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"antagonist" poems
Ah, the season of gifting. Antagonist of year-long thrifting. Tradition sadistic, Materialistic, Four quarters in pockets worth sifting. This year I hereby proclaim I shan’t be consumed by the game. Cycle of curse Purpose perverse The namesake, an oversight became. Christ’s birth did in fact begin, Holiday distracted by sin. Misguided it be To forget idly The sacrifice He made for all men. We naively regard generosity As holiday’s behavioral piosity. But if dollars and cents Are the tools of offense Over shadow favor luminosity. Water in Africa is ***** American child in poverty. Politics aside, Convenient homicide, To enable the ills of society. In the global economy we flaunt Wealth by comparison, bitter taunt. First world problems abound Pass the turkey around Central heating and air, what a jaunt! What if this season we decide To extend two palms open wide? Sacrificing ourselves Rather than stocking our shelves Dying whispers echo true: “we tried.” Don’t spend your money on me this year. Not iPhones, not tickets, not Blu-ray or beer. Instead know you can Distribute more than A snort, a lie, and a tear. (optional conclusion to assist interpretation of last line) Snort of derision, Lies of provision, Tears, even true, Hardly subdue Anguish deprived of tradition’s revision.
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Dec 26, 2012
Dec 26, 2012 at 5:25 PM UTC
Stewardship (a series of limericks)
There are people that have this ability to make people melt in their hands They walk around their entire lives finding their prey and engaging them and make them melt The victim is usually rewarded with a night of rampant *** and is then dumped into this puddle when the antagonist of this story is done with them Sometimes it takes days for the victim to turn back into a solid substance Sometimes it takes weeks Sometimes they never fully turn bqck to normal and their will be a part of them that will always remain liquid because of the antagonist Many fall victim to this antagonist Until the protagonist comes along and upsets the routine The protagonist cannot be melted And it is due to this very specific favt that the antagonist ia revealed as the true protagonist of our story That's usually a goodish enough story line that melts the audience But people like myself who do not melt sees the true sadness in the lack of melting We do not melt because we have been melted ao much that we went for an operation and we came out transformed We are now metal And I'm sorry to disappoint that antagonist/antagonist who becomes a protagonist But the best you would ever be able to do to me is to warm my heart
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Feb 15, 2015
Feb 15, 2015 at 10:04 AM UTC
Heartwarming words
escapism the tendency to seek distraction and relief from unpleasant realities, especially by seeking entertainment or engaging in fantasy. Hello I'm just a un pretty face in an ugly place I can pretend with the best of them I love to paint pictures that make no sense except inside my head. on canvas? they are just literally uncoordinated twitchiness a need to put colour back into a world of Black and White I like to write stories the antagonist being just someone who lost, the heroine fleeing from a simple world so complicated *it's hard to cast two beings that are so ill fated* and so the story goes That poetry saved me I can't tell it for truth It makes a difference I suppose But honestly? I wake at the crack of dawn I yell at the dog for barking I take a minute for myself Then wake the kids it's starting Getting ready for  another day is like petting a lion begging food as a stray I collect the mail sort the bills pretend that money is an option, not a price then sell myself to another for a day so nice Feed, clean, wash make sure no one is missed How was your day dear? Well, it's like this as they wander away to their own adventures and I'm left to my own devices eventually To paint a picture Write a book Or expel my life's pleasures into poetry and all I really hear is What do you mean, is that about me? Umm no, it's about me... And tomorrow I'll wake up to do it all again Hello I'm Helen
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Feb 5, 2014
Feb 5, 2014 at 4:32 AM UTC
let me introduce myself
Last night I dreamed My life as a comic book. An intermingled mess, Those who have not read Every single issue, Cannot begin to know. A brightly colored spectrum Of unexpected blows. Amidst all the villian’s Unrelenting throws Of powers no more Than planting The seeds of self doubt, I stood armed to fall. As each seed landed Upon  my head, I fell to watch Each punch line Read only “Bam!” and “Kapow!”. The plot never thickened And never came to save me. In a story from the villan’s head, Perpetually trapped Until the hero returned to write her portion of my tale. As the seeds grew Into absolute fear, A twisted feeling Took hold of my gut. Who is the antagonist and who the protagonist?
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Mar 31, 2012
Mar 31, 2012 at 2:42 PM UTC
Superhero
The hanky he was sobbing into was crusty, ***** unwashed, unclean; yet strangely comforting to a little boy, as he cried he made his way to a culvert behind the school, some place the other kids couldn’t see him crying, it was more comfortable being near rocks -next to that watershed for some reason? He looked down at his antagonist, the scaly-green feet, they made him cry harder, he lamented… “Why have I been tormented so?” “Who gave me these feet? Who made me this way, lizardly, scaly, an animal no?” “What class am I, what species? Are those toenails, claws or a disease?” “The way I’m treated makes me sad. Where is my mommy, where is my dad? “Did I come from an egg? Didn’t we all? Why do they pick on me, make me feel so small?” “My feet are reptilian even I can see that!” “Am I part lizard? Are there horns on my back?” “I can’t hide in sneakers ‘cause the claws tear them apart.” “Not great at math, language or art.” “They always pickin’ on me, today it’s in the schoolyard.” “That is why I sit here on the rocks crying with my ugly feet and sullen heart,” “Cannot run fast so no baseball, basketball or soccer…” “The other kids tried to stuff me in my own locker…” “One mean little girl even threw a dead mouse at me!” “But I’m only part lizard as far as I can see?” “My English teacher says that my words are like a bird song” “If I talk like a birdie along with monster’s feet, no wonder I don’t belong!” “Even still, to be so mean to me, I know that it is wrong…” “ONE DAY I WILL SHOW THEM ALL, THESE FEET THEY HAVE A PURPOSE!” “MY WORDS OF SONG AND FEET OF MAGIC COMBINE A COSMIC CIRCUS!” “I am no freak of nature, no forest Pan or Satyr…” “It is not the way I look, my clothes or feet that matter…” “It is what is in my heart and mind, the things I do that truly count…” “For those things that make us different, for they are tantamount…” “Seven heads, seven stages, seven fables, seven sages” “Seven stars and seven wonders and seven heavens that we’re under…” “And all those things they say are great and marvelous about us…” “Will one day be written in the book by Great Old Uncle Taautus!” *
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Jun 9, 2016
Jun 9, 2016 at 10:29 PM UTC
Scylla’s Son
The hanky he was sobbing into was crusty, ***** unwashed, unclean; yet strangely comforting to a little boy, as he cried he made his way to a culvert behind the school, some place the other kids couldn’t see him crying, it was more comfortable being near rocks -next to that watershed for some reason? He looked down at his antagonist, the scaly-green feet, they made him cry harder, he lamented… “Why have I been tormented so?” “Who gave me these feet? Who made me this way, lizardly, scaly, an animal no?” “What class am I, what species? Are those toenails, claws or a disease?” “The way I’m treated makes me sad. Where is my mommy, where is my dad? “Did I come from an egg? Didn’t we all? Why do they pick on me, make me feel so small?” “My feet are reptilian even I can see that!” “Am I part lizard? Are there horns on my back?” “I can’t hide in sneakers ‘cause the claws tear them apart.” “Not great at math, language or art.” “They always pickin’ on me, today it’s in the schoolyard.” “That is why I sit here on the rocks crying with my ugly feet and sullen heart,” “Cannot run fast so no baseball, basketball or soccer…” “The other kids tried to stuff me in my own locker…” “One mean little girl even threw a dead mouse at me!” “But I’m only part lizard as far as I can see?” “My English teacher says that my words are like a bird song” “If I talk like a birdie along with monster’s feet, no wonder I don’t belong!” “Even still, to be so mean to me, I know that it is wrong…” “ONE DAY I WILL SHOW THEM ALL, THESE FEET THEY HAVE A PURPOSE!” “MY WORDS OF SONG AND FEET OF MAGIC COMBINE A COSMIC CIRCUS!” “I am no freak of nature, no forest Pan or Satyr…” “It is not the way I look, my clothes or feet that matter…” “It is what is in my heart and mind, the things I do that truly count…” “For those things that make us different, for they are tantamount…” “Seven heads, seven stages, seven fables, seven sages” “Seven stars and seven wonders and seven heavens that we’re under…” “And all those things they say are great and marvelous about us…” “Will one day be written in the book by Great Old Uncle Taautus!” *
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38
I am the catalyst of this cataclysm the catastrophe that impaled the atmosphere of this vagabond heart that is shaped like a sphere and an uncertain future being build out of fear that gets bypassed product of my cynicism.   Secluded in my lab concocting a potion for this illness and when all else fails call me the alchemist nothing more than an angst-ridden antagonist my apologies to the pessimist, my excuses to the optimist I was born to be a ********* with a heart made of silver.   Buried in my bunker trapped in someone else's lore which in turn makes me the catalyst of my own downfall I was baptized a Catholic without ever being asked turn me into a Cyclist and I'll pedal real far turn me into a Scientist and my lab coat will leave my side turn me into a labyrinth and you won't be able to find traces of me, of who I was or who I never came to be.
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Dec 26, 2009
Dec 26, 2009 at 3:00 PM UTC
"The Catalyst"
In the short story, "The Rocking-Horse Winner" written by D.H. Lawrence, the young boy, Paul, associates luck with wealth and bets large amounts of money on the soon-to-be winning horses. His family is extremely wealthy but can barely afford to keep up to their title. What is one thing that society does not know yet the children do about the mother? They know that their mother does not love her own children. She gives them everything they need and want except for one thing. And that one thing they do need is love. One knows love by the look in their eyes. It is much more difficult to lie with eyes than with words and actions. She is materialistic and adores money and extravagance. I think we all agree that the mother is oblivious to her situation. How are we not like the mother? The truth is, we are exactly like the mother. She doesn't realize that love is not a number, money or products but that love is looking into one's eyes and showing true affection. We are in complete illusion that wealth leads to happiness. We think the same thoughts when the more we have, the more successful we may be however in reality, it is false. A perfect example is Black Friday. Companies, businesses and customers all decided to cut the Thanksgiving holiday to purchase more "stuff" to make them "happy". They decided to cut the time to spend with family, friends and relatives to spend for themselves and others. Who is the villain in the story? Most believe villains are a something or a someone who prevents the "good guy" from achieving their goal, also known as an antagonist, however the villain in this story cannot be seen, touched, smelled or even tasted. It can only be spoken and heard of. It is an imaginative villain. It is merely the manipulation of the mind of the misconception that luck is associated with wealth. This begins the entire issue with obsession and materialism. I'm sure we all agree that luck is something that happens to you without you possibly deserving or expecting it. But what is luck when others are given it? For example, if a random stranger gives your friend $100, another $1,000, but gave you only $20. Would you still feel lucky? Well, in all honesty it all depends on our circumstances, which then determine our values. Shouldn't it be reversed where our values determine our circumstances? In the end, over the many years of bets and deference, Paul has been riding his rocking horse to find the true winner and to find luck.
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Dec 16, 2013
Dec 16, 2013 at 10:00 PM UTC
The Rocking-Horse Winner
In the short story, "The Rocking-Horse Winner" written by D.H. Lawrence, the young boy, Paul, associates luck with wealth and bets large amounts of money on the soon-to-be winning horses. His family is extremely wealthy but can barely afford to keep up to their title. What is one thing that society does not know yet the children do about the mother? They know that their mother does not love her own children. She gives them everything they need and want except for one thing. And that one thing they do need is love. One knows love by the look in their eyes. It is much more difficult to lie with eyes than with words and actions. She is materialistic and adores money and extravagance. I think we all agree that the mother is oblivious to her situation. How are we not like the mother? The truth is, we are exactly like the mother. She doesn't realize that love is not a number, money or products but that love is looking into one's eyes and showing true affection. We are in complete illusion that wealth leads to happiness. We think the same thoughts when the more we have, the more successful we may be however in reality, it is false. A perfect example is Black Friday. Companies, businesses and customers all decided to cut the Thanksgiving holiday to purchase more "stuff" to make them "happy". They decided to cut the time to spend with family, friends and relatives to spend for themselves and others. Who is the villain in the story? Most believe villains are a something or a someone who prevents the "good guy" from achieving their goal, also known as an antagonist, however the villain in this story cannot be seen, touched, smelled or even tasted. It can only be spoken and heard of. It is an imaginative villain. It is merely the manipulation of the mind of the misconception that luck is associated with wealth. This begins the entire issue with obsession and materialism. I'm sure we all agree that luck is something that happens to you without you possibly deserving or expecting it. But what is luck when others are given it? For example, if a random stranger gives your friend $100, another $1,000, but gave you only $20. Would you still feel lucky? Well, in all honesty it all depends on our circumstances, which then determine our values. Shouldn't it be reversed where our values determine our circumstances? In the end, over the many years of bets and deference, Paul has been riding his rocking horse to find the true winner and to find luck.
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2
Her mind became the antagonist of her own being, pursuing the sadness that followed her treachery.
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Jun 1, 2018
Jun 1, 2018 at 5:24 PM UTC
Solitude
Forgive me, my love My numb heart beats too fast It twisted your words into lies It turned your intentions to motives My foolish heart makes me doubt And you have gotten closer Mend it, if you please But make it quick My deceitful heart will fool me Its lies will be truths And may never be honest again But then neither will you So please hurry, Save my heart from freezing For you're turning antagonist Becoming stone
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Sep 6, 2015
Sep 6, 2015 at 10:29 PM UTC
Numb
When I decided to write my first poem, I thought back to the days, when we were studying poetry and the teacher would amaze, she'd make me write down words and things, I'd be chasing praise. But looking back at my book now, I know what I should do, and so here follows my glossary of things I'll write for you: I have - Alliteration, Antagonist, Allegory and Anapest. Characterisation, Complication, Convention and Connotation. Elegy, Elision, Epigram and Exposition. Free verse, Falling action, Falling meter and also Fiction. Literal language, Imagery, Lyric poem and Irony. Rising action, Resolution, Rising meter with Recognition. Acatalectic, Anacreontic, Amphimacer and Amphibrachic. Cliché, Common Measure, Couplets and Catalectic. Deconstruction, Dispondee, Dialect Verse with a Dictionary. Iambic Meter, Incantation, Impromptu with Inspiration. Laureates and Limericks, Light Verse poems and Linguistics. Metaphors, Mock-Heroics, Middle English and Movement Poets. Oh gosh that seems a little worse, than I had it made to be, I was expecting just to write a poem 'bout my cat and me. I guess it's harder than it looks so I'll just give up now; I'll let those big brave poet people, write them all somehow.
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Apr 29, 2012
Apr 29, 2012 at 11:55 AM UTC
Glossary of Poetic Devices
So much for superheroes saving the day; Every good guy's epilogue is a cliche. Tedious compulsory celebrations For all their mundane actions. A villain's portrayal is what excites me. Ever since a kid I could already see; Creativity in all those gimmicks, Geniuses of ***** tactics. It is never easy to become the antagonist. The object of all hate and blacklist; The one that is destined to fail, To fulfill a comic's holy grail. Yet the bad guys do most of the heavy work, Perfecting their schemes with an evil smirk; But every time they're about to win, The plot will smash their plan to ruins. They say some people are destined to be heroes; It's a fate preordained a long time ago. But the truth is that everyone needs a villain, To finally uncover their life's meaning. What the world generally calls as criminals, In reality are just misunderstood equals. They taught me more about the cruel life, Better than any superhero's strife.
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Aug 31, 2016
Aug 31, 2016 at 7:54 PM UTC
I Grew Up Rooting for the Bad Guys
Dear society,        I followed you so blindly.  You did not treat me kindly.   Left alone yet taunted.   I was dead yet haunted.   You filled me full of pain. It provides you no gain.   Then you drew up these bars. And you let me carve these scars.   If it takes a community to raise a child. Well then I would prefer to be wild   Society, the center of hypocrisy.   The reflection of vanity.   The meal for Gluttony.   The provider of adultery.   The one we envy.   The antagonist that makes us angry.  The couch for us to be lazy. The seller to the greedy.  Oh society, you will do us in. You and the 7 deadly sins.                    Hate you, MnM
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May 4, 2014
May 4, 2014 at 10:01 PM UTC
society
The clouds will be the shed of my fears, my feet will walk across the horizon; no one can defy me beyond these boundaries for here in my life, my story I am the protagonist. The rivers will dry. But dreams will never falter, for if love is the nuisance, I shall bury it deep in the ocean. Then without guffaws, I can vacate freely to the aspired place. I whine. I cry. I fight. Everything will be colored so perfect except my shadows (beautiful lies are my only enemies). In this borrowed time, I will ratify myself's journey to be better than the best for my choice is my destiny, for I am the protagonist. People. I let them criticize me. I let them purchase my real worth. I let them discover the other side of my being; I will bring tomorrow today, and rainbows shall stand still in the midst of frozen rains for here in my life, my story I am also the antagonist.
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Jan 11, 2012
Jan 11, 2012 at 1:37 AM UTC
The Protagonist
Acerbic antagonist alliterates agonizing accusations, blasting ******* backbiter butting beautiful bombastic brainy blond bomb. Cumulative cranial casualties cease caveman's cognitive coherence. Doom digger derides Daddy's dangling dire dreary **** Eclectic esoteric eccentric egotistical estranger; Forthcoming fathoms fetch faithless fleeting father. God given goblins gather gossamer ganglions; Hell's hairy harlot harpies hover heeding Hyperion. Ignatius imbibes irrevocably insisting, "Jesus juggles justice's joy jarring jams." Kindness kindles Kilimanjaro; Malicious mountains melt, Mmm, morning marjoram. Nothing negates Neanderthal ninnying. Overt obsessions obfuscate original object of purest passions, paltry past pinings, quickly quieted, quelled, resisted, relinquished, readily, ruefully, roundly saturated, suffocated; surreptitiously silenced, terribly torturing the thrashed tamed tormentor: Ugly, ungrateful, unapologetic, Vanity, woefully wallowing, wailing, "Where's Xanadu's zeitgeist!?"
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Jan 15, 2012
Jan 15, 2012 at 12:09 AM UTC
I hate it when you alliterate
The Story begins with silence and black out, a void. Not darkness. Nor anything that attempts to define nothingness, because it’s nothing. The blackness or void is only a metaphor representing nothing. Within this point, so close to simultaneous you’d think they were one in the same, a light emerges, emanating divine, pure energy and love.  Its intelligence and complexity expands and fills what was once nothing with beauty and truth. At this moment, all is whole, fast as thought, strong beyond comprehension, gentle as a whisper and furious beyond all flame. The wild spirit of happiness is real and alive! The void was never the enemy, only a point in which to be born. Duality can only exist if unification finds an enemy within itself. The enemy is reflected by the segregation and space created between divine and mortal. This space is developed by Ego.    This entity “Ego” is the essence of self resistance, absorption, chaos, consciousness…hate. The inner antagonist rises and begins to cut and eliminate the threads attached to creation and spirit. A mirror that envelopes and contains the living spirit.  An orb caging vulnerable souls spread throughout the expansion of life and suffocating energetic flow.  The universe and it’s creatures that lost connection being virtually incapable of seeing one another ever again while the enemy exists.    The instigation is tolerated by those who always continue the journey. The emasculation of Ego, commences as the divine resonates it’s vibration as a weapon like a solar flare, piercing the Ego. Then the inner spirit begins to open up and claw its way out. The Spirit sees that vanity is leading the despair of self pity into the heart as it remains a vessel dwelling in a false world channeling a false force. This awareness makes The Spirit lifts up, against and out of a matrix constructed within the crystal ball cage that refracts the true sun’s rays. Together, The Spirit and The Divine begin to crush Ego. Ego begins to flatten, compress and then combust. Through the flames the chord of love between The Divine and The Spirit bursts like a shooting star towards the kinship’s re-established nexus. The collision creates what was pure and full in circulation again and the expansion becomes an infinite motion harmonizing with the void in an adventure that goes on forever. When Ego tries to slither back in after a nearly insurmountable time of hiding between the gaps that contains new life, it is given no room by anything in thought, theory, in any form of existence.
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Nov 8, 2012
Nov 8, 2012 at 7:40 PM UTC
121 (The beginning of something more)
The Story begins with silence and black out, a void. Not darkness. Nor anything that attempts to define nothingness, because it’s nothing. The blackness or void is only a metaphor representing nothing. Within this point, so close to simultaneous you’d think they were one in the same, a light emerges, emanating divine, pure energy and love.  Its intelligence and complexity expands and fills what was once nothing with beauty and truth. At this moment, all is whole, fast as thought, strong beyond comprehension, gentle as a whisper and furious beyond all flame. The wild spirit of happiness is real and alive! The void was never the enemy, only a point in which to be born. Duality can only exist if unification finds an enemy within itself. The enemy is reflected by the segregation and space created between divine and mortal. This space is developed by Ego.    This entity “Ego” is the essence of self resistance, absorption, chaos, consciousness…hate. The inner antagonist rises and begins to cut and eliminate the threads attached to creation and spirit. A mirror that envelopes and contains the living spirit.  An orb caging vulnerable souls spread throughout the expansion of life and suffocating energetic flow.  The universe and it’s creatures that lost connection being virtually incapable of seeing one another ever again while the enemy exists.    The instigation is tolerated by those who always continue the journey. The emasculation of Ego, commences as the divine resonates it’s vibration as a weapon like a solar flare, piercing the Ego. Then the inner spirit begins to open up and claw its way out. The Spirit sees that vanity is leading the despair of self pity into the heart as it remains a vessel dwelling in a false world channeling a false force. This awareness makes The Spirit lifts up, against and out of a matrix constructed within the crystal ball cage that refracts the true sun’s rays. Together, The Spirit and The Divine begin to crush Ego. Ego begins to flatten, compress and then combust. Through the flames the chord of love between The Divine and The Spirit bursts like a shooting star towards the kinship’s re-established nexus. The collision creates what was pure and full in circulation again and the expansion becomes an infinite motion harmonizing with the void in an adventure that goes on forever. When Ego tries to slither back in after a nearly insurmountable time of hiding between the gaps that contains new life, it is given no room by anything in thought, theory, in any form of existence.
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3
Strangers to the touch: he was fast to dive into the waves that were indeed his briny deep. She, whom took his complexion into the trench that is her, also took the senile artistry that was he, recklessly. Strangers to the act: he took the palm of his over-dramatized antagonist of his own life and just pressed it. She caressed the thought of it, yet still arose to find her most fragile protagonist grazing his head on the adolescent but corrupt land line that made up as her thighs. *Strangers they must be, though, strangers whom have found need in the halves that have halves in half.*
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Jan 18, 2014
Jan 18, 2014 at 10:29 PM UTC
Kissing an alien.
"shop closed" **the sign never sat perfectly on any hook or nook or cranny you are an echo bounced perfectly in every hook and nook and crook** "considered sold once broken" **consider it done once dealt with the devil his ornamental fairies consider them whole before they were bought** "trespassers will be prosecuted" **bedsheets spun out of cobwebs sandcastles spun in of air floorboards swallow you in you dreamt of anchoring yourself to the ground** "wine house" **lustre of turbulent pirouttes trapped within the walls of wine glasses and wine-stained dresses in cadavers' masquerade** "emergency only" **they pushed you in the operating theatre and cleaned their hands with soap opera amputate these phantom limbs pain has been the only anaesthesia** "in loving memory of" he is the protagonist he is the antagonist and all stories end (with)                                    the former
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Jan 14, 2016
Jan 14, 2016 at 9:36 AM UTC
what comes to mind with every word you say
Fade to scene--pallet: blue and green--wide shot; mood: serene. Establish view; a stock or few; pan right to view a distant two. A hazy rim; we cut to HIM--so clean and prim--just as we hear the hymn... A tear rolls down his chin. The brightness dims; music shifts to grim. Cue the screams; cut the scene. We're back in the now and the mood is mean. HE'S back in a view--pallet: black and blue--the shot askew. The mood's muted; sounds of shooting. Cue dialog: "Look what you did..." Camera jerks; extreme closeup: a smirk; let the ANTAGONIST work. The wire crew's here. HERO sheds a tear. Signal stuntman on the tier. Orchestra on my mark... Deliver line then cut to dark. Light's back to reality. The view won't change, you see. There's no crew or doubles. Just a wide sea of troubles. No second shots; no calling "CUT"; it's all open-shut. It's not like a filmmaker's lens; it's not just pretend. Let me script this out what you're all about: An overconfident lout, but backlit with doubt. All part of a cast, direct you like I did the last. I see that you're furious, but you're hardly fast. Now I'll produce the fear as the shoot draws near-- I've got the schedule set; we're not finished here!-- You're calling "cut," but I'm just cutting you more, And then I'll edit you out on the cutting room floor. I appreciate that you feel you've come so far, But never forget this is MY movie, and I'm the STAR!
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Aug 30, 2014
Aug 30, 2014 at 6:42 PM UTC
Like a Filmmaker's Lens
I do not like this scene or this chapter in my book My fingers have failed me as my thoughts evade me I can’t write this for you though you’ve done so much You’ve written me into existence and I want to edit myself out It’s easier to put words on a page that you can rip out than to speak them to you and watch the venom bleed through the cracks of your tired skin I’m so hurtful, like the edges of dry, fresh cut paper— sharp enough to cut, too dull to scar— only ever thumbed through never perused—yearning to be read and understood and remembered
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Jul 30, 2013
Jul 30, 2013 at 9:07 PM UTC
The Protagonist Is the Antagonist
Once upon a time a long time ago in a land far away there lived a princess, a damsel in distress; with a hope that one day her life would be made whole with a kiss from a prince. A prince, a hero of sorts. He’s fought dragons and monsters and thieves. He defended his kingdom with all his might with the hope that his life would be made whole with a perfect damsel in distress. At the center of the tower, the one in which the princess lives is a man, of an unfortunate, horrible evil. And just like the princess, and the prince, the antagonist, the king is just as cliché as the rest with a hope That he will rule the kingdom. The one guarding the girl, the damsel in distress, is the monster - the dragon, the one from childhood stories. He shoots fire from his mouth the color of blood and he defends the princess with all his might, with a hope that one day he’ll taste the prince’s blood.
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Mar 31, 2016
Mar 31, 2016 at 11:13 AM UTC
Cliché Fairy Tale
Here's to the... Calorie counter Long sleeve wearer Excessive water drinker Mirror believer Professional over-thinker Clever liar Hair puller Tongue biter Thigh hater Toilet bowl hugger Magazine lover Belly fat **** At home cryer Bedroom hider Internet follower Social stink bug One sided therapist Friend loser Terrifying truth Reality dodger Space-brained Nicknamed Love rejector Anxiety collector Roller coaster rider Personal antagonist Perfection chaser Hopeless dreamer Nothing achiever Unnoticed angel Silent rainbow Blood seeker Soul-searching rebel Wilting rose
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Jan 26, 2013
Jan 26, 2013 at 9:44 PM UTC
Here's to you
There's this guy who constantly gives me grief online as if I need a reminder that I am not funny or smart that I am incapable of posting any story without his remark as if he should impart and bestow all of social media with his divine and seraphic academia: what is with that? He posts comments about how illiterate my poetry is how it doesn't follow the rules; the do-nots and the do's pontificates how its not properly punctuated as if I should give up altogether and just shine shoes and forget trying to construct sentences just wander in the carousel of nebula's eternally seeking the tentacle of enemas: what is with that? This guy enjoys winding me up like a persistent hobby the reverent devilment of sadistic entitlement pushing my head under water for a digital baptism that I should thank him for his rhetoric enlightenment as if he was blessed with a correspondence talisman: what is with that? This isn't even a poem. I am letting off steam like an overused kettle fed up of his mortar forever rammed in my pestle the temples are raging and my brain is just draining to explode on cue on the next digital heckle the cracked and broken vessel into a vengeful steam-driven projectile: what is with that? This, < here > , is my only escape and creative cathartic vent I'll post this lament with the stench of discontent and tag his name and then just wait for his feverish malcontent that I should dare to prevent his God-like dissent: memo to self to a digital antagonist and his verbose verbal cyst and the keyboard of twists when you push sometimes you get a big shove back so don't be surprised by my riposte and this poetic attack.
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Jul 8, 2014
Jul 8, 2014 at 8:56 PM UTC
Digital Antagonist V2
There's this guy who constantly gives me grief online as if I need a reminder that I am not funny or smart that I am incapable of posting any story without his remark as if he should impart and bestow all of social media with his divine and seraphic academia: what is with that? He posts comments about how illiterate my poetry is how it doesn't follow the rules; the do-nots and the do's pontificates how its not properly punctuated as if I should give up altogether and just shine shoes and forget trying to construct sentences just wander in the carousel of nebula's eternally seeking the tentacle of enemas: what is with that? This guy enjoys winding me up like a persistent hobby the reverent devilment of sadistic entitlement pushing my head under water for a digital baptism that I should thank him for his rhetoric enlightenment as if he was blessed with a correspondence talisman: what is with that? This isn't even a poem. I am letting off steam like an overused kettle fed up of his mortar forever rammed in my pestle the temples are raging and my brain is just draining to explode on cue on the next digital heckle the cracked and broken vessel into a vengeful steam-driven projectile: what is with that? This, < here > , is my only escape and creative cathartic vent I'll post this lament with the stench of discontent and tag his name and then just wait for his feverish malcontent that I should dare to prevent his God-like dissent: memo to self to a digital antagonist and his verbose verbal cyst and the keyboard of twists when you push sometimes you get a big shove back so don't be surprised by my riposte and this poetic attack.
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maybe you put too much faith in me i'm agnostic, apathetic, aromantic and too much of an antagonist to never let you down you could drown me, make me suffer for my attitude; but i'll not atone for my sins remorse is for the empathetic and i am just empathetic minus the em
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Jul 3, 2016
Jul 3, 2016 at 12:33 AM UTC
sorry (as much as i can be)
you are the hero, the main character, the one trying to hold the story together in your shaking hands. because you are the story yourself. you are my story. your twisted plot lines intrigue me. you are my protagonist, yet you are also the antagonist. you are a blessing and a curse dropped into my lap; your intensity terrifies me at times. i know that you will overcome your enemies in the end, even if that enemy is yourself. because it’s about time we had a happy ending.
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Jul 6, 2013
Jul 6, 2013 at 10:24 PM UTC
you are my protagonist.