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 Jun 2020 k e i
Nikita
Odd.
 Jun 2020 k e i
Nikita
Oh hello.
What’s your name?
That’s nice. Do you sing?
No kidding.
Oh me? Not me.
My voice shrills and kills until it...
Sorry. Did I just-?
Never mind. Yeah, okay.
I’d love that.
See you next weekend?
Great. Wait...
Before you go-?
Can you promise?
You do? Oh, you do.
It’s just- It’s just that I find it...
Great. Amazing. Wonderful.
Have fun- With her. Yeah.
Cool. Later.
A conversation in a time, space and with characters of your own creation. Feel free to reinvent the story until it makes sense to you.
 Jun 2020 k e i
fray narte
someplace else
alice never bothered leaving.

i know a thing or two about girls who jump rabbit holes —
all dead eyes and ripped laces and cigarettes;
there was no white rabbit to begin with.
i know a thing or two about girls
who run away from themselves.

alice — a wildflower as they say:
with limbs made of wilted dahlias,
with wasps nesting in her chest — alice,
has the cat not told you that
one can only lay too much flowers
on just a single grave —
just a single hollow body,
before they grow into forest of trees
from where all your nooses hang?

nonetheless, tiptoe and fall.
this way to wonderland —
this way to the rabbit hole,
this way to the cemetery,
this way to your eyes,
to your chest,
to your palms.
has the fickle cat not told you that
there was no white rabbit
in the advent of your own apocalypse?

this is your fairytale, sweet, sweet girl.
light that cigarette and set yourself on fire,
your mind already is hell anyway.
and i know a thing or two about a girl who descended to hell —
you are proserpina without the weeping.
you are proserpina without the crown.

but in someplace else,
alice never bothered leaving.
no one's waiting back at home,
and no one's waiting to be found.
 May 2020 k e i
fray narte
she saunters to the room
in white sundress and boots —
some girl bukowski would probably write about.
her heart, stitched to her sleeves,
leaving her chest
smothered with lilacs and cigarette smoke.

how do you know you got embers
that can start a forest fire
when all that matters
is walking straight to the arms
of a storm dressed as another girl —
a girl dressed as another storm
leaving behind casualty after casualty
after casualty
in leaky apartments and hotel rooms.

well,
poets don't tell you how storms kiss —
how they're made of moonlight,
dripping like ether on a sea glass
and before you know it,
your skin is the sea, reaching,
yielding with total abandon
to every curling of the tongue,
to chapped lips and to sighs.

this must be
what 'it' looks like.

then again,
bukowski never really wrote that much about love,
and it's no secret;

her feet are no altars
to offer your poems
and darling,

your lips are not where
storms go to rest.
 May 2020 k e i
fray narte
ruby
 May 2020 k e i
fray narte
and yet, what are we but mere mortals
somehow caught in the world's anger?
what am i but just another girl
weaving these words
in the corners of a ceiling
where the moon doesn't shine —
hidden by dust and out of reach
and you are a victim,
walking straight to spider silk;
somewhere in the sky,
artemis is perched on the moon —
watching, warning.

and for all we know,
she knows, that apollo, too
had written poems for all his lovers;
i will borrow these words,
fumbling to write all the things
i cannot say.
but in the end, how can i write
about your love and its softness
when all i've known are wolves and shredded baskets,
when my legs are made for chasing the fog,
when my hands are made for ripping red cloths
and poorly folding them into roses?
alas, darling,
these are my pressed tulips and chaste kisses
delicately folded into words.
this is my testament;
these are my whispers in their softest.
these are my fingers in their gentlest.
this is my love for you.

this.
 May 2020 k e i
fray narte
by now, the moon knows that my chest is just a burial ground for this thousandfold of sighs — in their hands, all different ways of my undoing, and i am a breath away from one. you see, some nights are for the softest, gentlest moments of lunacy. some nights, for waging wars and succumbing into these sighs, barely held by the petals tightening around my throat. by now, the moon knows that i had once been a battlefield and it's a pity — growing poems on such an unholy ground, only to fall apart like aster leaves and ancient city walls.

darling, it's getting dark, and this is starting to look less like poetry — and more like spoils of war from inside my head.
 Apr 2020 k e i
Leonoah
Yellow Lady
 Apr 2020 k e i
Leonoah
It's that usual time of the year again – where everyone’s starting to feel that depression crippling in. The year has just started yet everybody is too concerned with the goals they had in mind since last month, as if they’re running out of time when it clearly just begun.

    In a dull-colored house located in a small town that’s not too known nor too popular – is a man in his 30s, an artist, sitting in the very corner of his room. Beside him was the last bottle of sleeping pills that he have. Every night, you can see him through the small window of his dimmed-light house downing those pills before the twenty-second of the clock hits. Some of his neighbors who sometimes see him buy those pills thought that it was weird for a man in his 30s to regularly drink sleeping pills every night, yet never sleeps.

    Little did they know, the man was clinically depressed, and he was not getting any better but still tries to maintain his medication that was prescribed to him during a free and quick mental check-up from several months ago. The pills were not of help anymore after a month but still he drinks as the idea of doing something for his mind, even if ineffective, comforts his soul. Well, it’s not like an unknown artist would be able to afford medicines that are being sold by the rich capitalists, he thought. The man’s arts were not something that everyone who sees understands. From the lines and strokes down to the colors and spaces he use, their eyebrows strike up as they can’t grasp the concept he’s going for.

    The sun shone and suddenly, the man in his 30s is no longer sitting in the very corner of his small room. He was now sitting in front of an old tree, looking at a lady who seemed to be in her late 20s. The lady was in her all-white uniform smiling gently as she hands the generic medicines to the seniors of that small town. Meanwhile, the man in his 30s was uttering words that only the dead leaves can hear.

    “She looks good in yellow,” he whispered, and the wind blew. The man in his 30s felt cold but did not mind as it’s not like he had any other choice but to endure. Suddenly, the lady in an all-white uniform turned her head and saw the man in his 30s.

    Ever so slowly in his eyes, the lady walks towards the man’s direction. At her soft and gentle hands was a blanket she kept for times like this.

    “It’s cold, have this. Are you going to show me your works again?” she asks gently while she wraps him in that blanket. ‘This feels warm,’ he thought. And that was a new thing for him.

    “Would you look?” in a stammering small voice he asked. The lady in her late 20s nodded and that was when everything has hit him. This gentle yellow lady always feels new to him, and he loves the feeling of this new. The yellow lady has always been gentle and soft and he loves it – it feels new and he loves it. She smiles brightly to him and the feeling of always wanting to see it surprises him every time because ever since he was born, this is the first time that he does not feel anxious or mocked. He finally feels loved, and there was hope; and it feels new.

    The yellow lady learned everything about the artist in his 30s – from his childhood that feels blurry yet clear (to him), how he came to that small town, how he started painting, why he started painting, the meaning of his works, his frantic days, his medications, and many more that the artist in his 30s never thought he would ever share to anybody. The yellow lady even started to learn that she has feelings for the artist in his 30s, and she was very willing to entertain and develop more together with the artist.

    Years gone by and they now live in an averaged-size house – average because it just fits them perfectly and they thought that was more than enough. The couple earns money together and they always feel that their money is perfectly enough for the family they are dreaming of. The husband gets paid by painting buildings located in the city, and every after he finishes his work, he rushes home to see his yellow lady. Yes, the artist who is now in his early 40s still refers to his partner as the yellow lady. No matter what day, occasion, or whoever they are with, she was still his yellow lady and that was so much more than he could ask for.

    Sometimes when the artist watches his wife work in her all-white uniform, he would talk to the children which he enjoys. He thought that children are much better than adults as their curiosity was never with malice. “Children might say mean things, but they will eventually grow up and be apologetic for their innocent mistakes. But grown-ups are never mistaken innocently nor are they sorry about it,” he once said to his wife.

    That day in January came and while he was waiting for his wife, a child came up to him and asked him where he could ask for a cough medicine. He touched the child’s shoulder, and pointed his finger to the yellow lady.

    “Can you see that lady in yellow? Ask her and she will answer you softly.”

    The child was confused; everyone’s either in white or ***** clothes, who is this man talking about?

    The artist in his 40s understood the child’s silent confusion and then said, “My apologies for your puzzlement. Just look for the only lady who smiles softly and lovely, she’ll help you.”

    The child ran towards the group of people who are either in white or ***** clothes, and looked for the only lady who smiles softly and lovely. He kept turning his head in order to look and when he found the lady who was smiling so gently to other children around, he ran to her direction and asked her if she was the lady in yellow.

    The yellow lady nodded her head and then kindly asked the child about what he needs. The child’s feet moved back and forth while patiently waiting for the medicine. He asked the lady why she is being referred to as the yellow lady, to which the latter kindly replied: I can tell you but you won’t be able to understand yet, love.

    That day ended and just like how every day usually happens, the couple walked home together while talking about their day and made plans about their dinner. After dinner, they proceeded to their bed and continued talking until the artist in his 40s fell into sleep while the yellow lady gently caresses his hair.

    Each day for them was always new yet familiar – and that never changed. Even when they had a child, when they had their worst fight and made up a week after, when one of them started losing hair, or even when they found out that the man who was once in his 30s is now being chased by cancer – the feeling of familiarity but different was never gone.

    When the man finally decided to take his rest, his wife started to wear yellow – everyday. And when she was asked by her son why, she answered with her utmost sincerity that she was afraid she might forget who she is and how deeply valued she is just because the one who reminds her every single day has physically left.

    Years after, and the son was now a working adult. He sighs as he sits in front of his late parents’ tombstones. He placed his military bag beside him and looked at the smiling photos of his mother and father. He was once again reminded of how much he missed them and how he wishes they were still there beside him or in their house waiting for his return after every war he fights. And in a small voice he said to his father, that he has now found his lady in blue, and how he wishes they were watching over them for he’s always going to need their guidance.

LEONOAH
i really really enjoyed writing this :)

unedited ever since i finished writing
 Apr 2020 k e i
Leonoah
Pag-Ibig St.
 Apr 2020 k e i
Leonoah
Pag-ibig St.

Alas nuebe na ng gabi at heto,
Nasa lansangan pa rin at naghihintay ng pag-usad ng trapiko.
Malamig na ang hangin at madilim na ang langit,
Pagal ang katawan kakaikot kung saan-saan at gusto ko na lamang makarating sa aking mahal na tahanan;
Pero ang dami kasing nag-uunahan,
Masyadong maingay at halos lahat ay handa nang magkasakitan-
Walang pasintabi at mayroong sumisingit,
Nananakit,
Sumisitsit,
O di kaya'y nagmumura na sa galit.

Ayan na nga,
Mag-aalas dyes na,
Pero, heto pa rin sa lansangan;
Sa parehong kalsada at parehong estado-
Naghihintay na umusad ang trapiko.
Sa liblib at masikip na kalyeng hindi gaanong pamilyar kaya naninibago-

Pag-ibig St.
 Jan 2018 k e i
Joy Onyango
art
 Jan 2018 k e i
Joy Onyango
art
you are an artist.
you like to paint
                             smiles on your face to conceal the pain
you like to draw
                              laughs out of the hollow pit of your chest
you like to colour
                              your wrists red and taste the life flowing out of you
                              as if it would quench the thirst created
                              by the loss of someone that you knew
you are an artist
                             you love to create
                                                             you
                                                                     love
                                                                              to
                                                                                   erase.
 Jan 2018 k e i
Phoenix
Love
 Jan 2018 k e i
Phoenix
Love scares me.
I like the type of things that are concrete,
like the ocean.
Something you could point to
and know what it was.

But you can’t touch love.
You can’t hold onto it
and make sure it never changes.
 Jan 2018 k e i
Garrett Burger
Happily a drip
Off a petal, or two. Reaching out for another,
It seems
As if each flower is begging to get the benefit
Of the next drop.
Nothing to waste, soothing down from one petal
To the next,
Down the leaves that follow it
To the stem
And into the unseen ground.
The roots that help it grow
Fragile, it seems
The flower petals.
Yet they welcome these harsh rains.
They know that even a lost petal or two
From it
That the rain will help it
More than it hurts it.
The tears of these flowers go to the roots
And build a better stem
A stronger, flower

The life of the flower is much a balance
Too much sun, they wilt
Too much rain, they drown
But with the balance of the 2
They grow.

Why do we wish to block our rain
When even the flowers
Understand it
Thoughts from the garden
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