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False Poets Oct 2017
does the moon get tired?

~for the children who never tire of moon gazing upon the dock,
by the light of the fireflies,
till the angels are dispatched by Nana,
to sprinkle sleepy dust in their eyelashes so long and fine~


<•>
while walking the dog I no longer have,
a happenstance glanceable up over the River East,
there you were, mr. moon, in all your fulsomeness ,
surrounded by a potpourri of courtier clouds,
all deferentially bowing, waving,
passing past you at a demure royal speed on their way
perhaps,
to Rebecca's northern London,
of was it south to grace of  v V v's Texas^,
in any event,
the cloudy ladies, all bustling and curvaceous,  
all high stepping in recognition of your exalted place,
Master of the Night Sky

We,
the word careless, poets excessive,
sometimes called silly poppies, old men,
left footed, still crazy after many years,
most assuredly poets false all of us,
without a proper prior organized thought train,
outed,
bludgeon blurted,
an inquiry preposterous and strange,
strait directed to the sombre face,
to mister moon himself!

tell me moon, do you ever tire?*

the obeisant clouds shocked
as that face we all uniform know,
unchanged anywhere you might go  to gaze, be looking upon it,
watched the moon's face turn askew.

He looking down at our rude puzzlement,
with a Most Parisian askance,
a look of French ahem moustacheoed disbelief,
while we watched as the moon cherubic cheeks
filled with airy atmosphere,
then he sighed

so windy winding, was it,
so mountain high and river deep,
that those chubby clouds were blown off course,
from a starless NYC sky
all the way past Victoria Station,
only to stop at Pradip and Bala's
mysterious land of
bolly-dancing India,
on their way to Sally's Bay of Manila,
magic places all!

Mr. Moon looked down at this one tremulous fool representative  
(me) and in a voice
basso beaming and starry sonorous,
befitting its stellar positioning,
squinting to get a closer look at the
who in whom
dare address him in such an emboldened manner!

Mmmmm, recognize you, you are among those
who use my presence, steal my lighted beams, my silver aura,
my supermoon powered light, borrow my eclipses,
reveal my changeling shaped mystery without permission,
only mine to give, you tiny borrowers who write that thing,
p o e t r y

head and kneed, bowed and bent,
I confessed
(on y'alls behalf)

we take your luminosity and don't spare you
even a tuppence, a lonely rupee, no royalties paid
to you-up-so-highness,
and we hereby apologize for all the poets
without exception,
especially those moon besotted,
only love poem writing,
vraiment misbegotten scoundrels....

with another sigh equality powerful,
mr moon pushed those clouds across the Pacifica,
all the way to the  US's West Coast,
up to Colorado,
where moon-takings from the lake's reflecting light
so perfect for rhyming, kayaking,
and moonlight overthrowing,
once more, the moon taken and begotten,
nightly,
as heaven- freely-granted

yes, I tire
and though  here I am much beloved,
usually admired though sometimes even blackened cursed,
seen in every school child's drawing,
in Nasa's calculations,
of my influential gravitational pull,
moving human hearts
to love and giving Leonard a musical compositional hint,
and while this admirable devotion is most delighting,
would it upset some vast eternal plan,
if but one of you once asked,
you fiddler scribblers
my prior permission,
even by just, a lowly
mesmerizing evening tide's tenderizing glance?

yes, I tire,
even though my cycles are variable,
my shape shifting unique, my names so at variance
in all your many musical sing-song dialectical languages,
my sway, my tidal currents so powerful a deterrence,
unlike my boring older sunny cousine  who just cannot get over
how hot looking she is,
I,  so more personally interesting,
yet you use me as if I were a fixture,
on and off with
a tug of the chain string,
never failing to appear,
even when feeling pale yellow and orange wan,
and worse,
mocked as an amore pizza pie,
do you ever ask how I am doing?

yes, I tire,
of my constant circuitous route that changes ever so slowly,
but yet, too fast for me to make some nice human acquaintances, especially those young adoring children
who give me their morn pleasurable squeals when they awake and my presence still there,
a shining ghost of a guardianship protector still
watching over them

how oft in life do we presume,
take for granted
grants so extra-ordinary
that we forget to remember
the extra
and see only the ordinary

how oft in life do we assume,
the every day is always every,
until it is not,
only an only
a now and then,
till then,
is no longer a
now*

<>
oh moon, oh moon,
our richest apologies
we hereby tender and surrender,
our arrogance beyond belief,
what can we offer in relief?

silence heard loud and clear,
mr. moon was gone,
a satellite in motion,
so our words burnt up in the atmosphere
unheard

we did not weep
nor huff and puff,
blow those clouds back to us,
for we knew
the extraordinary
would return tomorrow,
we will be ready,
better another day,
to prepare
a lunar composition,
a psalm of hallelujah praise,
for mr. moon
of which
mr moon will never tire,
for filled with the perma-warmth
of our affection
for the one we call mr.moon
False Poets is a collective of different poets who write here, in a single voice,
hence the confusing interchangeable switching of the pronouns.    sorry bout that.


^ HP - give them back the claimed  V name!
Alexander Klein Oct 2013
I

In eras weird with old mythology,
As if asleep the fabled country lay:
Her wave-like hills and faerie forests dense,
Her thorny brambles budding curling claws,
And ivy circling all the woodsey way --
The far swan's cry came soft and woke them not.
Forlorn, that selfsame call upon the gates
Did break; those gates of Britain's long-lost keep.
She too slept fast, the weary weathered stones
Of fairest Caerleon. O pulsing stream,
Thou vein of life in woods a-slumber, Usk!
Alone are you in knowing castle's face,
From years of timeless burbling at her feet.
What tales are told by water over stone?
What lark or wren can sing of sadness come?
Aye, answers are the beach-wet sand, yet hark!
Rejoicings spilled, proud hails, from Caerleon:
They cheered the ****-frost's melting with the Spring;
The holy Gwyl Fair y Canhwyllau
Had come at last, in foliage of dawn.

Within, their goblets sailed, wassailed, and crashed
Like growling Jove, their boasts and toasts like wine --
They drank it spiced and over-strong. Indeed,
Some stretched exaggerations: 'twas Sir Bors,
That spotless sheet, who tried to contradict.
He quoted purifying texts and spurned
The wine that nature raised and crafted sweet.
Yet "Loosen up!" uproared the host to him.
"The time has come to celebrate," said Kay,
Beloved knight, step-brother to the King,
"Aloft thy wine, below thy gills! Drink! Laugh!
Your stomach is a falsehood-spewing fool,
It must be drowned for you to feel a lord.
I speak a sooth, you need wine's fleeting bliss!
Know thee that man's tomorrows bleed him dry:
A wade through death and depths as sure as pain
That shall tomorrow light your brow. Laugh! Drink!"
Bold cheering spread with Kay's advice, though yet
To no surprise Bors turned aside the drink,
Unblemished bore, so celebrates alone.
Weep not for him, for soon he'll find a cup
More suited to his strange of chaste and grace.
And none to waste: his share was drunk by all.

Engaged in feast Owain ap Urien,
Engaged in tale now Bedwyr and Kay,
And Lancelot made eyes at Gwenevere.
It was a feast of great success and joy
As fitting of the season's robust gleam,
Yet two there were with shallow-rooted smiles.
Prince Mordred one, though ever-somber he:
Accursed spawn with bone in place of heart
And dreaded incantations for his blood;
His brooding perched like crow on him. Alas:
The other joy-bled man had beard aflame,
A bear-skin drape, and crystal eyes, the Lord
He was of Caerleon and Mordred both.
'Twas not the gleam in lover's gaze that vexed
Though it was seen; he had no heart in him
To chain his Queen as if in dungeon steel,
For Arthur lived believing to be fair
Was paramount, to even paramour.
It wreaked its toll, yet caused small grief this day.
Not even serpent son gave cause to mourn
That greater was than missing nephew's spot
Among the feast. His chair was naked bare
Returned though he should be from faerie quest.
At Calan Gaeaf they expected him
When winter storms had racked their shoddy hall,
Yet since, the months had rolled to Gwyl Fair
The milder season come, but not his kin.
The image of his maiméd corpse did taunt
And haunt the agéd mind of Arthur, King,
His phantom nephew slain anon by knight
That of no flesh was made. In year that died
This green-mailed knight arrived a guest and called
Infernal challenge. Trick it seemed to them
And trick it was, for subsequent the blow,
This seaweed knight did lift his severed head
And from dead lips he cried "Well struck! Now come,
Fulfill me of my game. The year to come
Shall see thee in my home, and as agreed
My turn 'twil be to answer with my axe."

So rapt in recollecting, Arthur missed
The growing clamor that beset his hall.
His ******* cleared the grief from him with taunt,
To bring him into grief. "What say thee, Dad,"
Dripped venom from his mouth, "No love for us?
Your hail we called, but disapprove your eyes.
Methinks that far away thou seest a dream
That visits oft the elderly: a place
Thou knewst when in thy prime, with love
Now filled to burst. Yet fear us not, away!
To land of youth far more beloved than we
Whose happiness with thine own heart is twined."
"My fellow, soft!" the King began, distressed,
Yet Lancelot rose to his feet and spake
"Blackguard is he who mocks our Lord to face!
Thou palest hide, thou Mordred, sit thee down!
This sniveling craven knight should be replaced."
A sounding of the table met his speech,
Again was hailed his toast, and Arthur glad,
Though burdened to his breaking point, and sad.

"Blackguard is he who mocks our Lord to face,"
Had spake his bravest champion and friend
With no regard to Blackguard wrapped in stealth.
See how his roughspun fingers coil in hers
And how some sweetened whisper 'scapes her lips?
The beams of color-stainéd light slip down
To play upon their blissful sin almost
As if King Arthur's King approved on high.
Sovereignty is ruthless, Arthur thought,
Well-wishings of my God grow ever-faint.
I must believe in good though I am ill,
Just as I find my countrymen displeased
Though I did calculate my every breath
To see that it did stand with God's own will
To help my common people from their murk.
I fear I am not what I wished to be,
And now my only solace peaceful death.
If up to me, I'd wish it in my bed.

What horn's blare? Hark! King Arthur roused from thought.
Court gatekeeper Glewlwyd Gafaelfawr,
Dressed plain in brown, took down the horn from lips
And loud as elk called to the hall "Have cheer!
Sirs, drink another beer and wreath your brow
With springtime blooms, for lost knight fair is found!"
Old Arthur trusted not his feeble ears,
But came a hush and Lancelot confirmed:
"What **," he boomed, "our brother has returned!
'Tis grey Gawaine, aye, Gwalchmai! Drink his hail!"
The uproar was enourmous: "Gwalchmai! Cheers!"
Was like to wake the sleeping wilderness
That hung suspended in the myth and mist.

II

Astonishment had come like breaking wave
Upon the thirsty sands of monarch's face
So long consigned to reap the low-tide's grief.
When Arthur's ursine hand clenched round his cup
And hailed his nephew's presence with a roar
Long lost to hibernation's hoary spell,
The hearts that beat in armor under him
Did swell to find their lord with cheer at last;
The toast they drank so hearty as to give
Sweet Dionysus pause against excess.
Though only two there were who did not drink,
And one of these were Bors, a sadness fell
Once more as tangible as any wrong
That chose to haunt a hall. 'Twas Gwalchmai grey,
The conqueror now home from quest to rest
Who would not lift his eyes to meet the King's.

"Has cheer so fled from you? Your life remains!
What black has inked you in?" the King did ask,
And silence overtook the hall to hear.
How strongly then did Gwalchmai wish to leave,
To blend once more his form to root or branch
Or soaring river. Wind, the songbird's muse,
Had been his fast companion on the road,
For known to him were many things. He was,
They say, some god that stalked the minds of man
In young enchanted places of the world
Though all his magic helped him not at court:
His shyness was a leaf obscured by rain.
Yet even gods of silence know to speak
When words of pain encircle heavy hearts.
He let them fly, birds in the sky, he said
"I failed. My quest was long and arduous,
The seasons changed while I in heather lost,
The moon its phases shed as fen-frogs called,
I floated through the endless cloying mist
That flows, a ghostly sea wrapped round our isle.
The path had nearly drowned me when I found
The chapel green enough to spell my doom.
When entered I, methought "It cannot be!"
So kind and courteous a host met me
That would have been disgrace to call him green.
He feasted me, and warmed my wounded bones,
Yet I betrayed him in the end; I failed.
I stayed his guest, and friend, and swore to him
That for his hospitality I'd share
Each thing I won while underneath his roof.
And all was well -- I'd rest, he'd hunt -- until
His wife played hearts with me. I did refuse,
But by her final trick was tempted and --
So lost all knightly honor and renoun.
Her lusts I spurned three times, but on the third
She offered me that which my heart desired,
Instead of love she begged me take her boon:
A silken girdle sewn with charms, and green,
Deceit I should have seen. She said the spells
Would keep me safe from harm and spare my life...
When on my rugged journey all I'd feared
Was twisting face of death that loomed so near.
I could not help myself, it seemed so tame,
Yet when the time had come I could not share
That gift, or else expose the husband's wife.
Beneath my armor tied when left that place,
My secret wore me down upon the bog.
It seemed the mist grew thicker, wind grew swift,
I now know under spell was I, but then
It seemed some vengence coming to a head.
My tale grows long, and past the point am I.
The Green Knight and my host were one in fraud:
An airy insect's dream. His "wife," a witch,
Had formed him out of acrid moorland soil:
Homunculus to carry out her scheme.
The blow he owed me carried little force,
Though still this scratch is plain upon my nape.
And so you see my folly plain as oak:
For though I kept the life I feared to lose
My lie grows in me like a cancer bloom
That in the span of time shall **** me sure.
I failed; I'm gone; to revelry return."
The silence, vast again, gripped all the knights
And king too dry to cry, who drowned his heart.

III

"Is there some madness come to roost herein?
Thy folly is ridiculous," said Kay.
"I valued mine own life past honor's flame,
A sin of selfishness, and blame, and wrong.
What of the world, if all would act as such?"
A weeping noise he made, but choked it back
And turned to leave in shame, and might have done
Had not the stout Sir Kay gripped Gwalchmai's arm.
He raised it in the air and shouted thus:
"Percieve our stunning champion stands nigh!
Though of a frail ennobled heart, we know
Thou art absolved. This trinket given free
To aid in quest I wager was for thee.
And as for sacred broken vows, this man --
You said yourself -- was conjured from a bug.
You owe him no alleigance Gwalchmai, sit!
This serious you need to be for wine:
Come sit with brothers now! We drink to thee!"
"Dispel the failure all you can, it stays
As weighty on my brain. It was a sign
To signify the kind of soul I am,
To me it showed my grimy ills and plain
Did tell my shaping, shape, and shape-to-be."
King Arthur to this nephew spake: "My child,
Is there no antidote to questing's woes?
What has become of jousts and silver swords?"
The anguish in the old man's eyes so keen
To those who knew him. Gwalchmai did reply
"Your majesty, there's not a grief can ****
My bird-like love of questing through the trees,
For only questing can redeem my shape."
"Then let us have this quest!" cried Kay beside
Him at the table, deep in drink he swore.
"Come with me, brother-knight, to clear thy mood!
You do you wrong blaspheming at yourself."
The wine was quaffed by Gwalchmai, yet he said
"I first shall stay, I need to rest my ills."
"Your ills are that which keep you ill, good knight.
I bid you come and we shall quest as birds
Who savor springtime berries in the mist."
"I shall not go, I seek my quietude."
"In sunlight you and I must bask. Comply,
Or else I challenge you by burnished blade."
All eyes on Gwalchmai, under pressure cracked
Into a grin and downed his kykeon.
"In stubborness persisting, Kay, you've won,
A river such as I could not keep stead
Against a boulder. When shall we away?
When come the summer blossoms, fair and red?
Or else not til the saps have lost their leaves?
Departure yours to choose, my brother-knight."
Kay beat upon the table and their ears
When called triumphantly "This very day,
This very hour! To help those who need aid
On holy days shall surely fix your heart.
No time to wallow in the swamp that's gone,
We now away, to break our swords with day!"
"You mock me or you heard me not, Sir Kay,
I wish not to away, I wish to rest!"
The fairest Guenevere, like silver bells,
Chimed in "You must forgive your heart's despair,
Or emanations of its guilt will plague
Your mind. I have a lunar garden if
You wish to sit in soothing calm and think."
"My queen is holy," Gwalchmai spoke in grace,
But Kay had cut him off with "Hear her not!
She will ensorce your mind to not explore,
To sit and think and mold with lunacy;
Beneath the sun we'll tred. It's known on quests
I favor Bedwyr, 'tis true, yet you
My fairest Gwalchmai, keep your wits -- and arms --
Two things in need of we shall be.
I mean you no offense, dear Bedwyr,
But I and Gwalchmai share a severed soul
And shall succeed; two sides of selfsame coin.
So come my cousin grey, to right our wrongs
We must away, to break our swords and say
'My heart is glad I did not stay at home!'
Consume your drink! We go," he trumpet-called.
Thus Gwalchmai was convinced, and so was forced
To nod politely to his Queen and stand,
Declaring to the court "I shall away,
This gloomy mood is dried beneath the sun
Though dearly do I wish some lunar grace
To lose myself in mysteries anew.
To bear this flesh is weighty, yet I've found
The strain to be rewarding in its way.
Think nothing of my former woes, they've passed
Like summer storm or wisp of misty cloud."
The hall at large did drink his hail, and then
Did thrice more drink for quest to which they went.
And Mordred scowled and drank the foulest wine
For his monsoon and fog would last his life.

So summoned then Glewlwyd Gafaelfawr
To hearken unto birds, as was his gift.
He said to all, "I shall now call my friends
And see what worthy tales of quests they bring!"
"There may be naught on Gwyl Fair," said Bors,
"A holy day, all wove with peace. Nor Gods
Nor men would stir their strife this day of days."
"We all shall see," the gatekeeper replied.
Beside his King upon the dais came
And played a serenade upon his horn
That rang throughout the keep and lands beyond.
A time did pass with no response recieved --
Slain silent was the raptness of the court --
But then through open pain in stainéd glass
A thrush did bob and weave in melody,
On finger of the Queen he briefly perched
Before he flit away upon the air.
His song so sweet, but then - what fright! No more!
A hawk had entered, just the same, and swooped,
And now the thrush was silent in his claws.
The cabinet of augers all took note
And sketched their calculations into books,
Though none, in this, more wise than Gafaelfawr
To whom the hawk said "Hail, you man of rank
Who speaks the tongue of wing-in-air. Now hark!
'Twas not in hunger slew this thrush, but fear
That what I have to tell might go unheard.
My family, we roost near Cornwall's sea
And late, the noises off the coast grew strange
As if some evil kraken raged at love.
My chicks; my wife and I; we're simple hawks.
We eat and some of us are eaten, yet
Beware the thing that slouched from out the waves.
His shape is something like a boar, but huge,
He dwarfs his kin, and hill, and oak,
This hall is large, yet he'd be stuck inside.
He does not eat what he has killed, instead
He smears the bloodied flesh on stones and trees,
What man could face a fear that bears this face?
If you could hear the rutting squeals he makes!
I swear this sooth by wind and waving plumes:
You men who craft with metal, hark!
Destroy the beast!" And then he flew away
Still calling after him "Destroy the beast!"

The court at large had heard the warbling hawk
But did not know the tongue, so only watched
Glewlwyd's unease upon his face
Until with stiff and rasping voice relayed
The content of the predatory news.
Unease began to show among the knights,
For many there recalled a beast so shaped
And all the blood and guile he took to drown
The first time. Arthur, grim, forbade Sir Kay
And Gwalchmai face these perils by themselves,
But recommended regiment of steel
To bolster ranks against the fearsome boar.
"I know this foe from days of old," he said,
His years of rule etched rough across his face,
"And so do most of you, though many gone
And this monstrosity not even slain."
But Gwalchmai said "'Twas hard indeed to win
Those relics that he bore. Remember I
That Trwyth was the name he chose, and we
Shall best him fair. Though not for trinkets now,
But with the zeal of mother guarding young:
This foe, Twrch Trwyth shall not raze the land
Nor wage a war against some peaceful ilk
While rounded table can beco
CK Baker Jan 2017
In time you’ll recover and absolve
push those scorned impressions aside
hammer down the jaded edges
and sing
that delightful commoners song
the one you sang so well
in what seems a lifetime ago

You really had it you know
that fiery disposition and nimble cunning
those butter chords and derelict style
we could see it -- we could all see it
it was all it took to turn the evening tide
(and rile that buck fever)
heads bashing
tongues lambasting
middle fingers high
and raising Cain on those may fly statesmen

There were no rules
when it came to your survival
no textbook rally or common bond
no structured songbird or bravado stage
you either made it, or laid it
“life by the *****” Mr. Poppy would say
a kaleidoscope of dreams
with rich colored imagery
hardened artisan seams
in a carefully woven motif

But something got lost in the needle point
something sinister and distorted took hold
the quirks and street genius
that were your lifeline
gave way to grunts
and squeals
and chilling night crawlers
the colors faded quickly
to a cold confining grey

There was no grace in the new world
no retribution or switch back
no salvation or accorded finale
only edged platforms of blackened steel
that kept you cased
in a silent vanquished cell
shivering cold with fear
night without day
all in the shadow of death

But time heals all
and the polish sneakers
and open sores are long gone
(though the roman nose and shallow cleft remain)
indeed the falconer beat the widow maker
this go around
and I’m hopeful it won’t happen again
and if it does you’ll see me
standing hand on heart
with that old verse in hand:

he ain’t tainted
or silly,
and most certainly
not forgotten…
he ain’t loony
or fixed,
or a product of his self-doing…
he’s just a straight shootin’ guy,
who had the most of it
figured out
Picasso
you give us things
which
bulge:grunting lungs pumped full of sharp thick mind

you make us shrill
presents always
shut in the sumptuous screech of
simplicity

(out of the
black unbunged
Something gushes vaguely a squeak of planes
or

between squeals of
Nothing grabbed with circular shrieking tightness
solid screams whispers.)
Lumberman of the Distinct

your brain’s
axe only chops hugest inherent
Trees of Ego,from
whose living and biggest

bodies lopped
of every
prettiness

you hew form truly
onlylovepoetry Aug 2018
[tongue taking taken prayer]

come worship in my temple.
your tongue gowned by silence,
thy teasing vibrations disperse my slack,
exchanging it for a rigidity that is even softer, looser,
an improvement possibility impossibly incomprehensible

the noises of freedom from anonymity is thy silenced tongue
unleashed, teasing, speaking tongues unrelenting and unremitting, tongues unforgotten for they never were
learned, and incapable of being self-taught

my pleasure sprouts mushrooms in thy loamy foam,
thy rainfall nourishment, seed plant growing life morning borne,
thy tricked up sonnets played within my hearts harp,
tunes never known but coming from the land of plenty,
my new promised land

teach me where the apostrophe goes, the comma and
why the question mark is curved and dotted like my body,
why we need punctuation to separate the first from the next

trees weep as if every dry rain petal is instantly imbibed,
wanting more for my swollen by thy ministrations,
I cry out
my ice storm, my thunder, embalm me within the
electric spreading in my veins shocking steady constant

thy name thy name I beg to give thee a name
to understand what has befallen me


you can call me by my favorite of
all my seventy two,^
your first baby squeals and
even now in human manufactured agreed upon symbols
(words),
every utterance a prayer heard and answered

my name is a heated and unbroken
hallelujah,
I am thy god, and you, darling you,
my beloved
^https://www.chabad.org/kabbalah/article_cdo/aid/1388270/jewish/72-Names-of-G-d.htm
Kimberley Leiser Mar 2019
For Aimee's birthday the plan was to get her first tattoo. She was a blond hair lady with a wide bust, huge hips and big *****. Her ***** were one of her best assets she loved to see her body as her canvas her  piece of art; she got her  mind set on getting a rose and heart near her ***** and chest.

She went online booked an appointment in the nearest tattoo parlour to book her consultation to meet the tattoo artist who will be working on this project with her and this was where she met MR Pain.

MR Pain was an  average built man with some muscle tone on his legs and arms. He had tattoo's covering every flex of his body. He wasn't much of the talker in the first meeting more of a quiet and down to earth man. He asked

“ Okay what part of your body would you want the tattoo?”  

“She shyly said “my *****”

His eyes gleamed started to fixate on them as he chuckle

“ well that can be arranged”
I hope you have you brought a design or a piece of artwork with you so I can see a visual design of what you what to have done on your skin”

she took out the picture, he attentively looked at it for half hour and said

“heart and a rose…
this…
could take a few sessions…  
depends on how much detail you want in your design”

He randomly blurted out

“Mmm… I love your *****”.

“More to the point – serious question would you to be able to take on pain? think about it first.

I could show you want you be facing up to with an early demonstration just sign the contract it'll be my treat for your 18th birthday do you fancy hooking up for a drink at my place”

Aimee couldn't see much in the contract the print was tiny; she felt his warm gaze and grin darting around her as she tried to make out what it was saying. His eyes hypnotic and calculating

“Do we have a deal!”

Aimee smiled and nodded she signed her name and said
“can see no wrong in that” its only a drink”

Mr Pain with rasping voice replied

“Excellent!”

Aimee shyly said “should I bring anything with me?”

Mr Pain shrugged

“Nah, I got plenty of drink”
everything we need is here at my place,
don't worry bring yourself
will order a taxi my treat”.

As soon as Aimee got home she had  a bath in honey and milk bath oil. Her ***** were like two huge sunken peaches glazed out in the sun. She got out of her bath robe and placed a long black dress and heels with pink lipstick.  All ready for the evening, she entered the taxi the driver was glaring at her  through the mirror

“You look nice!
“where you going to?”
Aimee gave him the slit of paper with Mr Pain's home address:

the cab driver looked horrified
he silently started to mutter to himself

“that place”,
“another victim;
she’s the third woman this week  
I would be careful with MR Pain,
“I have heard many stories”

Aimee shrugged

“Are you sure?
Can't be the same man
I know ”

Taxi driver shook his head.

“For **** sake
another dippy girl,
what's the world coming to
this is why I hate my job”

He opened up the cab door. Aimee stepped out the taxi

“Thanks for the tip.
Have a good evening.
be careful hunny”  

III MR Pain's Headquarters

Mr pain was waiting outside in the garden.  Dressed head to toe black. His grin slightly twisted and eyes gleaming in the sunlight.  

“Good of you to make it.
Aimee looking beautiful,
make yourself  comfortable.
I will be back with you shortly
I'm with another client.

Aimee waited in the living room for mr pain she could hear random screams and sound of crashing whips from downstairs wailing sounds of another lady
crying out
“ yes master will do what you want”

Aimee was  shaken up by the noise but turned on by the intensity of it all. She laid on the sofa and circled around her ******* with her fingers while doing this she was unaware mr pain was watching her through the CCTV camera. His voice loud and commanding

“I take it your ready for the demonstration”

Aimee stopped what was she was doing
feeling startled by his voice and stammering

“Yes- I - am”  

“Excellent – it may surprise you,
put the blindfold on it is on the table
there will be someone that will
take you through to the main room”

Aimee was feeling anxious and shaken now there were so many things going through her mind

what was the demonstration about ?
Why was there whips and screams?
why was the taxi driver talking
about girls being victims  

“I feel tired mr pain
wish to go home”

“Nonsense you got here,
your not going anywhere
you'll love it”

The figure placed the blindfold over her eyes; led her through a dark tunnel. The room was a cold and damp there were two other girls  with blindfolds being chained and whipped to the wall. Their skin looked as if they had at least 2 lashings a day from the whip there were bite marks and bruises around their body pleasure apparently was substituted equally with the pain. Mr pain got his whip ready; Aimee could not believe what she was seeing around her.  

“Your a fraud, your no tattoo artist
your a *******
a dangerous man
I knew I should have listened
to the taxi driver”

Mr pain voice raspy but more commanding now

“Yes you should have your going no where until my little demonstration is complete
then you can go free ”

He took out the gag from his pocket and placed it on her mouth so she could not speak, grabbed out the  whip and gave her a lashing; followed by gnawing on her ******* and chest;

“You feel what pain is"

He laid her on the table restrained her arms and legs she can not move and fight his advances. He licked her *******; making his way to her ***** licking up and down then in circular movements while Aimee was moaning she started to ***; he then took out what looked to be a huge ***** from the cupboard; pushing it into her ***** her eyes rolled to the side she started to squirm, she didn't know whether to squeal or scream  as pleasure and pain were intensified and felt equal in measure. His **** grew in size with now a huge  hunger in his eyes he pushed his **** further into her making her legs weak and squeal he could feel her heat up and ****** all over the table: he then rolled her to the side and pushed his **** into her *** pushing it all the way in he could now hear her muffled squeals as he fill her up with his ***.

“Demonstration is over; your free to go: taxi will pick you up, its up to you if you return for more but if you say anything about this; I will find you and you'll be back here and will belong to me”  

Aimee quickly put her dress on her. Looking shaken and tired, bruises and marks on her sweat and *** on her too she went straight for the cab. The driver took pity on her and didn't charge her  for the ride.  It was all a distant black memory she didn't say a thing. it was all a blur, a dark secret she was worried about the other girls; did they escape in the end from the crutches of mr pain or did they chose to stay there with him: she was just happy to escape and be free.
C S Dec 2013
I see the soft, charming ringlets bounce up, down, and around
As my little cousin opens her gift.
I hear the tinkling sound of her excited voice,
but feel sick to my stomach when she tells Mommy and Daddy what it is.
She squeals "Barbie!"
And I want to scoop her up and run,
Far, far, away from the little plastic doll,
On, on, onward toward a safe view of beauty.

Her ignorance is bliss, but I know better,
And I pray with a heavy heart
For that beautiful, creative mind underneath the ringlets.
I desperately ask some higher power
How we can protect her from that little doll.
What were you thinking,
I want to yell at the grown ups.
Didn't you learn from us?

Don't you know that Barbie cut open our hearts and sewed in her plastic ideal
Before they had beaten long enough for us to walk?
That she shoved sharp words in our head
Before we could string together full sentences?
That we never stood a chance,
From the moment we tore open the shiny paper
Dotted with cartoon Christmas trees?
That the "must-have" gift for a little girl
Would enslave our bodies and minds to a "must-have" torture for the rest of our lives,
And teach our brothers and classmates to look for the woman
With not enough calories in her body to sustain a simple memory,
With not enough room in her waist to hold a kidney?

Maybe it's not all your fault, you grown-ups.
Maybe you've been chained to the unattainable images for so long
That you've forgotten the shackles were even there.
But does that not scare you?
Maybe you'll remember the strain
When you see a beautiful young woman's scars,
When you hear a breaking voice speak about her friend's final breaths
At her own fragile hands filled with little pills.

But most of all, I pray to God that you won't have to remember too late,
I hope you don't have to remember when you're chained to her hospital bed
Because the insufficiency you gifted her in a shiny plastic box
Started a cycle of sinister self-hate and destructive delusion
That she cannot outrun.
I won't let you forget, because you cannot remember that way.
I won't let you forget, because she can't end up that way, like we did.
You think you gave her a pretty little toy in a shiny little package.
Didn't you learn from us?
You gave her Pandora's box.

You look at me funny,
When I replace the impossibly-sized plastic "woman" in her hands
With a toddler-sized plastic piano.
You may not remember, but I always will,
And I will dedicate my life to making sure
These beautiful ringlets will never have to.
for Sophia
Tryst Feb 2016
Winter, From Summer

Winter's kiss reveals
barren nests in arbored rests
summer's love conceals

Winter's veil behests
larder meals in burrowed fields
summer's sleep divests


Summer, From Winter

Summer's hand repeals
frigid tests of nature's guests
winter's grasp unseals

Summer's warmth invests
life's ordeals on newborn squeals
winter's chill arrests
Dennis Willis Sep 2018
Are these egotistical?
My pride
Flopping about?

Or is
My fear

Flipping
Out

Yelping
Lines

Naught else
Squeals

Like a poet
Stuck


Copyright@2018 Dennis Willis
L B May 2018
Yellow is
a high-minded mood
the extravagance of sunlight
to be touched--
before long
by colors of play
___

It is of hair
tendering golden sun
brown pennies for lemonade
__

Yellow is
bumping into the screaming end
of a lit
cigarette
___

Yellow is
dripping from the eaves
onto an empty soup can
___

It is
spindling sparrow song
from highest perch on roof
his pitch can aspire
___

Yellow is
in rattled doorknob
an infant's sweet
voice wanting – in
Reciting menu
above mattress
edges into sleep
two dark eyes
plead
for yellow
waking
Mother into morning--
“juice.... eggs”

Yellow  _
__
is
opening a car door
at the shore's
unmistakable!
Smells of life  
warmth and breeze
touching strings
those kites  
of sense
harmonics
above the tone
octaves of excitement
to see to hear to touch to taste
to know
again –

the ocean of my mother
as she calms the waves,
ignores the pouts of us
with stuff to lug out to the beach
the towels, pails and shovels
Picnic basket, cooler
lotion, comic books, her magazines

Mom looks out
She is a good swimmer
Her glasses, dark
Preside  
reflecting beauty –

“Take your sister's hand.”

Yellow are the squeals
Feet thrashing sand
of cannot wait
For my daughter, Phoebe and my mother.
zebra Mar 2018
dangerous woman
she looked good in black electrical tape
with a knife in her hand
ready to yield to a switch blade bite
a red comet
scarring the pale blue sky

trussed like a raveled snake
tight around her belly throat ankles and thighs
her lips sealed shapeless
with a black
X
shut down hard
and needing it bad

a black light
Lilith

the *** slave look
aches to be used
ravished
and amused
head back
*** high, enflamed
maid for love
a moist yoni clam
pushing up from the earth
in pink ******* smeared puce
red rubber sheet
for the mess she wants to be
dressed in salad oil
extra ******
hot pressed
a squandered torso flexed
buttered *****
like a gaping toothless mouth
her pain pleasures dinner
with searing crystal eyes
her mouth fire black
and rabid pink tongue
pink flickering hot
i brawl under her feet
like a mob of bloodthirsty *****
chattering slaves
masters of the taboo
face down in her heat
her musk is in my lungs
i'm
lost in her every twitch and writhe
a ******* bucking *****

can you touch her mystery?

there are many women like her
more then we can imagine
behind stone faces
of shame
in every culture
and innocence

what they do is secret
so dark like clanking skulls between open thighs
dancing goth belly rolls
in a crypt of jerking slick *****
and greased swollen *****

have you met her?

she holds her cards close
but dies in desire
that you may penetrate her
insertions
insertions
insertions
the glory of gory sumptuousness
every hole
a wound of butter and fire

can you feel her at a glance
the whites of her eyes like a flashing ghost
handcuffs razors and a black nine tails
the aesthetic of voluptuous cruelties
barbarous ***** upleaping
a tarnished moon
of broken skin weeping red
and begging mouth for tender kisses too
the hard geometry of red teeth
and milk saliva out of curved lips
through flesh
that brings
tears like rain to swooning visions
that yield relief
like heavy cloud monsoons
plummeting

a dark storm of craven urges
poised dregs and stretched legs
from the black corridors of her soul
a plate of ****** *******
and bruised thighs

service with a smile

squeals and welts
whelping gorgeous
ascending from hell
like temple incense
melting the gates of heaven
with
screaming lady sauce laughing
giving God
the **** of the beast

she wouldn't have it any other way
can you touch her mystery?
For Liz Vicious Dark and those like her
zebra Jan 2019
they danced in a dream
of bending shadows
face down
begging ***
all hungry back door paradise

ankles strapped on a foot worn floor
paint faced in whorey nights
with pin needle eyes
beded
blood crimson neon's
cut curtains
like kissing claws
so their bodies wouldn't forget
dark pleasures lightening
and biting tantra tantrums
they swallowed mad ***** blossoms of hell candy
breathing the others inhalations
foot sniffing ballet arch
in fastened Japanese melting red slippers

gazing upwards rectums prayer
solar eyed insurrection

finger by finger
clutching wrists like the grave
for bloods salty cove
an injured landscape
a dire pink desert
like bogs hold bones
a rave for a slave
covered in yellow ocher rubber sheets
soft on the feet
x rated amputee costume
made of blood and spit

look mommy no arms
a bellied tattoo
of hennaed homunculi  
burning Candomblé Jejé, skull

black eyed beauty hissing
while accordion throated
rip tie tighten
another notch please
a dizzy *******
down silver fluted gullet
in a steamed up bath house
party of blotted sockets

*** kitten
kissed dead girls thighs
tremulous and stretched
a shimmering serum
like wide tubular channels
as pontoon edges slit
through midnight howls for velvet skinned girl
who thrills
her head a veiled Jehovah
saliva wagging tongue ****
a stuttering ****** dance
a hula hot momma in rubble
slapping hot lipped kisses
over starved darkness
along telegraphs avenue
melting eyes like butter
a globed pudding spill
******* drool drops of gold
and black river gladiators
slaughter lies
with every long stroke
between cascading squeals

paraphilias mausoleum
like tumbling eels
a scapegoat pulp fiction
chiseled in cement
******* rips
drip drip drip

babbling **** bubbles
**** spasms ooze like a hot glue gun
fire spats soil cherry clover
Donall Dempsey Jan 2019
THE RETURN OF DUM MAARO DUM
( for Driftwood )

She dances
upon her tippy toes

upon my toes
whirling 'bout the room

to DUM MAARO DUM
she my little Bollywood queen.

"Again...again....again!" she squeals
mad with childish delight.

Asha sings to us
and we...dance!

Sunlight throws itself
at our feet.

We dance upon it.

Summer gasps
holds its breath.

There is nothing but
the music....and us!

She is all
of three

screaming: "Bollywood me...Bollywood me!"

"This...won't....get the dinner done!"
screams Mum above the fun.

The record screeches
and scratches ...ouch...off!

I cut cucumbers
into tiny tiny pieces.

Tilly washes spinach and lettuce.

But when Mum
goes to answer the phone

it's her best chum
she will be hours

we sneak Asha
back into the kitchen.

The return of. . .

"Dum maaro dum
Mit jaaye gham
Bolo subaha shaam
Hare Krishna hare Krishna hare Krishna Hare Ram!"
Such a superb composition by RD Burman. Asha Boshle voice that perfect creature that it is and matched to Zeenat Aman. Back then we had no idea what it was about only that big father and little daughter couldn't help but compulsively dance anytime the song came on...it was such a joy and we never tired of it.

Piya Tu Ab To Aaja (Monica, Oh My Darling!) was another favourite with all that sung panting and the call of Monica, Oh my Darling! We couldn't get enough of it.
Robert C Howard Jul 2016
They gathered by Williamson Road at sun-up
      from neighboring spreads across the Tioga valley.
They came with carts laden with lumber stacks -
      with saws, adzes, hammers and sundry tools.

They gathered with the homesteaders bond.
      to co-build their neighbor's' dreams.

Sweet music of community echoed off the hills.
     Chisels clanged into rock, shaping the foundation,
saws sang into boards to frame a timbered skeleton.
     The staccato syncopation of hammers fastened walls
that soon would shelter plowshares, stock and grain.
      A smithy leaned over his fire and forge -
chiming iron into sturdy latches and hinges.

     Children scurried about mixing squeals and laughter
with exuberant fetching and lifting whenever called.
    
In two short passings of the sun the deed was done
      and a handsome new barn, decked out in a wash of red
was silhouetted tall and proud against the fading light.

Homesteaders gathered at a celebration table
      to share a hearty meal adorned by the music
of fiddles, grateful smiles and easy laughter.
  
Then one by one they steered their wagons home
      gazing back at what their labors had wrought -
knowing to the depth of their communal souls
      that we are more together than we are apart

Listen up, America!  This is the music of community.
      We are more together than we are apart.

*© 2016 by Robert Charles Howard
Olivia Kent Sep 2013
Friday marches in.
Trumpets playing serenades.
Nearly last weeks end.
Banners flying high.
It's five o clock or there abouts.
Hark,
Delighted squeals and shouts.
Buildings locked, off we trot.
To the station, week forgot.

Saturday descends with her restful smile.
Chill at home just for a while.
Wake up in the early hours.
In dream state panic.
Forgot the day.
Thought work was calling me today.
Realise it's Saturday.
Turn over.
Drift back off to sleep.

Sunday morn.
A sleepless night.
Woke up at seven.
Coffee on.
Then it dawned on me.
The weekend's nearly gone.

Make the most of Sabbath day.
Monday's coming anyway.
When back to work.
Off I'll trot.
Satisfied sort of with my lot.
I truly hope Sunday doesn't fly to fast.
Sunday waiting for Monday is never a blast!
By ladylivvi1

© 2013 ladylivvi1 (All rights reserved)
Tryst Aug 2018
They sit atop a low wall kicking heels,
Pyjamas draped in bathrobes pulled-to tight
To ward Antarctic winds — Nearby the squeals
Of blues and twos betray the mortal plight
Of some ill-fated soul — A fog bank peels
Up from their glowing embers, for in spite
Of coughing blood and dragging drips on wheels,
Collective will has long since lost the fight —

And did they think as children at the flicks,
As war was sold with glory, did they think
As Bogart raised a lucifer to his lips
How Tinseltown might guide them to this brink,
And just like Fleming’s catcher tempt them in
With candy coloured cartons and a grin?
Amanda Jean Jan 2011
Playful squeals escape from curled up lips.
She tugs
He pulls
Their clothing never lasts
Shhh...
Bodies speak
Tonight
Zach Gomes Feb 2010
Orange peel Thursdays and the Velcro shoes
Of children hordes
Who spider up Alice on toadstools in Central Park
Dusted psilocybin shoots my eyes through
With the clarity of ice and sliced mushroom
Steeping in stomach acid before finding blood
The kids are tripping like madmen or halloween candy
Like its time to release and give up to the nonsense
And let your young self congeal to a saccharine sludge

I don’t stroll in the park to keep my mind sharp
I’m here because it’s a riot
My head can throb to the jittery birds
And the blasts of carsong
It’s the right kind of rhythm to walk to

* *

Ketamine days and the lolling slums
To make sure the insane stay insane
And the hobos are washed with spit from the clouds
And the subway exhaust always hangs in our hair
And the old Coney Island burns again and twice more

We don’t pretend to understand what we see
In subway grates thirty feet wide
Like the earth punching out of work for a bit
Opening to you her *** belly
So you can check out the strips of metal inside
Before she slurps you down and with an esophageal squeeze
Shoots you through the turnstiles

The train squeals and grinds down our eyes
With thoughts as slow as ketamine
Makes room for schizophrenia in a conversation
We’re listening to ‘til sundown

* *

Years full of Brooklyn and the assorted pills
Makes offal fit for punks in name brand shoes
Squared off with police in the park
Being beaten for the fun of being beaten
Peacoat locals pass the days in supermarkets
And you grow up to the loony mumble
Of the woman who knows the boat
Moored at the end of the street
Mansion of the stray cat colony
You help her with her daily chore to feed them
Tabbies popping the pills of the homeless
And puking in tandem all over their house
Living off generous dying folk
At the stroke of five o’ clock
The crew begins to trickle in the door for
Josie’s Slumber Party.
Hand cut finger sandwiches adorn
The chestnut coffee table already brimming
With nail polishes and eyeshadows
In hues of peacock blue and bubblegum pink
And temptress scarlet red. The girls
Romp around the room like ballerinas
Dressed in everything from soccer shorts to
Mama’s high heels. Two sizes too big.
Practically ladies as they gloss their lips but
Girlish giggles and squeals reveal their
Youth: Age ten; age eleven; age twelve.
And in the middle of this fine affair
Polished nails are used to pick at teeth;
Makeup adheres to bangs, braids and ponytails.
Bare hands brush through the knotted hair of
Any and All. Beauty  – of course – is collective, yet
Dignified.


As if to call the girls over, lure them in so painfully slow,
The sprinklers awaken on the front lawn and spill forth
Waterfalls of childhood memories. Running barefoot
during the searing summer dusk. The girls are under
The Spell. Feather boa and lipstick at hand, they make
A mad dash for the lawn. The squeals are louder, more
Vibrant than before. With grass stains on their gowns
and water re-tangling their freshly styled hair, these
Ladies could not be any more proper.
JR Weiss Jul 2010
rats
run through the walls
scratching and chewing
and fighting over my crumbs.

i know your there...
i see your tails and hear your nails
skittering across the broken tiles

a inch or two of plaster
between you and me.
you chewing through
right by my tossing and turning head.

the sticky traps catch dust
the poison would **** the dog
so we are left to the
old rusty snaps
the blood stained
guillotine
sticky with caked blood and hair
of your fallen brothers
and sisters
and god knows
how many other relations.

i hate the snap
i hate the painful squeals in the night
i hate the ones that catch
but dont die.

i hate all that
but not as much
as
i
hate
rats.
PrttyBrd Jan 2014
Wound up a rubber bands
Balsa airplanes high on a breeze
Dandelion wishes
Wildflower **** bouquets
Squeals carried on the wind
A lazy swing in the warmth
Never ending declarations of love
With the sweetest of all smiles
copyright©PrttyBrd 13/01/2014
ryn Aug 2014
Hold my heart for ransom
In exchange for your sweet whispers
Kisses and sighs in tandem
Along with moonlit midnight capers

Take my heart as hostage
A willing one it would be
Deep within its bony cage
Working up into a frenzy

Hold my heart at knifepoint
Incised upon I've already bled
Over cracked notions and disjoints
Chasing after hope that hasn't fled

Brand my heart with your seal
Press into and make your mark
Folded within is all I feel
Behind your insignia so stark

Choose my heart for blackmail
Ask of me whatever
Hope to accomplish without fail
Hopes of us do not sever

Play my heart like a toy
Adore me and hold me tight
Handle me with child-like joy
Share with me, squeals of delight

Mould my heart of clay
Wrap your fingers, twirl me round
Make me worthy of another day
To celebrate your sight and sound

Lace my heart and tug at it
Pull me closer so I could be near
Bind me tight so I would fit
Coveted spot beside you, dear

Enslave my heart on all fours
Lead me through your universe
Close behind us, lock all doors
Subject me to love's greatest murmurs

Place my heart next to yours
Let me be enamoured to the brink
In due time, and on laboured course
Perhaps we would finally beat in sync
Anais Vionet Dec 2022
Gigi Hadid wore pearls, a t-shirt and jeans to Paris fashion week. So, our (Lisa, Leeza and my) theme for this New Year’s Eve is “Jeans and pearls.” To be accurate, Gigi’s distressed, slouchy bottom, boyfriend jeans were embroidered with pearls - the pearls weren’t worn as a necklace - but Lisa and I think anything involving embroidery is a trailer-park trend - so we’ll be wearing strings of pearls. If Karen (Lisa and Leeza’s mom) lets us, that is.

Karen has four strings of Tiffany pearls - called Essential, Ziegfeld, Akoya and South Sea Noble. They’re all 16-inch, single strand strings (which we all prefer) and they range in value from $600 (the Akoya) to the expensive (South Sea Noble) string - that she won’t lend anyone. The good news is, if anyone is thinking of buying me a string of pearls, I can’t tell the difference between the cheap string and the expensive string.

Leeza (Lisa’s 13-year-old sister) wants to be included in EVERYTHING this year, which is funny because last year she either attacked us or completely ignored us. This year, Leeza has a thirteen-year-old’s razor-sharp instincts and relentless curiosity.

As we’re Planning New Year’s Eve, Ethan Bortnick’s song, “Engraving” was playing. It’s a crazy song with middle-school, EMO, angsty vibes. One of the lines of the song is “strip for me”. As the song ends, Leeza suddenly asks us, “Have you two ever been to a *******?”
“No”, I answered.
Lisa said, “Once.”
“What?!” I asked.
“Really?” Leeza gasped, “Spill!” She demanded.
“This has random context,” Lisa begins, “I’ve been inside a ******* once in my life.”
Leeza and I tittered nervously. “I’m scared,” Leeza said, as an aside, grinning and rubbing her hands on her knees, clearly more delighted than scared.
“I was attending a middle school, Model UN conference, at Brown University,” Lisa continued, “and they took all the kids to a ******* for their model UN social.”
I gasped and blurted “There’s NO way this happened.”
“Yes,” Lisa insisted, “you can ask my mom.” she said, with a serious look, “And, and obviously, it was rented out for the night, but they didn’t, like, think to take away any of the normal features. There weren’t any strippers, but they didn’t take the poles down and they didn’t turn off the multiple TV screens on all the walls that were playing their normal rotating video content.”
“Wow,” I said, with my hand over my mouth. Meanwhile, Leeza was chortling like a mad woman and rocking back and forth.
“Everyone walked in,” Lisa went on, “and it was just middle schoolers, thirteen years old. There were pictures of the dancers on the poles, and our history teacher came in, and freaked OUT, saying, “Oh, no, No, NO!” Because it was a school event, we had taken school buses there, it was a boondoggle. They turned us all around and hustled us out of there.”
Leeza had stood up and was twirling with glee. Middle schoolers live for chaos.
“Taken out of context,” I said, “It was crazy you went to a ******* in middle school.”
“It was a jump scare, for sure,” Lisa confirmed, “we went from one vibe, a school field trip, to a *******.”

Anyway, for New Year’s, a lot is still up in the air - undecided - but we’re determined that we want to have a blast. We’re young and we want to support bad ***** energy (BBE).
“Oh, I have a BBE song!” Lisa squeals, “Mafiosa!” (by Nathy Peluso) She names it as it begins playing.

The songs in Spanish and when it ended, I’d looked up the lyrics because my 2 years of Spanish weren’t good enough. I tell Leeza the lyrics go: “Let the bad men fear me, when I arrive in my car - they speed off.”
“Yes!” Lisa Laughs, “We don’t drive - but, YES!”
“Emotionally,” I say, laughing too. “But verse two asks the great question, “What the frack is wrong with men when it comes to women?”
“It’s,” Lisa started, looking up and searching for words, “SUCH a timeless question.”
“Why’d you pick that song?” Leeza asked.
Lisa chuckled,” Because you don’t get more BBE than a female Mafiosa killer.”

Update: Karen agreed that as long as Charles is with us (and really, when isn’t he with us?), we can borrow the three inexpensive pearl strings (worth about 5k). So, I’ll be wearing the Akoya pearls, an Anna Molinari white, basic, cotton-shirt, washed denim cropped jeans with white bridal flats and Lisa and Leeza will wear their own, white tops, jeans, flats and pearls and we’ll be on-theme.

Happy New Year’s Everyone!
BLT Marriam Webster word of the day challenge: Boondoggle: a wasteful activity involving public money or labor.
vircapio gale Oct 2013
he tickled me with love
i imagine
behind his merciless
IBM grin
sadistic chuckle

my grandfather loved me
built me a swing
a wooden airplane
gave me a bicycle
a cape to wear
he taught me pong and pitfall

wielding a brush-broom
handlebar-moustache
a favorite game of his was giving raspberries
testing limits
his iron fingers
wringing squeals of laughter sour
under breathless ribs
tear-eyed begging fits

his old white t-shirt
too small to hide his plump
hairy belly,
i'd tickled him there once
poked him where my cousins pointed
giggling

when the kick came
i felt it in the heart
more than the back of my knee
bent from the sudden
sneering force

when i asked him
years later
for a book from his dying bookshelf
he joked with a growl
the last emphysemic sentence i remember
he said to me
you gonna bring it back when you're done?

i remember
the rules of the tickle game
and love him back
for his sarcasm
firecrack generosity




.
"Jonathan Livingston Seagull' is a novel by Richard Bach
L B Sep 2016
Our houses, spitting-distance close
Feet propped on railing
cold beer with fresh lime
watching robins flung in flocks
to the failing of August

Too close-- Really?
John, on his cell
is fu_king the world again
from his garage
Why not-- squeeze in pool or a dog
Lawn mowers and **** whips tune in to whine
late Friday afternoon 'bout dinner time

Clinking silver, scrapes of plates
Running water for suds
through open windows to the thunk of pots
Doors bang behind on pathway to garbage
or joint in the woods
wafting over all
wordless squeals of delight from autistic child

Meanwhile, the odor of nail polish removes
all doubts of--
--Gawd!
lodging low and toxic
as the sun dissolves orange
in its acetone setting

Kids playing Man Hunt as darkness falls
Leaping hedges, slamming gates
No yards can contain these kinetics
restless legs, furtive minds

Muttering wind chimes
from four different porches
above the drone of highway
a half mile yawns

Pieces of talk
flipping the crickets
over--
Why or who or at what time?

Other-worldly glow from The Mall
dims stars
outlines mountains
brightens the horizon behind

Mosquitoes coming in for a landing
In "The Plot" section of Scranton, all the houses are really close.  Built by  poorer miners, mostly between 1920 and 1950,  it has an old residential feel to it-- nothing like today's sprawling suburbs.  Most of these homes had only four or five rooms, originally with "outdoor plumbing," if you know what I mean.

Oddly this is a very stable neighborhood, isolated somewhat by the Lackawanna River on three sides.  Gossip, of course runs rampant, but people look out for one another.
Olivia Kent Mar 2016
Champagne and cup cakes.
A Cornish beach with rippling swell.
Love be cultured as a precious pearl.
Where love be found with special girl.

Projects full of rich intention.
Health.
Wealth.
Happiness.

The air is filled with childhood squeals.
Summer flicks on the crown of her hair.

Children ride horses with the sea on their heels.

History steeped at the top of the hill.
Empty mines.
Cleared of tin.
In the county, where Poldark first made his mark.
Country delight?
Nah.
A county in England.
Better not tell the Cornish man.
Kernow man's birthright.
The sovereign state of Cornwall.
Not all of the Cornish men have seven wives.
Nor do they live in the land of St Ives.
One wife is enough for most.

Your spirit in Southampton, now merely a ghost.
(c) Livvi
Good luck.
Left Foot Poet Jan 2019
"Thou canst not then be false to any man.
Farewell: my blessing season this in thee!"
                                                          ­Polonius (Hamlet)
~~~
read these words in a past, as a punk teenager,
back in the mid-you-wouldn't-believe-it-flintztone-age
returned to them, nowadays
when I am seven by ten decades squared, older not wiser

three people told me
what a lucky man I am today,


Even before the noon hour dare arrive,
a shocking delivered by an electrocardio telegram,
thus instigating a product recall of Shakespeare’s blessing season,
drawn from a stale teenage memory storage fast depleting

"This above all: to thine ownself be true"
which denies the false escape
of being false to any human

ingesting this thrice lucky man observation
into the internal inward-facing telescoping observatory,
where I map the true course of the
star-stories
well held in the constellations of my life,
never forgetting that this holistic ecosystem that is my
mind~body must evaluate the truth of this claim

its veracity will differ when assayed by
the big toe of my left foot from whence the poetry comes,
as well as those other interfering guys,
body, mind, heart and soul,
then re-evaluated by the internecine warring of those whiny parts,
the tongue, the hands, the eyes saying me, me,
that perforce means a dynamic constant changing
of every thing

in other words,
thine own truths are fluidity ever changing,
the mapping of your blessings,
best done in pencil with room
for expansion, reversal, and misdirection

have I lost you dear reader?

My Left Foot squeals,
fools, you just hammered
three more nails in the coffin of his depression,
where woes and toes know the inevitable repetition of the troubles he has already deemed, and now foreseen are yet,
ladies in waiting to take him to the tower

My Mind says
in obvious aspects people, you are 100% correct,
but the Inquistors are not fooled, patient in their queries;
My Body simply asks, err, does that make me look fat?
My Souls defers with a yada yada, not my problem, deal with it...

The facts tranverse and reverse,
Ah, the truths of my blessings
As much confusing and last defusing

The little drummer boy marches me in reverse retreat,
while shouting out in time a marching refrain:

Luck can be stored, used then, never more,
Its algorithm, a lifetime calculation,
Woe is me, thrice, deemed lucky,
But the map of my blessing reveals my positioning,
At the map-edge I stand, the last border be just ahead,
Seasons, maps, blessings must stop to journey,
What others see upon me outward, outdated,
All maps, all blessings are black-line bounded,
So too, am I, bounded, confused and confounded

The algorithm computes my nine lives are now radium depleted,
The shell, the shell no longer can be fired,
Even the half life has evaporated, used,
Though it looks fit, the luck has eroded, the feet now touching
My map edged in black, its legend, of use, never more


November 2017
Yet here, Laertes! aboard, aboard, for shame!
The wind sits in the shoulder of your sail,
And you are stay’d for.
There; my blessing with thee!

And these few precepts in thy memory
See thou character. Give thy thoughts no tongue,
Nor any unproportioned thought his act.
Be thou familiar, but by no means ******.
Those friends thou hast, and their adoption tried,
Grapple them to thy soul with hoops of steel;
But do not dull thy palm with entertainment
Of each new-hatch’d, unfledged comrade.
Beware Of entrance to a quarrel, but being in,
Bear’t that the opposed may beware of thee.
Give every man thy ear, but few thy voice;
Take each man’s censure, but reserve thy judgment.
Costly thy habit as thy purse can buy,
But not express’d in fancy; rich, not gaudy;
For the apparel oft proclaims the man,
And they in France of the best rank and station
Are of a most select and generous chief in that.
Neither a borrower nor a lender be;
For loan oft loses both itself and friend,
And borrowing dulls the edge of husbandry.

This above all: to thine ownself be true,
And it must follow, as the night the day,
Thou canst not then be false to any man.
Farewell: my blessing season this in thee!
Cunning Linguist Nov 2013
I don't know why I find death so enthralling;
Or the calling of culled nullified angels more charming than alarming
Salutations to an array of all things macabre and flooding the streets with tidal waves of shock

The blood in your veins
was already cold as ice anyway
before draining away in the embalming process
Your entrails always showed
the manner in which you vested with finesse;
Enthroned in a tomb of frozen snow

Hell burns frigid and unremissive
Your every thought - piercing incisions
While I puzzle together these pieces of the grander picture
The polarity of her stigmatic enigma
Demeanor meandering to and fro
Gandering to pander every whim
Throwing glances left and right
At each of my fellow gentlemen

Rays of light cast from the windows
Outlining my silhouette in the shadows
Low moans bellow in a tour de force
As I peer through your soul
You have but a split second
So spit or swallow,
and choke back your tears
As I bring your worst fears to life

Hell hath no fury like mine reckoning
My discourse beckoning;                              
Imperiously        
imperiling
         and deafening

Channel these demons -
Screams echoing in melodic discord
Face stoic, in lieu of remorse
Wallowing in the shallows and wailing for recourse
The *****'s lament holds no candle;

From the summit,
without substance -
She plummets
in shambles
At free fall speed
she meets the grounds embrace;
but it breaks away

Calm before the storm
Then once more your life flashes
As you reach for the light
hiding in the tunnel's flip-side
Only to realize its not of the Heavens
But a raging Inferno

Neural impulses spiderweb across time
Each one precisely in line; memories -
Absence of your vindication aligned hand in hand
with every secret you buried in the sands

O'er the new rage
Of the golden age noir
Compulsively laying without delay
Fashioned like it's going out of style
"Now **** me something vile -
M a s t e r  r a c o n t e u r"
Make my trials worthwhile
Purveyor of *******
Undeterrable provocateur;

Inclined to bide my time while finding the finer aspects of slaughtering swine
Her squeals, reminiscent
lulling me to unconsciousness
Forever more I remain in denial
Whittling ever closer to nihility
While begging assuaging intoxication to ease my conscience

In the blink of an eye;
Destiny manifest is slathered in spattered inklings of splattered blood red
On a platter shall I present her head
A trophy for my sempiternal Lord of the dead
Why admire the intrinsic birth and death of nature as something beautiful and palpable
When all that exists is worth perishing
I've given up on humanity
A once vibrant pool of endless possibilities
Is reflected in a dismal void steeped with pitch
David Bojay Mar 2014
Boy: "Dad i think I'd rather take the bus today, I don't feel like walking, can you pack my lunch right now as I get ready?"
     (Boy goes into room in a stomping movement)
     (Dad starts preparing lunch)
Dad: "Are you staying for tutorials today? Your grades dont look so good, and it's starting to reflect how you're acting at home.
You're always so lazy now."
Boy: "I'm not sure if I want to stay for tutorials, I'd rather go to sleep afterschool.
School is tiring.
I'll be home later than usual though."
     (Boy starts walking towards the door and checks his pockets for money)
Dad: "Okay, well be safe, where are you going afterschool?"
     (Boy turns around)
Boy: "I was about to tell you, I need 40$ for a fieldtrip today, sorry for the late reminder."
Dad" You should've told me earlier, I'll go upstairs and see what I have in my wallet."
     (Dad goes up the stairs rapidly)


There's times where lying creates curiosity in a mans heart, and wonder if the liar is really telling the truth.
Although they know, they dont want to say anything, they'd rather trust.
Sometimes I lie, sometimes can be all the time for some people.


     (rapid steps going down the stairs)

Dad: "Here we go, $40... What time do I pick you up from school?"
Boy: "Around 7:30 pm."
Dad: "Alright, I'll be there.
Hurry out, you're going to miss your bus."
     (Dad grabs boys head, and kisses his forehead)
"I love you son."
     (Guilt glows in the boys eyes)

Boy: "I love you too dad..."

     (walks away slowly not wanting to admit his lie)


     (boy walks into school)
     (greets his friends)

Boy: "Aye, Matthew, you still down for afterschool? I got the $40, my stupid dad actually bought that I was going to a fieldtrip, we have until 7 to get back."

Matthew: "Dude you dont feel guilty? Not even I would lie to my dad face to face."
     (Both laugh)
Boy: " Is your friend still hooking it up with the *****?"
Matthew: "Yeah, he's coming along with us, I hope you brought a jacket, it's going to get cold tonight."
Boy: "I did, dude I'm nervous, what if we get caught."

People have instincts on whether or not they committed something bad, the boy knew he had committed something bad, something he knew he'd regret at the bottom of his heart.
The trust in his fathers eyes killed him the second he went out the door towards his bus stop.

Matthew: "Trust me we wont, give me the $40 right now and I'll get us two grams of white widow, or do you want OG kush?"
Boy: "White widow, I was reading it has "cooler" effects when you're high."
Matthew: (laughs) "You're lame for looking it up, either way thats very true."

     (Both kids walk different directions at the intersection of the hallway)

Boy: "Alright, well I'll see you afterschool by the lunchroom vending machines."
Matthew: "Alright, I'll see you there...
And dude, don't worry, we'll be fine."

     Throughout the whole day the boy was anxious about what was going to happen afterschool, they didn't really plan anything, they just wanted a good time with marijuana and liquor.
Sometimes when I'm smoking I think if its really worth it, then I remember I'm sad for the moment, and these herbs I'm puffing on will make me smile for a few hours.

     (Boy sees Matthew from a distance and yells his name out)

Matthew: "Aye, I was just looking for you, we going? My friends waiting outside."
Boy: "Hell yeah I'm ready" (he answered with slight tone of worry)
Matthew: "Alright let's go, I've been waiting all day for this."
Boy: "Same here."


     (Both walk up to a black car by the side of the school)

Matthew: "Jesus! How've you been? This is my friend, he's going on an adventure with us today, he bought us some widow."
Jesus: (greets himself to boy, and unlocks the car doors)
I've been good man, just hanging out, work is going slow though. Nobody wants to get tattoos right now, maybe after graduation.
I'm so glad I dont have to deal with school anynore though, my mom always ******* at me for dropping out."

I dont think school can make or break your value as a human. I feel like whatever you love, is enough to pursue. I dont think can school can define intelligence. I feel like self perception of value is so low. I feel like people that love you will always tell you your value is higher than what you think it is.

Matthew: "****, mothers can be a hassle, atleast you love what you're doing now."
Jesus: (Looks at the boy) "What about your mom, what does she get on to you for?"
Boy: (looks down) "My mom died in a car crash... she was intoxicated, and didn't stop at the red light, and an 18 wheeler slammed right where she was sitting; the driver seat..."
    
     long silence
Jesus: "Sorry to hear that bro, I wouldn't have asked if I didn't know."
Boy: "It's fine, we should get going now, there's cars behind us and we're causing traffic."
     (drive off)

The boys vibe was killed by remembering the thought of his mom dying.
He asked Matthew to roll up a blunt, he was starting to get sad.
All of them took hits from the blunt, and soon they were touching Gods feet, and laughing so much.

Sometimes when you remember something you dont want to remember, you do things that can put your pain to ease and convince yourself that you're happy. Little lies.
Little lies to make you smile.
Little lies to make you feel relieved.
Little lies to be accepted.
Little lies.

Jesus: "Hey guys, I'm pretty ******* high, lets go somewhere and relax, I know this place where you can look at the whole city from a cliff.
You guys want to go?"
     (both nod yes)


     car pulls up at a cliff
Boy: "Dude this place looks amazing, how'd you find out about this place?"
Jesus: "I was wandering the woods and found it, amazing right?"
Boy: "Hell yeah, the view is great."
Matthew: "Will you guys accompany me to a beer or what?"
     Both smile and start drinking heavily

The boys didn't notice, but they were intoxicated, and higher than the Empire State Building.
Before they knew it, they were in tears expressing everything they wished people knew about them.


Sometimes your consciousness explodes when your body is let go from reality.
Emotions flow like waterfalls, fast and carelessly.
Unspoken feelings are yelled into the oblivion.


It's 7.

Boy: "*******, guys I need to get back to school, and if my dad finds out I'm drunk and ****** he's going to **** me!"
Jesus: "Keep your calm, here take a hit from this."
Boy:" Dude no, I have to go, drive me back."
Jesus: "Fine, Matthew can you drive? I'm too, well you know."
Matthew: "Sure."


All three were sharing laughs on the way back, and telling eachother which girl they wanted to **** from school. Matthew was sharing his roadtrip idea he had for the summer, and Jesus was saying how much **** he'd buy for the trip.
All three were excited, because they knew they had each other.
They were each made from different backgrounds, but they became the same when they smoked and got drunk.

Boy: "Matthew look at my eyes, they look red as ****, look at them!"

(Mathew turns around)
Matthew: "Hahahaha, dude they're so red, we need to buy you some eye drops."

(Matthew accelerates still looking at the boy)

Tire squeals were heard from a distance, but kept getting closer.
(Matthew immediately turns around)


He tries to brake, but it's too late.
His reaction was too slow, his vision was blurry, and didn't know where to turn.

Ambulances covered Jesus's face while on the bed he was lying on.
Matthews face was unrecognizable.
The boy had lost his legs, and half of his head of missing,
His brains was splattered all over the winshield.


Later on, when the dad found out his only son had died, the week after the incident, he hanged himself in his livingroom.
You know, it's crazy how a lie can take away future plans and expectations.
Plans erased.
Expectations like they never existed.
People's footsteps on earth, like if they never stepped on it.


My mom used to tell me it's wasn't good to lie.
I didn't believe it, lying had brought me a long way when I was a child.
I never knew I was going to suffer consequences 5 months ago, when I was suicidal because I was depressed.
I guess every lie I said came back as big drops of sadness raining in my heart.
I guess it's better to feel pain in truth; in the present,
than to feel pain in the future because of something you could've avoided with honesty.
In the end, it all catches up to you.
zebra Sep 2017
i'm sorry
but im going to devour you
like toast with butter and jam
let go to me
lose your self in the exaltation of suffering
albeit a difficult pleasure
feel me ruin you with every strike and stroke
blister tear and pierce
a quandary of liberation bleeding
take more then whats dished
ill turn you into a gushing river of squeals
and filthy verse

i'm in love with your ****
colored almost purple
like a wild mouthed poem
make it kiss me
let it eat my face
its more beautiful then an Hawaiian sunset
more tender then a baby lamb
your sweet lipped *****
a buttery sticky bun
its drools liquid diamonds

i'm sorry
i hit your **** so hard
but they bounced and bounced
and it drove me near mad
so gorgeous bruised and bleeding
casaba torrents
all hot stings and sweet

you stand glorious
between beauty and annihilation

your mouth swollen from being slapped so hard
nose bleed and mucous
your eyes enormous wombs
like fingers touching me

oh baby
im sorry
your tears imploring
pleading and drunk
on hair pulling frenzies

curse my brutish rampage
of *** gone mad
turning your body
into clouds and red splash ribbons

don't be sorry
she said
with pursed lips
your rabid hunger my own
i am an abyss of dark desires
a savage wraith
i want to kiss you like a lecher
all ******* and cherries
with legs squandered wide
a Halloween grotesque
with a ponytail

are you going to eat me
like a communion wafer
okay
if it will save you
am i not a saint of lust

"There is no greater love
than to lay down one's life for one's friends"
john15:13

so have your fun at my expense
make me your house of horrors
greased
for the scalding of your whip

ill be good
please do your worst
and ill show you my best
promise me
pretty please
kisses and cries
rainbows and ash
blistering ecstatic
sadomasochism
Irate Watcher Nov 2014
The year you were born
was the year I turned 6,
leaving my second home
to a place where I didn't exist.
It was the first time
I remember being scared,
of a knock on the door
to a dark street corner,
not a voice to properly
enunciate my fears,

hands trembling,
I was naught a writer then,
just a poetic mind
inable, hands not stable,
to open doors to
concrete streets,
the gentle ****** or
the careful cat,

daddy loves you,
under my breath.
He only had time to run,
from place to place,
the most logical option,
for his career,
but not his young girl.
The world's forgotten friend,
having not a voice,
to say hi at the door,
or accept the house-warming gift
from the neighbor girl.

Dear Fish the Pig,
The year you turned 6,
I hit puberty.
Grew tusks,
that kept inching,
toward a person
hidden in the swamp,
watching beneath reeds
the blondes and skinnies
courting Hercules.
An ugly pink pig,
jealous of the swans
gliding across water
drowning my squeals for approval,
left behind from highs and *** and flight.
Snarling away the bugs,
company that could have been friends,
retreating to being busy,
terrified of high school eyes
that adjust to the darkness,
and call isolation insecurity.
No worse a disease.

Dear Fish the Pig,
The year you hit puberty,
I lost my virginity,
my naked body
a prime scientific diamond
to the boyfriend who
just wanted to love me.
Two heads rested upon his bed,
vocal chords distilled,
when I replied "love you too,"
and felt hollow inside.
His mirror cracked
with my scraggly hair and fat.
I was a treadmill mess
with no time to stretch.
My secret of the weighted, edible variety.
How could he be skinnier than me?
So I traded being a pig
for the femme version al him,
and gleefully changed
my nickname from stocky
to skinny-Minnie,
until I could wear his pants baggy.

Dear Fish the Pig,
two years from now
you will be 19.
Let me remind you of something
from someone who is 23
and is still uncomfortable with her body:

Don't be.

To be is a simple mistake
with a complicated result,

Because
A haute girl fainting in university,
isn't martyrdom for beauty.
It is stupidity.
Purging friends for a toilet,
isn't just punny.
It is insanity.

Dear Fish the Pig,
Don't turn your fantasy
into my nightmare.

Don't sign the loneliness
that wastes me.
Don't bury yourself in dust
it doesn't feel as good as the dirt,
knowing the roots,
and working through their kinks.

Dear Fish the Pig,
I admire your honesty.
Your struggles
make for great poetry.
But idolizing a girl with
skin pale as white roses
also made a good story.
Longing is beautiful
with the promise
of a happy ending.
But depression
sporn from jealousy
isn't so pretty.

Dear Fish the Pig,
wear your tattered clothing,
blow my mind
with beautiful melancholy,
sit in that obscure place to reflect,
but never forget,
your life doesn't have to be an indie movie.
Weave words into beautiful tapestries,
but when you tire of their decor,
go out into the world empty.
Tint white walls joyfully.
Don't re-write my history.
The words in italics are those of Fish The Pig. Go check out her stuff @ http://hellopoetry.com/fish/. She is awesome!
Leah Ward Dec 2012
I sit inside my podunk room,
As a million meteors make mad dashes
For different conners of The Universe
Like galactic kids stuck in a game of
Sharks and Minnows.
They snap their space caps over their heads,
Adjust their goggles, and dive into the galaxy;
With the refreshing burn of
Firery friction against their faces
As they glide through the galaxy.

Above my head these nova swimmers soar,
As I pull a folded list from a desk drawer
And lean out the window with a quilt
To stop the chill from getting to me.
I close my eyes and let the cold moon light
Reflect off my surface and pale my skin.
The moon has no purpose but to moon bathe  with, of course.
Of the meteors that circle the sky
I have a very different purpose for.

One by one I recite wishes,
One special I had saved just for this night;
Scribbled in marker with fast hands belonging to a busy brain,
Elegant cursive dawned by a deary mind,
My best script for my friendly letters.
Some I whisper, some I shout,
Some I struggle just to get out.
But one by one these wishes are told
To the night sky, the meteors swimming pool.

Suddenly the windowsill creaks and cracks
My eyes snap open, the timber of my home breaks
And my house, my yard, the trees and the leaves
All disappear, and suddenly,
I am splashing and slushing  in a puddle of
Endless Blue Water until I
get the sense about me to swim.

I swim until the water reaches my head,
My eyes, my nose, my chin,
Drains from my ears
Splatters on my shoulders.
I walk when I can, through
A tunnel of cattails, seaweed, and pond things,
Like a swamp without a sky,
That make the Endless Blue Water a canal with
A wooden door that I reach
After many steps.

Knocking twice, I stand patient
Busy with the thought of what brought me here.
A slot in the door slides open,
Old eyes framed by glasses peer back at me.
"Go away!" The old man barks,
"I can't let you in. All of
The water will get everywhere on my feet."
I stand, my eyes pleading with angst,
Eyelashes that drip water.
"No, it's ok Grandpa. Let her in,
She is tired." A voice, gentle and sweet, speaks
With a melody of a thousand guitars
Tuned to the exact preference of my own ears.

With a grumble and groan.
A click and a clack,
The slot slides shut harshly
And with a creak and force,
The floor flies open and
I am urged by the Sweet Voice to
"Hurry Great Darling! Hurry!"
And I squeezed through
The door, but so does the
Viscous water.

It flows rapidly past the door jam,
And the owner of the Sweet Voice scrambles
To convice the hinges that they
Want to turn the other way.
The dusty ground I now stand on
Quickly turns to mud, as the water flows.
We cannot stop the water from flowing.

The water makes a will of its own,
Rises with vigorous ebb,
And carries Sweet Voice's Grandfather with it
Into the dust bowl in which it surges so fiercely to.
I go with it, emerged once again as I
Grasp for a wrist, an ankle,
A collar, until I find a strap
Of a suspender, and hold fast to the door handle,
As Sweet Voice whispers hopes
That the water will stop. He grits his teeth, and
I'll never forget what he said:

"You are magnificent, Great Darling.
I would have loved you endlessly."

And with that, the water reversed,
Taking the sweet voice back into
The Tunnel of Pond Things,
And slamming the door shut.

The Grandfather and I, sat on grassy moss
That once was barren dirt, that climbed into fingernails
And settled homes between human and calcium.
The Endless Blue Waters  had cleansed the dirt from before,
But had also taken my lovely paramour.

And with this, I wailed great echoes
That shook the ground, because
The sweet voice was the wish
Whispered so delicately but so
Anxiously on my windowsill
That lonely night.

After my fit, I turned to see
Great followers of the Barren Lands,
Ghastly beasts with spots and rabbit ears,
Humans with skin clear, great dragons
That inspired no fear, that
All stood before the Grandfather and I.
They held their hands before their faces,
Checked their teeth, and found it free of the dust
And dirt that haunted their days.

A great feast was arranged,
A thousand chairs at seven hundred tables,
All lined with a feast
Of cooked carrots and sweet potatoes,
Texas toast and orange marmalade,
Corn beef and root beer;
As kites with tails and laughter with squeals
Floated through with wind and smoke
Of campfires yellow, all
To celebrate the arrival of me,
The Great Darling,
Who had cleansed the Barren Lands
And brought about the begining of
The Hallow Lands.

I sat alone at this great feast,
Weary of my loss, when I felt
A tapping on my shoulder. It was
The Sweet Voice who had returned.  
I asked, elated by his arrival, about the
Means of his return, and he replied:

"The moon has more purpose than you
Assumed, Great Darling.
The moon controls all tides, and
With its power on my side, I asked it to
Take me back to you, and kindly it did, as
the moon understands that poles and magnetism
Are not the only forces than bring great things together;
That love can do that great deed too."

We sat under the lemon tree,  
My quilt, retrieved on Sweet Voice's journey,
Spread beneath us, as we watched the moon
Circle the sky for many nights,
Until we decided to join in its company.
One by two, we stepped up stepping stones
On a hill that reached the meteors pool,
Where my paramour and I lived
In galactic happiness forever more.
Mel Holmes Dec 2013
When they came to my island, the
hero and his crew (more like
an invasive species
of uninvited animals)
The rot from their unwashed feet spilled everywhere--
infestations of foul--
They plucked grapes from my vines slowly, with pride,
as if they kept them themselves,
They came into my cave and stole sheep’s milk and cheese--
The blessed feta: vanished!!
And you wonder why I snacked on two--I had nothing else!
They disregarded emptied wine bottles in clusters in the sand,
Kept me awake in the evening with boisterous, hoglike squeals.
And when I let out a scream myself,
A cry to my native land, to my father,
I spotted my herds scurrying from the cave,
with little hands floating atop their fur,
Then came the electrifying pain
I see a staff, feel the hit, become
disabled.
They took everything and left me blinded
And he is still the hero?
He told me he was Nobody.
that man has a fever (for flesh),
one would think
that one would
need to be cooled
in order to leave her undressed.

always hanging 'round the ladies
strong and handsome
hollywood smile,
the good adonis, a fair tease.

but his nonage was not dominated
by girlish squeals or hearts,
boys like him were quiet-like
and kept under the dark.

(for what if they found out?)
perspectives
Electra-girl gyrates desperately.
Daddy is away on business.
The house practically empty,
Desolate winds rattle windows,
Stomach twists with craving.

Electra-girl squeals,
“**** Mommy! Get her out of the picture.”
Little Miss teacup wants everything just right,
When daddy gets home.
Electra-girl vomits hairball,

shaves thighs belly armpits,
Plucks neck chin nostrils,
Applies lipstick moderately,
Puckers (finger pushes hemorrhoid in).
She denies everything.

Imagines he is showering,
She enters **** giggling big grin,
Gaze scampering between his face and genitals,
Her approaching young body edging nearer.
He hesitates standing under waterspout,

Waiting to see what she will do,
Fearing his own desire,
Knowing it is wrong so wrong.
After what seems a long time,
Mom steps in,

Eyes firing rage and sanction.
She asks her daughter, “You think you’ll win?”
Electra-girl answers without hesitation,
“Why wouldn’t I.”
No question.

Your **** stains on carpet,
Your *** stains on everything,
Your breath smells,
Odor of rotting flowers.
Smile for the camera.

Electra-girl raises arms and taunts,
“I win! I win!
Who’s going to be my next daddy?”
A deep heavy silence follows.
She holds herself in mirrors of her past.
frederick shiels May 2015
Maybe men labored under a yellow sky
bent under barley sheaves they’d cut,
returned behind limestone walls and leaned
to splash water on each other at the well.

You can see its crumbling curve today, in one
city as old when Cheops' pyramid was built
as pyramids are to us right now.  
Jericho, not so far away from Egypt and,

our archaeologists tell us, likely really didn’t hear
the blare of Joshua’s trumpets shuddering down
old Canaan-cursed by-Noah, coaxing walls
to shudder, teeter, list from Israelite raids.

You see one barley-bearer shaking dry,
descend  stair-tunnels to his flat to kneel
before his hungry daughter, hungry wife,
waiting for evening’s barley bread to cool.

He joins as they resume their business of the day
to gently set the cowrie eyes in Grandma’s face,
two priests removed the rest of her last year,
but left the precious head to decompose at home
scented in the wall with sweet Netufian herbs,

And now the family gathers near small fire,
desert nightbreeze filtering through the cracks
tenderly to soften Mother’s bony head
with daubs of plaster re-create her nose,

and gaping eye sockets, softening too
those black orbits with white plaster.
Slowly her death’s head touched tenderly
by younger finger tips becomes
something like a human head again,

If not quite living, cowrie shells complete
this vision of a vacant queenly stare
befits a family shrine. When things are done,
small granddaughter now squeals with delight
her own dark eyes reflect the fire-light.
shiels/18 may 2015
By about 7000 BC Jericho, based on a natural spring, had developed into a large settlement which may have contained as many as two thousand individuals, and was defended by a substantial wall. The dead were often buried beneath the floors of houses. In some instances the bodies were complete, but in others the skull was removed and treated separately, with the ****** features reconstructed in plaster. British Museum exhibit plate

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