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"italic" poems
Take a soft tipped brush Dip, and trace my nakedness; Viscous dripping rainbow streams Clothe me here within our dreams. Swirl my curves With satin pink, Let your brush flutter and sink lower, purples, red and blue, I'm a canvas here for you. Paint me scarlet, paint me gold, Paint some words italic, bold Stop when you begin to weep A masterpiece, for us to keep.
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Oct 23, 2014
Oct 23, 2014 at 5:25 PM UTC
Paint Me
she had a heart that could light up the sky she had a smile that would brighten the gloom on a winters morning but she hid her beauty beneath scarves and long sleeved shirts she didnt show off that beauty until he told her what she had that day she learned that not every thing is judged by the outside. italic c.s
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May 28, 2013
May 28, 2013 at 4:55 PM UTC
inner beauty
She used to tell me of math and poetry by the length of her arm and rhythm of her heart conversing verse and fraction with form following the function of communist theories and greek philosophies. she beat out aesthetics with a perfect symmetry. because no one understands the relationship between seafoam and shoreline the way she does [swimming in saltwater sorrows] reimagining time in an hourglass, she shot up infinities with a glance and left me moondrunk in the night. she emits sparks throughout my system breaking and entering-- my kingdom under siege. her name was an amalgam of numbers italic1.6180399. . . .italic and I loved her by design.
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Oct 26, 2014
Oct 26, 2014 at 10:18 AM UTC
Math and Poetry
I talk in commas and periods, you talk in italic subtitles.
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Sep 11, 2015
Sep 11, 2015 at 8:02 PM UTC
How we talk
Enticing us in, sugar coated doors for sticky fingers, Doors of mystery, keep out, staff only nettled in barbed wire. Half open doors full of promise, chocolate soft centred Exciting doors, silk covered in lace suspenders Inspiring doors, Leonardo bold italic, uppercase only Lonely doors all shuttered in silence, cobweb covered Sad doors, tear stained and umbrella wet Happy doors, candy striped in laughter Forbidden doors, Pandora boxed, best kept locked Revolving doors covered with the same sticky mistakes Trap doors crocodile sprung to catch you out Doors that slide on tram like runners, buffered into walls with imprint of face Secret doors of camouflaged chameleon Troubled doors thunder clapped in turmoil Doors enticing us.
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Feb 3, 2015
Feb 3, 2015 at 10:31 AM UTC
Doors.
1498 Glass was the Street—in tinsel Peril Tree and Traveller stood— Filled was the Air with merry venture Hearty with Boys the Road— Shot the lithe Sleds like shod vibrations Emphasized and gone It is the Past’s supreme italic Makes this Present mean—
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Glass was the Street—in tinsel Peril
While the children play in the sun, it'll be all the children but one, the shadow girl will hide away secretly decorating a place to stay. Once so perfect, once so pure, a girl unlike others idolized by all, Now so flawed, now so dark, a girl who hates to see the flying lights. Everything earned, everything wanted, served in silver before her, she wanted more, dying of hungry yet plain the dishes become. Eyes so sweet, eyes so tender, chocolate smothered care, lids with wrinkles, stares so bitter, a turn for a worse in smoke tears. Love so true, written in stone, italic figures and wonderful notes, lies so deep, they cut in more, artificial bodies and agony with all. Drawings so neat, effects so clear, strong plus confident all in one, scribbles on paper, ripped and torn praying 'a few pictures more'. The reflection, the reflection its coming to me, whispering so sweet, tenderly, it screams down my ears and looks me in the eyes, shouting "No, this can't be your life." Broken roads, dusty concrete, nobody to be seen, in this world of isolation, the only person I see, is the girl of shadows and she's looking back at me.
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Jan 27, 2015
Jan 27, 2015 at 12:40 PM UTC
The Shadow Girl.
*Italic drumroll... imperial cavalcade with Roman horns, eagle standards raised*; ♪ ♫♪♫ ♪♪♫♫♪♪♫♫♪♪♫♫♪ ALL HAIL ! Ye screen-fed sacrificial citizens, seething simpletons and volatile voters: attend now, with republican fervor, tempered by democratic zeal, to the golden-tongued orator of our epoch, gallant guardian of American greatness, avatar of avarice, the Jeffersonian gentleman, anointed autocrat and Sultan of Swell, windswept Wazir of Wonderful, emissary of towering eminence in empire, The Anti H-Rod: Donald J. TRUMP ! (Plebeians look up from their circus-bread for a second—) And may Our Sovereign Savior & Almighty God also bless his worthy opponent and adversary *HILLARY ("H-Rod")* (Patricians murmur, nod; a few salute)
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Oct 19, 2016
Oct 19, 2016 at 5:22 PM UTC
Of Debatable Importance
955 The Hollows round His eager Eyes Were Pages where to read Pathetic Histories—although Himself had not complained. Biography to All who passed Of Unobtrusive Pain Except for the italic Face Endured, unhelped—unknown.
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2.3k
The Hollows round His eager Eyes
basic arithmetic in terms of punctuation, otherwise? simply the arithmetic of punctuation: what does (,) equal? what does (.) equal? what does (:) equal? what does (-) equal? what does (;) equal? come on, quick! quick! give me a number! to think, is to not narrate,                                much of what is regarded as    "thinking", simply becomes as art of narration        that is sofa-bound, i.e. so comfortable that it feels it has no inclination toward the use of hands as ever being idle, it simply replaces   hands with a tongue...                     hence: idle speech,                 hence political speech; so if the "devil" has work for idle hands, then "god" has work for the idle zunge                                        (tongue)... but most people don't think,    because their thinkling is solely about narrating,                   their day-to-day...                and i appreciate this custom, in the cognitive realm...          i really do...               how many jokes ushered into the void of one's silence, neither whisphers, nor hummings, nor whistling...         wiser still, essentially unchanged... but heidegger's aphorism no. 285    really bothers me...             the reader looking into the narrator given the existentialist inverted commas    (iberian inverted questioning    ¿   ?          that's the first step toward    an iberian existentialism)                         said the third person,     with third party sources, the middle man, the second person, and then the reader   of the writer's original testimony?    if northern existentialism (french / german...   the english were too reactionary, and too easily bored by the continental drift)        encompasses the tool that's "      "    then the iberian tool has to be the inverted question mark, i.e.       ¿   ?, sitting comfortably? no? how about a wheelchair... let me just break your legs and your spine.        but aphorism 285: "worldview",      "grounding", "configuring"...        i don't understand this allocation of ambiguity, and an italic stress on da-sein / da-sein...    aren't all the three descriptive elements /    adjectives the purposive sentiments for                    originating the concept of dasein? i had to counter with an iberian existential tool...    after all i said, 'he said', "we said"...                                   it's a third party medium of supposed ambiguity...          if there's a santa claus (satan's clause), then there's pontius pilate's clause,   found in the existential tool of     double-ditto "     "   or as the english like to say: inverted commas;    or the ritual: of washing your hands clean    from passing the judgement...    they're citation marks to be honest, come on, let's be pompous, they donned 19th top-hats      at ascot's horse races! who's fooling who?
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Jun 26, 2017
Jun 26, 2017 at 7:25 AM UTC
iberian existentialism contra northern existentialism (¿qua? vs. "qua")
basic arithmetic in terms of punctuation, otherwise? simply the arithmetic of punctuation: what does (,) equal? what does (.) equal? what does (:) equal? what does (-) equal? what does (;) equal? come on, quick! quick! give me a number! to think, is to not narrate,                                much of what is regarded as    "thinking", simply becomes as art of narration        that is sofa-bound, i.e. so comfortable that it feels it has no inclination toward the use of hands as ever being idle, it simply replaces   hands with a tongue...                     hence: idle speech,                 hence political speech; so if the "devil" has work for idle hands, then "god" has work for the idle zunge                                        (tongue)... but most people don't think,    because their thinkling is solely about narrating,                   their day-to-day...                and i appreciate this custom, in the cognitive realm...          i really do...               how many jokes ushered into the void of one's silence, neither whisphers, nor hummings, nor whistling...         wiser still, essentially unchanged... but heidegger's aphorism no. 285    really bothers me...             the reader looking into the narrator given the existentialist inverted commas    (iberian inverted questioning    ¿   ?          that's the first step toward    an iberian existentialism)                         said the third person,     with third party sources, the middle man, the second person, and then the reader   of the writer's original testimony?    if northern existentialism (french / german...   the english were too reactionary, and too easily bored by the continental drift)        encompasses the tool that's "      "    then the iberian tool has to be the inverted question mark, i.e.       ¿   ?, sitting comfortably? no? how about a wheelchair... let me just break your legs and your spine.        but aphorism 285: "worldview",      "grounding", "configuring"...        i don't understand this allocation of ambiguity, and an italic stress on da-sein / da-sein...    aren't all the three descriptive elements /    adjectives the purposive sentiments for                    originating the concept of dasein? i had to counter with an iberian existential tool...    after all i said, 'he said', "we said"...                                   it's a third party medium of supposed ambiguity...          if there's a santa claus (satan's clause), then there's pontius pilate's clause,   found in the existential tool of     double-ditto "     "   or as the english like to say: inverted commas;    or the ritual: of washing your hands clean    from passing the judgement...    they're citation marks to be honest, come on, let's be pompous, they donned 19th top-hats      at ascot's horse races! who's fooling who?
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italicI gave you my heart, italicI didn't expect you to hold it tight, italicBut I didn't expect you to obliterate it either.
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May 27, 2015
May 27, 2015 at 8:20 PM UTC
Take my Heart
Do you miss me? Do you miss the way my eyes gleamed when I saw you? Do you miss laying in bed and talking about life? Do you miss me making you breakfast? Do you miss the smell of my strong floral pefume you hated? Do you miss holding my hand as we ran through the rain? Do you miss the bed time stories we used to tell each other, although we were too old for them? Do you miss seeing me smile? Do you miss hearing my stupid laugh whenever you told those bad jokes? Do you miss making me blush whenever you gave me a compliment? Do you miss holding me as I cried during a sad movie? Do you miss saying ' I Love You italic ' Do you? I don't think you do. (S.K)
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May 23, 2014
May 23, 2014 at 12:11 AM UTC
Miss Me
If you ever die If you ever die from me Looking at my longing eyes In guise of a mystic veil Dead drop at the twilight hours White longish fangs Of the piercing moments Will unfurl its wings of fire Setting sail in an invisible gondola At long last to carry you home To the isle of your birth Even if you ever die at all from me I will stand upon the deck of noontide All alone in my aloneness, all alone Staring vaguely at the rushing gondola Surfing invisibly away from me Tearing apart the veil of grazing mist At the twilight hours casting spell on me To diminish myself into you And with you I too diminish away From you, all away from you In a shroud of love and longing As if you never died away from me In my longing eyes for you, only for you And like The Prophet beloved Prophesying on the blue mountain From his never ending well Of wisdom depthless and deathless I will remember you as silently As the sound of scorching darkness And I will remember your heart As saying for ever to me, only to me: “A little while, A moment of rest upon the wind, And another woman will bear me." * * (The italic quotation is from Kahlil Gibran's The Prophet)
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Apr 24, 2010
Apr 24, 2010 at 10:53 AM UTC
An Invisible Gondola
*My doctor offered me a cure, For my dull ill heart so pure, He nodded his head, And grabbed a paper instead, Which he left next to my bed, "Don't open it till I am gone," He said. I waited for a moment, Till I heard the cracking of the door, He gentley slammed it for sure, ''Why would he do that?" I said. I took the paper to unfold, To read what was untold, My hands shivered, My heart stopped, instead, It was eloquently folded, Like the coffin of the dead, His black ink on white, His italic messed up writing, Not a prescript, but a funeral, Instead. Between those elegant lines, He said, **"You, my dear patient, Are lost in despair, You are on earth, With a lofty heart, Pardon me, Pardon my knowledge, There is no cure for that, You are a poet, cures are futile, Medicine is useless, Your desires are uncontrolled, They are not meant to be, But they are your drug, You are addicted to that, Pleasures are your weakness, Such a lofty weakness, But alas, Such a dreadful terminal illness, Try a poem a day, instead. As there is nothing to heal you with, in my head. A poem a day, Keep me at bay."*** Copyright© protected
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Apr 18, 2016
Apr 18, 2016 at 1:10 PM UTC
An Incurable Case of Terminal Existence
1316 Winter is good—his **** Delights Italic flavor yield To Intellects inebriate With Summer, or the World— Generic as a Quarry And hearty—as a Rose— Invited with Asperity But welcome when he goes.
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1.9k
Winter is good—his **** Delights
italic the old grist mill leans nestled in the rocky bank red fall leaves surreal The swift red-stained creek that energized the mill's wheel still runs over ancient rock on its course to the mighty sea. Its course unchanged for eons and the use of its steady resources remain. The red leaves upon the trees surrounding the creek will soon be spent their usefulness for their lifetime gone. the red sweet gum leaves fall twirling land 'pon hard rocks... crayfish hide 'neath red
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Oct 22, 2013
Oct 22, 2013 at 3:01 PM UTC
The Grist Mill
Bold=Chris Italic=Tiffany **You are darkest beauty Hunted by this frenzy These aging, wizened eyes Track you through the night Prey for the predator** As for the creature feasts on the most unknown meal of all not the dark but thy light **Draining the sweet innocence Hungry for the souls taste But you stay just of reach The closer to thy light It burns at this darkness** The light shines with no effect upon thy dark but the dark shines no mercy but glory and hatred the dark predator gives to thy light **This creature feels only rage Consumed at he can not have Fury at what he can never be For he never knew the angel Of the darkest beauty in hiding** Thy angel of light bares to thy soul of thy darkest part of the creature of the dark exposes its true beauty and shines light on its pure light and the demon of darkness demolishes thy lights soul and the light shall stay nonimmortal while the dark overules the light and captures both sides dark and thy light both parish in a eruption of flames and disappear in a thin of smoke and never return to thy land of good and evil. Collaboration by Chris Smith the dark poet And Tiffany Gold
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Apr 19, 2015
Apr 19, 2015 at 7:09 AM UTC
Dark poetry Collaboration between Tiffany Gold and Chris Smith
You think you're the better writer with          Your indentations, Arrogant alliteration, Games of Rhymation; When You Capitalize For No Good Reason OR TYPE IN ALL CAPS; When you type in italic just because you can; With thy ineffectual employment of Shakespearean formulation Or elongated conveyance of your articulation,                                         When you type in                                              funny patterns to                                         better express the                                                thoughtfulness and                                         superiority behind the gemstone                                                    artist, And, all- your; meaningful, strategically placed' punctuation! And perpisfuly mispled wurds bcuz yur so ironic, And your cryptic title that's meant to come off as genius. Dylan could crack a skull without a hammer.
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Mar 18, 2014
Mar 18, 2014 at 2:45 PM UTC
Ode to Self- Importance
"...WHEN THE EVENING IS SET OUT AGAINST THE SKY..." She stood as if the world were a mere bit of scenery backdrop a prop in a play designed for the sole purpose of making her look good. Gorgeous is the word. She a universe unto her self. She spoke in italic. Her voice changing font from word to word. She had a strange up and down CaPiTaL accent that was slightly dis- concerting. A simple "How do you do?" metamorphosing into hOw Do YoU dO and without a trace of punctuation her voice a melody upon the air like music set free invisibly. She spoke excellent French deliciously which one understood completely even though one had only schoolboy French. jE m ApPellE mAdAmE mOrT eT mAiNtEnAnT aLlOns y She held out a hand the sun itself a mere jewel upon her finger. The world had run out of itself. I followed Madame Mort into the nothingness that had suddenly opened up. "Qui...merci!" the last thing I ever heard my self say.
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Mar 22, 2018
Mar 22, 2018 at 5:49 PM UTC
"...WHEN THE EVENING IS SET OUT AGAINST THE SKY..."
*[doesn't every ugly thing look good in cursive?]* tattoo the image as a sleeve like i'm too young to care if you're taking care of yourself vinylrecordshatteringvulnerableOHSO it's not even summer yet and i already know i ain't over a **** thing love like your slender, lanky long body large brown eyes and the smell of smoke in your hair hazel honey energy, making out on the balcony promise land really is just a graveyard of discarded lights like you and i in the middle of a desert and i can't think straight, not since your lips first captured mine
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Feb 22, 2016
Feb 22, 2016 at 3:08 AM UTC
italic exhaustion
Tony and Gpa were driving down Blue Lakes when they were approaching a construction site. The work had been going on for some time but today it was really a mess. Tony said, “why do they make such a mess of the ground grandpa? It looks really bad.” Inspiration hit me. Relate this messy lot to life. “Sometimes things have to look really bad before it can be make into something beautiful and useful. A piece of canvas can be laying around for years, ***** a mess and then someone picks it up, cleans it off to discover it will work perfectly for a painting. The spots are covered and the artist begins the first brush strokes. Soon, what was ***** and no value to anyone becomes a wonderful work of art by the masters hand. ” “It is much like people. They can be ***** and broken, look a mess because of drug use, not living right.” “God can pick them up, clean them off and begin painting a beautiful picture. Where once was a disaster now it beauty.” Granted, the above is a little more but not much more, than what gpa said to Tony that day. The italic was added when gpa wrote this. Anger, envy, strife, and unforgiveness ( your choice here) can soil the canvas of life. Words said in anger can never be taken back. All the other hurts and hangups in life can dissolve into the background when forgiveness is granted and accepted. Forgiveness can cover many a stain and when the light reflects off our picture only the beauty of forgiveness reaches out to others. I know many forgiven people. Beautiful people.
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Nov 25, 2011
Nov 25, 2011 at 6:06 PM UTC
Tony and the Dirt Pile
Tony and Gpa were driving down Blue Lakes when they were approaching a construction site. The work had been going on for some time but today it was really a mess. Tony said, “why do they make such a mess of the ground grandpa? It looks really bad.” Inspiration hit me. Relate this messy lot to life. “Sometimes things have to look really bad before it can be make into something beautiful and useful. A piece of canvas can be laying around for years, ***** a mess and then someone picks it up, cleans it off to discover it will work perfectly for a painting. The spots are covered and the artist begins the first brush strokes. Soon, what was ***** and no value to anyone becomes a wonderful work of art by the masters hand. ” “It is much like people. They can be ***** and broken, look a mess because of drug use, not living right.” “God can pick them up, clean them off and begin painting a beautiful picture. Where once was a disaster now it beauty.” Granted, the above is a little more but not much more, than what gpa said to Tony that day. The italic was added when gpa wrote this. Anger, envy, strife, and unforgiveness ( your choice here) can soil the canvas of life. Words said in anger can never be taken back. All the other hurts and hangups in life can dissolve into the background when forgiveness is granted and accepted. Forgiveness can cover many a stain and when the light reflects off our picture only the beauty of forgiveness reaches out to others. I know many forgiven people. Beautiful people.
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A changing pillow, so soft with its yellowness. A freshly laid outfit so fresh with the sweet smell of babies. A cowboy swinging with the joy of Christmas morning. The aroma of baby powder dancing in the air. The sound of a fist banging the wall. A cabinet filled with a collection of toys. A white Pooh Bear smiling at the chair with cowboys on the side. A rainforest setting singing italicrock a bye babyitalic. Tweetie, Sylvester, Bugs Bunny, and Daffy Duck swinging on a merry go round. The sound of a baby happily talking to angels. A happy baby laughing as he watches angels dance before him. I close my eyes and count to three. I open my eyes. Never will it be.
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Nov 27, 2011
Nov 27, 2011 at 12:55 AM UTC
A Baby's Room
I always get terribly nervous Running into people I sort of knew But didn't know And now I just stay quiet on my phone reading morning articles past the afternoon migration And laugh at a witty fathers joke. The way I ate my Lays was weird She knows it and now conversation is out of any equation I was about to punch into an iPhone calculator Circulation ended in my hands down. Children are creation, lovely doves.
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Feb 22, 2013
Feb 22, 2013 at 4:53 PM UTC
italic
*My poisonous love - A poetic soul The modification of puckish heart- A cold - blooded bowl full of your deviant love stirred with the taste of your strawberry lips , I howl Real night comes along midnight tranquility I hear the echoes of yous, Oh cold - Breeze drives me to your enthral heart making me lost inside you; 'bout your spellbind heat... .. resided to your deepen love belonged to mine With night, you undress your flowery spirit for me, A sly I rolled up the whole drooling persona of yours with... in the blanket like a heart seems to be hooked up with its every salacious beat, ~ Oh My French romance & your Italian love so Italic ~ Habibi, I sing you a lullaby Like a God blessing the whole heart, deeply The game's made to be over, but not my love, sweetly Sanorita, Maria, Bri-bee, hey, Nina bonita, oh honey-bee whatever your name is; wherever you reside to, my spirit needs you completely.*
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Mar 12, 2015
Mar 12, 2015 at 2:16 PM UTC
French Romance - The Italic Love
Recently I took a trip, the destination: my homeland. Such a strange concept, For when I got there it felt italic foreign. italic Growing up an ocean away gave me a new culture. A new perspective. A new language. A way of life different from my relatives. It may be my homeland. But it is not my home. So where is home? Where your family is? Where you grew up? Where your heart is? It may be all of these things. But I know home is where you feel greeted, like an old friend. Where each breath is fresh. Where you feel at peace.
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Aug 9, 2013
Aug 9, 2013 at 5:09 PM UTC
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