So, you ask,
How would I explain it?
Well certainly, as something
Not fun.
It's like...
It's like carrying a leach around with you.
When I walk, I can feel it,
It is a dead weight on my chest,
******* the life from my arms,
Making my hands and face slender,
What should be full and strong
It's like...
It's like when you're sick to your stomach.
That feeling of tar in your gut,
But instead of being isolated, it's everywhere
Throughout your body,
It makes you feel sick everywhere.

This is how I explain dysphoria:
Have you ever looked in the mirror,
And wanted to just rip all your hair out?
When a bad hair day gets out of hand,
Have you ever felt the need to just start over?
Even when you tear out a clump of hair
And your scalp looks raw and a little ******,
But you keep going anyway,
Just to get rid of that stupid haircut?
...no?
Alright, how about,
When you're watching the outtakes of a 3-D animated movie,
the scenes that have "gone wrong",
When the girl's eyes are far too big and pop out of her face,
Her arms are disconnected from her chest,
Her head moves but her teeth do not,
And you just want to scream "DELETE IT!"
Because it's obvious that someone has ******* up here,
And this nightmare, this fever dream
Is not what they intended their creation to look like.

Alright, well have you ever
Done a pencil drawing?
And you've put a lot of time and effort into it,
You're so proud,
This is one of your best works,
But something about it is just off?
You might not be able to tell what it is,
This will bother you for a long time,
You will spend hours on end thinking
About what exactly separates this piece of art from everything else,
What it is that keeps it from perfection...
Until suddenly one day, you realise,
You notice exactly what's wrong,
You grab an eraser to fix your mistake
But then, oh no
Your eraser was *****,
And when you tried to rub out that single wonky line,
You leave a huge black smudge across your paper
And now there's no way to get rid of it
All your work on this piece, ruined,
And you're really upset,
You were so proud of this drawing,
It was so close to being perfect,
It could have been so beautiful,
It was almost perfect, but now...

But now, it's wrong.
It just looks wrong
It just IS wrong,
It wasn't meant to look like this
I am trying to explain as simply as I can
That this body is wrong,
That it wasn't meant to look like this,
That it wasn't meant to BE like this!
Don't you understand?
This is how I explain dysphoria:
Have you ever looked in the mirror
And wanted to just rip your chest out?
Do you ever see your body, your parts seeming broken,
Your chest, legs, hear the sound of your voice
And just scream "DELETE IT!"
Because it's obvious that someone
Has ******* up
Someone was using a ***** eraser
When they created me, erased me,
And they've left smudges, mistakes, that I
Cannot get rid of,
And however hard I try to pretend
That I don't care,
I do,
And I still feel the need to erase them.
These leaches that I carry around,
They drain me,
And I was so proud of myself
I,
This body...

It could have been so beautiful

A Breath of wind is wind itself,

should true and steady braided shelfs,

foraged fords from handsome lords,

prayed hopes & proper ropes,

could life and science meet the world beyond Biology?

"A home," it cried, "a home for me with trees and lakes and reverie."

I tried and cried for something else, elsewhere

I found a leaning shelf.

Should what was true and even hold nothing told or helpless here,

I cannot hide a place inside,

though I cannot say I really tried.

What is a Legacy
What's the equation that leads to the sum that is
A
Human
Life
The curtain draws as it must and
when it's done...
We spill out of this "Life" a grocery bag of idiosyncrasies, neuroses, hypocrisies, and other I-sees
What are we in the end but broken pieces of a puzzle we leave for others to assemble--who cares if the pieces fit.
Someone found a Kind word here
Another a Generosity
A memory of a Lie
Proof of a Cruelty
Acts of Humanity by a human being acting...
Who knows me well enough to define my Legacy?
Who else but "I"

And so,
We begin again
Breathe anew
For what else is there
But another moment

The one thing we cannot control is the chaos around us
The acceptance of our fate is knowing
If you leave earlier you might still be late
Somewhere deep within our souls
We know that we can all relate
What choices do you have to control the chaos inside of you?
Close doors, inhale, and find comfort in the chaos because
There’s no escape

Anything can
look like a poem
and sound philosophical
simply by moving
the words on
different lines.

Am I doing it right?
Is this
really
talent?
Art?
Effort?

I think I am trying.
Really, I am
I go back and change the order
and I break lines
where it sounds right
But it does not take me long.
Not at all.

I try to be
intentional
and call it natural rhythm.
Instinct and style taking over
I alternate between
agonizing every detail
like When to Capitalize
and publishing free form poems without looking over them twice.

How is writing supposed to feel?
Should I labor?
or should it flow?
Or do I get to decide?

I think the things I talk of
mean something
at least.

But am I just
pretentious?

fooling myself into thinking that
using common poetry formats
somehow makes my work worthwhile?

What's it take
These days

To write a poem

That makes the world go mad
That brings the crowds to their feet
That spreads like wildfire
Through a dry winter forest

Is it those excessively long words?
The ostentatiously loquacious
Platitudinous ramblings
Of an insecure mind aspiring
To authentic intellect?

Is it perhaps...
     the "creativity"
               of      varied      spacing
  or...    could it be..... the lack
                              of capitalization
               the loathsome little letters
               screaming out
                         hey, look at us!
         ... or maybe it's
               the punctuation marks,
     littered, haphazardly
          through the text
                    (whether used correctly)
               or, theyre not?!
     despite worrds mispeled
          and a grammar might is broken
   can these gimmicks increase interest
        though miswritten or misspoken?

Is the trick alliteration
Whose bite brightly bids us
To center on the snappy sounds?
Although all along
     unvoiced underneath
Ideas idle in the isles
   (or perhaps the aisles)
Of the mind
To meld and craft and bind
Our thorough thoughts
And worthy words
Into lines
Which
Heard by herds
Raise the
                  Praise for which we
                  Privately, desperately
                  Pray

Maybe it's a magical mix
Of splendid in-your-head rhythm
Marvelous meter that perfectly clicks
Flowing smoothly without schism

Well-spaced stanzas
Well-used time
Well-crafted phrases
Well-thought-out rhymes

Well, maybe not...
     those gems are often ignored
     cast-aside, unread, even abhorred

Why?

Because the modern world
doesn't need your rules
your restrictions
your regulations
your misguided boundaries
your oppression
your antiquated ideas
   of "the right way"
   to write
   to speak
   to act
   to live
   to (fill in the blank)

No, what the modern world needs
is
Negation!
Contradiction!
Resistance!
Revolt!

And poetry whose words
Say the same thing
Repeat the same meaning
Echo the same lyrics
Rephrase the same thoughts
But in an ever-so-slightly
Different
Varied
Altered
Adjusted
Changed up way

Line
After line
Of synonyms
          over
               and
                    over
                         and
                              over
                                   again

-----

What's it take
These days

To not give in
To narcissism's spiral?

But more importantly:
What's it take

To make my poem go viral?