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One Christmas was so much like another, in those years around the sea-town corner now and out of all sound
except the distant speaking of the voices I sometimes hear a moment before sleep, that I can never remember
whether it snowed for six days and six nights when I was twelve or whether it snowed for twelve days and twelve
nights when I was six.

All the Christmases roll down toward the two-tongued sea, like a cold and headlong moon bundling down the sky
that was our street; and they stop at the rim of the ice-edged fish-freezing waves, and I plunge my hands in
the snow and bring out whatever I can find. In goes my hand into that wool-white bell-tongued ball of holidays
resting at the rim of the carol-singing sea, and out come Mrs. Prothero and the firemen.

It was on the afternoon of the Christmas Eve, and I was in Mrs. Prothero's garden, waiting for cats, with her
son Jim. It was snowing. It was always snowing at Christmas. December, in my memory, is white as Lapland,
though there were no reindeers. But there were cats. Patient, cold and callous, our hands wrapped in socks, we
waited to snowball the cats. Sleek and long as jaguars and horrible-whiskered, spitting and snarling, they
would slink and sidle over the white back-garden walls, and the lynx-eyed hunters, Jim and I, fur-capped and
moccasined trappers from Hudson Bay, off Mumbles Road, would hurl our deadly snowballs at the green of their
eyes. The wise cats never appeared.

We were so still, Eskimo-footed arctic marksmen in the muffling silence of the eternal snows - eternal, ever
since Wednesday - that we never heard Mrs. Prothero's first cry from her igloo at the bottom of the garden. Or,
if we heard it at all, it was, to us, like the far-off challenge of our enemy and prey, the neighbor's polar
cat. But soon the voice grew louder.
"Fire!" cried Mrs. Prothero, and she beat the dinner-gong.

And we ran down the garden, with the snowballs in our arms, toward the house; and smoke, indeed, was pouring
out of the dining-room, and the gong was bombilating, and Mrs. Prothero was announcing ruin like a town crier
in Pompeii. This was better than all the cats in Wales standing on the wall in a row. We bounded into the
house, laden with snowballs, and stopped at the open door of the smoke-filled room.

Something was burning all right; perhaps it was Mr. Prothero, who always slept there after midday dinner with a
newspaper over his face. But he was standing in the middle of the room, saying, "A fine Christmas!" and
smacking at the smoke with a slipper.

"Call the fire brigade," cried Mrs. Prothero as she beat the gong.
"There won't be there," said Mr. Prothero, "it's Christmas."
There was no fire to be seen, only clouds of smoke and Mr. Prothero standing in the middle of them, waving his
slipper as though he were conducting.
"Do something," he said. And we threw all our snowballs into the smoke - I think we missed Mr. Prothero - and
ran out of the house to the telephone box.
"Let's call the police as well," Jim said. "And the ambulance." "And Ernie Jenkins, he likes fires."

But we only called the fire brigade, and soon the fire engine came and three tall men in helmets brought a hose
into the house and Mr. Prothero got out just in time before they turned it on. Nobody could have had a noisier
Christmas Eve. And when the firemen turned off the hose and were standing in the wet, smoky room, Jim's Aunt,
Miss. Prothero, came downstairs and peered in at them. Jim and I waited, very quietly, to hear what she would
say to them. She said the right thing, always. She looked at the three tall firemen in their shining helmets,
standing among the smoke and cinders and dissolving snowballs, and she said, "Would you like anything to read?"

Years and years ago, when I was a boy, when there were wolves in Wales, and birds the color of red-flannel
petticoats whisked past the harp-shaped hills, when we sang and wallowed all night and day in caves that smelt
like Sunday afternoons in damp front farmhouse parlors, and we chased, with the jawbones of deacons, the
English and the bears, before the motor car, before the wheel, before the duchess-faced horse, when we rode the
daft and happy hills *******, it snowed and it snowed. But here a small boy says: "It snowed last year, too. I
made a snowman and my brother knocked it down and I knocked my brother down and then we had tea."

"But that was not the same snow," I say. "Our snow was not only shaken from white wash buckets down the sky, it
came shawling out of the ground and swam and drifted out of the arms and hands and bodies of the trees; snow
grew overnight on the roofs of the houses like a pure and grandfather moss, minutely -ivied the walls and
settled on the postman, opening the gate, like a dumb, numb thunder-storm of white, torn Christmas cards."

"Were there postmen then, too?"
"With sprinkling eyes and wind-cherried noses, on spread, frozen feet they crunched up to the doors and
mittened on them manfully. But all that the children could hear was a ringing of bells."
"You mean that the postman went rat-a-tat-tat and the doors rang?"
"I mean that the bells the children could hear were inside them."
"I only hear thunder sometimes, never bells."
"There were church bells, too."
"Inside them?"
"No, no, no, in the bat-black, snow-white belfries, tugged by bishops and storks. And they rang their tidings
over the bandaged town, over the frozen foam of the powder and ice-cream hills, over the crackling sea. It
seemed that all the churches boomed for joy under my window; and the weathercocks crew for Christmas, on our
fence."

"Get back to the postmen"
"They were just ordinary postmen, found of walking and dogs and Christmas and the snow. They knocked on the
doors with blue knuckles ...."
"Ours has got a black knocker...."
"And then they stood on the white Welcome mat in the little, drifted porches and huffed and puffed, making
ghosts with their breath, and jogged from foot to foot like small boys wanting to go out."
"And then the presents?"
"And then the Presents, after the Christmas box. And the cold postman, with a rose on his button-nose, tingled
down the tea-tray-slithered run of the chilly glinting hill. He went in his ice-bound boots like a man on
fishmonger's slabs.
"He wagged his bag like a frozen camel's ****, dizzily turned the corner on one foot, and, by God, he was
gone."

"Get back to the Presents."
"There were the Useful Presents: engulfing mufflers of the old coach days, and mittens made for giant sloths;
zebra scarfs of a substance like silky gum that could be tug-o'-warred down to the galoshes; blinding tam-o'-
shanters like patchwork tea cozies and bunny-suited busbies and balaclavas for victims of head-shrinking
tribes; from aunts who always wore wool next to the skin there were mustached and rasping vests that made you
wonder why the aunts had any skin left at all; and once I had a little crocheted nose bag from an aunt now,
alas, no longer whinnying with us. And pictureless books in which small boys, though warned with quotations not
to, would skate on Farmer Giles' pond and did and drowned; and books that told me everything about the wasp,
except why."

"Go on the Useless Presents."
"Bags of moist and many-colored jelly babies and a folded flag and a false nose and a tram-conductor's cap and
a machine that punched tickets and rang a bell; never a catapult; once, by mistake that no one could explain, a
little hatchet; and a celluloid duck that made, when you pressed it, a most unducklike sound, a mewing moo that
an ambitious cat might make who wished to be a cow; and a painting book in which I could make the grass, the
trees, the sea and the animals any colour I pleased, and still the dazzling sky-blue sheep are grazing in the
red field under the rainbow-billed and pea-green birds. Hardboileds, toffee, fudge and allsorts, crunches,
cracknels, humbugs, glaciers, marzipan, and butterwelsh for the Welsh. And troops of bright tin soldiers who,
if they could not fight, could always run. And Snakes-and-Families and Happy Ladders. And Easy Hobbi-Games for
Little Engineers, complete with instructions. Oh, easy for Leonardo! And a whistle to make the dogs bark to
wake up the old man next door to make him beat on the wall with his stick to shake our picture off the wall.
And a packet of cigarettes: you put one in your mouth and you stood at the corner of the street and you waited
for hours, in vain, for an old lady to scold you for smoking a cigarette, and then with a smirk you ate it. And
then it was breakfast under the balloons."

"Were there Uncles like in our house?"
"There are always Uncles at Christmas. The same Uncles. And on Christmas morning, with dog-disturbing whistle
and sugar ****, I would scour the swatched town for the news of the little world, and find always a dead bird
by the Post Office or by the white deserted swings; perhaps a robin, all but one of his fires out. Men and
women wading or scooping back from chapel, with taproom noses and wind-bussed cheeks, all albinos, huddles
their stiff black jarring feathers against the irreligious snow. Mistletoe hung from the gas brackets in all
the front parlors; there was sherry and walnuts and bottled beer and crackers by the dessertspoons; and cats in
their fur-abouts watched the fires; and the high-heaped fire spat, all ready for the chestnuts and the mulling
pokers. Some few large men sat in the front parlors, without their collars, Uncles almost certainly, trying
their new cigars, holding them out judiciously at arms' length, returning them to their mouths, coughing, then
holding them out again as though waiting for the explosion; and some few small aunts, not wanted in the
kitchen, nor anywhere else for that matter, sat on the very edge of their chairs, poised and brittle, afraid to
break, like faded cups and saucers."

Not many those mornings trod the piling streets: an old man always, fawn-bowlered, yellow-gloved and, at this
time of year, with spats of snow, would take his constitutional to the white bowling green and back, as he
would take it wet or fire on Christmas Day or Doomsday; sometimes two hale young men, with big pipes blazing,
no overcoats and wind blown scarfs, would trudge, unspeaking, down to the forlorn sea, to work up an appetite,
to blow away the fumes, who knows, to walk into the waves until nothing of them was left but the two furling
smoke clouds of their inextinguishable briars. Then I would be slap-dashing home, the gravy smell of the
dinners of others, the bird smell, the brandy, the pudding and mince, coiling up to my nostrils, when out of a
snow-clogged side lane would come a boy the spit of myself, with a pink-tipped cigarette and the violet past of
a black eye, cocky as a bullfinch, leering all to himself.

I hated him on sight and sound, and would be about to put my dog whistle to my lips and blow him off the face
of Christmas when suddenly he, with a violet wink, put his whistle to his lips and blew so stridently, so high,
so exquisitely loud, that gobbling faces, their cheeks bulged with goose, would press against their tinsled
windows, the whole length of the white echoing street. For dinner we had turkey and blazing pudding, and after
dinner the Uncles sat in front of the fire, loosened all buttons, put their large moist hands over their watch
chains, groaned a little and slept. Mothers, aunts and sisters scuttled to and fro, bearing tureens. Auntie
Bessie, who had already been frightened, twice, by a clock-work mouse, whimpered at the sideboard and had some
elderberry wine. The dog was sick. Auntie Dosie had to have three aspirins, but Auntie Hannah, who liked port,
stood in the middle of the snowbound back yard, singing like a big-bosomed thrush. I would blow up balloons to
see how big they would blow up to; and, when they burst, which they all did, the Uncles jumped and rumbled. In
the rich and heavy afternoon, the Uncles breathing like dolphins and the snow descending, I would sit among
festoons and Chinese lanterns and nibble dates and try to make a model man-o'-war, following the Instructions
for Little Engineers, and produce what might be mistaken for a sea-going tramcar.

Or I would go out, my bright new boots squeaking, into the white world, on to the seaward hill, to call on Jim
and Dan and Jack and to pad through the still streets, leaving huge footprints on the hidden pavements.
"I bet people will think there's been hippos."
"What would you do if you saw a hippo coming down our street?"
"I'd go like this, bang! I'd throw him over the railings and roll him down the hill and then I'd tickle him
under the ear and he'd wag his tail."
"What would you do if you saw two hippos?"

Iron-flanked and bellowing he-hippos clanked and battered through the scudding snow toward us as we passed Mr.
Daniel's house.
"Let's post Mr. Daniel a snow-ball through his letter box."
"Let's write things in the snow."
"Let's write, 'Mr. Daniel looks like a spaniel' all over his lawn."
Or we walked on the white shore. "Can the fishes see it's snowing?"

The silent one-clouded heavens drifted on to the sea. Now we were snow-blind travelers lost on the north hills,
and vast dewlapped dogs, with flasks round their necks, ambled and shambled up to us, baying "Excelsior." We
returned home through the poor streets where only a few children fumbled with bare red fingers in the wheel-
rutted snow and cat-called after us, their voices fading away, as we trudged uphill, into the cries of the dock
birds and the hooting of ships out in the whirling bay. And then, at tea the recovered Uncles would be jolly;
and the ice cake loomed in the center of the table like a marble grave. Auntie Hannah laced her tea with ***,
because it was only once a year.

Bring out the tall tales now that we told by the fire as the gaslight bubbled like a diver. Ghosts whooed like
owls in the long nights when I dared not look over my shoulder; animals lurked in the cubbyhole under the
stairs and the gas meter ticked. And I remember that we went singing carols once, when there wasn't the shaving
of a moon to light the flying streets. At the end of a long road was a drive that led to a large house, and we
stumbled up the darkness of the drive that night, each one of us afraid, each one holding a stone in his hand
in case, and all of us too brave to say a word. The wind through the trees made noises as of old and unpleasant
and maybe webfooted men wheezing in caves. We reached the black bulk of the house. "What shall we give them?
Hark the Herald?"
"No," Jack said, "Good King Wencelas. I'll count three." One, two three, and we began to sing, our voices high
and seemingly distant in the snow-felted darkness round the house that was occupied by nobody we knew. We stood
close together, near the dark door. Good King Wencelas looked out On the Feast of Stephen ... And then a small,
dry voice, like the voice of someone who has not spoken for a long time, joined our singing: a small, dry,
eggshell voice from the other side of the door: a small dry voice through the keyhole. And when we stopped
running we were outside our house; the front room was lovely; balloons floated under the hot-water-bottle-
gulping gas; everything was good again and shone over the town.
"Perhaps it was a ghost," Jim said.
"Perhaps it was trolls," Dan said, who was always reading.
"Let's go in and see if there's any jelly left," Jack said. And we did that.

Always on Christmas night there was music. An uncle played the fiddle, a cousin sang "Cherry Ripe," and another
uncle sang "Drake's Drum." It was very warm in the little house. Auntie Hannah, who had got on to the parsnip
wine, sang a song about Bleeding Hearts and Death, and then another in which she said her heart was like a
Bird's Nest; and then everybody laughed again; and then I went to bed. Looking through my bedroom window, out
into the moonlight and the unending smoke-colored snow, I could see the lights in the windows of all the other
houses on our hill and hear the music rising from them up the long, steady falling night. I turned the gas
down, I got into bed. I said some words to the close and holy darkness, and then I slept.
Meteo Aug 2015
I saw you in winter,
and thought of tree branches feathered by starlight in poorly lit neighborhoods. A hearth where the more honest parts of myself, I am bared fetal, warmed upon, welcomed.

I saw you in spring,
and thought of long drives in the countryside in the rain. Ice cream melting from our chins dancing petrichor upon our toes, kissing by the sea shore.

I saw you in summer,
and thought of sleepy boathouses, uncovering ancient childhood treasures in the woods. A secret lake somewhere, the sky's reflection in promise. Windy hilltops upon which to blame each other for the sunrise.

I saw you in autumn,
and thought of scarfs and cafes, city streets and sunsets where we watched each others breath escape. Apartment staircases where windchill hibernates, the world slowing down around us from your window.

The first time I saw You, I thought to myself, "I could live there."
I used to read
I used to write
Songs,
Stories,
Poetry.

I used to knit
I used to sew
Plushies,
Scarfs,
Roses.

What happened to the days
Where I found enjoyment from the little things?
Why is it now
That what I once loved
Feels like a chore
That tires me,
Bores me,
Makes me contemplate everything.

What happened to my carefree childhood
Where nothing mattered
Other than when I could write
Songs,
Stories,
Poetry?
When I uses to knit and sew
Plushies,
Scarfs,
Roses?

What happened?
And why?
Nat Lipstadt May 2019
the spring mantra arrives with distinctive citified sparkles

a family of ducklings splash, mimicking young children,
shaking, spraying, squeaking, babies bath bathing,
jumping in and out of a fountain pool
of a tall-storied Manhattan apartment building,
the mother-leader attends them well for she recalls
the untimely end of the babies of last year,
lost to wanderlust on York Avenue,
cars and taxis as instruments of mass murdering,
but new spring is the season of new birth

the Cercis Siliquastrum tree trunk (!) oddly sprouts
unusual pink flowers
well before it’s branches grow up into a fully blossoming tree,
a signed spring time ritual, but since it is a/k/a, the Judas Tree,
we wonder if spring hints of Cerci Lannister’s fate betrayed,
in this, her final May dance, oh, which Judas brother/lover
will bring us a winter fin finale

the temperature control dial busted, the variability too wide,
the youngers are skipping the interregnum season,
going direct to elect shorts and T-shirt, while those who no longer bloom in the semi-warm, recall the wet chill of past evenings,
voting to dress defensively, wearing their aging skepticism
aware that all changes are exact crossing line-defined, wrapped in
medium weight coats, concealing embarrassing gloves in pocket,
decorative silk scarfs for non-decorative purposed,
all betting the under/over the spring is here all-in not yet sighted

the streets are busy, the momentary pleasantries
of warm sky and sun push the apartment dwellers out,
a magnetic force pulls us to the outside to exhale, in order to inhale,
guises manufactured excuses appear, a loaf of bread, a latte necessity,
the children desert happily their wintery confinement,
by pushing their own carriages, containing in their stead,
their lilting accented nannies, excited by their version of spring break

Me? toy shopping for this month brings rashers of birthdays,
more May galorey, singing come Dancer and Prancer, Ian and Isabel, Alex and not-a-baby anymore Wendy, and because the weather so pleasant, cautions ignored, the credit card swiped repeatedly, frequently and joyously, xmas reimagined, another May time ritual, rooted in the September month of *******, of staying warm, staving off winter *******, and winter planting for spring harvesting

children score grand-multiplicities for god made in his place
grand parental substitutes, each with two hands each equal,
so both must be filled with maypole ribbon, brightly colored
toy bags, presents wrapped in paper unicorns and all manner of
sporting *****, as we turn 2 and 6, 7 and who ate 8?

all that my eyes did see when we surfed strolled the streets,
vignettes fell like the spring rains, they, now, from daytime banished,
to after-midnight to do their breast feeding of tulips and weeds,
letting little children grow up snuggling in still over-heated rooms,
naked legs kicking off winter blankety snow remnants while dreaming of springing onwards and forward
into the party of life by inhaling nature’s

nature.
5-3-19  606pm
nivek Oct 2014
Braided brushed *******
the princess and her jewels
hair fair platted with history
servants standing by swords ready
gold hats seamed silver pulled tight
with silk ribbons and scarfs full beaded
this is a Viking girl astride her war horse
Anonymous Mar 2014
I know I'm not the only one,
With scars from your lips placed on my body,
Who wears scarfs to hide because you don't want her knowing,
How dreadful that would be,
For her to know she's not the only one,

She's not the only one,
With the lights off,
As well with the clothes,
How lovely that would be,
To be the only one,
I'm really not the only one and know quite clearly that will never be.
The birch tree in winter
Leaning over the secret pool
Is Narcissus in love
With the slight white branches,
The slim trunk,
In the dark glass;
But,
Spring coming on,
Is afraid,
And scarfs the white limbs
In green.
Yenson Sep 2019
Commoners told of a ferocious bull
all given red scarfs to wave and mantras to sing
in the caged arena of their lives mundane and miserable
obedient as the chains on their unsure feet and yokes on necks
they hobbled around waving their stuck- on red scarfs without fail

Commoners told of a ferocious bull
there exist no bull to bait and taunt but a mirage floated in
yet they swarm around like bees drunk on fermented pollen
all ploy of their deceiving masters testing obedience of the mindless
in pained ignorance the peasants run round the ways of unreasoning

Commoners told of a ferocious bull
look there is the bull coming to this arena very soon
go to the hunts-master for today's red scarfs and get into pits
you of the little minds and manipulable bourgeoisie cannon planks
do as drunken rulers orders and make good entertainment for supper

Commoners told of a ferocious bull
come to the Colosseum, take your place, here's your red scarfs
voices arose and the masses started a scripted drama waving scarfs
I see no bull in this arena says a passing sage as he was duly pointed it
All I see is the bravest man amongst you without chains round his ankles
Micheal Wolf Mar 2013
Indulge me for I'm sat looking at a scarf
As I transport rather splendid G and T
To its final destination
Not mine I hasten to add, my scarf that is not the gin
Purple not my colour you see
I had issue with burgundy as a child, frightful memories
I digress but it was left behind like a signature
Not intentionally just in a sweet forgetfulness
I can't pick it up, crazy as it sounds
I mean if I did it would be real not imagery
The moment lost, but no real moment as I can't feel it
Do you understand ? Perhaps not
I have admittedly been reminded of its presence
I imagine it's scent, no I imagine her scent
Her presence in the room, her smile lifts me
I mean it's just a scarf I mean it can't exist can it?
Do we leave a little of ourselves behind?
Emotion like lost property
I don't know, I honestly don't
Is there a course for metaphysical disorientation and the re repatriation of lost purple scarfs?
I guess not. I'd probably fail in any case.
It will still be here tomorrow. In plain sight, just hidden from my reality
Goodnight scarf.
betterdays Jul 2014
..over ....there..    ..... .. .    ...
in the fogged....corner ...     ......of my mind.... ..sits.........
a ragged girl... ..making.. knitted scarfs. ....out of archaic thoughts... of fear and darkness.. ..she knits .. on rusted steel pins....
with sinews of .... scar and ...mis-threaded ... ......thoughts of disdain...the scarfs..... great.............spiderwebb-ed ...........things designed ....not .....for warmth....but to catch ......and.. choke...and.. confound......the ....mind unwary. ...she...... the girl ragged and........unkempt .....plucks
              ......   ..   .fluff..
and ........lintcrap ........and ....feared.. ...sacred.... fuzz. ....then felts and twists it..... ......into ....straggle-taggle, tangled...... twines.......
she is .......the keeper.......... ...of the ..drives..... i.. took.... with my father.... of the nights..... stood upon ledges. .. gleaning courage to stay...or ...to leave same...     courage .....different
                           outcome....
of the ......blackouts.... and ............grey days of the words... ........
.....spoken........................
. ......................unspoken..... that stripped ....my youth... of meaning and life....
and joy... these are the ragged ...straggled......scarfs of memory....
i will not wear.... .
........  .....this is why........  ..... she.........the ragged unkempt .... relic..... of my youth .....resides..... unloved.....
in the ...back... alley..... ............corners of my mind... so that..... ninety five ...percentofthetime.........
i can forget .......
               .....she is there...

....itisthefivepercent.....
                                         like .....tonight ....when she raises her eyes...
     .... and stares me down..... that it is the time...... for the tide ....of regret to run.......... .....for a short while.....
before.. the ebb...of memory.
this is another old work....
2005ish..before meeting ben
when i had time to mutter and muse over past mistakes
the ground is a rock
but a sponge
on which I bounce,
along strings of rubber
faint elasticity
dragged between seconds
this silent planet
my lone soul

the flowers are on the grave
the whispers of the living
black scarfs
feathered hats,
the shadows of hate
standing around your halo
in black coats and long dresses
watching the fall of the sun

Their tongues hymn empathy,
but spit darts of poison
with their feigned smiles,
the scent of your soul
the blood from your heart,
clotted within their nails
so I know,
that before the next sunrise,

shall they come after me
with shinning scythes,
under a hollow moon,
like grey hounds,
their beastly nails tearing the ground beneath
to face this heart of a dark soul
blackened by rage

the monster I have become
with every breath from my lungs
the power in my blood
the fall of a star,
into an abyss of vengeance
with the sun still after a twilight
casting a shadow of death,
over their foul faces
Marieta Maglas Jun 2012
This poem is composed by: a Nonet, a Kyrielle Sonnet, a Free verse part, a Terzanelle and another Free verse part:
In a juerga there’s nothing around
But  voices,  flamenco guitars ,
Dancing bodies in moonlight,
Vibrant  gypsy  dresses,
Passion, obsessions,
Bullfighter’s blades,
Silk shawls,
Dancers,
Capes.
Old men have faces scorched and cracked,
Flamenco women  to attract,
Like  barks of olive trees in night.
Shirts dazzle white in the moonlight.

Girls have boot heels  and  huge  roses,
Men clench their  teeth ,  step  opposes,
Hands clap  and shout in a dance fight,
Shirts dazzle white in the moonlight.

Guitars  are beaten at high speeds,
Castanets scratch  the music’s seeds,
Rhythmic fingers  snap air to bite,
Shirts dazzle white in the moonlight.

Old men have faces scorched and cracked,
Shirts dazzle white in the moonlight.

Hands  becoming  wings
In their shadows  on the wall,
Red  becoming black and
Black becoming white,
Motion vibrating the guitar's string,

Cubic movements  of colors,
In their dance ,
Shadowy  wings becoming  scarfs,
Flamenco woman arching her body,
Showing  her passion…

From the  soul to dissolve
The dancing sounds detach
From the soul to dissolve

When the movement they catch,
They may change all around,
The dancing sounds detach.

Drums and tambourines’ sound,
Exotic  wrists  and swirls,
They may change all around.

The weightless grace  makes  girls
Steal treasures from the air,
Exotic  wrists  and swirls.

With beautiful  black hair,
Rise like birds , fall like leaves.
Steal treasures from the air,

Having tricks up their sleeves,
From the  soul to dissolve,
Rise like birds ,fall like leaves
From the  soul to dissolve.

Spicy slippery steps
Waiting for a clue,
Picking up  portions of pink
Of hyper-femininity ,
Overflowing  screwy sounds
In heavy  red  chromesthesia,
Morphing  themselves into glamorous ,
Red  feminine movements,
Men looking  like marble statues being alive,
Seemingly  cracking.
Slowly diminishing their dancing rhythm,
Steps  sickling  sweet  sounds
To hear the horn of  some lost happiness.
Higher far,
Upward, into the pure realm,
Over sun or star,
Over the flickering Dæmon film,
Thou must mount for love,—
Into vision which all form
In one only form dissolves;
In a region where the wheel,
On which all beings ride,
Visibly revolves;
Where the starred eternal worm
Girds the world with bound and term;
Where unlike things are like,
When good and ill,
And joy and moan,
Melt into one.
There Past, Present, Future, shoot
Triple blossoms from one root
Substances at base divided
In their summits are united,
There the holy Essence rolls,
One through separated souls,
And the sunny &Aelig;on sleeps
Folding nature in its deeps,
And every fair and every good
Known in part or known impure
To men below,
In their archetypes endure.

The race of gods,
Or those we erring own,
Are shadows flitting up and down
In the still abodes.
The circles of that sea are laws,
Which publish and which hide the Cause.
Pray for a beam
Out of that sphere
Thee to guide and to redeem.
O what a load
Of care and toil
By lying Use bestowed,
From his shoulders falls, who sees
The true astronomy,
The period of peace!
Counsel which the ages kept,
Shall the well-born soul accept.
As the overhanging trees
Fill the lake with images,
As garment draws the garment's hem
Men their fortunes bring with them;
By right or wrong,
Lands and goods go to the strong;
Property will brutely draw
Still to the proprietor,
Silver to silver creep and wind,
And kind to kind,
Nor less the eternal poles
Of tendency distribute souls.
There need no vows to bind
Whom not each other seek but find.
They give and take no pledge or oath,
Nature is the bond of both.
No prayer persuades, no flattery fawns,
Their noble meanings are their pawns.
Plain and cold is their address,
Power have they for tenderness,
And so thoroughly is known
Each others' purpose by his own,
They can parley without meeting,
Need is none of forms of greeting,
They can well communicate
In their innermost estate;
When each the other shall avoid,
Shall each by each be most enjoyed.
Not with scarfs or perfumed gloves
Do these celebrate their loves,
Not by jewels, feasts, and savors,
Not by ribbons or by favors,
But by the sun-spark on the sea,
And the cloud-shadow on the lea,
The soothing lapse of morn to mirk,
And the cheerful round of work.
Their cords of love so public are,
They intertwine the farthest star.
The throbbing sea, the quaking earth,
Yield sympathy and signs of mirth;
Is none so high, so mean is none,
But feels and seals this union.
Even the tell Furies are appeased,
The good applaud, the lost are eased.

Love's hearts are faithful, but not fond,
Bound for the just, but not beyond;
Not glad, as the low-loving herd,
Of self in others still preferred,
But they have heartily designed
The benefit of broad mankind.
And they serve men austerely,
After their own genius, clearly,
Without a false humility;
For this is love's nobility,
Not to scatter bread and gold,
Goods and raiment bought and sold,
But to hold fast his simple sense,
And speak the speech of innocence,
And with hand, and body, and blood,
To make his *****-counsel good:
For he that feeds men, serveth few,
He serves all, who dares be true.
Mateuš Conrad Nov 2016
it's almost beautiful, we created the thing called
money, in order to turn tribalism
into a myth of Eden (alone, stark naked) -
          it's almost as if we deviated from
creating it and asking for family values,
            but never got them,
       i'm trying to imagine a Russia where
Rasputin wrote a book
that might have resounded with Nietzsche's
ubermensch - but thankfully precipitated into
world war i & ii... fancy the interlude:
a cold war i, now the cold war ii...
you should be happy, to be honest, it's the best
status quo you'll ever get...
but **** me, 1970s disco craze: even i'm
like Mozart-who?
               a little notebook, and my getting
drunk thoughts in it, funny how drink intellect
knows all too well about the: diminished responsibility
white flag -
              as with the **** chokes come the
drunk-and-writing-a-poem jokes,
                                i'd say blame Al Capone!
you know how many diacritical distinctions i could
insert into that surname? diacritical marks
are ulterior forces at-be when all punctuation goes
*******, not sentences, but words -
Cá       ponè - cockney slang Capone on the phone:
        we had fun: because you really don't say
Cáponé like you might say a torero's olé, do you?!
me? i find it grand to paint syllables with
diacritical marks, i mean: it's not even a blank canvas,
shame the semi-colon isn't minded in distinction,
but still, i already know that poets are scared of
punctuation, hence breaking the lines and not
engaging in a paragraph... tying shoelaces seems about
fine when it comes to modern poets,
talk about knitting jumpers, or scarfs by grannies -
sold as doing that same activity on shredded wheat cereal:
- = a hanging pause (suspense);
       , = necessary pause (or the expected
in a rhythmic cyclone);
   then i say to all my would be assassins:
you'll be doing me a massive favour, to be honest.
at times it really is the age of trusting entertainers
and not the media and certainly not the politicians -
it's almost stating the obvious.
i was in St. Petersburg for a month, and every time
i wanted to go to a danceclub to dance she refused me....
me and my naiveness in thinking that people could
actually be seduced by good...
      i don't mean being exposed to a tsunami
among the other elemental congregations of Shiva
there goes my belief in people being good to each other...
shoom! gone... bye bi!
(origins of dyslexia? maybe).
                                 she took me to the opera and
she started her snarling condescending approach to
the new-rich girls in the next booth...
     **** me, relationships leave me so ill-equipped
i actually find it staggering that i had any...
                 i must have been really naive in believing
that people could do good that i ended up
   a hermetic pessimist or misanthrope -
i never expected to be one, or share the juices of such
a calibration of humankind:
but it's funny how a movement overstates the cartesian
sum and never the cogito,
and when you by chance encounter the actual cogito
organising a movement, you represent nothing
representative of the movement's sum,
because the cogito is actually so staggeringly
divergent from being affiliated to the (e.g.)
         French revolution's guillotine locomotive.
when utilising only one hand in writing?
a black notebooks is written into at a rhombic degree,
yep, slant.
        i have two or three decent points to make,
but, obviously, i have to utilise verbiage to state them,
let's compare that to building a thousand homes
before the leaning tower of Pisa comes along
and people say: wow! in the immediate sense i
will require compensating that exception with
enough social housing for the tower to actually be erected:
that's natural: regurgitating maxims from no experience
would be an equivalence to an exoskeleton:
no experience, no harm... and where's the fun in that?

(interlude no. 1)

almost 15 minutes in an opera house, long enough
for the march from your seat into the street and a smoke,
  i still can't understand while people adopted money
for the demand of talking to each other via pebbles,
we are in our billions and made it so demanding to
only appeal to the few for company... i mean, should
i be sad? we made our company so unbearable because
of engaging in the concept of money that we later had
adapt to books as the conversations we need to have
among people we can't even talk about the weather to.
people always think that talking about money is
shallow... as if it's some really necessary version of
the crucifix (which to my mind sounds like a name for
a charity and the need to be thankful for it being there),
then again: something so geometrically pure
hanging over us and then comes Rodin's the kiss:
that really is a miracle - walking on water can hide itself,
turning water into wine (40 days & nights in the desert would
do that to you, every time you rehydrated, any liquid
would be intoxicating).
             oh hell, i have the notebook narrative,
i need to take a break after having written the unexpected
intro, and subsequent interlude.


it seems to me that language can never be sampled,
sampling language
is anti-scientific,
because it breaches an objectification of things,
which sad,
    are the Balkan states Slavic, Christian or Turkish?
i'm asking because a Greek said
it's Byzantine, and then lapping allah illha Allah
turkish took to Istambul...
*how best to defame a god with ensnarled capitals,
each, levelled,
                                only Islam will reign under the
praise of my name, which alone, will sing my praise.

   to move mountains, one must move throngs.
          to move people you expect them to become
mountains: or sun-tanned noon
  having been charcoaled into obliteration.
     one thought: an ottoman janissary: and vlad
the lesser crucifier and the adamant
impaler, who said that homosexuality shouldn't matter....
   imagine the comparative pain...
i can't: therefore i won't.
                     thus the black scripts of notation...
better than uttering original maxims,
          as in... better to engage in transcendentalº
dialectics
     ºin ref. to Nietzsche: the masses do not hold
an opinion on sanity: hence my concordance
with "him" - and insanity in individuals (self-dividing
                      duos in calamity of one):
insane individuals are rare: but conglomerates are
the norm - thus an agreement of shared truths
that has no debate to support it, because it has been
"plagiarised",
   the transcendental aspect is the lack of dialectics
(replaced with diacritics),
     and also the historical novelty of shared observation
with a disparity of a century's worth of history:
governing still the caveman and the modern man,
            as if the two were mutually compatible.
that one could rewrite the other, and so too true in
reverse.
   i find it harsh having to relinquish the authority
of language, as my own it used,
but only when school-friends suggest it, those
with ******* family members do i foremostly
experience it as my own: well... thanks to you
i'm not a plumber because your father detonated
the atom bomb and never bothered checking what
the gorilla did next with the grand censor of fertility
to protect an aesthetic...
           but then again: you were always Irish.
oo! well: sodomite that oops... it'll be worth something
in 30 years' time. strange how it must read...
Holocaust deniers also have the same lysergic trip.
             insanity in individuals is rare,
among groups it's the norm, within a framework
of Nietzsche: thus an agreement of shared truths,
that has no debate to support it,
because it has been "plagiarised" (necessarily experienced
more than once),
   ºthe transcendental aspect is the actual lack of
dialectics, and also the historical shared novelty of sharing
of observation (the tsunami cult, the earthquake cult)
with a disparity of range toward the century-range...
   philosophy infamously aks purposively
unsolvable questions: or questions that require many
more questions... or what is known as a transcript
of Aristotelian awe: of those who commit to error
with that science of pure wording, to spur people on;
philosophers are the adventurers in error:
only because this engages them in providing a "gravity"
locus... for others to hone onto and correct...
(oh how i'd believe had there been a Koranic surah
on the mindful hoplites)...
         purposively erroring: philosophy;
philosophers are pioneers: birches... scientists
are all but oak: auburn well established.
       but what of transcendental dialectic that expands
into shared truths (as experience) within the dual-disparity
of nearing death and the dawn of the 20th century
   and never-nearing a life at the dawn of the 21st century?
excluding dialectics and diacritics has given us
such a society, where everything is nearly snowflake
lucratively dissolvable and gentle...
                   few people utter truths,
even fewer utter truths than need to be debated...
             for the over-lord truth is mono, or glue...
        but still the tactic of avoiding certain truths
for the necessity of sitting in an armchair rather than
on a cold pavement... for in their pluralism
they express as many universal traits of non-experience,
as they subsequently express enough
    particular traits of experience
(translate rhyming into philosophy and you get this...
going cross-eyed in allocating an understanding,
summarised by the word zez).
hence the unwinding: universals (x, ÷):
       and particulars (+, -):
    of time, and how to encourage abstracting
worded coordination into an advanced literacy rate,
that'll fail, because literacy is power that requires
labouring anyway.
  because you did say "encapsulating a zoo"
readied to perpetrate a staging of a freak-show.
examples: universals (x, ÷):
       and particulars (+, -)        are zeniths in
the narrative compensation to nothing -
        in literature a surprise turn of the plot,
a summarisation, as such stand-out moments,
or quotes: here is a version of encoding verbal
"mathematical" synonymity -
         i too would wish to create a language
that doesn't abide by the language of miles,
but that of metres, but then there's the thesaurus
distinction between metres in deviations of
centimetres and nano in close-proximity
          ruby, crimson, burgundy, bled throughout the week
until pale grey and with an epitaph.
      language never brings us together,
it never did, we all wished to be cats and have said
meow... but we rarely and will never say...
that's nearing toward shame...
  i absolve humanity of the original sin...
                    if sinning was so original i would suggest
other forms of compensating it rather than prayer:
i'm thinking of the original shame...
it's that story of a serial killer who believed he
had no universal traits concerning him,
he had no systematisation of conscience,
he denied having a sense of guilt...
          it's hard to believe such things,
given the ceiling is the universe...
        it's hard to become a rat in a solipsistic maze...
that's ****** had to believe...
                   to deny having universal a priori
is also to deny particular a posteriori...
                           even though nothing really happened
apart from god laughing and man yawning
and the devil crying. it's very hard to believe people
these days, even though they deserve it,
                    it's hard to summate oneself in being
able to;
  thank god philosophers didn't complicate simple words
with remnants of Latin like psychologists did,
there's the prior (a priori) and there's the after (a posteriori),
or the two within a-: without a prior (to) / priority -
                  or without an after / an imitable vogue / trend /
    zeitgeist.
          can you write something like someone disclosing the fudge
of what's technically an arithmetic summary?          
no intelligence is being undermined here,
         what's being undermined is what's critically an optical
   java transitory period.                                                    

(int­erlude no. 2)

the laziest philosophers always write about the word
philosophy without actually philosophising,
you can say as much when saying: i'm thinking about thought.
of all the professions, philosophers don't know theirs...
it's true, if you do it, you do it not-knowing / unconsciously.
modernity does in fact overprescribe the word genius
because it doesn't give practitioners of philosophy any
credit in the slightest of actually being recipients of
life... every time a thought spawns from nothing
the limitation of expressing it is: you don't exist;
soon enough you hang up having any competence in language
and say to people you thought you knew: adios amigos,
good luck: then you wonder why they're so
prematurely depressed, and then you forget about them
and think of a million Chinese carpenters:
simply because it's less depressingly so.
     do you ever write encapsulating a rhombus on a page
with your literary / wanking hand? i know i do,
write in a notebook askew - or that's what's called the
future of absurdity: i'm thinking about thought -
some later claim morality, and some later claim god -
        that should sound more simply as: ought i?
    but it doesn't... hey, here's to self-projecting ****** -
it's not even that good people invented god,
  it's that evil people did...
                  which is always a bit ****** having that
microchip in my abstract mind (the brain) i sometimes
try to get rid off while acting as an atheist for pop super!
       does that sound highly idealistic?
it probably does... have i an influential counter to it?
n'ah. thinking about thought without the either or of
ought leaves me asking outside the box / transcendental
questions about what self is ingested by that
Pontius Pilate... talk of the "true" self and talk of
the "false" self: who the **** is the narrator then?
are we all bleaching our handshakes these days to
give a handshake?!
    some men would claim to be the husbands of that
insatiable "woman" that's Sophia,
         who, after all, is better equipped to satiate 3
men, than a man to satiated 3 women:
the trinity of ****, vaginal: oral - funny that,
how perfectly that plays against all those years of
practising to a demand of the churches': kneel!
i'll just watch you **** him off while Mary Magdalene
spread the schematic that resulted in the Islamic
******* analing the "respected".

(interlude no. 3)

just can't be bothered mate...
  never did so much charity work pour into
      herr Herrman's charity chest of
the never thought of set of poems.


- and a day later, just a blank,
what a formidable evening,
why do i queue for even a trombone, violin,
       a viola, trumpet or a sax to add to my voice?
but in musicological terms: that's exactly what i'm doing.
it's hard to not see this as a cure:
with 16,713 views matta's echo babylon is
truly the antithesis of Prokofiev, or any other,
as might call it: windy character.
        classical music was bound to tornados and
zephyrs - modern music is the epitome of rhythmic
sampling, drum eroded violins,
           and other things happened, too.
rhombus within the framework of the hand-written prior,
on tiny scraps of rectangular paper,
because it's easier to write like that: slanting
and therefore for the imagery of cascading -
and as the pronoun revolution dies down,
                    and the voices go unheard,
   people will start to think about thought
and later thought per se for transcendental purposes...
     because choice will be ejected from
having competent access to it: namely?
   i can't see those **** the ***** protests seriously
if people can't take to shooting guns,
          i mean real rebellion... obviously i'm egging
on the situation and spraying gasoline on it
(obviously), but if the French give you the statue of
liberty as a present, you get to look at the appendix,
and start thinking: where are the guns, so
it looks like a genuine protest? i thought the idea of
being able to own guns (by the people), was to suggest
that if the government was electorally undesired,
people could start shooting... the tongue isn't
a
Sami SET Jul 2018
Sticky Sticky, So **** Sticky,
Us Brits and our Weather
are so **** Picky

Sun Beats Down, Evaporates the Frowns
Then there's the complaints for which wer are so renowned

Too Cold, Too Hot, Please Just Stop...
I was waiting all winter long and now you strop

I much prefer shades to a winters coat
Up round my ****, not up round my throat

Own far more Mini's than I do Scarfs
and it was the Summer Holiday's I had most Laughs

So you can keep your dreams of cosy nights in
As I excite the 'Vit D' and Tan my Skin

All trhose extra layers keeping you wrapped
I prefer the White lines where my Crop-Top Strapped

"I can't Move, Think I'm Melting",
I quickly choose 'Rays' over 'Downpours' or 'Peltings'

Sitting at this screen writing is now getting Tricky
It's Sticky Sticky....Too ****** Sticky... Yeergh!
Don't want to complain
Its just a tad uncomfortable
JM Jan 2016
Birthdays never change anything
Yet there is always a pang of joy in my heart
Knowing that Death is definitely closer
My old friend, I cannot wait to see you again
When thou art gone, the little sunlit shadows
Still may dance, and the flowers nod,
And the trees whisper confidently one to the other.
When thou art gone, the day may be
No longer bright, but with slow tread pass on;
And the sun shall lag, and the moon be late in coming;
And the stars shall be lone-beamed,
And faintly gleaming, and the valleys shall draw
Their scarfs of mist about their *******.
When thou art gone, the lilac nodding yon,
Shall make a sign of understanding.
When thou art gone,
No path shall seem to call invitingly.
When thou art gone,
The songs shall lack a tenderer chord.
But I shall not unhappy be!
For I shall follow thee,
Leaving all the mourning.
Once Love found Hate in her bedroom;
her breaths short her cheeks pale with gloom.
Her skin bruised wanly with despair;
her eyes redd'ning like a fire.

In front of her spread a suitcase;
th' wooden one with four blue wheels
She packed her clothes in a blank daze-
scarfs, tights, pants, coats, and pretty heels.

Love stormed swiftly into th' room
Begged her to explain her doings
She turned around with shades of gloom
and suddenly stopped her packing.

'Why might thou want to know?' she said.
'I am to mount a carriage,
next to th' sea and pebbled shores-
leaving thee and t'is parsonage,
as I canst but love thee no more.'

Love start'd to plead and kneel by her.
'Part with me not, o, my darling!
Life without thee is like graveyards,
wherein my soul'd lie like a stone-
soul t'at's fond'f thee innocently!'

Love grabbed Hate's white wrist and kissed it
Tried to distract her with his wit
She icily frowned and flitted
Ran to her suitcase and yanked it

Off th' bed 'till 'tis on th' floor.
Clenching it she walked off to th' door.
Yet she turned once more onto him.
Staring at his blue eyes, she seemed.

'Thy heart what has hath ruined thee.
Detest, thy plant with scrutiny.
When I suffereth thou wert here not.
Thou just want'd to share what I got!

'For her thou locked up my feelings,
for her thou mocked away my smiles.
On her name thou scyth'd my flowers-
and painted my cards with remorse.'

'For her thou tore 'way my kisses,
for her thou pushed away my hands.
Put astray the blush of my cheeks,
ran naked at night into her charms.'

'Thou dreamed of her with dear passion,
and glared at me with aversion.
Thou praised her grace and affection,
and cursed me into damnation.'

'Who says love is like a fountain?
I find it replete with hatred.
Who thinks love resembl's a mountain?
It's soul as wicked as a *******!'

'Vileness t'at hath conquered my heart,
and torn my whole kindness apart!
I'm not an object of thy lies,
no more to watch thy sins and vice.'

'And I wish thee but one goodbye!
To 'nother world I shalt still fly
Like a bird or young butterfly
And seek thou not until I die.'

'But bless be with thee, o, darling!
Hope God still descends His mercy-
onto t'is happiness of thee-
And th' day of thy own wedding!'

'Invite me not, for Heaven's sake.
As in my moonlit den by t'en
Shalt I be writing my own fake
A story of fond childhood friends.'

'T'ey wert but I and thee, my dear,
before we becameth Love and Hate.
Within t'ose times I hath no fear;
of falling in love with my mate.'

'But I didst, eventually!
Thoughts of thee began to haunt me-
at my thirteenth birthday party.
T'at night of thee I wrote poetry!'

''Ah, t'is piece of writing t'at I loved,''
Hate pushed out a worn handkerchief
with breaths of an old deep relief.
"Keep it as thou dearest treasure!"

'On t'is blissful night of azure,
of her love thou still needst be sure.
Chain her to thee by'a happy knot,
have a wedding in one week short.'

'Saileth shall I deep into the sea,
a book and its poems be with me.
Littleness makes my heart merry,
abundance sends my nerves weary.'

'And by thy bliss shalt I hath gone,
when thy heart she'th finally won.
But it no more be of'a burden,
as thy joy makes my soul gladden.'

'And remember me not, whilst I'm none-
o thou who wert once my prince.
As I am just trivial like a stone,
when pain bites me still not I wince.'

'Cherish thy vic'try, o my love,
for today shan't be repeated,
like t'ose innocent young green groves-
who smile at th' wild, gusty winds.'

'And weep not, o, on my leaving,
for in death we'll be uniting.
As the heavens even howl not,
whenst I travel from dot to dot.'

'But pray to God, I canst tell thee
so thy sins shalt soon be atoned.
And from stains thy soul canst be free
as thy shoulders from pains t'ey'th borne.'

'And depart now I, o, my king!
Canst I watch now th' waves swirling
and th' ****** boat beside me-
wait for me to mount 'em in glee!'

With a grin on her faint red lips,
fall didst Hate on th' bed's blue sheets!
At first her eyes still bright, cheeks red and warm,
but minutes pass and her breaths fleet!

Sink didst Hate's head to her shoulder-
No matter how hard Love woke her!
And didst stop her heart from beating
Into silent death she's shrinking.

Love groaned and wailed 'till th' morn came,
but emptiness still frost'd th' streets.
No-one came in to bringst a flame;
except th' storm in graying fits!

Love sobbed 'till his eyes caught a knife
Laying nearby in th' kitchen.
Dart'd he forward in one long leap-
and seized it with his hands barren!

Stabbed it didst he into his chest,
with screams t'at pierced everyone's ears.
And fled they off from t'eir bed rest-
'fore thumping on into th' scene.

And th' two lovers nearly dead
Their heads laid straight by th' stabbed knife.
Despite his pain, Love smileth instead-
whispered 'I loveth Her' to his wife.

Wedded they wert at t'eir fun'ral
Amongst th' sobs of t'eir parents.
And even the lady, Hate's rival
was seen clearly 'midst th' currents.

"And blessed by Lord, is t'is couple"
Father Smith read his wan prayers.
"Both in their lives and now in death,
in t'eir Heaven walks and rambles."

And didst t'ey leave th' silent graves
'pon t'at farewell in th' churchyard
Where dwelleth th' lov'rs in t'eir new caves;
'nwhich no more love betrays t'eir hearts.

But on th' brown soil laid one poem!
Written fiercely by Love himself
Th' day beforeth Hate planned to move-
and showeth th' tale she wrote herself.

Th' tale t'at is now but buried;
with t'eir eternal love forever.
Beneath all th' soil and deadly stones;
of th' days t'at hath now been gone.

But how true words shalt never die;
and even in death still triumph.
So t'ere is no use of say'ng goodbye;
'fore winters to fading autumns.

'I love thee 'cos thou art my Hate-
th' devil side of my being.
Without thee incomplete my fate-
and mirthless is all my knowing.'

'I love thee 'cos of thee I'm made,
if I am King then thou art Queen.
Loving thee truly by my side,
I care no longer for her then.'

'I love thee 'cos thou art my breath,
if I'm anger then thou art wrath.
If I'm joy then thou shalt be glad,
when I'm angered thou shalt be mad.'

'But I love thee 'cos I just do!
And without thee my life is blue.
It's with thee I hath no more fears,
in joy and grief, in laughs and tears.'
JG O'Connor Jun 2017
The Moon searches out the night
During the day sits in the background
Probably knitting a scarf of clouds
Pick one drop one, Cirrus follow by Cumulus
Allowing the Sun it’s all day brilliance
At night trumping all that coloured time
With a soft monochrome thrill
Wrapped in its unravelling grey black scarf
Bit of a night owl our Moon

Throws quite a few shapes
During it’s month
Revealing a little Edwardian anklet
And then to tantalise
Following with its full scandalous magnificence
A bit of a flirt our lovely Moon.

Our Moon has many beautiful scarfs
Holding hands and touch shoulders scarf
Or soft hand on the cheek while lips meet scarf
Hide under here together and pretend we are alone scarf
Let’s do something mad and feed the ducks at night scarf
And that warm promise don’t break my heart scarf
Bit of a romantic our lunatic moon.
Annie Jan 2019
days are getting longer
colors, warm and bright
as flowers bloom,
I wonder
Is it spring outside

sweat and tastes of icecream
sunlight in my back
burning nights and feverish dreams
it's summer in my flat

rain and whirling, falling leafes
tea and halloween
wandering birds and deepest grieve
it's autum so it seems

damping breath and snow
scarfs and woolen coats
powdered, white wonderworld
and winter's shadows grow
RILEY Mar 2014
Here’s to the poets;
Here’s to the lives
That started and ended
In short sentences,
Hiding behind the words and the commas,
In between the lines
There is a space;
There is a space for poets
To dream and dissect dreams,to
Examine the heights of their rationale
And the depth of their emotions,
Like teleporting from the tops of Adonis
To the bottom of dark alleys in Hamra.
Here’s to the artists,
Here’s to the works of art
Forgotten on sharp corners
Between the margins in a copybook
And light emerging from their classroom windows;
Here’s to the scribbles
That created life, when living
Seemed impossible.
Here’s to the outcasts,
Here’s to the girls
Who read comics
About super heroes
Hiding behind
Kashmir scarfs and ripped jeans,
Reading 6 words at a time
Because the area of a flashlight
Covers just enough to get her wondering,
To get her to forget how
Her tight jeans left scars on her untouched thighs,
And how her feet were painted red
Before and after
She had to wear twin towers to walk in.
Here’s to the jokers,
Here’s to the unappreciated laughter
To whatever happens after
Here’s to the grand stages you formed
Out of two desks put together
And a pencil/eraser microphone;
Here’s to us,
To our shattered talents and lost souls
Here’s to our oppressed minds
And distorted comprehension of ourselves
Here’s to us
And who ever falls in love with us.
https://www.youtube.com/watch?v=PecHjYQPt5o
Nat Lipstadt Feb 2014
The unexpected snow, disruptive,
in ways more burdensome,
than mere fender benders and
swapping travelogue commutation miseries

ah, the tv reporters regale
with snow tales, human fails,
but where do you hear
of the children
burnt once by fire
then again, now,
again!
burnt by snow.

here, hear, listen here

technology moves forward,
grafting new shells of skin
on burnt children,
but tonite you're cozy thinking
of your valentine's heart,
not of the little ones,
whose hearts are unprotected,
by what we take so for granted

beneath our protective gloves and coats, scarfs and boots,
our prophylactic human skin,
theirs, fire ravaged,
now re-hazardous,
by southern snows burning

these children hurt,
unexpectedly,
cannot play in the snow that came so
unexpectedly,
lest it burn them worse*

"in the children's burn unit, postponed all surgeries except 'emergency'.  Two days of outpatient clinic patients forced to reschedule,. That then, postpones their surgeries, second step grafting, etc. Our vents ran smoothly I heard via the generators, unlike last outage. We had to ambulance each individual patient.

I dread going in tomorrow but small comfort,
it will be warmer than my cold home."

Life first, poetry second
burnt too oft by the supposed caregiver, but not of that now, but later for surety, will I **** them
B Berres Dec 2013
Known for leading charges in to debauchery.
Fearsomely handsome burning blue eyes that long outlived his passing.
“Didn’t leave life unlived, did he?”

Reformed, unrepentant; grown wraithlike, diminished.
“If you give up, don’t moan about it; go back.”
The scholar who led a rebellion against performance.

The Lion in Winter.
The Ruling Class.
My Favorite Year.

Born August- the son of Constance, he grew up.
He gave up drinking- he did not give up smoking.
Cigarettes in an ebony holder, green socks, overcoats and trailing scarfs.

Good parts few and far between.
Waiting…you could wait forever.
Together with fine people, good companions with whom I've shared my belief.

My belief,
that one should decide for oneself,
when it is time to end ones stay.
I bid a dry eyed grateful farewell.

Audiences, critics, curiosity seekers
“My Favorite Year”
unlikely to win awards,
he clutched his statuette.
Mark Lecuona Aug 2015
While the moon bears our blood, we
think about someone we just met but
only until the moment the trade winds
blow the dust aside

An empty saxophone fills with air, playing
sadly until the moon stops to listen

He had to leave early to care for his life
He told her he needed time to fall in love
He thought about the way she smiled
He wanted to believe in her instincts
Was it her imagination that became impatient
Or the way he wiped her brow with her scarf?

It doesn’t take long to know, ships that
pass always remember; looking through
a silk scarf feels the same way, the airy
fabric enjoys trading the dust thread for
grain

Lonely circling bleeding making people
fear for their faith; allure matchmaker,
lovers together, feeling the tides within
crashing upon their desires

It was the time to be bold
Her eyes said so

But scarfs can fool a man and dust can
fool a sparrow; how would he know the
difference when it was his imagination
that must decide between moons passing
through shadows and misty eyed longing
that for a moment begged him to stop
sailing by
Autumn squash soup sits on window sill of cardboard boxes.
Pumpkin pie wafts down alleyway
sits against a house.
The earthy colored scarfs. The brown boots and the blue glow from the 360 degree moon.
All look beautiful on you.

The speed limit is 30 miles an hour here
But i've been going 45 And I never look at my speedometer.
When the cop lights shine behind me glowing white and red and blue
I'm reminded why in fall, the color orange doesn't scare me.

I get a knock knock on my window from a man dressed in blue.
And when he asks me if i'm guilty i can't help but dream of you.

It's still fall season.
And I don't have snow tires yet.
But the weather man in my head said i've got time.
Mr. Officer in response to your question
Yes, I know why you pulled me over.
It seems that i'm on roadside trial for daydreaming.
And that slightly blue glow from the 360 degree moon sure does look great against your blue suit.
Mr. Officer. The color orange doesn't scare me.
Pumpkin carving flicker glow
Lantern guide you too your child home
While your there is there a rope swing?
Is the grass cut? Are you dreaming?
Is there a pie in the windowsill?
Because the baker inside.
waits for me tonight.
And i've been apple picking lazer tag
Holding soft hands in a graveyard.
Singing showtunes in our costumes that we struggled to sew together.

Mr officer. Do you even like pie?
Do you dream the scent and flavors?
Does it linger in your mouth?

Because to be honest
I think I'm going to love her.
Emma Amme Sep 2013
Hello my old heart
i'm sorry to say
that during all the time you took off
due to being broken
you my dear
have been replaced.
For what you may ask?
Because you were always
too busy sitting under my ribcage
knitting scarfs and hats of messy emotions for me to wear.
It made it a slight bit difficult for your co-worker, the brain, to function.
And you know how important it is, that he does.
See this new heart doesn't talk much.
Its calmly sits and listens obediently to the brain.
To be honest, its wonderful.
As much as i remember how fantastic it was
to let you, let me love.
I also remember how much i hated
how you let me hurt.
So now i want you to think of this
next time you are placed under someones ribcage,
If you had only listened to the brain    
maybe you wouldn't have broken
and then maybe i never would have fired you.
Jaymi Swift Mar 2014
SPRING IS
Rainbows and flowers,
Umbrellas and showers.

Easter eggs and bunnies
And bees making honey.

Green grass and daffodils
And hiking on new trails.

Gardens and fishing poles
And leisurely strolls.

SUMMER IS
Sunflowers and kites
And kids riding bikes.

Sunshine and shade,
Hot dogs and lemonade.

Sandcastles and waves
And long lazy days.

Home runs and sliders
And flying new gliders.

FALL IS
Long walks and sweaters,
Touchdowns and headers.

Red leafs and golden,
Soon to be stolen.

Pumpkins and costumes
And witches on brooms.

Turkey and dressing
And family blessings.

WINTER IS
Snowmen and scarfs,
Getting warm by the hearth.

Ice skates and hot chocolate
And gloves in your pocket.

Trees all alight
And cold winter nights.

Santa and sneezes
And little baby Jesus.
writing poems of love from the lost and found

you go to the closet in the school office,
for having been realtime been schooled in the mischances
of ill-iteration of life enhancing love stories, teach says:

the only peace now to be find from another lost soul
in the cardboard box of one right glove and one left sock,
ugly scarfs, mismatched two left ventricles, hats with lice,
sneakers good for nothing, but maybe some comfort for the lost,
for in the midst of the other miscellanies tales of lost one’s,
a match, good enough, can be found


makes no sense but perfect in its nonsensicality,
a word perfected script of his life, the chest pains too real,
to the gathering of the found, then lost souls, he retires,
perusal of assorted messes, textiles of the human variety,
a good enough accident will be stumbled on, hope restored

it is December and school is closing for winter vacation,
going home with one hand and one heart unsheathed
is not tenable, parent-able and just impracticable given
the coldness of isolation, a mismatched mitten selectee chosen

the yellow hell-o bus ride home is full of tortious interference,
the mismatching hand covering is an announcement of
‘please ridicule the loser’ that will be great, great fun,
I considering doing the undone, that hiding in the
lost and found for two weeks is mighty tempting and
a realistic possibility

slings and arrows of verbal definition slung and spat,
the general hysteria to his Travel & Entertainment account expensed,
but the gentlest shotgun tap of a hand upon his back, reveals a
folded scrap of a notebook page cornered in a cashmere gloved,
in her hand container, taken and secreted for in private-perusal

an address, an email unspoken written invitation to please contact
if you’re home, not going vacationing anywhere (ha!), me neither,
let’s get together, get married, have three kids, and get the hell
out of this frozen hearted land of misery

so I would like to tell you that is indeedy what happened,
so that is what I’ll tell you in fact, that,
that is exactly
what occurred with two more trips to the L & F
for different colleges, different coasts, different continents,
more lost and founds of accidental lost luggage meetings,
long distance loving worn down, too hard, lost, time eroded

till came the realization that love from
the lost and found
might be a meant to be message,
cause those words always end in...
found
Gilbert Nov 2020
A mosaic of falling seeds
spins me sickly into a coma.
The only thing that saves, keeps
me from tumbling down - her aroma.

All the thoughts like ants have gone away,
they crawled through my ears, my mouth.
Oh, the mouth, the royal taste - just stay,
rave on my flesh, love well-wrought .

And there I lie - on the lips
that are not mine - neither his.
Rather die than lose those strips
of pretty scarfs I could kiss.
Image by UW Digital Collections via Flickr/ Ivan Novikoff was my ballet teacher for twelve years when I was very young. Kathleen Colby/view photo on my profile facebook




Gypsies dance while the world spins on and on…

Pacing a beach in Africa a lion yearns for freedom and fun.

This old beast has known the wilds and never spun to happy tides.

The girls have thoughts of glory in their heads; no lion tales do they dread.

The lion just wants to dance, his old legs wobble when he tries to prance.

The girls let their scarfs fly high, the wind whips them as it should into the sky.

A perfume hits the lion’s nose; he lays down dead, he is very old.

The girls dance on without a thought.

A dead lion in Africa should have been taught that ballet

dancing is for the very young when you get old you are done.
KM COLBY @2010 Nonsence from my past life.
Snow Sleep

the promise~warning of a fresh snow delivery
by milky white angels alters the soundscape
of the city; the early traffic is major muted; the
boisterous, ribald ribbing of teenage competition
is put away in the drawer, reserved for weekend
snow ball fights and Central Park mountain sledding

but what I come to tell you is of my beloved, who nearby,
advantaged by the silence deep sleeps in the ultra
quiet of the bedroom for I have tiptoed lightly away,
nary a squeak or a tweet to sting or wrest the cool
comfort of the concoction of dark+chocolate combo
of absolute silence, the political commentators must now wait their turn, while supping my endless Blue Mountain white mug

yes, even I, wide awake for hours, sense the ulterior
sensory deprivation, the only noise is the windage
of the air conditioning that refrigerates its humming
and the body’s humming response, a choral harmony
of shhhhh…

why matters this to you, I do not know, perhaps
a mutuality of recognition as your children exercise
their snow day privileges, letting you off the hook,
for there is always tomorrow when the dragging-
out-of-bed, the stomping of snow boots, and pleas
to help them find their hidden scarfs and gloves cannot
go ignored, or be silenced…today, this sound of snow~sleep,
a rarity for us city dwellers, who, the unfortunate few, will soon venture forth to meet obligations, completecontracts, open the shop,
write the reports and do the daily diurnal or place calls to counterparts overseas to jointly prognosticate the future of
the next twenty four, but with a snowy lethargy

I write, this, to you, to my children, to the world, but
mostly to my beloved, who, drugged by snow~sleep,
yet to stir, sleeps a soundless sleep of….

wait-a-minute, 8:00am, and I hear a bellow of hello,
a lighthouse sound of warning, and kitchen noises,
the cicadas of circadian rhythms cannot be held back,
triumphantly awaken her, the habits of a lifetime
cannot be overcome…


8:04am
nyc
2/13/24
Sh Dec 2019
I sent you a letter.

I'm sorry that I didn't just say it out loud,
but I couldn't look at you as our faces mirrored each other's heartbreak.

Yours then mine.


I couldn't be there as you struggled to give me an answer,
couldn't just tell you without giving you space.

I wish I could talk to you,
that my mouth won't fill with silence when it is opened.

That I'll stop wrapping the silence around me, desperate for its warmth in freezing days.


Yet still,

I sent you this letter, dear mother, because the waves held my face under your turbulence of expectations and the currents needed to change.

I didn't want to drown.


Forgive me for this letter, dear father, I know you prefer ignorance but it only leads to hate and anyway,

mother always says there's nothing you love more than your children and I didn't want to become a stranger.


I know this is hard, but I wish it wasn't.

I wish you'd paint your face with my colors, cheer from the stands, celebrate my existence as it is.


Still, I don't expect you to understand it,
I know it's foreign and new in your eyes.


I don't want you to tell me you still love me and that your love would always be unconditional,

I want to never have questioned it at all.


I don't want your sympathy.

There's nothing to be sad about, nothing to fix, nothing to mourn.

The future you visioned for me was never real, you never asked me anyway.


I don't want your acceptance.

It's just blank pages and silent mouths, I want your support.

The world is sharp and I just want to know you'll be there to clean away the blood.


I had to tell you because whenever I thought of who I am and heard your voice carried in the wind, I flinched and tensed as if you could look into my mind.


I needed to tell you because I am tired of hiding away flags and pins and scarfs,
bite my tongue around a joke,
overthink every passing comment that falls from your mouth.


I had to tell you because most of all I needed an answer.


So now,

please,

just write me back.
lloyd britton Feb 2015
Beat our brandy riddles,
Flake our sunshine wings,
Inject our floral laughter.
And for the most part take down all ever afters.
There was a gusty sight on the wind last night,
Dust spitting up across the firmament.
And the crack in the latch and the old thatched roof,
Blow about and rustle and clatter.
The canines cry with their shaggy coats wet,
As the moon begins to set in an ever after.
The widowed spider build a web spinning and spatter.
And with all the thing that I have seen,
With actions that were cruel and mean,
I reach for redemption.
Release from these crazy muses of mine.
Press your chest against mine,
So I can feel your heart beat, beating with our brandy riddles.
And clutch our hands together our palms in the middle.
Hold on, wait up, and stay up late with me,
Picking the scabs off our imaginary wings made of ultra violet light.
And watch the scabs turn to scars as our wings flake, what a sight!?
Delve deep into memories that make us smile.
Endless perfumed laughs,
Wrapped in scarfs,
As we cross from the wooden door to the field and run through the grass,
And what will we do for the time to pass?
Succumb to our glittering temptation,
Felt only once in a generation.
There is an awful blight on our strength and might,
Pouring dew on our wounds, self-inflicted.
And the blood it does seep,
With the scars to keep,
And troubled now addicted.
Keep going, keep moving.
It’s all in the grooving.
With the crack in the latch that batters the lock.
And the thatched roof all fallen asunder.
And the yelping of dogs sodden in the rain water.
Spinning a coffin for the flies caught now bitten and dead.
The spider has said all that is to be said.
Beat our brandy riddles,
Flake our sunshine wings,
Inject our floral laughter.
You both are just standing there,
One of you captured in your own stoic silence.
Unwavering but trembling on the inside all caught up in your archaic pride.
The other sputtering words bubbling,
A tortured smile on your face,
Grinning at your own sin and your own mortality,
Like its just a joke …where no one can find a punch line
At least I don’t .
It seems steep
For the two of you to loiter so close to the edge of an abyss so deep,
Just toying with the thought
Of your metaphysical leap.
You make me question my mortality,
You make me question everything.
You breaking my heart when your smiling and I’d just love to scream.
Try harder, don’t you dare ******* leave me.
And to the other, to not be scared
There’s no way I could express
The million ways I love her,
All wrapped up and under cover of
All the complexity you left me with ingrained in me.
You made me bulletproof and weak in the knees,
And put deep in my heart a desperate need to question every bit
Of everything,
Don’t leave.
Not yet,
You silly stubborn women,
Covered in decorated scarfs and nighttime robes,
Don’t go in your clever masks,
Please please stay.
I don’t know how to feel alone.
You held me as a child and I’v grown and I know
That I would crumble into missing you.
You made me who I am today.
please stay...
My gg is very old and we are finally prying her away from her home and putting her into a nursing home. She breaks my heart. My other grandmother who has lived with her ( her daughter in law, I know its weird welcome to my Jerry springer life) Is dying of cancer. These are two of the most important consistant people in my life.
Brandon Nov 2012
Rain crashes down
Turning every crevice into a miniature lake
Autumn sun turns to Fall
The late warmth of summer replaced by the early chill of winter
Leaves leap from the trees
Littering the ground and road
Like multicolored yard waste
Alarms ring early am
The kids are back to school
Pretending to learn
But it's all about socializing
The adults continue the drudgery of work
No matter the season
They have too many bills
The weather trudges onward
Causing lives to live differently
Accordingly  
Short sleeves become three quarter become long sleeves
sweaters made from thick wool
Flannels absorbing the icy wind
Jackets providing slight warmth to the frigid bone chill
Shorts become pants
complete with soaked leggings from falling rain, thawing snow, melting ice, roadside slush.
Beards are grown from those that can
The rest are left to wrap their naked chins in scarfs and ski masks
Many will hole up in their homes
Pretending that the outside world is a distant memory
A few will go out and play
Living their life for each and every day
This isn't really anything. Just felt like writing something.
lisabeth Jul 2014
two feet shuffle
onto the matted down, stained-brown, maroon-ish
welcome mat while

a head shakes off the dusting of snow
its shaggy hair has collected.

breath billows out of a mouth
like smoke from a burning cigar as

a body, with glasses fogged, fingers frosted,
bundled up in scarfs, and mittens, and layers galore
inches into the grocery store

where a bagboy slouches in a
half-dazed stupor, eyes glued to the clock,

a self-righteous old lady with her
back bent, voice shrill,
haggles the price of soup

and a baggy-eyed mom snaps hushed
chastisements to a *****-faced boy,
with ratty hair falling onto his blushed face.

in this store, customers move slow,
with nowhere to be and nowhere to go

and the holiday jingle heard playing
above them, betrays their heavy hearts
and sunken spirits.

outside, it is cold,
but inside this store,
it is no different.
old draft
Wilson Knapp Dec 2015
How we marvel at possessions, think they make the best impressions;
For with material things we establish a close rapport.
Can’t you see we are infected by this false truth we’ve injected
Into the minds we’ve neglected, directed by commercial lore.
"These things will make you happy,” says the preacher of commercial lore,
Only this and nothing more.

There are nights we sit there spying, through our computer screens buying
Bourbon, books, and onyx watches, razor blades and house décor,
Bright scarfs in brilliant vermilion, cowboy boots coated reptilian,
Stroll through any mall pavilion, civilians went in every store.
Like clockwork we comeback again, millions spent in every store;
We always want something more.

Like in monopoly we aspire, the best estates to acquire,
So other players can look in envy at our great high score.
With the money we’ve been savin’, we want a home in New Haven,
So we sought a market Maven, craving a house on the shore,
A vintage house with wooden dock sitting calmly on the shore.
Can we find one that’s worth more?

Queerly we lust for assets, keep on buying have no regrets.
Are we dumb or blind or numb to keep doing what we abhor?
Statues shackled to cubicles, doped up on pharmaceuticals
****** fingers raw cuticles, we’re bulls for the matador.
He dances us round in circles, pulls the sword the matador
Is the one we all fall for.

But the Maven respectfully will encourage us helpfully,
“Follow your path of senseless sorrow, leave your qualms at the door,
Carry on with inhibition, keep working for that commission,
Please don’t mind your intuition, fruition comes from spending more.”
But like layered lies there’s a pea of truth on the mattress floor;
A princess would wake up sore.

We must move past our gluttony, and join the better company
Of men meek in spirit who act humbly like the days of yore.
Realize that joy stems from passion, not this sorry thing called fashion;
Embrace others with compassion to truly make our hearts soar;
And our souls from out the shadows can truly begin to soar.
Let’s be greedy – nevermore.
Edgar Allen Poe's The Raven is one of my favorite poems, I wanted to create a poem playing off his style and meter.  If you haven't read his poem, listen to Christoper Lee read it on youtube, insane.

— The End —