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Raphael Uzor May 2014
The intermittent, distant rumbling in the skies was suggestive of chronic flatulence. The sun struggled in futility to shine – like a crying child who had been forced to smile. Lightning flashed in quick successions, momentarily throwing brilliant streaks of white light across the room. The angry growl of thunder that followed was enough to send a troop of Howler monkeys scampering for safety.

The lights flickered as though unable to make up their minds to stay or not to. But apparently, the wind had zero tolerance for such petty indecisiveness. And like an enraged, stimulated, demented animal, it gusted through the windows and doors, hauling loose papers, light bulbs in every direction, shattering the bulbs to smithereens, as if to punish them for being so fickle. The lights died.

Thick black blankets eerily stretched across the skies with gusto, menacingly extinguishing whatever was left of the sun’s brilliance. More rumbles and flashes followed in royal herald of the impending storm. And in no time, slick sheets of rain torrentially came pouring down, cascading the roofs to form puddles almost as soon as they hit the ground.

​I looked in horror, fervently praying that whoever God had appointed to build the ark in our time had not diverted the funds. I was trapped in the office, and I knew exactly what this meant…flood, scarcity of buses, hiked transport fares, heavy taffic and very likely, at least one month of blackout.
It would be another three hours of steady downpour before the rain eventually stopped, as gracefully as it had been ushered in.
I picked up my bag, rolled up my trousers in earnest anticipation of the inevitable flood, and made my way home.

​To my utter bewilderment, there were no floods! The lights from the street lamps cast a soft golden glow on the slick roads, seemingly creating mirages of pools of water from afar off. But they were mere illusions. The gurgling sound coming from the underground drainage was proof of where all the water had gone. It was a strange sight. Like some alien cyborg from space had been fiddling with a time machine that had accidentally propelled us twenty years into the future.

My new world was a three-fold utopian dream. So surreal!
I could see beautiful, high-rise, state of the art edifices with mind-blowing architectural designs that blatantly seemed to defy the laws of gravity. I could see world-class hospitals that admitted ailing dignitaries from around the world and top-notch schools that offered scholarships to deserving indigenous and international students.
Sure enough, this was Nigeria! The Nigeria we all dreamed of.

And there was light…electricity! - In myriad of colours that seemed to have been dispersed from several colossal disco ***** via *“wireless fidelity”
technology. I strained to hear the noise from generators, but I was disappointed. I couldn’t even hear the all too familiar cacophony of horns blaring, conductors shouting, loud discordant music, rattling vehicle engines etc. It was like everyone and everything had taken a crash course on orderliness.

I saw a vibrant transportation system that included high speed railway lines, paved road networks that looked like a child’s doodles, first-class air strips and efficient sea transportation.
I saw a working government - one that had provided the critical infrastructure for her people.

I saw a nation with a large industrialized economy, where the dividends of democracy had been delivered to the people by their government. One consciously founded on equity and honesty of purpose, and courageously sustained by unfaltering faithfulness and unwavering patriotism.      
A nation whose economic boost did not come solely from crude oil exploration and production, but also from crude oil refining, agriculture, manufacturing, infrastructure, food, services, tourism, automobiles, transportation, education etc.
A nation that thronged with international investors from all walks of life, who were not in the least afraid to invest in her.

And then, I saw her people. A people proud of their citizenship.
A people proud to be called NIGERIANS.
A people who were not given to religious, political, or tribal bigotry.
A people who individually and collectively, gallantly bore the torch of the vision of their heroes past.
A people who earnestly and persistently worked to see only goods “Made in Nigeria” sold in their markets.

Where there was once despair, I saw hope. Where there was once fear, i saw security. Where there was once disgruntlement, I saw satisfaction. Where there was once poverty, I saw wealth opportunities and where there was unemployment, I saw jobs. Death had given way to life and life to hope.

I started, as I felt something cold and wet trickle down my forehead. It was droplets of rain from a leak in the roof just above my head. I was still in my office, I never left. The rain had lulled me to sleep. Even more sadly, I realized it had all been a dream.
Slowly and regretfully, I packed my things and left for home. It was pitch black outside as I carefully waded through the polluted waters, jauntily holding my bag, more because I was afraid to lose it in the flood than in a hopeless bid to dignify the situation.

Two hours later, I crawled into bed. I did not have to turn the lights off…the electric poles had gone for a swim. A very long one.



© ONUGHA EBELE VICTORIA
This is NOT my work, but I found it amazingly share worthy.
S Olson Nov 2017
We are elaborate animals made of wood
earth, flowing like water into the veins
of the sky.

The sun being a fist of lava, and the night
being an enticing molar—we are
a succession of tides, being swallowed
by successions of day; and how beautifully
we wilt in the presence of joy.

The moon may be nothing
but a luminous
stone

and to eat the poetry of it
is how one chokes
on love

but the romance of morning
is that if by midnight
you are alive, that is joy.
Cat Aug 2013
My idea of a good night is staying in
And technology serves as my friend
With a glass of wine or bottle of brew in my hand
Talking to a list of favorable foes on the web
Where conversations boarder between flirty and scholarly lines
And typed dialogues lead way to theoretical thoughts and inspirational designs
Pondering ignites a spark that surges in my mind
I’ll begin to research the fast array of thoughts that run through my brain
Fixated on scientific data, predicted trends and worldly traits
Eventually it’s not enough for my thought
I’ll try to fight the inevitable feeling that starts to form in my gut
Leading way to the breeding ground for butterflies
Factual documents begin to get lost in the shuffle
As my attentions now caught by an excerpt or rousing photo
New tabs are opened over the old
And I always find myself ending at the same place
Looking up poems about love and images elapsed from past days
Well, as you say, we live for small horizons:
We move in crowds, we flow and talk together,
Seeing so many eyes and hands and faces,
So many mouths, and all with secret meanings,--
Yet know so little of them; only seeing
The small bright circle of our consciousness,
Beyond which lies the dark.  Some few we know--
Or think we know. . .  Once, on a sun-bright morning,
I walked in a certain hallway, trying to find
A certain door: I found one, tried it, opened,
And there in a spacious chamber, brightly lighted,
A hundred men played music, loudly, swiftly,
While one tall woman sent her voice above them
In powerful sweetness. . . Closing then the door
I heard it die behind me, fade to whisper,--
And walked in a quiet hallway as before.
Just such a glimpse, as through that opened door,
Is all we know of those we call our friends. . . .
We hear a sudden music, see a playing
Of ordered thoughts--and all again is silence.
The music, we suppose, (as in ourselves)
Goes on forever there, behind shut doors,--
As it continues after our departure,
So, we divine, it played before we came . . .
What do you know of me, or I of you? . . .
Little enough. . . We set these doors ajar
Only for chosen movements of the music:
This passage, (so I think--yet this is guesswork)
Will please him,--it is in a strain he fancies,--
More brilliant, though, than his; and while he likes it
He will be piqued . . . He looks at me bewildered
And thinks (to judge from self--this too is guesswork)

The music strangely subtle, deep in meaning,
Perplexed with implications; he suspects me
Of hidden riches, unexpected wisdom. . . .
Or else I let him hear a lyric passage,--
Simple and clear; and all the while he listens
I make pretence to think my doors are closed.
This too bewilders him.  He eyes me sidelong
Wondering 'Is he such a fool as this?
Or only mocking?'--There I let it end. . . .
Sometimes, of course, and when we least suspect it--
When we pursue our thoughts with too much passion,
Talking with too great zeal--our doors fly open
Without intention; and the hungry watcher
Stares at the feast, carries away our secrets,
And laughs. . . but this, for many counts, is seldom.
And for the most part we vouchsafe our friends,
Our lovers too, only such few clear notes
As we shall deem them likely to admire:
'Praise me for this' we say, or 'laugh at this,'
Or 'marvel at my candor'. . . all the while
Withholding what's most precious to ourselves,--
Some sinister depth of lust or fear or hatred,
The sombre note that gives the chord its power;
Or a white loveliness--if such we know--
Too much like fire to speak of without shame.

Well, this being so, and we who know it being
So curious about those well-locked houses,
The minds of those we know,--to enter softly,
And steal from floor to floor up shadowy stairways,
From room to quiet room, from wall to wall,
Breathing deliberately the very air,
Pressing our hands and nerves against warm darkness
To learn what ghosts are there,--
Suppose for once I set my doors wide open
And bid you in. . . Suppose I try to tell you
The secrets of this house, and how I live here;
Suppose I tell you who I am, in fact. . . .
Deceiving you--as far as I may know it--
Only so much as I deceive myself.

If you are clever you already see me
As one who moves forever in a cloud
Of warm bright vanity: a luminous cloud
Which falls on all things with a quivering magic,
Changing such outlines as a light may change,
Brightening what lies dark to me, concealing
Those things that will not change . . . I walk sustained
In a world of things that flatter me: a sky
Just as I would have had it; trees and grass
Just as I would have shaped and colored them;
Pigeons and clouds and sun and whirling shadows,
And stars that brightening climb through mist at nightfall,--
In some deep way I am aware these praise me:
Where they are beautiful, or hint of beauty,
They point, somehow, to me. . . This water says,--
Shimmering at the sky, or undulating
In broken gleaming parodies of clouds,
Rippled in blue, or sending from cool depths
To meet the falling leaf the leaf's clear image,--
This water says, there is some secret in you
Akin to my clear beauty, silently responsive
To all that circles you.  This bare tree says,--
Austere and stark and leafless, split with frost,
Resonant in the wind, with rigid branches
Flung out against the sky,--this tall tree says,
There is some cold austerity in you,
A frozen strength, with long roots gnarled on rocks,
Fertile and deep; you bide your time, are patient,
Serene in silence, bare to outward seeming,
Concealing what reserves of power and beauty!
What teeming Aprils!--chorus of leaves on leaves!
These houses say, such walls in walls as ours,
Such streets of walls, solid and smooth of surface,
Such hills and cities of walls, walls upon walls;
Motionless in the sun, or dark with rain;
Walls pierced with windows, where the light may enter;
Walls windowless where darkness is desired;
Towers and labyrinths and domes and chambers,--
Amazing deep recesses, dark on dark,--
All these are like the walls which shape your spirit:
You move, are warm, within them, laugh within them,
Proud of their depth and strength; or sally from them,
When you are bold, to blow great horns at the world
This deep cool room, with shadowed walls and ceiling,
Tranquil and cloistral, fragrant of my mind,
This cool room says,--just such a room have you,
It waits you always at the tops of stairways,
Withdrawn, remote, familiar to your uses,
Where you may cease pretence and be yourself. . . .
And this embroidery, hanging on this wall,
Hung there forever,--these so soundless glidings
Of dragons golden-scaled, sheer birds of azure,
Coilings of leaves in pale vermilion, griffins
Drawing their rainbow wings through involutions
Of mauve chrysanthemums and lotus flowers,--
This goblin wood where someone cries enchantment,--
This says, just such an involuted beauty
Of thought and coiling thought, dream linked with dream,
Image to image gliding, wreathing fires,
Soundlessly cries enchantment in your mind:
You need but sit and close your eyes a moment
To see these deep designs unfold themselves.

And so, all things discern me, name me, praise me--
I walk in a world of silent voices, praising;
And in this world you see me like a wraith
Blown softly here and there, on silent winds.
'Praise me'--I say; and look, not in a glass,
But in your eyes, to see my image there--
Or in your mind; you smile, I am contented;
You look at me, with interest unfeigned,
And listen--I am pleased; or else, alone,
I watch thin bubbles veering brightly upward
From unknown depths,--my silver thoughts ascending;
Saying now this, now that, hinting of all things,--
Dreams, and desires, velleities, regrets,
Faint ghosts of memory, strange recognitions,--
But all with one deep meaning: this is I,
This is the glistening secret holy I,
This silver-winged wonder, insubstantial,
This singing ghost. . . And hearing, I am warmed.

     *     *     *     *     *

You see me moving, then, as one who moves
Forever at the centre of his circle:
A circle filled with light.  And into it
Come bulging shapes from darkness, loom gigantic,
Or huddle in dark again. . . A clock ticks clearly,
A gas-jet steadily whirs, light streams across me;
Two church bells, with alternate beat, strike nine;
And through these things my pencil pushes softly
To weave grey webs of lines on this clear page.
Snow falls and melts; the eaves make liquid music;
Black wheel-tracks line the snow-touched street; I turn
And look one instant at the half-dark gardens,
Where skeleton elm-trees reach with frozen gesture
Above unsteady lamps,--with black boughs flung
Against a luminous snow-filled grey-gold sky.
'Beauty!' I cry. . . My feet move on, and take me
Between dark walls, with orange squares for windows.
Beauty; beheld like someone half-forgotten,
Remembered, with slow pang, as one neglected . . .
Well, I am frustrate; life has beaten me,
The thing I strongly seized has turned to darkness,
And darkness rides my heart. . . These skeleton elm-trees--
Leaning against that grey-gold snow filled sky--
Beauty! they say, and at the edge of darkness
Extend vain arms in a frozen gesture of protest . . .
A clock ticks softly; a gas-jet steadily whirs:
The pencil meets its shadow upon clear paper,
Voices are raised, a door is slammed.  The lovers,
Murmuring in an adjacent room, grow silent,
The eaves make liquid music. . . Hours have passed,
And nothing changes, and everything is changed.
Exultation is dead, Beauty is harlot,--
And walks the streets.  The thing I strongly seized
Has turned to darkness, and darkness rides my heart.

If you could solve this darkness you would have me.
This causeless melancholy that comes with rain,
Or on such days as this when large wet snowflakes
Drop heavily, with rain . . . whence rises this?
Well, so-and-so, this morning when I saw him,
Seemed much preoccupied, and would not smile;
And you, I saw too much; and you, too little;
And the word I chose for you, the golden word,
The word that should have struck so deep in purpose,
And set so many doors of wish wide open,
You let it fall, and would not stoop for it,
And smiled at me, and would not let me guess
Whether you saw it fall. . . These things, together,
With other things, still slighter, wove to music,
And this in time drew up dark memories;
And there I stand.  This music breaks and bleeds me,
Turning all frustrate dreams to chords and discords,
Faces and griefs, and words, and sunlit evenings,
And chains self-forged that will not break nor lengthen,
And cries that none can answer, few will hear.
Have these things meaning?  Or would you see more clearly
If I should say 'My second wife grows tedious,
Or, like gay tulip, keeps no perfumed secret'?

Or 'one day dies eventless as another,
Leaving the seeker still unsatisfied,
And more convinced life yields no satisfaction'?
Or 'seek too hard, the sight at length grows callous,
And beauty shines in vain'?--

                                These things you ask for,
These you shall have. . . So, talking with my first wife,
At the dark end of evening, when she leaned
And smiled at me, with blue eyes weaving webs
Of finest fire, revolving me in scarlet,--
Calling to mind remote and small successions
Of countless other evenings ending so,--
I smiled, and met her kiss, and wished her dead;
Dead of a sudden sickness, or by my hands
Savagely killed; I saw her in her coffin,
I saw her coffin borne downstairs with trouble,
I saw myself alone there, palely watching,
Wearing a masque of grief so deeply acted
That grief itself possessed me.  Time would pass,
And I should meet this girl,--my second wife--
And drop the masque of grief for one of passion.
Forward we move to meet, half hesitating,
We drown in each others' eyes, we laugh, we talk,
Looking now here, now there, faintly pretending
We do not hear the powerful pulsing prelude
Roaring beneath our words . . . The time approaches.
We lean unbalanced.  The mute last glance between us,
Profoundly searching, opening, asking, yielding,
Is steadily met: our two lives draw together . . .
. . . .'What are you thinking of?'. . . My first wife's voice
Scattered these ghosts.  'Oh nothing--nothing much--
Just wondering where we'd be two years from now,
And what we might be doing . . . ' And then remorse
Turned sharply in my mind to sudden pity,
And pity to echoed love.  And one more evening
Drew to the usual end of sleep and silence.

And, as it is with this, so too with all things.
The pages of our lives are blurred palimpsest:
New lines are wreathed on old lines half-erased,
And those on older still; and so forever.
The old shines through the new, and colors it.
What's new?  What's old?  All things have double meanings,--
All things return.  I write a line with passion
(Or touch a woman's hand, or plumb a doctrine)
Only to find the same thing, done before,--
Only to know the same thing comes to-morrow. . . .
This curious riddled dream I dreamed last night,--
Six years ago I dreamed it just as now;
The same man stooped to me; we rose from darkness,
And broke the accustomed order of our days,
And struck for the morning world, and warmth, and freedom. . . .
What does it mean?  Why is this hint repeated?
What darkness does it spring from, seek to end?

You see me, then, pass up and down these stairways,
Now through a beam of light, and now through shadow,--
Pursuing silent ends.  No rest there is,--
No more for me than you.  I move here always,
From quiet room to room, from wall to wall,
Searching and plotting, weaving a web of days.
This is my house, and now, perhaps, you know me. . .
Yet I confess, for all my best intentions,
Once more I have deceived you. . . I withhold
The one thing precious, the one dark thing that guides me;
And I have spread two snares for you, of lies.
L K Eaton May 2013
forever alone-
even in the midst of my fellows
I am alone-
how I long to know the gentle caress
of your warm hands
how I wish to know the answer to the question:
is every one of my kind as alone as I?

I lay in wait for just a hint of your presence.
This cold and damp room
I have been deposited to
offers no condolences of comfort.
Thankless mortuary of life,
grounding point for unending successions of failure.
Mold grows abundant and varied on every surface,
forever feeding,
forever decaying-
forever reminding- the self defense I practice
is no match for time.

I have surrendered myself to your will
you repay my penance with stoic indifference,
how I curse my fate, to be stuck in this condition
stuck in this form
stuck in this cycle of irrelevance
where my purpose is as obscured as your presence-
I know it is there- I catch glimmers of it,
wafting on fumes of promise
welling up through my limbs-
yet, as I try to focus on its sweetness,  it melts away
and my condition teeters on the realization of the futility of my dreams,
dreams that perhaps there is something in this world I may possess,
something exempt from this foetid destiny of decay.

I pray to you every day- you bestow to me sustenance, delivered
within the few short moments of clarity
when your benevolence washes over my limbs
and that chill is abated, temporarily.  

oh love I need you
I need you
I need you
I need you-oh-
I need you now...

The joy you give me wells up in my core-
it spirals through my body in radiant fumes
arousing within me an electricity
which charges and grows, crackling and rippling through my being-

Your weightless touch
caresses the supple flesh of my newly unfurled limbs
your heat makes my lust ignite
until my rapture bursts and floods fragrantly out of my body
through small delicate folds soft as angel’s lips
burning crimson flames in contrast to the relentless leaden landscape.


Much like my prayers,
these too wither and evaporate back into the rimple of your coat of infinite possibility.
I am left broken, exploited by a purpose
that has been kept hidden from me.
Fate has decreed I must blossom during winter
serving as a beacon to the world around me,
I implore you my beloved,  who will serve as my beacon?
Who will lend vibrance to my dismal soul
when the skies are gray
and the cold lingers ever-present like a blade to the throat?

oh love I need you
I need you
I need you
I need you-oh-
I need you now...

I continue to endure
these seasons of deception.  
The offerings of my flesh, my soul, my intentions
are hung in severe strings
as reminders of the union I may never have
reminders that I will never be as perfect as I know is possible-
that most of my dreams
will miscarry to oblivion and their potentials as realities will slip away as fast as the thoughts that carried them-
slip away as fast as the memory of my existence.

the only thing keeping me from joining you
is me
my form, this body, this anchor to the Earth.
In spite of this forlorn existence, I try to brighten my world-
my offerings are these poems of flesh,
frail and transient
moments of sublimity
apices of material existence
bridges to the divine

Exercises in wishfulness do nothing to change states.
What I truly desire is freedom,
freedom from these roots
freedom from hunger
freedom from wishes
freedom from these interminable winters
freedom from this sadness
freedom from this life
PJ Poesy May 2016
Hail to Thee, Immortal Three
Knowledge we sing on laud
Aristotle, Plato, and Socrates
Philosophy, to be human awed
Teach through time, consciously
Nod not, what others fraud

Socrates taught, Divine Being
God not of brutal Athens’ passions
Entity of Beauty, Truth Seeing
Goodness unseen in day’s fashions
Soul for unalloyed agreeing
Lessons humanities’ compassion

Talk eternal justice, everlasting life
Socrates’ Sovereign Right of Reason
Clearly mind deceived sense’s strife
Invincible perfection be God’s season
Thus, our key to knowledge ever rife
Priests who find this, absolute treason

No church or Socratic school
A barefoot man roamed to teach
Socrates mocked for looking a fool
His speech not one to simply preach
Plato witnesses a martyr’s drool
Cruel hemlock, words did so breach

Handsome aristocratic youth Plato
Followed Socrates’ Eternal Wisdom
But soon to find his own credo
In Medara to find Euclid and freedom
Egyptian geometry to provide dado
To Plato life, expression; not a system

Eternally an artist, Plato did develop
Philosophic circle in Academus groves
Bring Athens, world knowledge envelop
Discretions of sensations, be not oaths
What man may be, an animal jealous
Plato’s allegorical cave found in droves

As Plato once be Socrates’ disciple
So too, to Plato would Aristotle be
Passing comprehension archetypal
Successions of genius’ visions do see
Aristotle taking it step further, as vital
To science of hands-on discovery

And this is where we see a parting
Of two distinctly opposing philosophies
Plato being at odds, with science starting
Aristotle’s truth, finding no apologies
Things not happening by chance imparting
Frivolity of duopoly, dichotomy to Socrates

But a new era has surely now dawned
Science exploring an invisible atom
And the seen and unseen correspond
So to Aristotle’s, Plato’s, Socrates’ datum
Brilliant new philosophies have spawned
An abstract notion of conceived stratum
I have always felt, keeping in mind the masters' theories, but also pushing new limits, we find our own uncovering of discovery.
Denel Kessler Aug 2016
roasting asphalt oven
sweat and petroleum pungent
a festival in the truest sense
diversity beyond societal bland
tolerance arches over rainbow
colored heads banging to the beat
the great goddess smiles as we dance
she knows true love when she sees it

sing to the dying sun
draping white shoulders afire
above lahar fields green again
successions of ash and germination
evidence of universal rotation
barren to blessed
sway to the eternal rhythm
bass heartbeat in our chests
Warped Tour 2016 with my daughter!

Mt. Rainier is very near the venue.  On this hot and sunny day, she was out in all her glory, watching over the festivities.

Summer has swallowed me!  My apologies for not responding to comments and reading your work consistently.  Love and Peace to you all!
cleo Sep 2021
head filled with thoughts of knives and blood and tears and the finality of the silence that comes After.

short car rides feel that much longer one-handed and with your mind taking detours.

an empty passenger's seat, save for the bag of fresh pharmacy goods; bandages and pills and the sting of the chill winter air.

the suffocating feeling of being stuck inside all day, except this home is a body and relief is only found in quick, deep successions.

basement flooding with memories of Then and When and Red and we find ourselves to be lost in it all. drowning even.

wade through the murk and discover us in the darkest alcoves of yourself. we hide in the shadows where it's safest, drenched.

it's hard to stay present around these parts for very long without something (or someone) stirring inside begging us to forget the rest.
Sara L Russell Apr 2010
(aka Pinky Andrexa)
4/4/10  02.09am


I am walking in a daydream under skies forever grey,
Lying always in the shadow of ambitions all foregone;
I'm going through the motions of another working day,
Feeling permanently static, as the world is moving on.


And you're forever shining like some distant blazing sun,
You're gleaming as I'm dreaming, making all who see you smile;
The wings upon your heels still elevate you as you run,
So many want to be you, or would emulate your style.


From distance I behold you, as a cat beholds a king,
All doors open before you, in successions of success;
Your flame's forever burning, while my own is dwindling,
I could not be further away, or love you any less.


While you, you dice with danger, dancing on the precipice,
Leaving admirers breathless at your daring escapades;
And all your leading ladies ever burn to taste your kiss,
Your destiny speeds to you riding jet-powered rollerblades.


Yet two unlikely paths have crossed and subtle friendship blooms,
And many dreams take flight between the gutter and the stars;
Making the span of distance shrink into adjoining rooms
Opening secret passageways, where chosen dreamers pass.
(For you dear friend; the nicest person I never met. x x)

NOTE: The second line of the last stanza "And many dreams take flight beneath the gutter and the stars;" refers to Oscar Wilde's famous quote "We are all of us in the gutter; but some of us are looking at the stars."
aurora kastanias Mar 2018
Unfold the map of the world and trace
a kaleidoscopic boot-shaped country
rising from the waters lavished by Atlantic
in a multicultural basin at the heart

of a flat globe. The Mediterranean birthed
by the Zanclean deluge, witness of myriad
exoduses intertwining genes to encompass
peninsular cradles of early civilisations,

a medley of ethnicities trading goods
discoveries and ideas on sailing caravels.

Two thousand years later the remnants of
the Roman Empire vote, the democracy
they had co-founded two thousand years
before, on philosophies of justice, equality

and human rights. Power to the people,
lost in the process of history making,
populaces disillusioned and frustrated
at millenary successions of failed rulings

corroborated by corruption and personal
greed of those chosen to represent them.

Today Italians vote anti-establishment
thereby at long last rejecting ideologies
of the past, too old to bare credibility
electing a party set outside the box,

no left right nor centre, victory of populism,
communism and capitalism burned
at stake for their crippling sins albeit
international cold-war renaissance attempts.

Marking the end of the twentieth century
the twenty-first bets on the refreshing breezes
of new tantalising illusions, cuts to public debt,
income of citizenship, youth employment,

tax reductions campaigned to allegedly increase
family spending, for whatever we do we are
all bound by a unique reigning doctrine under
the unified global empire, of consumerism.
On the 2018 Italian vote
Rajas Nagpurkar Jan 2017
Gazing through the looking glass, and attempting to reminisce, he lets go, relieves, and perceives.Colossi of raindrops subtly fall through sky’s shadows , violently battling the grey in great amounts, failing to come anywhere near the threshold of one’s most sensitive ear. Nature’s children appear to tremble as dark forebodings of a dreary future pervade the air. The danger and annoyances of such rarities is always given priority and significance. He misunderstands it; he believes in its false infinity.

Unable to stabilize, unable to achieve a desired normality. From every pitter, he regrets; from every patter he forgets. Forcefully drudging through the thick swamp of his mind, struggling to understand what and why, diminishing his hopes of any change, any desire. Suddenly, several elements collide against his one-way mirror in his cell and revitalize his consciousness. Looking through the droplet, his face pressed against, his mentality momentarily produces quick successions of thoughts and random impulses of recovering memory.  

Every snowflake understands its place as sui generis; every raindrop understands its place as trite. The beauty of a snowflake with death, the dullness of rain with life. It’s uniformity and strict nature are necessary to sustain life, but somehow it places a bittersweet piece of an unusual feeling inside him. Its unexplainable transparency, disguising itself as invisible, but not untouchable, stimulates a sense of deep nostalgic hopelessness within him. As he discovers the profound pulchritude, and simultaneous incomprehensibility, of the paradoxical elements of natural and artificial state cooperating to achieve more of the same, he realizes more in this moment. The monotonous, repetitive beat of rain seems to harmonize in an odd manner with some contrasting presence.

A new rhythm to this sound, a new color to this sight. A particular emotion of gradually diminishing despair comes about as he observes little rain boots composing a sort of  rhythmic song with the catchy beat of the rain’s clashing, the continuous flow of the tree’s trembling, the back-up percussion of the thunder’s loud suddenness, the sight of lightning's exciting flash, and the cheerful singing from their voices.Upon this feat, he accepts the shadow’s tears; no longer must he endure the pain of the past’s ******* of the future, now he begins to savor the varied colors of newfound harmony.
Ethan Veidt May 2015
On brown earth and fields of clovers,
a glade has grown to be.
Its cool breeze and green leaves
offer peace and solace to me.

Spears of sun pierce through the shade
and paint the thirsty wood.
Its tendriled veins writhe and stretch,
beneath a canopied hood.

Atop the ferns a parascope rises
swaying back and forth.
It moves to the left, it moves to the right,
and then I hear a snort.

My dog eared friend brings to me,
a long and pointed gift.
But such a prize is recognized
to leave just as quick.

The air is filled with warbeled songs
from treetops far and near.
But an incessant buzz cuts like unkindness
and comes to fill my ear.

I see it plain above my zenith,
a machine of flying plastic.
Its rotors spin in four successions,
it floats and moves - stochastic.

This hovering sentinel watches all
with a tiny gazing eye.
But who's to gain, learn, intrigue,
by spying from the other side?

From up so far a world so small:
he sees himself a king.
Out of dangers, out of touch,
to him no harm can bring.

And though he thinks that he remains
concealed, secure, untracked.
He does not know, below the grove,
I am staring back.
playing fetch with my dog when our fun was interrupted by a nosy R/C drone.  5/21/2015
emily webb Apr 2010
I keep trying to move my mind up the ladder rungs, following the logical successions, but they don’t follow you.  Sorry.

I remember that breakfast we had of yesterday’s coffee and a chunk of yesterday’s bread, and I was thinking about what we were doing and why and whether I could do it without you.  I know you think about that too.

Sometimes I feel like a little sprite winking in and out of people’s lives, leaving (I hope) a little spark in the wake, but you can’t quite remember what the spark was for.  Sometimes I can’t either.

And the road gets dusty and we get ***** and we start to cough, for last night’s cigarettes and last night’s arguments, and something in the air makes us forget that it was ever any easier to breathe.  Why go back?

Motivation is a hard thing to preserve.  You could try putting it in the freezer, but I’m not sure that the cold would help.  At least it’s doubtful that it would help me.  And you never know what you’ll have when it thaws.

I know you said you weren’t promising anything, but I’m counting it as a promise anyway, because in any case, that’s better than the metaphorical freezer.  Don’t break it and I won’t break you.  Got that?
here we are
approaching
closer and closer
towards the deadlines
of our wasted lives
and we have nothing
to show for it except
soul extortion
and we pray that
we may evermore
dwell in expostulated
successions.

I’m surprised
I’m alive
and
survived
the luck of my past
that hadn’t killed me.

the cause that effected me
to trade in my crazy antics
(I’ve mistaken for bravery
or invincibility)
for mental acquisitiveness
(I mistakenly thought was
for personal gain)

and now
there’s nothing more
to complain about
there’s nothing more
to look back on
there’s nothing more
to hold onto
and the most sensible
thing for me to do
is end it alone
with the walls taunting
the final destinations
like a fly to the cat
and somewhere outside
the mares eat oats,
the goldfinch pecks the
dandelion heads and the
motorcyclist revs up the
engine with nowhere to go
and dreams of riding through
the Badlands at night,
never-to-be-forgotten
again.
SH Dec 2011
the first of drinks in days descend,
in short successions, teasing rain.
the trees and earth will crane their necks,
to receive like wine on lips, the shower.

they savour not the cool of wine-water,
for the rain itself has travelled long.
and when it lands to quench their thirst,
you hear the sounds of glass and liquor.

the rain has passed, as transient as nature.
another glass later, when the earth croaks dry.
but now, the wine has cooled their lips,
the air revived by a rain perfume…

and down are the necks of the heavy drinkers.
Inspired on a rainy day, when I took a close look at the greenery around me.
Necropolis of Hellenika / Kímolos
Tsambika / Philo of Alexandria

They passed each other on the outskirts of Archangelos to go to Tsambika, going to the Necropolis of Helleniká where he was waiting for them more than 400 kilometers to the west of the Cyclades, precisely in Kímolos where they would do the colloquy with to do the channeling with the Necropolis. Etréstles had traveled with Kanti the steed; on his back, they saw the distance before they arrived at Mandraki in Rhodes. They all headed down the coast towards Archangelos, but Etréstles went to Helleniká, the Vas Auric was landed on Mandraki for the purposes of the Creation of Vernarth together with the Apostle Saint John. Kímolos, it is on this island that the famous beginning of the procession towards the outskirts of the cities was to deposit their sacred remains on the way to a better one, here were the martyrs who were used to Etréstles since he cohabits in delay with Drestnia for the new millennium (His female of hers) with which he resides in the Koumeterium of Messolonghi in the ninth vertical cemetery. Having a chapel and altars this place was propitious to create between Kimolos and Tsambika which was so many kilometers away, so the meeting performance between villages would be seen in its entirety to be resurrected and worshiped between the Cyclades and the Dodecanese with pious exercises between both latitudes precisely in the chapel of Theoskepasti, while in Tsambika it would be in the Panagia Tsambika monastery. Etréstles carried in both hands some matches of some population dowries with laws of affability and generations lived there without knowing each other between the two islands and tabernacles, arguing canons of burial and exhumation. In this case of performance refer to the Vas Auric of Limassol that brought the construction of a world of the right angles for the neat reconstruction of multi polygonal spectra, adopted for the first time in Kímolos to be retransferred to a logical philosophical-architectural division seeking to enclose the perfect plans where the new Christians will reside, between Rhodes and the west of Kímolos re-installing themselves among more than a third of the venerable ones who rested in Helleniká, in syncretic neatness with dissimilar populations and creeds.

Saint John the Apostle with Vertnarth, Raeder, and Petrobus plus Eurydice would bring from the rubies of Alexandria the incorporeal honor of Alexander the Great, turning both island sites into palaces of the Muses of Helleniká for the scholars who would be at the canonization of Vas Auric. Being the precursor of the chapel of the Theoskepasti, this performance of erudition will be endowed with the new status for Philo of Alexandria present here, now being a co-demiurge who will convert this necropolis city into duality with Tsambika for distinctions of the rituals and homilies, reducing the inputs basics in ceremonies. Philo of Alexandria says that only God protects the Jews, adding to what Philo wrote in La Legatio ad Gaium, the Jewish delegation had trouble meeting Caligula and when they finally met him, the emperor declared that he wanted a statue of him to be built as Jupiter in the Temple of Jerusalem, which sowed desolation among the members of the delegation. Finally, this purpose was not realized thanks to the intervention of Agrippa I and the death of Caligula, Philo attributed the happy ending of both cases to Providence. This divine letter of these translators with Saint John the Apostle and Philo of Alexandria will make this homily the spiritual custody that will be preserved in these two cities and then towards the world of Vernarth of the Duoverse, so that invisible winds blow from the chapel of Kímolos to Panagia de Tsambika, in the frameworks that feed the Hebraic and Hellenic boundary “translating Greek into Hebrew, but in two universal sites of creation in the Theoskepasti chapel and Panagia de Tsambika, about the magic of the meeting of omniscience and grace. Says Vernarth: “with the interpretation of Philo of Alexandria and his exegesis, I will rub the tract of the successions of infinity legitimately stored the creation thought of the ZigZag Universe with the Parapsychological Regressive authority now circulating in a sniffing universe with a Verthian genealogy, tempering with my Falangist disciples but being biblical when it becomes the occasional emaciated mob of a world that falls degrading with its last pieces and challenges of the world associated with an allegorical spirit, contracted to wings of ethics and doctrinal rectitude. I have two candles in each hand, similar to Etréstles in Kímolos and in Helleniká, making delights of pleasures in these ceremonies to create the world’s ignored in the office of the super compassionate language, in more than seven days that add up between the Sun and the Earth, in a sub-mythological world being ourselves our own executioner established on the ***** that falls from the match of the wick of my Lucerne in its own mood. I still have a memory of who and of each one who will always be in my prayers, reopened in a sacredness less than my own end, here I will not continue to be stored. Rather I will continue to fall, exhumed from the very storehouse and from the struggle of the thistle that falls from itself rounded up to be competent to explain himself biblically as if he had never before been read ad limit of the doctoral, and sacred in the work of Philo of Alexandria here with us leading and there in the Necropolis on another thorn; as a perpetual creeping species growing here as an unvarying summer plant in cooler climates, which would usually be prostrated on the Helleniká slab with radiating branchy stems extending the fractal distance between Kímolos and Tsambika in thistle´s ceremonies. The hirsute silts will come from the genesis of their spiritual temporal being the same wool of the whirlpool of all the weeds attached and oppressed to the lamp of the gargoyles that are tuned together with the Gulpers of Archangelos in a happy diet following patterns of even, and odd thistles spring in the Cyclades and the Dodecanese. The Parapsychological regression XIV century - Saint John the Apostle says: “from Filerimos a sidekick monk of Philo of Alexandria has come with the image of the blessed Immaculate ****** and painted by Saint Luke the Apostle. The Knights of Saint John built the Monastery of Saint John in Rhodes with this image; everything comes from there on the Miraculous Hill of Filerimos, and the temple of Athens Polias was converted into a proto-basilica with a three-bay nave dedicated to Her. The church is known since then for housing the figure of the ****** of Filerimos (Our Lady of Filerimos). In the fourteenth century under the rule of the Knights of Saint John a monastery was built here surrounded by cloisters cells and a series of chapels, that is where the figure is the miracle worker and is reverently guarded. Being a Capuchin order after the Ottomans destroyed it; it was rebuilt by the Italians. With this image we canonize the Vas Áuric in the homily prior to the spiritual link with Etréstles in Kímolos, before every morning they illuminate the sacred Earth of both latitudes in the mystical house of Saint John the Apostle with the herbalists on the wind to fight for the Somnia in Hortum et Flos Herbarium in Kímolos, Garden of Flowers and Dreams in Herbalist in Kimolos. Knowing that the Universe is approaching the Vernarthian Duoverse, Saint John the Apostle decided with the Birthright to establish a Duoversal Garden in Kímolos with the aim of laying tremendous foundations on the base of the pre-Christians and apostolic who enlisted in the Greco-Hebrew world with the addition of compression, and medicinal valences for the herbalist of Kímolos, in such a way to reissue it in the monastery of San Juan in Rhodes and the Panagia of Tsambika. Since the grains grew and germinated they became thickets of great predestined forest in Rhodes, aspiring to continue being a well-known theology in Greek also being sufficient testimonial about its Aramaic originality, being addressed to the Sanhedrin, 37-42 AD Before Caiaphas and redirecting it to his brother-in-law Theophilus of Annas. The Aramaic Apocalypse, also known as 4Q246, is in one of the Dead Sea Scrolls, found at Qumran, with notable early messianic mention of the Son of God. Saint Luke says in the voice of Saint John the Apostle: “4Q246, we are children of God…, the Highest, the Messiah as a messianic voice, being able to be confused with the Beast or the Messiah but Philo of Alexandria will be there saying “I always ignored with the most blessed indifference to Satan, because therefore in this Aramaic manuscript he only has, and will reside forever and ever in his Messiah” Given this situation, the commanded expressions were those of astragals mysticism in herbalist and botany in this manuscript, since the unfortunate leftovers are the freshness and splendor of the flowers caressed by the wind that arrived at that moment; in regard to the wind of the Anemoi being eight gods that correspond to the eight cardinal points from which they came and were related to different seasons and meteorological phenomena, but he heralded the excitement of the Cyclades, like Sound of Sounds between Narcissus of Sharon and Lilies of the Valley. The audio-images were avocados forming the deep thickets that will move according to the inclinations of the planets, each time the Universe approached Greece among all the cisterns with water for the flower meadows that Vernarth in litanies was assigned to the paths that lead to the Vas Auric.

Vernarth says: “With these titles “Vas spirituale, Vas honorabile, Vas insigne devotionis, Rosa mystical, and Regina sacratissimi rosari”, I have to transform all the astragalus, and shrubs into the consorts with the presence of the jacaranda vase of living human nature in virtue of the meeting of the Universe-Duoverse, for the herbalist of Kímolos now imprisoned in the Vas Auric of Limassol. "Sweet Nectar of the dying, eager for eternal hunger and sweetness in withered flowers"
The end of Parapsychological regression XIV century
Saint John says Apostle: “Helleniká and Tsambika, will be the lily, the saffron, the rose and the violet but also new ones, like the marigold and the chamomile making of all a diadem crown to place the world of the Duoverse in all its radius, for the star that illuminates par excellence as a white planet without thorns, which is perfect among the perfect, anti herbicide of language and of incarnation as in the Empyrean the medieval sky in the highest of heavens. It is likewise in the place of the physical presence of God, where angels and souls reside in Paradise between caltrops and Rosas towards the alimentary plane of conventual voice, and tonics of the glycogenic Milky Way sipping third-grade milk to curdle in the children who have not been a Messiah yet. Paths of thorns will guide visitors to this gallery of flowers and plants through the Panagia monkish for the holy homily with the Lilies and through low valleys, where no more Lilies can escape from their chains of the Liliorum genome in the valleys of the galactogenic virtue. Like Mother Rosette and son Lirium, being the mother of everyone and of that…, there… your son, “Myself in the path of the three Mary’s”. Over there in the desolate place, a columbine carries me imprisoned on my heels as a bond of a son who makes my steps with the Columbine of my saving feet” At 320 meters of altitude Still, Life appeared concealed behind the Vas Áuric descending…, here everyone approached the auric circle of Moral that made them authors of the proximity of the Universe falling on Greece, and the Herbolaria that fell with all its reliable structure in the foliage where many more species appeared such as thilts, Laurel, Olive, Linen, Grenade in a simple and nuanced devotional with the pro status of the delegate; the same Hexagonal Primogeniture to make the cinnabar fistulas that were elemental by the different associated colors, and by Grail tutorials that looked indigo on top of some Rhododendrons. If it is eschatological, it is in the mystical nets of the Empyrean further from a form that is said to be called a form of antagonism, between Cardinals and their dead Lilies. As first among the last, the bulbous and clayey Tulip of the orbital and basilica symbology, peacemaker and philosophical Eritrean for spiritual quests that toil outpourings from the Empyrium, reaching the Messiah on his Colt on his way to Bethany. Around the Monastery, everyone could be seen as they arrived to the beat of the cymbals and aulós, among lyres that prowled tickling the inquiry to rest their fingers, or perhaps dressed by some Trojan villain augur in those of "Daedalus". Being the latter, here a tulip with flames of a true seeker trying to sacrifice subsistence daring over the risk of the resole of salvific death or perhaps dressed by some Trojan villain augur in those of "Daedalus".
Daedalus says: “After the incident with Perdix, I Daedalus was expelled from Athens. I then went to Crete, and in the kingdom of Minos I was placed in the service of the monarch. One of his tasks was the creation of Thalos, an animated bronze giant who defended the island from invasions. By order of Minos, I built the labyrinth to enclose the monster; the labyrinth was a building with countless corridors and winding streets opening into each other, which seemed to have no beginning and no end. Minos locked me up with my son Icarus, whose mother was Naucrate, a slave of Minos in the same building. The reason for the confinement was the collaboration of Daedalus in the escape of Theseus from the labyrinth, I have to lament for the ****** of Perdix, now turned into Partridge who now carries in his claws the creation of the Universe-Duoverse, turned into his own, and myself in envy neither harassing me about my endings, and neither starting nor finishing. That is why I appear here coming from Crete, to wrap myself in the garden and its mystery closing all the madrigals and hedges, like a world that has created me, in its splendor, seeing the humility fragrant with violets grafted onto lavender with my soul now, of a somewhat syncretism Hebrew-Hellenic and Mythological sub-Mythological, like a nobleman who walks free and without chains… passing through the Parthenon to put on tiaras in dresses that are adorned with Linens, but of evangelical lineage here in Kimolo.

In Kimolos; Helleniká Necropolis, Etréstles was suspended in a columbarium equivalent near the lapidem of the necropolis. There was a great amount of accumulated air enclosed in the musty cinerary walls, with the translucent specters that fluttered through other metropolises that transited inconsistently in their proto-masonry, and some resembled pink jaspers on some grooved slabs, letting pale dovecote rhizomes slip away under an oblique columbarium domain that manifested itself meagerly on an unstable podium of Folegandros. Adhering to this enormous exteriorization were Kanti, and Etréstles in their hydrothermal genesis, lying as a petra forms at a wide range of heat towards periodic effluvia of their Devonian geology, manifesting discreetly until a carbonization of sedimentary rocks attributing their curiosity when they continued to remain in areas favorable climatic conditions, simulating to be exordiums on thermal hydro sediments, leading to the carbonization of the surface of the necropolis with micas and serpentines, to cool down in the selfless natural fields that resisted the effect of the heat generated by the ZigZag Universe, etching each other on pyrites and graphite’s with the compactness that increases, and extends the widening of the mournful enclosure attentive to channeling emanations and traces, that will be the first loads of exegesis from Tsambika for prompt elucidation from Mount Hymettus in Athens, and continue to proliferate in hives of bees libating in its thickness towards the good-smelling necropolis causing its magnificent flowers and herbs to steam; so much so, that from the paved lipoids of honey astragalus and spectra will come out deposing to be toxic, yearning the strigilas or curved striaeons (reverse or straight), imitated from pagan sarcophagi.

Thousands after Thousands of Centuries after centuries, adorning themselves in the lapidem glossaries on the exterior fronts of tymbos that were embedded in the tholons, almost as in outright Constantine-Hellenic brilliance towards an unarmed cenotaph with their flat covers, pouring over them the devastated trisomy of Kaitelka, of whose diploid organism extras, aberrated by being parity triplicates of their greatest chromosomal and homologous hereditary complement. The vestiges of fossil whales here were generating disproportions of execrable variation, being destined to the patio of fall on them in three additional courtyards of marbles at the rate of inverted strata, revealing only some of their extremities appreciating them with semi-covered figures, and on reliefs filling again by genetic trisomy for gentile practices and lead them to the Christian Vas Auric. Faced with such a famous disproportion of fossil reliefs, they turn to the scourges of the Universe.

Panagia Theoskepasti Parapsychological regression Etréstles in Kímolos: The church of Theoskepasti, due to its position could be easily recognized by the invaders during their raids. However, according to a legend the church was veiled by dark clouds of mist and became invisible as soon as the assailants approached. Due to this legend the church received the name "Theoskepasti" from the Greek words "Theos" and "skepazo" meaning "God" and "watch" respectively. So, the name is 'God Veiled'. According to another tradition, when once a foreigner managed to get into the church and tried to steal the golden candle divine power cut off his hands. Also if it is watched over by God, so it is divine for the Creation that it will begin with the synchronization between both latitudes of the Cyclades and the Dodecanese. Etrestles After staying together with Kanti, they went from Theoskepasti to Hellenika, located in Dekas Bay on the west coast of Kimolos, here in the necropolis there are ruins of ancient tombs that would form part of the new humanity in the creation of the Duoverse, existing since Mycenae and the Cyclades next to the small islet of Agiоs Аndreas, also being part of the city. Many ruined tombs can be seen from the hill on the edge of Elliniká with some stones still in the sea between Kimol and Milil, in the vicinity of Psathi on this island located on the southeast coast. Kímolоs to Chοrá is 1 km away on the hill above the Psathi port from here the foreign ships trying to come to the Bay area sighted, for the advent of the Cinnabar on the scapulae that hold the Gates of the Necropolis for the effect avant-garde, and regenerator of souls that will resurface with more universal chromosome tints mutated from trisomy, more of extreme longevity. In the homily, an archpriest of the regional deanery will make a pastoral criterion for this gesture by virtue of eminence, and guide them through the orthodoxy of the chapel to the Episcopal organizational procession of the Vas Auric. It was already twilight and Etrestles was climbing onto Kanti's pony clutching the utensils of the homily, in the customary ritual before incensing and setting fire to the laurel and rosemary in the fords of Leto and Koumeterium of Messolonghi, it rotated in ellipses sprinkling crumbs of the purest loaf from Arcadia on a gray Monday with hummus to attract sour souls that they were in a catatonic state making them more esthetic or aesthesis, of reactionary rebellious natural aesthetics with nuances, then reincorporate them into the three courtyards in a magnificent concordance with Rhodes. When the Archpriest begins the talk, he derives his prayers from semi-inert materials that were made in communion with the chromosomal dyes; with the worms with absentmindedness of progenitor snakes that were grafted undulating, being in reality only worms that were amazed at the exhortation of the Archpriest in the ritual, circulating universals destined for his elegies and celebrating from an ambo or pulpit with classical Latin pronouncing the archpriest the way it died lunae, mutating it ****** to dies lunis by analogy with dies, on a dark Monday day but full of grace for the assistants doing the sermons to interpret the alabaster patios that will lead to Tsambika. The first worms were persecuted by Kanti, he believed that they were scatterings that emerged from the ground, such an earthly ecosystem was beginning to disown him due to the metamorphosis of annelids which seemed to increase their ultra-grave texture with the same remains of an irresolution without a sarcophagus, turned into sharp curves intestinal that were depressed breathing autonomously on consistent folds of the dermis of the oldest caste of the subsoil of Helleniká. Preexisting the distant origin of the Arcadias and they're dissected that silently followed the hummus and bobota, not to digest them with their suckers, but rather surround them and delegate them to explore the surroundings that would encapsulate the ground with the proximity of the transfigured universe to Vernarth's Duoverse, to phosphorus and emit the will-o'-the-wisp nitrogenous fires before the Archpriest, Etréstles and Kanti disquieting by an arcane movement. Being a full act of the herbaceous phagocytosis, they continued ascending in the curvilinear procession with their traces weaving moment without time, which was added to the sub-mythology and a finite sub-time, like unicellular procreating others that accelerated their physiognomy detached from their immateriality, towards a longer intake of the organic material on the hummus and exudation of propolis rhizomes. In this way, they resign when falling with serious cramps cleared of the digestive world, which no cell has tasted ******, but rather direct when breathing from Hellinika's lung lobes, comprised mostly by the alabaster sheepskin that was suspended to other colonies of worms that sailed to lean out towards the surface of the altar where they regenerated from the flow of the annelids. Archpriest says: “The frame of the Vas Áuric arises from the nuclei of the medallion, pending a high presence of insulation. With high mobility between the tissues and amino acids of the annelids, new basal cell functions even being visible for Etréstles and not totally for all yet. The image of the medal had a classified functionality and concrete information, but imperceptible chronological possibly being the first function of the icon in its justification with religious symbols and manifestations of the divine, and semantic still removed from a theoretical auto-iconic. When reading in Vas Auric, "What two men do not see, a man sees who does not see..., what the creeping animal sees, self-prisoner of his lack of vanity..., He will see it". Being epistemic images that provide more distant knowledge of the sub-divisible organic matter in finite mortality towards the other eternal inorganic, contributing to the super complex neuronal development, in a veiled sensation that is lost between itself and its own bodies, being able to take them with its own differentiations”

Panagia Tsambika Monastery - Channeling Cinnabar: Vernarth commanded the three architectural courtyards of Tsambika for the Cinnabar layout. They climb the steps that lead to this monastery at the top of one and to the very connection of the homily with Helleniká. In this monastery they will have to censor three courtyards, all pointing towards the west of Mandraki Bay, on some pine trees all surrounding the virtual stained glass window of the portal that joins the main avenue with the ascent of the monastery, until very close to the Virginal Marianus icon and very close to the dividing wall from where Lindos can be seen. The Tsambika Monastery is four kilometers from the city of Archangelo, the height of the monastery is leveled with pebbles on its bare floor that led everyone barefoot, towards the three nearby patios. Cinnabar as a polygonal crystal would be specially used for the perpendicular ceremony of Mercury, to sensitize the climatologically the variation that would be appreciated once it began to sponsor the bones that would spread in the extreme longevity of annelids exchanged from the moldy alabaster arcades, and carried by alluviums of crystallized mercury, granting together with the Panagia of Tsambika fertility, and parental conception for the new Universe-Duoverse of Vernarth, extending life farther than the first-born descendant's first ancestor, being the cinnabar the diversity of versed uses now been given in the upright channeling with ultra vital extensions with Helleniká. The alabaster and the three columns of these sulfated stones form compact would dare to hydrate in the silos where the windows will be poured, this is where the sub-mythological specimens detached from any temporal dimension will be used, leaving sapiens annelids free will recombining the diploid chromosomes, and profiting from molds of exact erratic aberrations to be vindicated in the dispensaries of Saint John the apostle. Thus adorning the perfumed areas intervened three cinnabar patios, for the sermon of the Vas Áuric. Thus inspiring the chair with the verses of Saint John on the immanence after the fifty days of the Messiah in epistolary verses and the evangelizations, elaborating vessels of the low rank of Faith to opt for expectations of moldings with new consciences of selenite clay, and refine them in messianic faith. Middle-range pebbles were subtracted for the interior and extramural floor of the Monastery, being rather Biblical Calcite for the Egyptian-Hellenic Alabastron psalmody praise perfume. This typology will be the quilt for the magistracy with a canopy glass exhibited near the tulip lamps, and ceiling lights of the monastery for the use of the diamantine sphere of the opaque panels that flamed from the intersection of the arachnids re sprouting from the current wind of cinnabar. Vernarth says: “Suitable for our consciences, we will open the channels in Kímolos before our subtle bodies that will make us divided just as we parabolize ourselves, before the airs of St. John the Apostle in the headdress of mediumship to reach the wavelength to Helleniká, the interactive vibrations will leave with the expression of deep reasoning after pontificating the Mandylion with the Vas Áuric, for the effect of its icon and idiomatic monologues for the edges of San Judas Tadeo and Veronica, for such a faced event in foreign forces before the Messiah, a coherent gadget will be made in the intermittence variants. The channeling to the Cyclades will go from east to west wading the Aegean and Mediterranean waters, through the channel of the Universe-Duoverse for inter consciousness between the Hexagonal Primogen in Tsambika, and the triad of Etréstles, Kanti, and the Archpriest in Helleniká, with high degrees of the light consciousness and conclaves between both synchronous homilies. With drowsiness before the Anemoi winds that will be crossing near the voyages of the Trojan chthonic ships, and before the fateful chthonic divinities for such deities in the Mediterranean substratum identifying more obviously with Anatolia which since prehistory has followed to the site of Troy, in a cheesy union plan for Agamemnon's loyalists, to defeat Hector between farms and revolutions of agriculture, and Akkadian worlds b.C., in peripheral outposts to influence the central regions of Greece and its maritime trade. Hydro-physical influences, for the cycles of the solstice and nature with life and survival after death that is at the center of concerns that are not translated. In Crete, the supposed cult of great Gods is transformed during the second millennium BC as new actors appear: various animals, plants, etc. Given the consciousness, it will be the channeled light in the three courtyards of alabaster and between the cinnabar by bending the re-fertilization of the Cyclades channels, which go from Rhodes and Kimolos, for discernment. Sometimes it is more gratifying to hear what you want to hear and not the real message, the egotistical mind that does not come from a series of daunted egos..., or signs of the technological shamanism, intervening artificial intelligence from maniacal administered consciences, being shrill for worlds of appearances and illusions. I Vernarth with our own Khaire Fíle…, in my mind I go to the vessels that sail through the landscapes of the elusive identity, trapping her in the totemic stratum, and tracking psychology, but a seer of her present ego. Today I will wear my Leonatus cap, to separate his anger from such a shadow that clouds my grief, and my own victimhood of reduced and meekness which spurns violence, blaming it on a ruthless kind of depression and excluding shame from everyone's own fear of everything. I will bandage my eyes against diseases that will heal after three days, to straighten the ecstasy that thickens towards the scaffold, staying in Golgotha with nothing, I will create the framework of cinnabar for the pain of the skull that trembles in my claws, until sleep becomes vaporous with anger and the harmless destroying itself before your egos, colorful throbbing towards your alien beings and scarified host. I will be waking up from my subtle and anthropomorphic subconscious dreams, with sentences that hurt my worst self-destructive delinquencies before the new memorial, on the veil of Theoskepasti with its science sheltering itself by giving in on the vanquished springs and inaugurating new miraculous courses where I will surrender, full of forgiveness and more distant from the veil that does not act as a viewer.

Duet time, Duet space, one with the other illusion unreal elements and epistemic images ignoring them in expeditions crackle my Duoverse, and temples of Tsambika with the decoded annelids mutating in trisomy with flat doors towards the Olives Berna. We look at what gratifies basting and plotting the positions of the stars of the universe that are attached like sheets worthy of almighty serials, and redoubled humor on the chthonic embracing tridents, before skewing Xyston as an original replica of the dream of a night in Tel Gomel. The counterweight of the message of light lagged behind the high astral like the little bear, bustards, and her angelic breath retreated in dissolution..., now if diva emotion I have my daring, and courage towards the binge of my omniscient prosopon, similar to omniscient telepathy, my soul lies and my emotion too because in this way I will treasure the value of panic by surrounding myself with the fears of resting, against the poles and sights of a peaceful energetic confrontation that will make them in Rhodes and Kimolos, channel the consumed human finitude and not eternal ad portas of his Áspis Koilé.

Unconsciously they will continue halfway with their bouquets of flowers for Valekiria, and may they never really take the time to tell her what time of eternity will make them more crowded for her, and her reliquary poem bursting into flame with its insidious outbreak and fear of telling him that if they revive they will be other Hellenic Hetairoi towards the vermilion light of the embodied sacrificed loop state as a "Being of Light". Oh ghost phenomenon that doesn't scare me... rather disappoints, clinging to the skins that die in the unexpected female muses in Gaia, with my burning and hypertensive ballast, still frequent in me... As conjecture and presence of Greek life..., having to be promoted and involved where they should be tempered to the contribution of biodiverse, and species for island life and its balance in the Aegean. The theorem will enunciate in the image of the Vas Auric as sounds of homeostasis in classrooms, properties of intervened annelids consistent, capable of maintaining them in a certain internal and stable condition, compensating for the changes of the explosion of the intervened patios, towards an environment through regulated exchange of matter and energy with the outside towards its (comparative metabolism), in the case of a form of dynamic balance with properties of Cinnabar brilliance, as a self-regulated biosphere in the conditions of the planet to make its environment (especially temperature and atmospheric chemistry) nobler with the species that make up life in the compass of two unmanned islands by beings from Gaia, rather as entropy in physical magnitude for a thermodynamic system in equilibrium, inhabited by dynamic beings that associate nobly for adaptations of worlds that are not born. It segregates them towards a departure measuring them from heightened numbers in states of zero compatible with the laws of that physics for the purposes of watchful guardians if Gaia's engine is turned on before this psychic and spiritual combustion. The laws of this system with closed circuits and brought will tend to maximize the entropy expiring inhibitory reactions for the traces of oxygen and nitrogen of the worms, making a sign of the levitated carbon dioxide to take it from Tsambika in two converged energies of Leviathan and Saint John the Apostle in moles of carbonate dioxide, battling surviving the impostor necromancers adverse to their conditions and reproduction, keeping these habitable for many who do not they enjoyed the life-death-life cycle. Greece, as it will now look regenerated and appropriate of laws and extensive fibers concerning moles of molecules said to be equal of said Vernarth hypotheses by way of sub-mythology, rather perching on the growing ivy and strangling the signs of satiety of life with properties in consonance with severities that hurt even to the sound of the rattles before the passing of the millennia! Fear, insecurity, and frustration did not fit because they will cut the Diospyros abenuz, with its stamens usually sixteen more hypogynous or inserted at the base of the corolla; as female flowers being greened or being converted into staminodes, Diospyros with generally tetra-locular ovaries or with eight locules due to false divisions, will make us channel by inseminating Itheoi demigods, under the staff of sub-mythology with Zefián, before the migrations in Helleniká begin, just as in this pact with silence and meditation and a burning flame, below the vulnerable and high insolated frequencies..., waking up in Gaia as a dozing fairy. Shamanic vested will grade synergy and simple science.
The Homily in the natural lassitude of the created, the Duoverse presented IHΣ, falling in the eighteenth letter of the Greek alphabet and in the duo hundred changes of physical remembrance. The PH (Hexagonal Primogeniture), is conceived in the presence of the Crismón, more Hellenic with the Vexillum banner and the Kantabroi to rescind the tired depressed zephyrs, since the quantum of memory was lost in the integrity of an earth acrophobia for the subsequent it would be air-water for this reason, preceded by the ceremonial that begins with the trimming of the abenuz Diospyros with its stamens usually sixteen plus it's hypogynous or inserted at the base of the corolla; like those of the female flowers having part of the gynoecium in the part of Tsambika, and of the androecium that will be of the Diospyros in Theoskepasti; usually tetra-ocular ovaries adapted to be inseminated for the raids of the demigods Itheoi and Duoverso, with the monogram HDD (Horcondising-Duoverso), tracing the bifurcations with Zefián; the chaos ordering up to modulated Theoskepasti. The changes have to be reborn in the stamen, being almost sterile and aborting in the chronicles of Galilee personifying the pollination benefit of the Diospyros resprouting in the same stem of the whorl even more so in each stigmatized part of Vernarth and Etréstles, carrying the IHS candles with the monogram and the Mandylion-Vas Auric, pointing to the Olives Bern. Before the seams of the carved heels and the canals of the annelids rise up through the alabaster up to the calyxes with the Chrismon hat. Filling the warehouse of Anemoi himself struggling with the roof, and forgetting his deposit of the breath on synaptic abbreviations continuing to argue with Saint John the Apostle in the network of Rhodes and Kimolos, in the bark of the sensory past and consequence of fallen gushes, and affecting being restored on the basis of oxygen-nitrogenated Nemo-genetic activation to summarize loss and gain of channeling between the Cyclades and the Dodecanese. The memories of the stuck Vernarth cerebellum will be loaded, trembling towards the marsh of the hippocampus where Zoroaster led the Magi to the end of the span and first-last border in the vicinity of Ein Karem. This evolutionary scale fluctuated in weak air masses with the increasing rise of the Meltemi over the Aegean taking them to Dekas Bay, on the knees of the colossus that cursed to avoid some delirium that could replace it's joint, remaining like this on a scale of reminiscent and unspoken emptiness..., it continues to be stated and not occupied and not, but raised towards the colossus from the ground of Vernarth which had unfolded bipartite from Rhodes to Kimolos, by way of the Verthian neuroscience whose prose emanated in the submissive glaciers of hyper-intuitive meditation (as a technique of knowledge and abstraction for functional links of improvisation, purgative discernment and yogic memory). All the nonsense is alluded to infringing the rationality of the Vas Áuric ceremonial in its phenomenology making curvilinear pauses to re-captivate phraseological, and diminished keys in the condensed equivalents to approximately ten terabytes from a homologous half surrendering almost when exhausted before both scholars, and their debts exchanged by driving..., thus recovering wave descents before reaching the bay of Dekas; Kímolos and final in the necropolis of Hellenika..., and vice versa before re-climbing in the middle of Mandraki, Archangelos and Filerimos to finish in Tsambika, Rhodes. As a parallel response to the archpriest not to alter the IHS monogram of the homily and the association in remembrance can affect the conduction of the mediate trance, almost prostrating it in the house of omission and frenzy, if it has to recover unstabilized. The sulfurous mercury component of the Cinnabar, came acidifying from the essences of the Vas Auric, already prospering in the tutelage of each auric conductor..., Archpriest and Saint John the Apostle, each one with the sulfurous of the Greek mountain and the arch of the Aegean Sea as a former karstic foundation for its diametric towards a change of reaction of chemical prisms up to the multi-angular of the topaz that Saint John the Apostle carried in his bag near the reliquary, hanging off some fringes of the Vexillum that had been placed near Vernarth. Immediately from the banks of the monastery, Raeder was walking with a lantern looking for those who might try to enter, he believed that it was his father from Kalymnos who came on another mission to be taken to the cinnabar, more on top of an encourage observing the quarters stationed in the sandbanks of Rhodes, Petrobus the pelican circling the ledges of the monastery, marking out the apparent slackness of his body and entreaties in case they ventured into Kalymnos for a good portent, in waters for tenth seeds and for all the rodines. From the cloister with one of its necessary dependencies, all were with white candles aggravated between the steps of each cell and attached friars they made an antechamber in the nave near the church on the hexagonal floor, being screened by the center of the garden where everything was dominated by the limits of the alabaster arcades, which only now pointed to the closet of the books, this time with plenty and saved voices with devotion. Chapter by chapter it was won..., for each cell, identifying each portion in identity up to the scriptorium and refectory, where this ceremony books were distributed to the infinite world of the Duoverse near the locutory to witness where Saint George and the Dragon raged, souring winepresses for the missal wine.

Sequence shot in Kimolos, Panagia Theoskepasti- Etréstles says: “according to what has to be said in this dimension, the word will be the Duoverse. Synchronically it will be aligned with the monastery in the Tsambika for the third hour after noon, reflecting on the unrevealed walls of the chapel on all the radiosities of the cinnabar, entering in electromagnetic lassitude through the trusses of the pulpit anchored in the Vox and mystical vortex, towards those who entered and left thousands of times through the counter shutters of the chapel, which collided crashing many times until by the glow of Cinnabar somewhat sulfurous, was mixed with the interlocking of some novas which also acted as a decoy for the Chrismón that Kanti carried the steed adjusted in the saddle on his back, as a mount in syntactic esotericism speaking with intangible brown colors of the Cinnabar.
Vas Auric
Anais Vionet May 2023
I watched King Charles’ coronation this morning.
I’m not British and some things confused me.
For instance, they kept saying “The new king.”
New? The guy’s a boomer - at least - right?

Apparently, he is, at once, the oldest king
ever and the newest king yet.

Can we talk about the old lady with the crown?
The wrinkled one on the right of him, in white,
the crypt keeper, with genuine platinum hair.
At first, I thought that it was Charles’ mother.

But apparently, the old Queen died.
Has anyone looked into that?
Anyone who’s read Shakespeare knows
how brutal royals can be and successions,
over time, have earned a sketchy reputation.

Anyway, I wish him well. I wouldn’t want to live a life
where everyone around me moves up a notch
if something sudden and nasty happened to me.
Wobster’s Dictionary, word of the day: Coronation: “when you put a target on someone’s back”

*Is it me, or is his family SO high school - why?

slang: ‘why’ = because I said so
They passed on the outskirts of Archangelos to go to Tsambikas. They were going to the Hellenika Necropolis, where he was waiting for them more than 400 kilometers to the west in the Cyclades. Precisely in Kímolos,  where they would have a conversation with Tsambikas to make the channeling with the Hellenika Necropolis. Etréstles had traveled with Kanti the steed to Kímolos, on his back they saw the distance, before they arrived at Mandraki in Rhodes. They all made their way up the coast into Archangelos, but Etréstles went to Hellenika. The Vas Auric was landed in Mandraki, for the purposes of the Creation of Vernarth with the Apostle Saint John.

Kímolo, on this island was the famous beginning of the procession to the outskirts of the cities, to deposit their sacred remains, on the way to a better one. Here were the martyrs who were accustomed to Etréstles, since he cohabits in procrastination with Drestnia for the new millennium (His female) with the one who resides in the Koumeterium of Messolonghi, in the ninth vertical cemetery. Having chapels and altars, this place was conducive to doing between Kímolos and Tsambikas, what was so many kilometers away, so the performance of the meeting between villages would be seen intact, to be resurrected and would be worshiped between the Cyclades and the Dodecanese, with the pious exercises between both latitudes, precisely in the Theoskepasti chapel, while in Tsambika it would be in the Panagia Tsambika monastery. Etréstles carried in both hands a few candles of some population gifts, with laws of civility and of generations lived there without knowing each other between both islands and tabernacles, arguing canons of burial and exhumation. In this case of performance, refer to the Vas Auric of Limassol that brought the construction of a world of right angles, for perfect reconstruction of multi-polygonal souls, adopted for the first time in Kímolos, to be transferred to a logical philosophical-architectural division seeking to enclose the perfect plans where the new Christians will reside, between Rhodes and western Kímolos, re-settling among more than a third of the souls that rested in Hellenika, in neat syncretism with the dissimilar populations and their creeds.

Saint John the Apostle with Vertnarth, Raeder and Petrobus, plus Eurydice, would bring from the rubies of Alexandria, the incorporeal honor of Alexander the Great, converting both insular sites, into palaces of Muses of Hellenika, for the scholars who would be in the canonization of Vas Auric . Being a precursor to the chapel of Theoskepasti, endowing this erudition performance in the new status for Philo of Alexandria present here, and now being a socio-demiurge entity, which will turn this Hellenika necropolis city into duality with Tsambika, for liturgical distinctions and homilies to lessen the basic ceremonial supplies in Hellenika. Philo of Alexandria says that only God protects the Jews, adding to what Philo wrote to them in La Legatio ad Gaium. The Jewish delegation had trouble meeting Caligula and when they finally met him, the emperor declared that he wanted a statue of him as Jupiter built in the Temple in Jerusalem, which caused desolation among the members of the delegation. Finally, this project was not carried out thanks to the intervention of Agrippa I and the death of Caligula. Philo attributed the happy ending of both cases to Providence. This divine letter of these translators with Saint John the Apostle and Philo of Alexandria will make this homily in Hellenika, the spirit sentinel that will be preserved in these two cities and then towards the world of Vernarth of the Duoverse, so that invisible winds blow from the chapel of Kímolos to the Panagia of Tsambika, on the pillars that feed the Hebraic and Hellenic boundary "translating Greek into Hebrew, but in two universal places of creation, in the Theoskepasti chapel and Panagia de Tsambika, on the magic of the meeting of scholarship and the grace.

Vernarth says: “with Philo of Alexandria's interpretation and its exegesis, I will rub the tract of the successions of infinity legitimately stored in the thought of creation of the Zig Zag Universe, and with the Regressive Parapsychological authority, now circulating in a sniffing universe with a Verthian genealogy, moderating with my Falangist disciples, but being biblical when it becomes the occasional emaciated mob, of a world that falls depressed, with the last pieces and challenges of the world associated with an allegorical spirit, with altitudes of ethics and doctrinal rectitude. I have two candles in each hand, similar to Etréstles in Kímolos and Hellenika, making delights of the pleasures in these ceremonials, to create worlds ignored in the office of super compassionate language, in more than seven days, which are the ones that are added between the Sun and Earth, in a sub-mythological world, being ourselves our own executioner established on the *****, which falls from the match of the wick of my candle in its own mood. I still have memory of who and each one who will always be in my supplications, reopened in a sacredness less than my own end, here I will not continue to be stored, rather I will continue to fall exhumed from the very storehouse and from the brothel, than from myself he bows down emphatically, to be competent to explain himself biblically, as if he had never been read before, ad limit of the doctoral and sacred work of Philo of Alexandria, here with us in Tsambika, and leading there in the Necropolis of Hellenika on another briar ; as a perennial creeping species growing here as a summer cyclical plant in colder climates, it will usually be prostrated on the Hellenika slab, with its radial stems and branches, extending to the fractal distance between Kímolos and Tsambika in ceremonials from Abrojo. The hirsute lamas will come from the genesis of their spiritual temporal, being the same wool from the whirlpool of all the weeds attached and adpressed to the gargoyle lamp that are tuned together with the Archangelos Tragones in happy dietetics, following the patterns of the pairs and odd spring thistles in the Cyclades and the Dodecanese.
Vas  Auric
Necropolis of Hellenika / Kímolos
Tsambika / Philo of Alexandria
Biplav Shrestha Jul 2015
The driftwood drifters
Clearing their way across the asphalt
Crackling bones as they make their way
In eternal pursuit of the undertow
The chains that bind them will be their nooses

The wretched have their way
With the shells of all what remains
The whispers and their lullabies
Drifting off to sleep

I hate the way I feel today
So full of clarity and calmness
The voices don’t distort anymore
My vision is in 1080p
And I hate it

I hate the balance
Between the movements of the frames,
I spit out my verses
In rapid successions
Like vintage foreign films
In black and white
Void of sound
Followed by cue cards
APPLAUSE

"The old dogs" as he liked calling them,
Never bothered to fit the molds of the societal standards
How am I any different from any of them?
Don’t we all resent the hollowness we harbor within us?

The replies come pouring in
It’s always the same
"You think too much
That's whay you're so miserable"
The chains that bind them
Will be their nooses

And I hate all of it.
Onoma Feb 2020
too far afield...

winter whose borderless

transfigurements hold

stiff successions of land.

rapidly aloft and kept in sight--

every streaking nook in light and

out of mind.

budding and sprouting with what

will come again.
Wavelength   I - XVI

The Hyper Wavelength accelerated the transit of the Paraps or chapters from the first to the sixteenth, having to say that the energy between these initial Paraps could not determine the quantized energy in value lines, subordinating themselves to infinite values that anticipated forms that would be transferred from somebodies. to other material and immaterial. Making the energy value elemental sediment where the energy of the War Animal became an edge of the equation due to the height of its strength and multidirectional hyper-accelerated mobility in sixteen algorithms in its Muscular Meat Piece until the Final Apud Tertium. In quantum terms, this would mean transmitting Zeus's ultraviolet, generating a Katastrophe that would be nuanced with the Value of V= h•k, entailing radiation in future successions of high-level electromagnetic fields and in the Katastrophe as a start in which nothing would mutate from other fields, no less. trying reasons from other unknown fields. Vernarth's Aperture Paraps began to migrate according to the iridescent spectrum of the dark value, emitting towards other darker areas, carrying discrepancies in the farmsteads of the non-existent but kinetically existing Mythology, disagreeing that a mind that does not imagine but its energy that inaugurates the axon quantum making possible the real magnitude of the union of the Paraps as an energetic pyramid that represents density that is arranged between Vernarth and the unimaginable light field of energy quantization, whose axial oscillates when transmigrating from its agreed organism in integer multiples h•k, where the impossibility closes all imagination that opens in a wavelength that is precisely arranged between photons that would begin to shake due to the intensity of square meters and the timing that would play in the succession of each Ellipsis in a medium wave.

It is considered that the intensity mediated by the energy will be a photoelectric quotient that will come from square meters in the rays of light and wave that would be broader than those that Zeus could hold if he demanded greater prominence and intensity than the time itself that allows him to be incorporated in the Mythological and Submythological quantum interstice. Remaining each surface illuminated with wavelength radiation with photoelectron braking potentials in the meantime when oscillating in each two-dimensional space that would be composed of Paraps XVII onwards, with the sole mission of preventing Vernarth's electrons from reaching the anode to subtract the energy that should not affect the kinetics of his parapsychology moving tons of information from great sages being dragged by this phenomenon of Submythology (e • V) where “e” would be Kinetics and V, Vernarth postponed to the phenomenon of systems of equations that allow determining what values are assimilated to products versus laborious neophyte expeditions, and actions prone to stopping the time that was contained between each Paraps process. Generating thus, a logic that will make magnitudes towards a real dependency between the world of the origin of elemental Vernarth with the metallic cathode of a photoelectric cell that is illuminated simultaneously with two monochromatic radiations that were combined with the relationship of the stars and the Katastrophe Zeus's ultraviolet when he managed to uncoil gives all speed that was the euphemism of Hellenic Astrality. Right here the luminous radiosity would affect the serial equal to that of the Sulfur bringing immediately the electron of the Genus of the Duoverse Itheoi, and the god Sulfur extending to the initial margin of a photoelectric god.

The maximum speed is based on the radiation intensity, influencing the speed of the photons that would advance towards the Paraps or Chapters in the Vernarth dimension, expressing long waves that would finally occupy the initial sections of Paraps I to XVI. The zero-energy and zero-motion of the plot in Vernarth's actors would be subjected to this quantum dimension Inter Paraps due to the poor mood of the primordial environment that would only give them the light frequency, which could hardly be used to release all the energy. energy stored by the hecatomb of Katastrophe of Zeus with the Ultraviolet that is indicated later in the intervention of the god Azofar and the Mashiach. When the field of action or quantum Axon narrows, they will reach the incident potential that will release electrons in enormous extraction and release ducts towards the cathode field that would move towards the Iridescent Nimbus. The equation of the I to the XVII Chapter will point out that it could be perfectly encapsulated in a timeless measure creating its own energy and its own autonomous sustenance among those that make up the parapsychological energy fields as adhering spaces and concomitance between the material and anti-material. Here it is only intended to tell what moves in the forefront in a certain plane of gnosis with another that in parallel intends to wield itself in systemic freedom by expressing what this quantum lies dimensionally in the events, since the imperceptibility that happens is not enough to stock up on limitations of a Wavelength that would correspond to Vernarth hydrogen atoms, offering patterns of the existing limit in a portion of physics, and in openings that exceed the length of a wave even if they became sidereal when arriving in the reading of a Paraps if it is that it be a question of coinciding in the Vernarth serial from V to H as the same spectrum of the restrict serial in each value to be considered. The quantum is sometimes pure mass of stubby and hyper-accelerated organism crawling through large portions of beefy masses that overestimate the value of length beyond an exhale that will not return from H to V. This brilliantly allows us to discover that Paraps Submythology they would cross the congruence limits of physics towards the tabulation of everything that silently transits visible and not.

The Paraps from I to XVI and the Three finals of Bumodos try to interpret that alchemy is the property of the god Azofar, while his quintessence will seize Vernarth's veins after strong sand cavalcades will make him fluctuate from this quantum of ending in Three-dimensional Paraps, and restructure its hydrographic purpose with tributaries embedded in the torrents of its ill-famed interior, and all the submerged extra-quantum Dorus-Xiphos, with its multiple ****** edges as a new ruddy alliance that will provide us with a new life beyond our sad mournful.
Wavelength   I - XVI
Tony Tweedy Apr 2019
Long and arduous had been the climb.
Fifty years or so in the making.
A pinnacle claimed but unseen for what it was.
Was it folly or push that became my past, present and future.

Falling was but a blink in the making.
No anchor to hold me and foundations removed, abandoned, lost.
Successions of ricochets from jagged rock to jagged rock.
Carved to the core by granite hard betrayal and failures.

By chance did my fingers gain purchase to slow the fall.
More of a roll downhill than the plummet that near killed me.
But still trending down into the chasm of who I have become.
The place I am, the present, the bloodied remnant of who I was.

Limbs askew and misshapen-ed, bones shattered and core exposed.
Total vulnerability to even the meekest of creatures with ill intent.
Cowered, afraid and alone in and darkness still falling.
Momentary reprieve as fingers strike stone but too torn to grasp.

Mind operating in fragmented, distorted jigsaws of thought.
No box top picture remaining to focus the picture I am meant to be.
Too many pieces in different shapes to be who I once was.
Uncertain of enough pieces to make myself a semblance of whole.

Still endless the fall and the darkness.
Creature or granite strike constantly feared.
Cowered, alone, afraid and defeated.
The darkness and fall are who I have been made.
"Vernarthiano and well-wisher name leads me to you in temporary fissure and tolondro, abjuring virginity in my maiden legion delivered in barbarism, and in blood betrothed for those who more in the finesse prolactin emulsion is renewed as a teenager, opening spaces to bring depressions of inheritance, for whom or those who found hieratic parents and children here in the disputed ****** that nests their nature.

Escaping from the beast and the libido of the criminal patron of the dynasty, which continues to flow senile gold through the scattered veins of beasts that hunt spoil, falling in love with the young and their commiseration. I swiftly attracted the henchmen who bleed before the door of the corporal and fateful destiny, opening in Hellenicidal impostor blood of the Holy Land, and in contradiction by Maccabees with immobilized blindfolded eyes, intimating the extreme virginity of a quasi Sibyl maiden, grasped in the tweezers. Of Seleuco, expired in the dark chamber of Wonthelimar, and in ardent desires that sever brains in the darkness of the cavern of Chauvet bilocated in the roadstead of Skalá. Vernarth I have come to you as a double birth, moaning descendants of the helots, phrases that found no excuses that salutely leave compassionate, like Antiochus who exhorted me to go to your solemn Investiture of the Himation. Ad mostem festinamum Eurydice said that she sang to me romantic atolls from the balcony of nowhere, unrequited I was consumed with the love that flowed through the vena cava of the sufferer in Apollo. Ezpatkul looked at the koelum or demiurge sky in his epiphany, summoning your Gerakis to station themselves near Petrobus, entrenching me tightly in the clutches of the Ibic Rings to be referred to your luminary by the seat of Leros.

My parents by the name of Demetrio and Fila brought me to Roshus on the Perian coast of Macedonia, where I was given as a gift at the regent's wedding. I am Stratony of Macedonia, the daughter of Strategy of Syria, my mother. It is I when writing this epistle, which in turn had a prosperous one, but in posterity when my consent was distanced from the same tenor, my mother was solicitously delegated to Seleucus and then to my father Antiochus. Then I shunned Demetrius II, due to his extra union with Phtia, Daughter of Olympia II of Epirus. It was enough that a link in this Seleucid genealogy was lost in the open from a sick dynasty and successions, so that they appear on the henbane embankment, and go back from Lambdas and Epsilons of consanguineous matings, betting principalities and fratricidal blood, cursing themselves in campaigns since the same that is sheltered in mutes and feelings in Judah by Olympian torments, and immortal Gods shrouding fleeting perishable itineraries of life to the tempting mayor of the puppets, and of the mortal reigns without disposition rattling in Samothrace libido, of hundreds superior, and all the enlightened contents of a captive genealogical of semi-gods trying to equalize.


Beloved Vernarthiano on Venus, anxieties made me fly to the sound of the souls of Trouvere, committing crimes in my larnax, for tears that have spread one spring afternoon, which I only saw in contained affections, being able to walk through Roshus with my mother, in the discharge of essences saturated that truncate release in the Epsilon hopper. Subtending lines and diameters towards the ends of the curved arch or broken lines, being able to refer to the circumferential buttress between the sides of the angle of my asthmatic regret…! When I removed my hand from this obituary, I saw that The Hague reigned at its lowest point, which made the ink pinch that made me a princess out of her lines, and characters that were molded in such proactive and literal numbers. Beautiful and charitable is the beautiful donna that is born flowered for nuptials of the angelic white indigo "Deus Meus Captivus", in your purpose I could be Stratonice regent of wandering honoring through the palatial corridors of my mother evading intentional and reasons of victory to our good honor, and of the audited and emphasized names of "Victorious Armies" in their real meaning in our patronymic, after the victory of Ipsos. As Argeadas, the king yielded to the prince, what his subjects receive from replicated dynasties, in retreats and shallow swells of temperament, linking liras between liras of Corinth and patronizing condescension in the dominions of Persia.

Much more than an umpteenth outrage in the bands of tolerance and knowledge, I was able to discount the years to come. Passed through our unconfessed lineage, reaching our sarcophagi in the good news by raising the frame, and lifting my mother in your tragedy by three that are tripled, knowing that they allude to Saint John the Apostle, over the loafers who drool in scabs stepdaughters of party mouths, and monarchical slaps that have united us behind the scenes, and in the interlocking followed by re continued guarantees of worship, pro-Seleuchism or Antiochism vanished in buried Diadoco briefs, adjacent to the ibid in mega nuptials or Olympic descendants, and in the relatives of the Orphism-transgenerational surrogate! Vernarth give me a taste of the well, I require a new territorial ally in your quilts to new heads branded in his autumnal Hegemon.

In the attempt to take out a dagger and put it in the night watchman, I was already amazed at the reading of the fluttering of the Gerakis, who threw the tantrum of other Gerakis with the souls of Trouvere, kidnapping half of my letter that had cut for you Vernarth with chlorinated tears of solid, towards the swallowing of the airones that intimated in bastardized allegories, containing intoxication and unsheathed unison echoes of the bronze settled in the thundering law, making the Gerakis and the Trouveres fall together in some Mycenaean jars of wine. Anger provided beds of each one for manly acts in the Patmian Olympic allegory, denying the reactions of those who become the purveyor of the riches of tragedy, in immaterial environments that discuss not having it if they only run aground in logical narratives of Demosthenes' contented spoiled bozo. Smooth sites wound me with poisonous openings on the campaign pistils and on the Áspis Koilé shields, being worth confusing against the hives of the queen mother and her drone, tolerating and yielding to her heir, with foolish demeanor in caring for him and inheriting him a procreated barbarian reign.

Now we are barbarian slaves and heirs, in unresolved conflicts of parents deprived of a loving life, by progeny that ennoble crusades that stone patrimonial alliances for consanguineous alliances that should never have prospered in the bitter toast of Stratonice worried in her borne sarcophagus, avunculated in true pro lactic godmother of the son of a nascent Zeus. We are all divided as a lineage; there is nowhere to gather more dismembered successors of Macedonian polytheists, after central efforts to reign without a crown. The same of the love that reigns without meaning, imparted from the decadent effort that worsens to resurrect the aristocracy that lies of grubs,  and the sacrosanct helminth in our Alexander the Great, preceding intercessions of the Royal Marriageable Dynasties before your most illustrious, in the new kingdom of the Lord that does not he sees himself enthroned in the black trepidations of our ill-managed partitions, by humors that flow from the couplings and bandages of who is said to be the abbot of a Vernarthian preliminary.

Vernarth, culminated in the auspices of the complete conjecture and its subsequent grievances to request your office, in subsequent claims that induce to draw the irascible thunderbolts of those who only want to make us wake up from their apostasy, alone and insubstantial, covering muddy stores of grace, which establish walled up reigns in all honor and charm of hearing the true voice of the Mashiach, with all its solemn title being able to help all those freed from the Caucasus scene, and in the edicts that nullify memories as human beings of their castrated history.

Before your letter is read, I add Stratonice as my name is, and I am aware of his reading by uttering: “The signal field has been prophesied, it has condensed the Hegemonic energy of Alexander the Great, pointing out that the diseased body of Antiochus; my father…, is supplanted by that of the to happen all the trances and difficulties that are assumed after the hazardous departure in Babylon. Therefore it must carry every corollary prophesied in the death of my grandfather Seleucus in the hands of Ptolemy Ceraunos. Wanting to dress up the irrevocable interference that occurred in Judah by his Diadocos gangs, opting for the effect of his offspring, therefore on his spiritual stretch of residual and static energetic mass, ad libitum that will end when unleashed in his son. By now all will be consumed in the pathogenic body of Antiochus, and of the love for my mother where she was abducted, and possessed by retaliation from Alexander the Great for proven insubordinate ethical demands. "
Epistle of Stratonice
Graff1980 Feb 2015
The storm is not eternal
It fades as fast as you do
Dripping wet
With stinking sweat
Sweet nature’s liquor
Thudding percussion
Sudden impressions
Parallels my heart
Rapid successions
Of white lightning
Not at all frightening
But hypnotic
As we count the distance
Between the lightning
And the thundering
One two a mile through
The storm will stop
And so will you
Flatfielder Nov 2020
Long journeys he longs for
Connect and disband
Histories follies
Yet approaching an end
A decision or movement
Into reality
When emotions give way
To a homeless gullibility
When leaning
Over this blackened soil
Once home to a testament
Of generational coils
Bounced through the ages
By successions of systems
Generated and foiled
(c)near_lane7
Gone back to a site
Uma natarajan Sep 2018
The writhing rememberances
Bitter Weeping repentances
Tense futile wait for acceptances
Palid light's reflections
Twangling trembling infections
Dot dashing tricks of frictions
Pitch dark woods of addictions
Echoing barks and their inspections
Shuttles striking with aggressions
Groaning desolate night's successions
Marshal Gebbie Feb 2021
Wheresoever went the way
Of Wycheproof's bright Summer day
Way back then, back then when wheat was King
With bountiful supply
You could hear the growers sigh.
As the tills began, abundantly, to ring.

With silos overflowing
And wheat trains ever growing
In Wycheproof, back then,
When wheat was King
With the young girls laughing happy
And the blokes all dressing snappy
Prosperity led Wycheproof, to sing.

But then an apprehension
When this "Climate Change", was mentioned,
Dismissed as merely "here-say" by all,
For "What is now has always been"
With life in Wycheproof, serene,
"What tragedy, could possibly, befall?"

Now Wycheproof is Mallee dry
Where wealthy men complain and cry
When hot northerlies whip topsoil to the wind
As it parachutes a million miles
Which is fine for Wimmera wheatmen's smiles,
Fine and dandy for the growers living there....
But for locals un-empowered,
Watching windblown topsoil scoured,  
There's a seriousness in Wycheproof's despair.

No topsoil means ya can't grow wheat
And the shortened seasons growth, deplete,
Dust storms are primarily....THE FEAR!
Surmount successions mounting debt
And final deadlines... all unmet
Foreclosures ...are chewing up the cheer!

Wycheproof these days is still
No man nor beast on flat or hill,
The shops are looking derelict and closed
And the pub' though selling beer,
Is indisposed and rather queer
For there's no wheat.... and no joy fills the day.
Future's looking bleak
And it's getting hotter, so to speak,
in  Wycheproof ... and ****** all to say.

M.
February 8 2021
As a kid, in the Mallee, I sowed countless filled wheat sacks year after year in the school holidays. Baking hot sun and the dry starchy smell of acres of freshly reaped wheat. Then a bustling wonderland and a great source of pocket money for a kid from the city....Now a drought stricken waste land. Low population, struggling wheat crops prosperity a thing of the past.

A clarion call for the future and the certainty of the calamity of advancing climate change.
M.
Paras Jul 2020
This is my life's index,
plotted every point with precision
from birth, to when I used wax,
directory of every phase in incision.
Loathing salary & running from tax,
to every pity and doubtful decision
Riding bicycle, to using axe,
coming alive from great recession.
Days of reaching from phone to fax ,
using social media to show aggression,
Longest nights and tiny days to equinox
from avoiding people, to holding congression.
Brainstormed writing and printing docs
ideals failing timely, to quick successions,
from when we thought life came from Pandora's box ,
to realizing it was unworthy illusion.

— The End —