earlobe
like a loving memento
which you hoped
would last

but knew
it would
like passing time
soon go.

I guess it was when I found the eviction notice on the front door, or when I was going on three months being unemployed, or maybe even the point where I questioned myself as a writer, is when I sat down and started writing out facts. I was a writer in love with fiction, and besides my non-fiction work that allowed me enough money to eat (mostly to drink, unless there were food specials at the bar) I was writing short stories. I never thought about writing about my life, because in my mind I was still young. I was wet behind the ears; a little **** that thought he knew everything. I know nothing.

Dr. Seidman asked me if I wanted to play a board game.
I didn’t respond, in fact I looked as if I was ignoring him purposefully, but I wasn’t. He sat patiently and waited for me to respond. The truth was that I was apprehensive. This was the first time I had been in front of a therapist, and I didn’t know what to say, let alone how to act. I found it odd that the first thing he asked me was if I wanted to play a game. I was ****** as well. Before I got in the car with my mother I sat upstairs in my bedroom, took out my “inhaler” and packed the bowl. (During this time in my adolescence I was fascinated with marijuana and also with the devices used to smoke it with. I didn’t like rolling joints, and blunts had not caught on at that time. Instead, I would make my own bowls. My inhaler became one of my favorites; it was easy to conceal). I got ******, headed downstairs, grabbed a water, lit a cigarette (my parents were adjusting to the fact their fourteen year old was a smoker), waited outside of my mom’s station wagon, finished my cigarette, flicked it at the end of the driveway, and got in the car. The car ride to Dr Seidman’s office was unbearable. Neither of us spoke, the radio was turned down to a low volume, playing music form the 70’s and 80’s; Elton John’s Someone Saved My Life Tonight was playing. It was ironic to say the least. By the time the song ended we were in the general vicinity of his office. My mother was gripping the steering wheel, her knuckles becoming white, her face becoming red. It was at this point that I realized she was just as nervous as I was.

“**** her,” I thought. She was the reason I was going to see this man. I didn’t ask to come here and she had the audacity to be nervous. She was being selfish. We could have turned the station wagon around and went back home. We could have taken care of any of our problems at home. We didn’t need to consult a “professional” and talk about our “feelings.” This was the point that I felt my life had become the stereotypical suburban life: a life that you would see on television shows; one that consisted of doctors, prescription drugs, confused youth, mid-life crisis, and of course the nervous breakdowns.

We are in front of the doctor’s office. The area surrounding us looks like an industrial park. I don’t know what to think of this, but I in any sense an exterior cannot speak for an interior.

My mother and I are still in the station wagon, seat belts still buckled, the radio still down low, when she turns to me. She looks at me, only the way a mother can, and smiles. I can only bring myself to return her smile with a smirk. I have always been known for my apathetic smirk. I’m waiting for her to speak. I know she is trying to think of the right words, but like me, we have a habit of saying the wrong thing. Our words are always misplaced even though we might have the best intentions.

“Don’t ******* him,” she said

“Okay,” I said in return.

There must be a catalogue book that caters to therapists.

Dr. Seidman’s office looked very generic, like I had fallen into a bad movie, or like the only furniture allowed in the office had to be leather. That is the one smell I will always remember from his office. Even now when I smell leather I think of his office.

On his desk was a calendar, assorted writing utensils (although he had a name placard with a golden pen inserted in the center), and a desk lamp with the customary green glass shade. The wall to the right of him, and next to the office door, was lined with assorted books; filling up the bookcases that took up the full space of the wall. I was sitting on a leather couch that faced the office door. He was sitting in his leather armchair in front of his desk. He looked at me; I looked at the elaborate stitch work of the carpet. The office was calmly lit and relaxing, even though I still looked tense. I didn’t want him to look me in the eye. They were dry and red and I was high.

“Would you like to play a game?” He asked me.

I continued to stare at the carpet. He kept silent while waiting for my answer. I was thankful for that.

When I was tired of the carpet I glanced up and over to where he was sitting to find him looking at a marble chess set. I was expecting his eyes to be on me. They weren’t.

“What kind of game?”

“What do you like? I have board games, we can play cards, or checkers, or chess. Why don’t you tell me what game you’re good at? I’ve played them all countless times, but I’m always looking for a good challenge.” He said with a subtle level of smugness. He was trying to entice me, to challenge me, and it was working.

I spotted the checker board. “Checkers. I’m good at checkers.”

“Then checkers it is,” he said brightly. He stood and grabbed the antique looking checker board and grabbed a table to put in between us. He placed the board on the table and moved his seat closer. We were now face to face and ready to start our first of many strategic games.

Our first meeting was spent in front of a checker board in silence. Very seldom did we exchange words. After three games of checkers (which he won), we shook hands and he told me our session was over for the night. He walked me to his office door, said hello to my mother with a formal introduction, and told us both that he was looking forward to seeing us both the next week. My mother asked me to wait in the car while she asked the doctor a question. I didn’t argue. I walked to her car and unlocked it. I sat and for once in a long time felt at ease.

I went into Dr. Seidman’s office with a pre-conceived notion of talking, or not talking, about my feelings and what caused them. Instead we played checkers. We watched each other’s moves on the checker board. He had a way of making a vulnerable situation bearable. He put my anxiety at ease. But while I sat alone in my mother’s station wagon I couldn’t stop thinking of one thing he said before I walked outside. He said he was looking forward to seeing both of us the next week. I was curious by what he meant when he said “both of us.”

He asked if I'd stay,
and my silence trapped him
like a mosquito in amber.
The seconds rumbled past, unhurried glaciers,
two hurricanes, a drought, and a war came
and he was still rolling his joints,
tapping on shoulders, asking soldiers for a light.
When the sea rose and flooded the town,
he sat in his swollen armchair
exhaling smoke bubbles,
while parrotfish gnawed at the carpet, and later,
his eyes glazed with a tired sort of expectation
when the manatees swam past
in their solemn triumph over the suburbs,
as if any one of the lumbering sea cows
might come bearing my yes.

I remember afternoons with you,
we spent days lounging in the old armchair,
rays of sunlight shined through the blinds and my favourite color is still the amber of your eyes.

Do you want to go for a walk?

Shared adventures, we travel on foot. The world had so much to offer to us, let’s run for hours.
Gone wild together. Rain and storm couldn’t harm us, later we’d warm up in the armchair.

I had to grow up quickly while you remained a puppy. Couldn’t take you with me because cars freaked you out. I had left for the city and my life was too hasty to spend a thought on an armchair.

You were with mom, I knew you were save there.

Every time i visited your fur turned grayer and your bowl stayed a little fuller until the end of day. You walked comfortably, we just made it to the hill behind the house, your tail still wagging.

I wish I could turn back to the old days.
I wish i took time when you wanted to play.
I wish I never had to sit alone in this armchair.

I regret.

I slip softly into my cave
as I gently vanish disappear

To my inside place
I explore like
outer space

Where I begin to light
the dark with a
fragile flickering candle

It is not long
before it all
becomes so very warm

As I rest in the
armchair of my heart
I start to hear
snap crackle and pop  

As I switch of the mind
releasing all that is tight
I enter the permanent night

But discover all turns to light
as the dark becomes a
permanent day

And as I tunnel into
my great mountain
a cave a distant quiet
world.

I start to feel the worlds
rains cannot touch me
and feel gold all around me.

With the world so far away
a glowing lamp rising
within me like flowers
bursts scents are spilling.  

And a hummingbird is
felt buzzing all around me
softly searching for
his sweet nectar.

How I love to return
to my sweet cave.

With the grease stained coverall
He came home from work
A little bit earlier he came over.
His three cute children
Welcomed him with warm kisses
they too stained theirs cheeks with oil and grease.
The red tiny bag they looked in for surprises.
As there are always some snacks waiting for them.
Savouring sip of hot tea from his beloved hand as usual
He sank on his armchair to take a nap.
Nothing went unusual except he looked extremely tired.

Hour later his wife tried to wake him up
He didn't responded to her any calls
She screamed in horror when she saw him lying breathless.
On hearing her screams children too surrounded him as well
They couldn't understand what was really going on
Very late they realized their dad is forever gone
They don't have any shoulders to hang on in their life
Since then no more surprises ever came in their life.

The red tiny bag hung on the wall
Once full of surprises
Future dreams of promises
Now breeze cradling it gently
Still the sobs of memories whispering silently!

© 2016 Geetha Jayakumar
All rights reserved!

Bellicose beer-belled bad-*****
Bawdily belting down brewskies
Usually, boozily, bruisily beating
On weaker, sleeker funseekers
In the bar where they are, far
From anything like maturity
Hip hip hooray for unhip USA.

Ballyhooing big screen viewing
Myopic eyes watch others exercise
Freedom-hating grouch on a couch
Itching, *******; psoriasis and sloth
Unread armchair Brother of the Cloth.
One of the minions of opinions,
Hardened against morality, reality.
Saying it every day: USA, USA, USA!

Hating, bating, aggravating, skating
Right past solutions, conclusions
Preferring propaganda, ***** Miranda,
Stop mollycoddling, bottling up anger
Christ in the manger should be law
But they guffaw at reading The Book;
They took their religion from TV.
Freedom for me, not thee, in my USA.

Got mine, ***** yours, rights immune;
That tune don’t play here. No queers
No browns, yellows, Hindus or Jews.
I’ve got news you can use, I abuse
And oppress guys in a dress, yes!
Even if he’s white, it still ain’t right.
The Constitution is old, it just teases.
Mine is Republican Jesus for the USA.

A pigeon for old time religion and God
Everyone else is odd. I saw the movie.
It was groovy and pretty. Went to the city
Saw it in Imax, no blacks in the theater
Thanks to The Creator that gave us all
The intelligence to call things right.
Hip hip hooray for being lily white.
Hip hip hooray for the KKK USA.

A dream you told me of:
Defusing a time-bomb embedded in the womb of your dead mother.
I don’t know if you were smart enough to flip the failsafe
Or if you indiscriminately yanked wires out, like your dangerous thoughts.

A dream I told you of:
at the midpoint of their parents’ anniversaries, by the ruins of every immortalized
kingdom, she is wearing her mother’s dress and he is too.
“father wanted to castrate or **** me,” he said, conversationally.
they have so much in common. they live the tragedy of armchair **** fantasies,
tend to ****** their own genitals when lost in thoughts of the obstruction of
their desires. (which, really, is pointless
because they don’t desire anything besides fondling their own genitals.)

Blinded Oedipus does not notice
Electra’s concealed ******* dagger. A thousand years between them, yet they’re still children conceived of
Mitigated **** and blood sacrifice for the sake of sailing, and
Defined by deficit from the beginning; her crippled mind sang
to his hollowed eyes. Kinslayers becoming kin,
Entranced by the illusions of the other but really
Loving only the unmistakable reflections of their own sins.

Don't tell me you believe
that vitamin C in an IV
will cure anything until you've been
crying by a dead child's
side and it's made you decide
at nine years old
that you will spend your life
finding a cure before any more
people you love lie hooked
up to food tubes
morphine titrating
venous dreams by their bedside.
Don't tell me those
expensive diets
or money making schemes mean
anything until you've
slept in hospital wards on floors
or sometimes an armchair
praying to a God you know
isn't there.
Don't tell me the answer is there to find,
that I just haven't tried—
I know I never let anyone die.

Talk is cheap
Agree that the problem is inaction
And do nothing
More comfortable shopping online
Than doing something
That is a waste of their time

My feet are cold.
The black stove in the bottom right
corner of the room must've gone out.
Grandaddy's thick green army blanket
tops just above my feet.
I can feel my sister's breath,
warm on my neck, as we lie on Grandma's black leather sleeper sofa
across from the black stove.
My cousins are on the other side,
Ashton's asthma is acting up.
Mamma and daddy are in the other
room. The dog, Lady, is snoring on Grandma's pink armchair.
Grandma's in the kitchen banging
pots, preparing Sunday breakfast.
Auntie's walking down the hallway.
I can hear her blue cotton slippers
shuffle 'cross the carpet.
Mamma starts the tub in the
small, green bathroom down the
hall from the ancient white
washer and dryer.
My crisply pressed black suit
Is laid out on Grandma's
master bed.

My suit is on and my Bible
in hand. Seated on my
father's shoulders we all filed out
the door, twenty people staying
in Grandma's tiny, old house
beside the pasture that kept the
two brown quarters that were as
old as the house itself. The rose
bush across from the screen
door at the front of the house
had flowers, the same color
as those on my sister's Sunday dress
deep blood red. A blood red rose
on every breast short, tall, young
an old. A tradition carried out
until the rose bush across from the
screen door, at the front of the
house, beside the pasture that
kept the two brown quarters as
old as the house itself, died.