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Zack Phillips Mar 2013
The smell of flesh lingers freshly on my wet snout
italic Don't **** me....please....God...please
I stare at this creature, curious at it's noises and mannerisms
italic Oh God.......God.....
I sink my teeth back into its leg
italic AHHHH
Its screams take me aback. No prey, you are my dinner
italic Gotta.........run........
I step back as the creature uses it's fore legs to pull itself inches
italic no..........No...........NO!
Its sound becomes as strong as its scent, piercing my ears
italic N-n-not today wolf.......n-not today God
It reaches a shiny object that hurt me. I do not like what my prey is doing
italic EH? EH? COME ON YOU *******! FINISH THE JOB YOU DEMON!
I am troubled by the noise my prey is making. The others did not put up a fight
italic COME ON!
I leap onto my prey, expecting my mouth to be filled with warm blood
italic I GOT YOU, YOU *******!
There is a pain in my stomach. I am thrown off by my prey. This is not as it should be
italic ERGRUHAHA!
The yelping noise of my prey is drowned out by my own cries of pain.
italic THAT'S RIGHT, CRY DEMON!
I pull away from my prey, and see my own blood saturating the ground
italic Ugh.....ugh....
My world is swirling around me. I fall down, and blackness envelops my vision.
italic SOMEONE! HELP ME! SOMEONE HE-
Hopefully the italics worked..Also, tagged as explicit, purely because of the blood and word *******. Not here to offend anyone.
Sal Gelles Oct 2012
observed in
our empty lots,
italicthere's still the timeitalic
to plot
our demises in the eyes
of our own ****** lovers
italicas they slowly beginitalic
in catching
our drifting lies
that we've so carefully hidden
italicthroughoutitalic
our over-planned
and our over-justified
senseless lives.
italicyet, we give themitalic
a purpose
for the time that we fill
with self-dulling
italicideasitalic
and our own
revelations
of this
italicidealistic fantasy.italic
we've fantasized for fun.
Take a soft tipped brush
Dip, and trace my nakedness;
Viscous dripping rainbow streams
Clothe me here within our dreams.
Swirl my curves
With satin pink,
Let your brush flutter and sink
lower, purples, red and blue,
I'm a canvas here for you.
Paint me scarlet, paint me gold,
Paint some words
italic, bold
Stop when you begin to weep
A masterpiece, for us to keep.
An old one of mine, a favourite.
xvborealis Oct 2014
She used to tell me
of math and poetry
by the length of her arm
and rhythm of her heart
conversing verse and fraction
with form following the function

of communist theories
and greek philosophies.
she beat out aesthetics
with a perfect symmetry.

because no one understands
the relationship between
seafoam and shoreline
the way she does
[swimming in saltwater sorrows]

reimagining time in an hourglass,
she shot up infinities with a glance
and left me moondrunk in the night.

she emits sparks throughout my system
breaking and entering--
my kingdom under siege.

her name was an amalgam of numbers
italic1.6180399. . . .italic
and I loved her by design.
this is an old favorite. it's clunky and rushed but like junk food it's good. for those who have found patterns in love and love of patterns.
charlie stewart May 2013
she had a heart that
could light up the sky
she had a smile that
would brighten the gloom
on a winters morning
but she hid her beauty
beneath scarves and
long sleeved shirts

she didnt show off that
beauty until
he told her what
she had

that day she learned
that not every
thing is judged by
the outside.

italic c.s
Flamed Souls May 2015
italicI gave you my heart,
italicI didn't expect you to hold it tight,
italic*But I didn't expect you to obliterate it either.
Nicholas Mar 2015
My poisonous love - A poetic soul
The modification of puckish heart- A cold - blooded bowl
full of your deviant love
stirred with the taste of your strawberry lips , I howl

Real night comes along midnight tranquility
I hear the echoes of yous, Oh cold - Breeze
drives me to your enthral heart
making me lost inside you; 'bout your spellbind heat...
.. resided to your deepen love belonged to mine
With night, you undress your flowery spirit for me, A sly
I rolled up the whole drooling persona of yours with... in the blanket
like a heart seems to be hooked up with its every salacious beat,
~ Oh My French romance & your Italian love so Italic ~

Habibi, I sing you a lullaby
Like a God blessing the whole heart, deeply
The game's made to be over, but not my love, sweetly
Sanorita, Maria, Bri-bee, hey, Nina bonita, oh honey-bee
whatever your name is; wherever you reside to, my spirit needs you completely.
Rose Dec 2014
There is a certain feeling that erupts in my stomach when I push it off. The deadline is passed but I can’t bring myself to do the work. I italicdon’titalic want to do. So I italicdon’titalic. I’m ashamed, the shame sits on my shoulders, making me slump forward, heavy with it. It hangs on my eyelids, they droop and sag wanting to close and block it all out. It’s heavy in my lap when I sit down, it’s like a twenty pound backpack when I stand up. It sits on the corners of my lips dragging my mouth into a frown. But yet I can’t get rid of it. I hate the way it makes me feel, but I keep getting in my own way.
Not really poetry but this has been bugging my about myself.
Sha Sep 2015
I talk in commas and periods,
you talk in italic subtitles.
Enticing us in, sugar coated doors

for sticky fingers,

Doors of mystery, keep out, staff only

nettled in barbed wire.

Half open doors full of promise,

chocolate soft centred

Exciting doors, silk covered

in lace suspenders

Inspiring doors, Leonardo bold italic,

uppercase only

Lonely doors all shuttered in silence,

cobweb covered

Sad doors, tear stained

and umbrella wet

Happy doors,

candy striped in laughter

Forbidden doors, Pandora boxed,

best kept locked

Revolving doors covered

with the same sticky mistakes

Trap doors crocodile sprung

to catch you out

Doors that slide on tram like runners,

buffered into walls with imprint of face

Secret doors of camouflaged chameleon

Troubled doors

thunder clapped in turmoil

Doors enticing us.
1498

Glass was the Street—in tinsel Peril
Tree and Traveller stood—
Filled was the Air with merry venture
Hearty with Boys the Road—

Shot the lithe Sleds like shod vibrations
Emphasized and gone
It is the Past’s supreme italic
Makes this Present mean—
[doesn't every ugly thing
look good in cursive?]*

tattoo the image as a sleeve
like i'm too young to care
if you're taking care of yourself
vinylrecordshatteringvulnerableOHSO
it's not even summer yet
and i already know i ain't over a **** thing
love like your slender, lanky long body

large brown eyes and the smell of
smoke in your hair
hazel honey energy, making out on the balcony
promise land really is just a graveyard
of discarded lights like you and i
in the middle of a desert
and i can't think straight, not since your lips
first captured mine
Pete Badertscher Jan 2014
I love that you love me.
     italicEven if you deny expressing it.
I love that you care so deeply.
     italicEven if you won't accept caring in return.
I love that you want me desperately.
     italicEven if you deny yourself my wanting you.
I love that you think like me.
     italicEven if we won't talk about it.
I love that our love is so deep.
     italicBut held in a cage.
Louisa Coller Jan 2015
While the children play in the sun, it'll be all the children but one,
the shadow girl will hide away secretly decorating a place to stay.
Once so perfect, once so pure, a girl unlike others idolized by all,
Now so flawed, now so dark, a girl who hates to see the flying lights.
Everything earned, everything wanted, served in silver before her,
she wanted more, dying of hungry yet plain the dishes become.

Eyes so sweet, eyes so tender, chocolate smothered care,
lids with wrinkles, stares so bitter, a turn for a worse in smoke tears.
Love so true, written in stone, italic figures and wonderful notes,
lies so deep, they cut in more, artificial bodies and agony with all.

Drawings so neat, effects so clear, strong plus confident all in one,
scribbles on paper, ripped and torn praying 'a few pictures more'.
The reflection, the reflection its coming to me, whispering so sweet,
tenderly, it screams down my ears and looks me in the eyes, shouting "No, this can't be your life."

Broken roads, dusty concrete, nobody to be seen,
in this world of isolation, the only person I see,
is the girl of shadows and she's looking back at me.
A poem I wrote, I hope you like it.
"The Shadow Girl" - I got the idea off of a horrible night I felt so consumed by darkness all I could feel was tears and bad decisions aligning, but it was a while ago, I'm not hugely bothered by that now. The feeling anxiety, especially socially is the worst. I have diagnosed Anxiety, mostly for my attacks. I can stop breathing properly and instantly go into a breathing attack. Breathing itself is difficult which is why I often don't do much, so I've realistically, become lazy from it over the years.

The sad thing is, this poem is a reflection of my inner pain slightly of not being brave much at all. Online, I'm brave as hell, I can proudly say, I am me, here I am yet in real life it's not exactly the same. I can give the same hyper approach but most likely not talk to you much or even in some cases ever again because I get so concerned people will hate me somehow, that and it's complicated, I just seem to like isolation in some cases, but not the result of lack of compassion that comes with it. Every day as a young child I used to hide in the corner of the playground, placing leaves upon fences and even in some cases tying flowers to other flowers into a chain across it. There was also a secret passage broke through the fence that got fixed around that area. It was sweet, a young deer once came into the school ground, it was beautiful.. before it had to get taken away because a male in my year apparently had hurt the deer. That still hurts my heart to this day. The weird thing is, I seemed to always be by that, as if I was waiting for something to happen, someone to come, yet it wasn't like that. Of course I was social in class but once they let us out it was like, I was in another place, a new world, I hated socializing and sometimes I wanted to but I felt afraid that I was gonna get my hopes up to high with people and get my tiny heart shattered.

I've been fighting with my inner demons, it's been an absolute pain yet not many people I know are supportive or try to be and I just don't, see it I suppose. It's extremely complex. I find reading other people's words, actions hard to do.

I found a get-away from stress, it was deviantART, I drew there everyday, and I felt my audience grow and grow. It was perfect. I felt like for once, I could socialize with people, and not feel like, I'm a left over shallowed person. People liked ME. Not the mask I would wear, the fakery. They liked me. I started to like me too and I got a lot of stuff, a boyfriend, a course option for something I loved! It was brilliant! I loved it to bits... however, it started to crumble. I lost all of that, I lost a lot of my friends, and I lost... Me. I felt so corrupted and broken, misplaced it was horrific. I just wanted the pain to end, then... somebody close to me died, and then, another... the deaths just started tolling up. 4. My mother's younger brother, my friend's daughter who was young and meant a lot to me. My cousin, from his disability and worse of all, my grandmother who I probably spent 90% of my life with. Every memory that was good, majority of those times, she was there. Then, I lost my boyfriend because of personal issues. I felt like nothing, and sometimes I still do.

Then I found my secret. Something my mum and dad don't know.
Only friends or people know, but not my family.
When the clock strikes 3, or 4 in the morning,
the daughter disappears and they gain a son.
Male t-shirts on the floor, a badly combed hairdo.
A million girls out there, blushing at me too.

By day, I am femininity, by night I become masculinity.
All together, I have two lives.
tread Feb 2013
I always get terribly nervous
Running into people I sort of knew
But didn't know
And now I just stay quiet on my phone reading morning articles past the afternoon migration
And laugh at a witty fathers joke.

The way I ate my Lays was weird
She knows it and now conversation is out of any equation
I was about to punch into an iPhone calculator
Circulation ended in my hands down.

Children are creation, lovely doves.
Susan Hunt Jun 2010
DEAR ANNE FRANK: 05-14-10 ( Part One of Letters To Anne)

Dear Anne:

You were so precocious as a child,
needing to be the center of attention.
Yet you were very, very strong inside.
Such a tragedy when you died.

I look at your beautiful face,
And I wonder what you did not see.
There will never be enough accolades
to calm the pain of  your empty space.

The ache of loneliness resonates
throughout your expressions;
in your pictures, your poems, your letters.
My heart is breaking, I feel just like you.

You saw yourself as a lover of life.
Your words are so full of hope and  love.
My feelings, you express so well.
My sorrow is complete, you are now above.

Dear Anne.

Demented devils forced your demise.
The natural beauty of yourself never dies.
God, I wish I could turn back time.
But you left, still believing the world is kind.

I wish I could talk to you. I wish I could convey
that life is full of pain, yes.
But bearable if one maintains a true heart
and a belief in your God’s reprieve.

The death of your mother, your sister.
Your wish to stay was forced aside.
You were alone, a small boat, lost in the sea.
Your attempts to survive were thwarted.
Your mind convinced you otherwise.

I will never forget your struggle,
It resonates within me.
They turned you into a “bag of bones”.
Yet you attracted anyone you wanted.

Your flirtatiousness was infectious.
Boys flocked to you as you played
a game of “want me, but don’t need me”…

Your words are torturous and keen.
I miss you. You explained me.
I wish I could tell you how much you mean to me.

But it’s too late.
You never even knew me.
You were sixteen when you died.
I wasn’t here, it was 1945.

I’ve attempted to die since I was fifteen.
God must have a purpose for me.
Or maybe He likes my suffering,
My shame is in my last uttering.

You succeeded.
You made it where I want to be.
Do you still believe what you wrote?
“Despite everything, I believe that people are really good at heart.”
Anne Frank

You have always had the peace I crave
to stop my crawling stomach.

The pain is great, almost overwhelming…
How did you succeed? Would you help me?
(Dedicated to Anne Frank, 1929-1945 RIP)

OTHER QUOTES BY ANNE FRANK;

Everyone has inside of him a piece of good news. The good news is that you don't know how great you can be! How much you can love! What you can accomplish! And what your potential is!
Anne Frank

italicHow true Daddy's words were when he said: all children must look after their own upbringing. Parents can only give good advice or put them on the right paths, but the final forming of a person's character lies in their own hands.
Anne Frank

How wonderful it is that nobody need wait a single moment before starting to improve the world.
Anne Frank

I don't think of all the misery but of the beauty that still remains.
Anne Frank
(© Written by sjhunt-bloodworth 05-14-10)
ConnectHook Oct 2016
Italic drumroll...
imperial cavalcade with Roman horns, eagle standards raised;

♪ ♫♪♫ ♪♪♫♫♪♪♫♫♪♪♫♫♪

ALL HAIL !
Ye screen-fed sacrificial citizens, seething simpletons and volatile voters:
attend now, with republican fervor, tempered by democratic zeal, to the golden-tongued orator of our epoch, gallant guardian of American greatness, avatar of avarice, the Jeffersonian gentleman, anointed autocrat and Sultan of Swell, windswept Wazir of Wonderful, emissary of towering eminence in empire, The Anti H-Rod: Donald J. TRUMP !

(
Plebeians look up from their circus-bread for a second—)

And may Our Sovereign Savior & Almighty God also bless his worthy opponent and adversary HILLARY (
"H-Rod")

(
Patricians murmur, nod; a few salute*)
Let the circus roll - (yawn)

https://connecthook.wordpress.com/2016/10/19/of-debatable-importance/
Vamika Sinha Jul 2015
Wanderer.
From window to window.
Seeking
             something
in different glass scenes
from offices and trains and restaurants.
Like she'll see something or someone
or somebody.
And the world will no longer be
a tilted painting.

Clear spring cold
papers over
the scene of the city of her world.
She's freezing.

There is a cafe at the end of the
road
where sidewalk snow has mingled
with trod-on mud
from commuter's shoes.
It's called
'Les yeux qui voient tout'

She can smell coffee and cigarettes and paper and words
and smiles and wine all the way from Bordeaux.
She sits by the window.

Tendrils of hair cut
across her cheek
as she lowers.
The seat is cold.
Legs crossed,
                       arms clasped,
high-heeled shoes with straps
that cross,
head bent
over a crossword.

'Un cafe au lait, s'il vous plait.'

Last four-letter word pencilled in so
she crumples up the paper.
The eyes don't notice
origami birds dangling above her.
Somehow
they're all angled
towards the glass window
like sunflowers reaching for the sun.
Perhaps the casual
shuttered-open winds
are the birds' oxygen;
reminders that
                          something
like
sky,
air,
wind,
exist, beyond
coffee-smoked counters.
Reminders that
they could breathe, live, fly
in some other city of some other world.

Cup and saucer on a silver platter
hover over.
Idle fingers
and then a clatter.
She stares down into
the white porcelain pit,
teeming with hot brown
                                           alarms.
It isn't a portal
into
       something.
Just a cup of coffee.
Now that is an alarm.

Slow and
                shaking,
drip,
         drip,
                  drip.
The milk is poured.
Curling, italic, Persian carpet spread
from the cup's centre into warm-cream brown.
She imagines it is
blood in her heart.

She raises the little silver teaspoon
napping on the saucer and
stirs.

'Le sucre?'
Does she want it all
to be
sweeter?

Two packets, long like
Marlboros,
hastily, desperately dumped
into the mix.
Quick and
                  shaking,
she raises the little silver teaspoon and
stirs.
Little sugar grains ******
into a vortex,
dissolved and melted into
the city of the world of the cup.

With her little finger, she
dabs
stray sugar grains
on the table
and tries to bring sweetness
to her sleep-thick tongue.

Slow and
                shaking,
sip,
      sip,
            sip.

She's­ tricked herself
into feeling warmth.
Ticker-tape banner
pops up in her head:
'All of this will not
fix you.'

Porcelain clatter
as cup meets saucer.
Again.
She arms herself with
a cigarette case and a book.
Maybe now she will belong
amongst these people
with sad eyes and burning lips,
clinging on to cups and drinks.
So desperately-lit smoke
trails out of
her warm mouth,
steaming up her face
like a window on a cold winter day.
And meanwhile Camus perches
in her hand.

Her eyes swim
in the choppy seas
of French.
The cigarette dangles,
painting the air grey, grey,
tilting, tilting, tilting.
Slow and
                shaking,
she weeps.

Half-aglow in the white sunshine filter
from the glass window,
a woman is wondering.
She drinks her coffee,
wipes her smudged mouth
and leaves.

Nobody notices the wobble
in her high-heeled gait.
She's just a part of
another tilting painting,
another glass scene.

These simple acts,
           simple things,
define
the speaking soul.
In a scene of the city of the world.
It's all a metaphor.
955

The Hollows round His eager Eyes
Were Pages where to read
Pathetic Histories—although
Himself had not complained.
Biography to All who passed
Of Unobtrusive Pain
Except for the italic Face
Endured, unhelped—unknown.
Shawnee Kuper May 2014
Do you miss me?
Do you miss the way my eyes gleamed when I saw you?
Do you miss laying in bed and talking about life?
Do you miss me making you breakfast?
Do you miss the smell of my strong floral pefume you hated?
Do you miss holding my hand as we ran through the rain?
Do you miss the bed time stories we used to tell each other, although we were too old for them?
Do you miss seeing me smile?
Do you miss hearing my stupid laugh whenever you told those bad jokes?
Do you miss making me blush whenever you gave me a compliment?
Do you miss holding me as I cried during a sad movie?
Do you miss saying ' I Love You  italic '
Do you?
I don't think you do.
(S.K)
Abbie Louise Nov 2011
A changing pillow, so soft with its yellowness.
A freshly laid outfit so fresh with the sweet smell of babies.
A cowboy swinging with the joy of Christmas morning.
The aroma of baby powder dancing in the air.
The sound of a fist banging the wall.
A cabinet filled with a collection of toys.
A white Pooh Bear smiling at the chair with cowboys on the side.
A rainforest setting singing italicrock a bye babyitalic.
Tweetie, Sylvester, Bugs Bunny, and Daffy Duck swinging on a merry go round.
The sound of a baby happily talking to angels.
A happy baby laughing as he watches angels dance before him.
I close my eyes and count to three.
I open my eyes.
Never will it be.
Kamaruzzaman Apr 2010
If you ever die
If you ever die from me
Looking at my longing eyes
In guise of a mystic veil
Dead drop at the twilight hours
White longish fangs
Of the piercing moments
Will unfurl its wings of fire
Setting sail in an invisible gondola
At long last to carry you home
To the isle of your birth

Even if you ever die at all from me
I will stand upon the deck of noontide
All alone in my aloneness, all alone
Staring vaguely at the rushing gondola
Surfing invisibly away from me
Tearing apart the veil of grazing mist
At the twilight hours casting spell on me
To diminish myself into you
And with you I too diminish away
From you, all away from you
In a shroud of love and longing
As if you never died away from me
In my longing eyes for you, only for you

And like The Prophet beloved
Prophesying on the blue mountain
From his never ending well
Of wisdom depthless and deathless
I will remember you as silently
As the sound of scorching darkness
And I will remember your heart
As saying for ever to me, only to me:

“A little while,
A moment of rest upon the wind,
And another woman will bear me."

(The italic quotation is from Kahlil Gibran's The Prophet)
D W Apr 2016
My doctor offered me a cure,
For my dull ill heart so pure,
He nodded his head,
And grabbed a paper instead,
Which he left next to my bed,
"Don't open it till I am gone,"
He said.

I waited for a moment,
Till I heard the cracking of the door,
He gentley slammed it for sure,
''Why would he do that?"
I said.

I took the paper to unfold,
To read what was untold,
My hands shivered,
My heart stopped,
instead,

It was eloquently folded,
Like the coffin of the dead,
His black ink on white,
His italic messed up writing,
Not a prescript, but a funeral,
Instead.
Between those elegant lines,
He said,

"You, my dear patient,
Are lost in despair,
You are on earth,
With a lofty heart,
Pardon me,
Pardon my knowledge,
There is no cure for that,
You are a poet, cures are futile,
Medicine is useless,
Your desires are uncontrolled,
They are not meant to be,
But they are your drug,
You are addicted to that,
Pleasures are your weakness,
Such a lofty weakness,
But alas,
Such a dreadful terminal illness,
Try a poem a day,
instead.
As there is nothing to heal you with,
in my head.
A poem a day,
Keep me at bay."*


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— The End —