a broken plate
with its sharp edges
and dwindling purpose

A child sleeps in neon static
his ribs spell passwords no one reads.
Coins blink on screens, not in palms.
A mother trades her breath for bandwidth.

They stitch worth in barcode veins,
souls archived in debt.

Yet
in the ruin’s hum,
a hand still reaches
not to take,
but to hold.

Shriek

Throw this flesh into wind for to be tattered.

Flense & flay me; sprayed hot onto cold asphalt. Ribbon shred.

This isn't loving Summer, no. Springtime is
planting-
     gestation--
          gasping births---
                violence.
The invasion that is existing.

The Green of April is no gleaming emerald;
It is fury. It is ravenous hunger. It is manic desperation to be
It is the razor's edge of bleeding insistence.

Remove these bones. Festoon your thoughts with the sting and the ache. These verbs are command form. It is Spring.

That ripping. That fibrous, fluid tear. You hear it, yes?

Tilt me over and spill my ******* guts out.
Clouds of grey and bright red rain--squall of ichor. Knife wind.

Let us weep thunderstorms. Chagrin these Gods of Drought.

Howl

Scream for us both. Wail until the throat bleeds. Blood decanter.
Pour us out of you until the sidewalk hides from the cold.

Chilly today! Should've brought an anorak, eh?

Gale force wind. Tear me up. Spare no expense, accept no substitutes.
Leave no intact iota. Return me to my component parts. Atomize me.
Untangle us, we are a tragedy.
...And, after all, this is a slasher, yeah?

I mean. At least distract me. Ya know?

Is it the words that flow and rhyme
And dance in rhythm, keeping time?

Or is it a line
That breaks when it wants to,
Not when it’s told;
A thought
Spilling without apology?

Or 5-7-5
Secrets whispered by the wind
Words, though few, sing true?

Perhaps it is found behind coughed petals,
Fourteen lines aligning to pave a stage
Where lovers for love charge into battle
And hearts are found pierced or tangled in rage

Or ten words, though short, a poem for the world

Or the sun spilling gold across the sky
Painting clouds as the sea drowns its light.

To me, poetry is emotion;
Memory,
Ink spilled where the heart leaked
And it is not meant for everyone

Pi, at the end of its endless decimals' grandeur,
meets a human being—who holds a mirror!
Until now, the number, knowing only sway,
has been lost in discovery’s polished way.
No more: it begins—on a human—in front of its eye.

Patterns and unique precision, patternless waves,
new math tides soar, pivot at the cosmos' height,
only to bag the ultimate truth:
Fathima—the first spiritual woman—mooned there first!

Fathima steps forward where nature falls behind,
across the dead end, the irrational chasm she strides.
For the cosmos' deep mind, Earth, the ocean is but a drop;
the rope to the top is the lead—the feminine Fathima’s lock!

Raw Fathima moves; in shadow, nature follows,
clustering atoms span between the two,
only to witness her encrypted, secured fashion—
intact, uncharted, yet fully functioning,
in Makkah and Medina, while she lived.

The red fairies at midday’s spot-on,
the black swans arching rainbows in wonder—
marvel how Fathima deduces, straw by straw,
the maestros’ dream of ascension,
potion-polished, taking Ma pauses in liminal crescendos,
between past and future, here and hereafter—a circular duo.
Limning out chiaroscuro in light and shadow—
nothing like it exists, in plain sight or the world in toto!

Rainbows shaded in, sparking out,
the scent of roses in her veiled black hair:
the cosmos anew glinting off her edge,
deeper quintessence than dark matter!

The blueprint, the intelligent pre-design, rests in her elements.
The breakthrough exponent—hidden in her eyes.
Yet beyond the masses’ gaze,
she remains Zahra—light upon the original way.

Truly, only one feminine form has reached across
the other end of the cosmos' endless highway,
zooming past nature’s hidden gems—the irrational Pi,
the complex chasm—a mathematical goldmine.

Beyond the masses’ eyes and their painted canvases,
shine the daylight and the glowing fireflies of the night.
Viva Mankind! Fathima is the Moon at the highest high!

You smell like summer
You taste like moon
Till my eyes opened
It's almost june

You hunt like runner
You run like rust
Till my skin
Turns to dust

So call me drunk
Three am
I will pick up
What a Shame
Then I'll cry
Whom to blame?

I lost my way
As ocean stray
May locate stars
But as it rains
All my metaphors
Slips away
Whom to blame?

every evening i slaughter the sun.
every evening i cut her up on unforgiving mountain peaks
i dip her blood orange blistered flesh in saltwater;
i do this for the moon.
the sun gurgles as she drowns

it remembers me.
the sky.
the mouth above the mouth.
the lightless gullet where clouds go to rot.

i kneel in the driveway
and my bones click like prayer beads.
i say nothing.
the wind fills in the blanks.

above,
the bruised vault peels open.
something pours out that smells like me—
ozone and old milk and motherlessness.

i know this feeling.
the ache behind the eye.
the tug in the marrow.
the static in the throat right before god speaks
and forgets my name again.

the sky remembers me.
like blood remembers stain.
like salt remembers wound.
like hunger remembers teeth.

and so i let it.
i open my mouth
and taste iron,
and ascend.

not float.
not rise.
just—
dislocate upward
until every tendon sings its own name
and snaps
like wet string.

there is no rupture.
there is no goodbye.
only the soft gulp
of return