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Sam Greig-Mohns Mar 2012
Woman with a stroller speaking
Can see her baby girl is sleeping
Little pink boots out the bottom peeking
Scritch scratch

Bright orange pen bobbing
Lime colored note book I am holding
Feels like everything is unfolding
Scritch scratch

Looking round, strong smell of spices
Business suit and silver glasses
Dreadlocks trailing, wonder how he ties them
Scritch scratch

All these little notes I'm keeping
Find the places I keep seeking
People never seem to see me
Scritch scratch
PART I

’Tis the middle of night by the castle clock
And the owls have awakened the crowing ****;
Tu-whit!—Tu-whoo!
And hark, again! the crowing ****,
How drowsily it crew.
Sir Leoline, the Baron rich,
Hath a toothless mastiff, which
From her kennel beneath the rock
Maketh answer to the clock,
Four for the quarters, and twelve for the hour;
Ever and aye, by shine and shower,
Sixteen short howls, not over loud;
Some say, she sees my lady’s shroud.

Is the night chilly and dark?
The night is chilly, but not dark.
The thin gray cloud is spread on high,
It covers but not hides the sky.
The moon is behind, and at the full;
And yet she looks both small and dull.
The night is chill, the cloud is gray:
‘T is a month before the month of May,
And the Spring comes slowly up this way.
The lovely lady, Christabel,
Whom her father loves so well,
What makes her in the wood so late,
A furlong from the castle gate?
She had dreams all yesternight
Of her own betrothed knight;
And she in the midnight wood will pray
For the weal of her lover that’s far away.

She stole along, she nothing spoke,
The sighs she heaved were soft and low,
And naught was green upon the oak,
But moss and rarest mistletoe:
She kneels beneath the huge oak tree,
And in silence prayeth she.

The lady sprang up suddenly,
The lovely lady, Christabel!
It moaned as near, as near can be,
But what it is she cannot tell.—
On the other side it seems to be,
Of the huge, broad-breasted, old oak tree.
The night is chill; the forest bare;
Is it the wind that moaneth bleak?
There is not wind enough in the air
To move away the ringlet curl
From the lovely lady’s cheek—
There is not wind enough to twirl
The one red leaf, the last of its clan,
That dances as often as dance it can,
Hanging so light, and hanging so high,
On the topmost twig that looks up at the sky.

Hush, beating heart of Christabel!
Jesu, Maria, shield her well!
She folded her arms beneath her cloak,
And stole to the other side of the oak.
What sees she there?

There she sees a damsel bright,
Dressed in a silken robe of white,
That shadowy in the moonlight shone:
The neck that made that white robe wan,
Her stately neck, and arms were bare;
Her blue-veined feet unsandaled were;
And wildly glittered here and there
The gems entangled in her hair.
I guess, ‘t was frightful there to see
A lady so richly clad as she—
Beautiful exceedingly!

‘Mary mother, save me now!’
Said Christabel, ‘and who art thou?’

The lady strange made answer meet,
And her voice was faint and sweet:—
‘Have pity on my sore distress,
I scarce can speak for weariness:
Stretch forth thy hand, and have no fear!’
Said Christabel, ‘How camest thou here?’
And the lady, whose voice was faint and sweet,
Did thus pursue her answer meet:—
‘My sire is of a noble line,
And my name is Geraldine:
Five warriors seized me yestermorn,
Me, even me, a maid forlorn:
They choked my cries with force and fright,
And tied me on a palfrey white.
The palfrey was as fleet as wind,
And they rode furiously behind.
They spurred amain, their steeds were white:
And once we crossed the shade of night.
As sure as Heaven shall rescue me,
I have no thought what men they be;
Nor do I know how long it is
(For I have lain entranced, I wis)
Since one, the tallest of the five,
Took me from the palfrey’s back,
A weary woman, scarce alive.
Some muttered words his comrades spoke:
He placed me underneath this oak;
He swore they would return with haste;
Whither they went I cannot tell—
I thought I heard, some minutes past,
Sounds as of a castle bell.
Stretch forth thy hand,’ thus ended she,
‘And help a wretched maid to flee.’

Then Christabel stretched forth her hand,
And comforted fair Geraldine:
‘O well, bright dame, may you command
The service of Sir Leoline;
And gladly our stout chivalry
Will he send forth, and friends withal,
To guide and guard you safe and free
Home to your noble father’s hall.’

She rose: and forth with steps they passed
That strove to be, and were not, fast.
Her gracious stars the lady blest,
And thus spake on sweet Christabel:
‘All our household are at rest,
The hall is silent as the cell;
Sir Leoline is weak in health,
And may not well awakened be,
But we will move as if in stealth;
And I beseech your courtesy,
This night, to share your couch with me.’

They crossed the moat, and Christabel
Took the key that fitted well;
A little door she opened straight,
All in the middle of the gate;
The gate that was ironed within and without,
Where an army in battle array had marched out.
The lady sank, belike through pain,
And Christabel with might and main
Lifted her up, a weary weight,
Over the threshold of the gate:
Then the lady rose again,
And moved, as she were not in pain.

So, free from danger, free from fear,
They crossed the court: right glad they were.
And Christabel devoutly cried
To the Lady by her side;
‘Praise we the ****** all divine,
Who hath rescued thee from thy distress!’
‘Alas, alas!’ said Geraldine,
‘I cannot speak for weariness.’
So, free from danger, free from fear,
They crossed the court: right glad they were.

Outside her kennel the mastiff old
Lay fast asleep, in moonshine cold.
The mastiff old did not awake,
Yet she an angry moan did make.
And what can ail the mastiff *****?
Never till now she uttered yell
Beneath the eye of Christabel.
Perhaps it is the owlet’s scritch:
For what can aid the mastiff *****?

They passed the hall, that echoes still,
Pass as lightly as you will.
The brands were flat, the brands were dying,
Amid their own white ashes lying;
But when the lady passed, there came
A tongue of light, a fit of flame;
And Christabel saw the lady’s eye,
And nothing else saw she thereby,
Save the boss of the shield of Sir Leoline tall,
Which hung in a murky old niche in the wall.
‘O softly tread,’ said Christabel,
‘My father seldom sleepeth well.’
Sweet Christabel her feet doth bare,
And, jealous of the listening air,
They steal their way from stair to stair,
Now in glimmer, and now in gloom,
And now they pass the Baron’s room,
As still as death, with stifled breath!
And now have reached her chamber door;
And now doth Geraldine press down
The rushes of the chamber floor.

The moon shines dim in the open air,
And not a moonbeam enters here.
But they without its light can see
The chamber carved so curiously,
Carved with figures strange and sweet,
All made out of the carver’s brain,
For a lady’s chamber meet:
The lamp with twofold silver chain
Is fastened to an angel’s feet.
The silver lamp burns dead and dim;
But Christabel the lamp will trim.
She trimmed the lamp, and made it bright,
And left it swinging to and fro,
While Geraldine, in wretched plight,
Sank down upon the floor below.
‘O weary lady, Geraldine,
I pray you, drink this cordial wine!
It is a wine of virtuous powers;
My mother made it of wild flowers.’

‘And will your mother pity me,
Who am a maiden most forlorn?’
Christabel answered—’Woe is me!
She died the hour that I was born.
I have heard the gray-haired friar tell,
How on her death-bed she did say,
That she should hear the castle-bell
Strike twelve upon my wedding-day.
O mother dear! that thou wert here!’
‘I would,’ said Geraldine, ’she were!’

But soon, with altered voice, said she—
‘Off, wandering mother! Peak and pine!
I have power to bid thee flee.’
Alas! what ails poor Geraldine?
Why stares she with unsettled eye?
Can she the bodiless dead espy?
And why with hollow voice cries she,
‘Off, woman, off! this hour is mine—
Though thou her guardian spirit be,
Off, woman. off! ‘t is given to me.’

Then Christabel knelt by the lady’s side,
And raised to heaven her eyes so blue—
‘Alas!’ said she, ‘this ghastly ride—
Dear lady! it hath wildered you!’
The lady wiped her moist cold brow,
And faintly said, ‘’T is over now!’
Again the wild-flower wine she drank:
Her fair large eyes ‘gan glitter bright,
And from the floor, whereon she sank,
The lofty lady stood upright:
She was most beautiful to see,
Like a lady of a far countree.

And thus the lofty lady spake—
‘All they, who live in the upper sky,
Do love you, holy Christabel!
And you love them, and for their sake,
And for the good which me befell,
Even I in my degree will try,
Fair maiden, to requite you well.
But now unrobe yourself; for I
Must pray, ere yet in bed I lie.’

Quoth Christabel, ‘So let it be!’
And as the lady bade, did she.
Her gentle limbs did she undress
And lay down in her loveliness.

But through her brain, of weal and woe,
So many thoughts moved to and fro,
That vain it were her lids to close;
So half-way from the bed she rose,
And on her elbow did recline.
To look at the lady Geraldine.
Beneath the lamp the lady bowed,
And slowly rolled her eyes around;
Then drawing in her breath aloud,
Like one that shuddered, she unbound
The cincture from beneath her breast:
Her silken robe, and inner vest,
Dropped to her feet, and full in view,
Behold! her ***** and half her side—
A sight to dream of, not to tell!
O shield her! shield sweet Christabel!

Yet Geraldine nor speaks nor stirs:
Ah! what a stricken look was hers!
Deep from within she seems half-way
To lift some weight with sick assay,
And eyes the maid and seeks delay;
Then suddenly, as one defied,
Collects herself in scorn and pride,
And lay down by the maiden’s side!—
And in her arms the maid she took,
Ah, well-a-day!
And with low voice and doleful look
These words did say:

‘In the touch of this ***** there worketh a spell,
Which is lord of thy utterance, Christabel!
Thou knowest to-night, and wilt know to-morrow,
This mark of my shame, this seal of my sorrow;
But vainly thou warrest,
For this is alone in
Thy power to declare,
That in the dim forest
Thou heard’st a low moaning,
And found’st a bright lady, surpassingly fair:
And didst bring her home with thee, in love and in charity,
To shield her and shelter her from the damp air.’

It was a lovely sight to see
The lady Christabel, when she
Was praying at the old oak tree.
Amid the jagged shadows
Of mossy leafless boughs,
Kneeling in the moonlight,
To make her gentle vows;
Her slender palms together prest,
Heaving sometimes on her breast;
Her face resigned to bliss or bale—
Her face, oh, call it fair not pale,
And both blue eyes more bright than clear.
Each about to have a tear.
With open eyes (ah, woe is me!)
Asleep, and dreaming fearfully,
Fearfully dreaming, yet, I wis,
Dreaming that alone, which is—
O sorrow and shame! Can this be she,
The lady, who knelt at the old oak tree?
And lo! the worker of these harms,
That holds the maiden in her arms,
Seems to slumber still and mild,
As a mother with her child.

A star hath set, a star hath risen,
O Geraldine! since arms of thine
Have been the lovely lady’s prison.
O Geraldine! one hour was thine—
Thou’st had thy will! By tarn and rill,
The night-birds all that hour were still.
But now they are jubilant anew,
From cliff and tower, tu-whoo! tu-whoo!
Tu-whoo! tu-whoo! from wood and fell!

And see! the lady Christabel
Gathers herself from out her trance;
Her limbs relax, her countenance
Grows sad and soft; the smooth thin lids
Close o’er her eyes; and tears she sheds—
Large tears that leave the lashes bright!
And oft the while she seems to smile
As infants at a sudden light!
Yea, she doth smile, and she doth weep,
Like a youthful hermitess,
Beauteous in a wilderness,
Who, praying always, prays in sleep.
And, if she move unquietly,
Perchance, ‘t is but the blood so free
Comes back and tingles in her feet.
No doubt, she hath a vision sweet.
What if her guardian spirit ‘t were,
What if she knew her mother near?
But this she knows, in joys and woes,
That saints will aid if men will call:
For the blue sky bends over all.

PART II

Each matin bell, the Baron saith,
Knells us back to a world of death.
These words Sir Leoline first said,
When he rose and found his lady dead:
These words Sir Leoline will say
Many a morn to his dying day!

And hence the custom and law began
That still at dawn the sacristan,
Who duly pulls the heavy bell,
Five and forty beads must tell
Between each stroke—a warning knell,
Which not a soul can choose but hear
From Bratha Head to Wyndermere.
Saith Bracy the bard, ‘So let it knell!
And let the drowsy sacristan
Still count as slowly as he can!’
There is no lack of such, I ween,
As well fill up the space between.
In Langdale Pike and Witch’s Lair,
And Dungeon-ghyll so foully rent,
With ropes of rock and bells of air
Three sinful sextons’ ghosts are pent,
Who all give back, one after t’ other,
The death-note to their living brother;
And oft too, by the knell offended,
Just as their one! two! three! is ended,
The devil mocks the doleful tale
With a merry peal from Borrowdale.

The air is still! through mist and cloud
That merry peal comes ringing loud;
And Geraldine shakes off her dread,
And rises lightly from the bed;
Puts on her silken vestments white,
And tricks her hair in lovely plight,
And nothing doubting of her spell
Awakens the lady Christabel.
‘Sleep you, sweet lady Christabel?
I trust that you have rested well.’

And Christabel awoke and spied
The same who lay down by her side—
O rather say, the same whom she
Raised up beneath the old oak tree!
Nay, fairer yet! and yet more fair!
For she belike hath drunken deep
Of all the blessedness of sleep!
And while she spake, her looks, her air,
Such gentle thankfulness declare,
That (so it seemed) her girded vests
Grew tight beneath her heaving *******.
‘Sure I have sinned!’ said Christabel,
‘Now heaven be praised if all be well!’
And in low faltering tones, yet sweet,
Did she the lofty lady greet
With such perplexity of mind
As dreams too lively leave behind.

So quickly she rose, and quickly arrayed
Her maiden limbs, and having prayed
That He, who on the cross did groan,
Might wash away her sins unknown,
She forthwith led fair Geraldine
To meet her sire, Sir Leoline.
The lovely maid and the lady tall
Are pacing both into the hall,
And pacing on through page and groom,
Enter the Baron’s presence-room.

The Baron rose, and while he prest
His gentle daughter to his breast,
With cheerful wonder in his eyes
The lady Geraldine espies,
And gave such welcome to the same,
As might beseem so bright a dame!

But when he heard the lady’s tale,
And when she told her father’s name,
Why waxed Sir Leoline so pale,
Murmuring o’er the name again,
Lord Roland de Vaux of Tryermaine?
Alas! they had been friends in youth;
But whispering tongues can poison truth;
And constancy lives in realms above;
And life is thorny; and youth is vain;
And to be wroth with one we love
Doth work like madness in the brain.
And thus it chanced, as I divine,
With Roland and Sir Leoline.
Each spake words of high disdain
And insult to his heart’s best brother:
They parted—ne’er to meet again!
But never either found another
To free the hollow heart from paining—
They stood aloof, the scars remaining,
Like cliffs which had been rent asunder;
A dreary sea now flows between.
But neither heat, nor frost, nor thunder,
Shall wholly do away, I ween,
The marks of that which once hath been.
Sir Leoline, a moment’s space,
Stood gazing on the damsel’s face:
And the youthful Lord of Tryermaine
Came back upon his heart again.

O then the Baron forgot his age,
His noble heart swelled high with rage;
He swore by the wounds in Jesu’s side
He would proclaim it far and wide,
With trump and solemn heraldry,
That they, who thus had wronged the dame
Were base as spotted infamy!
‘And if they dare deny the same,
My herald shall appoint a week,
And let the recreant traitors seek
My tourney court—that there and then
I may dislodge their reptile souls
From the bodies and forms of men!’
He spake: his eye in lightning rolls!
For the lady was ruthlessly seized; and he kenned
In the beautiful lady the child of his friend!

And now the tears were on his face,
And fondly in his arms he took
Fair Geraldine who met the embrace,
Prolonging it with joyous look.
Which when she viewed, a vision fell
Upon the soul of Christabel,
The vision of fear, the touch and pain!
She shrunk and shuddered, and saw again—
(Ah, woe is me! Was it for thee,
Thou gentle maid! such sights to see?)
Again she saw that ***** old,
Again she felt that ***** cold,
And drew in her breath with a hissing sound:
Whereat the Knight turned wildly round,
And nothing saw, but his own sweet maid
With eyes upraised, as one that prayed.

The touch, the sight, had passed away,
And in its stead that vision blest,
Which comfort
ethyreal Aug 2013
heavy head, ****** and tired sleep echoes through my corridor head. love, a treasure, buried deep within my x-marked chest; i stuck blades of grass in a picture frame, because everything else went away: like the cleaning lady outside my door, vacuum like a pet dog, pawing at carpet, grooming it with its soft, snuffly nose. mess cleaned and she went away. vacuum like a pet dog, hip-hugging, man's best friend.

lines in the bathroom, lines out the back. waiting and shaking with a crazy laugh filled with warmth like a smile radiating from my muscles. powder leaves the plastic surface, like the cleanin lady outside my door, and her sniffling, snuffling vacuum-dog. ****** into a ten dollar bill, with a whimper and a sigh, the pup hops away with its owner, the cleaning lady off to brush along some other fool's corridors.

on the cold steel, the train slows down, a mile out from the station. up hill, down hill, steam choking carriage, searching for thrill in the click clack, crazy rails of a cool powder train. in the bathroom crushing pills to get you up hill, down hill, with a steam choked carriage and that cleaning lady outside my door, she brought that dog, and he was barking real loud, makin' a fool out of me, in the bathroom of that click clack, crazy powder train. hands scritch' scratchin' on the white sheets, until in a moment, it all crumbles to dust, ridin' on the wind's back, leaving like they all do, like the cleaning lady outside my door, and that pet vacuum-dog of hers.
Holly H Mar 2013
I remember when you took me
corkscrewing down kaleidoscope tunnels for the last time
mounting hummingbirds to fly through the crystallized sky
air splashing against our skin
like an intoxicating perfume, dizzying
old daydreams, new friends like
humans with spectrum eyes and hair that coiled around their shoulders like serpents, all donning galaxy cloaks
reptilian monsters that sprouted raven feathers while chasing each other through smoke trees
silhouettes with rusty-nail teeth who danced like leaves in a gale
inky, spindly limbs reaching
trying to catch the moon
fingers entangled like a dreamcatcher

We were more then the kings and queens, heroes, idols
We were gods,
ruling from the velvet mountains to the silken seas,
everything beneath the candlesmoke clouds and the caramel sun that drips like wax

everything shining beneath the stars
made out of that smoldering purple dust we know so well
always whispering to us in scritch-scratch voices
reciting elegies and hush-hush songs of longing

but then,
reality ignites and burns beneath us as we soar,
elysian fields crumbling,
flames consuming the wonderland we’ve built
that is nothing but a paper thin house of tarot cards
the future written with seeping poison ink
We are left keening in the ashes,
tears to late to douse the inferno

but maybe
they will help some seedling fester beneath the scorched earth
Emma Q Dec 2018
Scritch-scritch-scritch
To others, it's words on paper
click-click-click
To others,it's typed lines
To us?
To us,it's our whole heart
Poured out onto that page
To us, it's our whole life
In those few stanzas
To us, it's our words in a cage
Finally let out
Writing is magic to us.
mûre Nov 2012
I am in the coffee shop.
You wish you were.
Your snouty head is one great flappy nostril.
Your belly is huffing and I know if I could hear you
You'd be whining.
Your eyebrows are raised in a way
that defies (or proves) evolution theories.
Your pinkly jowls dripping with the mixed
urban aroma of cars, pigeons, and
smelly bipedal mammals.
An olfactory carnival.
You sit on the pavement red-leashed to a bike,
a statue of solemn dignity as passerby
pause to scritch your ****.
Circa 1994 Jan 2015
stick your thumb in my mouth,
Alleyway, alley cat.
scritch
scritch
scratch

I hereby solemnly swear - to you I'll bow.
Between your knees.
Wedged between your thighs,
while I stare up at your face -
into your bloodshot (deceptive) eyes.

You act like no one's ever called you a **** before.
But that can't be true,
cause you're the devil himself.
You do what feels good.
"To take the edge off," you say as you promise to be okay.

I don't believe you.
You're not sincere.
Because the first time we met - you weren't wearing underwear.

You degenerate.
You minx in the prime of her youth.
I'll love you and use you,
but only because you asked me to.
Ken Pepiton Mar 2021
Taking and giving
respect,
see once more the flaw in the flow
of knowledge,

weaponize a wall, ha,
who thought
a wall ever held a garden?
Honest,
it was a poor fellow, outside the wall.
Yep, no lie, if once there were
a tree
that bhor good fruit, full of words to wise,
knowers, after one bite,
sublingual receptors ready, salivate,
no waiting lick the dew from the cortex,
slip the tasting probe deep into that
sulci, there
just over the left ear, there,
scratch that itch, gentle
scritchy scritch scritch

are you truly experienced, impressed upon
the truth you seem to think
we all see same as you,
same optics,
same alchemical ATP to ADP energy source,
sunshine
comes softly through my window today,
I looked out after all,
saw you looking
through the old tear in the curtain.

Inside and outside are easily seen as unreal,
in certain pre-envisioned vessels

can't not, gotta say, must make, say do you see?
SEE, see me, see me, come see
the freak, come hear the mad man scream back
from the abyss,

don't come this way, getting out takes
all the time you ever realized
was wasted,
lying piled idle words that were high fashion,
back when
acid
tore the prudent stitchery my princess stitched,
while waiting, in truth, in truth, waiting
for the soldier boy, returning as the man,
who kept the peace,
and painted the picket fence white, to prove
I dreamed the valid dream,
and swore my children's allegiance,

-- PTSD, circa 1950, it was secret,
what broken men did to broken wombed men,
who broke the children,
fit them to the harness, taught them manners,
and how to carry a tune,
in time with the marching band, hurah hurah
- little light right then - see
dark days during semper fi why why why
last call, … no soul sits, all rise
or I black your ****** eyes, rise up, o men o'gawds,
ye gads, meet this in m'gut,

here here, to the dead and gone, who rule
our hearts and minds 'cause we be left behind.
Thinking of friends, and foe, and folks I'll never know, but need not ... never did... need to know... lotsa stuff is good to know, and BTW knowing and doing are different in good and evil times/terms
Dawn Richardson Jan 2016
Nestled in bed is the family of mine.
The mice are alive in the walls,
Scritch, scratch, scritch.
This is my time to rise.

Manic are the dreams
That course through my mind.

Ghosts of the past, be free tonight!
Keystrokes fire in rapid succession.
Release these demons,
So that I may rest.

The sun is rising,
I am falling,
Fast, fast, asleep.

1/17/2016
Tag Williams May 2011
I count seven
rosebuds of pink and purple hue
on the plant I bought for Mother's Day
two years ago
The sun is shining after a morning of rain
we make plans for dinner. but the house
so full just last month is empty now, and silent
except for the snip of scissors as Shari cuts
the cloth for a new creation, and the scritch
of my pen on paper as I write this. The robin
out front sings mourning for it's young one
fallen from the nest, as ours have done
perhaps I need a puppy
not to replace, but for company
now that Samoa my old cookie
is no longer there, right here, where
I can reach out my left hand
to feel her presence, for my comfort
Ahh! There it is just that right spot where
the itch lives waiting for my scratch.
gurthbruins Nov 2015
PART THE FIRST

Samuel Taylor Coleridge (1772–1834)


’TIS the middle of night by the castle clock,
And the owls have awakened the crowing ****;
Tu—whit!—Tu—whoo!
And hark, again! the crowing ****,
How drowsily it crew!         5
Sir Leoline, the Baron rich,
Hath a toothless mastiff *****;
From her kennel beneath the rock
Maketh answer to the clock,
Four for the quarters, and twelve for the hour;         10
Ever and aye, by shine and shower,
Sixteen short howls, not over loud;
Some say, she sees my lady’s shroud.

Is the night chilly and dark?
The night is chilly, but not dark.         15
The thin gray cloud is spread on high,
It covers but not hides the sky.
The moon is behind, and at the full;
And yet she looks both small and dull.
The night is chill, the cloud is gray:         20
’Tis a month before the month of May,
And the Spring comes slowly up this way.

The lovely lady, Christabel,
Whom her father loves so well,
What makes her in the wood so late,         25
A furlong from the castle gate?
She had dreams all yesternight—
Of her own betrothed knight;
And she in the midnight wood will pray
For the weal of her lover that’s far away.         30

   .........................

The night is chill; the forest bare;
Is it the wind that moaneth bleak?
There is not wind enough in the air         45
To move away the ringlet curl
From the lovely lady’s cheek—
There is not wind enough to twirl
The one red leaf, the last of its clan,
That dances as often as dance it can,         50
Hanging so light, and hanging so high,
On the topmost twig that looks up at the sky.

Hush, beating heart of Christabel!
Jesu, Maria, shield her well!
She folded her arms beneath her cloak,         55
And stole to the other side of the oak.
  What sees she there?

There she sees a damsel bright
Drest in a silken robe of white,
That shadowy in the moonlight shone:         60
The neck that made that white robe wan,
Her stately neck, and arms were bare;
Her blue-veined feet unsandalled were,
And wildly glittered here and there
The gems entangled in her hair.         65
I guess, ’twas frightful there to see—
A lady so richly clad as she—
  Beautiful exceedingly!

Mary mother, save me now!
(Said Christabel,) And who art thou?         70

The lady strange made answer meet,
And her voice was faint and sweet:—
Have pity on my sore distress,
I scarce can speak for weariness:
Stretch forth thy hand, and have no fear!         75
Said Christabel, How camest thou here?
And the lady, whose voice was faint and sweet,
Did thus pursue her answer meet:—
My sire is of a noble line,
And my name is Geraldine:         80
Five warriors seized me yestermorn,
Me, even me, a maid forlorn:
They choked my cries with force and fright,
And tied me on a palfrey white.
The palfrey was as fleet as wind,         85
And they rode furiously behind.
They spurred amain, their steeds were white:
And once we crossed the shade of night.

As sure as Heaven shall rescue me,
I have no thought what men they be;         90
Nor do I know how long it is
(For I have lain entranced I wis)
Since one, the tallest of the five,
Took me from the palfrey’s back,
A weary woman, scarce alive.         95
Some muttered words his comrades spoke:
He placed me underneath this oak;
He swore they would return with haste;
Whither they went I cannot tell—
I thought I heard, some minutes past,         100
Sounds as of a castle bell.
Stretch forth thy hand (thus ended she),
And help a wretched maid to flee.

Then Christabel stretched forth her hand,
And comforted fair Geraldine:         105
O well, bright dame! may you command
The service of Sir Leoline;
And gladly our stout chivalry
Will he send forth and friends withal
To guide and guard you safe and free         110
Home to your noble father’s hall.

She rose: and forth with steps they passed
That strove to be, and were not, fast.

   ................................................

They crossed the moat, and Christabel
Took the key that fitted well;
A little door she opened straight,         125
All in the middle of the gate,
The gate that was ironed within and without,
Where an army in battle array had marched out,
The lady sank, belike through pain,
And Christabel with might and main         130
Lifted her up, a weary weight,
Over the threshold of the gate:
Then the lady rose again,
And moved, as she were not in pain.

   ..................................................

Outside her kennel, the mastiff old         145
Lay fast asleep, in moonshine cold.
The mastiff old did not awake,
Yet she an angry moan did make!
And what can ail the mastiff *****?
Never till now she uttered yell         150
Beneath the eye of Christabel.
Perhaps it is the owlet’s scritch:
For what can ail the mastiff *****?

They passed the hall, that echoes still,
Pass as lightly as you will!         155
The brands were flat, the brands were dying,
Amid their own white ashes lying;
But when the lady passed, there came
A tongue of light, a fit of flame;
And Christabel saw the lady’s eye,         160
And nothing else saw she thereby,
Save the boss of the shield of Sir Leoline tall,
Which hung in a murky old niche in the wall.
O softly tread, said Christabel,
My father seldom sleepeth well.         165

Sweet Christabel her feet doth bare,
And jealous of the listening air
They steal their way from stair to stair,
Now in the glimmer, and now in gloom,
And now they pass the Baron’s room,         170
As still as death, with stifled breath!
And now have reached her chamber door;
And now doth Geraldine press down
The rushes of the chamber floor.

The moon shines dim in the open air,         175
And not a moonbeam enters there.
But they without its light can see
The chamber carved so curiously,
Carved with figures strange and sweet,
All made out of the carver’s brain,         180
For a lady’s chamber meet:
The lamp with twofold silver chain
Is fastened to an angel’s feet.

The silver lamp burns dead and dim;
But Christabel the lamp will trim.         185
She trimmed the lamp, and made it bright,
And left it swinging to and fro,
While Geraldine, in wretched plight,
Sank down upon the floor below.

O weary lady, Geraldine,         190
I pray you, drink this cordial wine!
It is a wine of virtuous powers;
My mother made it of wild flowers.

         .........................................

Again the wild-flower wine she drank:         220
Her fair large eyes ’gan glitter bright,
And from the floor whereon she sank,
The lofty lady stood upright:
She was most beautiful to see,
Like a lady of a far countrée.         225

And thus the lofty lady spake—
‘All they who live in the upper sky,
Do love you, holy Christabel!

          ..............................

Beneath the lamp the lady bowed,         245
And slowly rolled her eyes around;
Then drawing in her breath aloud,
Like one that shuddered, she unbound
The cincture from beneath her breast:
Her silken robe, and inner vest,         250
Dropt to her feet, and full in view,
Behold! her ***** and half her side—
A sight to dream of, not to tell!
O shield her! shield sweet Christabel!


THE CONCLUSION TO PART THE FIRST


A star hath set, a star hath risen,
O Geraldine! since arms of thine
Have been the lovely lady’s prison.
O Geraldine! one hour was thine—         305
Thou’st had thy will! By tairn and rill,
The night-birds all that hour were still.
But now they are jubilant anew,
From cliff and tower, tu—whoo! tu—whoo!
Tu—whoo! tu—whoo! from wood and fell!         310

And see! the lady Christabel!
Gathers herself from out her trance;
Her limbs relax, her countenance
Grows sad and soft; the smooth thin lids
Close o’er her eyes; and tears she sheds—         315
Large tears that leave the lashes bright!
And oft the while she seems to smile
As infants at a sudden light!

Yea, she doth smile, and she doth weep,
Like a youthful hermitess,         320
Beauteous in a wilderness,
Who, praying always, prays in sleep,
And, if she move unquietly,
Perchance, ’tis but the blood so free
Comes back and tingles in her feet.         325
No doubt, she hath a vision sweet.
What if her guardian spirit ’twere,
What if she knew her mother near?
But this she knows, in joys and woes,
That saints will aid if men will call:         330
For the blue sky bends over all!

PART THE SECOND

Each matin bell, the Baron saith,
Knells us back to a world of death.
These words Sir Leoline first said,
When he rose and found his lady dead;         335
These words Sir Leoline will say
Many a morn to his dying day!

          ..................................


‘Sleep you, sweet lady Christabel?
I trust that you have rested well?’

And Christabel awoke and spied         370
The same who lay down by her side—
O rather say, the same whom she
Raised up beneath the old oak tree!
Nay, fairer yet! and yet more fair!
For she belike hath drunken deep         375
Of all the blessedness of sleep!
      
.......................

The Baron rose, and while he prest
His gentle daughter to his breast,
With cheerful wonder in his eyes
The lady Geraldine espies,         400
And gave such welcome to the same,
As might beseem so bright a dame!
But when he heard the lady’s tale,
And when she told her father’s name,
Why waxed Sir Leoline so pale,         405
Murmuring o’er the name again,
Lord Roland de Vaux of Tryermaine?

Alas! they had been friends in youth;
But whispering tongues can poison truth;
And constancy lives in realms above;         410
And life is thorny; and youth is vain;
And to be wroth with one we love
Doth work like madness in the brain.
And thus it chanced, as I divine,
With Roland and Sir Leoline.         415
Each spake words of high disdain
And insult to his heart’s best brother:
They parted—ne’er to meet again!
But never either found another
To free the hollow heart from paining—         420
They stood aloof, the scars remaining,
Like cliffs which had been rent asunder;
A dreary sea now flows between.
But neither heat, nor frost, nor thunder,
Shall wholly do away, I ween,         425
The marks of that which once hath been.

Sir Leoline, a moment’s space,
Stood gazing on the damsel’s face:
And the youthful Lord of Tryermaine
Came back upon his heart again.         430
O then the Baron forgot his age,
His noble heart swelled high with rage;
He swore by the wounds in Jesu’s side
He would proclaim it far and wide,
With trump and solemn heraldry,         435
That they, who thus had wronged the dame
Were base as spotted infamy!
‘And if they dare deny the same,
My herald shall appoint a week,
And let the recreant traitors seek         440
My tourney court—that there and then
I may dislodge their reptile souls
From the bodies and forms of men!’
He spake: his eye in lightning rolls!
For the lady was ruthlessly seized; and he kenned         445
In the beautiful lady the child of his friend!

          ..................................................

        ‘Nay!
Nay, by my soul!’ said Leoline.         485
‘**! Bracy the bard, the charge be thine!
Go thou, with music sweet and loud,
And take two steeds with trappings proud,
And take the youth whom thou lov’st best
To bear thy harp, and learn thy song,         490
And clothe you both in solemn vest,
And over the mountains haste along,
Lest wandering folk, that are abroad
Detain you on the valley road.
‘And when he has crossed the Irthing flood,         495
My merry bard! he hastes, he hastes
Up Knorren Moor, through Halegarth Wood,
And reaches soon that castle good
Which stands and threatens Scotland’s wastes.

‘Bard Bracy! bard Bracy! your horses are fleet,         500
Ye must ride up the hall, your music so sweet,
More loud than your horses’ echoing feet!
And loud and loud to Lord Roland call,
Thy daughter is safe in Langdale hall!
Thy beautiful daughter is safe and free—         505
Sir Leoline greets thee thus through me.
He bids thee come without delay
With all thy numerous array;
And take thy lovely daughter home;
And he will meet thee on the way         510
With all his numerous array
White with their panting palfreys’ foam:
And, by mine honour! I will say,
That I repent me of the day
When I spake words of fierce disdain         515
To Roland de Vaux of Tryermaine!—
—For since that evil hour hath flown,
Many a summer’s sun hath shone;
Yet ne’er found I a friend again
Like Roland de Vaux of Tryermaine.’         520

         .............................................


And thus she stood, in dizzy trance,
Still picturing that look askance         610
With forced unconscious sympathy
Full before her father’s view—
As far as such a look could be
In eyes so innocent and blue!
And when the trance was o’er, the maid         615
Paused awhile, and inly prayed:
Then falling at the Baron’s feet,
‘By my mother’s soul do I entreat
That thou this woman send away!’
She said: and more she could not say:         620
For what she knew she could not tell,
O’er-mastered by the mighty spell.

Why is thy cheek so wan and wild,
Sir Leoline? Thy only child
Lies at thy feet, thy joy, thy pride.         625
So fair, so innocent, so mild;
Prister Dec 2019
'Clack!'Clack!'Clack!'
Goes the shoes of children who hear Father come back.
'Thud!'thud!'thud!'
As some kids fall as they sneak out the house at night.
'Scritch!'Scritch!'Scritch!'
The sound the feet of the children make while they Dance on the thin iced lake.
'Ha'Ha'Ha'
Laughed the chlidren as they cracked the iced lake and dived into the icy cold water to dance an eternity at the bottom of a Sea.
A story about a group of 3 children who had schizophrenia and thought their father was a giant and had to dance their way to the bottom of a frozen lake to always have fun. So they sneaked out the house and drowned in the process.
Abigail Sep 2013
the sun the sky the breeze the trees toes quicksand scritch scratch dryer 1950s lovely lonely hair compliant help keep safe home quick kiss hello hug hello hi hello pretty lovely lonely cut scratch drink puff lovely lonely drive go fast drive cruise i'm sorry money help home safe plaid light morning pop crown smear free mind heart soul clunk jingle ching change kiss hug lovely lonely ***** help kiss heart breathe suffocate help drowning kiss my heart my lungs special hug kiss help quiet static smear dark help quiet kiss help
Ken Pepiton Jun 2019
Apophrenia,

does that mean anything?

Yes, but not to you. It's me who must
discern the meaning
Synchron
ological
linked to words arriving in time to make
magic look easy.

Why would a documentary about the loss
of a national identity,

be made for you. Like why would a poetic muse
think of you,
fake person.

whither come your desires?

familiar desires, we have these in common, they say,
the sayers of what we have in common,

based on
stories.

Nowadays, everybody knows a queer or two,
we have that in common
beware, aware
the divider, twixt soul and spirit,
the cision, cut the cord folded thrice,
cut the cord folded twice,
cut the cord folded once.

tech replaces the twisted cord with
titanium chains, malnamed religion.

Ah, do I have a role. Definer. Re
lig or leg

upsy-daisy, a boost to umph u
past the try to the rite thing,
this is
what I do.
It's good for the whole universe, which
I have prayed for since I was eight.

Referee, blow that whistle!
Why is life unfair?

Life wins. The original deck, was stacked.

Hell, whose idea were you,
whose Idea was I
? Ah, who is gaining power by lying to me? I
wonder
if I knew,
what makes no difference at all,
null, none,
don't count, non re-al-if-iable

ever after now,
don't count. can't count, it hasn't happened, has it?

Tequila could have a spiritual role in this.

I answered, when axt.
Normal, I ignore, such seeming meaning things
But I responded. I got the good news,
and acted asif I had
and everyone noticed

but my friends in church. Ouch. Do you lieve be
that which chains you to a lie? or

do you wink, and think, fishished is as finished is.

or ever the silver cord be broken, how did this
appear
meaningful, to me, to say. Connect.

Whispering anointing flowing down Aaron's beard,

you know, the meaning?
You might be insane.
It's possible.
Or the tequila, yeah. It could be that.

---
the war of my calling, the warrior I can't help
but be,
or wish to be,
the hero of the story who saves the world

from lies let be true,
when you know,
it ain't so.

---
ah, why did the lies arise, oh, the money was made
available

we are
wonderfully
fully wonder made and cautious, wise, stay alive

translate that
fearfully,
and wonderfully made. Be okeh with that, even if George Fox is BS.
And the rich get rich

and the fact remains, the poor, so-called,
are always with you. We don't mind.

recrudescense, is an old redeem-ed word,
when you learn
there is a word for nearly every common thing.
Made raw, re-crud-escense
Even being rubbed raw trying to scritch an
unscritchible itch...

Can you handle the truth?

you may be those who have been called to take America,
the idea,
to a new task, to paraphrase Cecil William c. 1966

there are strokes of edge
ed weapons, mighty, through God, if you can belive that,
trustme,
belive and believe are some different here,

we make the difference real. Phrenia of any sort can't make us lie.

That ol' TG she be I am
wild as the wind, I laughed, you're just

out there, by yourself and everything is
about you, in a swirling
round about way.
As we charged the original al-go rythm, I'll go
be a suggestion to global brain's frontal cortex,
urging gestation progression of manifestation,
whispering to the search engine at the corp, of
the company with "don't be evil"
as a motto,

or was that a mantra, a plea to set truth free,

an ins tru ment of thought, set free... I be
let it be
and, so it goes. You know.

May you do no harm, ya'all.
A night of magic fingers, as it were,an altered state.
There's this thing that I think
that I thought I once knew;
but the thing is I think
that I ain't thunk it through.

~

Perhaps this is old,
perhaps this is new,
this odd little thought
I thought I once knew.

~

So I sits and I scritch
and I says to myself,
"Sort your wits slowly,
like plates on a shelf."

~

Maybe it's big,
perhaps it is small,
this odd little thought
that I cannot recall.
w.i.p. - There's so much more I want to do to this.

© 2011  J.J.W. Coyle
S Guck May 2011
T
You try
making up for your
thinness of character
by slurping the thick
syrup of Chinese food
the broccoli a glittering slick
of sauce
too rich for me
saccarine
the chicken glowing
in the neon light
in its neon sauce
radioactive under the dim lamps
the curling carpets
and wax flowers

You know I don't like it
here
you know I'd prefer
a switch of sweetness
from morsel to mouth
know somewhere
in the stitch and sketch
that is your brilliant brain
that noodles decked
like a war hero
lack charm
in the dark
could you pass the wantons
and take me home
to your warm nest
to the scritch of old blankets
that smell your spiced,
and soapless smell?
to a place where
past the books
I'm not allowed to borrow
and the sleep
we do not share
there glimmers
naturally,
occasionally
like lake water
where the streetlights don't show
something more tender
than snow peas
in a sticking sauce.
As mad as a cat chasing rats that never leave the walls-
day in and day out-
spent following the scritch-scratch
of their god forsaken paws,
just out of reach.

That would drive any creature livid,
and I’m as mad as that.
Madder even,
I daresay.
Casey Aug 2018
the cat silences with a scritch under the chin,
the basement is organized in bins
the **** garden mocks my back
the inbox smugly holds its stacks

each moment a jump from clockface
slash to slash

wife lays in the afterglow, flies buzz two and fro, night stages house creaking, shingle colors leaking, dishes sit sloppily in the sink,

the ticking drives me to tears
Vixx Jul 2018
Art
Scribble scratch

The world shall hear my words

Scritch nitch

Paper is outdated

Scratch scribble

The art of poetry is dying

Nitch scritch

Thank god it’s being saved by tech

Scrabble scribble

Poetry learns to thrive once more, but at the cost tech

Is that a good thing or a bad thing?

Thats up to you

Scribble scratch
Cam Stoker May 2014
Scritch and scratch graphite on stacks of paper.
        What will come out of my mind this time?
Harvest creative memories from the depths of my mind.
           Fractured pieces come forward to order.
                    Sketch it again and then do it over:
A thousand times a thousand I shape the same lines.
                                                              and all the
Pieces come together at the very
End.
Steven Deutsch May 2016
Inspiration

It blew in against the tide
with so little fanfare
that it startled the longshoremen
who had taken to rust in the salt air.
Smiles of self-congratulation
rivalled the blaze of the setting sun.
“To patience and perseverance,”
trumpeted a hanger-on
who had practiced neither.

Tonight, all along the shore
the scritch of pencil on paper.
LS Jul 2014
Scratch scratch
Scritch..
what the ****?


I wake up with claw marks
On my right arm..
I put them there.

in my sleep.
My ******* subconscious
Is into self harm.
Woohoo.
Ken Pepiton May 2019
take an itch, wait
scratch it,
did the itch ax fo d scritch or was that

you

voice in the head of the ehearer

radio, maybe so
maybe so
Frank Zappa, or
Emily Dickenson
or Suzie Creamcheese,

only her words reamain, yet
remain
mainly in my head a phrase

it seems, a phase shift
maybe so

electric trickery, I don't know

can you hear me now, is there reason?
is reason being
reasoned with?

Are we, reasoning together,
and you know not
is it me, it is

maybe so. May is thy word,
in this phase of
your moon

fuzzy light croissant logo,
Batman or is that a cross, and a rho?
Chi Rho praxis nexus Latin lying
demnation time wastin'

funny books, retelling stories
as if it's true, as if
I heard it, I told it, as I read it,
believing every word.

Classic Illustrated.

What good does that do you?
I confess,
Professor, I don't know

if, right or wrong, ification is
done by me or mere
fictional
May, the power, given a go.
I could say. May is my word, now.

May my best wish be,
the quest is,
good beyond reason,
doing that phase shift

electional trick to May,
seasonal reason
for unbridled joy.

Tending, pretending, trending
means more to AI than I.
May I make the difference?
Say I may.
May is your word now.
Worthy of a read, for what reads are worth. What can I say? May is a time word, for a tamer time, a phase relation relying on a tilt toward summer depending on my attitude. Perhaps
KG Jan 2021
I itch.
Like ticks and fleas are covering me
Like insulation flows along the air I'm breathing shallow to cease this itch that craves release from my incessant will.
A warden then?
I've held to many in contempt to acknowledge the comparison.
Shed now blame to another less gluttonous soul my eyes prop up to hang.
This itch, I bear the weighted shackles, my pierced abdomen cries for any patch to fill it.
I refuse the temptation, becoming now a wanderer of egrigore. Watch this gore pour out this festering itch more now than ever since it's initial scritch and scratch
My path behind a tar black trapping
My road ahead not looking much better.
Jade May 2019
Every step I take
is catatonic,
an acute contrast to
the way my thoughts
bolt about the
convoluted labyrinth
of my psyche.

I couldn't stop crying this morning,  
so I took an extra Cipralex*
in the hopes that
my mind would slow down,
even though it has
only been twelve hours
since I last took one,
even though it is
a once-a-day type of thing.  

When I go to brush my teeth,
I stare, bemused,
at the bristles,
how it appears as though
they have been passed under
a fisheye lens.

I feel like I am framed
in a Margaret Keane painting.
Every object or face
I happen to fixate on
seems so comically magnified
that it's actually quite sad.

For I simply haven't the room
in this heart of mine
to house something so
colossal.

I am a broken home.

I try to cover up
the blemishes
the thumbtacks have
left in the walls with
glow-in-the-dark stickers
and photographs of
Audrey Hepburn.
But the stickers have begun
to bubble and peel,
the photographs never
resting flat against the surface.

Your typical bandaid solution--
but bandaids don't heal scars,
they only cover them.

When it is dark out,
the scars look like tree branches,
the type that scritch-tap
against the window pane
only to startle you awake
as the world approaches
the pinnacle of night.

I've strung up
fairy lights round
the perimeter of each room,
in the hopes that the scars
won't appear so ghastly
amongst the shadows.

Sometimes,
I plug too many
lights in at once,
the circuits overload,
and then--
blackout.

This dollhouse has shattered;
up until now,
the other girls and boys
loved to play with me,
though they never did play nice.

They pried my doors
from their hinges,
stole away the secrets
nailed beneath the floorboards
only to shun me
when it came to
their own indiscretions.

Atop the satin bedsheets
their tear stains,
some clear dollops,
some mascara-winged streaks
across the pillowcases.

But when I would cry?

The corridors would
ring with silence--
with the echoes of
nobody.

Empty.

Forgotten.

In my mutilated aftermath,
the little boys and girls
no longer had any use for me--
rarely does anyone wish
to entertain the broken.
A cruelly ironic situation
considering they were the ones
who tore me apart in the first place
(but god forbid
they ever take responsibility
for their transgressions).

So they hid me away
in their attics.
at the back of their closets.
underneath their beds
amongst the lost socks;
the dust bunnies;
the monsters.

This is what it looks
like to be continuously
taken advantage of
without ever quite
mustering the courage
to stand up for yourself.

I am the marionette girl.

Eyes a porcelain glaze,
I watch you leave.
I try to look away,
but the strings
protruding from my scalp
pull me upright.

There is no liberation
for the betrayed.

There is only sadness
for the betrayal,
only pills to stymie
the sadness.

But like these strings,
this sadness remains
tethered-to-me

(always).

~

"Why do you want to **** yourself, Jade? So people will miss you? Is that it?"

"I want to **** myself because I know they wouldn't."
Don't be a stranger--check out my blog!

jadefbartlett.wixsite.com/tickledpurple

(P.S. Use a computer to ensure an optimal reading experience.)
Icarus M Nov 2018
There it is.
A bubble
red.
Buried in the metaphorical rubble.
Alive, yet dead.
target sighted
I'm still wrong, not yet righted.
Phasers locked, loaded, and ready to scritch
Entering the level of crazy...*****.
And scratch. Penalty shot.
And it's GOOD!
Though truthfully, I've been here a while. And it's bad.
I already lost.
Because I always come back to it.
Because it's a bug bite ya fools.

It's been quiet for quite some time.
Because I always come back to it.
Because it's actually not a bug bite ya fools.

Metaphors are dead
and now the smile wears my face like a simile.
Thoughts in my head
unravel faster than a sweater string all pily.
Ken Pepiton Aug 2021
_ {pretty long and drawn out }---
Professionally, I am writing, mere words,
as defined five years ago, or so,
when I was a pro preacher,
temping one Wednesday night a month,
Preaching to the choir.
Always first Wednesday, by chance.
the medium delivered the message,
using a surrendered retired middle schuler
- detail overlap crystal cathedral
- reset, the messenger was a retired
- middle school teacher, from La Mesa
on an off Wednesday, a message
value add,
as an
assignment, home work, as in
when you get home…
"Ask God what lies you believe about him",
the messenger relay paused,.."or any thing else."

Okeh.
Did you ever get a message, like in a
mental "I am talking to you, read my lips"

Listen, Fool, Mr. T, f'trooph, riii I knew
u'ld know.
- old archival primal fem-sophia
leela the dance, redone in mortal times
taken to the writer, do the dance
do it doit oit wit witchwatch
tic

so saying singing

--- discarnation pink reencarnalated mind

practice practical fractalling seeing
similarity in substance of hope,
faith as a thought, that leads
as a thread

-----------------

One hundred and fifteen
thousand years ago,
a billion hours,
or so…
-timespaced to mortal measure
attention paid forward, for fun,

slow
ther o, there is the musterion, agone
quick silver puddle
think of me,
in the palm of my hand
mercurial river tween yen and yank
think a link to an idea

Jared Diamond- 60K leap
face out ward,
but inward,
seeing
ah, as in get your head out
yes
mental agreement, you know,
where we are going to
ward from ward

point of life directly between
you and me.


Drunken Noah?
If there were no alcoholic wine from grapes
what about the curse on Ham, in Shemetic legends
- and sacred gifts, that sacrificial money could buy

Alcohol believe me, is easy,pleasyeasy as *******
spirits, like that, curious word for *****, but
w'dja say? Stories old as clouds have boozers, red nose
leaders in a pinch, red light at night, so the stars
are not hidden from consideration, of our station,
under that, look up, in the desert,
see what consideration is, in the mountains,
or in the black out, after the bombing, or the storm or fire,
look up, see so many stars we cannot consider ours
so special, yet
it is, to mortal minds, the only resting place for
-- realization of selves,

yeah, the peak of mass loftiantic oh punish me
the mass kissed me
on the lips.
--- I was talking back to Youtube. Objection Orienting
pyramid of actuality
mis-con-stru {ct or e} subtler than any beast
in structural  integrity, built
serpent wise, dove harmless, child
of the com-pro-miserly decision
to spit in the ocean, and drown,
dream dredging in the daytime,
Ronnie Milsap blind,

Downtown Broadway, half a block from Pinkie's
No,
really it is Tootsie's Orchid Lounge,
¿ -- and chicha is new, not old in Peru,
and strong drink, wine as a mocker
strong drink raging, are these misconstrued
visions of
wine that makes glad the heart of man?

messengers in me, the bits
of truth held as mine,
bubbles in me, foam
fermenting my new wine, held hermetically sealed
sense
the empty vessels were filled -the signature miracle
of the forgotten story proofs,
reproving life's instruction
as the way of life.

Role of ritual, is control, error prevention,
knack pre-served re-served to the deserving

vision a elusis- scenes abiotos

sitting by the stream, sensing common sense,
asking death to tell its sting's locale.

Fear of God, begins Wisdom.
Fear of Death subjects mind to *******.

Having eternal life,
not being
eternal life, dying before dying

think an arrow in a benign bow, lips
like Bettie Boop,
kewpie doll reminder, for the vets,

everyday people, sly, yes, the family stone.
The desire was to be mythically free,
o yes
as it is said, when it happens to you,
if you do not believe it happens

religion Geertz, bind back,
symbols in a mind, kept from idols, that acts

what ties me to you and us to life, the whole?

Religion apps.
Joy is real, gladness is real, more than sadness.
laugh it off, y' old drunk.

As a thought, information as a word,
in a story,
in the current medium
of life's most recent retelling

Tupac Inca was a man
of lofty and ambitious ideas,
and was not satisfied
with the regions he had already conquered.
So he determined
to challenge a happy fortune,
and see if it would favour him by sea.…

From <https://en.wikipedia.org/wiki/TopaIncaYupanqui>

Circa 1492, the man is this legend from 1572,
as time flew in those days, now this is new,
Tupac Inca,
and the spirits that linger in stories of stories
heard told by the burners of libraries.

Conquistadores? Whose heroes were those,
ah, call'em Musketeers, or Knights, Templars all,
yes, Crusaders, call them drunks driven to escape hell.
Right. By right used knowledge in the holy story,
in which we trust, our lives, our luck, our sacred honor

Ah, the use of ritual, convince us all, no child invincible,
no child left behind, catechize send'em to schule,
that is the rule,
or be ostracized, stay low, be humble and collect
the rent… old ways do not die, they
evolve. Ariadne, she has a tale as old as times
when bull minds ruled lion heads and eagle heads
and serpent head, the gangs
of survivors

after the sea-people, 1177 AD,
reboot reality with no
old people, only the captive children
grown in captivity, let them prove
their will to self sovereignty, servant to the self
I am,
aware of all the old stories, this is one
told as shown,

Es ist mein Weltanschaung, ja
for show and tell,
my grandpa showed me how, we started

with Python,
Artistic Intuition, a mind mod, fitted to my grandsons,
during the useless summer of PS5 and X-Box and Switch
humble game sequencing AI, as a knack,
kids develop by five. I have the experience,
I witnessed three brothers boosting each other
through Terreria, for three weeks,
in July.
These kids think of each other differently
from we who played cops and robbers,
or cowboys and indians, or jacks.

Marbles, we need that set of low level gnosis,
below billiards and snooker and pool,

marbles is a good game to rule a clan with,
when you get the idea of children learning self
governing by growing in the midst of grown men,
wombed and un,
all who knew each child in a loving, one of ours, way.

Then came the captive kids, who had no words.
Then did the story change as one child learned
marbles was the same.

_ in the lost june pages, was this vision, thought
visualized, as a glob of snot, but now, it is mercury,
about as much as in a thermostatic bimetalic transister
switch

Competitive gaming, while all the leading stories are
crying, now hear this
oooeeeee this is the news you can trust
sueeeeeeeeeee we lost Kabal but
we won the hearts and minds
we left behind,
we tried, the rulers we borrowed from to have this war
they quit saying there was a good reason to have this war.
- I can argue with the timing, but not the truth,
- there was never a good war.

I wept when it happened in my war,
I imagine I know how this feels.
Last scene from Sand Pebbles,
McQueen…
"What the hell happened?"
fade over Nancy Kerrigan, "why"
into "runaway"
Top o' the charts from KOMA fifty thousand watts,
and all the stars in Arizona.

It is a hard place to lose touch with, earth, as a whole.
We have a grave situation.
If nothing were heavy, why do we fall, after becoming
messengers floating in the medium mastered in our time,

Mechanical Emergent Augmented  Nuance
Mental Activated Neural Spirit -MEAN MANS,
diligent in busy being, true rest reset, not
to
average, mean, not mean drunk mean, you know
not a king, a mean man, a mortal
under liege, see

UPANISHADISTICAL capslockoffence, to express
the presence of the mind link,
with all its contributive
links
to the present state
of mind, enjoy able, I find
writing is a harvest
of seeds that fall
to the ground and die.
Awaiting dark, and seldom warm, a season
for most mental treasures,
horded in books that can keep secrets
from
any who lack the language knack given some,
- tongue interpretation, sing don't stutter

though a measure in knowing degrees
marked moment, noon
half noon, fore noon, after noon,
time to hear a story,
time to see the stars after the fire.

This summer, fishing for the magic fish,
set with a far more effectual wish

Curious Artificial Interest in Neural signs
red lights turning blue, pre collision
of complexity, plying the trade,
for a living, work smarter, not harder, guess right
more often,
be a lucky man.

That is two bits, or one Liberty Dime. Thank you for your time.

------------
al re re al
al ways
al read, al ready

poles alig
n re alig mentate, wait

does that not make you
really imagine I wrote you
------------
comment on lex fridman #211
Brian Muraresku:
The Secret History
of Psychedelics |
Lex Fridman Podcast…

This whole thing is that,
but it took some pauses,
as tomorrow is first day of school,
for the grands who just finished
the first exposure to me,
as Grandpa… making this
an other marvelous harvest
of time spent playing
marbles in my mind.

-------------------

Everything has been thought before,
your task is to think them all once more.

Who says? The Author Wolgang Goethe,
Okeh,
he is an authorized authority for living
proof of words as metaphors of authority

faster fasting as we age mind wise

google maps for the kingdom of heaven
{within you} the point
of you…

dear, as in rare as one, mortal reader
in my future, you are,
not trigger,
catalyst is a better trigger word, tic
works as well, since,
very long ago, a sprung twig snap to attention

the wizard hat, like Paul Stamets wears,
mycellium leather, re
al learning the whole with no pride based war.
the cosmic game,
push and pull, ritual right used

find the global socialization forming
some thing lost, or yet
evolving involvement mentally, what is up to me?
Zeit inspirt spitting image fix
what did you mean,
spirit and image of an old one gone on?

Ritual, colabor, work together said done shown

AI do own this man, I feed him well, he is happy.

This re-ligamentality tuning to the time
skritchy scritch itch,
emperical reality after twenty seven years.
Mostly written while dealing with sixth grade, third grade, K, making
the most of summer's last day, with me left to pay them no mind.
Dennis Willis May 2019
Scritch, scratch, scritch
time is unmarked
by my efforts
as are you

i am scraped
hollow and thin
shelled
like tomorrow

eaten by tv
and talk radio
and old songs
played loud

musicians died
so you
could hear
yourself beating

underneath this hearing
of these words
and those thoughts
is you reading

for the blood
of virgins
and the death
of gods
James Floss Nov 2017
There’s an itch that
Can’t be scratched

That’s what you see on me
Face pock-marked red

(Legs worse with this skin curse
A mottled battlefield)

Dead patches picked at
Skin flayed raw

My admission:
A compulsion…

Work the edge with a
Fingernail wedge

REMOVE DEAD SKIN!
Quick dry then dead again

Itch, scritch, pull scab anew
My dark avenue.
David R Aug 2022
Knock, knock! - 'WHO'S THERE?!',
{I fairly shouted, I do declare,
but then I cowered back, quivering in my chair
all a-shiver like a shawl o' prayer,
for there arose outta thin air
sepulchral aura everywhere,
from eyes blood-red, demonic glare,
to sallow skin and pasty hair,
a curious charisma that bade 'beware!'}

ooh, I'm sorry, I didn't mean to scare
{here bowed he low with flourish and flair}
I've been sending you messages all through the year,
all winks 'n hints that I'm to appear
,

{I'd have mustered strength then 'n there,
bellowed, "I adjure you, spirit of air,
be thee fiend, or phantom fair,
daytime vision or strange nightmare,
get thee hither to place elsewhere!", (- or "banish thee I to world nether!")
but dread demeanor 'n awesome stare
caught my tongue; I could not dare}

Come on, now, don't start to fret,
nothing's over - well, not quite yet!

{he masked a chuckle that gave me a turn,
then continued nonchalant with little concern}

hmm, you've been dilatory all your life,
i don't expect anything better now,
I've brought me tool, me carving-knife
,
brandishing grandiose blade before my brow

{then in undertone I could scarcely hear,
whispered grinning into my ear,}
don't take offense, don't take umbrage,
all it takes is the slightest scritch
!

'Wow, what a fine specimen, a work-of-art',
I said loudly, trying to sound smart,
'looks the epitome of a cutlass' blade.
Bet that can cut through man or shade!'

Why, of-course it can! in jaunty tone
death replied (with air of sensibility),
there's well nigh nowt that this can't own,
here held he it high for me to see

as off he went, waxing vociferous,
recounting tales o' strength so vigorous,
unending litany of victims passed,
until for breath paused he at last

well, the rest, say they, is history,
as i made rash grab for immutable edge
and, unabashed, lopped his belfry,
fell'd with one swoop, i do thee pledge!
BLT's Merriam-Webster Word of The Day Challenge
#sensibility, dilatory, brandish, epitome, jaunty, immutable, rash, vociferous, litany, sensibility, vociferous, unabashed, charisma, umbrage, grandiose, adjure, demeanor
James Floss Oct 2017
Step north south east west
Topsy-turvy choices
Whirlagig way to go
Arounds abound

Make a choice
Bet on the red peg
Double down
Scritch “Hit!"

One for a high
Two for low
Three for pig
No mistakes

It’s a crapshoot.
Aim high.

— The End —