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Mara Jan 2015
Four parts, woven together
Uniting all universal truths
What others do with it's powers
Only the future will prove

The *first strand
displays the world's true nature
Destroying everything it creates
We become unwanted children
Who have learned to incorporate
Killing in our communities
Biting, grinding flesh and bone
Swallowing with guilt free demeanors
Only leaving foul-stenched excretions as evidence

Second Strand speaks of our basic biological anxiety
To deny the terror of death
Imperatively born, emerging from nothing
Given a name and consciousness
Hopelessly abandoned from the beginning
Only to be fated always with everlasting death

Strand three
We hide underneath the
"Vital lie of the character"
Pretend to be shining knights in armor
Who will make us forget our
Unconscious anxiousness of death
We all work to attain prestige, money, and the
Fleeting feel of immortality
Worshiping Gods with clay feet
And when our beliefs are attacked
"Holy wars" becomes the pseudonym for
Our immortality projects

The last strand
All the efforts we put into
Making this Earth perfect
By eliminating scapegoat "enemies" and "evil" deities
We end up making everything filthy
In the effort to make everything right and pure
We turn the Earth's soil black and color the sky red
We strived for utopias, making dystopians
All these actions seem unconscious
But it is not the animals nature or
Evolutionary process
It's just us trying to pretend
We don't have perishable bodies;
Trying to deny death
Inspired by Ernest Becker's philosophical book 'Denial of Death'
beyond the lighted city
past the festive crowd
beneath the melancholic halogen
outside the shut doors and windows
upon a lane paved with garbage
amid an air stenched with *****
between two wooden wheels
head resting on holed rexine
arms limply down from heaven
feet embracing the dirt
sleeps another night
from the ashes of day
dreaming just enough
to muscle
another
morn.
Rickshaw-pullers of Kolkata
a passing thought on a festive night in a blind alley
spysgrandson Nov 2011
from the sizzling southwestern sun
we stepped into the beer stenched shadows
of the Blue Agave Lounge
left lizards in the street but there were plenty inside
lurking in dark corners, their bodies draped like the dead
faces in pools of beer on ancient formica

we were killin' time
and brain cells
and any lingering ambitions
that lurked in our dark corners

on the wall behind the bar
was a "Felix Garcia" original
some desert artist
who doubtless killed some of his own time
in the blue shadows
of the Agave

the painting, unblemished by the dying around it
was of a schooner
white masts full in blue skies
rolling on purple waves
headed to some blind horizon
far from the Blue Agave

drunken eyes digested this
and perchance wondered
if it reached some blissful port
or took men to a deeper doom

if we could only ask Felix
but he is not to be found
and he may not know
for in the Blue Agave
hidden from the light of day
dreams are drenched in darkness
and tomorrow is a land the lizards fight to forget
Serendipity Sep 2020
She stood at the edge of a deep rock
leashed to the side of the sea
with foam biting at her feet
and waves barking at her.

She breathes a salt stenched air
and watches its jaws open
only to see a sailor
rotting between its teeth.

She swallows air whole,
call it courage or stupidity
but she takes a step towards it.

Now the hound named
"Sea"
became full
once more.
Lori Carlson Feb 2010
I tremble
in the shadow
of your fist's silhouette.
Your drunken-stenched breath
grips my nostrils
as your hand clutches my neck.
I gag. You strike;
the first blow erases
my vision, blood trails
the path of your hand
to my ******* - gullible preys.
You strip away my clothing,
seams loosening in duress,
exposing more than flesh.
My useless limbs, bound
as you force-feed
your will. . .
I've forgotten how to scream.
(c) 1997, Iona Nerissa


All poetry under the names Lori Carlson or Iona Nerissa are the sole property of Lori Carlson.
Please seek permission before using any of my writings.
~Lori Carlson~
power pose
in front of the angry men
"we're not scared of you"

but they should be
she spits fire bright
from lips she wears matte dark
she's digging the perfectly manicured claws into the palms of her hand
hands that bring incredible generosity
and incredible pain
depending on how audaciously you approach her

with your alcohol-stenched breath
and a body that takes up space
but contains nothing of substance
aside from liquor of course
an empty, angry vessel of wordy slurs and slurred words

she knows they don't deserve her tears
they should feel grateful to receive even a smirk
an ounce of her attention
in this economy
with the men who untuck their shirts after a long day's work
unaware of what the women have been up to
is priceless

you can't commodify what you can't touch

they are not beds waiting for you
to lay down on
to make your lives easier
while you weigh down upon ours

her silk sheet skin
and the comfort of knowing she will be there at 2pm and 2am

this is her home
this body is an address
it is not your residence
loiterers will be fined
she will be fine

power pose
the power grows
this is your power prose
because mama,
you will be fine
for jass
brandon nagley Sep 2015
Modern day slavery, hath manacled man's hand's and feet. Chained, tied, blindfolded, leading to one's demise. It cometh by many form's; pride, envy, wrath, gluttony, lust, sloth, and greed. Thus a free willed decision, with Lucifer making rich men affluent; wealthy they've become, off bomb's, secret societal seed. Thieve's of tribal territorie's, madmen of brutal glory!!!
Mind control ruler's, martial law suiter's, polluter's of land gone to waste. O' prosperous creature, what hath thou done? Tooketh holy scripture's of God from public schooling's, passing out satanic fooling's; becoming puppet's for Beelzebub? Suicide's, sky high, as parent's, thou hath left thine son's. At the bar? Bellie's enlarged: isn't that smoke and drink enough? Got the good stuff? High on bag's of dust? Wife at home? Cheating stealthy mode, and thou wondereth why it's thee who shalt succumb!!!! The terra firma hath turned wretched, stenched by the elite's Gucci cover, whilst the world killeth one another, on war's to maketh money off of the deaf, dumb, and blind; awakest, now's the time ....................Global collapse, it's just around the corner mine friend's.......



©Brandon nagley
©Lonesome poet's poetry
Harmony Sapphire Jan 2015
Broken poor trash which degrades & defiles.
You lied to the courts, judge, mediator, minor's counsel, & district attorney.
A backstabber, 2 faced, hypocrite, who commited perjury.
A hunchback hammertoed hefer who gets fatter.
You live in a hoarded ***** stenched sty.
Quality is not something you search to buy.
You settle for **** bit by bit.
On your fat *** you sit.
Your ***** sag.
Your a decripid old hag with saddle bags.
You destroy relationships.
You can't form your own friendships.
Your a judgmental, prejudice, anti-social, psychotic, hermit crab.
Your a heartless blackheart who back stabs.
You take what's not yours.
By manipulation, cheating, stealing & lying.
You want my child motherless.
Your an evil diease.
Your thoughtless, your lies don't put me as ease.
You divorced my dad.
You took all I had.
You can't control your bladder.
What I want to you does'nt matter.
Greed you sought.
Your lies I fought.
You spread hate in your old lady disguise.
You believe your so clever, deceitful, & wise.
You have cellulite, verocross veins, & cottage cheese thighs.
A meat loving satanic caravore.
Who slams the door.
Pees on herself & the floor.
Has a greed for more. Always settles for poor. Vendictive evil without a cure. My life is smeared a blur from everything I am & once were.
© Harmony Sapphire . All rights reserved

Dedicated to mummy "dearest".
I wish I could fling the door open
so you'll see the window
I told you about.

We could watch the street posts and tree sparrows on cable wires extending to the horizon of watercolor skyscapes
from there.

But I'm concerned of what
you would think when you'll
also see the vase and
a dead tuscan sunflower
I've plucked sometime
in a long-ago summer.
Don't worry I am not a creep.
I can even make you
some paper orchids
if you like.
I might put one on your ear
if it's fine. Just
give me some time.

Don't mind those
tattered jeans and floral socks
stenched of petrichor
and scattered like autumn leaves
all over the floor.
That's how I've been. Just
give me some time
to clean.

But then that is why
I'm all afraid
you might dislike me
for I've built up lies
and messy secrets
to hide a past
and all.
There wasn't even
a single window
on that wall.

You might not understand
I'm like a lichen-blotched tree
inside a lake of jade.
More like a
dead tuscan sunflower
inside a vase. If so
you don't have to
stay longer in my shades.
But don't just leave me
like a summer
in a while.

You might not understand
why I live
in a house of no windows.
But maybe you won't open the door.
SM Dec 2017
From the outside, the overwhelming brick structure appears as a haven to heal for the sick, but from within, it serves as a prison, where the sickness terrorizes the inmates doomed here. A bright red cross glows above in the moonlight, appearing as a beacon of hope, despite all those within the structure feeling hopeless. The large glass doors slide open by themselves, welcoming in all who dare to come near. Beyond the glass, white coats rush by in a blur in all different directions, hurrying to serve their independent duties of checking blood pressure, feeding patients, giving baths, monitoring heart rates, and giving medication to the helpless.
A heavy metal door swings open to reveal a labyrinth of a hundred overwhelming hallways. The white walls extend for what seems like miles. A fluorescent buzzing light runs along the ceiling to the end of the corridor. The bright hall strains the human eye as it stares into the abyss of the neverending white hallway, illuminated by the blinding lights. The only color emerges at the very end of the passage, where a faint red exit sign glows. It appears as the only escape for those within, but only reveals a staircase to the other hundred halls beyond this one.
The sagging eyes of a receptionist light up for a moment at the sight of another living human at this early of an hour, but the excitement is not reciprocated by the other, due to the sorrow of being among these white walls again. The only other creatures she often sees here resemble zombies attached to IV bags, who slowly stumble down the hall to get a taste of the freedom beyond their prison beds. They desire health. They desire happiness. They desire escape. The shoes of the visitor clack across the cold tile, passing by identical rooms filled with dormant bodies on bed rest. Most bodies are told they must only stay a couple of days. But a couple days turn into a couple weeks. A couple weeks turn into a couple months. A couple months can turn into the end of their lives. The visitor wanders in a maze of all the bodies who appear the same, hopeless and trapped they are still.
Gray indented chairs from being sat in for too long line against the walls of this boxed in room. The lights are duller here. Waiting. The visitors can finally rest their eyes, they can finally rest their soul. Magazines fall off the wall, unread and unkept for months. The chips stacked in the vending machine taste stale, but still the most delicious dinner available to the visitors who have made these indented chairs their home away from home.
The only sound escaping into the hall from the patients rooms are quiet sobs and beeping heart monitors. Among the rooms, the visitors kneel alongside the bed with a rosary in hand. A prayer escapes the lips of the grieving as death dances over the bodies of their loved ones. The bodies are still alive, but the bodies are not living. The rooms are stenched with sorrow, sickness, and sterile. White sheets, white walls, white light. The white fills the rooms, but darkness still looms. Each room reeks of bleach that cleanses the metal instruments and IV stands, while it destroys any sense of humanity for the bodies trapped within. The blinds on the window are shut, keeping out all of the outside world, besides a single beam of moonlight that shines in the only hope left in the darkness of this dull night for the bodies of the alive, but not living.
I know these are supposed to be poems but it's fine, don't worry about it. I had to describe a setting that makes me frightened or uneasy for my English class. I decided to describe a hospital at 2 in the morning because thats kinda spooky. Hospitals are where many lives are brought into this world and many are lost. People are crying in the halls, saying prayers, and finding out terrible news so often and their was something unsettling about a hospital to me at 2am when I was a young child, so I decided to base the essay off that. Read it if you'd like. Thanks!
m greene Aug 2013
Oh, what are we, anyway?

we are but only men, my love,
we are so simple it hurts
we are broken
we are what we aren’t.

it’s okay,
we’re in love.

behind doors slammed shut
these walls never see sun.
we are naked, separated,
we chew quietly on meat grown cold.
we sip softly milk gone sour.
because in a world so bruising
so tainted of blood,
so full of this lust,
we are clubbed, barred, ******
and hung up to dry.
the hate our hearts see
sews them shut.

and still,
we’re
in love

pushed in stenched corners
pointed in wrong directions
laid face down,
nose turned up.
we are sleeping
when we most deserve to be awake.
we’re touching hands
when hands are just shadows and fragments
of imagination.
we’re disgusting
when we’re in the presence of other men.

it’s okay,
we’re in love.
midnight prague Nov 2010
let alone the free
set astray the free

everything that she was ever meant to be
has been thrown away into the water
streaming down slowly
down her
her back
a lullably of all those times when the world ate us

alive
it ate us
alive

and I dived into you broken shores
full of broken sea shells
and empty bottles of whiskey
opened by the pirates of your unstoppable heart

hungover by the bench
your stenched cling to salt and me
yes
i remember
i remember
when i woke up next to you
and your eyes
they smelt like me
and your fingers touched like mine

you were exceptional
you were you were
more than phenomenal

breathe down everything i ever gave to you
with rusty canvas and charcoal beaten down
love spells

stuttering memories flood me
running running
breaking
I could wake up face
facing
the floor

while reading the last note you wrote for me left behind the closed door
Nhlekeleza Nov 2017
Some are there for the party, some are there for the part
In rumination a constant reverberating conscious dissertation
Without hesitation I have said that I love you off by heart but your ears are blind if your heart sees them not those darts

In retrospect I would inspect as I detect this heart's reflect
That you were nurtured some  kind of way, into a nature of some jaded doctrine
Taught to be an object and now a suspect of being a love ******
Many a things do they do the beautiful stones, treasures and shells
But it's all for nothing if the love language stays empty

A void to be never filled as wills are ill
Intentions are impure and stenched with all and every filth
I see the waves as the way you think of intimacy but lose the sight of what you feel within
Who you are to you and what you are to you
It goes back to how much emotion means and the steal of it, how it leaves you, the memory that becomes past
The moment that has passed
A flag of a could have and should have ship
Another X that will have them hex and you're on The Bewitched list again  except there won't be a show about you

The love pulse seems to be gone and silent, because when it comes and hits you; it's riveting, it's agony
Much like drowning or free falling on a very rocky surface without a parachute
It gives you a sense of urgency
It gives you a sense of urgency
It is not tomorrow, not yesterday, not then or when but now, always insistent at this very instant

The grooming then; what were the first words she told by grandmother, mother, sister or aunt - about men
The first words that modelled her becoming
The pictures that fragmented her imagination of personhood
The mantras that have built up as a Zeitgeist driving her gears of paradigms
The very itch in her egoic mind that longs for material satiation except it's never enough

Some are there for the party, some are there for the part
Some live and die for for the velocity of the transcendence of divinity
Some just keep up face
Keeping up face because the paste might replace a gaze of self-hate and inadequacy
You'll know where they stand and what they stand for by how they'll respond, what they'll say or won't say
To know what the love language is is to know what it's not
And our treasures who long to be crowned have been inculcated to calculate the degrees of lust and temporary gain, so nothing good lasts
And golden opportunities seem to just pass because nobody takes a glance at the true Romance Lingui Francua glass

They run for the telly and how flat the belly will look
But slow to write a message saying she's yearning and hungry for your love
So the love star starves and the children of tomorrow call this a fable
But see it's just jaded grooming
No impulse to give of oneself for a just cause, so how will they love wholeheartedly and the love dance rhythm adore?
Just another idyll for the abandoned book store that nobody takes a tour in anymore.
mzumentum/song/love-grooming
William Fischer Dec 2012
when I looked for answers
   you said to be careful
   you said that my faith
was in peril when questioned
you mentioned
   that my "search for truth" was in error
   that all that awaits
is a terrible lesson
you said without God
   there can be no forgiveness
   that evil within us
would go unabated
you stated
   that people were eager to live in
   an unashamed place
that was morally vacant

your liqueur stenched breath
poured past dark yellow teeth
thick with cigarette stains
and your eyes full of grief
as you pleaded with me
to be careful
when I looked
for answers
tread Feb 2013
pop
the cool kids, moping, stenched and
stenciled eyebrows, miserable and
paralyzed in try-hard poses, thumbs
strategically stiffed from pockets;
miserable to be noticed. glad to be
an album cover.
I was prey to him,
fighting against his bare
teeth, white and diamond -
like

I was less than a jewel,
less than a girl bending
under the quiver of
his sharp nailed fingers

the arch of his back
stretching out
above me

I am frozen solid,
an iced over lake
somewhere between
two mountains

I do not thaw at his
touch, I am winter -
set, swallowing salt

that rises to the top of
an ocean, a blue mass
spreading

covering the Earth,
and me, wet with
regret

shaking below his
chest, consumed
by his cigarette
stenched kiss

his thunderous hands,
holding me to
ransom
Sabila Siddiqui Jul 2019
As I awake from the cryogenic slumber I was put in, I find myself walking around a mansion. It must be a century into the future, but everyone still seems to be asleep in their pods.

As I walk around, my feet guide me through a tunnel lit by hanging candelabras, as though they have a life of their own. Few moments later, I find myself standing in front of a of a jagged wooden door with tiny bugs crawling up the dented-scratches and a loose door **** awaiting to be opened to the library that stretches far and wide.

The windows are tinted vintage yellow and air stenched with the musty smell of worn books; heavied with dust. The large maghony table stands alongside the ladders and railings, allowing access to the different levels of the library.

My hand reaches out for a leather-bounded book, as though it was longing to be read and plucked from the ornately carved bookshelf. It is my biography; my breathings worded and memories penned.

Stunned, I ran my fingers along the frayed pages, to find the stories of every person to have crossed paths with stretched out across the pages.

I re-read pages, letting the wordy essence cling to my skin and the embers to re-ignite. I allowed myself to taste the salt and sugar of the sunrise to sunset span with the ones who left inky footprints across my heart. Until I came across a name that started resurfacing from the dustiest parts of my mind.

Out of curiosity I reach out to the protruding mark to find myself holding her biography, and countless pages stained with my name. “I sat there tossing sorrows from one hand to another, trying to let the blue ink gush onto the page in front. I could feel the darkness coaxing my mind, labeling me with names as I held back the tears stinging my eyes. I was an invisible cloak; an outcast who was unwanted.

But then she came, each step paced with confidence. Her curls leaked sunshine into the room; I could feel it warming the cold that layered me. I found her seating herself near me, as the girls behind me laughed like a pack of hyenas, gossiping about the new faces entering.

I found her looming above me, her hair brushing against my forehead “Wow, has anyone told you write really well?” but all I could manage was a shy smile in comparison to her gleaming grin that swallowed her cheeks whole. That was the first time I heard someone say that and then there was something warm, fuzzy, a spark? Happiness? Hope? It felt foreign and different, almost energetic but I craved more.

In the coming days I watched as she drove herself with passion, reaching out to catch stars, blooming herself and handing it to others. She was alive and vibrant. Almost brilliant like lightning, enlightening the sky with her spark like the one that was fuzzing between my cells.

Her presence was alluring, I found myself responding to her wavelengths, wanting to resonate with it; to have purpose, meaning and life. She made me want to untangle myself from the toxic relationships I had. It made me want to stop drinking the poison they fed me. It made me want to crave for good. To nourish my body and to breathe.

She called me on my birthday; no one ever called me on my birthday. The next day she hugged me and turned my hurricanes to a whiff. Weeks after that she invites me to her birthday, pulling me away from my world as I accepted her hand paving paths for me to explore.
I flicked a few grainy pages ahead.

“Are you okay?” She said as she though she could smell the stench of it on me. As though she could see me drowning within myself. And in that moment I let her in, I broke the walls, I let them crash. I let the ocean erupt open through my pores. I let my rusty voice box to voice its cries. Even though I spoke in language that came natural to me; chaos. But she sat there listening patiently, and in that moment I wrote about how her ears were made of empathy, eyes of moonlight that made me feel lighter and blissed.

I watched her move with such zeal that I was mesmerized. She became my muse, my inspiration. So I undressed myself of self-loathing and set out to talk to people and explore. My bruised throat ringed and my chewed tongue wanted to speak. My hands wanted to write for my younger self that stayed quite all this time.

She breathed air into my collapsing lungs, became the brightest of hues in the world of my blues. I was a dead language and she pronounced me with life.

Here I am, a writer. All because of that compliment that left me to weave my sorrows, revertebratating the hope she gave me through my writing. Hoping to provide the same inspiration and passion she inspired me with. She restored the courage in my spine; the faith in my cells and the love into my heart that I tucked safely into inky words hoping someday someone feels the same.

I closed the book as I traced the last line, with a tear in my eye. How could’ve my trivial action have such a profound affect?
Slowly sending chills down my spine
I feel the love stenched with lust intertwine
Though bind I caress my hands on her behind
And pressed my lips firmly against her lips
Energy being transferred from one heart to the next
As I key into her soul with a telepathic text Only then she'll realize it's not just about ***
It's about mastering the art of love making
And feeding into her deepest senses causing powerful *******
Soon to see ******* from my mental stimulation
Breaking her barriers through hidden frustration
At ease let me cease that stress wear you like a tight dress
Once I give you dose of the poems that manifest no second guess
I'm.ready to be the best just say yes
And I'll continue to bless
You through time after time cuz I'm
The only one that can make you smile
Go crazy and wild stuck in a daze
Let's make a love child
Play you fair no need to be foul
Max Barsness Jun 2018
I wish I could warn you about the Salton sea
Of its panicked shores
Of bottomfeeders
Topside once more
It's stenched coasts
Lush green migraines and migration
Boasting of the lives & liberty cost
Drowning in the murk of men’s habitual need
To improve upon ruination

I wish I could caution you to an endorheic basin
Of its perennial purpose
Of many fertile farms
Impregnated by men & their desire to quench desire
It is a natural ****
It is buried deep in the salinity of quest & reason
Give them structure from which to exalt
Give yourself a *******
Working the cracks and the cross of concrete which is potholed & pitted

I wish I could show you a river valley ahead of it’s time
Of its eventual need to exist
Of dependent mockingbirds
& cattled egrets
An uneven ***** on which mother colorado rests your beleaguered complaints
Drink up while it lasts
A memorandum to a family
That dried up the poisoned well

I wish we could fall to our knees
We don’t
We raise our hands to the sky
Take me dear lord
But first
Let me take a selfie
Let me edit my life
Let me apply a filter over this endless malcontent
& then when it isn’t enough
Let me blame you
Emeka Mokeme Nov 2018
Their secret plan was
airtight and sealed,
waterproofed,
no leakages was found.
In line of duty,
the castle opened,
numbers on the wall,
speaks as a code,
to open separate
different doors hiding
secret files with
the names of men
and women with
influence holding
political powers,
timbre and calibre,
men and women trusted,
but ruining the affairs
of the nation,
causing the problems
and uprisings of the
ethnic groups of
indigenous tribes.
They were blinded
by greed but now
marked to be eliminated.
Their demise became
necessary to redirect
the course of national
fate and security.
There is anarchy in
our nation for the
fear and insecurities
caused by the insurgents
are on the increase.
It's a dangerous affair
for the **** is real.
Arrows flying in
the darkness and
everyone is running
around scared.
Perceived in the air,
the stenched smell
of sweat and blood
mixed with smell of
smoke from incarcerated
bodies and houses.
Unexpected turn around
of events could
bring disaster for you.
A little oath is not
the prove of solidarity.
For the betrayer is
within and hidden
amongst us waiting
to give you away.
Death or to be alive,
which one is
the best survival tactics
at this time of
great distress when
there's no help
or hope to survive.
Escape through death
or death through starvation,
both are imminent when
all around you is death.
Just like the one
in a shipwrecked shark
infested ocean with
no help or hope of survival
but just there waiting
to die or be rescued.
©2018,Emeka Mokeme. All Rights Reserved.
Chris Balase Apr 2020
Let me speak about my loss
One last time
In this poetry which I dedicate
To Flor.

How I now dread the day I was born
For it is when you bid farewell
For my stenched heart, now awfully scorned
Is now creeping back to its broken shell.

I am weaker now than before we met
More scared to face each passing day
I admit I've said things that I regret
Now it seems like this hurt is the only way.

I wish not of forgiveness for the both of us
I wish not of happines too
I wish not of restoration of trust
But I wish that I haven't met you.

For this, had crumbled me beyond repair
One that I can no longer take
No more pieces to build, my house in despair
This void is too much for my mistake.

— The End —