The smell of flesh lingers freshly on my wet snout
italic Don't **** me....please....God...please
I stare at this creature, curious at it's noises and mannerisms
italic Oh God.......God.....
I sink my teeth back into its leg
italic AHHHH
Its screams take me aback. No prey, you are my dinner
italic Gotta.........run........
I step back as the creature uses it's fore legs to pull itself inches
italic no..........No...........NO!
Its sound becomes as strong as its scent, piercing my ears
italic N-n-not today wolf.......n-not today God
It reaches a shiny object that hurt me. I do not like what my prey is doing
italic EH? EH? COME ON YOU *******! FINISH THE JOB YOU DEMON!
I am troubled by the noise my prey is making. The others did not put up a fight
italic COME ON!
I leap onto my prey, expecting my mouth to be filled with warm blood
italic I GOT YOU, YOU *******!
There is a pain in my stomach. I am thrown off by my prey. This is not as it should be
italic ERGRUHAHA!
The yelping noise of my prey is drowned out by my own cries of pain.
italic THAT'S RIGHT, CRY DEMON!
I pull away from my prey, and see my own blood saturating the ground
italic Ugh.....ugh....
My world is swirling around me. I fall down, and blackness envelops my vision.
italic SOMEONE! HELP ME! SOMEONE HE-

observed in
our empty lots,
italicthere's still the timeitalic
to plot
our demises in the eyes
of our own ****** lovers
italicas they slowly beginitalic
in catching
our drifting lies
that we've so carefully hidden
italicthroughoutitalic
our over-planned
and our over-justified
senseless lives.
italicyet, we give themitalic
a purpose
for the time that we fill
with self-dulling
italicideasitalic
and our own
revelations
of this
italicidealistic fantasy.italic
we've fantasized for fun.

.i. if Kant could have his von Kleist... well... who else to juggle juggernauts if not me? as a task of redeeming that poor soul who succumbed to the terminator of all poetic ambitions, with his systematisation off-the-page, as eccentric and punctual as a sunset on a sundial at 16:11... and in case either the spring of sunrise, or the autumn of sunset... but so many hours after exacting a sunset... that gluttony of the eyes to stare at it... 16:11 is the zenith of a sunset in november the 15th... much prolonged when warmer... supersized sun when setting in summer, and all that whiskey-copper wiring for the eyes to stare at it: oh for goodness sake, who really cares for Ikea likened assembling of words... we're not putting together a coffee table, we're looking for Darwinistic entrapment, we're scared of the aeons and yawns... we're trying to create a Darwinistic entrapment saying what segregates us from apes! that's how anti-Darwinism works - if they can easily call you a poet and a technophobe... then that hardly makes you a merchant with a Quran... to encapsulate the language of our modernity we're doing everything against writing the onomatopoeia of our beginning... monkey ooo! monkey ooo ah ah! or a gorilla grunting and then snorkeling... we're encapsulating our language more and more... because beginning with ape and then looking at history, and then looking at the consensus of the contemporary: Darwinism's greatest enemy is not theology... it's history... Darwinism and history are not compatible... oddly enough Darwinism and theology are compatible, simply because they are dynamically equal for the case of furthering both arguments in debate... but Darwinism is an odd starting point to argue, given that physicists argue from the perspective of prior to dinosaurs, prior to all things formed.

how can i begin this? it will leave me having to
write it for two days,
the anti-narrative sketch first, then filling in
the gaps sober... just to get second opinions...
i might have to cook a quasi-Hungarian borscht
and fry up a few potato flattenings to a crispy
yum... first the narrator comes in to describe what's
in store, a bit like a translator comes in and says
of Joyce: that's Irish... well, yeah.
               hence the italic preface...
as some would say, the person who wrote these
sketches worked quicker that an algorithm in asking
and also quicker to copy & paste the required
atomic encoding... e.g. ч and ch
                   э and euro and epsilon...
      once upon a time there was nothing prior
to Copernicus, then the somersaults came,
    h ч y        what coordinates where?
    well of course perfecting the encoding of something,
if things weren't stated awry there would be
no optometrists either...
                  it's not hard to read, it's hard to
remember how to read, given that being literate reached
the omnipresent velocity, the new powers had to
include some new power struggle...
mingling Latin and Runes, Greek and Cyrillic...
     and the proto-Latin of additional diacritical marks...
they exposed the entirety of humanity to literacy
within the framework of post-industrial society,
after hitchhiking a ride on the 19th century donkeys
they suddenly had to reveal their power-secret of
being literate, and by the account of women:
corset bound and bored in salons...
      but something else appeared that didn't really fascinate
them: that over-complication of Latin with
punctuation marks above letters: or diacritical
distinction, crowns over letters, subatomic particularisation
of once favoured: universal applicability...
as a narrator? i have to make a complicated
introduction, the sketch lends itself to do so,
it suggests that not all writing can be as simple as
a nursery rhyme, not all writing can actually
    **** memory, not all writing desires being remembered,
not all writing can be remembered,
                in the mediation of the two chiral opposites
there's fiction, which is suspended in an armchair of
pleasurability... but on the opposite side of a nursery rhyme
or a well versed poem? writing akin to arithmetic...
  something truly painful for those competent with
lettering, but not really competent with ten digits...
      as a narrator who has already read the sketch,
i'm trying to not write a "filling in the gaps" to the sketch
like an art-critic might do to a painting deviating from:
brushstrokes were employed. well... d'uh!
variation of italics as in transcending the pause that
implies a condescending variation of taking a pause,
also excluded are: dot, comma, hyphen, semicolon
and colon.                         dot-dot-dot is not joining up
the dots: it implies a variation of how to anticipate
a punchline: drummed: tu-dum wet snare!
     i am actually a narrator who is trying to find
that other part of me that might digest this sketch properly,
     and return fully competent to pick up another
sketch... if ever there was a narrator in this sketch,
it has to be me, after the sketch has been scripted,
and i am left to suggest a need for a dot-dot-dot connectivity
of the strokes of the pen...
i warned myself: do not overdo the introduction in italics,
you know how picky people are...
whether pickled pineapple of cucumber...
i swear Turks invented pickling chillies...
         oh look! an inflatable gazebo filled with helium!
no one's laughing: only because i didn't mention vegina.
narrative puritanism? you get distracted a lot...
but this sketch is really a thesis for narration,
all i have to do is find the antithesis of narration in it:
an actual narrative!          it stretches for ~30 pages...
   well that's me turned archaeologist with a Grecian urn
with a snap of the finger... because that's how this
sketch looks like: ancient -
                         but understandably modern.
              so .  ,  - and ;
        were racing... out came the world record
             9.58(0)         the full-stop is the bracket-bound
0... i.e. it actually happened: hence the pinpoint...
or in Formula 1 a timed nonsense of ave. m/ph
     noted to three decimal points: 130.703...
                                    or chicane cha chicane cha cha!
as said, this is an actual representation of a narrator
encountering this sketch: so before you lose your head...
i've lost mine!
  look at the correlation though!
we've gone way past atoms with the atomic bomb
and encountered subatomic particles...
    we're not going to get beyond subatomic particles
because we're going to encounter the already apparent
reality of obatomic particle: namely our bodies,
   the perceived ******* (ob- is the antonym
                                                  prefixation of sub-):
             that's were the microscope adventure ends,
    and this is parallel to cutting up a second with
three decimal points, as the safetynet suggests:
                                                              π / 3.14;
yep, the obstructive - hence we can't spontaneously
combust... but then again Goethe's Werther did:
  out of love... down the spiral: you sweet little *******.

~ii. i'm actually too lazy to write the sketch and fill
in the blanks... so i'm going to fill in the blanks as i go along,
  or that's what's called the rebellious stance of narrator: mmm,
work in progress, could you see that coming?

ii. a beer in between glugs of whiskey - runes
combined in the ******* / sigma, variant of agliz or
the rune-zeta extended toward a dark shadow of the rebirth
of Ishrael: zoological enclosure; sigma *******
sigma ******* sigma *******, sigma *******...
rune-zeta... we cannot say there are ******
mathematicians and poets akin,
not then one optic encoding states
     a b c d e
         another states f u þ a r
yet another а б (ρ) в г
  α β γ δ:
for worth of gamma into a trill only because of
   a wave, that's ~ approx. on the side of the letter
   e.g. г & r.
   or rho upside down? what the ****?
did Voltaire write this? reading Candide,
i hope he ****** did!
you the problem is pixelated paper? if you know
how you enter a deciphering mode...
                    but you require a personal library to boot,
all that dos formatting,
                       well there's formatting in the humanity
outstretch of this white medium too...
after it isn't all ******* white when all the psychiatric
pills are white too... i have really found something better
than the Bermuda Δ...
       Greek, Latin, Cyrillic and Runes...
i could say neo or proto otherwise,
but i still haven't unearthed the sketch, that
is probably puzzling the Danes, with Cnut on the forefront...
                    but the arrangement of numbers is universal,
but it's not universal, given the particularity of
how language is encoded and why some people are
richer than others...
            but it's still a beer between glugs of whiskey that
makes more sense...
i said, retype the sketch and go to bed...
and i figured: that's probably the wisest of all possible
events stemming from this...
    that's ~27 pages of notes to retype... and i'm already
in a disclosure mode as to expect what's to be jargoned...

p. 1        cкεтч       /      σкεтχ
   necessity of                        (acute
a-       -the           (ism)
is that of language structure,
          only from the use of one's language does
a deity present itself: from within the noumenon
ground work, not the reverse, as in from
(pp. 2, 3)
                 a phenomenological exercise in
the use of language: Islam, Christianity, Buddhism, (etc.)...
       e.g. Islam is a phenomenon,
  it's not a noumenon: or a thing-in-itself...
  for the Islamic god to emerge from Islam's-in-itself
Islam will have to prevent itself from being-outside-itself...
or overpowering other in-itself contentions
but still: to no apparent success narrative of true intention
as satisfactory appropriation and hence lending itself
to a widespread nod of approval.
  challenging space: word compounding, or the space
between conjunctional deficiencies: nod-of-approval (e.g.).

p. 2    concussion (great film, Alec and Will, 2015, NFL)
concussion... Blitzkrieg Alzheimer's....
brain is fat.... dementia = attacking proteins...
  steroids... the noumenological use of language:
e.g. that ****** is an enigma,
therefore his views will not go viral,
and he'll not become fashion trendy...
it's not individualistic idealism, it's reality.
as will die sonne satan - orbis reach more than 5K
views... so... clap clap... clap, clap.
           what i meant about the a-     and -the
and the ism is following a sentence that sort of
does away with conjunctional fluidity,
apart from the big words, i treat all minor words as
categorically conunctional... and, the, a, is, to, too...
given the sentence: brain fatty *****,
brian organic giraffe wall... ******* hieroglyphic...
           stood above the rest, rest assured.
  dementia: invading protein cells
   (bulging prune of the opportune: purely
digestion?) no thought to eat or eat itself like,
cannibalistically. the brain is fatty...
not fat in muscle for mmm, schmile and flex
for the selfie. how about a protein inhibitor?
(by now, rewriting the sketch, i've lost the page count,
it's actually p. 5 of note paged toward 27).
how about the explanation that we're living in
times of post-industrialisation and thanksgiving
feminism? to me post-industrialisation has created
a class of meaningless white-collar workers
and no blues... it's what the Chinese blues call
the Amazonian nomads: ******* happy...
no amount of crosswords or sudoku will exert
your body to do things for others...
   no amount of mind games will actually tell your
brain to be equipped with: a bunch of hyenas... run!
dementia is a result of creating too many
white-collar jobs (thanks to feminism)
and exporting the blues to China (thanks to feminism
and: oh i broke a nail, can i get a Ching plumber to
fix my heating while i get a ****** to **** me up my
****?!) - maybe i'm just dreaming...
it's great to censor dreaming, i mean: you stop dreaming,
you get to see reality, and you don't even need to
read Proust on a ricochet.
  - so we have brain as fat, and invader cells as protein...
protein digests fat... and creates cucumbers out
of people... where do the carbohydrates come into play?
it can't be at the point of a.d.h.d., can it?
     i'm blaming post-industrialisation, the complete
disappearance of the blues (formerly known as the reds,
in the east) for the whites...
or that old chestnut of: my god you're goon'ah luv it!
   to till for worth from the sweat of yer brow -
funny funny funny... to earn your loaf of bread
you will toil...
                   and toil until you are physically assured
that not ghostly / mental life can enter your world /
books... that went well... didn't it?
   i should be tilling a potato plateau rather than
be bound to be writing this epic (by modern standards)
poem...
             but that's the curse of exporting all the blue
collar jobs to China, then importing mindless
white collar jobs to the west, what the hell do you think
would happen, not the pandemic of dementia?
if you do not exert the body, and then you do not
exert / exhaust the mind... do you think
you can secure a narrative with a post-industrial
westerner on the premise of that person simply being
able to solve a crossword? well... i believe in santa
claus too... but i don't believe in him giving out
presents... because to me, in my oh-so-called maturity
that's called an anagram of satan's clause: which is a legal
term for: i can turn civilisation into shrapnel
of what's said and what's to be said: and what's not to be
said. people can't expect to turn honest labour
for the recreational run on the treadmill in a gym...
and they can't expect photocopying in an office space
to replace Newton's curiosity, and then compensate
all this distraction with mind-games...
          can they? well... they did!

poets are gagged by writers of prose,
no wonder they write so sparingly,
      they are gagged in the sense that they write
as if asphyxiated: they need breathing room.

well sure, if he can revive the Polish steel industry
and i can go back to steel plates and pillars,
then the rust belt will get a polishing also.

or what's called: shrapnel before the waterfall of
narration: darting eyes, and poncy **** all the way through...

     muse... muse...

        well, how about we take the fluidity out of language?
declassify certain words into one grammatical broth,
say words like i and they
                              a  and the    are all conjunctions?
how about that? let's strip it bare, after all: what categories
of words exist for us to primarily speak (let alone think)?
     nouns, verbs, adjectives... adverbs?
       but all those words in between are so jungly classified
into a tangle that i'm about to sprout a handshake
          of a Japanese vine grip: and never let go...

an actual extract from the sketch:

      https that doesn't recognise UCS
                   and insists on IPA cannot be deemed
       encyclopaedic

              i need runes for this! i need runes for this idea!
i don't need transliteration right now...
                but hey! that's an idea, etymological transliteration...
bugly term, sure, but the previous night i was thinking
  of transcendental etymology, as you do, likened to
carbohydrates... so it was transliteration after all...
but a dead end when it comes to geometry and Pythagoras...
      
    three words... and they are computerised (i guess you
have to buy a decent book to decode this), a bit like
buying paint in a d.i.y. shop...
       16DE (dagaz / d) 16DC (ingwaz / ŋ / grapheme of n & j)
                  16DF (ōþala / Valhalla / o / ō = oo),
in total d'njoo / d'nyoo - even i concede the fact that this
is a ******* mind-******... it's a ****** congregation of
four optic encodings of phonos... i moved away from
the ancient greek fetish for the logos... i'm looking at
the phonos... not the logos with Heraclitus et al.
               φº θ þ фª f

ªgreek
  ºcyrillic                ever see a prettier pentagram?
                      i haven't.

(false original title:
škic / cкэтч / φº θ þ фª f: thespian pandemic - pending)

looking at the phonos is painful, actually painful,
it's like reading a book with a myopic pair of glasses:
a ******* aquarium blurry right there, befor...

- - - - - - - - - - - - - - - - - - - -

'e'? were you: was i, looking for an 'e'?

i can say this much...
what do you get when you mix a shot
of whiskey with a shot of bourbon:
i'm moving between bottles...
it's nearing christmas eve and i'm a ripe
taoist... i.e. i better this world:
by not having the world mind me...
on the odd occasion: oh... you're still here?!

yeah... i'm still here... i have glued-to-fascination
with my shadow... i'm just waiting
for the atom bomb to relieve me of a body
but ensuring my shadow is kept intact...
as if it were a Monet signature on a wall...

but i lament... the momentum has vanished...
i don't even know why i'm so idiotic as
to presume that: from the hour 22:00GMT
to the hours 00:00 circa 00:30GMT...
something will land into my lap,
my lisp... my cranium the oyster shell
my tongue the oyster...

it will not... i can't simply **** anything into
an existence that doesn't want to exist...
perhaps lurking in a canvas of:
"lost luggage" in an airport...
perhaps "there"...
i could be excused my... lethargy...

when was this written? back in 2018?
so i was thinking about teasing cyrillic even then?
wasn't i?
sketch cкэтч or?

what do you get when you mix a shot of whiskey
with some bourbon?
a Burguandian whisker...
i am not going to sound witty...
Ron's key...

that's still a cyrillic "or"... isn't it?
шкиц: škic...

i'm... deflated... nothing "new" has come my way...
i would have thought that...
reading some Knausgård would have /
could have... invigorated me:
reading him was supposed to be my:
dialysis my transfusion!
my zombie-go-to-literature...
it has proven an exhaustive enterprise
to begin writing again:
i became too comfortable
in reading - i almost forgot
the agony of writing...

alas... a contemporary of mine...
and someone well adjusted to prose...

notably: who would have thought
that death in june - the calling (MK II)
was something to be recorded in 1985...
for one: i wouldn't...

but i did begin: back in november 2016...
begin what? to tickle the cyrillic alphabet...
which is way before i discovered my reply
to the runes... to the ancient greek...
and this... "ancient", ahem... still in use...
latin script...

that script that went into the molloch couldron
of being invested in to code...
pristine as the hebrews cited:
how many holes in it?
to write onto a canvas of 0?
q Q R O o p P A a D d g b B...
which leaves...
W E T Y U I S F H J K L
Z X C V N and M "out of the equation"...

škic / cкэтч / φº θ þ фª f: thespian pandemic (pending):
i better rename it as... circa 2016...
that's way before i even acknowledged
the cyrillic text applying diacritical markers...
i thought them too crude at the time...

beside borrowing outright from greek...
the already at hand oddities of glagolitic,
notably: Ⱎ...Ⱋ...

it's only a single word i'm using...
i have abandoned all notions of metaphysics
in favor for orthography...
i'm not going to burden myself
with: what's after the physics...
i'm after: what's now...
in the respective tongues...
2 tongue deviations from
the original latin and greek...

what came with the runes and what
came with the glagolitic scripts...
what was ****** and had to succumb
to inter-breeding...

come 2020... i will have one clarification
to base my existence on...
pronouncing the growth of my ****** hair...
i will hope to aim at a length of beard
that will forever hide the neck...
i will aim at... somewhere to the level
of my heart... when i will then manage
to turn my beard into an orchestra's
nieche of violins when i procrastinate with it...

since 2016...
i have identified russian in ******...
i've seen it... finally!
зъaрт... i.e. żart
and the "hard sign" becoming a "soft sign"
in źrenica: зьрeницa...

i still think the russian orthography
is... as... primitive as the western slavic...

after all... зъ = ż...
зь = ź...
the balkan slavs have a caron...
which is neither a hard or a soft sign / acute...

their caron is... ч (č) or cz...
CHeaper in english...
and their caron is ш (š) or sz...
SHeep...
or the two together...
and always шч (šč): szczekam...
i'm barking...

pu-shch-air... a rare example in english
of the puщair...
but then lookie lookie 'ere:

CZACHA... skull...
ЧAХA...

perhaps this is my "revenge ****" on russia?
hey! boris the kremlin mascoot...
come and 'ave a look...
with how i disect your orthography
on the / with the language that asks
too many metaphysical questions and no
orthographic curiosities!

i'll meet you in Warsaw... given that you're
probably moving from Novosibirsk...
and i'm either in Stockholm...
Edinburgh or the outskirts of London:
Warsaw will be halfway for both of us...
you don't have to like Warsaw...
i only like it when the Ukrainian smugglers
and the Mongols appear
in the West Warsaw coach station...

smart as who? i am discovering this for
the first time myself...
i was only teasing it back in 2016...
way before i found the right sort of accents
in mother russian...

i do know that that crescent oddity:
above the ja: йa... is what it is...
if you only cut off the head in english... ȷ...
again: it's я given that most russians
are pulled toward an anglophile world-view...
they all see the window to europe...
the baltic and st. petersburg is somehow...
London... and the atlantic...
like hell it is...

i guess i feel it was a waste of time to
have re(a)d Kant, simply because:
i'm not here for the schematics...
i want to know how my thought my labyrinth
building architecture is coming along...
but with no one to talk to about it?

i found the categorical imperative most
dissatisfying... i didn't want to abide by universal laws...
poetry is already shoved out of waiting room
of the republic...
if my "poetry" is not a categorical imperative...
and it's not quiet a a hypothetical imperative...
it needs to be sharpened on a thesaurus
and some grammar...

categorical (adjective)... imperative (adjective)...
well two adjectives never imply much
if there's no noun involved...
and i'm pretty sure that... if i sharpen
the next word i'll compound with categorical-
in that hyphen construct that's only
allowed in oxford dictionary english:
since it's not: propergermannonhyphenfaustian:
i.e. carboxylic (carbo-xylic) acidity...

poetry doesn't belong in either
the categorical imperative focus...
nor the hypothetical imperative focus...

i.e. i must write a poem... to feel better...
i must write a poem... to organise my thoughts...
no! a poem is not a maxim is not a categorical
imperative! a language of poetry is not
a language of morality: it's a language
of experience - or a lack / a lackey's "sentiment"...

i need a... categorical: impetus!
it's not enough to have read kant's critique of pure
reason... it must also involved
having re(a)d the: groundwork of
the metaphysics of morals...
but i'm a democratic reader...
i need to hear the other voices...
i can't be a kantian scholar...
a snippet 'ere, a snippet v'ere (funny how
THETA disappears when making the posit:
THERE - ver!)

who needs metaphysical absolutes...
when orthography (or a lack of it)
in english... spreads open its legs...
and the tongue remembers its tongue-brain-phallus
stage of co-existence in the oyster?!

i'm pretty sure that a categorical imperative
is by no means a categorical impetus...
this had to be written,
but it had to be written in order to disregard
anything a priori... prior to it...
a poem is a shady concern for action or inaction...
it's a deviation from the cartesian crux:
res cogitans (thinking thing)...
into the cartesian levy (res extensa)...
it's an action of inactivity...
as much as it's an inactive activity...
"the rest"...

impetus is not an imperative...
an impetus sources its meaning in a per se
investement... of itself - in itself - for itself...
an imperative?
in pronouns... impetus: i want... i will...
imperative? you want... you will...

an impetus is self-dictative...
an imperative is: indicative...
someone would rightly claim...
those that mourn indicatively...
will don the right garments for the process
of mourning...
which is indicative and devoid of
the per se manifestation of mourning...
it is an imperative when compared to
the impetus to mourn -
which is self-dictative...
which does now shallow itself in
grief by making a socially agreed to fiasco
of a very specific choice of wardrobe...

basically: however you like it...
an IMPERATIVE ≠ IMPETUS...
the year is almost over and i want to break-off
the dust from the thoughts that fudge-packed themselves
as worthy of occupying the minor instance
of having to count a depth of:
not dead within the year of being written.

I love that you love me.
     italicEven if you deny expressing it.
I love that you care so deeply.
     italicEven if you won't accept caring in return.
I love that you want me desperately.
     italicEven if you deny yourself my wanting you.
I love that you think like me.
     italicEven if we won't talk about it.
I love that our love is so deep.
     italicBut held in a cage.

There is a certain feeling that erupts in my stomach when I push it off. The deadline is passed but I can’t bring myself to do the work. I italicdon’titalic want to do. So I italicdon’titalic. I’m ashamed, the shame sits on my shoulders, making me slump forward, heavy with it. It hangs on my eyelids, they droop and sag wanting to close and block it all out. It’s heavy in my lap when I sit down, it’s like a twenty pound backpack when I stand up. It sits on the corners of my lips dragging my mouth into a frown. But yet I can’t get rid of it. I hate the way it makes me feel, but I keep getting in my own way.

She used to tell me
of math and poetry
by the length of her arm
and rhythm of her heart
conversing verse and fraction
with form following the function

of communist theories
and greek philosophies.
she beat out aesthetics
with a perfect symmetry.

because no one understands
the relationship between
seafoam and shoreline
the way she does
[swimming in saltwater sorrows]

reimagining time in an hourglass,
she shot up infinities with a glance
and left me moondrunk in the night.

she emits sparks throughout my system
breaking and entering--
my kingdom under siege.

her name was an amalgam of numbers
italic1.6180399. . . .italic
and I loved her by design.

.guess i must have hit the vein, nay, a ******* artery, must have gobbled down an oyster, muscle and brains altogether, simultaneously!

i have one, only one pet peeve...
that casual mainstream media
expression...

    but it's the 21st century!

i get the bollocking frizzle of
***** hair, translated into Janissary ******
attire... excited...

what the **** are you talking
about?

   21st century, what?
we're in our infancy!
            and what came prior?
you seem to forget the first half
of the 20th century,
and bulk in cultural
              expropriation of other
nations...

   us Poles had 100 years if liberty,
thank you very much...
we're not about to do the German
hip Berliner St. Vitus dance
magic, just yet...

******* hippies...

       Solidarity movement
pamphleteers, migrants of Florida,
bias, you name them...
yeah... "heroes"...

                    ******* usurpers,
Judases...
             and from the city i was born into...
where's the ******* metallurgy?
export of cheap labor,
originating in Spain!
      how's the youth unemployment
working for the Spaniards?
good? good good...
goof ******* *****!
   no say cheese in Swiss German
and show us the 42 teeth of over-perfecting
that schmile!

        Swiss guard, up & ****!
*******...

       i hate the sophistry,
loath it, baron over it...
this but it's the 21st century...
what sort of excuse is it?!
   there's not excuse!

                 reverting back to covert
popularization of prostitution?
even the Bulgar prostitutes lie,
about being Romanian,
i never tell them,
even though the word, dobrze...
   o.k,
    хорошо...
   is not a romanian word...
    you lie, you fry...
         i'm actually fond of making
chicken hearts, and pork liver sauces...
i can work the stoves...
             **** it... give me any meat,
i'll fry it... make a garlic onion sauce
out of it...
    nee bother...
   strawberries?
perfect fruit for smoothies...
tried it, just today,
with nein (nine) passiot fruits,
and an arithmetic for the one hand
including strawberries...
         crème fraîche replacing
yoghurt...
                          milk,
milk milk milk milk...

but...

what's the ******* excuse,
for making excuses of the 21st century
as the ******* pinnacle?
will the 22nd century look
fondly on us?
  
i'm only looking fondly for the death
of Lizzy II with much
anticipation, because of,
what i assume will not be the case
of Chuckles III,
rather, Georgie VII...

the 20th century passed...
what sort of excuse, in liberal terms...
is there to posit,
for keeping the Greenwich Mean Time?
frankly?
  the ******* excuse i've ever, ever,
heard!
         it's the 21st century...
whoop-tee-doo-daa
                        (H)    (H) -
told you... without the (YW) -
a god that's a vowel catcher...
or pivot for laughter...
can't get more hebrew-philic than i.

i ******* loath the: but it's the 21st century
argument...
    lost the italic lettering and the colon
from the use of bold -
monarchy?
  well, suit up & boot up
for the transgressive pomp & circumstance,
that alternative
to pride & prejudice...

  ha ha!
            god... laughing at oneself
is probably the only cure there ever will be...

but come on!
the: but it's the 21st century!
  
what sort of, argument, is that?
  it's not like ontology begot
an x-men algebraic variation,
an exponential derivative,
    a Holmes' hound of a bag of
necessary excuses!
      some ******-evolutionary leap
of benevolence
to excuse a connection of peer-to-peer
connectivity,
somehow erasing the 20th
century, and ennobling a... "fresh start"
with 21 as the fore!

i might be a peasant,
and i might drink to excesses some
people would wish they could
muster a stamina for...

  but please, leave the fairy tales to
the Danes,
  hans christian andersen and their
Grimm bro. counterparts...

but it's the 21st century...
**** me...
    you mean the ****-up century?!

[doesn't every ugly thing
look good in cursive?]*

tattoo the image as a sleeve
like i'm too young to care
if you're taking care of yourself
vinylrecordshatteringvulnerableOHSO
it's not even summer yet
and i already know i ain't over a **** thing
love like your slender, lanky long body

large brown eyes and the smell of
smoke in your hair
hazel honey energy, making out on the balcony
promise land really is just a graveyard
of discarded lights like you and i
in the middle of a desert
and i can't think straight, not since your lips
first captured mine

I always get terribly nervous
Running into people I sort of knew
But didn't know
And now I just stay quiet on my phone reading morning articles past the afternoon migration
And laugh at a witty fathers joke.

The way I ate my Lays was weird
She knows it and now conversation is out of any equation
I was about to punch into an iPhone calculator
Circulation ended in my hands down.

Children are creation, lovely doves.

I talk in commas and periods,
you talk in italic subtitles.

A changing pillow, so soft with its yellowness.
A freshly laid outfit so fresh with the sweet smell of babies.
A cowboy swinging with the joy of Christmas morning.
The aroma of baby powder dancing in the air.
The sound of a fist banging the wall.
A cabinet filled with a collection of toys.
A white Pooh Bear smiling at the chair with cowboys on the side.
A rainforest setting singing italicrock a bye babyitalic.
Tweetie, Sylvester, Bugs Bunny, and Daffy Duck swinging on a merry go round.
The sound of a baby happily talking to angels.
A happy baby laughing as he watches angels dance before him.
I close my eyes and count to three.
I open my eyes.
Never will it be.

Enticing us in, sugar coated doors

for sticky fingers,

Doors of mystery, keep out, staff only

nettled in barbed wire.

Half open doors full of promise,

chocolate soft centred

Exciting doors, silk covered

in lace suspenders

Inspiring doors, Leonardo bold italic,

uppercase only

Lonely doors all shuttered in silence,

cobweb covered

Sad doors, tear stained

and umbrella wet

Happy doors,

candy striped in laughter

Forbidden doors, Pandora boxed,

best kept locked

Revolving doors covered

with the same sticky mistakes

Trap doors crocodile sprung

to catch you out

Doors that slide on tram like runners,

buffered into walls with imprint of face

Secret doors of camouflaged chameleon

Troubled doors

thunder clapped in turmoil

Doors enticing us.

Recently I took a trip,
the destination: my homeland.
Such a strange concept,
For when I got there it felt
italic foreign. italic

Growing up an ocean away gave me a new culture.
A new perspective.
A new language.
A way of life different from my relatives.
It may be my homeland.
But it is not my home.

So where is home?
Where your family is?
Where you grew up?
Where your heart is?

It may be all of these things.
But I know home is where you feel greeted,
like an old friend.
Where each breath is fresh.
Where you feel at peace.

1498

Glass was the Street—in tinsel Peril
Tree and Traveller stood—
Filled was the Air with merry venture
Hearty with Boys the Road—

Shot the lithe Sleds like shod vibrations
Emphasized and gone
It is the Past’s supreme italic
Makes this Present mean—

it’s 1:29 am
it’s been 3 hours and still i’m unable to fall into slumber
i’m sitting straight up in my bed
quietly singing love songs to myself
thinking
about how alone i really am
not only tonight, but always
it’s not that i’m alone – i have friends and a caring family
but i’m lonely
and if you’re lonely,
you’re alone - always
no matter how many others surround you

sometimes i think i’d rather be like this
i like the isolation
the ability to get lost in thought
deep in the maze of my mind
it’s easier
transient relationships
fleeting memories
i can remember them - without forgetting the details
but still, i’m human
and i crave the intimacy
and love and lust and connection
of a life without pain.

DEAR ANNE FRANK: 05-14-10 ( Part One of Letters To Anne)

Dear Anne:

You were so precocious as a child,
needing to be the center of attention.
Yet you were very, very strong inside.
Such a tragedy when you died.

I look at your beautiful face,
And I wonder what you did not see.
There will never be enough accolades
to calm the pain of  your empty space.

The ache of loneliness resonates
throughout your expressions;
in your pictures, your poems, your letters.
My heart is breaking, I feel just like you.

You saw yourself as a lover of life.
Your words are so full of hope and  love.
My feelings, you express so well.
My sorrow is complete, you are now above.

Dear Anne.

Demented devils forced your demise.
The natural beauty of yourself never dies.
God, I wish I could turn back time.
But you left, still believing the world is kind.

I wish I could talk to you. I wish I could convey
that life is full of pain, yes.
But bearable if one maintains a true heart
and a belief in your God’s reprieve.

The death of your mother, your sister.
Your wish to stay was forced aside.
You were alone, a small boat, lost in the sea.
Your attempts to survive were thwarted.
Your mind convinced you otherwise.

I will never forget your struggle,
It resonates within me.
They turned you into a “bag of bones”.
Yet you attracted anyone you wanted.

Your flirtatiousness was infectious.
Boys flocked to you as you played
a game of “want me, but don’t need me”…

Your words are torturous and keen.
I miss you. You explained me.
I wish I could tell you how much you mean to me.

But it’s too late.
You never even knew me.
You were sixteen when you died.
I wasn’t here, it was 1945.

I’ve attempted to die since I was fifteen.
God must have a purpose for me.
Or maybe He likes my suffering,
My shame is in my last uttering.

You succeeded.
You made it where I want to be.
Do you still believe what you wrote?
“Despite everything, I believe that people are really good at heart.”
Anne Frank

You have always had the peace I crave
to stop my crawling stomach.

The pain is great, almost overwhelming…
How did you succeed? Would you help me?
(Dedicated to Anne Frank, 1929-1945 RIP)

OTHER QUOTES BY ANNE FRANK;

Everyone has inside of him a piece of good news. The good news is that you don't know how great you can be! How much you can love! What you can accomplish! And what your potential is!
Anne Frank

italicHow true Daddy's words were when he said: all children must look after their own upbringing. Parents can only give good advice or put them on the right paths, but the final forming of a person's character lies in their own hands.
Anne Frank

How wonderful it is that nobody need wait a single moment before starting to improve the world.
Anne Frank

I don't think of all the misery but of the beauty that still remains.
Anne Frank

Italic drumroll...
imperial cavalcade with Roman horns, eagle standards raised;

♪ ♫♪♫ ♪♪♫♫♪♪♫♫♪♪♫♫♪

ALL HAIL !
Ye screen-fed sacrificial citizens, seething simpletons and volatile voters:
attend now, with republican fervor, tempered by democratic zeal, to the golden-tongued orator of our epoch, gallant guardian of American greatness, avatar of avarice, the Jeffersonian gentleman, anointed autocrat and Sultan of Swell, windswept Wazir of Wonderful, emissary of towering eminence in empire, The Anti H-Rod: Donald J. TRUMP !

(Plebeians look up from their circus-bread for a second—)

And may Our Sovereign Savior & Almighty God also bless his worthy opponent and adversary HILLARY ("H-Rod")

(Patricians murmur, nod; a few salute*)

Wanderer.
From window to window.
Seeking
             something
in different glass scenes
from offices and trains and restaurants.
Like she'll see something or someone
or somebody.
And the world will no longer be
a tilted painting.

Clear spring cold
papers over
the scene of the city of her world.
She's freezing.

There is a cafe at the end of the
road
where sidewalk snow has mingled
with trod-on mud
from commuter's shoes.
It's called
'Les yeux qui voient tout'

She can smell coffee and cigarettes and paper and words
and smiles and wine all the way from Bordeaux.
She sits by the window.

Tendrils of hair cut
across her cheek
as she lowers.
The seat is cold.
Legs crossed,
                       arms clasped,
high-heeled shoes with straps
that cross,
head bent
over a crossword.

'Un cafe au lait, s'il vous plait.'

Last four-letter word pencilled in so
she crumples up the paper.
The eyes don't notice
origami birds dangling above her.
Somehow
they're all angled
towards the glass window
like sunflowers reaching for the sun.
Perhaps the casual
shuttered-open winds
are the birds' oxygen;
reminders that
                          something
like
sky,
air,
wind,
exist, beyond
coffee-smoked counters.
Reminders that
they could breathe, live, fly
in some other city of some other world.

Cup and saucer on a silver platter
hover over.
Idle fingers
and then a clatter.
She stares down into
the white porcelain pit,
teeming with hot brown
                                           alarms.
It isn't a portal
into
       something.
Just a cup of coffee.
Now that is an alarm.

Slow and
                shaking,
drip,
         drip,
                  drip.
The milk is poured.
Curling, italic, Persian carpet spread
from the cup's centre into warm-cream brown.
She imagines it is
blood in her heart.

She raises the little silver teaspoon
napping on the saucer and
stirs.

'Le sucre?'
Does she want it all
to be
sweeter?

Two packets, long like
Marlboros,
hastily, desperately dumped
into the mix.
Quick and
                  shaking,
she raises the little silver teaspoon and
stirs.
Little sugar grains ******
into a vortex,
dissolved and melted into
the city of the world of the cup.

With her little finger, she
dabs
stray sugar grains
on the table
and tries to bring sweetness
to her sleep-thick tongue.

Slow and
                shaking,
sip,
      sip,
            sip.

She's­ tricked herself
into feeling warmth.
Ticker-tape banner
pops up in her head:
'All of this will not
fix you.'

Porcelain clatter
as cup meets saucer.
Again.
She arms herself with
a cigarette case and a book.
Maybe now she will belong
amongst these people
with sad eyes and burning lips,
clinging on to cups and drinks.
So desperately-lit smoke
trails out of
her warm mouth,
steaming up her face
like a window on a cold winter day.
And meanwhile Camus perches
in her hand.

Her eyes swim
in the choppy seas
of French.
The cigarette dangles,
painting the air grey, grey,
tilting, tilting, tilting.
Slow and
                shaking,
she weeps.

Half-aglow in the white sunshine filter
from the glass window,
a woman is wondering.
She drinks her coffee,
wipes her smudged mouth
and leaves.

Nobody notices the wobble
in her high-heeled gait.
She's just a part of
another tilting painting,
another glass scene.

These simple acts,
           simple things,
define
the speaking soul.
In a scene of the city of the world.

‘isn’t the sun warm?’  said the bear, ‘and look i speak in italics’



yes, it makes me feel better.



‘which the warmth or the format?’



sbm

basic arithmetic in terms of punctuation, otherwise? simply the arithmetic of punctuation: what does (,) equal? what does (.) equal? what does (:) equal? what does (-) equal? what does (;) equal? come on, quick! quick! give me a number!

to *think, is to not narrate,
                               much of what is regarded as
   "thinking", simply becomes as art
of narration
       that is sofa-bound, i.e. so comfortable
that it feels it has no inclination
toward the use of hands as ever
being idle, it simply replaces
  hands with a tongue...
                    hence: idle speech,
                hence political speech;
so if the "devil" has work for idle hands,
then "god" has work for the idle zunge
                                       (tongue)...
but most people don't think,
   because their thinkling is solely about
narrating,
                  their day-to-day...
               and i appreciate this custom,
in the cognitive realm...
         i really do...
              how many jokes ushered into
the void of one's silence, neither whisphers,
nor hummings, nor whistling...
        wiser still, essentially unchanged...
but heidegger's aphorism no. 285
   really bothers me...
            the reader looking into the narrator
given the existentialist inverted commas
   (iberian inverted questioning
   ¿   ?          that's the first step toward
   an iberian existentialism)
                        said the third person,
    with third party sources, the middle man,
the second person, and then the reader
  of the writer's original testimony?
   if northern existentialism (french / german...
  the english were too reactionary, and
too easily bored by the continental drift)
       encompasses the tool that's "      "
   then the iberian tool has to be the inverted
question mark, i.e.       ¿   ?,
sitting comfortably? no? how about a wheelchair...
let me just break your legs and your spine.
       but aphorism 285: "worldview",
     "grounding", "configuring"...
       i don't understand this allocation of ambiguity,
and an italic stress on da-sein / da-sein...
   aren't all the three descriptive elements /
   adjectives the purposive sentiments for
                   originating the concept of dasein?
i had to counter with an iberian existential tool...
   after all i said, 'he said', "we said"...
                                  it's a third party medium
of supposed ambiguity...
         if there's a santa claus (satan's clause),
then there's pontius pilate's clause,
  found in the existential tool of     double-ditto "     "
  or as the english like to say: inverted commas;
   or the ritual: of washing your hands clean
   from passing the judgement...
   they're citation marks to be honest, come on,
let's be pompous, they donned 19th top-hats
     at ascot's horse races! who's fooling who?

Do you miss me?
Do you miss the way my eyes gleamed when I saw you?
Do you miss laying in bed and talking about life?
Do you miss me making you breakfast?
Do you miss the smell of my strong floral pefume you hated?
Do you miss holding my hand as we ran through the rain?
Do you miss the bed time stories we used to tell each other, although we were too old for them?
Do you miss seeing me smile?
Do you miss hearing my stupid laugh whenever you told those bad jokes?
Do you miss making me blush whenever you gave me a compliment?
Do you miss holding me as I cried during a sad movie?
Do you miss saying ' I Love You  italic '
Do you?
I don't think you do.
(S.K)

955

The Hollows round His eager Eyes
Were Pages where to read
Pathetic Histories—although
Himself had not complained.
Biography to All who passed
Of Unobtrusive Pain
Except for the italic Face
Endured, unhelped—unknown.

While the children play in the sun, it'll be all the children but one,
the shadow girl will hide away secretly decorating a place to stay.
Once so perfect, once so pure, a girl unlike others idolized by all,
Now so flawed, now so dark, a girl who hates to see the flying lights.
Everything earned, everything wanted, served in silver before her,
she wanted more, dying of hungry yet plain the dishes become.

Eyes so sweet, eyes so tender, chocolate smothered care,
lids with wrinkles, stares so bitter, a turn for a worse in smoke tears.
Love so true, written in stone, italic figures and wonderful notes,
lies so deep, they cut in more, artificial bodies and agony with all.

Drawings so neat, effects so clear, strong plus confident all in one,
scribbles on paper, ripped and torn praying 'a few pictures more'.
The reflection, the reflection its coming to me, whispering so sweet,
tenderly, it screams down my ears and looks me in the eyes, shouting "No, this can't be your life."

Broken roads, dusty concrete, nobody to be seen,
in this world of isolation, the only person I see,
is the girl of shadows and she's looking back at me.