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Mateuš Conrad Oct 2016
they never tell you about the seagulls and the pigeons, do they?
sure sure, they have the bees and the birds covered,
your #mama and your #papa - you overheard them doing the
piston orchestra and said: the sort of onomatopoeia that
sounds just like you, that silences the sort of: just like you.
but why not listen with covert  benignant anticipation -
i did think English was a rotten
tongue, but i think French is worse...
                                                        ­  endear you? sure:
                 they put these additions
to the encoding, but never, ever explain how it works...
if dialectical is gone then diacritical
remains...
                                          ­                               and it's there,
a pink ostrich doing the go-g'ah dance
imbecile pigeon: neck a strut and half
by half nearly hanging off a desecrated body that's in limbo
on the scaffold where Charles I met his first cousin ******
thanks to Ollie Cromwell.... none of the Versailles
i have you know....
                            there should be a Greek
                   Kn                  symbol....
             not K as in potassium... something more.
and i'd never hear ****** jesus' i'm
the mountain                            on the radio,
thank you advertisement.
               but that thing about Jihadist French?
well... it's here,
                               i thought the English
were bad with not using diacritical marks,
second in command? diacritics,
first in command? dialectics?
abandon the first, the second is hyenas' razor
sharp: bite and smile at the same time.
           no, i'm not joking...
i'm choking you.
                             this is what the Jihadist in France
saw...
                            main example? how diacritical marks
**** around the syllable laws...
             bypass them straight... past them...
             main example? they never teach this...
i was never taught this, i was taught this in
an anti-alphabet ruling - it's not atomic
(but it really is), hence it's compounded -
but it's really atomic,
               where are the ancient atomic scientists now?
nowhere.
                         all of this came from
a footnote from maldoror, by isidore ducasse -
i too thought about putting Uruguay on the map -
                    in the notes, the use of "accent",
yes, a revelation from on high -
                      look at the French, how they speak it:
aplatissement
                             apply diacritic revision
and cut off the excess: aplatissemą -
                             (humiliation) -
          if only the French, then only the French know
how to create dyslexia... excess spelling
where distinct phonetic units should exist -
they never teach you how diacritical marks change
the syllable cutting up, the butcher's or forensic's inquiry -
                 they never teach you the use of diacritical
marks like they might teach you punctuation markings -
                  they never do the science of liberated pause -
liberated i.e. understood -
                                    you're just given the fudge
and told... CHEW! CHEW! CHEW!
                                    they never tell you how to
cut-up words as they should be cut up..
                                   never did they say
colon = umlaut over u and means prolonged
   i.e. uu          or omega
                                        because never was the
current aesthetic questioned...
                             Dictator Blue, adherent of
the dictionary bible said: already said, rex, rex, ego rex.
                    but there's this thing going on
from above - on high -
                           and all they want is to understand...
                  even i would hate to be left out...
still from the notes from the book maldoror -
                s'arrêter à             (to dwell on /
                                     stress) -
ê (circumflex) is like the grave approach -
                 the circumflex is binding -
            i.e. the -er is optional, but a necessary
aesthetic for the form to be written, but not said -
meaning the sound units disappear -
                  hands on the joints, a book is closed -
ê represents this: s'arrêt
                                                         ­  (-er) -
                   saret -
                                            ugly, isn't it?
well, if you wrote             saret
                rather than      s'arrêter               you wouldn't
be looking at the Louvre -                again, even without
diacritical marks you don't say     Louvré -
                                          but Loùvre -
               so the ê
                                     binds the r and t
   and makes                  the   -er obsolete -
which is why French is worse than English:
it utilises diacritical marks
                                       for odd syllable intakes
and other surgeon oddities -
    to learn the proper use of diacritics (using French
as a canvas) is to learn syllables again, and again...
all over again... one might say:
at least the English do not use diacritical markings
and subconsciously are so thoroughly
accommodating to alien cultures...
                       and that's justifiable, they are the fathers
of globalisation... they use phonetic encoding
without diacritical markings to enshrine
a Bangladeshi English, as much as a German English...
   they are the propagators of accents -
even the Scots are speaking proudly about the
matter of fact...
                            so indeed, diacritical marks
are not only concerns for aesthetic reasons,
but is pronunciation markings within words,
                          not between words:
intra                     v.                inter                  (wording);
they never teach you how to extend a sentence
with a semi-colon (;), because they only managed
to tell you that means wink: ;) -
                          in the same way that they didn't tell
you that a colon is (a) making a list, but also
       (b) an emphasis - the alternative to italics.
they didn't! i know they didn't because they didn't
teach me this!             i had to learn it myself!
              which is why i find diacritics so fascinating
that dialectics and its abandonment can rot in hell...
at least i don't have to deal with nuanced opinions
or the discussion or the non-discussion of
                 opinions...
                                       i can look at something
and see the blatant pronunciation dynamics at work...
            not between words, but inside words...
French is the best to investigate...
                        maybe that's why the Jihadists are
attacking France, from sheer frustration at not being
given access to the cordiality of speech when
settling into their envisioned Caliphate misnomer -
                    but diacritical marks are precisely that:
and when amateurs teach they never bother explaining
the atoms, they just say: turkey! gobble up that frying pan!
and you do! you are never given the most basic units,
you're never told what the time-span between a
full dot (.) and a semi-colon (;) is...
                                        ****: you can run a mile or
100 metres in under 10 seconds, but when it comes
to an aesthetic pause you're told to start
the hyperventilation sequence or blame it on asthma
rather than
                                 what's actually the archaeology of
rhetoric - these are rhetorical symbols...
                                   and that's the foremost question
that needs a debate: how to make rhetorical puncture
symbols into aesthetic symbols -
                   how to steal from rhetoric and do a Robin
Hood for aesthetic? primarily because there are
punctuation signs above letters, or below letters -
                   < (more than)
                                 > (less than)
      and the circumflex and caron -
                                         tilde
  or approx. 5                              i.e. ~5...
            and the millionth additive to make decimals
shake...
                                you never get told this...
if i was told the basics of diacritical markings enabling
a smoother syllable dissection i'd probably speak German
fluently...
                       when i should have been given crumb-like
understanding of a language, i was given a whole
loaf of bread, for ***** sake; that ain't cool -
          teach me language from the basics,
on the promise of teaching me a language like i might
be taught penguin talk: on the promise of
an onomatopoeia deciphering: it sounds like this...
                   : + u = oo             onomatopoeia e.g.:
                       pool                    /                  pull -
yes, the quiet literal representation -
  but English can be ***** by this appropriation -
not utilising diacritical marks makes certain words
sound alike but be spelled differently,
            via the same methodology extending into
certain letters being pronounced as entire words;
e.g.                   why                                  &             y.
reason? missing diacritical marks.
             oh, and the most blatant form of Judaism
  given              y               h                    w               h
                   without Abraham, without Moses,
without circumcision         without Jesus...
                                                               choice is yours.
Maggie Emmett Jul 2015
PROLOGUE
               Hyde Park weekend of politics and pop,
Geldof’s gang of divas and mad hatters;
Sergeant Pepper only one heart beating,
resurrected by a once dead Beatle.
The ******, Queen and Irish juggernauts;
The Entertainer and dead bands
re-jigged for the sake of humanity.
   The almighty single named entities
all out for Africa and people power.
Olympics in the bag, a Waterloo
of celebrations in the street that night
Leaping and whooping in sheer delight
Nelson rocking in Trafalgar Square
The promised computer wonderlands
rising from the poisoned dead heart wasteland;
derelict, deserted, still festering.
The Brave Tomorrow in a world of hate.
The flame will be lit, magic rings aloft
and harmony will be our middle name.

On the seventh day of the seventh month,
Festival of the skilful Weaving girl;
the ‘war on terror’ just a tattered trope
drained and exhausted and put out of sight
in a dark corner of a darker shelf.
A power surge the first lie of the day.
Savagely woken from our pleasant dream
al Qa’ida opens up a new franchise
and a new frontier for terror to prowl.

               Howling sirens shatter morning’s progress
Hysterical screech of ambulances
and police cars trying to grip the road.
The oppressive drone of helicopters
gathering like the Furies in the sky;
Blair’s hubris is acknowledged by the gods.
Without warning the deadly game begins.

The Leviathan state machinery,
certain of its strength and authority,
with sheer balletic co-ordination,
steadies itself for a fine performance.
The new citizen army in ‘day glow’
take up their ‘Support Official’ roles,
like air raid wardens in the last big show;
feisty  yet firm, delivering every line
deep voiced and clearly to the whole theatre.
On cue, the Police fan out through Bloomsbury
clearing every emergency exit,
arresting and handcuffing surly streets,
locking down this ancient river city.
Fetching in fluorescent green costuming,
the old Bill nimbly Tangos and Foxtrots
the airways, Oscar, Charlie and Yankee
quickly reply with grid reference Echo;
Whiskey, Sierra, Quebec, November,
beam out from New Scotland Yard,
staccato, nearly lost in static space.
      
              LIVERPOOL STREET STATION
8.51 a.m. Circle Line

Shehezad Tanweer was born in England.
A migrant’s child of hope and better life,
dreaming of his future from his birth.
Only twenty two short years on this earth.
In a madrassah, Lahore, Pakistan,
he spent twelve weeks reading and rote learning
verses chosen from the sacred text.
Chanting the syllables, hour after hour,
swaying back and forth with the word rhythm,
like an underground train rocking the rails,
as it weaves its way beneath the world,
in turning tunnels in the dead of night.

Teve Talevski had a meeting
across the river, he knew he’d be late.
**** trains they do it to you every time.
But something odd happened while he waited
A taut-limbed young woman sashayed past him
in a forget-me-not blue dress of silk.
She rustled on the platform as she turned.
She turned to him and smiled, and he smiled back.
Stale tunnel air pushed along in the rush
of the train arriving in the station.
He found a seat and watched her from afar.
Opened his paper for distraction’s sake
Olympic win exciting like the smile.

Train heading southwest under Whitechapel.
Deafening blast, rushing sound blast, bright flash
of golden light, flying glass and debris
Twisted people thrown to ground, darkness;
the dreadful silent second in blackness.
The stench of human flesh and gunpowder,
burning rubber and fiery acrid smoke.
Screaming bone bare pain, blood-drenched tearing pain.
Pitiful weeping, begging for a god
to come, someone to come, and help them out.

Teve pushes off a dead weighted man.
He stands unsteady trying to balance.
Railway staff with torches, moving spotlights
**** and jolt, catching still life scenery,
lighting the exit in gloomy dimness.
They file down the track to Aldgate Station,
Teve passes the sardine can carriage
torn apart by a fierce hungry giant.
Through the dust, four lifeless bodies take shape
and disappear again in drifting smoke.
It’s only later, when safe above ground,
Teve looks around and starts to wonder
where his blue epiphany girl has gone.

                 KINGS CROSS STATION
8.56 a.m. Piccadilly Line

Many named Lyndsey Germaine, Jamaican,
living with his wife and child in Aylesbury,
laying low, never visited the Mosque.   
                Buckinghamshire bomber known as Jamal,
clean shaven, wearing normal western clothes,
annoyed his neighbours with loud music.
Samantha-wife converted and renamed,
Sherafiyah and took to wearing black.
Devout in that jet black shalmar kameez.
Loving father cradled close his daughter
Caressed her cheek and held her tiny hand
He wondered what the future held for her.

Station of the lost and homeless people,
where you can buy anything at a price.
A place where a face can be lost forever;
where the future’s as real as faded dreams.
Below the mainline trains, deep underground
Piccadilly lines cross the River Thames
Cram-packed, shoulder to shoulder and standing,
the train heading southward for Russell Square,
barely pulls away from Kings Cross Station,
when Arash Kazerouni hears the bang,
‘Almighty bang’ before everything stopped.
Twenty six hearts stopped beating that moment.
But glass flew apart in a shattering wave,
followed by a  huge whoosh of smoky soot.
Panic raced down the line with ice fingers
touching and tagging the living with fear.
Spine chiller blanching faces white with shock.

Gracia Hormigos, a housekeeper,
thought, I am being electrocuted.
Her body was shaking, it seemed her mind
was in free fall, no safety cord to pull,
just disconnected, so she looked around,
saw the man next to her had no right leg,
a shattered shard of bone and gouts of  blood,
Where was the rest of his leg and his foot ?

Level headed ones with serious voices
spoke over the screaming and the sobbing;
Titanic lifeboat voices giving orders;
Iceberg cool voices of reassurance;
We’re stoical British bulldog voices
that organize the mayhem and chaos
into meaty chunks of jobs to be done.
Clear air required - break the windows now;
Lines could be live - so we stay where we are;
Help will be here shortly - try to stay calm.

John, Mark and Emma introduce themselves
They never usually speak underground,
averting your gaze, tube train etiquette.
Disaster has its opportunities;
Try the new mobile, take a photograph;
Ring your Mum and Dad, ****** battery’s flat;
My network’s down; my phone light’s still working
Useful to see the way, step carefully.

   Fiona asks, ‘Am I dreaming all this?’
A shrieking man answers her, “I’m dying!”
Hammered glass finally breaks, fresher air;
too late for the man in the front carriage.
London Transport staff in yellow jackets
start an orderly evacuation
The mobile phones held up to light the way.
Only nineteen minutes in a lifetime.
  
EDGEWARE ROAD STATION
9.17 a.m. Circle Line

               Mohammed Sadique Khan, the oldest one.
Perhaps the leader, at least a mentor.
Yorkshire man born, married with a daughter
Gently spoken man, endlessly patient,
worked in the Hamara, Lodge Lane, Leeds,
Council-funded, multi-faith youth Centre;
and the local Primary school, in Beeston.
No-one could believe this of  Mr Khan;
well educated, caring and very kind
Where did he hide his secret other life  ?

Wise enough to wait for the second train.
Two for the price of one, a real bargain.
Westbound second carriage is blown away,
a commuter blasted from the platform,
hurled under the wheels of the east bound train.
Moon Crater holes, the walls pitted and pocked;
a sparse dark-side landscape with black, black air.
The ripped and shredded metal bursts free
like a surprising party popper;
Steel curlicues corkscrew through wood and glass.
Mass is made atomic in the closed space.
Roasting meat and Auschwitzed cremation stench
saturates the already murky air.              
Our human kindling feeds the greedy fire;
Heads alight like medieval torches;
Fiery liquid skin drops from the faceless;
Punk afro hair is cauterised and singed.  
Heat intensity, like a wayward iron,
scorches clothes, fuses fibres together.
Seven people escape this inferno;
many die in later days, badly burned,
and everyone there will live a scarred life.

               TAVISTOCK ROAD
9.47 a.m. Number 30 Bus  

Hasib Hussain migrant son, English born
barely an adult, loved by his mother;
reported him missing later that night.
Police typed his description in the file
and matched his clothes to fragments from the scene.
A hapless victim or vicious bomber ?
Child of the ‘Ummah’ waging deadly war.
Seventy two black eyed virgins waiting
in jihadist paradise just for you.

Red double-decker bus, number thirty,
going from Hackney Wick to Marble Arch;
stuck in traffic, diversions everywhere.
Driver pulls up next to a tree lined square;
the Parking Inspector, Ade Soji,
tells the driver he’s in Tavistock Road,
British Museum nearby and the Square.
A place of peace and quiet reflection;
the sad history of war is remembered;
symbols to make us never forget death;
Cherry Tree from Hiroshima, Japan;
Holocaust Memorial for Jewish dead;
sturdy statue of  Mahatma Gandhi.
Peaceful resistance that drove the Lion out.
Freedom for India but death for him.

Sudden sonic boom, bus roof tears apart,
seats erupt with volcanic force upward,
hot larva of blood and tissue rains down.
Bloodied road becomes a charnel-house scene;
disembodied limbs among the wreckage,
headless corpses; sinews, muscles and bone.
Buildings spattered and smeared with human paint
Impressionist daubs, blood red like the bus.

Jasmine Gardiner, running late for work;
all trains were cancelled from Euston Station;  
she headed for the square, to catch the bus.
It drove straight past her standing at the stop;
before she could curse aloud - Kaboom !
Instinctively she ran, ran for her life.
Umbrella shield from the shower of gore.

On the lower deck, two Aussies squeezed in;
Catherine Klestov was standing in the aisle,
floored by the bomb, suffered cuts and bruises
She limped to Islington two days later.
Louise Barry was reading the paper,
she was ‘****-scared’ by the explosion;
she crawled out of the remnants of the bus,
broken and burned, she lay flat on the road,
the world of sound had gone, ear drums had burst;
she lay there drowsy, quiet, looking up
and amazingly the sky was still there.

Sam Ly, Vietnamese Australian,
One of the boat people once welcomed here.
A refugee, held in his mother’s arms,
she died of cancer, before he was three.
Hi Ly struggled to raise his son alone;
a tough life, inner city high rise flats.
Education the smart migrant’s revenge,
Monash Uni and an IT degree.
Lucky Sam, perfect job of a lifetime;
in London, with his one love, Mandy Ha,
Life going great until that fateful day;
on the seventh day of the seventh month,
Festival of the skilful Weaving girl.

Three other Aussies on that ****** bus;
no serious physical injuries,
Sam’s luck ran out, in choosing where to sit.
His neck was broken, could not breath alone;
his head smashed and crushed, fractured bones and burns
Wrapped in a cocoon of coma safe
This broken figure lying on white sheets
in an English Intensive Care Unit
did not seem like Hi Ly’s beloved son;
but he sat by Sam’s bed in disbelief,
seven days and seven nights of struggle,
until the final hour, when it was done.

In the pit of our stomach we all knew,
but we kept on deep breathing and hoping
this nauseous reality would pass.
The weary inevitability
of horrific disasters such as these.
Strangely familiar like an old newsreel
Black and white, it happened long ago.
But its happening now right before our eyes
satellite pictures beam and bounce the globe.
Twelve thousand miles we watch the story
Plot unfolds rapidly, chapters emerge
We know the places names of this narrative.
  
It is all subterranean, hidden
from the curious, voyeuristic gaze,
Until the icon bus, we are hopeful
This public spectacle is above ground
We can see the force that mangled the bus,
fury that tore people apart limb by limb
Now we can imagine a bomb below,
far below, people trapped, fiery hell;
fighting to breathe each breath in tunnelled tombs.

Herded from the blast they are strangely calm,
obedient, shuffling this way and that.
Blood-streaked, sooty and dishevelled they come.
Out from the choking darkness far below
Dazzled by the brightness of the morning
of a day they feared might be their last.
They have breathed deeply of Kurtz’s horror.
Sights and sounds unimaginable before
will haunt their waking hours for many years;
a lifetime of nightmares in the making.
They trudge like weary soldiers from the Somme
already see the world with older eyes.

On the surface, they find a world where life
simply goes on as before, unmindful.
Cyclist couriers still defy road laws,
sprint racing again in Le Tour de France;
beer-gutted, real men are loading lorries;
lunch time sandwiches are made as usual,
sold and eaten at desks and in the street.
Roadside cafes sell lots of hot sweet tea.
The Umbrella stand soon does brisk business.
Sign writers' hands, still steady, paint the sign.
The summer blooms are watered in the park.
A ***** stretches on the bench and wakes up,
he folds and stows his newspaper blankets;
mouth dry,  he sips water at the fountain.
A lady scoops up her black poodle’s ****.
A young couple argues over nothing.
Betting shops are full of people losing
money and dreaming of a trifecta.
Martin’s still smoking despite the patches.
There’s a rush on Brandy in nearby pubs
Retired gardener dead heads his flowers
and picks a lettuce for the evening meal

Fifty six minutes from start to finish.
Perfectly orchestrated performance.
Rush hour co-ordination excellent.
Maximum devastation was ensured.
Cruel, merciless killing so coldly done.
Fine detail in the maiming and damage.

A REVIEW

Well activated practical response.
Rehearsals really paid off on the day.
Brilliant touch with bus transport for victims;
Space blankets well deployed for shock effect;
Dramatic improv by Paramedics;
Nurses, medicos and casualty staff
showed great technical E.R. Skills - Bravo !
Plenty of pizzazz and dash as always
from the nifty, London Ambo drivers;
Old fashioned know-how from the Fire fighters
in hosing down the fireworks underground.
Dangerous rescues were undertaken,
accomplished with buckets of common sense.
And what can one say about those Bobbies,
jolly good show, the lips unquivering
and universally stiff, no mean feat
in this Premiere season tear-jerker.
Nail-bitingly brittle, but a smash-hit
Poignant misery and stoic suffering,
fortitude, forbearance and lots of grit
Altogether was quite tickety boo.



NOTES ON THE POEM

Liverpool Street Station

A Circle Line train from Moorgate with six carriages and a capacity of 1272 passengers [ 192 seated; 1080 standing]. 7 dead on the first day.

Southbound, destination Aldgate. Explosion occurs midway between Liverpool Street and Aldgate.

Shehezad Tanweer was reported to have ‘never been political’ by a friend who played cricket with him 10 days before the bombing

Teve Talevski is a real person and I have elaborated a little on reports in the press. He runs a coffee shop in North London.

At the time of writing the fate of the blue dress lady is not known

Kings Cross Station

A Piccadilly Line train with six carriages and a capacity of 1238 passengers [272 seated; 966 standing]. 21 dead on first day.

Southbound, destination Russell Square. Explosion occurs mi
This poem is part of a longer poem called Seasons of Terror. This poem was performed at the University of Adelaide, Bonython Hall as a community event. The poem was read by local poets, broadcasters, personalities and politicians from the South Australia Parliament and a Federal MP & Senator. The State Premier was represented by the Hon. Michael Atkinson, who spoke about the role of the Emergency services in our society. The Chiefs of Police, Fire and Ambulence; all religious and community organisations' senior reprasentatives; the First Secretary of the British High Commission and the general public were present. It was recorded by Radio Adelaide and broadcast live as well as coverage from Channel 7 TV News. The Queen,Tony Blair, Australian Governor General and many other public dignitaries sent messages of support for the work being read. A string quartet and a solo flautist also played at this event.
Mike Bergeron Sep 2012
There was a house fire on my street last night …well… not exactly my street, but on a little, sketchy, dead-end strip of asphalt, sidewalks, weeds, and garbage that juts into my block two houses down. It was on that street. Rosewood Court, population: 12, adjusted population: 11, characterized by anonymity and boarded windows, peppered with the swift movements of fat street rats. I’ve never been that close to a real, high-energy, make-sure-to-spray-down-your-roof-with-a-hose-so-it-doesn’t-catch­ fire before. It was the least of my expectations for the evening, though I didn’t expect a crate of Peruvian bananas to fall off a cargo plane either, punching through the ceiling, littering the parking lot with damaged fruit and shingles, tearing paintings and shelves and studs from the third floor walls, and crashing into our kitchen, shattering dishes and cabinets and appliances. Since that never happened, and since neither the former nor the latter situation even crossed my mind, I’ll stick with “least of my expectations,” and bundle up with it inside that inadequate phrase whatever else may have happened that I wouldn’t have expected.



I had been reading in my living room, absently petting the long calico fur of my roommate’s cat Dory. She’s in heat, and does her best to make sure everyone knows it, parading around, *** in the air, an opera of low trilling and loud meows and deep purring. As a consequence of a steady tide of feline hormones, she’s been excessively good humored, showering me with affection, instead of her usual indifference, punctuated by occasional, self-serving shin rubs when she’s hungry. I saw the lights before I heard the trucks or the shouts of firemen or the panicked wail of sirens, spitting their warning into the night in A or A minor, but probably neither, I’m no musician. Besides, Congratulations was playing loud, flowing through the speakers in the corners of the room, connected to the record player via the receiver with the broken volume control, travelling as excited electrons down stretches of wire that are, realistically, too short, and always pull out. The song was filling the space between the speakers and the space between my ears with musings on Brian Eno, so the auditory signal that should have informed me of the trouble that was afoot was blocked out. I saw the lights, the alternating reds and whites that filled my living room, drawing shifting patterns on my walls, ceiling, floor, furniture, and shelves of books, dragging me towards the door leading outside, through the cluttered bike room, past the sleeping, black lump of oblivious fur that is usually my boisterous male kitten, and out into the bedlam I  had previously been ignorant to. I could see the smoke, it was white then gray then white, all the while lending an acrid taste to the air, but I couldn’t see where it was issuing from. The wind was blowing the smoke toward my apartment, away from Empire Mills. I tried to count the firetrucks, but there were so many. I counted six on Wilmarth Ave, one of which was the awkward-looking, heavy-duty special hazards truck. In my part of the city, the post-industrial third-wave ***** river valley, you never know if the grease fire that started with homefries in a frying pan in an old woman’s kitchen will escalate into a full-blown mill fire, the century-old wood floors so saturated with oil and kerosene and ****** and manufacturing chemicals and ghosts and god knows what other flammable **** that it lights up like a fifth of July leftover sparkler, burning and melting the hand of the community that fed it for so many decades, leaving scars that are displayed on the local news for a week and are forgotten in a few years’ time.



The night was windy, and the day had been dry, so precautions were abundant, and I counted two more trucks on Fones Ave. One had the biggest ladder I’ve ever seen. It was parked on the corner of Fones and Wilmarth, directly across from the entrance into the forgotten dead-end where the forgotten house was burning, and the ladder was lifting into the air. By now my two roommates had come outside too, to stand on our rickety, wooden staircase, and Jeff said he could see flames in the windows of one of the three abandoned houses on Rosewood, through the third floor holes where windows once were, where boards of plywood were deemed unnecessary.



“Ay! Daddy!”



My neighbor John called up to us. He serves as the eyes and ears and certainly the mouth of our block, always in everyone’s business, without being too intrusive, always aware of what’s going down and who’s involved. He proceeded to tell us the lowdown on the blaze as far as he knew it, that there were two more firetrucks and an ambulance down Rosewood, that the front and back doors to the house were blocked by something from inside, that those somethings were very heavy, that someone was screaming inside, that the fire was growing.



Val had gone inside to get his jacket, because despite the floodlights from the trucks imitating sunlight, the wind and the low temperature and the thought of a person burning alive made the night chilly. Val thought we should go around the block, to see if we could get a better view, to satisfy our congenital need to witness disaster, to see the passenger car flip over the Jersey barrier, to watch the videos of Jihadist beheadings, to stand in line to look at painted corpses in velvet, underlit parlors, and sit in silence while their family members cry. We walked down the stairs, into full floodlight, and there were first responders and police and fully equipped firefighters moving in all directions. We watched two firemen attempting to open an old, rusty fire hydrant, and it could’ve been inexperience, the stress of the situation, the condition of the hydrant, or just poor luck, but rather than opening as it was supposed to the hydrant burst open, sending the cap flying into the side of a firetruck, the water crashing into the younger of the two men’s face and torso, knocking him back on his ***. While he coughed out surprised air and water and a flood of expletives, his partner got the situation under control and got the hose attached. We turned and walked away from the fire, and as we approached the turn we’d take to cut through the rundown parking lot that would bring us to the other side of the block, two firemen hurried past, one leading the other, carrying between them a stretcher full of machines for monitoring and a shitload of wires and tubing. It was the stiff board-like kind, with handles on each end, the kind of stretcher you might expect to see circus clowns carry out, when it’s time to save their fallen, pie-faced cohort. I wondered why they were using this archaic form of patient transportation, and not one of the padded, electrical ones on wheels. We pushed past the crowd that had begun forming, walked past the Laundromat, the 7Eleven, the carwash, and took a left onto the street on the other side of the parking lot, parallel to Wilmarth. There were several older men standing on the sidewalk, facing the fire, hands either in pockets or bringing a cigarette to and from a frowning mouth. They were standing in the ideal place to witness the action, with an unobstructed view of the top two floors of the burning house, its upper windows glowing orange with internal light and vomiting putrid smoke.  We could taste the burning wires, the rugs, the insulation, the asbestos, the black mold, the trash, and the smell was so strong I had to cover my mouth with my shirt, though it provided little relief. We said hello, they grunted the same, and we all stood, watching, thinking about what we were seeing, not wanting to see what we were thinking.

Two firefighters were on the roof by this point, they were yelling to each other and to the others on the ground, but we couldn’t hear what they were saying because of the sirens from all the emergency vehicles that were arriving.  It seemed to me they sent every firetruck in the city, as well as more than a dozen police cars and a slew of ambulances, all of them arriving from every direction. I guess they expected the fire to get really out of hand, but we could already see the orange glow withdrawing into the dark of the house, steam and smoke rippling out of the stretched, wooden mouths of the rotted window frames. In a gruff, habitual smoker’s voice, we heard

                                      “Chopper called the fire depahtment

We was over at the vet’s home

                He says he saw flames in the windas

                                                                                                                                                We all thought he was shittin’ us

We couldn’t see nothin’.”

A man between fifty-five to sixty-five years old was speaking, no hair on his shiny, tanned head, old tattoos etched in bluish gray on his hands, arms, and neck, menthol smoke rising from between timeworn fingers. He brought the cigarette to his lips, drew a hearty chest full of smoke, and as he let it out he repeated

                                                “Yea, chopper called em’

Says he saw flames.”

The men on the roof were just silhouettes, backlit by the dazzling brightness of the lights on the other side.  The figure to the left of the roof pulled something large up into view, and we knew instantly by the cord pull and the sound that it was a chainsaw. He began cutting directly into the roof. I wasn’t sure what he was doing, wondered if he was scared of falling into the fire, assumed he probably was, but had at least done this before, tried to figure out if he was doing it to gain entry or release pressure or whatever. The man to the right was hacking away at the roof with an axe. It was surreal to watch, to see two men transformed from public servants into fingers of destruction, the pinkie and ring finger fighting the powerful thumb of the controlled chemical reaction eating the air below them, to watch the dark figures shrouded in ethereal light and smoke and sawdust and what must’ve been unbearable heat from below, to be viewing everything with my own home, my belongings, still visible, to know it could easily have gone up in flames as well.

I should’ve brought my jacket. I remember complaining about it, about how the wind was passing through my skin like a window screen, chilling my blood, in sharp contrast to the heat that was morphing and rippling the air above the house as it disappeared as smoke and gas up into the atmosphere from the inside out.

Ten minutes later, or maybe five, or maybe one, the men on the roof were still working diligently cutting and chopping, but we could no longer see any signs of flames, and there were figures moving around in the house, visible in the windows of the upper floors, despite the smoke. Figuring the action must be reaching its end, we decided to walk back to our apartment. We saw Ken’s brown pickup truck parked next to the Laundromat, unable to reach our parking lot due to all the emergency vehicles and people clogging our street. We came around the corner and saw the other two members of the Infamous Summers standing next to our building with the rest of the crowd that had gathered. Dosin told us the fire was out, and that they had pulled someone from inside the gutted house, but no ambulance had left yet, and his normally smiling face was flat and somber, and the beaten guitar case slung over his shoulder, and his messed up hair, and the red in his cheeks from the cold air, and the way he was moving rocks around with the toe of his shoe made him look like a lost child, chasing a dream far from home but finding a nightmare in its place, instead of the professional who never loses his cool or his direction.

The crowd all began talking at once, so I turned around, towards the dead end and the group of firefighters and EMTs that were emerging. Their faces were stoic, not a single expression on all but one of those faces, a young EMT, probably a Basic, or a Cardiac, or neither, but no older than twenty, who was silently weeping, the tears cutting tracks through the soot on his cheeks, his eyes empty of emotion, his lips drawn tight and still. Four of them were each holding a corner of the maroon stretcher that took two to carry when I first saw it, full of equipment. They did not rush, they did not appear to be tending to a person barely holding onto life, they were just carrying the weight. As they got close gasps and cries of horror or disgust or both issued from the crowd, some turned away, some expressions didn’t change, some eyes closed and others stayed fixed on what they came to see. One woman vomited, right there on the sidewalk, splashing the shoes of those near her with the partially digested remains of her EBT dinner. I felt my own stomach start to turn, but I didn’t look away. I couldn’t.

                                                                                It was like I was seven again,

                                in the alleyway running along the side of the junior high school I lived near and would eventually attend,

looking in silent horror at what three eighth graders from my neighborhood were doing.

It was about eight in the evening of a rainy,

late summer day,

and I was walking home with my older brother,

cutting through the alley like we always did.

The three older boys were standing over a small dog,

a terrier of some sort.

They had duct taped its mouth shut and its legs together,

but we could still hear its terrified whines through its clenched teeth.

One of the boys had cut off the dog’s tail.

He had it in one hand,

and was still holding the pocket knife in the other.

None of them were smiling,

or talking,

nor did they take notice of Andrew and I.

There was a garden bag standing up next to them that looked pretty full,

and there was a small pile of leaves on the ground next to it.

In slow motion I watched,

horrified,

as one of the boys,

Brian Jones-Hartlett,

picked up the shaking animal,

put it in the bag,

covered it with the leaves from the ground,

and with wide,

shining eyes,

set the bag

on fire

with a long-necked

candle

lighter.

It was too much for me then. I couldn’t control my nausea. I threw up and sat down while my head swam.

I couldn’t understand. I forgot my brother and the fact that he was older, that he should stop this,

Stop them,

There’s a dog in there,

You’re older, I’m sick,

Why can’t I stop them?

It was like
Terry O'Leary Jul 2015
As dawn unfolds today beyond my fractured windowpane,
a breeze beguiles the ashen drapes. Like snakes they slip aside,
revealing wanton worlds that race and run aground, insane,
immersed in scenes obscene that savants strive to mask and hide.

Outside, the twisted streets retreat. Last night they seemed so cruel.
While lamps illumed lithe demons dancing neath the gallows tree,
their lurking shadows shuddered as they breached the vestibule.
Within the gloom strange things abound, I sense and sometimes see.

Perdu in darkened doorways (those which soothe the ones who weep)
men hide their shame in crevices in search of cloaked relief.
The ladies of the evening leave, it’s soon their time to sleep!
The alleyways are silent now but taste of untold grief.

Distraught nomadic drifters (dregs who stray from street to street)
abandon bedtime benches, squat on curbs they call a home,
appeal to passing strangers for a coin or bite to eat.
Rebuffed, they gaze with icy eyes that chill the morning gloam.

Observe with me once more, beyond my fractured windowpane,
the broken boy with crooked smile, the one who's seen the beast.
With tears, he kneels and clasps the cross to exorcise the stain.
The abbey door along the lane enshrouds a pious priest.

At nearby mall, Mike needs a cig, and stealth'ly steals a pack.
The Man, observing, thinks ‘Hey Boy, this caper calls for blood’,
takes aim, then shoots the fated stripling six times in the back.
Come, mourn for Mike and brother Justice, facedown in the mud.

The shanty town has hunkered down engaged in mortal sports
while shattered bodies' broken bones at last repose supine,
and mama (now bereft of child) in anguished pain contorts,
her eyes drip drops of bitter wrath which wither on a vine.

Fatigued and bored, some kids harass the crowded alley now.
To pass the time, Joe smokes a joint and Lizzy snorts a line.
The NRA (which deals with doom) can sometimes help somehow,
though Eric died with Dylan in ‘The Curse of Columbine’.

Marauders scam the marketplace (with billions guaranteed)  
while babes with bloated bellies beg with barren sunken eyes,
and (cut to naught) the down-and-out (like trodden beet roots) bleed.
Life's carousel confronts us all, though few can ring the prize.

Yes, Mr Madoff, private bankster (cruising down the road,
with other Ponzi pushers, waving magic mushroom wands),
adores addiction to the bailout (coffers overflowed),
and jests with all the junkies, while they’re bilking us with bonds.

A timeworn washerwoman totters, stumbling from a tram -
she shuffles to her hovel on a dismal distant hill,
despondent, shuts the shutters, prays then downs her final dram -
a raven quickly picks at crumbs forsaken on her sill.

Jihadist and Crusader warders faithfully guard the gates,
behead impious infidels, else burn them at the stake
(yes, God adores the faithful side, the heathen sides He hates),
with saintly satisfaction reaped begetting pagan ache.

All day the watchers skulk around our fractured windowpanes
inspecting all our secret thoughts, our realms of privacy,
controlling every point of view opinion entertains,
forbidding thoughts one mustn't think, with which they don’t agree.

Our rulers (kings and other things) have often made demands
of populations breathing air on near or distant shores
and when they didn’t yield and kneel, we conquered all their lands
with sticks and stones, then bullets, bombs and battleships in wars.

Come, cast just once a furtive glance… there's something in the far…
from towns to dunes in deserts dry, the welkin belches death
by dint of soulless drones that stalk beneath a straying star
erasing life in random ways with freedom’s dying breath.

But closer lies an island, where the keepers grill their wards.
Impartial trials? A travesty, indeed quite Kafkaesque.
The guiltless gush confessions, born and bred on waterboards.
No sense, no charges nor defense. A verdict? Yes, grotesque!

Now dusk is drawing near outside my fractured windowpane
while mankind wanes like burnt-out suns in fading lurid light;
and scarlet clots of grim deceit and ebon beads of bane
flow, deified, within a corpse, the fruit of human blight.
tread Sep 2011
I am a Province, a State, a Municipality, and a Region.
I am a Soldier, a Pilot, a Minister, and a Legion;
I am a black man, a white man, a brown man, a woman,
A French man, American, Canadian, and Roman.

I am a rap artist, a singer, a slam poet and guitarist;
I dabble in the dark arts accompanied by a Marxist.

I'm a barista, a gas man, a secretary, and Tsarina,
A King and a Queen and a janitorial cleaner.

I am a "lover," a "hater," a "here now" and "there later,"
I am Luke Skywalker, yet at the same time, Lord Vader.
I am a driver, a walker, a rider, a stalker,
A conservative liberal and a well-learned straight-talker.

I am a salesman and clerk,
A criminal and a serf,
The proud owner of a weapon that, while it kills, saves the Earth.

I am a drinker and smoker,
A consumer and broker,
A bomb-maker, con-artist, Priest, and interloper.

I am a Citizen.

Religious and secular,
Macrocosmic, molecular,
Suit wearing, uncaring, emphatic, irregular,
A "packie," a ****, a Scrabble fan playing Yahtzee;

A Jihadist, sadistic, addicted to Herodotus,
History is repeated by the philosopher that thought of us.
The eroticist literature towards which we've all lusted;
It looks like the bullets machine-gun is busted.

Indifferent, ecstatic, illicett, erratic,
An infant, a senior, a young man with bad-lip,
A black man, a white man, a brown man, a woman,
A Jew and a Christian, a Muslim musician,
A monarch, elitist, pro-abortion defeatist,
An anarchist, Black Panther, and a rich plutocratic;
I am a citizen,
And as one,

I'm elastic.
What do these guys think they are doing,
coming to our lands, killing and terrorising us?  
Whilst I hear the words of the Koran from their mouths,
it must be obvious that these guys are just foot soldiers, trained, indoctrinated, fired like missiles.  
Its not these guys we need to worry about, but the system that creates them.  
I am sure that at the top are political and financially motivated organisations that use these guys to further their political and financial aims.  
Bin Laden at least seemed to wear the "hair shirt" of his views - I wonder how many of the rest of supposedly Islamic leaders do this,
rather than line there pockets with the spoils of war and terrorism,
feed on and revel in the power they gain through violence.  


What do these guys think they are doing, coming to our lands,
killing and terrorising us?  
Whilst I hear the words of the bible from their mouths,
it must be obvious that these guys are just foot soldiers, trained, indoctrinated, fired like missiles.  
Its not these guys we need to worry about, but the system that creates them.  
I am sure that at the top are political and financially motivated organisations that use these guys to further their political and financial aims.  
Obama at least seemed to wear the "hair shirt" of his views - I wonder how many of the rest of our supposedly "democratic" leaders do this,
rather than line there pockets with the spoils of war and terrorism,
feed on and revel in the power they gain through violence.
OK not a poem :(
My advice to fellow geezers?
Just say **** it!
“Roll up to the magical mystery tour!”
Just like John & Yoko!
Smoke a big fat doobie each morning.
Step out the Hogan door, just greet
The East and walk in beauty.
After a few weeks you just won’t
Give a **** anymore; just not give a ****
In general, no longer care about what’s
Not important: The Guv’ment.
Politics. The rate of unemployment.
Inflation. Even radical, freaking
Muslim Jihadist TERROR!
Yes.  Just light up, Babaloo,
Do one’s bit for the Decline &
Fall (dropped you, didn’t I?)
Let’s mourn the dying ***** goddess.
America: that shining city on a hill,
Colombia in all her senility, insolvency &
Not even D or I, just Lusions of grandeur.
Let us contemplate the decrepitude,
The crumbling, up-in-smoke spiritual infrastructure,
The USA: the United ****'s-Creek of America,
Going down, down, down . . . ALERT!
NEWS FLASH! It’s Rome & Great Britain,
It’s the update, the demise of Empire all over again.
I remember those sorry-***, pathetic Brits,
Met them all over while hitchhiking around
Europe, an intensive, closely observed tour of duty
Abroad: a gift to myself, in fact a scholarship,
I rigged for myself back in the early ‘70s.
Going abroad: once a reserved right of passage for certain,
Privileged children of the 1890s, lucky spawn from
Families known as the “Well-to-do.” And why not add:
Dubbed the “Mauve Decade" because William Henry Perkin’s
Aniline dye allowed widespread use of that color in fashion.
The "Gay Nineties,” referring to a time not of buggery, but
Merriment & optimism, & lest we forget, Twain’s “Gilded Age.”
Got the time, spare a dime, got the freaking time-frame, Mack?
It was a dark & stormy total eclipse of Jupiter.
Spiritually speaking, I was free-floating.
And what of those same-self, sad-assed &
Sorry, pathetic Brits?
Well, consider the specific years.
Experience in Europe in my early 20s,
Meant 1972, 1973 & 1974.
Surely, a time for English disillusionment,
What with the sun finally setting,
A vague, prismatic twilight time,
A virtual requiem for His or Her Majesty’s Empire,
“Rule, Britannia ... Britannia rule the waves.”
(Cue ruffles & flourishes, fifes & flugelhorns)
This was pre-North Sea Oil Bonanza days.
This was England before Mrs. Thatcher
Gave her good people a long overdue,
Richly deserved kick in the tuchas.
“The Iron Lady” they called her.
Stopped Orwell’s future, doornail dead, she did.
“Maggie’s Miracle” they called it.

Those Brits I met & knew back then,
Those “Used-to-be-Contender” types:
Self-deprecatory, apologetic & cynical,
Mocking the Union Jack,
Shedding salty tears for Lost Empire.
“This blessed plot, this earth,
This realm, this England.”
Ironic & bitter to a man,
“Gulping gin & bitters later,” observes
Current tenant occupier, 221B Baker Street,
Sherlock finding the word at last,
The definitive literary term,
That one precise mot juste, that says it all.
In a word? Sardonic.
The USA is going down, down down—
“And away goes trouble down the drain!”

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That’s right: $KA-CHING$!
An ad right in the middle of a ******* poem!
Always the sensible poet, I kept my day job.
But now in my 60’s finally figuring out:
HOW TO MAKE POETRY PAY?
Bow down to Adam Smith & Ricardo—
Not the ‘Splaine me, Cuban bandleader
Of that surname, but David, the classical economist,
The “Iron Law of Wages” guy
It’s time to make money.
Call in the Madmen.
Send in the clowns.

Mad Men – AMC - AMC.com www.amc.com/shows/mad-men Official site for AMC's award-winning series Mad Men: Games, making-of videos, plus episode & character guides.

$KA-CHING$! $KA-CHING$!

And Dan Draper: an alcoholic, chain-smoking,
***** magnet & Korean War ****-up, shifty
Name-changer, last seen at that Big Sur ashram,
The Esalen Retreat & Jingle Inspiration Center,
**** Whitman coming clean, at last:
Hovering a foot off the ground
In the lotus position, receiving **** *** from a
Coke bottle incarnation of Vishnu.

Search Results I'd Like to Teach the World to Sing (In Perfect Harmony ... https://en.wikipedia.org/I'dLiketoTeachtheWorld . . . Wikipedia "I'd Like to teach the World to Sing (In Perfect Harmony)" is a popular song that originated as the jingle "Buy the World a Coke" in the groundbreaking 1971 ... Writer(s)‎ ‎Jon Hamm AKA Dan Draper; ‎Label‎: Sterling Cooper Draper Pryce.

Money: FUNGIBLE GREEN.
$KA-CHING$!

Those once sardonic Brits,
Now have Brooklyn accents.
We’re going down the drain, Babaloo!
The barbarians are at the gates,
A horde of hunger, a ******* rabble,
Green-eyed monsters, envying America’s poor,
Craving what little Uncle Sam’s indigenous poor have left,
Ragtag migrants, short, dark compañeros,
Swarthy Huns & Visigoths,
Whitman's last yawp, the last gasp breath of
Work Ethos, be it Protestant or Papist,
A colossal mélange of famine, hope & prayer,
The usual suspects: “Your tired, your poor,
Your wretched refuse & solid waste,
Your huddled, yearning masses.”
My advice to Emma--Sephardic-Ashkenazi,
Proto-Zionist, years before Herzl:
Get yourself a nightclub act, Ms. Lazarus.

America: I am hidden in a high grass savannah,
I watch the hyenas pick your carcass clean.
Adam Smith: he displaced the term greed--
Smacking as it does of deadly sin baggage—
Replaced the term Greed with Self-Interest.
And the only invisible hand I know of is
Down my pants, jerking me off,
Mesmerized by slogans, divine metaphors, like:
“A rising tide lifts all boats,” a Big Lie, for example.
Today’s economists call it “The Multiplier Effect.”
You pay me and I pay him & he pays he or she,
Merry Goes Round, Goes Round & Round the Merry-Ground.
All is just so cool & groovy,
Life is just a copacetic bowl of copacetic until
Some self-interested ****-*** decides to export
Your ******* job right out of the country:
Casus belli? Most certainly. Class warfare,
Always our hitherto history.
It’s not like that fat slob Michael Moore never warned us.

**Roger & Me (1989) - IMDb www.imdb.com/title/tt0098213/ Internet Movie Database  Rating: 7.5/10 - ‎22,470 votes Director Michael Moore pursues GM CEO Roger Smith to confront him about the harm ... Roger & Me -- Michael Moore's controversial but popular film is a highly ... Plot Summary - ‎Quotes - ‎Trivia - ‎Awards
Rachel Lyle Jul 2014
Blast it!
We've put our eggs
in the wrong basket,
and now Little Liberty has dropped them.

She's dropped them.
She's dropped them!
She certainly did,
She dropped them!

Each egg splits, cracks, breaks,
all despite Liberty's bleeding
colors. Faded, young
hatching prematurely;
before their time.

Liberty heard her love-
boyish ruckus in The Bush.
Hurriedly she did run;
giving all her aide.
Unfortunately, careless Liberty did not see:
All our eggs are handled irresponsibly.

Soon after little Liberty's Bush date,
she saw what she could only surmount to fate:
Poster slapped to said Holy Tree,
plastered with Allah's face.
Hating those jihadist anyway,
Ignorant Liberty unloaded her bounty-
upon the sacred man's face.  

It took a while
till Liberty thought,
looking down,
but by then,
we all thought it all too late.
But ,Little Liberty being supreme,
(totally Grade A,)
finally remembered to put the lid down.
Ah, now that should seal our fate,
her reasoning as she bounced and pranced away.

But just before she reached her people,
her sickness burst,
her pride was shook,
she couldn't show her face.
Afraid of what her people might say-
she reopened said lid, state of panic
flipped the basket promptly 'round.
All the little eggs crumbling to the ground.

Babies dispersed;
Children burnt and broken;
not to mention all the vital yolk;
nasty stuff and what a mess-
now onward to face my people.

But all is well;
she gives her spiel
about the alleged evil-doers.
People line-up,
hypnotized-
ready to give their last;
service, duty, and loyalty too
all for Little Miss Liberty.

Quite the siren, ain't she?
I had to write something after listening to NPR this morning; I heard a brief snippet of the story of a young Afghan civilian, on fire, running for his life. God Bless the USA.
John F McCullagh Jan 2012
This loss is very hard upon his mother:
Enduring first his birth and then his death.
The time between -scarcely a generation-
But in that short span of time he proved his worth.

They are too few, the proud who wear the emblem,
And fight our countries battles in our stead.
When they found him, his position was surrounded
By the bleeding bodies of Jihadist dead.

Enroll his name among our Countries’ heroes
Remember him for all of time to come,
But put away the medal they awarded-
I need no medal to recall my son.

My brave strong son who first fought in Fallujah,
and battled militants in Kandahar.
He joined the fallen as his tour was ending
Hearts can't be mended with a golden star..

In the dark days that now will be our portion,
I will ponder certain questions in my mind:
Was this sacrifice truly required?
Is our suffering random or by design?
The poem" Semper fi" is a work of FICTION  It was inspired by a poem written by Padraig Pearse the night before his execution by firing squad after the failed Easter Rising of 1916.  I have changed the point of view from the mother to the father and updated the poem to the recent past.. My son is an ACCOUNTANT, not a MARINE.   I am stressing this because this poem, in an earlier version, was misunderstood to be based on Fact. Here is the excellent  poem which inspired my lesser effort:

The Mother
I do not grudge them: Lord, I do not grudge
My two strong sons that I have seen go out
To break their strength and die, they and a few,
In ****** protest for a glorious thing,
They shall be spoken of among their people,
The generations shall remember them,
And call them blessed;
But I will speak their names to my own heart
In the long nights;
The little names that were familiar once
Round my dead hearth.
Lord, thou art ******* mothers:
We suffer in their coming and their going;
And tho' I grudge them not, I weary, weary
Of the long sorrow--And yet I have my joy:
My sons were faithful, and they fought.
-- Padraic H Pearse
Moomin Jan 2021
Like puppets dancing on strings
Are Presidents and princes
Prime Ministers and politicians
And the tune they dance to
Is older than their kingdoms
Behold the King of this world
Hidden away from the public eye
Yet commanding nations with a whisper
He was glorious and beautiful once
And he walked among the innocent
But, in one moment of vanity
He stole rulership of the world
His personality is stamped upon mankind
For he sets the pace
While most men follow
He spoke the first lies
Inflicted the first casualty
And he has never felt regret
Has never shed a tear
Though his wars have taken millions
And his devotees have enslaved nations
He is the author of confusion
The instigator of Hellfire and hatred
The creator of trinities and tribulation
He accuses you and I of cowardice and selfishness
Yet is himself running scared
And clinging to power and life
He is the excuser of unholy child abusers
And the inspiration of Jihadist bombs
He speaks lies about the innocent
And glorifies the guilty
He hunts all good men
As a lion hunts the deer
He will tear at your throat
And consume you
He is the Resistor
The Slanderer
He cajoles those who consider his existence
And paints himself in mythical proportions
He would destroy the earth rather than surrender it
Would rather ruin if he cannot rule
Yet the whole world is in his hands
But not forever
Because forever does not belong to him
And not life
For the gift of life is not his to give
Who really rules this world?
ConnectHook Feb 2016
(by Bruce Bawer)

In Sønderberg the other day
A teenage girl used pepper spray
To rout a randy “refugee”
From somewhere far across the sea
Who threw down and molested her.
The cops arrested her.

As part of a jihadist plot,
A brute assailant took a shot
At a fine Copenhagen man
Who'd deprecated the Quran.
When the brave soul who'd nearly died
Then publicly identified
The **** who'd tried to **** him, he
Was charged with grave delinquency:
Breaching privacy.

In Mölndal, a Somali teen
Plunged a long blade into the spleen
Of a young Swedish altruist
Who'd yearned to do one thing: assist.
The land's top cop went on TV
And trumpeted his sympathy.
For the poor girl who'd lost her life?
No. For the kid with the knife.

At one time it was understood
That a devotion to the good
Didn't mean one should be blind
To evil, or pretend to find
Some virtue in sheer villainy.
To see what isn't there to see
Is not a sign of rectitude.
To point out evil isn't rude;
To fight it is good.

You can't, however hard you try,
Mistake for a speck in the eye
A loaded *** in the hands
Of some rough beast from foreign sands
Intent on taking out a child.
You'll win no points for being mild
To members of a desert creed
That seeks to make the heathen bleed
And preaches that the kind and meek
Are contemptibly weak.

Christ said to turn the other cheek.
But what if it's not just your cheek?
from: http://www.frontpagemag.com/fpm/261801/our-time-bruce-bawer
Francie Lynch Jan 2017
In an aside at the pub the other day,
I commented that the hockey player
Looked like a French-Canadian.
I was called a racist for that.
(but he did)

While watching some Miss Pageant
With her the other night,
I commented that all the women
Are beautiful enough to be crowned.
Now I'm a sexist.
(they were gorgeous)

For the sake of argument, I am a religionist.

I'm against Jihads, but I'm not Jihadist.
I don't go goo goo over babies,
So I suspect someone will say I'm an infantist.

She texted, saying she wants to fix the fight.
Well, I am a pugilist,
And I know when the fight's been fixed.
TR3F1LD Feb 27
I write sometimes li̲ke I'm out for
blood (I kind of have been & am)
like vampires; tha[ɑ]t's for
all the injustice & violence absorbed
[video games, films, (& later) rap & politics-related stuff]
from this unjust & f#cked world
you may think I'm a kettle boiling, 'cause
writing rhymed texts & going hos—
—tile in 'em is a way to blow steam off
besI̲des that, I'm bored
like a plank that I̲ would, o[ʌ]f course
["board"]
not mind watching a ****** dumb war—
—mongering, power-drunk ****
walk off into the waters galore of hungry cro[ɑ]cs or
sharks, though I̲ would o[ɑ]pt for something much worse
if punishing power-corrupted schmucks were
up to mO̲I̲ with my warped
mind; like a drama queen, or a jihadist fiend
at a public spot with **̲[ɑ]stile in—
—tentions & a bomb, or a gun on him
I'd make such a scene
["sin"]
one tor—mentors would love to observe
one worth grabbing some ****** po[ɑ]pcorn
[like the one portrayed in "punishment of an autocrat"]
****** alert; the villainous fiend
inside wants to join this lyrical binge
give 'em *******, dude
————————————————————————————————
listen U̲p, you da[ɛ]mn fool
this message is also for the trap rap playschool
that you pU̲nk pertain to
consider yourself LIA 'cA̲U̲se you're plain doomed
[lost in action]
like an aircrA̲ft which is about
to crA̲sh into the ground (plane, doomed)
call thI̲s sh#t maltreatment
'cause, like a wicked professor prone
to domineering, I'ma teach you a lesson, ***
["molltreatment"]
'cause in this lyric-writing game, you
are just a lame stewd'
[stu(ew)dent]
you better find some da[ɛ]mn tools
the screws of mine are cray loose
just like Deadpool's; memorize this name to
call me by: Slay Illsome
[Deadpool's real name is Wade Wilson]
you're like pup: so ****** tame you
should be called Lame Chillsome
["po[ɑ]p", in the sense of "pop music"]
so inept that holding somebO̲[ɑ]dy's dra[ɛ]nk, you'd
prob'ly wind up with the dra[ɛ]nk spilled, chump
I'm an instiller of awe & distaste
a thrill killer, nuts, A̲lthough well-trained
and I really love to slay noobs
I'll be enjoying some thrilling, high-octane tunes
while you'll be stricken by the grave blues
'cause I'll have you feeling such a pain you
are gon' wish it were Max 'stead of me & start to pray to
["Payne"; Max Payne, who mostly just guns down his targets]
me to put you down like I̲'m the type slinging
off at others; I'll I̲ce you by swinging
my mo'f#cking blade through
your neck like a batter, whereA̲fter I[ɑ]'ll pick
up your nut & make use
of it as a **** bA̲sketball, *****
I'll chop you in parts, then bo[ɑ]x 'em, like a way to
verbally tag an attrA̲ctive gal with
a set of plumply-shaped *****
["buxom"]
I'll have the box wrapped a la gifts
and then get the remainders of you sE̲nt ta
a replantation-focused center
(so much for something with the littlest of spite...)
————————————————————————————————
like a substance a[ɑ]ddict
tryna quit but quickly sliding ba[ɑ]ckwards
one verse & I'm back to mY̲ bad ha[ɑ]bits
[the prelude]
of writing; life-lethargic, bU̲t this art form
is something I sure have go[ɑ]t a lust for
which explains why
I'm sO̲ de—voted to my stuff when it's getting laid, like
a carnal co[ɑ]mmerce; lyrical self-indulgence, much more
than self-indulgent "I̲'ve got" type twerps
making unco[ɑ]mplicated trap
as if there were something like a cavy that
those diletta[ɑ]nti aim to catch
like someO̲ne depraved, I have (what?)
a ba[ɑ]wdy-like urge in my mI̲nd when I verse
like a tI̲ght-fit guise worn by a gal with nice curves
exercising, intention... of nailing rhyming
["in tension"]
as if rhymes were lush girls
the type to whom technical seduction comes first
lyrics-wise, which is why some of my works
may be regarded as hot stuff
like a heated iron flyi[—]ng to[—]ward
the face of a tyrant-like ****
with the bo[ɑ]ttom side forth; do this kind of stuff for
fun & to maintain these mI̲nd skills I scored
["slay just to maintain some relish & killing skills"]
which explains why I dub it "bar sport"
[sport/fun of making bars (rhymed lines)]
you trap rap hacks ou[ɑ]ght to ha[ɑ]ve your
bars shA̲rp just like swords of samurais, for
["sharp" in the sense of "stylish"/"attractive"]
as I̲'ve said afore, I'm O̲U̲t for blood, twerps
————————————————————————————————
struck this "bar sport" writing up short
["bar sport (prelude)" followed by this one]
on hope, wound up with a flood of thou[ɑ]ghts versed (wow)
guess this writer's inner fire's no[ɑ]t burned... out
like someone dO̲ne too much work
"bar sport (Slay Illsome)" by TR3F1LD (TRFLD) is licensed under CC BY-NC-SA 4.0 (to view a copy of this license, visit creativecommons.org/licenses/by-nc-sa/4.0)
Joseph Sinclair Feb 2015
I do not walk in measured tread,
I cannot spare the time;
And steady pace is better suited to the dead
Or projects more sublime.

I see them dressed in garb of green
As best befits the land
That harbours jihadist and others more obscene
And not their native sand.

They bear allegiance to no state
That may have sheltered them,
But spread instead their ugly message born of hate
And anxious to condemn.

It would be easy to cast blame
On perpetrators of
The outrage that most freshly has induced our shame
And dissipates our love.

But this would be to hide our guilt
At similar events
That other so-called freedom fighters have but built
And empty rage foments.

The question that we must address
Is why these souls should choose
Defection from their lives of love, and thus aggress?
Why do they not refuse?

What is there that holds them in thrall
And draws them to a place
That their forefathers chose to leave for freedom’s call?
Is it a search for grace?

Is it the hope of paradise
Should they in jihad die?
Seventy-two-virgins is perhaps the promise
On which they then rely?

They claim that Allah is their lord,
that Islam is their life.
They spurn the pen; relying solely on the sword.
The Quran is a knife

with which to cut the Gordian knot
that engirdles their guide.
The jihad route to paradise, the unbeliever’s lot.
But we are mystified.

What must we then on our side do      
that hold freedom dearly?
I just demand the freedom that I give to you
Car moi, je suis Charlie.
Mateuš Conrad Jun 2016
9
i've been synthesising my sleeping pattern
for 9 years, i haven't experienced lucid dream
for wakes upon turning
365 x 9 equal for 3285 mornings, or afternoons,
i can drink lukewarm whiskey & coke
and feel happy, but i managed it, simulating
the natural byway into sleep and mythology,
nine years of synthetic sleep patterns,
i should have been encrusted in the Auschwitz
medical experiment of sleep deprivation,
thank **** no Muslim will mind wearing
satan's postbox - unless you're *****-nilly
and Lenin and politically correct - like bi-,
swings both ways, they tried to shoot Trump
while i got a spare tire to boot...
oh please ******* with your Muslim friends
to Saudi Arabia and satchel up on Bangladeshis
building up the new pyramids of
of Dubai... cos there's a nation of saints
somewhere, somehow? this ain't the antagonising
hypocritical Vatican mind you, also,
you know what Islam means to me?
it doesn't mean a submission to god... given then 72
virgins for martyrs, it just means: competing with king Solomon;
so there, i "said" it, get a jihadist on my *** straight away,
i'll be waiting, eating strawberries and a yogurt
watching Wimbledon, oh come one,
do it nice and pretty with me like a Barbie doll,
i can't be bothered with your ******* attempting
the altogether possible, but seemingly impossible -
it just gets boring after a while fearing mortality
with your Marmite smeared ninjas attempting
an American cheeseburger of sports that's played alongside
the Oakland Raiders, Philadelphia Eagles, New England Patriots...
oh wait, you can't antagonise me, because you didn't
fish with a bait like Mickiewicz, or Tuwim... or Prus...
yawn.
Sam Temple Jan 2016
1.2 million tickets
each minute
@ 2 bones a pop
a nation in crisis
gambles for ½ a billion
while claiming that jihadist
extremists
are crazy –
I bought two
spent 4 greenbacks
for a shot
at financial solvency
the ability to help
my fellow man
family and friends
have the dream built
with oak and mahogany –
seekers freaking out
as the jackpot grows
no winners
no turkey dinners
just a mass
of humanity
desperate –
Starry Aug 2019
I want to know you hurt me as a lover
I want to know why your hurt innocent people
Who did your people no wrong
Why do you have to hurt innocent children girls
For what
Jihad???!!
Islam????!!!
The hippocratic oath????!!
More like jihadist oath.
TR3F1LD Nov 2023
a[ɛ]m I going psychotic in my dA̲[ɛ]mn mind
or ma[ɛ]nkind is on a deranged ride
[in fact, I prefer the word "humankind", but it doesn't fit with the rhyme pattern]
on an armored train? like that power-cray
North Korean son of a bo[ɑ]mb afraid
of his own go[ɑ]ddamn shadow, for it, ju[ɪ]st like
this *****#cking fatso's order, is quite
terrible; on a reckless ride that's
go[ʌ]nna take
the highly developed kind back
fro[ʌ]m the age
of reason to the uncivilized past's
darksome days
["dark somedays"]
(probably the latter)
————————————————————————————————
should be in a mental asylum watched over (why?)
off my "meds" like some iron-grip jE̲rkwad
[the meds were mostly video games]
in power striking a wA̲r up
an indescribable U̲rge to wreak destruction & ******
[mostly lyrically]
as if I were a horse-riding enforcer of the Apo[ɑ]calypse or a
jihadist supporter of the IslA̲mist new order
heading to a spot with the public galO̲re to
turn up at; I'm highly avE̲rse to
autocracy, but tyrant-like to[—]ward a kindergartner-like verser
half-a## writers, conformers, & allies of usurpers
better put on something fire-sound or go underground
like the Camorra or Johaness Arnesson, fO̲r I
["for I" is supposed to be read/pronounced as "fora"]
[Camorra is a part of the underworld]
[Johannes Arnesson (Owl Vision) makes underground type of electronic music]
am, like when a living victim's hide's being bU̲rned to
muscles by a hob O̲r a cutting blowpipe, a fierce torcher
["torture"]
and if there were, like Ivan the Fourth, a
terrible tsar & a murker, like a hitman satisfying hit orders
[the reign of Ivan the Terrible is infamous for, inter alia, tortures]
for me to take my pick like a **** 𝑓𝑜[ɔ]𝑡𝑘𝑎
["pic."]
I'd, like the wight-like equine rider
direct my sight on the former (scythe); you hardly can stI̲r up
[Death, the pale one of the 4 horsemen of the Apocalypse]
a spark, I've come to the taiga & stI̲rred up
a violent inferno; while in the wilds, I've discerned a
couple of male old-timers encircled
by some guards & cam workers; a fire fiend, for the
restless mind is like a flamethrower
which this corruption-plagued world su—
—pplies with fuel like a "Flying J" servo
don't get this wrong, I can't be bothered re[eɪ]
which kai is fave by which state, but I'm afraid
autocracy is, in the China vein, on the rise today (on the rice)
but, for the sake of a fighter plane
laying f#cking waste to a ride or train
with an autocratic ******* aboard
what is a singular someO̲ne that ain't
a well-savvy hacktivist nor
a sick gunfighter, like Max Payne
to do when the disbalance between a civil society
and a regime in some abysmal auto[ɑ]cracy
is so grave there's nothing safe
and rock-solid, like a tungsten *****
to do to undermine this state
of affairs? apply the cre[i]do of yours
to whatever at which you are versed
that's why I'm engaged in my anti-autocratic rhyme crusade
[previously to this one: "punishment of an autocrat"; "надвигался 2022-ой" ➔]
[➔ "a couple of words for dictators" & anti-authoritarian fragments ➔]
[➔ of some other rhyme pieces published by me]
I might lO̲O̲k to be an evil-minded skate
now, but, seizing the opportunity
like some viced ***** gained
a role O̲f a rU̲ler with
an unchecked political might & aimed
at establishing a tight-grip reign inside the state
there's something I'd like to say
I hhhooock... thooo... spit on tyrants' graves
and graves of their compliant aides
without the slightest shame, I, like a crane for construction, raze
["raise"]
their heads—tones by a mace from the knightly age
bet taphophiles ain't gonna like the way
in which I behave; ones who're enviro-cray
better get fire squa[ɑ]ds awake like a rite that takes
place after someone's life has waned
wholly (a wake), 'cause I get mY̲ hands laid
on a pulverizer with spirits of wine & spray
it on those scheissers' grave—yards, then make
'em go, like the face of someone laughing so wildly they
are about to split their sides, ablaze
and I've barely gotten underway
lyrics-wise, I'm gonna give a harsh time
to a power-blinded, nazissistic go[ɑ]bshite
a sort of tea party which you'll no[ɑ]t like
'cause there's a billypo[ɑ]t rife with steaming splo[ɑ]sh I've
got in the pipeline, like oil, & will be pleased to slo[ɑ]sh right
into your filthy mug, swine, so here's a piece of a[ɑ]dvice
better get equipped with some wipes
and something chilling, much like
a horror game when you sit without lights
and with earphones on in the middle o[ʌ]f night
it may seem now as if I'm a kitchen cart guy
and you're at an eating spo[ɑ]t (why?)
'cause you're about to get served
scuzz, I'ma strike
a lyrical skewer through your mouth & your stern
just like a swine
————————————————————————————————
it is night-time, like the pre-enlightenment E̲[i]poch, but I'm
["knight time"]
like a ballista sho[ɑ]t flyi[—]ng
the target's way, in the open air & quite away
like an anthracite aflame/ablaze
["(a) vay" (Malagasy) - "(a) glowing coal"]
nearby the gates of your sublime estate
a mite ashamed to say this, but I might be ta'en
for the Russian state or the "Hamas" brigade (why?)
these premises are like Ukraine
or Israel, respectively, inasmuch as they
are gonna be violated sI̲m. to a victim of a ******; finna
penetrate your villa like the agent Fisher
[Sam Fisher from the "Splintel Cell" videogame series]
which is gonna be made much quicker
than you, a[ɛ]nxious geezer, would make a lady stimu—lated I̲nto
the ****** state; your security system & lights are way
like a surgeon who's armless, they no longer o[ɑ]perate (ha-ha)
'cause I have an EMP device in play; the weather, by the way
is trash, raining, just like Hussein in his presiding days (trash, reigning)
but your cap-cladded daw[ɑ]gs remain
outside despite that & an adage Russians say
that a dog keeper that is mindful ain't
gonna let his dogs be outside at the time it rains
or when some other weather that's bad becomes the case
but thA̲t's, un—like the sign that's made
of metal & acts A̲s an
indication that it's a co[ɑ]p you face
not a bother; like a register that has an
["buzzer", in the sense of "police badge"]
abundant range
of info about a vile regime's pieces of crap having
rank slides, such as their addies, mug sho[ɑ]ts, & names
a specialist, the black-cladded
["special list"]
crusader from the Norsefire-tyrannized UK
in the Guy Fawkes mask strapped with
[V from "V For Vendetta"]
a blowgun with darts, like the pirate claimed
the title of an assassin
[Edward Kenway from "Assassin's Creed IV: Black Flag"]
by which I sedate those diletta[ɑ]nte[—]s ordained
to guard your place as I slyly make my go[ɑ]ddamn way
forth like a farcE̲U̲r coming out
of behind the stage
lock pick the door of your house
then walk inside like a pro[ɑ]mena[eɪ]de (walking site)
while touring around
the pretty so[ɑ]lid place
of yours, I encoun—
—ter your do[ɑ]xy draped
with a corse[—]let-like towel
not far away from the room in which you shower, bathe
with her bo[ɑ]dy shape, to one whose mind's unchaste
she's like a va—cant front seat to one whose sight's debased
hard not to try & take; but, given the time & place, I try to stay
away from these broad thoughts like an ex-****-bawd (thots)
besides your inviting bae
like a ship-parking space nearby a pirate-obliging place
["inviting bay"]
I descry your maid nearby the kitchen-dinette; they
both get tranquilized, like someO̲ne who came
for a massage, & chained to pillars of a ba[ɑ]lustrade
with their gobs sealed with parcel tape
arrived a mite hungry, so I knife a slice
off of an icebox pie I came bY̲ inside
the fridge of yours, then eat it sE̲rved on
your high-cost plate
using your silver fork &
your table knife engraved
with a rhomb grid adornment
(some would think you're a perfectionist, like me when I undertake)
(rhyming like an Eastern person)
["ramen"]
(but, in accordance with what my mindset says)
(it's more likely you're just pretty corny)
(like rappers whose lines display their consumerism-governed brains)
(and whose body of rhymes is shaped in an unenticing way)
once the meal's finished, like a rival/fighter slain
in a "Mortal Ko[ɑ]mbat" fray, I leave your tableware defiled, same
as that pious place, in which ***** Riot made
a protest performance
pU̲t on, like that unashamed
co[ɑ]cky, a la desert soldiers
["khaki"]
autocratic swine that reigns in the north-east mo[ɑ]bster state
some high-octane tunes fro[ʌ]m a play—
—list of mine, then start to make your hideaway
[it's supposed that the EMP effect has gone by this time, so electronics are able to function]
look like it faced the wildest rave that mustered skates
who have, like a wrE̲cking ball
a disorganizing trait
towards stuff that's ta[ɛ]ngible
and are prone to territory-marking, same
as what's done by a[ɛ]nimals
or bY̲ street ga[ɛ]ngs
quite an effortful
jo[ɑ]b awaits your unlucky maid
or whoever you're gonna choose to invite & pay
in order to neutralize the may—hem caused by my stay
————————————————————————————————
such a misfortune you, A̲##hole
are away from your glorious castle
which is, like a brutal ******
that you are, looking nO̲[ɑ]t so
["nutso"]
glorious now if you look insI̲de, *** (ha-ha)
you stupid ****̲teball, ***** you, li̲ke bolts
"spit on autocrats' graves" by TR3F1LD (TRFLD) is licensed under CC BY-NC-SA 4.0 (to view a copy of this license, visit creativecommons.org/licenses/by-nc-sa/4.0)
Dada Olowo Eyo Sep 2014
Five times daily,
Or many times weekly,
Their forebears were crusaders,
And Jihadist conquerors.
Jim Sularz Jun 2014
© 2014 (Jim Sularz)

Two throws of tens and let the dice roll,
that some may live, and some may die,
and at death, are comforted by soul’s mantle light.

For deep beneath a vast ocean of lies,
that have always hailed a promised place -
where no righteous man or woman have ever been …

Is where bright stars never rise or fall,
and wide rivers that cease to ebb and flow,
where angel’s trumpets neither sound nor blow -

Is where blindness shadows endless tears,
and jihadist dreams that fall on deafened ears,
where lost Caliphates, Mullahs and prostrate Emirs …

Is where emptiness has no regrets,
a naked silence, shattered monuments,
where four seasons weep, and all Heaven ends  -

for their faith’s reward  -  is abandonment.
Soil enwraps my eye
That I hardly see debris of truth
For I am coccoon in a shroud of terruric
Rays of poverty injection

So I choose to mastermind
My liberation as a jihadist course
Making my opposers pay for their sin
For it's the will of divine

I profess with indoctrination of small portion
As I cast voodoo of ignorance lotion
Upon my mind so it burns in elation
As I give in to suicidal notion

I await a divine gift of virgnity relation
Where my earthly reaction
Gives me unending position
Adorn without damnation

In there I laid in peace
As my torn skin pierce
With avidity of divine lies
So I give my eye in pieces

by
Martin Ijir
sinister concatenation pairs us
   with surreal morgue aisle
broken lives rent asunder
   from fanatics hell bent with bile
of poison spewing forth *******
   up the moral compass dial

upending amity, comity,
excitability with ferocity,
hostility, indelibly, indubitably,
inexorably hissing illogic jabber
wocky justifiably linking extremist
deadly credos bred among western nations

indicting pursuit of life, liberty
and happiness wreaking deliberate havoc
   awash with crimson tide of blood –
   dead set to jam the life lock

viz Leviathan of personal freedoms
   bespoken via vernacular,
where secular westerners
   framed to mock,

where extremist storied devout
   die hard believers dislike rock
and roll of altruism, capitalism,
   liberalism, thus apply shell shock
tactics sans terroristic tactics
   with bombs silently tick tock

inevitably heightening security
   forcing ordinary citizens
   to be on high alert
watchful even at slightest com
   ment, perhaps even accidental curt

commentary invoking immediate
   military forces swoop down and exert
overpowering force donned
   with ammunition belt bristling girt
affecting innocence abroad and
   native population to freeze
   and become inert

casting dark silhouettes against
   autumnal reign of light
where Mithraism plays out
   with immensely brutal might
blotting out the radiance

   of heavenly bliss affording active night
life to become shuttered
   as cruel carnival masquerade
   pits pagan plight

against the jagged
   scrimmage line quite
arbitrarily drawn by maniacal foes
   for freedom trammel the right
to own democratic stance –

   for Jihadist Johnny come lately
   find a slight
lampooned their sacred
   Islamic catechism inducing tight
grip on Allah to fuel vengeance
   for intimated transgressions
   that doth in vite

which violent polemics purpose
   fully shear the very fiber of peace
pronounced with especial
   arduousness come holiday time
   foisting a crease

along the fabric of westernization –
   whereby founding fathers did grease
the figurative wheels of con
   com it ant moist meaty lifestyle
to experience strangulation
   from an invisible death knell lease.
Dada Olowo Eyo Mar 2019
Under the knife he went,
And came up decades younger,
Now he need not fright,
Fearing nothing in plain sight;

She went in with meaty love handles,
And out came a sumptuous hourglass,
So, on with the two-piece bikini,
By the poolside sipping cold tea;

Before, tens and dozens,
Mowed down by jihadist fundamentalists,
Today, tens of thousands are unaccounted for,
Their lot, with this terrible dictator;

For me, humble beginnings,
From eating with wooden spatulas,
To dining with exquisite utensils,
Designed and printed in three-dee plastic.
Social Media Challenges have become paradigm altering events that go on to effect some good or further throw gas upon the flames of anti-humane actions. Some challenges actually make sense...and others, well,
YOLO!
jeffrey robin Sep 2015
//


See
This Adam was a good white man

His wife was this flakey ex - hippie chick

Always walking around naked in the garden

( she DID have great ***** )

//

I know

When people think about her they don't think much about
Her great blobs

But think more about her ****** ( you know --- *** and all that )

I mean

Can you EVEN REALLY imagine

******* the VERY ONLY woman in the world !

**** man

I'm practically having an ****** thinking about it !

//

But I digress

//

Now as it went down was thuswise:

ALI BIN JIHADIST .... ( the snake ! )

Sees EVE and thinks to radical her away from

The JEW GOD

She got created from

Into the

MUSLIM GOD

he got created from

//

( bah ! ... Politics )

and she eats some apple

( sybolism ! )

signifying she ****** him and he entered her mind

..

So the JEW GOD  deports them

but he naively trusts their moral nature

And they leave Eden and go blow up the WORLD TRADE CENTER TOWERS

as an assault upon the JEW GOD incarnate

( George Bush )

What a **** up !!

//

But the JEW GOD is

Too big to fail

So we let him go but we now

Call ourselves CHRISTIANS

To mock him for his failures

::

Well
Yep

That's the new story
(essentially no different from any previous xmas, nor i presume indicative of that holly day time of year, when people put on a happy face while bullying, demonizing, and fake hosannahs  continue to thrive).

sinister concatenation pairs us with surreal morgue aisle
broken lives rent asunder from fanatics hell bent with bile
of poison spewing forth ******* up the moral compass dial

upending amity, comity, excitability with ferocity, hostility,
indelibly, indubitably, inexorably hissing illogic jabberwocky justifiably
linking extremist deadly credos bred among western nations

indicting pursuit of life, liberty and happiness wreaking deliberate havoc
awash with crimson tide of blood – dead set to jam the life lock
viz Leviathan of personal freedoms,
where secular westerners framed to mock
where extremist storied devout die hard believers dislike the rock
and roll of altruism, capitalism, nd liberalism, thus apply shock
tactics sans terroristic tactics with bombs that silently tick tock

inevitably heightening security
forcing ordinary citizens to be on high alert
watchful even at the slightest comment,
perhaps even an accidental curt
commentary invoking immediate military forces
to swoop down and exert
overpowering force donned with ammunition belt bristling as a girt
affecting innocence abroad and native population to freeze and become inert

casting dark silhouettes against the autumnal reign of light
where Mithraism plays out with immensely brutal might
blotting out the radiance of heavenly bliss affording active night
life to become shuttered as the cruel carnival pits pagan plight
against the jagged scrimmage line quite
arbitrarily drawn by maniacal foes for freedom trammel the right
to own democratic stance –
for said Jihadist Johnny come lately find a slight
lampooned their sacred held Islamic catechism inducing this tight
grip on Allah to fuel vengeance
for intimated transgressions that doth in vite

which violent polemics purposefully shear the very fiber of peace
pronounced with especial arduousness come holiday time
foisting a crease
along the fabric of westernization –
whereby founding fathers did grease
the figurative wheels of concomitant moist and meaty lifestyle
to experience strangulation as if from an invisible death knell lease.
Justus Aug 2018
I have been lost in a cloud once
                Twice
In my life
When you’re seduced by a cloud, you really have no idea where you’re going
One moment you’re westbound to California
Then the next thing you know, you’re upside down flying over one of those jihadist countries
Delayed ejection
It’s funny how something so soft and subtle can be so dangerous for a man’s wellbeing
Not “ha ha” funny, of course
I lost a lot of sleep over that *****
Mateuš Conrad Nov 2017
can we at at least agree then certain
things are non-quantifiable -
in that however much or how little
of a quantity that "exists"
or "does not" exist does not disturb
its (the "existent" or
"non-existent") quality?

(i just wanted to say the above,
the lower tier addition is, by my standard
of introspection, mere jargon).

         there's no real satisfaction in
obtaining a quantifiable parameter
for a being that said quantifying
being desires a necessitated answer
to begin with...
                there is no god
other than man in god, as primarily
instrumental to deface a need for
   languishing desire for sabbath...
                     not everything in this world
is perpetuated by a fathoming
quantity - measure -
some things simply require a quality
and what is almost immediately
unmeasured - a qualified ordinance;
dare i apologise for sounding
like a quack?
        science nonetheless quantifies,
it does not delve into quality -
to science 1% alcohol is just as true
for 40% content of a litre of ***** -
              there just simply isn't a
"proof" for a god...
                      because there's no
quantifiable "evidence" for said existence...
                 and the "proof" of
a qualifying "proof" is twice-more
non-existent than the object in question
"desirably" requiring a proof of: existence!
we can quantify the speed of light,
but we can't exactly intact the quality
of travelling at said speed.
                         i'm not trying to dumb
down the process of an "investigation" -
it's only that the humanities belong with
the question,
               the sciences could never, and
ever will give a life-insurance worth of
a question-answer....
             why would the science ever give
an answer, and drain the immediacy
of a thrill away so easily?
          
p.s.
something that has no quantity-parameters,
is only quantifiable
if quantifiable at all,
within the framework of
                        a quality-reliability
structure...
                                ­   but having said that,
a quality-reliability is not exactly
    quantifiable when compared
to a quantity-replica
(there is no quantity-replica with
newton, there only was, one newton) -
      it's sad seeing science become wasted
upon the "question" of god,
              since there is no worthwikle
investigation for a necessary measurement,
other than the body count of
the next jihadist.
                          as ever, a much anticipated
unwelcome affair of discussion / "despair".
Mateuš Conrad Dec 2017
you have to address this rage to a particular kid, aged 11, on a pristine sunday with his grandfather visiting, and the home office officers showing up... illegal... but i'm pretty ******* sure that the mothers of manchester are dead busy... explain to a kid what is illegal in the traffic of humans from what is illegal in the traffic of goods... explain to him leaving behind a language acquired, explain to him having to abandon school... explain to him why the Somalis get the social housing in west london and he can't get hold of a ladder... just because: **** has to look... pretty... explain that to him, and i'm sure... he'll understand... a ******* letter from Downing St. to his father means jack-**** at this point... the sort of English "sorry" you're accustomed to.

maybe the lack of mention
of Poland is
worthwhile when it comes
to western media,
their, unadulterated
aspirations!
           among lutheran, anglican,
and the huguenots!
*****, next time you ask
me to *****-please you i'll
recite the 302 "poznański" squadron
and 303 "kościuszko" squadron,
what, the ****, do you take me for?
some ******* ****?!
you english snout pressed mutt
worth of a nation?
            come next summer...
i'll give you the same ******* answer!
you start preaching *******
to your former colonial fiefdoms, ****...
oh, please, remind me,
about your "justice" system...
          i've learned about
as much justice as i am allowed
to purge by turning to bulimic
           squats...
yeah, you're so ******* special
i'm about to fold a daffodil for you!
       ******... choke....
        choke on your prize
that is the vain pride of your efforts...
there's nothing quiet alike the world
to be equal...
                     i once agreed on your terms...
now, you agree on my terms...
            your ****-**** tangle of
entertaining a kebab shop?
ask them if they'd allow sour-*****
to be added to their ******* serving
of cabbage...
                 pretty please!
                    no,
i had affairs in this country before
my use of language suddenly received
the twitch...
           and i started losing it...
              i once attempted to settle
on your terms, now?
    can't be bothered...
                      all i see is vermin's worth
of people, scuttling into their little
castles of sand thinking:
shopping next sunday is most assured...
puny, ******* quack-***** the world
has ever seen!
scuttling in bare daylight!
                 no!
take your little Somali half-wit party
of a dozen relentless leeches and tell me to
******* once and for all...
but by my account...
i'll leave this language, ******
, before
i start desiring your women being
so undesirable...
                       you already had a chance...
i gave it, but instead you harboured
islamic terrorists...
      just go back to your little
mud holes and squirm some more...
     the next time an englishman
steps foot in poland...
  i'll cut his testicles off...
no, i'm not... 'ard...
                but i know how minions are
born... and someone else will...
      i am assured of the proper way
to write history...
                                  like pontius pilate!
i sleep so well, i answered her,
because i have a clean conscience...
               prior to the resurrection of j.c.,
comes the resurrection of p.p.,
and if there's any passion in believing
in the Hindustan theological engineering...
just tickling, nibbling at the idea...
"i am" the resurrection of pontoius pilate;
but, like i said... i'm tickling with the idea...
   i'm not that insane to entertain
a certainty of it being true...
      and no englishman ever stood ground
in my abode...
          i retain my: mowe matki;
at least i'll die knowing that my people
died a death among their own...
and not in some co-op
****-show of supposing compassion,
when it fact, merely showing contempt...
and my first lesson when moving
to england as a child:
two-faced *****-faced-wankers...
            and i heed you to believe
that i have integrated to the point
where i can make that observation...
the english thought themselves
the bellybuttons of the world,
give the Greenwich meridian...
they're not...
but they are, as all good actors:
willing to pretend;
yet i'm not jihadist in my enterprise...
why **** something so pathetic,
when it can die its own,
slow, sullen, death?
The Fire Burns Sep 2017
There is no truth and no transparency,
I’m beginning to believe every conspiracy,
about our government, it is full of lies,
not even including the foreign spies.

From the top to the bottom, every occupant,
lying and cheating, running rampant,
not an honest one is included in the bunch,
they would like to enslave us is my hunch.

Figuring out how to not pay their bill,
and making regulations so everything is uphill,
the Fed just keeps printing money, though it’s worthless,
we just keep on borrowing it as well though mirthless.

To control our thoughts and what we do,
whether we smoke and what we chew,
nothing is off limits anymore,
they raid us, without even a knock on the door.

Deny us our liberty, constitution destroyed,
how can they even continue to be employed?
by We the People, make no excuse,
we elected them so I guess take the abuse.

Common sense has died and withered away,
political correctness is the rule of the day,
add in Muslim jihadist and all of their ire,
it’s like throwing gas on a funeral pyre.

A repeat of the 60s and Civil Rights,
de ja vu, though it continues to fight,
Russia has brought back the cold war,
Obama never even answered the door.

With Crimea and Ukraine and Syria,
no to mention the Yemen, Somalia and North Korea,
Iran and Iraq and Afghanistan,
too many problems to be manageably ran.

Antibiotics not working on bugs anymore,
the end of the era, and of what’s core,
attacks in Paris and Mali, soon where else,
I suggest strapping your pistol tight to your belts.

But that offends too, in fact, it is booed,
let in all refugees, so we are *******,
not all of them are bad, most probably good,
but it only takes one, just ask folks from Fort Hood.

I don’t have the answers, and I do not pray
God gave us a brain to make it go our way
but we must sleep in the bed which made
it’s like watching one hopeless parade

find good where you can and take care of your friends
and family, as what we know comes to an end.
the state of the world should cause some fear
so try to sit back and relax and enjoy a beer.
Written in 2015
Yenson Jul 2019
the proof of the pudding is in the eating

said to mean that you can only judge the
quality of something after you have tried,
used, or experienced it...

we know discerning quality is not for the
damaged minds for they fear what they
cannot identify with....

Most of the successful people I've known are
the ones who do more listening than talking
you will gain much more than you can by talking
**** or writing *******

but do not tell that to fools for fools delights in
showing their inadequacies and hearing their
own voices

the jihadist mind terrorists reside in neon light
and beheads themselves in anodyne verbosity
the anti-heroes of the failed and insignificant sheep
them  preposterous clowns known as I.S meaning
Inglander sheepshaggers....

they witter about trapped, *******, prison and frozen
yet cannot see the're fools chained in trapped frozen minds
unable to reason, with no free will, just a trapped minded
sad pack of envious, inadequate witless corralled sheep
contrary to reason or common sense; utterly absurd or ridiculous. I don't know how this useless pack of sheep and dog shaggers, the unwashed carriers of all STD under the sun, the lords of ' i can't get it ups' make me laugh so much, everyday they entertain in the most stupendously absurd ways imaginable, these sorry twits want to alter perceptions by NLP, now that's the joke of the century. The insanes playing with mind control when they can't even control their *****....hahahaha, my big belly ache so much from laughing.....

— The End —