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Patricia Tsouros Nov 2013
Silver winged of steel
Buckled up
Cocooned in a cabin
No phones, no emails, no Internet
Racing down the runway
Soaring high above the ground
Distant specks of life
Winged of steel climbs though the skies
Clouds below, clouds above
Seat reclines, put in my earphones, close my eyes
I lose myself, soothed by the motion of the flight
Just a seat, a window, sky, music
Suspended, moving above the earth
Windswept heights
Countries, oceans, mountains, forests
Dawn to dusk
Smooth and turbulent
Dancing through life’s path in the skies
My breath of Serenity
I.

the emperor
sleeps in a palace of porphyry
which was a million years building
he takes the air in a howdah
of jasper beneath saffron
umbrellas
upon an elephant
twelve foot high
behind whose ear
sits always a crowned
king twir-
ling an
ankus of
ebony
the fountains of the emperor’s
palace run sunlight and
moonlight and the emperor’s
elephant is a thousand years old

the harem of
the emperor
is carpeted with
gold cloth
from the
ceiling(one
diamond timid
with nesting incense)
fifty
marble
pillars
slipped from immeasurable
height,fall,fifty,silent

in the incense is tangled a cool moon
there are thrice-three-hundred
doors carven of chalcedony and
before every door a naked
****** watches
on their heads turbans of a hundred
colours
in their hands scimitars like windy torches
each
is
blacker than oblivion

the ladies
of the emperor’s
harem are queens
of all the earth and the rings
upon their hands are from mines
a mile deep
but the body of
the queen of queens is
more transparent
than water,she is softer than birds

                2.

when the emperor is very
amorous he reclines upon
the couch of couches and
beckons     with
the little
finger of his left
hand
then the
thrice-three-hundredth
door is opened by the tallest
****** and the queen
of queens comes
forth
ankles
musical with large pearls
kingdoms in her ears
at the feet of
the emperor a cithern-
player squats with
quiveringgold
body
behind
the emperor ten
elected warriors with
bodies of lazy jade
and twitching
eyelids
finger
their
unquiet
spears

the queen of queens is dancing

her subtle
body weaving
insinuating upon the gold cloth
incessantly creates patterns of sudden
lust
her
stealing body ex-
pending gathering pouring upon itself     stiffenS
to a
white thorn
of desire

the taut neck of the citharede wags
in the dust the ghastly warriors
amber with lust breathe
together      the emperor,exerting
himself among his pillows throws
jewels at the queen of queens and
white money upon her nakedness
he
nods
          and all
depart through the bruised air aflutter with pearls

                3.

they are
alone
he beckons,she rises she
stands
a moment
in the passion of the fifty
pillars
listening

while the queens of all the
earth writhe upon deep rugs
THAT civilisation may not sink,
Its great battle lost,
Quiet the dog, tether the pony
To a distant post;
Our master Caesar is in the tent
Where the maps ate spread,
His eyes fixed upon nothing,
A hand under his head.
1
That the ******* towers be burnt
And men recall that face,
Move most gently if move you must
In this lonely place.
She thinks, part woman, three parts a child,
That nobody looks; her feet
Practise a tinker shuffle
Picked up on a street.
1
That girls at puberty may find
The first Adam in their thought,
Shut the door of the Pope's chapel,
Keep those children out.
There on that scaffolding reclines
Michael Angelo.
With no more sound than the mice make
His hand moves to and fro.
Like a long-leggedfly upon the stream
His mind moves upon silence.
Geno Cattouse Jan 2013
There in the corner resting silently the old wooden bench
reclines beneath the billowing sky. Peeled and pale much
the worst for wear.

"A couple of young fellas  down at Kitty Hawk flew like wounded ducks". Did you hear?
That was a humdinger. "Somebody swiped the Mona Lisa right under their noses"
Tick

witness to it all has heard the deepest of dark secrets whether tumbledown in solitude
or passed about in chatter.

"The Titanic went down last week ,What a pity." wasn't that thing impossible to sink"
well I'll see you later The Trolleys are running slow today.

There's  this young upstart playing at the picture show this week. Chaplin I think his name is
Moving pictures,oh what will they think of next.

I got a letter from William fighting in The Somme. Dont know when or if he is coming home.

Nights are cold in the rain. Tick

Bathtub gin.  A little nip every now and then can't be a sin.
The Lucky Lindy is the latest swing.
Tock.

Mickey mouse meet sliced bread.  The birth of a nation
Bring the kids out on Saturday The can play awhile.

Heard That ****** Trotsky got shot. What do you think that  will bring
Guess Adolf bit off more than he could Chew cause  that big air war in
Britain made him tuck tail.
Tick
The greatest generation has come and is all but gone
The park bench sits and awaits the dawn
past Y 2 K and on and on
till today, this very hour
waiting for another story to tell
like a morning flower at sunrise
Beautiful petals and leaves
No one grieves for the passing of time.
The park bench sighs and
Then reclines.
Nigel Morgan Apr 2013
It took him a week to master thought-diversion. He would leave home to walk to work and the moment the door was shut it was as though she followed him like a shadow on snow. If he wasn’t careful the ten-minute walk would be swallowed up in an imagined conversation. He had already allowed himself too many dark thoughts of tears and silences. He saw her befreckled by weeks in a light he had only read about. She would be a stranger for a while, a visitor from another world (until she gradually lost the glow on her skin and the smell of Africa became an elusive memory). He was frightened that he would be overwhelmed by her physical grace enriched by   southern summer and the weight of her experience, having so little to offer in return. So he practised thought diversion: as her shadow entered his consciousness he would divert his attention to China of the Third Century and what he would write next about Zuo Fen and her illustrious brother.

Sister and brother Zou gradually took on a fictional life. This he fuelled by reading poetry of the period and his daily beachcombing along the shores of the Internet. He built up an impressive bibliography for his next visit to the university library. Even in the Han Dynasty there was so much material to study, though much of it the stuff of secondary sources.

One morning he took down from his library shelf Max Loehr’s The Great Painters of China and immediately became seduced by the court images of Ku Kai’chih. This painter is the only artist of this period of Chinese antiquity to be represented today by extant copies. There was also a possible original, a handscroll in The British Museum. It is said Ku was the first portrait artist to give a psychological interpretation of the person portrayed. Before him there seems in portraiture to have been little differentiation in the characterization of figures. His images hold a wonder all their own.

As David looked at the book’s illustrative plates, showing details from The Admonitions of the Instructress to the Palace Ladies, the world of Zuo Fen began to reveal itself. A ‘palace lady’ she certainly was, and so possibly similar to the image before him: a concubine reclines in her bamboo screen and silk-curtained bed; her Lord sits respectively at right-angles to her and half-way down her bed. The artist has captured his feet deftly lifting themselves out of square-toed slippers, whilst Zuo Fen drapes one arm over the painted bamboo screen, her manner resolute and confident. Perhaps she has taken note of those admonitions of her instructress. Her Lord has turned his head to gaze at her directly and to listen. Restless hands hide beneath his gown.

        ‘Honoured Lord, as we have talked lately of flowing water and the symmetry of love I am reminded of the god and goddess of Xiang River’.
       ‘In the Nine Songs of Qu Yaun?’
       ‘Yes, my Lord. The opening verse has the Prince of Xiang say: You have not come; I wait with apprehension / And wonder who makes you prevaricate on your island / When I am so splendidly and perfectly attired in your honour?
       ‘Hmm. . . so you favour this new gown.’
       ‘It is finely made, but perhaps does not suit the light of this hour’.
       ‘Let the Yangzi River flow calmly, / I look for you, but you have not come.’
      ‘I gaze at the distance in a trance, /  Only to see the grey green waters run by.

        ‘Honourable Companion, I fear you feel my mind lies elsewhere . ‘
       ‘I know you ride the cassia boat downstream.’
       ‘Indeed, my oar is of cassia and my rudder of orchid’.
        ‘I fancy that you build a house underwater, thatching it with a roof of lotus leaves . . .’
       ‘Well, if that is so, drop your sleeves into the Yangzi River and present the thin dress you wear to the bay of Li.’
       ‘I am in awe of my Lord’s recall of such verses . . . I love the Lady of Xiang’s description of the underwater house . . . with its curtains of fig leaves and screens of split basil.’
      ‘But will you send me all the spirits of Juiyi mountains to bring me to your side . . . will they come together as numerous as clouds?’
      ‘My Lord, my nose perspires . . .’
      ‘I offer my jade ring to the Yangzi River / and yield my jade pendant to the bay of Li. / I gather galingale fronds on an islet of fragrant grasses, / still hoping to present them to you. / If I leave, I might not have another chance. / So I’d rather stay here and linger a little longer.’
        ‘I gather the powerful roots of galingale / hoping to offer them to you who are still far away. / If I leave, I might not have another chance. / So I’d rather stay here and linger a little longer
.’
      ‘Even though your nose perspires and your ******* harden . . .’
        ‘Kind Lord, you have taken the wrong role in the dialogue. Surely it is the Plain Girl who gives such advise to the Yellow Emperor.’
        ‘And I thought only men read the Sunujing . . .’
        ‘You forget I have a dear brother . . .’
       ‘With whom you have read the Sunujing! . . and no I have not forgotten . . . he sought permission to travel to the Tai mountains, some fool’s errand my minister states.’
         ‘He may surprise you on his return.’
        ‘Only you can surprise me now.’
       ‘My Lord, you know I lack such gifts . . . I hear your sandals dropping to the floor’.
      ‘I sail my boat ever closer to the wind / and the waves are
stirred like drifting snow.’
     ‘I can hear my beloved calling my name. / I shall hasten so that I can ride beside him.



She seemed so child-like in that singular room of the garden annex. Her head had buried itself between the two pillows so only her ever-curling hair was visible. Opening a small portion of the curtains drawn across the blue metalled-framed French windows, he gazed at her sleeping in the dull light of just dawn. Outside a river-mist lay across the autumnal garden where they had walked yesterday before their tour of the estate. Unable to sleep he had sat in their hosts’ kitchen and mapped their guided walk in the rain, noting down his observations of this remote valley in a sprawling narrative. On the edge of moorland it was a world constrained and contained, with its brooding batchelor-owned farms and the silent legacy everywhere of a Victorian hagiographer and antiquarian. As he wrote and drew, snapshot-like images of her intervened unbidden. She both entranced and purposeful in a physical landscape she delighted in and knew how to read. Although longing to lie next to her he had sat gently for a moment on her bed, feeling the weight of her sleeping form move towards him as the mattress sagged, his bare feet cold on the stone floor. He placed his poem on the empty companion pillow, and returned through the chill of unheated rooms to the desert warmth of the Agared kitchen.


Lying in your arms
I am surprised to hear a voice
That seems in the right key
To sing what is in my heart.

After so many dark
inarticulate hours
I,  desperate
To express this love
That drowns me,
Suddenly come up for breath
(after floundering in
the cold water of night)
to find there were words
like little boats of paper
carrying a tea light,
a vivid yellow flame
on the black depths,
floating gently towards you . . .

Oh log of memory
record these sailing messages
So carefully placed, rehearsed,
Launched and found complete.

Knowing I must not talk of love,
Knowing no other word
(feeling the shape of your knee
with my right hand),
knowing this time will not
come again, I summon
to myself one last intimacy
before the diary of reason closes.


Zou Fen often wrote about herself as a rustic illiterate, country-born in a thatched hut, but given (inexplicably) the purple chamber at the Palace. As the daughter of a significant officer of the Imperial Court she appears to have developed a fictional persona to induce and taste the extremes of melancholy. Otherwise she is mind-travelling the natural world from her courtyard garden, observing in the growth of a tiny plant or the flight of distant bird, the whole pattern of nature. These things fill her rhapsodies and fu poems.

As a young man Zuo Si had wild flights of fantasy. He imagined himself as a warrior. In verse he recalls reading Precepts on the Art of War by Ssu-ma Jang Chu. With a scholar’s knife he writes of quelling the barbarian hordes (the Tibetans) in their incursions along the Yang-tze. When triumphant he would not accept the Emperor’s gift of a title and estate, but would retire to a cottage in the country. Then again, as a student scholar, he describes failure, penury and isolation ‘left stranded like a fish in a pond, without – he hasn’t a single penny in his account: within – not a peck of grain in the larder.’ He was never thus.

Like all good writers sister and brother Zou were the keenest observers. They took into and upon themselves what they saw and gathered from the lives of others, and so often their playful painted characters hide the truth of their real lives. David looks at his dishevelled poetry and wonders about its veracity. He always thought of Rachel as his first (and only) reader; but what if she were not? What would he write? What would his poems say?

*I lie on my back in her bed.
On her stomach, her arm on my chest,
She props herself against me
so that I see her face in close up.
She gazes
out of the window

I don’t think I have slept at all,
My own bed was so cold.
She warms me for a while.

All night
I’ve been thinking
what to say to her,
and now I am too weary
to speak.

I am in despair,
Yet I ache with joy
At having her so close.

I wish I knew who I was,
What I could be,
What I might become.

A voice tells me
that such intimacy
will not come again.
“It is the voice of years, that are gone! they roll before me, with
  all their deeds.”

  Ossian.


NEWSTEAD! fast-falling, once-resplendent dome!
Religion’s shrine! repentant HENRY’S pride!
Of Warriors, Monks, and Dames the cloister’d tomb,
Whose pensive shades around thy ruins glide,

Hail to thy pile! more honour’d in thy fall,
  Than modern mansions, in their pillar’d state;
Proudly majestic frowns thy vaulted hall,
  Scowling defiance on the blasts of fate.

No mail-clad Serfs, obedient to their Lord,
  In grim array, the crimson cross demand;
Or gay assemble round the festive board,
  Their chief’s retainers, an immortal band.

Else might inspiring Fancy’s magic eye
  Retrace their progress, through the lapse of time;
Marking each ardent youth, ordain’d to die,
  A votive pilgrim, in Judea’s clime.

But not from thee, dark pile! departs the Chief;
  His feudal realm in other regions lay:
In thee the wounded conscience courts relief,
  Retiring from the garish blaze of day.

Yes! in thy gloomy cells and shades profound,
  The monk abjur’d a world, he ne’er could view;
Or blood-stain’d Guilt repenting, solace found,
  Or Innocence, from stern Oppression, flew.

A Monarch bade thee from that wild arise,
  Where Sherwood’s outlaws, once, were wont to prowl;
And Superstition’s crimes, of various dyes,
  Sought shelter in the Priest’s protecting cowl.

Where, now, the grass exhales a murky dew,
  The humid pall of life-extinguish’d clay,
In sainted fame, the sacred Fathers grew,
  Nor raised their pious voices, but to pray.

Where, now, the bats their wavering wings extend,
  Soon as the gloaming spreads her waning shade;
The choir did, oft, their mingling vespers blend,
  Or matin orisons to Mary paid.

Years roll on years; to ages, ages yield;
  Abbots to Abbots, in a line, succeed:
Religion’s charter, their protecting shield,
  Till royal sacrilege their doom decreed.

One holy HENRY rear’d the Gothic walls,
  And bade the pious inmates rest in peace;
Another HENRY the kind gift recalls,
  And bids devotion’s hallow’d echoes cease.

Vain is each threat, or supplicating prayer;
  He drives them exiles from their blest abode,
To roam a dreary world, in deep despair—
  No friend, no home, no refuge, but their God.

Hark! how the hall, resounding to the strain,
  Shakes with the martial music’s novel din!
The heralds of a warrior’s haughty reign,
  High crested banners wave thy walls within.

Of changing sentinels the distant hum,
  The mirth of feasts, the clang of burnish’d arms,
The braying trumpet, and the hoarser drum,
  Unite in concert with increas’d alarms.

An abbey once, a regal fortress now,
  Encircled by insulting rebel powers;
War’s dread machines o’erhang thy threat’ning brow,
  And dart destruction, in sulphureous showers.

Ah! vain defence! the hostile traitor’s siege,
  Though oft repuls’d, by guile o’ercomes the brave;
His thronging foes oppress the faithful Liege,
  Rebellion’s reeking standards o’er him wave.

Not unaveng’d the raging Baron yields;
  The blood of traitors smears the purple plain;
Unconquer’d still, his falchion there he wields,
  And days of glory, yet, for him remain.

Still, in that hour, the warrior wish’d to strew
  Self-gather’d laurels on a self-sought grave;
But Charles’ protecting genius hither flew,
  The monarch’s friend, the monarch’s hope, to save.

Trembling, she ******’d him from th’ unequal strife,
  In other fields the torrent to repel;
For nobler combats, here, reserv’d his life,
  To lead the band, where godlike FALKLAND fell.

From thee, poor pile! to lawless plunder given,
  While dying groans their painful requiem sound,
Far different incense, now, ascends to Heaven,
  Such victims wallow on the gory ground.

There many a pale and ruthless Robber’s corse,
  Noisome and ghast, defiles thy sacred sod;
O’er mingling man, and horse commix’d with horse,
  Corruption’s heap, the savage spoilers trod.

Graves, long with rank and sighing weeds o’erspread,
  Ransack’d resign, perforce, their mortal mould:
From ruffian fangs, escape not e’en the dead,
  Racked from repose, in search for buried gold.

Hush’d is the harp, unstrung the warlike lyre,
  The minstrel’s palsied hand reclines in death;
No more he strikes the quivering chords with fire,
  Or sings the glories of the martial wreath.

At length the sated murderers, gorged with prey,
  Retire: the clamour of the fight is o’er;
Silence again resumes her awful sway,
  And sable Horror guards the massy door.

Here, Desolation holds her dreary court:
  What satellites declare her dismal reign!
Shrieking their dirge, ill-omen’d birds resort,
  To flit their vigils, in the hoary fane.

Soon a new Morn’s restoring beams dispel
  The clouds of Anarchy from Britain’s skies;
The fierce Usurper seeks his native hell,
  And Nature triumphs, as the Tyrant dies.

With storms she welcomes his expiring groans;
  Whirlwinds, responsive, greet his labouring breath;
Earth shudders, as her caves receive his bones,
  Loathing the offering of so dark a death.

The legal Ruler now resumes the helm,
  He guides through gentle seas, the prow of state;
Hope cheers, with wonted smiles, the peaceful realm,
  And heals the bleeding wounds of wearied Hate.

The gloomy tenants, Newstead! of thy cells,
  Howling, resign their violated nest;
Again, the Master on his tenure dwells,
  Enjoy’d, from absence, with enraptured zest.

Vassals, within thy hospitable pale,
  Loudly carousing, bless their Lord’s return;
Culture, again, adorns the gladdening vale,
  And matrons, once lamenting, cease to mourn.

A thousand songs, on tuneful echo, float,
  Unwonted foliage mantles o’er the trees;
And, hark! the horns proclaim a mellow note,
  The hunters’ cry hangs lengthening on the breeze.

Beneath their coursers’ hoofs the valleys shake;
  What fears! what anxious hopes! attend the chase!
The dying stag seeks refuge in the lake;
  Exulting shouts announce the finish’d race.

Ah happy days! too happy to endure!
  Such simple sports our plain forefathers knew:
No splendid vices glitter’d to allure;
  Their joys were many, as their cares were few.

From these descending, Sons to Sires succeed;
  Time steals along, and Death uprears his dart;
Another Chief impels the foaming steed,
  Another Crowd pursue the panting hart.

Newstead! what saddening change of scene is thine!
  Thy yawning arch betokens slow decay;
The last and youngest of a noble line,
  Now holds thy mouldering turrets in his sway.

Deserted now, he scans thy gray worn towers;
  Thy vaults, where dead of feudal ages sleep;
Thy cloisters, pervious to the wintry showers;
  These, these he views, and views them but to weep.

Yet are his tears no emblem of regret:
  Cherish’d Affection only bids them flow;
Pride, Hope, and Love, forbid him to forget,
  But warm his *****, with impassion’d glow.

Yet he prefers thee, to the gilded domes,
  Or gewgaw grottos, of the vainly great;
Yet lingers ’mid thy damp and mossy tombs,
  Nor breathes a murmur ‘gainst the will of Fate.

Haply thy sun, emerging, yet, may shine,
  Thee to irradiate with meridian ray;
Hours, splendid as the past, may still be thine,
  And bless thy future, as thy former day.
martin Jan 2012
All day panda girl reclines
Exercise she declines

Horsey girl will bring you luck   ( U )
Her legs are strong and she drives a truck

Bonobo girl is worth consideration
Taking account of her reputation

Cat girl charms you with her eyes
She chings her  claws and claims her prize

Crocodile girl will make you happy
Until she gets a bit too snappy

Dormouse girl may give a peep
Together you'll have a lovely sleep

Turtle girl will be just swell
If you coax her from her shell

Wallaby girl needs some space
To hop about from place to place

Tarantula girl gives you pangs
When she shows her fearsome fangs

Cougar woman's after me
Completing my  fantasy
Menagerie
Can have a bit of fun can't I?   What John calls a piffle. Good word.
Ben Balserak Sep 2014
I once knew a watch-thief
Who stole for his own
He wasted the time that he
Stole on the road
But this gypsy boy finds
A young girl one day
With a garland of flowers
And a red satin waist

She came from the highway
That led to the city
Her garments conveyed
She was wealthy and pretty
The gypsy boy wore
Some old slacks and no shirt
And he would not have seen her,
But she introduced herself first

Before hellos were said
Or greetings exchanged
Years later he said
He could feel something change
As she told him of ease
That she left behind
He fell to his knees
And praised God’s good design

If love is a lifetime,
Then lend me your hand.
The sparrows are witness
That my promise stands
And now our gypsy wagon
Is off down the road
And we’ll never stop moving
Cause this is our home.

This small band of gypsies,
Now larger by one
Trundle the pathways
and roads they call home
The watch-thief reclines
with his girl in his arms
they fall quickly in love
‘Neath the light of the stars.

But if hindsight goes further
And time teaches true
There was blood in the water,
If only he knew.
She came down to his level
But took it too far
She went too far in revel
And slowly, she broke the boy’s heart.

The gypsy boy stood,
Still stock still in his shock
He ducked under the hood
Of his caravan-rock
He walked back to the city
She’d said she was from
He put it in a bag
And he drank in the slums.

If love is a lifetime,
Then when will you come?
The sparrows, our witness,
flew too close to the sun
And now my gypsy wagon
Is off down the road
And now I’ve nowhere to go
because you were my home.
ConnectHook Mar 2017
A song crawls out of the sludge from the bottom of the Indus River, from beneath the ruins of Harappa and Mohenjo-Daro. The burning sun tries in vain to penetrate the thick foliage of the ancient fig tree beneath which she reclines: the thousand-faced mistress of the myriad temples, the dancer, the priestess, the worshiper, the idol, the eternally pregnant singer…
She who alone knows why no human remains were ever recovered from the excavated city, Mother of a thousand abortions, she who gave birth to the beats of the rhythm—and the space between each beat, the unnameable principle of dread… the slow flow of the river at sunset obscured by smoke of human flesh from the smoldering ghats…
based on this song:
https://www.youtube.com/watch?v=eubP0GZ6_3Q
James Davis Jul 2013
Red dirt rivers traveled down the hill towards the stream behind the house
Tall oaks trees are all occupied with crows and sparrows avoiding the steady rain
"This is sleeping weather", said my grandfather as he reclines in his chair admiring the beauty of the storm
Robust streams of lighting illuminates the grey covered skies
A cold chill penetrates the dense humidity built from weeks of no rain
Steam arising from the pavement, as the rain heals the ground punished from the unforgiving South Carolina sun
Deep echoing thunder speaks to everything and everyone in its presence to listen,
"That's God talking and you better listen, my son"
nicolas huerta Dec 2015
This small talk kills me
when once it was so easy.
I remember when I
was the favorite.

This was before her first car
and sixteenth birthday,
movie dates, weekend sleepovers,
and high school crushes.

This must be how old toys feel,
played out, aged,
traded for the new and bright.


On a sand dune,
we sit shipwrecked,
stranded,and talk carefully
like strangers do about
sea birds pecking for food,
dead jellyfish,
and the innocence of sand castles.

Dark glasses disguise
my quick views of bikinis,
fitness thighs, and smooth dark tans,

mask her sneak peeks
at young muscle, flat stomachs,
and cute boys with fashion haircuts.

She burrows her toes into the sand
to pass the time.
I try to think of jokes
to make her laugh
but no punchlines come.

We share a fancy grilled cheese sandwich,
shy giggles,
and a pink lemonade
before she can no longer hide
the boredom in her eyes.
I know its time to leave.

She reclines her seat back
and sleeps the drive home,
leaving me alone
with miles, empty highways,
and whispers of classic rock
from the radio.
A Mareship Sep 2013
Paris sits at a heart-shaped table, her lamplight eyes dimming for the morning. She pumps a tube of mascara, yawning.

“Oi!”

Paris jumps, troubled by the noise. “Oh no. Not you.” She says, blusher brush poised.

London doffs his rooftops like ten million battered bowlers.

“Nice to see you too. Not a morning girl, eh?”

Paris shakes her lovely head in a flurry of churchbells. “For you mon cher, there’s no right time of day.”

(The Channel chuckles, unsettling ships, as Dover reclines in her cloud of talc and giggles like a tickled bluebird.)

London utters a swearword. “You don’t like me, do you?”

“You’re not fit to lick my shoe.” Paris scowls, adjusting the Eiffel Tower until it sits slap-bang in the middle of her head like a crown.

“What hard work you are!” London howls, slamming a fist into the Serpentine.

Calais shrugs his trees, bored. “Mon dieu – get a room.”
prompted over on wordpress - written very quickly with the sole intention of making myself laugh
David Barr Dec 2013
The solar system reclines in the flowing locks of your hair.
Floss the soul from the rhythm of nocturnal galaxies.
Can I please urge you to humbly acknowledge those strato-cumulus signs which signify the altitude of brazen sensuality?
Pressure gradients are real you know.
Caroline Grace May 2010
They came in search of incredible sun,
seduced by cicadas and an easy time;
extraneous baggage with nothing to declare.
Two days in:
Sister Rose shrivels on her browning stem;
survives on lettuce leaves and cheap wine.
Pitiable by design, knowing perfectly
she's past her beauty max.
At her feet:
The blue pool cups cured hide
of idle heat-crazed beast
unleashed from his computer belt-
a doughboy moulded to his insubstantial boat-
afloat for fourteen days!
Entwined-
my crazy brother reclines with his latest lover
to share 'delightful' elderflower champagne
through a single straw,
****** together by their eyes.
And in the shade:
mother sits it out in floral silk,
sustained by seventy deniers
and her would-have-liked ideals-
the shadow of a lattice grill tatooed across her brow.

Then as the just deserts arrive,
and darted looks are handed round,
I glower at the heat - crazed ground
and muse-  'it's time to go,'

........but they would never forgive me..
copyright © Caroline Grace 2010
Liz Apr 2014
November dazzles
In its mundanity.
The month between the
Russet autumn and blue winter.
Skeletal leaves
on the lyre are strung
In azure frosts
in emerald forests
and encrusted with rubies.
Novembers reclines in its throne.
In a minute,
a minute or so
It will slip to salt
and December's long
bequeathed chorus will begin
And so I will savour
these few shining seconds
a little longer.
Lo! in the painted oriel of the West,
    Whose panes the sunken sun incarnadines,
    Like a fair lady at her casement, shines
    The evening star, the star of love and rest!
And then anon she doth herself divest
    Of all her radiant garments, and reclines
    Behind the sombre screen of yonder pines,
    With slumber and soft dreams of love oppressed.
O my beloved, my sweet Hesperus!
    My morning and my evening star of love!
    My best and gentlest lady! even thus,
As that fair planet in the sky above,
    Dost thou retire unto thy rest at night,
    And from thy darkened window fades the light.
Nicky Mar 2010
My companion pounces on dust,
Pounding the ground ahead of me,
Tracking our path.
This is euphoria,
And today I own it.
I grin at strangers,
passing through my land.
They think me strange.
The valley reclines, lazy in the sun.
I am these paths, these hills.
My friend leads the others from me,
My bodyguard. I am not threatened.
I keep on striding, vocals powering
Through me. I stray from my kingdom.
Too cocky, too confident I
Stray to the forbidden.
They no longer look to me. Now they swarm,
I cannot work out their source.
They stare and hate me.
You stand by my side,
Exhausted and loyal.
I am safe still.
Hush’d are the winds, and still the evening gloom,
  Not e’en a zephyr wanders through the grove,
Whilst I return to view my Margaret’s tomb,
  And scatter flowers on the dust I love.

Within this narrow cell reclines her clay,
  That clay, where once such animation beam’d;
The King of Terrors seiz’d her as his prey;
  Not worth, nor beauty, have her life redeem’d.

Oh! could that King of Terrors pity feel,
  Or Heaven reverse the dread decree of fate,
Not here the mourner would his grief reveal,
  Not here the Muse her virtues would relate.

But wherefore weep? Her matchless spirit soars
  Beyond where splendid shines the orb of day;
And weeping angels lead her to those bowers,
  Where endless pleasures virtuous deeds repay.

And shall presumptuous mortals Heaven arraign!
  And, madly, Godlike Providence accuse!
Ah! no, far fly from me attempts so vain;—
  I’ll ne’er submission to my God refuse.

Yet is remembrance of those virtues dear,
  Yet fresh the memory of that beauteous face;
Still they call forth my warm affection’s tear,
  Still in my heart retain their wonted place.
Sarah-Jane Platt May 2010
Elegantly tall and slim
The face a cool façade
Of competence; no-one sees in
The world is far too hard

Hair of gold, expertly coiffed
Her nails are manicured
And filed; pretty but not to soft
Her aura: self-assured

She reclines against her chair
Commands of the garçon
A thé-au-lait; a regal stare -
He runs to be her pawn

Dark glasses reveal soft eyes
A smile touches her lips
Her true persona she must hide
From work relationships

Her life may not be easy, but
One pleasure's undenied
To sit on the Champs-Elysées
And watch the world go by
Mateuš Conrad Nov 2018
.i'll cook myself some food, wipe my *** with toilet paper, equate that to writing something the waiting blank of pixel online... refrain from leaving comments... and call it a night... ****...i'll even think about cooking tomorrow's dinner, Bolognese pasta... the internet used to be so much fun, roughly 2 years ago... **** it, forget it... it's not coming back... the party is dead... hello sunshine! hello new t.v.! as was originally intended: internet shopping... and internet banking... the ******* retards doing here, imitating homeless people, begging via donations on Patreon?! you wanna know this side of the "coin-flip"? get these bums off the net... let the software companies enforce the hardware companies... who, or who doesn't get access to phone / internet access... better still: go down the route of envelope and postage stamp!

what the **** do i
"have" to stay up at night?
i have a choice between
family guy and bill maher...
us little obedient serfs...
i don't need to stay up
at night for this *******...
i have a cauliflower's worth
of acne building up on my ***
(right ****-cheek)...
i'm taking naproxen,
because the headache is getting
to me...
i need this new-internet like
i might require
******* hemorrhoids...
          thanks... i'll just start
treating this medium akin
to channels... whatever...
the ones were you do on-cable
gambling... and the striptease...
that isn't really a striptease...
                 like:
you want a scene...
where a guy lights some scented candles,
reclines
in an armchair...
and then jerks off
while watching...
sadomasochism **** from
2017?
yeah... that bad...
             i'm quiet liking
that cauliflower sized acne head
popping up from my ****-cheek...
giving me the suspense(d) impression
that i have three...
it's just about how
there was impromptu when
Rapunzel went to the hairdressers...
there's a beard in there,
right?

god... i can or rather... can't
in faking of attempting to
tell a good joke...
always ending up with a bad one...
but the serious point being...
i've lost the reason to stay up
during the night...
the internet died a slow death...
what? clips of bill maher and some
family guy?
   that's it?!
         i didn't fight the transition
period, all of "us" became
disheartened pejoratives...
      i didn't fight, because i already
knew that whatever fight was
to be engaged...
we were never fighting Nazis...
at least fighting Nazis would have been
something...
like... fighting on an equally
level headed playing field...
           the whole
punch a **** would have been fun...
but fighting this fight?!
this wasn't a fight...
this was war via procrastination...
you won... whoever "you" is...
i'm tired of fighting...
i used to spend the wee hours
the the night engaging myself
in the blank space before me...
writing...
          now?!
         i can't be bothered...
  whatever... it's yours...
take your soundbites and...
whatever you dare to claim
as not being copyright infringement...
your little Metallica soundtrack...
and *******!
                     i'm through...
i'll still post...
                    but let me tell you...
i'll certainly take more pleasure
from taking a ****,
than writing the subsequent *******!
enjoy the new t.v.
            sure as ****,
i know i won't... bye bye.
SøułSurvivør Mar 2022
palette
russet, olive hues
yellow ochre
bird's egg blue

vastness held
within a bowl
turned over earth
to heal and hold

moisture from
the morning rain
thus the painter's
eye is trained

cadmium white
a fan-like brush
sketch mare's-tail clouds
an artist's touch

far horizon
grayish blue
a woman reclines
in the ****

her form reveals
the breasting hills
her hips the mountains
hushed and still

mid-ground
blurs of olive cacti
the saguaro
rise like hackles

Palo Verde lie in lumps
yellow flowers
bloom in clumps

point of brush
tweaks out the trees
turn of branches
stippled leaves

small are they
to catch the light
but the moisture
loss is slight

ochre foreground
brownish stones
blue-gray shadows
light source shown

grayish purple
prickly pears
ocotillo
here and there

spindly with splash of red
barrel cacti nod their heads

buff highlights
saguaro flowers
I could sit and
paint for hours

there's time to write
but now I pray
look upon these
words today

they paint the desert
you will find
If only in
the poet's mind!


SoulSurvivor aka
Write of Passage
2017
Terry Collett Jun 2015
On the beach
in the sun
Anne sits

in her chair
her one leg
hanging down

her leg stump
out of sight
she's beside

Skinny kid
who reclines
in a small

blue deckchair
other kids
sit around

fussed over
by three nuns
from the home

the tides out
so some kids
paddle out

ankle deep
listen kid
I hear one

of the nuns
had you in
to question

in secret
what'd they ask?
Anne asks

it's secret
Benny says
I know that

but tell me
I'm your friend
Anne says

Benny looks
around him
about you

they asked me
about you
Benny says

Anne frowns
about me?
Benny nods

what'd they ask?
what you did
what you  said

and did you
make me do
anything

Benny says
what'd you say?
I said you

were my friend
my best friend
Benny says

what'd they say?
Sister Blaise
the fat nun

said it was
a big sin
to tell lies

what'd you say?
Anne asks
I told her

I guess so
was that all?
can I go?

Benny says
Anne smiles
good work Kid

keep the ****
penguins stumped
and things hid.
A BOY AND A ONE LEGGED GIRL AT HOME IN 1959
poems flow like rivers in tide
when she’s by your side
and reclines a November afternoon
on the back of the crescent moon!

you tell her stories only for her made
as the birds their weary wings spread
when her face is west borrowed red
and you grab the last flickers before they fade!

you don’t talk of love but companionship
as night wears on and comes not sleep
the mangrove smells of long dead shells
with returning tide the river swells!

beside you walks a woman in your mist of tears
a face you hadn’t seen over all these years
she’s the woman you wonder if you ever knew
a companion a lover one dream forever new!
Arpita Banerjee Mar 2017
Tired yellows on infant flowers
Are like resignation on new lovers.
Rains drop, when the sky blinks;
Fetching tears on abandoned brinks.
The sweaty smell of gestation,
Signifies the mangoes’ manifestation.
I close my eyes and hear
The inevitable drum roll caving near.
Spring reclines under the parapets of roofs,
Crushed like a migrant under our carriage hoofs.
Summer.
The Harbinger of Life.
Possess these seeds and fertilize
Their voluble dormancy
In the flames of insurgency.
Requiem for a silent spring
dusk descends upon the Oz bush landscape
the sun slowly reclines westward
cattle and sheep make for nightly camps
the faint sound of birds are heard
gum trees cast last shadows
o'er the land a hush
day closes
then to
night
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
stars
aplenty
fill the sky
the scent of earth
flows on the soft breeze
so calming those night hours
the country is serene and still
how fortunate we who live here
in a place which is like paradise
as the moon sails across the bushland skies
r Oct 2017
She is mathematics,
bare necessity in numbers

Curvature and roundness,
symmetrical circumference
lies in the rise of her hips

A tanned half moon,
a breast

A pose

The fall equinox begins
in the shadow
of the small of her back

Night looms beyond, below
connecting beauty's dots

Her body reclines,
hand resting between waist
and hip, an impasse

Head at rest
held by soft hand.
Tommy Johnson Jul 2014
Uncle Sam reclines and unwinds
In his Adirondack chair
The Statue of Liberty reminds the Mater at Arms
Of the time when he was put in a peyote trance
It was only then he caught on
He rammed his head against his headboard every night
Wracking your brain, trying to wrap it around the concept of the excommunication of those who have had their mouths washed out with soap

There will be no fanfare for the stray lambs
They are only meal tickets for the clergy
Concord grapes and word of mouth
Raise the question, "what is in a hot dog?"

Don't latch on to me after I dance with you into mad denial under a brass florescent chandelier in front of all the stock brokers and shareholders
I'll dismantle your silver lining with a spork

The  cow pies disappear due to erosion

It's good to see you, I didn't know burlap sacks were all the rage right now
Stencil your name on it for good measure
How do you feel after your ego death?
Tammy M Darby Jul 2017
Thoughts fester and wallow in retrospection
Regret reclines upon your left shoulder
Gloom unforgiving sits upon your right
Prodigious and ever bolder
Attired in the colors of the night

Vacant is the once brilliant soul
It's path freely chosen
Ah unwelcoming heart bloodless and morose
Once pulsating with love and life now infinitely frozen

Indeed it becomes you
As glittering tomorrows metamorphose into yesterdays
Anger devours the futile effort
To unburden one's self of taunting shades
No words of this world shall relay to that which awaits
The unwavering constant confusion
When the moon grows dark on the wane

When Regret at leisure sits upon your left hand
Gloom hushed and brooding
Convenes with melancholy upon your right
Come the watching murmuring somber shadows
Provoking madness in the mind.

All Rights Reserved @ Tammy M. Darby July 27, 2017.
Tammy M Darby Jan 2015
Listen the stillness
Of a broken lullaby
The deadness of a cold hand
The strength of agony in hardened eyes

The emptiness trickles softly in
Where loneliness reclines too bold
Jasmine smoke trails filled the air
With a story soon to be told

One teardrop shed for love
One teardrop shed for hate
One teardrop shed for the angel of power
One teardrop shed for your grave

Listen the damp darkness
Of a broken lullaby
White peacocks screaming in the night
The strength of agony in hardened eyes


This poem is copyrighted and stored in author base. All material subject to Copyright Infringement laws
Section 512(c)(3) of the U.S. Copyright
Act, 17 U.S.C. S512(c)(3), Tammy M. Darby Jan. 8, 2015
Jane Doe May 2013
I hate the miracle of my anatomy!
Cried the woman-poet from the
bed

the man slipping silently off her
while in the next room
the dogs howled at a
television nature-show.

That night he had
called her brood-mare,
took her to pasture,
tied her to a post and shot her

and now he reclines
all broad shoulders, white
chest and body hair, smug in animal
satisfaction, one with the dogs
in the living room.

She covers the flood-plains
of her hips with blankets
and prays that his
hooks didn't catch,
feeling like a basin collecting
groundwater as it flows off the
mountain face.
Glenn McCrary Mar 2012
As daylight transpires
I peek whilst marveling
If I shall ever procure my stance
Everywhere I may tread
Along the astral patterns
Sagacity reclines
Though eyes may never see
Beyond the facade
K Balachandran Apr 2013
His pet cat Susan,
quietly on his bed, reclines.
But the moment his thoughts
tenderly touches his woman,
with great alacrity, switches on her sixth sense,
springs to his lap,
as only a cat can,
with a growl of distinct disapproval,
and licks, all over his face
in a salivating show of affection,
then intently looks in to his face,
as if asking without words:
"Is that cat, good enough for you,
as much as me,
in her moments of love?"
John F McCullagh May 2019
In an antiquated walk-up
in an older part of town,
The photographer waits patiently
for her to shed her gown.

His output decorates his studio walls.
Please don’t be confused.
These are pictures, without exception,
of tasteful female nudes.

Some are done in sepia tones,
others in harsh light,
Each girl eyes you wantonly
with the promise of delight.

His model for this evening
is an old grand-dame in pearls.
Her eyes, half blind with cataracts,
have seen the wonders of the world.

She reclines upon the bed
in his suggested pose.
Her arm is draped across her *******.
So many men had fun with those.

He has a special camera,
unique of all its kind.
It has a special lens
that takes its subjects back in time.

The old girl, there on the divan,
In this lens is twenty-three.
Her eyes are clear, her silver tresses  blonde,
Her youth restored miraculously.

Her fingers play with her string of pearls.
She enjoys the cool air on her skin.
Once more she knows the pride she felt
when she could tempt a priest to sin.

Their time is short, soon she must dress
And face the world as a withered reed.
She gladly pays the photographers price
for this great service in her hour of need.
A little piece of science fiction about a photographer who makes his fortune with a very special camera.
c quirino Jan 2013
now it's my turn. I feel no different. No one else remembers that name but me. I don't know how that makes me feel. It's like objectively, the whole thing never happened, that it was another machination of my own will.

~~~~~~~~~~~~~~

my skull is heavy in my head. It solidified into copper some time during the night, and whenever I walk through my days, my head bobs this way and further, and on the sides of streets, people glance for a few seconds before returning to their own thoughts of hardened skulls within their own sloshing head-cavities.

~~~~~~~~~~~~~~~~~~~

'shepherd me a sheep, I, near my god, beyond my hopes, beyond my fears, from death into life,' as i remembered it wrong, bone rattle in a brick alley three years this thursday.

~~~~~~~~~~~~~~~~~~~~*~

the division between days, illusory, quietly reclines itself between us, so deep and historic that our eyes see it time immemorial, forgetting that it is itself one continuous day, the breadth of it, this our time, that if left unhindered, it would have extended sloping and tumbling in its eaves and want of stars sailing for a morning. you and i were both there, for we were the nascent point from which all the souls fell from.
Wearily reclines the midnight moon
Stars dreamily wait to fade
The nightjars somewhere sleepily croon
My eyes slumber doesn’t invade.
I hear my bloodstream in the canals of vein
The lubdub of my doughnut from deep
Echoes of footsteps, long forgotten pain,
My eyes can’t trace a wink of sleep.
The night ages the moon seeks west
Stars yearn an end to their trek
Inside my head they still abhor rest
Run random my thoughts without break.
Styles Jun 2023
She reclines, nestled amongst her stacked pillows,
                       legs spread wide,
                       hands cradle her delicate flower.
                       Fingers wander,
                       igniting sensations;
                       closed eyes,
                       biting lip in anticipation.
                      Her final release
                      standing ovation

— The End —