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Like a psychotic docent in the wilderness,
I will not speak in perfect Ciceronian cadences.
I draw my voice from a much deeper cistern,
Preferring the jittery synaptic archive,
So sublimely unfiltered, random and profane.
And though I am sequestered now,
Confined within the walls of a gated, golf-coursed,
Over-55 lunatic asylum (for Active Seniors I am told),
I remain oddly puerile,
Remarkably refreshed and unfettered.  
My institutionalization self-imposed,
Purposed for my own serenity, and also the safety of others.
Yet I abide, surprisingly emancipated and frisky.
I may not have found the peace I seek,
But the quiet has mercifully come at last.

The nexus of inner and outer space is context for my story.
I was born either in Brooklyn, New York or Shungopavi, Arizona,
More of intervention divine than census data.
Shungopavi: a designated place for tribal statistical purposes.
Shungopavi: an ovine abbatoir and shaman’s cloister.
The Hopi: my mother’s people, a state of mind and grace,
Deftly landlocked, so cunningly circumscribed,
By both interior and outer Navajo boundaries.
The Navajo: a coyote trickster people; a nation of sheep thieves,
Hornswoggled and landlocked themselves,
Subsumed within three of the so-called Four Corners:
A 3/4ths compromise and covenant,
Pickled in firewater, swaddled in fine print,
A veritable swindle concocted back when the USA
Had Manifest Destiny & mayhem on its mind.

The United States: once a pubescent synthesis of blood and thunder,
A bold caboodle of trooper spit and polish, unwashed brawlers, Scouts and      
Pathfinders, mountain men, numb-nut ne'er-do-wells,
Buffalo Bills & big-balled individualists, infected, insane with greed.
According to the Gospel of His Holiness Saint Zinn,
A People’s’ History of the United States: essentially state-sponsored terrorism,
A LAND RUSH grabocracy, orchestrated, blessed and anointed,
By a succession of Potomac sharks, Great White Fascist Fathers,
Far-Away-on-the Bay, the Bay we call The Chesapeake.
All demented national patriarchs craving lebensraum for God and country.
The USA: a 50-state Leviathan today, a nation jury-rigged,
Out of railroad ties, steel rails and baling wire,
Forged by a litany of lies, rapaciousness and ******,
And jaw-torn chunks of terra firma,
Bites both large and small out of our well-****** Native American ***.

Or culo, as in va’a fare in culo (literally "go do it in the ***")
Which Italian Americans pronounce as fongool.
The language center of my brain,
My sub-cortical Broca’s region,
So fraught with such semantic misfires,
And autonomic linguistic seizures,
Compel acknowledgement of a father’s contribution,
To both the gene pool and the genocide.
Columbus Day:  a conspicuously absent holiday out here in Indian Country.
No festivals or Fifth Avenue parades.
No excuse for ethnic hoopla. No guinea feast. No cannoli. No tarantella.
No excuse to not get drunk and not **** your sister-in-law.
Emphatically a day for prayer and contemplation,
A day of infamy like Pearl Harbor and 9/11,
October 12, 1492: not a discovery; an invasion.

Growing up in Brooklyn, things were always different for me,
Different in some sort of redskin/****/****--
Choose Your Favorite Ethnic Slur-sort of way.
The American Way: dehumanization for fun and profit.
Melting *** anonymity and denial of complicity with evil.
But this is no time to bring up America’s sordid past,
Or, a personal pet peeve: Indian Sovereignty.
For Uncle Sam and his minions, an ever-widening, conveniently flexible concept,
Not a commandment or law,
Not really a treaty or a compact,
Or even a business deal.  Let’s get real:
It was not even much in the way of a guideline.
Just some kind of an advisory, a bulletin or newsletter,
Could it merely have been a free-floating suggestion?
Yes, that’s it exactly: a suggestion.

Over and under halcyon American skies,
Over and around those majestic purple mountain peaks,
Those trapped in poetic amber waves of wheat and oats,
Corn and barley, wheat shredded and puffed,
Corn flaked and milled, Wheat Chex and Wheaties, oats that are little Os;
Kix and Trix, Fiber One, and Kashi-Go-Lean, Lucky Charms and matso *****,
Kreplach and kishka,
Polenta and risotto.
Our cantaloupe and squash patch,
Our fruited prairie plain, our delicate ecological Eden,
In balance and harmony with nature, as Chief Joseph of the Nez Perce instructs:
“These white devils are not going to,
Stop ****** and killing, cheating and eating us,
Until they have the whole ******* enchilada.
I’m talking about ‘from sea to shining sea.’”

“I fight no more forever,” Babaloo.
So I must steer this clunky keelboat of discovery,
Back to the main channel of my sad and starry demented river.
My warpath is personal but not historical.
It is my brain’s own convoluted cognitive process I cannot saavy.
Whatever biochemical or—as I suspect more each day—
Whatever bio-mechanical protocols govern my identity,
My weltanschauung: my world-view, as sprechen by proto-Nazis;
Putz philosophers of the 17th, 18th & 19th century.
The German intelligentsia: what a cavalcade of maniacal *******!
Why is this Jew unsurprised these Zarathustra-fueled Übermenschen . . .
Be it the Kaiser--Caesar in Deutsch--Bismarck, ******, or,
Even that Euro-*****,  Angela Merkel . . . Why am I not surprised these Huns,
Get global grab-*** on the sauerbraten cabeza every few generations?
To be, or not to be the ***** bullgoose loony: GOTT.

Biomechanical protocols govern my identity and are implanted while I sleep.
My brain--my weak and weary CPU--is replenished, my discs defragmented.
A suite of magnetic and optical white rooms, cleansed free of contaminants,
Gun mounts & lifeboat stations manned and ready,
Standing at attention and saluting British snap-style,
Snap-to and heel click, ramrod straight and cheerful: “Ready for duty, Sir.”
My mind is ravenous, lusting for something, anything to process.
Any memory or image, lyric or construct,
Be they short-term dailies or deeply imprinted.
Fixations archived one and all in deep storage time and space.
Memories, some subconscious, most vaporous;
Others--the scary ones—eidetic: frighteningly detailed and extraordinarily vivid.
Precise cognitive transcripts; recollected so richly rife and fresh.
Visual, auditory, tactile, gustatory, and olfactory reloads:
Queued up and increasingly re-experienced.

The bio-data of six decades: it’s all there.
People, countless, places and things cataloged.
Every event, joy and trauma enveloped from within or,
Accessed externally from biomechanical storage devices.
The random access memory of a lifetime,
Read and recollected from cerebral repositories and vaults,
All the while the entire greedy process overseen,
Over-driven by that all-subservient British bat-man,
Rummaging through the data in batches small and large,
Internal and external drives working in seamless syncopation,
Self-referential, at times paradoxical or infinitely looped.
“Cogito ergo sum."
Descartes stripped it down to the basics but there’s more to the story:
Thinking about thinking.
A curse and minefield for the cerebral:  metacognition.

No, it is not the fact that thought exists,
Or even the thoughts themselves.
But the information technology of thought that baffles me,
As adaptive and profound as any evolution posited by Darwin,
Beyond the wetware in my skull, an entirely new operating system.
My mental and cultural landscape are becoming one.
Machines are connecting the two.
It’s what I am and what I am becoming.
Once more for emphasis:
It is the information technology of who I am.
It is the operating system of my mental and cultural landscape.
It is the machinery connecting the two.
This is the central point of this narrative:
Metacognition--your superego’s yenta Cassandra,
Screaming, screaming in your psychic ear, your good ear:

“LISTEN:  The machines are taking over, taking you over.
Your identity and train of thought are repeatedly hijacked,
Switched off the main line onto spurs and tangents,
Only marginally connected or not at all.
(Incoming TEXT from my editor: “Lighten Up, Giuseppi!”)
Reminding me again that most in my audience,
Rarely get past the comic page. All righty then: think Calvin & Hobbes.
John Calvin, a precocious and adventurous six-year old boy,
Subject to flights of 16th Century French theological fancy.
Thomas Hobbes, a sardonic anthropomorphic tiger from 17th Century England,
Mumbling about life being “solitary, poor, nasty, brutish and short.”
Taken together--their antics and shenanigans--their relationship to each other,
Remind us of our dual nature; explore for us broad issues like public education;
The economy, environmentalism & the Global ****** Thermometer;
Not to mention the numerous flaws of opinion polls.



And again my editor TEXTS me, reminds me again: “LIGHTEN UP!”
Consoling me:  “Even Shakespeare had to play to the groundlings.”
The groundlings, AKA: The Rabble.
Yes. Even the ******* Bard, even Willie the Shake,
Had to contend with a decidedly lowbrow copse of carrion.
Oh yes, the groundlings, a carrion herd, a flying flock of carrion seagulls,
Carrion crow, carrion-feeders one and all,
And let’s throw Sheryl Crow into the mix while we’re at it:
“Hit it! This ain't no disco. And it ain't no country club either, this is L.A.”  

                  Send "All I Wanna Do" Ringtone to your Cell              

Once more, I digress.
The Rabble:  an amorphous, gelatinous Jabba the Hutt of commonality.
The Rabble: drunk, debauched & lawless.
Too *****-delicious to stop Bill & Hilary from thinking about tomorrow;
Too Paul McCartney My Love Does it Good to think twice.

The Roman Saturnalia: a weeklong **** fest.
The Saturnalia: originally a pagan kink-fest in honor of the deity Saturn.
Dovetailing nicely with the advent of the Christian era,
With a project started by Il Capo di Tutti Capi,
One of the early popes, co-opting the Roman calendar between 17 and 25 December,
Putting the finishing touches on the Jesus myth.
For Brooklyn Hopi-***-Jew baby boomers like me,
Saturnalia manifested itself as Disco Fever,
Unpleasant years of electrolysis, scrunched ***** in tight polyester
For Roman plebeians, for the great unwashed citizenry of Rome,
Saturnalia was just a great big Italian wedding:
A true family blowout and once-in-a-lifetime ego-trip for Dad,
The father of the bride, Vito Corleone, Don for A Day:
“Some think the world is made for fun and frolic,
And so do I! Funicula, Funiculi!”

America: love it or leave it; my country right or wrong.
Sure, we were citizens of Rome,
But any Joe Josephus spending the night under a Tiber bridge,
Or sleeping off a three day drunk some afternoon,
Up in the Coliseum bleachers, the cheap seats, out beyond the monuments,
The original three monuments in the old stadium,
Standing out in fair territory out in center field,
Those three stone slabs honoring Gehrig, Huggins, and Babe.
Yes, in the house that Ruth built--Home of the Bronx Bombers--***?
Any Joe Josephus knows:  Roman citizenship doesn’t do too much for you,
Except get you paxed, taxed & drafted into the Legion.
For us the Roman lifestyle was HIND-*** humble.
We plebeians drew our grandeur by association with Empire.
Very few Romans and certainly only those of the patrician class lived high,
High on the hog, enjoying a worldly extravaganza, like—whom do we both know?

Okay, let’s say Laurence Olivier as Crassus in Spartacus.
Come on, you saw Spartacus fifteen ******* times.
Remember Crassus?
Crassus: that ***** twisted **** trying to get his freak on with,
Tony Curtis in a sunken marble tub?
We plebes led lives of quiet *****-scratching desperation,
A bunch of would-be legionnaires, diseased half the time,
Paid in salt tablets or baccala, salted codfish soaked yellow in olive oil.
Stiffs we used to call them on New Year’s Eve in Brooklyn.
Let’s face it: we were hyenas eating someone else’s ****,
Stage-door jackals, Juvenal-come-late-lies, a mob of moronic mook boneheads
Bought off with bread & circuses and Reality TV.
Each night, dished up a wide variety of lowbrow Elizabethan-era entertainments.  
We contemplate an evening on the town, downtown—
(cue Petula Clark/Send "Downtown" Ringtone to your Cell)

On any given London night, to wit:  mummers, jugglers, bear & bull baiters.
How about dog & **** fighters, quoits & skittles, alehouses & brothels?
In short, somewhere, anywhere else,
Anywhere other than down along the Thames,
At Bankside in Southwark, down in the Globe Theater mosh pit,
Slugging it out with the groundlings whose only interest,
In the performance is the choreography of swordplay and stale ****** puns.
Meanwhile, Hugh Fennyman--probably a fellow Jew,
An English Renaissance Bugsy Siegel or Mickey Cohen—
Meanwhile Fennyman, the local mob boss is getting his ya-yas,
Roasting the feet of my text-messaging editor, Philip Henslowe.
Poor and pathetic Henslowe, works on commission, always scrounging,
But a true patron of my craft, a gentleman of infinite jest and patience,
Spiritual subsistence, and every now and then a good meal at some,
Sawdust joint with oyster shells, and a Prufrockian silk purse of T.S. Eliot gold.

Poor, pathetic Henslowe, trussed up by Fennyman,
His editorial feet in what looks like a Japanese hibachi.
Henslowe’s feet to the fire--feet to the fire—get it?
A catchy phrase whose derivation conjures up,
A grotesque yet vivid image of torture,
An exquisite insight into how such phrases ingress the idiom,
Not to mention a scene once witnessed at a secret Romanian CIA prison,
I’d been ordered to Bucharest not long after 9/11,
Handling the rendition and torture of Habib Ghazzawy,

An entirely innocent falafel maker from Steinway Street, Astoria, Queens.
Shock the Monkey: it’s what we do. GOTO:
Peter Gabriel - Shock the Monkey/
(HQ music video) - YouTube//
www.youtube.com/
Poor, pathetic, ******-on Henslowe.


Fennyman :  (his avarice is whet by something Philly screams out about a new script)  "A play takes time. Find actors; Rehearsals. Let's say open in three weeks. That's--what--five hundred groundlings at tuppence each, in addition four hundred groundlings tuppence each, in addition four hundred backsides at three pence--a penny extra for a cushion, call it two hundred cushions, say two performances for safety how much is that Mr. Frees?"
Jacobean Tweet, John (1580-1684) Webster:  “I saw him kissing her bubbies.”

It’s Geoffrey Rush, channeling Henslowe again,
My editor, a singed smoking madman now,
Feet in an ice bucket, instructing me once more:
“Lighten things up, you know . . .
Comedy, love and a bit with a dog.”
I digress again and return to Hopi Land, back to my shaman-monastic abattoir,
That Zen Center in downtown Shungopavi.
At the Tribal Enrolment Office I make my case for a Certificate of Indian Blood,
Called a CIB by the Natives and the U.S. Bureau of Indian Affairs.
The BIA:  representing gold & uranium miners, cattle and sheep ranchers,
Sodbusters & homesteaders; railroaders and dam builders since 1824.
Just in time for Andrew Jackson, another false friend of Native America,
Just before Old Hickory, one of many Democratic Party hypocrites and scoundrels,
Gives the FONGOOL, up the CULO go ahead.
Hey Andy, I’ve got your Jacksonian democracy: Hanging!
The Bureau of Indian Affairs (BIA) mission is to:   "… enhance the quality of life, to promote economic opportunity, and to carry out the responsibility to protect and improve the trust assets of American Indians, Indian tribes, and Alaska Natives. What’s that in the fine print?  Uncle Sammy holds “the trust assets of American Indians.”

Here’s a ******* tip, Geronimo: if he trusted you,
It would ALL belong to you.
To you and The People.
But it’s all fork-tongued white *******.
If true, Indian sovereignty would cease to be a sick one-liner,
Cease to be a blunt force punch line, more of,
King Leopold’s 19th Century stand-up comedy schtick,
Leo Presents: The **** of the Congo.
La Belgique mission civilisatrice—
That’s what French speakers called Uncle Leo’s imperial public policy,
Bringing the gift of civilization to central Africa.
Like Manifest Destiny in America, it had a nice colonial ring to it.
“Our manifest destiny [is] to overspread the continent,
Allotted by Providence for the free development,
Of our yearly multiplying millions.”  John L. O'Sullivan, 1845

Our civilizing mission or manifest destiny:
Either/or, a catchy turn of phrase;
Not unlike another ironic euphemism and semantic subterfuge:
The Pacification of the West; Pacification?
Hardly: decidedly not too peaceful for Cochise & Tonto.
Meanwhile, Madonna is cash rich but disrespected Evita poor,
To wit: A ****** on the Rocks (throwing in a byte or 2 of Da Vinci Code).
Meanwhile, Miss Ciccone denied her golden totem *****.
They snubbed that little guinea ****, didn’t they?
Snubbed her, robbed her rotten.
Evita, her magnum opus, right up there with . . .
Her SNL Wayne’s World skit:
“Get a load of the unit on that guy.”
Or, that infamous MTV Music Video Awards stunt,
That classic ***** Lip-Lock with Britney Spears.

How could I not see that Oscar snubola as prime evidence?
It was just another stunning case of American anti-Italian racial animus.
Anyone familiar with Noam Chomsky would see it,
Must view it in the same context as the Sacco & Vanzetti case,
Or, that arbitrary lynching of 9 Italian-Americans in New Orleans in 1891,
To cite just two instances of anti-Italian judicial reach & mob violence,
Much like what happened to my cousin Dominic,
Gang-***** by the Harlem Globetrotters, in their locker room during halftime,
While he working for Abe Saperstein back in 1952.
Dom was doing advance for Abe, supporting creation of The Washington Generals:
A permanent stable of hoop dream patsies and foils,
Named for the ever freewheeling, glad-handing, backslapping,
Supreme Commander Allied Expeditionary Force (SCAEF), himself,
Namely General Dwight D. Eisenhower, the man they liked,
And called IKE: quite possibly a crypto Jew from Abilene.

Of course, Harry Truman was my first Great White Fascist Father,
Back in 1946, when I first opened my eyes, hung up there,
High above, looking down from the adobe wall.
Surveying the entire circular kiva,
I had the best seat in the house.
Don’t let it be said my Spider Grandmother or Hopi Corn Mother,
Did not want me looking around at things,
Discovering what made me special.
Didn’t divine intervention play a significant part of my creation?
Knowing Mamma Mia and Nonna were Deities,
Gave me an edge later on the streets of Brooklyn.
The Cradleboard: was there ever a more divinely inspired gift to human curiosity? The Cradleboard: a perfect vantage point, an infant’s early grasp,
Of life harmonious, suspended between Mother Earth and Father Sky.
Simply put: the Hopi should be running our ******* public schools.

But it was IKE with whom I first associated,
Associated with the concept 1600 Pennsylvania Avenue.
I liked IKE. Who didn’t?
What was not to like?
He won the ******* war, didn’t he?
And he wasn’t one of those crazy **** John Birchers,
Way out there, on the far right lunatic Republican fringe,
Was he? (It seems odd and nearly impossible to believe in 2013,
That there was once a time in our Boomer lives,
When the extreme right wing of the Republican Party
Was viewed by the FBI as an actual threat to American democracy.)
Understand: it was at a time when The FBI,
Had little ideological baggage,
But a great appetite for secrets,
The insuppressible Jay Edgar doing his thang.

IKE: of whom we grew so, oh-so Fifties fond.
Good old reliable, Nathan Shaking IKE:
He’d been fixed, hadn’t he? Had had the psychic snip.
Snipped as a West Point cadet & parade ground martinet.
Which made IKE a good man to have in a pinch,
Especially when crucial policy direction was way above his pay grade.
Cousin Dom was Saperstein’s bagman, bribing out the opposition,
Which came mainly from religious and patriotic organizations,
Viewing the bogus white sports franchise as obscene.
The Washington Generals, Saperstein’s new team would have but one opponent,
And one sole mission: to serve as the **** of endless jokes and sight gags for—
Negroes.  To play the chronic fools of--
Negroes.  To be chronically humiliated and insulted by—
Negroes.  To run up and down the boards all night, being outran by—
Negroes.  Not to mention having to wear baggy silk shorts.



Meadowlark Lemon:  “Yeah, Charlie, we ***** that grease-ball Dominic; we shagged his guinea mouth and culo rotten.”  

(interviewed in his Scottsdale, AZ winter residence in 2003 by former ESPN commentator Charlie Steiner, Malverne High School, Class of ’67.)
                                                        
  ­                                                                 ­                 
IKE, briefed on the issue by higher-ups, quickly got behind the idea.
The Harlem Globetrotters were to exist, and continue to exist,
Are sustained financially by Illuminati sponsors,
For one reason and one reason only:
To serve elite interests that the ***** be kept down and subservient,
That the minstrel show be perpetuated,
A policy surviving the elaborate window dressing of the civil rights movement, Affirmative action, and our first Uncle Tom president.
Case in point:  Charles Barkley, Dennis Rodman & Metta World Peace Artest.
Cha-cha-cha changing again:  I am Robert Allen Zimmermann,
A whiny, skinny Jew, ****** and rolling in from Minnesota,
Arrested, obviously a vagrant, caught strolling around his tony Jersey enclave,
Having moved on up the list, the A-list, a special invitation-only,
Yom Kippur Passover Seder:  Next Year in Jerusalem, Babaloo!

I take ownership of all my autonomic and conditioned reflexes;
Each personal neural arc and pathway,
All shenanigans & shellackings,
Or blunt force cognitive traumas.
It’s all percolating nicely now, thank you,
In kitchen counter earthen crockery:
Random access memory: a slow-cook crockpot,
Bubbling through my psychic sieve.
My memories seem only remotely familiar,
Distant and vague, at times unreal:
An alien hybrid databank accessed accidently on purpose;
Flaky science sustains and monitors my nervous system.
And leads us to an overwhelming question:
Is it true that John Dillinger’s ******* is in the Smithsonian Museum?
Enquiring minds want to know, Kemosabe!

“Any last words, *******?” TWEETS Adam Smith.
Postmortem cyber-graffiti, an epitaph carved in space;
Last words, so singular and simple,
Across the universal great divide,
Frisbee-d, like a Pleistocene Kubrick bone,
Tossed randomly into space,
Morphing into a gyroscopic space station.
Mr. Smith, a calypso capitalist, and me,
Me, the Poet Laureate of the United States and Adam;
Who, I didn’t know from Adam.
But we tripped the light fantastic,
We boogied the Protestant Work Ethic,
To the tune of that old Scotch-Presbyterian favorite,
Variations of a 5-point Calvinist theme: Total Depravity; Election; Particular Redemption; Irresistible Grace; & Perseverance of the Saints.

Mr. Smith, the author of An Inquiry into the Nature
& Causes of the Wealth of Nations (1776),
One of the best-known, intellectual rationales for:
Free trade, capitalism, and libertarianism,
The latter term a euphemism for Social Darwinism.
Prior to 1764, Calvinists in France were called Huguenots,
A persecuted religious majority . . . is that possible?
A persecuted majority of Edict of Nantes repute.
Adam Smith, likely of French Huguenot Jewish ancestry himself,
Reminds me that it is my principal plus interest giving me my daily gluten.
And don’t think the irony escapes me now,
A realization that it has taken me nearly all my life to see again,
What I once saw so vividly as a child, way back when.
Before I put away childish things, including the following sentiment:
“All I need is the air that I breathe.”

  Send "The Air That I Breathe" Ringtone to your Cell  

The Hippies were right, of course.
The Hollies had it all figured out.
With the answer, as usual, right there in the lyrics.
But you were lucky if you were listening.
There was a time before I embraced,
The other “legendary” economists:
The inexorable Marx,
The savage society of Veblen,
The heresies we know so well of Keynes.
I was a child.
And when I was a child, I spake as a child—
Grazie mille, King James—
I understood as a child; I thought as a child.
But when I became a man I jumped on the bus with the band,
Hopped on the irresistible bandwagon of Adam Smith.

Smith:  “Any last words, *******?”
Okay, you were right: man is rationally self-interested.
Grazie tanto, Scotch Enlightenment,
An intellectual movement driven by,
An alliance of Calvinists and Illuminati,
Freemasons and Johnny Walker Black.
Talk about an irresistible bandwagon:
Smith, the gloomy Malthus, and David Ricardo,
Another Jew boy born in London, England,
Third of 17 children of a Sephardic family of Portuguese origin,
Who had recently relocated from the Dutch Republic.
******* Jews!
Like everything shrewd, sane and practical in this world,
WE also invented the concept:  FOLLOW THE MONEY.

The lyrics: if you were really listening, you’d get it:
Respiration keeps one sufficiently busy,
Just breathing free can be a full-time job,
Especially when--borrowing a phrase from British cricketers—,
One contemplates the sorry state of the wicket.
Now that I am gainfully superannuated,
Pensioned off the employment radar screen.
Oft I go there into the wild ebon yonder,
Wandering the brain cloud at will.
My journey indulges curiosity, creativity and deceit.
I free range the sticky wicket,
I have no particular place to go.
Snagging some random fact or factoid,
A stop & go rural postal route,
Jumping on and off the brain cloud.

Just sampling really,
But every now and then, gorging myself,
At some information super smorgasbord,
At a Good Samaritan Rest Stop,
I ponder my own frazzled neurology,
When I was a child—
Before I learned the grim economic facts of life and Judaism,
Before I learned Hebrew,
Before my laissez-faire Bar Mitzvah lessons,
Under the rabbinical tutelage of Rebbe Kahane--
I knew what every clever child knows about life:
The surfing itself is the destination.
Accessing RAM--random access memory—
On a strictly need to know basis.
RAM:  a pretty good name for consciousness these days.

If I were an Asimov or Sir Arthur (Sri Lankabhimanya) Clarke,
I’d get freaky now, riffing on Terminators, Time Travel and Cyborgs.
But this is truth not science fiction.
Nevertheless, someone had better,
Come up with another name for cyborg.
Some other name for a critter,
Composed of both biological and artificial parts?
Parts-is-parts--be they electronic, mechanical or robotic.
But after a lifetime of science fiction media,
After a steady media diet, rife with dystopian technology nightmares,
Is anyone likely to admit to being a cyborg?
Since I always give credit where credit is due,
I acknowledge that cyborg was a term coined in 1960,
By Manfred Clynes & Nathan S. Kline and,
Used to identify a self-regulating human-machine system in outer space.

Five years later D. S. Halacy's: Cyborg: Evolution of the Superman,
Featured an introduction, which spoke of:  “… a new frontier, that was not,
Merely space, but more profoundly, the relationship between inner space,
And outer space; a bridge, i.e., between mind and matter.”
So, by definition, a cyborg defined is an organism with,
Technology-enhanced abilities: an antenna array,
Replacing what was once sentient and human.
My glands, once in control of metabolism and emotions,
Have been replaced by several servomechanisms.
I am biomechanical and gluttonous.
Soaking up and breathing out the atmosphere,
My Baby Boom experience of six decades,
Homogenized and homespun, feedback looped,
Endlessly networked through predigested mass media,
Culture as demographically targeted content.

This must have something to do with my own metamorphosis.
I think of Gregor Samsa, a Kafkaesque character if there ever was one.
And though we share common traits,
My evolutionary progress surpasses and transcends his.
Samsa--Phylum and Class--was, after all, an insect.
Nonetheless, I remain a changeling.
Have I not seen many stages of growth?
Each a painful metamorphic cycle,
From exquisite first egg,
Through caterpillar’s appetite & squirm.
To phlegmatic bliss and pupa quietude,
I unfold my wings in a rush of Van Gogh palette,
Color, texture, movement and grace, lift off, flapping in flight.
My eyes have witnessed wondrous transformations,
My experience, nouveau riche and distinctly self-referential;
For the most part unspecific & longitudinally pedestrian.

Yes, something has happened to me along the way.
I am no longer certain of my identity as a human being.
Time and technology has altered my basic wiring diagram.
I suspect the sophisticated gadgets and tools,
I’ve been using to shape & make sense of my environment,
Have reared up and turned around on me.
My tools have reshaped my brain & central nervous system.
Remaking me as something simultaneously more and less human.
The electronic toys and tools I once so lovingly embraced,
Have turned unpredictable and rabid,
Their bite penetrating my skin and septic now, a cluster of implanted sensors,
Content: currency made increasingly more valuable as time passes,
Served up by and serving the interests of a pervasively predatory 1%.
And the rest of us: the so-called 99%?
No longer human; simply put by both Howards--Beale & Zinn--

Humanoid.
Mikaila Sep 2018
The day you got your hair cut
I went to a lesbian bar after work.
It was 3
And I was tired
But I went straight there
Because I had to do something.
I knew it was a lost cause before I even got there.
The back of my neck was prickling with tension
With fear
Because I knew I was too late.
Somewhere in the depths of my soul
My free will was on a gurney,
Cold.
But I couldn’t help it-
I needed to feel like I had control,
So I went inside.
People were dancing.
None of them held themselves the way you do
Like a marble statue that has set down axe and shield and stepped off the plinth for a brief rest
(You will be returning to battle shortly-
After you fix your eyeliner.)

I did a shot
Because that’s what you do.
They were free- *** on the Beach.
I sat there,
Wondering why the fact that you named your cat Heathcliff as a child meant that I had to love you.

I decided that I needed something stronger in the way of alcohol.

A girl with soft brown eyes and long hair came up to me.
Her name was Tiffany.
She wasn’t clever like you
And her voice
Wasn’t low and rough like yours
But she told me I was pretty.
I already knew, but I thanked her.
I felt nothing.
She wasn’t interesting
Or funny
Or smart.
She was attractive- beautiful even, I suppose,
And maybe she was kind.
She bought me a drink,
And mistook my sadness for shyness.
As I answered her questions I was afraid your name would fall from my lips like a seed
Take root and grow up through the floorboards.
Nothing she said changed me, nothing I said back changed me,
And my thoughts kept snagging on you
Tearing and unraveling.
I needed you out of my head.
She was looking at me with big eyes
And I suppose they were compelling
But they weren’t yours-
Rimmed with black, hypnotic and stormy at times, sparkling with mischief at others,
Forever changing and forever captivating,
Windows to a soul I fiercely wish I knew-
They were just eyes, and maybe they were vulnerable
Or curious
Or sweet.
I kissed her so that I could stop looking into them
And not seeing you there.
Her lips tasted like nothing.
I closed my eyes and kissed her harder,
Hoping for a reason to forget you.

We were beautiful, I knew that.
I could feel eyes on us-
Two small, lovely women
Tangled on the dance floor under the lights
Fingers in each other’s hair-
We must have looked
Just like lovers.

I searched for a way out of my feelings for you.
I kissed her for a long time, until we were both gasping.
I found nothing.
In my frustration I pulled her head back,
Bit her lip
Pressed my fingers hard into the back of her neck
And I felt her lust
But not mine.
It was nice to be wanted
But not nice enough.
I wanted to hurt her for touching me
For not being you
So I pulled away
And kissed her cheek gently
My hands beneath her jaw.
“Wow,” she said.
I couldn’t look at her.
That tenderness wasn’t hers
But it didn’t matter.
I kissed her hands
In penance disguised as sweetness.
Suddenly all the anger was gone from me
And I felt desolate.

That night I walked home with my head buzzing.
I wasn’t drunk,
I was sober as hell
Head pounding with thoughts of you.
I hated it.
I hate it.
Somehow I fell into this feeling
And I’ve been fighting not to drown ever since.
When I look at you
I feel everything I wish I’d felt while I was kissing her
And more
That I sometimes wish I’d never feel again.
Sometimes I think you see it.
Sometimes I know I cover for it badly.
Sometimes, when you’re suddenly present
Like the sun has turned on just for me
And then distant later
Like the sea at night
I think you know I already love you.
Maybe you hate it like I hate it.
Maybe you worship it like I worship it.
Maybe you fear it
And I don’t blame you.
A storm presses out against my skin when I look at you
And I’m surprised no chaos seeps through.
My bones hum with it
My heartbeat reaching like thunder into my fingers.

I’ll probably never kiss you
And maybe that’s for the best
Because even being near you makes me feel like I’m falling from somewhere high up.
If I kissed you, I’d feel everything, I’m sure of it-
Everything there is to feel
And it would end me
And I would be grateful.

I wonder if you ever see that in my eyes.
That fear, that longing, that shame and joy.
A love and loathing so intense it scalds.
‘I can’t believe I’m here again,’
It pounds through my veins.
‘I can’t believe I love another person
Who is always looking elsewhere.’

Just know, if you ever discover how I feel
That I tried to **** it.
I looked at this beautiful feeling
A feeling you could pray before like an altar
A feeling you could whisper into like a temple- barefoot and cold with wonder- and hear your soul echo back,
I looked at the sacred piece of humanity that had suddenly risen in my heart like a hymn
And I tried to silence it-
I tried hard-
So that you would never have to fear it.

I failed. It lives.
It took root in me, and whenever I speak your name little harsh flowers push their way up through the concrete under my feet, sending cracks out like jagged spiderwebs.
They bloom like wounds.
They kiss the sky.
And, slowly,
They are crumbling this city to dust.
Title is a quote from Milton’s Paradise Lost, spoken by Lucifer.
Nomen Jun 2020
Jason and the Argonuts

I heard about it from a coworker who thought it was a joke. Had seen it on an internet message board. Found it hilarious. I don’t. I’m certain I know what’s really going on. What’s hiding in plain site. And I want to see it for myself. Seems that most people who’ve come across it just write it off as kids messing around. After all, who would take this sort of thing seriously? If somebody were to do so, goodness knows there might be a pretty big mess.
Follow the directions I found online to this place called Joe’s Pizzeria. Find the brick oven. Press a secret button. The oven changes form. There's a mahogany door. I descend a stairwell, which opens into a small basement room. There are a number of chairs arranged in a circle. Four of them are occupied.
Without making it too obvious, I try to determine the safest place to sit. Across from some hipster with a pencil-thin mustache, I see a pair of identical, androgynous twins. Both wear identical jogging suits. A few chairs to the twins’ right sits a Native American looking fellow in full headdress. He stares blankly at the wall, making a slow chopping motion with his right hand. I take a seat closer to mister moustache.
Well, this is it. There's nothing to do now but wait.
A few minutes pass in almost complete silence, save for some giggling on the part the twins. Suddenly, the basement door swings open. In walks a portly redheaded man, wearing a neon yellow shirt and green cargo pants. He smiles and waves to everyone, then sits down next to me. I try to ignore the stench of what I believe is asparagus.
“Well, I see we have a new face here tonight!” He exclaims; “Always happy to see a new face!”
He looks at me and I realize it’s time to do what I came to do.
I stand.
Breathe in. Breathe out.
“Hello, my name is Dan, and I’m a serial killer.”  
“Hello, Dan,” the group responds in a collective droning voice, resemblant of worshipers at Catholic mass.
“Yes, hello to you, Dan!” the man in the yellow shirt huffs out, getting to his feet. “It’s splendid that you are able to join us. I’m the group leader, Jason. Welcome to Serial Killers Anonymous!”
I simply stare at him. I have no idea what to say.
“Okay, first and foremost, I want you to know that even though you’re new, I trust you like I would any of our more established members. Call me crazy, but I think we’re all in this together! So, it should go without saying that what happens in this basement stays in this basement. All members are prohibited from discussing group with outsiders, except when promoting the idea that it’s only an internet gag. Also, to help newcomers feel more comfortable, I like to share my personal history with them right off the bat, along with how it relates to the founding of this group. Once I’ve finished, one of our older members, I suppose it will be Mark, will tell the story of how he came to join us. And after that, you’ll get a chance to speak, if you choose to do so.
“Now, as should be obvious, I am a recovering serial killer. The news media referred to me as the Coat Hanger Killer. I was credited by our local Olympia County police with the murders of twenty prostitutes. In reality, though, there were a half dozen more. And there’s no telling how many more women I would have killed if I had not confronted just what it was that drove me to commit such atrocities and dealt with it.”
I return to my seat and it hits me...this man is the Coat Hanger Killer? The Coat Hanger Killer, also known as Hanger-Man to true crime aficionados, was a hero of mine when I was younger. He got the name because he was known for inserting straightened coat hangers into his victims’ vaginas. After the Coat Hanger Killings inexplicably stopped, authorities presumed Hanger-Man to be either dead or incarcerated for other crimes. There’s no way he could be this ginger with the loud shirt.
“I was born out of wedlock to a teenage mother,” he continues. “Raised in a strict Christian household. As a naturally rebellious person, my mother resented her puritanical upbringing and began engaging in promiscuous behavior at an obscenely young age. She thought it would be liberating, but her sleeping around led to an unwanted pregnancy It is not even clear who the father – my father – might have been.
“Well, my mother wanted to get an abortion. And knowing how desperate she must have felt, I cannot blame her. But when she went to a clinic, she learned that legally speaking, minors are not allowed to decide such things on their own, which lead to my being born. Mother was less than thrilled about this. In retaliation, she became more promiscuous than ever. And it did not take long for her to get pregnant again. However, this time, she decided to take matters into her own hands –’’
The narrative is interrupted when one of the twins suddenly blurts out,“With a coat hanger!” This elicits some chuckling from the other, which dissipates upon a severe look from Hanger-Man. He continues speaking.
“Yes, that's right. She went into the bathroom and after what must have been a grisly spectacle, my mother was no more. And there’s no denying just how much this damaged me. I spent a good deal of my childhood crying alone in my room, thinking about my mother’s licentious behavior. Thinking about her death. It absolutely tore my mind to pieces! To pieces! And eventually, all my obsessing over promiscuity and coat hanger abortions led me to become the Coat Hanger Killer.”
All the true crime books I’ve read dealing with the Coat Hanger Killings suggested that the killer did not hold himself in high esteem, which accounted for his tendency to violate his victims with an object so lacking in circumference. It's amusing how wrong they seemingly were...unless there’s some oedipal thing going on here, which wouldn’t surprise me.
“I was utterly consumed by my desires.” he continues. “I obsessively thought of new ways to ****** prostitutes and not get caught. Yes, the sad truth is that my entire life revolved around serial killing for a number of years.”
He stops talking and stares up at the ceiling, letting out a deep breath, apparently orchestrating some sort of dramatic pause.
“When I finally realized that serial killing had taken over my life, I knew I had to change. And I did. And you can change, too!”
At that, he looks at me with pleading puppy dog eyes. This man, who has taken at least a score of human lives, is now using the cutesy approach in an attempt to establish a connection with me.
“Do you want to change?”
“Yes,” I lie.
“Then let’s get to it! Let the healing begin!”
And it begins.

The moustached man rises from his seat.
“Yeah, I’m Mark You all know me, except for the new guy. I’m Mark and I’m a serial killer.”
I mouth along as the group drones its greeting.
“I don’t wanna be here, but I don’t have a choice. If I don’t go to these meetings, my wife says she's gona leave me. See, this one night, I had just finished up with something I saw in a Ranch Burger parking lot. Wound up getting caught by my wife, stuffing it under our bed! I like keeping my finds under there after I’m done. It helps me get my rocks off when I’m nailing the old lady. Trouble is, before you know it, the body starts to stink. Then you gotta toss it. Good thing my wife has asnomia! Anyway, I almost had the whole thing hidden, when she comes in the bedroom. I didn’t even realize she was in the house! See, I was having some trouble getting the head underneath the bed frame, 'cause this one, lemme tell you, this one had a huge ******’ head. And my wife, she starts screaming and ****. Says something like, 'Mark, tell me you aren’t shoving a corpse under our bed! Please, tell me you aren’t!’ So, I told her I wasn’t.”
Mark’s witticism leads to raucous laughter from the twins, again ended with a severe look from Hanger Man. I stifle a yawn. The Indian remains impassive. Our orator continues with his narrative.
“I’m glad you guys find it funny, because my wife sure as **** didn’t. She fell to her knees and started crying. I swear, if there’s one thing in the world I can’t stand, it’s to see that woman cry. Breaks my heart. Except all of a sudden, she stops crying and starts screaming about how she knows what I’ve done and wants a divorce! So, I go up to her, put my arm around her shoulder, and tell her how sorry I am. Then I promise I’ll never shove another body under the bed. She asks me if I mean it and I say yes, figuring that’ll be the end of it. But then she starts begging me to swear that I won’t even score anything anymore. That I’ll quit. Quit for good!
"Well, I’d do anything to make my wife happy, right? So, I kiss her on the forehead and tell her nothing bad like that is ever going to happen again.
“But I’ll be ****** if the very next day I didn’t start getting that old itchy feeling as soon as I woke up. It was so strong I just couldn’t ignore it! Knew I was gonna have to score something soon as I got the chance. Of course, being so desperate, I wound up snagging this ***** that was all fat and gross at some supermarket. I did my business, then drove home and decided to leave the body in the garage, because I thought my wife never went in there. But go figure, she just had to pick that night to go ******’ exploring! Winds up seeing me ***** ******’ the ugliest, grossest, fattest score I ever made in my life. It was embarrassing, you know? Especially with how flat-chested my wife is.
“Anyway, to my mind, I had sort of kept my promise. I mean, I wasn’t putting anything under the bed, was I? But she didn’t see things like that. Just ran off in tears. Went right upstairs and locks herself in the bathroom. I eventually talk her out, but get the silent treatment for a couple days. Eventually, when she’s finally willing to talk, she tells me about this group. Says I go or else she’ll pack her **** and leave.”
“Excuse me, Mark,” Hanger-Man interjects, “but you are misrepresenting the character of your marriage! At last week's meeting, while you were occupied in the bathroom, your visiting wife revealed very much indeed about how you really treat her!”
At that, one of the twins decides to speak at length.
“Hey! Our dear leader isn’t going to let you get away with lying about your spouse, you know. Why, I bet he likes your wife so much, he wants to stick a coat hanger up her ****. After all, that’s the only way of showing affection he really knows.”
Both twins again erupt in laughter, this time so strongly that they fall out of their chairs. Hanger-Man leaps to his feet and begins chastising them for their lack of respect, which only seems to cause them to laugh even harder. Sensing failure, he throws up his hands in frustration and apologizes to me for not getting to my story, then announces that the meeting is to end early due to Nat and Richard's unruly behavior.
I wonder which one is which, but my interest fades. I head to the exit. Walking past Mark, I hear him talking to himself. Think I catch him say something about his “***** wife leaving,” before he sits down and buries his face in his hands. It occurs to me that a group of serial killers meeting in the secret basement of a pizzeria is strange enough without one of them bringing along his wife.
Open the door and head up the stairs. A man with flour on his hands, who was not here when I arrived, watches me coming out from behind the brick oven. I’m sure I see him wink as I leave.

Five minutes pass. I am standing in front of Joe’s, having decided to take a taxi home rather than walk. I'm trying not to stare at the Indian, who's situated next to a woman who'd been waiting outside in a **** nurse costume. He rests on his haunches, slowly rocking back and forth, still steadily chopping away at nothing. Everyone else from group has departed, the twins notably in a chauffeured limousine, whose driver bore a striking resemblance to Gene Wilder.
I feel uncomfortable. Perhaps I should try to make conversation.
“I’m pretty tired. Hope a cab comes soon.”
A grin appears on the strange man's face, which seems to stretch all the way back to his ears. The tomahawking stops. I wonder what would happen if I were to reintroduce myself.
“My name is Dan, as I said inside, but I think I should make a more formal introduction. It’s a pleasure to meet you. I’ve never met a Native American before.”
“Chief Killing ******, round eye. Pleasure is all mine. And the reason you haven't met any of us is because there are not that many of us.”
A taxi mercifully appears.
“Yes, you’re right. See you next time, Chief.”

Romance

All alone in my apartment. I can find no reason not to give in to myself.
Down the stairs. Make my way through the vestibule and onto the street. Experience love at first sight with the anorexic looking woman standing on the corner of Seton Place and Ocean Parkway, waiting for the R-13 bus.  Approaching her, I get aroused. Ask for the time. She turns to speak with me. I pretend to examine the bus schedule. I have not looked a woman in the eyes since I began ******* at the age of eleven.
She tells me the time and I thank her, then quickly turn away so she will not notice my arousal. Our brief conversation replays itself in my mind until the bus comes.
We board and I sit as far away from her as possible, trying to position myself in such a way that my ******* will remain unseen. I wonder what stop she’ll get off at. I’ll get off there, too.

Our stop happens to be 2nd Street, between Peters Avenue and Chambers. My ******* has subsided. I am able to rise from my seat without concern. She exits from the front and I from the back.
Hide behind a minivan. Peer around it and see her enter a nearby apartment complex. She lives right here. As she fumbles around in her handbag looking for the right key, somebody wearing a U.S. Navy “Fear the Goat” baseball cap storms out of the building, slamming into her. She loses her balance and falls. The man continues on his way. He reaches the corner and turns out of view. She stands and regains her bearings, giving me time to ready the handkerchief and chloroform that I always keep with me.
Soak the handkerchief in chloroform.
Look to the left. To the right. Nobody is coming. Dash out from behind the minivan and head for my patient, who is just now opening the door.
Before clasping the rag over her mouth, I realize I have not planned our session very well. Where will I take her? Will we be seen? It doesn’t matter. I’ll think of something if the need arises.
After a brief struggle, my patient slumps over, dropping her keys. I bend over to get them, trying to cop a feel on the way back up. Enter the building and head for the nearest apartment door. Suspect it will be hers.
I keep her arm over my shoulder. Hold her by the waist, keeping her semi-*****. The feeling of having her limp by my side I can barely describe.
Now we’re almost there.
Almost –
I feel the rudiments of an ******* forming as I lock the door behind us. Home sweet home.

We have been in her bedroom for long enough to prepare for our session. I gaze at my patient, supine and unmoving. Seeing such perfection makes me lose control. Open my zipper, reliving each moment of tying her wrists to her bedposts. How I bound her with old, unwashed *******. ******* I found balled up, forgotten under her dresser, just waiting to be sniffed. I start jerking myself off. And this, I believe, means our session is ready to begin.
"Well, to start things off, why don’t you tell me a little bit about yourself? Just whatever comes to mind."
Silence.
“How about your your name?”
Silence.
“What do you hope to get out of therapy?”
Silence.
“Where do you tend to purchase your feminine hygiene products?”
Silence.
“Do you generally get along well with your family?”
Silence.
“What is your favorite color?”
Silence.
"What’s your favorite word?"
Silence.
“Are you perhaps feeling a bit uncomfortable at the moment?”
Silence.
“Do you find me attractive?”
Silence.
“Assuming you no longer do, at what age did you stop believing in the tooth fairy?”
Silence.
“Can you name a word that begins with the letter ‘s’?”
Silence.
Stop mid-stroke. My patient has not yet moved a muscle, made a sound, nor otherwise offered any response. Perhaps it’s not surprising that she would show so little trust in her psychotherapist.
"If you are going to be this uncommunicative, there is no reason for our session to continue. Good riddance to whatever is lurking around in your id; I see that I have no choice but to terminate our relationship."
Shove my ***** back into my pants. Hands won’t stop shaking. Stumble out of the bedroom. Out of the apartment. Onto a quiet, empty street. Still shaking. Head for the bus station, but can’t make it halfway there before feeling on the verge of collapse. Make a detour into an alleyway. Fall to my knees. *****. Curl up on my side and my mind slips away...

Going Under

Apparently, time passes. I find myself standing in front of my place of employment, the Pointer Funeral Parlor. Grasping the doorknob with my handkerchief, as I can't stand to touch it with my bare hand, I open the door. Head in. Immediately see the old man, Mr. Pointer, the owner. He approaches me. As I put my handkerchief away, he shakes a newspaper in my face.
“Singer!” You know the news about that ****** downtown?”
“The ******..?”
“Look at this paper!”
He slaps the newspaper into my chest.
“Somebody smothered a woman to death with a rag soaked in chloroform. Used so much that her heart crapped out. They found traces of it in her nose and throat. Seems she died pretty quickly.
“But guess what? She came from a loaded family and we’ve got her! Sam’s downstairs with the body right now. Probably almost done.”
“I am aware of what happened, Mr. Pointer. I knew the girl. She lived just a short bus ride from my apartment. May I go downstairs? I’d like to pay my respects.”
The old man eyes me suspiciously.
“That’s what funerals are for. I pay you to keep this place tidy, not ogle the clients.”
“I will have to sterilize the embalming room when Sam finishes, anyway.”
The old man gestures around the room, “What about all the garbage here that needs to be cleaned up? I can’t have my place of business looking like an embarrassment.”
“Shouldn’t take longer than a moment, Mr. Pointer.”
“Make sure everything is immaculate! I don’t need a custodian who is unwilling to do his work. I know what you're up to. Did you think that I’d believe your story about knowing the client?”
“She was…something of a casual acquaintance. I did not know her very well. She was not in the habit of opening up. A quiet sort of person, really.”
“Well then your grief shouldn't hinder you in performing your duties here as my employee! I swear, if not for the fact that there just aren't many people lining up for jobs cleaning funeral parlors, I’d have fired you years ago. Now get to work. You can do the downstairs later.”
              Mr. Pointer scowls at me and takes his leave. When he is out of sight, I make my way to the basement.

                “Dan Singer! You little snake in the grass, what are you doing down here? Don’t you have work to do upstairs?”
“Your grandfather said I could take a break and see you.”
“Ha! I’m sure he did. “
Samantha rushes in my direction. She smells strongly of formaldehyde. I pretend to find the odor unpleasant, so as to be able to look around the embalming room as she approaches me.
“I’m so happy you’re here. I could use a little break, myself.”
My eyes settle on the body of my former patient, which rests on a table on the far side of the room. Everything else seems very far away.
“…I don’t know why I ever got into the profession of ******* around with dead bodies. Stupid family business. It’s gross. Well, I do tend to enjoy the macabre. But the way you Jews handle things is far better. Just put the corpse in the ground. Be done with it. I know you haven’t been religious since you left your family, but…”
Our session seems as if it had taken place a lifetime ago. It's almost as if it couldn't have been real at all.
“…And the fact that I’m stuck working for my grandfather is just one more pain in the ***, you know? He really is one stereotypical grumpy old man. Hey, Dan? Hello! Earth to Dan!”
“Oh, sorry about that. I’m a little bit distracted. I was a friend of that woman over there.”
Samantha’s voice takes on an almost annoyed quality.
“You were? I’m so sorry. A close friend?”
“No. More like casual acquaintances, really. I just find it strange that she'd wind up here.”
“Pretty ****** up, isn’t it? So many young women disappearing, or plain turning up dead these days. It had me on edge for a while. Remember a few months back when that lady disappeared from the Ranch Burger? I eat there all the time! Couldn’t believe it. Thank goodness I read about that goof serial killer group. Helped me laugh about the whole thing.”
“I’m sure whoever thought it up must be a real character.”
“Oh! You should totally check out the site it was on, if you haven’t. Didn’t I send you an email with the link? I forget the name offhand. With the Slinkee logo. It has all sorts of weird ****. There was a great joke on there yesterday. Something like, ‘Did you hear about the guy who liked to play Russian roulette while *******? He really shot his load!’ Ha!”
I force a smile.
“Samantha, don’t ever let anyone tell you that you don’t have a great sense of humor.”
She seems very pleased and smiles back at me, drawing a bit closer.
“Uh, Sam. What are you doing?”
“Nothing.”
Closer.
“Uh, Sam?”
“Huh?“
I turn toward my former patient, looking for help. She is in no position to offer any. “Dan, are you all right? You don’t need to be so shy when I’m around. We’ve known each other for years. I know that you're upset about your friend. You can talk to me about it, if you want.”
“I'm sorry, but I don't.”
Samantha frowns.
“Well, if you do, you know where to find me. Anyway, I’m going to take a trip to the  restroom upstairs, then speak with my grandfather. Maybe you can say goodbye to your friend while I’m gone.”
“Oh, yes. It was nice chatting with you, Sam.”
“Yeah, you too.”
Samantha fusses with her hair a bit and heads to the stairs.
Up the stairs.
The basement door closes.
Now.
Rush across the room. Within seconds, aroused and exposed, I empty myself over the face of my object of affection. Fumble about in my pocket for the handkerchief. Clean her nose and mouth. Run to the stairs. Out the basement. Out the building. This is the last time I will ever pass through that door. I do not even think of looking back.

The Golden Fleece

It's that day again. On my way to group. I have not returned to the Pointer Funeral Parlor since reuniting with my patient. Samantha has called me several times and left messages inquiring as to my whereabouts. Mr. Pointer has called once and informed me that should I not return to work, I can consider myself fired. He seems to not have considered the possibility that I might have quit.
Approaching Joe’s Pizzeria, I see the twins. They are engaged in what appears to be a lively conversation.
“You see, ****, here’s what it is. I fear death just slightly more than I hate life. That’s what keeps me from offing myself.”
“We all appreciate that you're hanging in there.”
“Oh, *******. I’m glad you can find satisfaction being a nabob trust fund baby, but I’ve never given enough of a ****.”
“I employ my position in a number of ways that enhance our fine city’s cultural standing.”
“What? You mean like giving money to museums and the opera? You think anybody cares that you’re a patron of the farts? Opera only exists so that fat Italian guys can get laid.”
“*******.”
The twins stare at one another for a bit.
“You know, I appreciate the arts. Really, I do. I once stuck my **** in a copy of Hamlet.”
“Did you?”
“Yes. Your copy, in fact.”
“Disgusting.”
“Then I stuck it in a copy of Othello. After that, Hamlet just wouldn’t do it for me anymore.”
Both twins are overcome with fits of laughter. After the better part of a minute, it subsides.
“Ah, Dan. Good evening to you.”
“Hello, Dan!”
“Hello.”
“Off anyone recently?”
“Oh, don’t put it so boorishly.”
“No.”
“Oh really?”
“Even my sibling reads the Times.”
“There was a great story recently.”
“A crime story.”
“A ******.”
“A woman was found dead in her apartment. ******* all *****-like to her bedposts with her underwear. Nothing was taken and the woman hadn’t been sexually assaulted. She hadn't even been undressed. She'd simply been given a fatal dose of chloroform.”
“How strange so much information would be given in the paper.”
“It is curious, indeed, ****. But this is a strange world and these are strange times. And I’m willing to bet that our friend over here has been contributing to the strangeness of things. I mean, this chloroform killing was quite obviously not done by us.”
“We prefer little boys.”
“No. You prefer little boys. I also like little girls. And I have to endure as best I can our monotonous and boring escapades. Ours, as you know, is an associated effort.”
“Little girls irritate me.”
“Well wouldn’t you want to ******* **** them, then? Ugh. Brother. Anyway, we know we didn’t do this last ******.“
“And it certainly wasn't Chief Killing ******. He’d have made a far bigger spectacle of the thing.”
“So, since Jay’s no longer active and leaving bodies behind isn't Mark’s style, that leaves you.”
“It might have been somebody from outside of group,” I suggest.
A half smile spreads across one of the twins' faces.
“What! Are you denying it? Why the **** would you attend a serial killer support group if you aren’t going to dish out all the greusome details of your ***** deeds?”
“Some things are best left private,” I respond.
“Yeah, like a *****’s privates?”
One of them chuckles quietly.
“Hang on, are you intimating that our friend was unable to perform sexually?”
“I think he was limp as the left side of a stroke victim.”
“Oh, was that the case, Dan? Were you unable to attain arousal?”
“I do not want to talk about this.”
“Oh, of course you don’t. I wouldn’t.”
“Me either.”
“Well then, about what would you like to talk? We do so love making friendly chit chat, you know.”
“Nothing. There's no time. Group is about to start.”
“Oh, he's right. We should get heading in. I bet Mark has some great stories about his **** of a wife for us this week.”
“I am certain that he does.”
Wondering why I even came back for another meeting and strongly wishing that I were not in the twins' company, I enter the pizzeria. They follow closely behind. We make our way to the basement.
Everyone from last week's meeting is present, along with an excited seeming man. He wears a grey fedora and grey trench coat, under which he appears not to be wearing any pants.
“Welcome, welcome!” Hanger-Man exclaims in greeting. “We've all been waiting for you, but me especially. I must make a very important announcement! We will not be having regular group. Sadly, this means that Dan will not be able to tell us his story. Sorry, Dan. Still, everybody please be seated, so that we may begin.”
Everyone takes a seat.
“It is so wonderful to have the whole lot of you here. The twins. Mark. The Chief. Dan. What a splendid group! Truly, just the sort of people I think I need to begin the first stages of a wonderful project on which I have been working with my very good friend Marvin. Say hello, Marvin.”
“Hellooo, Marvin!” exclaims the guy in the trench coat, waving his arms above his head.
“Really enthusiastic guy, isn't he?” sneers Mark.
“I find his enthusiasm infectious!” retorts Hanger-Man. “And I am certain that you all will as well, once you hear a little bit about what he and I have been planning. You see,  I have always seen our meetings as potentially being much more than just a support group for individuals sharing our particular affliction.
“So much more! You guys don't even know the half of it!” Marvin exitedly chimes in.
“That's exactly right!” exclaims Hanger-Man, giving a thumbs up. “For you see, given my personal history, I knew I could help others overcome their murderous desires. After all, I was able to overcome my own. However, I realized that beyond simply assisting people in learning to control themselves, it would be better to also focus their energies in a new direction. Yes, to focus their energies in a new, profitable direction! For what I envisioned would function not merely as a support group, but as the core of what can only be called a great exercise in entrepreneurship! Isn't that right, Marvin?”
“Yep. Jason used to talk to me all the time about how he had these wonderful ideas, but lacked the people he needed to put them into action.”
“Excuse me!” interrupts one of the twins. “But just who's this Marvin guy, anyway?”
“I was wondering the same thing, myself,” adds the other.
Hanger-Man slaps the palm of his hand to his forehead.
“Ack! I suppose I should have made a proper introduction, what with the sensitive nature of our dealings here. Well, you see, Marvin is an old friend of mine. We grew up together. The two of us lost touch as teenagers, but rekindled our relationship a few years ago, after bumping into one another at an upscale cat house in Las Vegas.”
“I was there to **** a ******,” explains Marvin. “I'd never ****** a ******. Always wanted to, but never had the chance.”
He looks around the room as if hoping for a sign that someone else might share this particular interest. Not finding one, Marvin sighs.
“I'd seen a TV show where a guy went to Vegas and was able to **** a ******. It's how I got the idea.”
“Hey, whatever floats your boat, Marv!” shouts one of twins, barely able to refrain from laughing.
“All right, all right,” says Hanger-Man. “As I was trying to explain, Marvin and I wound up reconnecting after many years of not having seen one another. It took no time at all for us to pick up our friendship right where we had left off. And even though I was a bit wary of doing so, I found myself admitting to him that I, his old friend Jason, was the notorious Coat Hanger Killer.”
Marvin solemnly nods his head.
“It was a bit of a shock.”
“I know it was, Marv, but you took it in stride.”
“Excuse me!” again interrupts a twin. “But why the **** isn't this guy wearing any pants?”
Marvin, apparently embarrassed by this remark, attempts to adjust his trench coat so that it will hang lower below his knees. It doesn't.
“Enough!” erupts Hanger-Man. “No more interruptions! I'm trying to tell a story, here!”
He scowls at the twins. They adjust themselves in their seats and cross their hands in their laps, each smiling mischievously. Hanger-Man clears his throat, then resumes his tale.
“All right, it was not too long after my confession to Marvin that I began to reflect upon what I'd been doing with my life. I suppose finally opening up about my activities to someone else allowed me to also be more honest with myself. I searched my soul and was able to trace the origin of my behavior back to what had happened with my mother. Not too long after that, I abandoned serial killing. Yes, Marvin was the catalyst for my abandoning serial killing.”
“I was very proud of you,” says Marvin. “It was a big change to make.”
“Indeed it was, my friend. But I was able to make it, thanks in no small part to you. And so,  after forsaking the murderous path on which I was traveling, I began contemplating what I next wanted to do with my life. And it was at this time that I first began to develop the idea of forming our group.”
“We started discussing it, you see, over drinks at a return visit to the ***** house,” adds Marvin. “Jason told me that he wanted to do some outreach. I told him it would be a great idea and everything picked up from there.”
“It occurred to me,” continues Hanger-Man, “that the group should encourage its members to focus their energies on something other than committing murders.”
“You mean that entrepreneur ****?” asks Mark.
“Entrepreneurship, yes,” answers Hanger-Man.
“Jason had such a great idea, I immediately signed up,” says Marvin, “and I think all of you should as well.”
“Signed up for what, exactly?” Mark asks him.
“A no fail money making opportunity!”
The twins look at one another, grinning. Mark's face lights up.
“Well, ****! I could use some extra cash,” he says. “I need to buy a taller bed frame.”
Hanger-Man smiles in elation.
“I think, Mark, that this might be just the thing for you!”
“Well, how's it work?”
“It's quite simple, really” explains Marvin. “You first join the program, which Jason has named 'The Golden Group,' by paying an initial fee. Then you convince others to join. With their payments, you begin making back your original investment. When the people you recruit begin finding new investors, you get to collect on what they earn. So, as time goes on and more people join, the money just rolls right in!”
“Stop! Hold it right there!” cries out a twin. “You're trying to get us involved in a pyramid scheme!”
“Why, you scoundrel!” shrieks the other.
“Now just a minute, guys,” whines Marvin. “You have not even heard us all the way out.”
“Nor will we!” say the twins in unison. They clasp hands and rise from their seats.
“Hey, what gives?” asks Mark. “You telling me that this whole time we've been here, the group was really some scam?”
“That's right,” says a twin. “Jay and his friend have been waiting for enough people to arrive so that they could begin fleecing us all out of our money.”
“Come on, now,” pleads an offended looking Hanger-Man. “If I were really trying to do something like that, why wouldn't I have just targeted the two of you? You’re so well off that I'd imagine you have more money than everyone else here combined will see in their lifetimes!”
Chief Killing ******, who has been sitting silently throughout the meeting, suddenly springs to his feet and cries out at the top of his lungs. Everyone in the room looks at him. He shrugs his shoulders and walks out as if nothing happened.
“What the **** was that?” Mark wonders aloud.
“Who cares?” snorts a twin in response. “My sibling and I are out of here, too. Let's beat it.”
The Twins bow toward Hanger-Man. Before he can make an attempt to dissuade them from leaving, they turn and begin skipping away. I hear them laughing as they make their way up the stairs.
Hanger-Man tells them to wait.
“Will somebody explain to me what the **** is going on?” Mark demands. “This group's seriously just some scam?”
Hanger-Man looks at him pathetically.
“No, no, there's been a misunderstanding, Mark. Only a misunderstanding, that's all. Perhaps I should not have invited Marvin to sit in tonight. I thought that with the recent addition of Dan, the time had come to introduce everyone to my greater plans.”
I have had enough. Stand and rush for the door. Head up the stairs. Hanger-Man and Marvin yelling at me all the while. Exit the pizzeria and light a cigarette. I am halfway up the block when I hear someone call out to me from an alley not far off. I go to investigate.
“It is true, indeed, what they say. You cannot trust the white man.”
Peer into the alley and see Chief Killing ******, standing idly with his hands by his sides.
“Come here, I have something for you.”
Not entirely sure why I am doing so, I drop my cancer stick and enter the alley and approach the Chief. He smiles strangely and removes a silver whistle from behind the feathers of his headdress.
“I wonder, do you know why I am called Chief Killing ******?”
“No, I do not.”
“Then let me show you.”
              He places the whistle to his lips. A piercng shriek echoes through the alley.
               “Now you will see.”
              Nothing seems to be happening. I stare at the Chief in confusion for a few seconds, before I hear the clinking of high-heeled shoes. Dozens of pairs of high-heeled shoes, all of which sound like they are heading for the alley.
“I would like to introduce you to my *******.”
I see a series of strumpets, walking single file. They break line. Cover the wall to my left, to my right. They take formation in front of a dumpster at the back end of the alley, then finally close off the entryway. All wear pink miniskirts and black corsets. Black garters. Overly large, golden hoop earrings dangle comically from their ears as they take their places. The Chief stretches his arms above his head and yawns.
“Now they will show you what they do.”
More quickly than I can react, several of the prostitutes grab me from behind. One whispers into my ear that it will be fun to **** on my severed ****. She kisses me gently on the cheek. I am unable to refrain from getting an *******.
“Farewell, friend,” says Chief Killing ******.
A short, Arab looking ****** emerges from behind those standing at the alley's entrance. She makes her way in my direction, licking her lips and slowly drawing a forefinger across her neck. She holds a machete in her left hand.
I make no effort to struggle as I am forced to my knees. The ***** raises the machete above her head.
“This will not hurt a bit, my beloved.”
Close my eyes. Breathe in. Breathe out. I know it won't.
An ironic and contemporary take on the classic Orpheus myth by a modern Beatnik
yellah girl Sep 2017
the circus train comes to town once a year,
carrying Russian ballerinas & corporate America dropouts.
she brings an irresistible bouquet of
caramel apples & greasepaint, of
cotton candy & mechanical smoke.
the circus is a seductive beast, she'll grab your heart
between her teeth & she won't let go, like a
rabid dog.

when the show begins on opening night,
you'll be sure to grab a front row seat, right in the
Grand Stand, among the soccer moms & their sticky-faced toddlers.
you'll feel the childish delight bubble
in your chest when the music swells, when the elephants march
& the clowns tumble out in garish colors.

after the show, you'll stumble to the three rings with the
toddlers & their tired moms, right to the center ring, don't be
shy when the clown dressed in yellow & black,
like a bumblebee, comes towards you, a devilish grin on
his painted coal black lips.
your knees will tremble, you'll turn as red as his big nose, when he pulls your back to his solid chest, & he begins to juggle right in front of you.

"stick around, after closing" he murmurs in your ear, "that's when the real circus begins."

the circus is painted bright, a swirling mass of
red & blue, with sparks of yellow, ribbons of pink.
even when the show is over, the mystery is still
there, the sweet seduction lingers, like an old lover's fingers can trace circles on your skin in the dead of night.

when the bumblebee clown drags you around town that night,
as if he lives there & not you, you'll go along with him,
your heart racing fast, as fast as the girl dressed in
pink spandex flew from the cannon across the circus ceiling,
how could you have forgotten that?

he'll take you to McDonald's, ask you to pay for the meal, he's broke until Thursday at 2. of course. you split a small
fry and a chocolate shake, by then it's midnight,
he performs some simple magic tricks, balancing a
chair on the edge of his chin, snagging a shining quarter
from your brunette curls, watch out, girl, he's reeling you in,
he's as seductive as the circus.

he will walk you back to your college dorm &
he's sure to mention how it's been years since he has
been inside a dormitory, since clown college, yes it's real.
your roommate is gone & you're not ready to say goodbye
just yet, so you'll sign him in & guide him to your third floor
room.

he marvels at your textbooks & cuddles your teddy bear
brought from home, while you drink him in, solid, squat,
a true Texican, his skin is brown as caramel, & you wander
if he will taste just as sweet. he'll notice your blush, & pull
you close, pinch your hips, nuzzle your neck & kiss you hard,
maybe a bit too hard.

he lays you on your back, & you're naked, you're scared,
vulnerable, you watch him dip his head & kiss you, nibble you in that sweet, sweet forbidden spot. there's a black coal
in your chest, in the pit of your stomach, you're disgusted,
you're curious, you taste the circus firsthand, gagging.

the circus will remain in town for
an entire week, & for an entire week you have a
circus clown as a boyfriend.
you take him on adventures around your college campus,
to your favorite burger spot, to the big water balloon fight
& he'll show you the circus world, you'll hug
an elephant, you'll drink your first beer in Clown Alley,
& you'll watch the show a dozen times.

he'll write you a love letter on your skin, caramel drips on
China porcelain, he'll leave bruises in the shapes of hearts,
& you'll cry when he leaves, it's only been a week, but
it's been a lifetime. he'll hold you tight, too tight, and he'll whisper,

"it's only a year, i'll see you in a year."

when the circus train leaves, the asphalt lot will be
conspicuously empty, except for a trampled clown nose,
much like your aching heart. you'll feel numb & blue,
you'll cling to your phone, the clown promised you
he would call.
you fall asleep cradling your phone to your chest, startle awake when he finally calls you, it's 4 in the morning, you have an early class, but that can wait, his voice is on the other line.

you'll lose a lot more than sleep when you fall in love
with a circus clown, you have to conform to his schedule,
you see, he is the one calling the shots, not you, not we.
you'll start to slip up in your classes, all you do is stare at your phone screen, who cares about supply vs. demand, anyway?

you hitch a ride to see the clown half a year later, you could
hardly stand him being an hour away, & you'll fly into his arms
like a trapeze artist, after the show, he'll carry you like a bride
to his coffin
bed & you're naked again, scared, vulnerable, he's all the way
he's grunting and sweating, and you're cowering, numb.

you leave 15 minutes later, with shaky thighs, you're slightly
nauseated, you try to kiss him goodbye, but he pushes you away,
he's got eyes on the concession stand girl, the one with
raven black hair and a Marilyn Monroe piercing. your heart drops as you get into the car, your friend begs you to talk, but you can't,
you're confused, you're scared, you won't see the clown
for some time to come.

you try to focus on your schoolwork, but your As slip to Ds, you
try to go out with your friends, but they want to talk about
the cute guy in psychology, not about a circus clown miles away.
you forgot to do laundry, all you do is lay in bed, your dorm is
smelling moldy, your roommate starts to stay away. you're
falling, sinking into a blue sea, deep, dark, endless.

when you fall in love with a circus clown, you must know
you're just another Rube from another city, nothing special,
you see, he's got girlfriends in Florida and Las Vegas, that
concession stand girl, too, you're nothing special, girl,
not even close. you gave it all up, your love & your
bleeding heart, to a circus clown, you foolish girl, don't
you know, he'll just play you as hard as he plays in the
circus ring?
A fictitious retelling of the very non-fictitious years I spent in love with a real-life circus clown. It's been three years since my heart was broken, and I finally feel like I can tell my tale.
R E Sadowski Feb 2013
Like drinking water out of mason jars
Like reading through fake plastic glass
Like dressing in your grandparents bolts of fabric
Like holding an unfiltered cigarette
Or even better a wooden pipe…
Smoke swelling in closed mouths
And nostrils blowing in sailboat clouds
Down to the next not- Starbucks
To sit on a velvet couch with
Coral painted nails and a chai in hand...
You all can be like this.
With no workout clothes and
With at least two piercings in your nose
You all are like this soon enough.
Who gave you the idea to pick up the
Ukulele anyway?
Who gave you the idea to shave one quarter
Of your head?

We all did. We all are a
Fleet of individual sameness,
A want to stand out from the
Cookie- cutter looks,
But now we’re all cupcakes
With the same story but with
Different hooks
For hands, snagging the rest
Of us along.
With your identical twin lipstick
And Birkenstock feet.
The lack of shock we absorb
Gets lonely and depressing.
So lets all move to Montreal
And French kiss and knit
And maybe real soon the
Croissants will go stale
And it’ll be cool to live
In Moose Jaw, Saskatchewan.
Mikaila Oct 2013
Last night I lay awake, long after you left
And let the sheets on your side grow cold.
Long after the door clicked shut
On the last sliver of hallway light,
I stared at the ceiling, wondering who I am when I'm with you.
I've never felt safe enough to really show myself to somebody.
And there I was with you,
Taking the liberties I always deny myself.
You know
Just how to touch me.
I could have stayed in that place
Where time meant nothing
Where we were a pinwheel of legs and wandering hands
And wandering lips, as well,
Breath snagging in gasps on the jagged edges of lust,
Forever.
It was like drowning in a person.
Amber and slow,
Somehow so calm but so desperate as well.
I've never met someone
Game
For the build-
The hours of little looks and casual touches,
Fingertips here,
And there,
Those moments that make the first kiss a slow, sweet death and rebirth.
It always feels,
With you,
As if time means nothing.
We have all of it.
There's no rush, no hurry,
Because you and me,
We're a sure thing together.
And yet still when you touch me I surrender to you
On instinct,
Full of need
All of a sudden.
You are a dangerous sort, I sometimes think:
You say yes to me.
Everything I need,
That I am not supposed to need,
You offer.
Every permission I have ever denied myself
You grant me.
Maybe that is why when you slide your teeth along my lip
I could cry out from wanting you.
Maybe that is why when I finally did manage to sleep last night
I dreamed every inch of you by candlelight.
Tom Spencer Jul 2015
After the storm,
the spider fine tunes its web-
spiraling inward,
plucking at strands
strung lyre-like
between the apple branches.
   Shrinking fingers of light
slip from the underbellies
of  low slung clouds
that stream by
nearly snagging the tree tops.
   The wind fills the web
like a jib stretched out
before the slapping bow of a ship.
   Meanwhile, our small planet
hurtles forward, circling
on strands of patient gravity
spun by God knows who or what.
   Satisfied with her spinning,
the spider finally
settles into place
at the center of a billowing universe,
waiting for some small
something to come sailing by.


Tom Spencer © 2017
It was startling - this pessimistic world,
I opened the window, a storm raged,
attic whipped windy cobwebs,
scurrying spiders slid under debris,
and cracks appeared in her flesh,
where red oozed, yelling its escape,
collar bone protruding, thin layers fading,
wine trickled from blue corners,
knuckles scraped. I heard their drag,
whilst fibres caught up in nails,
burrowing beneath red lacquer,
snagging....scraping their terminus
Josephine Wild May 2023
You’re a wolf -
A connotation.
You’re a breed
of imitation.

You’re a guise
among the sheep.
Snagging lambs
while they’re asleep.

Your smile sings
with consonance -
but your howls vibrate
with dissonance.

You’re a liar
with eyes of fire -
The termination
of my desire.

You sparked a change
in my perception.
You were the Alpha
of pure deception.
A play in semantics, origins of names and words, and a personal experience.
Sam Lincoln May 2014
Cerberus
The temporary home that I
Occupy is guarded by Cerberus. Three
Pit bulls barking at the gate and jumping

On my chest with sharp claws, but this
idiot wasn't always here.
In early years walked in the evergreen

rain; listening to raindrops click on canvas
of a hood centimeters far from the head, and
when night would come, stare out in to

pinhole nights bargaining with god
on pain and boredom. “I swear if
you would give me a sign, I will do good.”

Then the crickets would laugh, while
The trees hissed their endless secrets, so
There was nothing found that day.

In this trailer, now, the water burns
My skin; bringing roses of blood to
The surface, and leaking



Out of my gums, so each night
I drink the wine to fill my belly
With ideas of T.S. Eliot, or Ginsberg,

But looking like a ******* quack, and
Crying to old songs that used to hold
Different meanings.

My mother lives inside the sea;
A million lost dust specks sinking
To the bottom of the trenches,

Swimming about sea creatures
And fish that glow in the
Endless darkness of the depths.

I thought so many times that I’d
Follower her there through the
River, and if you give me a sign

God, I will, but I keep snagging
Myself on the sage brush outside
The front door, and my legs

Grow heavier. When I go to sleep
Tonight I’ll fall asleep in mind that
My dog is resting in the landfill

On town’s end, and I've thought
That I could grab him there; maggots
Filling up the eye holes. If you give

Me a sign, God, I will. The
Fan flies over head, and the
Computer hums loudly for one second.
JJ Hutton Jan 2011
I see the cockroach
caress the counter next to a brewing
*** of coffee, striking a chord of
crystaline sweetness,
that God and Satan could both agree upon.
In the living room,
my best friends are killing each other,
kissing each other,
falling in love,
snagging,
splitting stitches,
chalk outlines,
black mail,
and hopes for a resurrection
swirl and spin with the scent
of perfume
and coffee beans.
My phone lights up with a message
asking for some real advice,
my response is to get a new religion,
and wait for the bombs to fall.
Outside
light pollution fills the sky,
an eerie day that just won't die,
negotiating with eager streetlights,
and all-night diners.
On the corner
of 23rd and Western,
a dancing grinderman,
a homeless woman with a snaggletooth smile,
and their prize of a monkey
are cutting the night with desperation croons,
and delightful foresight.
Just past the construction on the east side of the city,
a one-legged, heathen named James W. Green
is finding solace with
a defeated, overthehill harlot,
going to and fro in a motorized sanctuary,
and grabbing change from her coin-dispensing hips.
I discover a pen embedded in the carpet,
I spend the rest of the evening split
between Midnight Man poetry,
and dictating divine apocrypha,
while once bright-eyed friends of mine
mourn over marriage, self-medication strategies,
and scrape the bottom of the barrel
with their tongues to ensure it's tangible.
Meagan Moore Jan 2014
grit sand conglomerate binds
friction holding - heel steady
tottering
navy lace snags
upon brick dipped in night
save for - street lamps poignantly
establishing form to
lips seeking
to traverse the topography of your structure
tongue craving - salivary essence about mine

my curls remember being dragged
across,
- then –
pressed firmly against the brick
snagging
on vertical groove and red clay
your pelvic bone
ground deep – pressurized
into dust against my own

Serotonin, oxytocin fuse
Blown -  
Neural patina – thick
Pompeii to Vesuvius
Diffuse
Carbon filament lattice
Clings - to
ancient couple
cuddling
in ashen grave

Compressed densely

Perchance time will compress this grit
creating friction under sole.
(original)
grit sand conglomerate binds
friction holding my heel steady
tottering
i snag the back of the navy lace and reinforced zipper against the brick dipped in night
save for what the street lamp would poignantly establish form to
lips seeking to traverse the topography of your structure
tongue craving your salivary essence about mine
my curls remember being dragged across, and then pressed firmly against the brick
snagging on their vertical groove and red clay
your pelvic bone ground deep - pressurized into dust against my own
seratonin and oxytocin blew as if from my palm like a handful of pixie stick dust
every acceptable neural region coated thick as if Pompeii were subdued again
the couple cuddling in the ashen grave nestles about my conscious
the delicate filaments of carbon clinging about their frame compressed densely
time perchance will compress this grit creating friction under sole
Poetic T Mar 2016
"No,* "No, "No,

I don't wear shoes that's a silly notion
How would I do the laces up?
Trailing like spaghetti I would trip over
More time than walking silly things

"No, "No, "No,

What do I wear wing mittens to keep me
Warm in the cold months, what a silly
Sight I never found a pair odd ones worn
Snagging on trees, my falling out the air.

"No, "No, "No,

I don't use a hankie when I sneeze, last time
I did that I singed my poor nose, if I ever feel
One coming close I put my nostrils in the water
letting it out. Walla I have an instant warm bath.

"Too many questions little one now my turn,

What can I scratch behind an ear yes inwards,
Outwards ,potatoes I some times find if a while
Has past, "Why do you ask?

Am I good at getting thinks out of teeth, brushing
You say? yes a tooth pick I carry around just in case,
Healthy teeth are a must you'll never see me with
Missing teeth I brush morning and night each day.

"Do you have a pet,

I like to walk to, do you have good legs no aches in
The knees, "I would feed you, "What, I would
Feed my pet well chargrilled to perfection every
Meal never without would they be,"cough, you.

This was an interesting talk all because I asked one question?
"Does a dragon wear shoes,
"A dragon doesn't wear shoes,
But enough of this, would you like your steak lightly grilled
Or well done "burnt, he thought was another word.
Wrote for my little one who gave me the fun idea just saying what the heading says lol
Molly Dot Dec 2013
It started at the beginning of adulthood
where the wandering into the new house
became a chore. The doorway greeted me
by snagging my woollen jumper.
The motorway was screaming, the battered gate happily hanging from its hinges.

His image first flashed into my sight,
And when I stared through the fogged up windows
I could still figure out his figure.
Loutish, he sauntered past
On a hillside, desolate.

He didn’t move for three hours.
He was most probably entwining the thorns from the bush
into his complex mind. Maybe
the boy with the thorn in his side
Had been brought to life by this mystery animal
With a mass of unkempt mane.
Unruly, unnecessary, untouched.

The notebook on my kitchen table lay untidily
waiting to be roughened up. I picked it up
and cast light over the paper.
I imagined him doing the same
But his art was thunderstorms
And mine merely a drizzle of rain.

I made progress
and the flowers were growing from my fountain pen.
Confidence developing, I invited him inside
And there were still no words from his unfathomable jaw.

A month later, we became one
and I still didn’t know where his intentions were lying.
I’m a girl afraid, does he even have any?

Ink *** after ink ***
I ran even further in this marathon of confusion.
I slowly slid from his dismissive grasp, his matted paws light
I had drawn graffiti over his portrait.
a permanent marker changed beauty into art.

I crept before his wake, into his sleep
And his lyricism lay imbibed in the walls, the desk, the door.
I felt the gale force energy cry inside
Which erupted like a volcano, turning remnants into ashes.
Face down, mane rough, scars bright, fur singed
Interior managed.

In the morning, I lifted his heavy paw away from me
And placed it peacefully beside him.
For part of my AS English literature coursework I had to write a poem in the style of Carol Ann Duffy. Duffy writes in a misandristic and animalistic manner, and this is my first draft. Not sure if it's any good but it's my first attempt.
I based my poem upon my hero Morrissey (Duffy seems to write her poems about significant historical/well-known figures or fairytale characters) because him and the Smiths have kind of been a form of escape for me recently. I just thought it would be nice to write about him, even if it was harshly, but that is Duffy's predominant style.
I would be grateful if anyone could feedback to me regarding its quality and how I could possibly improve :-)
Deborah Lin Jul 2013
I want to throw off
the cloak of “trying to impress you.”
it’s gotten so
heavy
soaked with my insecurities
and self-loathing,
always snagging
on thorns and skeletons and the
remnants of broken hearts.
I want to shatter
the bottle that held my tears
shed over not being good enough.
Pour my philophobia
into a sea that never dries up.
It’s all salt water anyways.
I want to compose
a cacophony of all the voices that sung
“you’re fake” -- “ugly” -- “worthless” --“unloved” --
into my ears
and then burn the sheet music.
Destruction…
never felt so good.
Paula Swanson Feb 2011
Barbed wire memories stretch on,
snagging, catching the flesh and soul.
Filled ditches running parallel,
overflowing with wasted tears.
Pulling close my determination,
onward I trudge to reach my goal.
Not knowing what I'll find out there,
hoping I have nothing to fear.

As I travel down Redemption Road

I see my past reflected now,
in potholes filled with regret.
I hear the sobs of those I hurt,
in the call of the Mocking Bird.
I know my demons chase after me,
they've been there from the onset.
I feel as though I am a lost lamb,
that's fell separated from the herd.

As I travel down Redemption Road

My Spring, Summer and now my Fall years
have led me on past crossroads.
I've climbed some hills, slipped on some paths,
been stubborn when I should yield.
At times I should have chose to run,
so my values would not erode.
Now I find I'm on a new path,
As my faith within me I wield.

As I travel down Redemption Road
JJ Hutton Aug 2011
**** near me
with perfection talking blues,
caressing crystal drinks,
promising future sneak,
and blanketed romance,
**** near me
with hissing tape violence,
milking the moment,
snagging the attention of the suit
and the tie,
**** near me
blowing every ambition in the room,
plunging into whiskey,
head first and lonely,
**** near me
sha-la-las and oooh-la-las
slither into my forked crypt,
staining my funeral garb,
plastering my cask,
**** near me
brothers looking for to see,
while sister ***** the poison,
I dare her to keep pushing,
**** near me
the kissing and the clowning,
the nightgowning I soon to go a' drowning,
cockroach in the corner,
**** near me
Miranda owes me fifty,
the filthy ******* creature,
draining me of chatter,
**** near me
hustling for the saddest rent,
sleeping with the butcher,
under Martha's tent,
**** near me
the crows collect seed,
the know-hows bashfully reread,
while I **** near wearied, worried;
bleed.
JJ Hutton Mar 2014
Mom shot Jake's cat
with the screen door open,
with dirtied snow covering the
gravel drive. And Jake, bless
his little soul, watched from
the door frame as Dad took
over, snagging the bloodied
mess by the tail and dumping
it in the waiting grave. Mom
told Jake that's the way it is
as she opened the .410's ejection
port and deposited the shell into
her hand. She gave it to him.
A memento. Jake didn't know this
word at the time but years later,
four to be exact, he'd look up
memento for a spelling test,
and think of Dad piling loose dirt,
tiny sticks, and snow on the cat
while he, Jake, stared at the
discharged shotgun shell,
still warm in his hand.
Patrick Raven Feb 2012
If I close my eyes long enough will you happen to me again?

Not a stranger not a villain just another note to pass on

And on and on

A thousand birds on a wire

One of which has dreams of flying and cannot do it alone

Rather he clean his feathers again and again.

Ruby they came in loving such stars

Diamonds in their mirrors of mine

And eyes

Their bright blinking eyes

Seeing everything for what it is

As it is

There are birds all on a wire

How wonderful is that?

Hear them on their talking stones

Sharing stories of love

The gentlemen and sweethearts and their weddings and their doves

They talked about their dream girl how she left and went away

In the arms of her ghost they knew they couldn’t stay

So alone

So they moved on like everyone else does

I heard them say day by day

They took a chance with a dance

They would swing and they would sway

And in the motion of their feet

They danced off with their eyes

Oh how wonderful they’ll be.

Heavy fever

yeah I’ve got it

Spilled salt

Not my fault.

Terrific winner of skin suffocation

Painted in gold on fire

What a rich man he was

They shot his money toward the sun

Twenty three dollars and sixty seven cents

Rockets are expensive.

Ladies and gentlemen

Don’t let you kids become cannibals.

I have always found this in you

Something I can’t say

It’s when you kiss me every morning

And every night of every day

From the deepest ocean

We did climb the mountain to the sun

And from up high we saw the world

Every part was right for us

I would tumble down

And break my crown

You will come tumbling after

You will come tumbling after

Hanalin the two headed ******* deer

She wants that lion to be so cruel

To twist her next and tie it in a knot

And walk up and down the world in one breath

There are no kings allowed in the garden of eden

The snagging tooth in the lions bite quickly kills snakes

Where in teeth as razor as breath

A serpents birth on vicious bone

Lives nothing more than a worm in the lions throat

Better not tickle that rough tongue.
Nat Lipstadt May 2014
I have never been published
or won a prize,
except, yeah, yeah,
the one in the
Crackerjack box

but from that cheap plastic surprise,
much was learned even as a young boy

cull the chaff of life
from amidst the wheat

plant it well and deep,
then forget all about it,
except where,
t'was seeded

when eyes yellowed,
hair turned a color Disney repackaged as
frozen
white,
normally a gift of a hairdresser,
called mother time,
and your pink skin scaled smooth
now kin and kith of the kitchen grater,

then time is in,
cull your plantings

go back into that yards,
pull out the weeds,
uncovering what only time
can provide -

poetry planted and born from
the summary addition of thousands
of days of life,
well felt,
well received,
well recorded,
drawn from earth and water,
well lived

sometimes my nyc sidewalks uneven,
cause a toe snagging tripping,
this loss of balance,
adrenalin hot flashing,
similar to tripping upon a new poet

every time I say no mas,
I must choose tween
left or right,
one can
read or one can write,
but not
both

a voice on I stumble,
making me ever so foolish,
ever so humble,
ever so confused

so at 12:31am
at it again,
reaping what others have sowed

this woman by her own confess,
Trouble with a capital everything
T.R.O.U.B.L.E

only a grownup chile
writs me a poem
re crackers in her vegetable soup,
a naval battle akin to that of Midway,
that makes me crackers with delight!

saucy, that poetess
you better love her well,
she tells you outright
or she'll sell you, the reader out,
for the next one cruising along,
hence this poem, her good graces sought!

but to get certain memories I want,
but can't recall for I never had them,
she, for me doth record:

Imaginary space within a dream
floats in a subconscious sea.
Our affection grows from
tremulous beginnings
its dramatic unfolding
vestige of the soul whispers
and lingers in twilight and ice

Shared breath,
in time our leisured rhythms
savored sweetly match kiss for kiss.

Words in parody drop,
one by one.
enmeshing me in rippling sorrow,
once again you've moved
just beyond my reach.


curse the teachers and the genes
and my plain vanilla simp vocabulary,
that don't let me write like this,
but to my backyard I go,
where I cull what other's have planted better,
and harvest the new fruits of
crackerjack superior poets
Read Patty M,
please yourself...
Catrina Sparrow Jun 2013
soft spoken secrets slice through the silence
     like coffee-breathed cannonballs
sent shamelessly into the space between
          who we are
               and who we will be

the smile in your eyes makes it seem
as if you really see me

pinned beneath a perfectly blue egyptian cotton sky
     and a lake-shore brown box-spring earth
          you stretch yourself thin
     thin as eyelash lace across a freckled chest
     thin enough to let the sunshine gleam through
          through all your light and magic
               reflecting pure stardust onto my my blank screened flesh

i've never felt as beautiful
as it is to be tangled up in you

extremities snagging one another
     in a devine blend
          of feverish feinding
               and something far more freeing

     i'd trade my unsteady pulse
     for every day to begin this way
drenched in poetry
and morning dew
and crazed, excited grinning

how about you toss me a post-card
     through our dreaming
     one of these evenings

          yes

my heart strings are singing

     this is the beging of a story
that i quite like
Delta Swingline Apr 2017
I'll wake up earlier than usual and for a split second, I forget what happened 24 hours ago. It seems like a blur, like it didn't happen.

But I know it did.

And I can't change that.

So I'll throw on a checkered shirt and look at myself in the mirror as I put on my key necklace and rings, looking dangerous and ready to ****.

I wonder whether or not it's worth it to button up my shirt, but I seem to like the aesthetic of looking like I'm helpless. So I leave the shirt open to seem lazy too.

But I will roll up the sleeves. I'll always roll up the sleeves. Can't risk snagging the cuffs of a good, bad, decently fashionable looking shirt.

Pick out a complimentary hat and go.

Face the day why don't you?

Because I know I'll still end up crying eventually.

And I'd rather have those shirt cuffs in tact to wipe away the pain when I do.
I've never even had a drink. So let's get drunk on poetry...

This round's on me!
Jael O'Dell Jan 2017
this throbbing in my chest,
it engulfs me.
the delirious assumption of neglect,
that putrid feeling of self pity,
how disgusting.
bone grinds bone in my mouth,
my jaw aches with hatred
until my vision blurs over
with hope of ignorance.
a pathetic waste of life.
i breathe deep but,
it doesnt satiate my thirst,
for that fresh breath of promise.
there is only one end,
to that crippling pain that
crackles through my brain,
like spiderwebs of battered glass.
the sharp horrid sensation
of imploding from the depths of my entrails.
another breath wasted.
a pulsation so strong,
my fingers twitch with the
onrushing river of blood that courses
through me like toxic waste.

oh,
to live again.

the warm salty fluid of loneliness,
rests on my lip before flavoring
my tongue with disdain.
it burns.
what was my purpose?
what do you all want from me?
cheeks flush pink with oncoming denial.
i dont care! i dont care!
my ribcage convulses.
dont think.
...stop it!
a warm rotten gasp escapes
my chafed lips.
i swallow hard.
the need to forget.
i tease my trembling wrist,
with the cold steel of promise.
it's clever charisma creates
a tingling sensation of power
that jolts my nerves.
alarmed hairs stand on edge.
my heart skips a beat with excitement.

oh,
to live again.

i drag the point down my inner arm,
snagging skin as the tip skitters about.
please. forgive me.
i slice down without hesitation.
my eyes swell with shimmers of relief.
blood spills over.
a warm crimson rush of despair
dribbles onto my lap.
my thighs are speckled with the
greatest high of relief.
i laugh at the
bubbling layer of fat that
wiggles from its crater,
like maggots gluttonously feeding
from a rotted carcass left
to shrivel in the heat.
my bottom lip splits with a smile.

oh,
to live again.

a slowing heartbeat.
my shoulders relax.
i inhale sharply.
it singes my lungs with a
wildfire of threat,
but i care not.
awww sweet dopamine.
the sanguine pool clots
around my feet.
i clench my toes in the mess
with childlike hysteria,
sand at the beach,
such polluted thoughts.
feeling faint,
a mind now at complete peace.
my head takes a bow between my knees.
the tips of my hair tickle the last
bit of trouble i've created for you.
the room fogs over.
such a soothing shade of white.
im weightless and floating,
angelic.
i close my weary eyelids.
time no longer to be wasted.
i meant no harm.
the end is inevitable.
useless body of baggage.
woe is me.
exhale.

oh,

to live again.
2009
Brittle Bird Jan 2015
Your fingers ripped across my skin
snagging
breaking in
I expected a thick blue blood
gushing
out mud
but here a blackness lies
crawling
up inside
you might have found a heart
beating
a start
but I felt your surprised gasp
echoing
and vast
when discovering the empty space:
"what a
waste"
Azaria Jul 2018
like 1500 ways to
skin a cat
and being
told you're wrong
for your technique
the rugged edges of your
knife snagging on the
skin like
good intentions
unfolding like
a-bay-of-pigs-invasion
in the heat of the
moment
Redshift Apr 2013
oh deep
ditches
annals
endless wires
poking
snagging
interest
of the internet,
why must you always ensnare me
i'm trying to write a paper
*******
Ayana Harscoet Dec 2015
wild whisper of August wind
ruffles my hair and scatters my thoughts like
castaway leaves riding a downstream breeze
snagging on branches as they tumble, float away
and I stumble after the flashes of color,
the fragmented memories, wishes, to-do lists
somersaulting alike in the freedom wind
and I let them, let them go
let myself give in to the roaring crash of summer’s eve
a sun not yet ready to set
soon, it will be time to chase
time to gather up the scattered musings
but for now
I carry it within me
this wild, wild whisper of August wind
Nicole Apr 2016
i lived on a mountain of death,
surrounded by only the voices of my head.
lost and never to be found.
~
i stumbled down the mountain,
breaking my bones
and snagging my heart on the thorns,
turning black and fading,
till i no longer feel it’s pain.
~
at the bottom i came across a lake of tears,
born from his storm-filled eyes.
so i tried to paddle across,
in a boat made from my soul.
~
but there were many holes in the wood,
so the boat sank
and i was left drowning
in his sadness,
while death crept down the mountain
and into my lungs.
faunlette May 2015
Raw illness rubs up
Against the wet meat of my
Indecisive tongue

and

I am sick with the
Taste of his filthy fingers
Snagging on my jaw

and

Honeysuckles bloom
Around the places that kept
Me from crying out

and

The air was too sweet
To explain why his breath felt
Like death’s brand across
My arched and aching
Spine. He ripped open my soft
Flesh and consumed me.
Gabriel May 2022
It’s always been enough to wear the same cardigan for comfort,
This old red chenille one I bought at the wholesale store when I was 15.
It’s funny—it never came with memories, but it has them with me.
I ripped a little hole in the crochet links more than once, bumping into corners and getting it caught on chairs;
I think I’ve always been getting caught on chairs. Snagging my best laid plans on what it means to be a person, wearing a cardigan, but,
It still sits in the back of my closet, in one piece.

I remember wearing it when I needed comfort. When comfort wouldn’t come. When comfort was a love letter delivered to the wrong address. When I read something that wasn’t mine, and became mine nonetheless, in worn out crochet. I should have thrown it out years ago, but it’s mine,
Tattered and torn and sitting in the back of my closet because I’m too afraid the next time I wear it will be the last before it rips completely.

I, on the other hand, have already ripped completely.
Because I could only stay in the closet for 19 years.
I miss that red chenille cardigan. It was there when I was there, in the closet, being me when I shouldn’t have been me,
And it stayed at home when I left for somewhere I thought was better.

I visit my parents. I suppose I still live there, in part, with that red cardigan.
Stuffed into a space that’s small but safe,
The way plants grow withered but tall without sunlight
Or the way I ended up so independent I became lonely.

I define loneliness by how well it wears a red cardigan.
I judge it by how much the snags and small unravelings stick out;
I love it for that. For the sticking out. For the unravelled yarn in place of my tangled emotions,
For the staples that I put in it because I didn’t know how to sew.
My mother could have taught me how to sew, but I exist in a whirlwind of quick fingers and dropped stitches,
And my woman’s place is not the same as hers.

I wish she’d taught me how to make flapjacks, how to repair cardigans, how to love a man;
I wish she hadn’t taught me that my father loved me.
I wish my father had seen an old cardigan and thought of repairs, instead of the old donation box it could be thrown into,
But he was never the type to try and fix things anyway.

I’ll fix his mistakes. I will keep that cardigan, that old thing,
And I will not repair the imperfections that have given it character.
What am I but a red chenille cardigan? Held onto but never worn?
What am I if not something to be contained at the broken seams in hopes that I can preserve myself longer?

So, I am preserved. A fossil. An old relic of Pompeii, frozen in ash, wearing a cardigan that I don’t really fit into anymore,
A wash of red amongst the black and grey wreckage;
Oh, how I have a home in the wreckage. How I am a cardigan atop the ashes.
It doesn’t flutter. There’s no wind to carry it.

In another life, I’d be the wind. But we’ve already established the story, haven’t we? I’m the cardigan.
I’m nothing but thread that’s woven itself into something of minor importance at best.
So, here I am. Minor importance. Worn cardigan. Here I am, wearing it all. Can you see it yet?
It’s riddled with holes, but still in one piece.
I wrote this with my girlfriend; we took turns writing one line each. I'm forever in awe of her command over words. She inspires me every day.
Mark McIntosh Mar 2015
the soothing scent of mowing lawn
back strain from lifting & hauling
concrete stepping blocks
storing another direction.

wakeful night of dreams crowding
saying things I forget.
labour betrays the promise of a tired body
assisting sleep

fifteen milligrams paid in full
moisture in a drought
the rain holds off a little longer
despite various warnings

ringing something sounding unlike bells
white noise turns the colour of alarm
it's all alright
the mantra some magic
the mantra some magic

chopping rocks
it only takes that
chain gang number not behind bars
blackbirds squawk amongst seeds of grass

gathered symbols or innocent bystanders
white friends fly
proud with the span of their wings
catching the flow.

trip on a stone
the smallest pebble snagging a shoe
lace caught beneath
hesitant step.

hussle to train with luggage heaving
straining the zip, can never hold back
a time to be quiet &
rearrange words

the lessons we hear tuning into
the night
wheels roll back home
some more washing up
JL Jan 2012
Put me down like a dog
I'm all but beast
My fangs snapping at your ankles
My fangs snapping at your throat
I feel your human incisors
Digging into my chest
Your tongue on my pulse
The pulse of your tongue
Over a stone wall
Under the brambles
Snagging at your hair
Catching thorns
A cut on your bared white flesh
Put me down like an animal
Or I will bark at your house until morning
JL Mar 2013
Dear Everything
Tonight I may die of over stimulation my frontal lobe ****** by a televised illusion- of her listening to records black coffee the needle scratches
Her eyes shotgun blast to my chest second glance whiplash running
All the red lights in my brain she steps onto the street as I follow beneath in sewer tunnels like the rat to peanut butter smeared traps Squirming between the cracks in the pavement To
An old brick high rise looming I watch from the alley as one window
Lights her slender shadow ******* heart beating watch ticking
I climb the rusted razor wire fence the old fire escape to the window my knife blade slipping between the catch unlatching silently I slip into the bedroom flower
Scent engulfing my senses her form softly breathing eyes closed
I stand above her wishing I were dead ripping at the hole in my chest How must she taste?
Picking at the wound she has created crawling inside to infect with her canines snagging the muscle tissue startled awake she looks into my eyes snapping the trap on my neck

— The End —