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crowbarius Aug 2012
God Almighty. It puts the fear in you.

Jesus Christ. Again?

Yes, again. Don’t be a ***.

Oh please.

Jesus.

A hanging silence.

You know William Paley?

No. Go on.

Oh. Paley’s Watch?

******* go, James.

Uh, Paley’s Watch is a theory that the universe is too complex to exist by chance, and therefore there must be a creator. I mean, just like the existence of a watch presupposes a watchmaker ‘cause it’s too complex to be there by chance.

And you eat that?

Yes, or something similar. What offends you so ******* much anyway? So I believe-

It’s defeatist. Jesus Christ, the only reason you and anyone else believes this dogshit is ‘cause you’re ******* terrified of dying, and the reason a ******* graveyard puts the fear into your thick skull is ‘cause you want to join them when you croak. That’s what it is, it’s ******* insurance.

Another silence.

Okay. Alright, fine, it’s insurance. But I am playing this insurance, see, into my benefit. I believe in the creator, and if it turns out he’s watching me he’ll put in the good word and I spend my afterlife in eternal sunshine, and if he’s a scam like you say it is I join you in blackness or hellfire. I win either way.

Oh, very faithful, doggy. Arf arf.

Oh, for the love-

What’s life worth if you’re so sure where you’re going? I reckon I’d rather drink and steal **** and burn in hellfire than **** away my life in the service of some shitbird in the sky who may or may not exist.
Jesus, mother-


Stop ******* blaspheming.

********, James.
In which James and the Nameless Companion debate the merits of religious servitude versus anarchic hedonism.
Martin Narrod Apr 2014
She had stopped crying.
All evening in her black-mesh coup de voodoo.
On the plane she had been crying
For her Summer pal. Yesterday she had been to market
Big brown bags and white bags, little pink bags filled with crimsony scents,
Capricornia, looseleaf newsprint, postcards, and colored pencils,
She had hands full of handles, bags bundled, stitched in strict Saturday fashion.
He could barely break a step, he could fake dance with her feet on his tip toes.
She was only three quarters the perfect size to fit inside his frame.
The grand disappearing act. And she was only ifs and suicides.
A stranded ray of sun-draped hair on a cooly porcelain forehead, the segments were all just wrong,
Something so wrong, trembling heart cries over a mute coo through a flattened tongue.
The sickle tongue, dodgy on Tuesday's, She had a simple mug, oh! But so cute and soothing, the nape
That wrapped around, my arm lapped its hands in a clapping ginormous duck's bill!
Lapping rhythmically. Thwack! Thwack!
Like no crying I had ever heard. Nor Earthen beauty I had never seen.
Her little lamb legs lumbered over, her awkward thinness and long limbs spilt on top of her,
Her tiny shoulders searching for support from her hips. White aurulent doll head on a stick,
She had sad defeated eyes, whimpering, pathetic,
Too small, and she shuttered and she shook,
And she shivered out every teardrop her body ever made. And she fell back on her bottom, and looked
Up as if to see a white steed standing with her guy striking a poised hand down to her,
He split down the middle, stammering, broken pieces of words crumbling out of his mouth
With eager intentions. He was too weak
To give her his feet, or pull her up in, he hadn't the gumption. He was fully occupied standing,
He wept too; then shuffled a little
Towards where she had fallen. He knew she wasn't right
She couldn't get the devil out of her piercing blue pupils, she couldn't
She lied.
Then she just piled on top of her knees and fumbled as if to rise like a demure lamb trying to rise off its Newborn legs, she just curled her legs,
So stiffly built, and narrow footed, built with such inequality to her siblings,
She got in the way of herself, a little lamb that could not manage.
Too whittled for him, he tried, he really tried, but three years had drained his strength, no real help.
When he sat her upright on her bottom, she opened her eyes, and for a moment smiled, grabbed for His hand but then after awhile she was lost, she lost interest, her pupils wandered.
He was orchestrating everything.
A real project, much more urgent and important. By nightfall she could not stand. It was not
That she couldn't smile or laugh or love, she was born
With everything but the will to live -
That cannot be destroyed, just like a love.
Melancholy was more important to her.
Life could not get her attention.
So she died, with her handles still in her hands, green grass stains her legs.
She did not survive another warm summer night.
And then he wept uncontrollably again.
"The wind is oceanic in the elms
And the blossom is all set."

2

The boy has come back
From the seashore, and atop the plateau.
The woes of women are like a genocide
In the morning, when the killing is over,
And the heat begins, and the bodies lie,
And stark life moves for its sobbing bones,
The curved women move with fire.
Father Father Father the girls
Are weeping, and crying and I cannot resist that gentle frailty
They are shucked in their skin suits rising from their soporific slumbers
In decadent leathers and frou frou dresses. They cling to bold faces,
Nothing can escape that cold crying of women weeping for their princes.
Blood-letting rage cannot overthrow the meadow from the pebble brook,
As a laden head bleats its tarnished tongue across a milky breast, it cannot
Escape the sounds of blue-stained teardrops cascading across the plains,
The sounds of woolbirds braying while their skins are sheared against the
Sluicing sound of water rushing through the flume.
All summer they have lamented, gorging on melancholy, tottering their cotton pyramid heads,
Shaking their cries in deliberation, bald skinny victim women screaming out!
Cotton-mouthed clams yaffing, hearts in panic, wholes of bodies clambering in a *** of woe.
They roost useless, pollard and wethered, jealous
Squinting out the last droplets of desperation from their eyes, screaming their mouths in awful
Togetherness, this cacophony of tortured tongue-song
They curdle the last notes of despair out under knotted breaths
With every inch of strength left inside them, they bray this way and that.
Their mothers scream out in wretched despair, ahhh!
On distant cliffs, on scrawny legs
Their stiff pain goes on and on in the September heat.
"Only slowly their hurt dies, cry by cry,"
Whipped bodies toting wergeld on a shore.

The Day She Died

Was the gloomiest day of the new century,
The first of calamitous, unfortunate autumns to come,
The first dying breath from piceous lungs.

That was yesterday. Early morning, soft rime droplets
Frosted to every blade of grass, not like any other
Earlier June day we've ever had. In the deep twilight
The syzygy announced the moon and demoted the sun.

The Earth-crisp frost nuzzled snow droplets.
Black bands of ravens whipping. Martens littering
Fresh kills of red-eyed rabbits on stark white stale
Summer lawns. A fox grayed, its cold bones
Mapped by ravaged feasts. A possum prowling
In a spot of tawny light.

The concrete spread into a maze
Of black veins ripening in the acute niello
Destitution of its widening cracks,

And when the summer left
It left without her. It will have to accept,
In the paley dim light of this vengeful wilderness -
She is gone.
But for now the warmth has not returned but a naked, half-pomegranate
Rotten moon for us two.
And a great vacancy in our memory.
Written for Britni West
Sarah Spang Mar 2016
Were you a summer citrus fruit?
I'm unsure.
You struck me with a sweetness
So demanding it curled my tongue;
Flooded my mouth with hours of sunlight
And warmth.
I peeled you eagerly down
Knowing each sliver as I handled it
Consumed with the simple scent
Of something so pure and clean.
Eagerly cast aside, I exposed
The sweetest secret
And felt your balmy flesh with my fingers
Learning each groove and plain
As if you'd never wither.
Silken skin brushed my lips
And I felt the hours of  sun,
The showers of rain that resonated
In each pace of time that shaped you
Into the gentle perfection before me.
Tasting all of that, I swore you were a flavor
Somewhere between citrus
Summer grass and lilac.

Were you a citrus fruit?
Who knows,
But in your absence
Any sweetness has been a
Vague reproduction
An echo of a necessity
That tasted of luxury.

Winter has settled in
And paley, I am deficient.
'Hopes and Dreams'...explores the limitations of perception in more than three dimensions plus time.


I

Uncoupling hopes from truth sometimes reveals reality
Which is hard to bear
According to Eliot.
The difference between hope and what is real
Is sometimes the basis for laughter
Or tears…..
In equal measure
Depending on the deficit
Between reality, and the reality of hoping.
Two sides of the same coin
The masks of theatre,
Comedy and tragedy.

Yet reality is what we face day to day
Uncoupled from hope
An atheistic vision of what is true
In which dreams expire.

Hopes, dreams and reality
Congregate in theistic minds
As a woven integrity
But is the congress true?

Atheist and theist in perpetual conflict
One offering only truth,
The other hoping that belief is true
But, to what ….?
In this world caught in three dimensions
But do not forget time that marks when
We are born and when we die
According to Ecclesiastes.

The atheism of truths of a certain kind
Confined by the question asked
And who is asking, and the way of asking,
Atheist and theist talking at each other
But not in conversation
A dialogue of deafness to other points of view
An unbridged chasm for all of human history.

The certainty of truth is one problem,
Because certainty brooks no other view
But remember the constraints of truth’s
discovery and then assertion
In three dimensions, and do not forget time.

Unwittingly Carl Sagan made the point in flatland
A place of two dimensions,
Breadth and width, but no height
Infinitesimally flat, thin
Flat and thin, so that an apple
In its plump three dimensional roundness
Made its visit, announced its presence
But left only an infinitesimally flat, thin
Impression of its visitation,
With its announcement seemingly coming from wherever,
Infinite confusion.
For flatlanders who perceived a visitation
Without explanation
A mystery within which we experience
The determinism of truth
Not qualified by the dimensions
In which it’s made
Or defined
To the confusion of those who question truth,
If truth means the assertion of certainty.

Was it for flatlanders first cause?
Just like Paley’s watchmaker of the watch
found on the heath,
Each trapped in their respective
Two dimensions and three dimensions
Limited by their dimensionality
Of what they could see or imagine.
Not yet liberated by many dimensions
That liberated Tennyson to understand
That more is achieved by dreaming without limits.

Tennyson said…
That more things are achieved by prayer
Than this world dreams of,
But what are dreams?
Visions of hope, or the darkness of damnation?
But can we imagine these visions
In many dimensions?
And find new truths which we cannot perceive
In the day to day.

II

Dreams can be suspension
Between what is real and what we hope for,
Or ……
A plunge into an abyss of horrors
The nightmare’s nightcrusher
That reflects the fears of our experience,
The fears of Fuseli’s nights
Of grotesque creatures that taunt the hopes
Of our tomorrows
By revealing the layers of yesterday’s experience,
A past that haunts the future
In the day to day.

Yet redeemed by intentions
For the good,
And honourable to the nature of humankind,
And lifekind with which we share organic ancestry.

Dreams release the mind to find another place,
Another dimension, where what happens
Can happen and more than we can suppose
According to Haldane.

Limitless possibilities that dreamtimes
Expose what we do not own
But instead we are a part of.
Land, sea and air fused with the spirit
Of peoples that inhabit distant shores
Where they are one with the place
Where they are, were and will be
For all time.
The dreamtime of Australia’s
Original peoples.

And so the plump apple
Becomes a part of the experience
Of those who live in two dimensions,
Carl’s flatlanders experience their
Dreamtime of first causes
Because the missing dimension disallows
Their understanding of what is real.

So conflate the idea to many dimensions
And you can see what I mean.
Imagine the unimaginable
That cannot be seen
Because of the constraints of three dimensions.

And do not forget time
Perhaps the portal for imagining
What cannot be experienced
In spacetime warped and curved
By the embrace of gravity.

We sail in this cosmic sea
Not seeing its possibilities
Because we are not equipped
To see through a glass darkly
Or so Corinthians says
But to half see, dimly see
Love
And the truth of black holes
Where physics is sundered
Perhaps allowing passage to other creations
To us mere visions of what we aspire to be
And understand
Just as Blake saw heaven in a wild flower.

III

To perceive the possibility of many dimensions
Is to free the mind
From superstition
From the prejudices
That blight the landscape of our thinking,
And the landscape of dreams
When we perceive self
As if disembodied
Floating on the ceiling looking down
Detachedly on what we do
And what others do in the day to day.

Doings driven by the limited framework
Of width, breadth and height.
Width and breadth and height
And do not forget the passage of time
In which our doings take place.

One is singular in mind and body
Meaning self in the day to day.
To be beside oneself is joy and anger
The Janus faced self
Somewhat like the masks of comedy and tragedy
But of emotion and not theatrical circumstance.

How many multiples of
Space and time
Are needed to be beside oneself
In a quantum universe?
Or universes where to touch would be
Annihilation of self
Tracked as energy pure, and as simple
As the dreams of our disembodied self
Looking down from the ceiling.

IV

Is hope the delusion of optimism,
Dreams its manifestation of unreality?
Who can say because analysis
Is limited within the context of our perception.
Perception influenced by prejudice and misunderstanding
Because we are limited by what
Can be understood
In three dimensions,
And do not forget time
And gravity
And the failure of its resolution with dimension
and time
Limiting understanding.



But……
If we acknowledge the limitations
Even if not understanding the quantum context
Then, given we are prepared to accept the
uncertainty
Described by Heisenberg,
Then we are mentally equipped
To understand that truth is provisional
But with verity according to experience
Accumulated through the continuity of history.

We try to resolve contradictions
Because resolution anchors us into
the certainty of
Our present experience,
And certainty is comfort, allowing us to live
Day to day.

David Applin, May 2013

Copyright David Applin 2015
A poem from the collection 'Letters to Anotherself'.... copyright David Applin
irinia Feb 2023
“when you get up in the morning you must take your heart in your two hands. You must do this every morning.” Grace Paley

fall into me
on blackout days
for something beautiful
is here is everywhere
is nowhere
you knew it
Borges used it
beauty is a physical sensation
the axis mundi piercing
the palms of my hands

memory like a gipsy woman
who reads palms
beauty, yes, it draws the soul
ascetic
I figured it out in the smiling of your sleep
like babies smile to angels, they say
this game that keeps us alive is hers
golden beetles die for it
of for the love of dust

pastimes of gods its archives
everyday the light tastes differently
the body moves where the mind is
or the other way round
I'll read Cartarescu to you half naked
one page a day

beauty is the quest,
this spiral of wonder
filling up the rest &
my nails
Commuter Poet Aug 2016
Would you
Could you
Embrace
Me
In my
Filthy
Nakedness?

My hairy
Smelly
Swollen
Gritty
Craggy
Nailly
Grey and paley
Specklediness?

My empty headedness
My peculiarity
My fattening
Tightly
Loosely
Growing
Shrinking
Stretchy
Unstretchiness?

My glossitic
Pharangeal
Gall bladderistic
Liver liquory
Groaning
Folding
Guttiness
Gustiness
Lustiness
Testiculus
Buttocky
Armpitty
Greas­y
Fleecy
Personage?

Could you
Would you
Embrace
This product
Of evolutionary
Engineerance?

This flabbergastable
Uncontrinchable
Everflinchable
Non-delinchable
Pe­rspickinstable?
Blob?

I’m ought
But a nought
A drought
Flout
A Scout
About
Rout
Tout
Out
O
O
O
O
O

You would…?

You...could...?

I am
Amazed
Phased
Crazed
Dazed
Sazed
Madesed
Elazed

And to you
I embrace
Your embrace
With grace
And
A smileiciouss
Splish
On my
Face
20th August 2016
Donall Dempsey May 2023
DEARLY BELOVED WE ARE GATHERED HERE TODAY

The death has been announced
of Dónall Dempsey

after he had fallen
into an anagram machine.

Our hearts go out
to all the poems he left behind

and to those poems
he had yet to write.

It is claimed that his last words
were "Wow...the surreal is so real!"

Now that he has shock off
his mortal coil

he has become a nice man
and beloved by all

despite this not being
the situation when

he was amongst
the living.

Strange what
a little death can do.

He has said from
beyond the grave

that he intends to
continue to write

using an anagram
as his nom de plume

And so the poet
Desmond Palely

was born to
the world of words.

Critics have complained
that his more recent work

smacks of Dadaism
and has a strong Surrealist streak

not obvious in
his previous work.

Dempsey's debt to
Addy Nell poems -obvious.

This is his first
dead poem.

DAMPENED LYSOL

by Desmond Paley
( the artist formerly known
as  Dónall Dempsey)

Deny molds leap!
Deny mold pleas!
Deny.... old sample.

Dolmens played
"Do!" Emlyn pleads.

Addy Nell poems
MODELLED *****

Del madly opens
"Almonds deeply...almonds... yelped!

"EMPLOYED LANDS
- dense Lloyd map

LEMONY PADDLES
Demons LP  -Delay!

Doll Mandy...pees.
Many dolls... peed.

Doll's ependyma
dopa end smelly.

Monday spelled -
medleys Poland

"**** Polly seed!"
DNA mopeds yell.

Doped man yells
"Many doped ells!"

Famous poet and critic Ray Pool
observes candidly

"This new nonsense makes
utter nonsense of his old nonsense!"

Heather Moulson is quick
to point out

"Now that he is dead, Dempsey's
interest in a doll's neuroregeneration

may result in many dolls
coming to life and enjoying

normal humans pastimes
like peeing and buying

the Demons long awaited
long playing 45."

But wait...breaking news!
Dempsey has been spat out

of the fatal
anagram machine.

And is now as alive
as he ever was!

We now take back
all the nice things we said

about him
in his obit.
Donall Dempsey May 2020
DEARLY BELOVED WE ARE GATHERED HERE TODAY...

The death has been announced
of  Dónall Dempsey

after he had fallen
into an anagram machine.

Our hearts go out
to all the poems he left behind

and to those poems
he had yet to write.

It is claimed that his last words
were "Wow...the surreal is so real!"

Now that he has shock off
his mortal coil

he has become a nice man
and beloved by all

despite this not being
the situation when

he was amongst
the living.

Strange what
a little death can do.

He has said from
beyond the grave

that he intends to
continue to write

using an anagram
as his nom de plume

And so the poet
Desmond Palely

was born to
the world of words.

Critics have complained
that his more recent work

smacks of Dadaism
and has a strong Surrealist streak

not obvious in
his previous work.

Dempsey's debt to
Addy Nell poems -obvious.

This is his first
dead poem.

DAMPENED LYSOL

by Desmond Paley
( the artist formerly known
as  Dónall Dempsey)

Deny molds leap!
Deny mold pleas!
Deny.... old sample.

Dolmens played
"Do!" Emlyn pleads.

Addy Nell poems
MODELLED *****

Del madly opens
"Almonds deeply...almonds... yelped!

"EMPLOYED LANDS
- dense Lloyd map

LEMONY PADDLES
Demons LP  -Delay!

Doll Mandy...pees.
Many dolls... peed.

Doll's ependyma
dopa end smelly.

Monday spelled -
medleys Poland

"**** Polly seed!"
DNA mopeds yell.

Doped man yells
"Many doped ells!"

Famous poet and critic Ray Pool
observes candidly

"This new nonsense makes
utter nonsense of his old nonsense!"

Heather Moulson is quick
to point out

"Now that he is dead, Dempsey's
interest in a doll's neuroregeneration

may result in many dolls
coming to life and enjoying

normal humans pastimes
like peeing and buying

the Demons long awaited
long playing 45."

But wait...breaking news!
Dempsey has been spat out

of the fatal
anagram machine.

And is now as alive
as he ever was!

We now take back
all the nice things we said

about him
in his obit.

— The End —