I could not find you in the woods..
With the moon as my light..
You were lost in seven thoughts..
Lost and out of sight..

Your light steps were fading..
Your stardust too..
Pinch harmonics and shadow voices..
Are coming through..

I see you looking toward the stars..
And then you look toward me..
Your eyes are filled with moonlight..
You shine and leave to the star sea..

Yellow is
a high-minded mood
the extravagance of sunlight
to be touched--
before long
by colors of play
___

It is of hair
tendering golden sun
brown pennies for lemonade
__

Yellow is
bumping into the screaming end
of a lit
cigarette
___

Yellow is
dripping from the eaves
onto an empty soup can
___

It is
spindling sparrow song
from highest perch on roof
his pitch can aspire
___

Yellow is
in rattled doorknob
an infant's sweet
voice wanting – in
Reciting menu
above mattress
edges into sleep
two dark eyes
plead
for yellow
waking
Mother into morning--
“juice.... eggs”

Yellow  ___
is
opening a car door
at the shore's
unmistakable!
Smells of life  
warmth and breeze
touching strings
those kites  
of sense
harmonics
above the tone
octaves of excitement
to see to hear to touch to taste
to know
again –

the ocean of my mother
as she calms the waves,
ignores the pouts of us
with stuff to lug out to the beach
the towels, pails and shovels
Picnic basket, cooler
lotion, comic books, her magazines

Mom looks out
She is a good swimmer
Her glasses, dark
Preside  
reflecting beauty –

“Take your sister's hand.”

Yellow are the squeals
Feet thrashing sand
of cannot wait

A thousand peaks: no more birds in flight.
Ten thousand paths: all trace of people gone.

In a lone boat, rain cloak and hat of reeds.
An old man’s fishing the cold river snow.

I am alone in this mountain fastness, on a steep downward path in the deepest shadow. I play with the twelve characters of Lui Tsung-yaun’s poem. How few poems tell of the desolation of winter. The coming of Spring, the passing of Autumn? Yes. But the onset of Winter? Even my sharp memory only recalls a meagre handful of poems to this season: the time of the first snows. Against all good sense I set out from Stone Village too late in the year: now I search for comforting word images to accompany me on this journey. Just below the snowline I pass through a stunted forest of ancient walnut trees almost leafless; the unrelenting wind has dispatched them crinkled brown into the valley below. I see there a winding river. I see its distant lake. I think of this poem known since my teenage years, puzzled over that one could see in one sweep of the horizon a thousand peaks. Here are that thousand and more if the ranks of limestone pillars in these mountains can be counted as peaks. I count them as peaks. And those thousand paths? At every turn there is some fresh way falling into the valley, or a faint trail rising to the heights. But this path I tread asserts itself on the traveller. Its stones are worn and the excrement of passing pack animals sticks to my boots.

Last night a cave, tonight I will reach the village of Psnumako. My former guide provided its name with a disdain he could not hide. When questioned he warned me not to enter without a stout staff against the mastiffs that guard each house, supposedly ******* during the day but apt to break their bonds at the smell of a stranger.

The steep and ever steeper descent brings pain to my knees. At this hour of the day my body would prefer to climb to the heights, but descend I must. The cold, the damp cold begins to stiffen weary limbs. I am tired from a day’s travel, tired from three hard climbs, two descents and this, my third, to complete before nightfall. I enter a narrow gorge loud with clamour of running water, cascade upon cascade flowing from the heights, falling fast to the river soon to interrupt my path. I shall have to force a crossing. What passed for a bridge were two fallen pines lashed together.  Now they lie akimbo a little distant, thrown apart like sticks by the spring flood as the deep snows melt. I must divest myself of boots and lower garments and wade across, stumbling on stones up to my waist in swift waters, terrified under the weight of my pack that I will fall and be swept under and along. To travel alone at such moments is foolhardy, but on this cold afternoon I have no choice.

I am so intent on preparing for this crossing it is only when I reach the end of the path that I notice snow is falling, its flakes sharp and white against the dark-water flow. The whirl and turn of the water mesmerises. Fatigue, fatigue embraces me, a day’s fatigue holds me fast on the river’s stony side. I close my eyes and hear the water rush and place myself into the protection of a mountain charm learnt from a passing traveller. Dwarfed by the size of his burden I see him negotiate a narrow path high above a chasm; he walked trance-like to the intoning of this charm.

It is soon done, the cold crossing, and with a lighter step I walk the remaining leagues to the lake-side and sight of the village. There are the faintest sparks of light amongst the silhouettes of houses. Animals are being brought in from the home fields against the night. A sudden shout, the barking of dogs, and now the snow falls thick and fast.

The guttural dialect here is barely discernable as speech. We are from different worlds this shepherd and I who meet at the stupa guarding the village entrance. This is not a Buddhist shrine but an acknowledgement of some mountain giant of terrifying aspect. The shepherd sees my official insignia and nods, knowing I will require shelter. He utters what may be a welcome, but could be a warning, and leads me forth. The mastiffs leap and bay as I pass between the primitive two-storey houses, animals below, humankind above. He disappears. I stop and wait. He returns with a woman who beckons me to climb the ladder to what may be her home. A widow perhaps? She is alone unless the rank darkness hides a man or child. But there is none. I hear animals move and grunt under the floor, a mat of dirt and straw. There is a sleeping loft, a cooking corner. I can see little else. But I am out of the snow, the biting wind, the cold. She pulls at my cloak, wet and caked with ice. There is a bowl placed in my hands; a rough tea. I speak a greeting, but there is no reply just a rustle of straw as she moves across the room.

The stupor of a journey’s pause is upon me. After three days on the trail to the heights I am numb with fatigue. I need food and sleep. I need rest before a final trek into the wilderness. Beyond Psnumako Lake known paths end. Except for the tracks used by shepherds to move their flocks to different seasonal pastures, there is wilderness. I hope for guidance, for the whereabouts of the sages who, in the winter months I am told, leave their reed huts on the heights for caves in the lower valleys. I shall be patient, remain here a little while. I am now immune to the discomfort and dirt of travel. That is how it is. That is how is must be. I miss only the mental absorption of writing, the caress of the brush on a scroll. In my home in Louyang I keep brush and paper close to hand; wherever I may be I can write, even in, especially in, the privy. If a line comes to me I can write it down. Here there is only the comfort of memory.

To think that in the past I wrote of this mountain wilderness out of my imagination and the descriptions of others. I once thought of these remote places as havens of spiritual liberation.

In the hills there is the sound of zither.
White clouds stay over shaded peaks,
Red flowers shine in the sunlit woods
Rocks are washed in the stream like jade;

How very different is the reality of it all; in this emerging winter world of mist, where the sun rarely visits and most living things have departed, where wind colours silence and one’s footfall becomes consolation. The sound of stone rubbing stone on the path is the eternal present. There have been days when only a distant crow moves in the landscape. Lammergeyers are known in these parts, but I have yet to see one. If there are wild beasts, they shun me.

As this bowl of tea cools in my hands but warms my frozen fingers I form pictures of the past day on its dark surface. Before dawn from the mouth of a river cave I sensed changes in the qualities of darkness that have hidden the heights above me. Then a perceptible line appeared and divided the mountain from the sky. That line became variegated; there were trees bristling on the highest rocks. It appears that at this hour the prevalent mist settles in the valleys leaving the sky clear.

The woman comes to me. She kneels to untie my boots. She looks with a curious innocence at my strangeness, the distortion of my face, the cleft palette, the deformed upper lip, the squint of my left eye. She is kindly as I give her my best smile though my face seems frozen still. There is a whisper, a prayer of welcome possibly. Then she bows her head, unravels a long scarf to reveal a mane of oiled hair, and sets about removing my boots. I see only the top of her head, a severe parting, hair held tightly in wooden combs. I close my eyes to bring to mind the image of Xaoli, so slight in comparison, her butterfly hands flittering into and around my sleeves, her seeing touch mapping out the extent of me, each piece of clothing, only later my face.

My reverie is broken by the entrance of two men. They squat behind the woman and, after taking in my ugliness and my hairpins of office, patiently wait for her to finish and retire. We stand and bow, then sit again amongst the straw.

‘Honoured Lord, I am Yun. You have travelled from Stone Village? And beyond?’

I pass him the Emperor’s seal he cannot read, but remain silent.

‘You are seeking those who live in the heights? The village only sees their servants, young boys sent for a goat or flasks of barley spirit. They bring herbs our women favour. Some have seen their huts when seeking lost animals. Now it is said they are gathered in the caves like animals waiting for the spring moon.’

‘When was the village last visited by their kind?’

‘ Hanlu, my Lord, the time of cold dew, two boys appeared with a pony. There was trading. They brought Chrysanthemum flowers and herbs for two geese and wine. They left scrolls for passage to Stone Village. Now the snows fall we may not see them until the Spring’

‘How far are your summer pastures? Have you any who would guide me there ?’

‘We do not seek these places after the first snows. The sages haunt the region beyond Chang Mountain. Before the 11th moon you might pass into the valley of Lidong where it is believed their caves lie, but to return before the Spring will not be possible.’

‘How many days there?’

‘Allow four. A difficult way, unmarked, rarely trodden, much climbing. There is one here who we could send with you – part of the way, and at a price, My Lord. Dahan travelled two seasons since as groom to a party of six with ponies, but then in late Spring.’

‘I will stay three days.’

‘Just so My Lord. Xiu Li will see to your wishes.’

And they depart, Yun’s companion has remained silent throughout, though searched my face continually. By the door he places his hand against the stout bag that carries my lute. ‘Guqin’, he says tenderly.

This instrument is my pass to the community of the reclusive. I am renown for my songs and their singing. My third-best guqin has not left its bag since Stone Village and I fear damage despite all my care on the path.

Later, as the village mastiffs gradually cease their baying as the quarter moon rises I take this instrument and place it across my lap. Its seven silk strings I wipe with a cloth and gently tune with its tasselled pegs. I then prepare myself through meditation to avoid the intrusion of distracting thoughts. With my eyes closed I allow my hands to seek out and name each part of guqin: from the Forehead of the Top Board, to the String Eyes, the Dew Collector, The Mountain, Shoulder and Phoenix Wings, past the Waist, the Hat Lines and the Dragon’s Beard, to the Dragon’s Gums and thence to the Inner Top Board. I can feel the Pillar of Heaven – the sound post – has moved a little in my recent travels. So too the Pillar of Earth – but with care I move both to their rightful positions. And so on naming the inner and outer parts of each of the two boards that make up the guqin. I begin to regulate my breathing and allow the fingers of my left hand to stroke and touch, to press and oscillate in the manner of vibrato. Zhoa Wenji describes twenty-three kinds of vibrato. I feel in turn each of the hui, the thirteen gold studs that mark the harmonic nodes and allow me to play the guqin by touch alone. In these moments of preparation I hear the words of my teacher: a good player makes sounds that are plentiful but not confused. As the moon reflecting on water, so the sounds are together but not combined. Like wind in the pines, they are combined but also spread out. Such sounds are valued for their lightness. Avoid the addition of inappropriate  "guest" sounds. This is the refined theory of the guqin. To be knowledgeable about music, one must seek this, then one can realize its beauty.

I have tuned to the Huangzhong mode. The song *Amidst Mountains Thinking of an Old Friend I have brought to mind. I recall the words of The Slender Hermit who says of this piece that its interest lies in holding cherished thoughts, but having no way to tell these to anyone. There are emotions about the present time, longings and laments for the past, but there is no way to express any of this. And so this piece.

In this poor reed hut the room is filled with mist and haze,
how far away are the things I love;
the old plum tree seems exhausted, its flowers about to die,
the mountains are lonely and I am nostalgic for past times.
The moon shines brightly on this lovely evening,
from this distance I think of my old friend and wonder where he is.
The green of the mountains never fades,
but before I know it my hair will turn white;
the moon is waning and flowers wither,
Old friend, I dream constantly of meeting you.
How hard it is to recall the joy of our last meeting!
With the many mountain ranges,
and its hidden tigers and coiled dragons,
I am unable return to you in Chang An.
The road is distant, the tall trees make the road dark,
and the world is vast.

I mourn Aquila and Lyra
separated by the Milky Way like the cowherd and weaving girl,
on the ground we are separated by 1,000 li
in the sky we are each in a separate place,
though our passions remain strong
There has been no warm correspondence,
there is restraint to the bright harmony,
and the flowing streams are swallowed by the setting sun.

The thought of this song of mid autumn touches me before its words have issued from my lips. I play the last two lines in harmonics and sing.

There is beneath us the progenitor and we call it “Mother”. Above us is the progenitor and we call it “Net” for it takes us and tosses us into the known and the unknown.

Our home star is not as bright as yours. We prefer your temperate lands when we visit, where the vegetation is lush and green. Those of us who remain inhabit your deserts and open spaces.

We are your brothers and sisters. Our development has been to grow in awareness and the development of our power. You have the potential to develop as we have, but your instincts are of a social group who need dominant members. You develop your material reality and your physical world. Your anchor is fixed and you grip the familiar and reject the unknown. There is a comfortable point where you feel the fullness, that is the anchor. In order to maintain this as a static point you develop belief systems to support it. This is your weakness, you are innocent children.

We grew and developed along another pathway, our anchor is not  rigid. We use Net for our anchor and so are able to change our perceptual reality. We move in ways that you do not understand and in any direction. We draw the fibers of Net around us and jump and fly. You see us only from your anchor point so that you see us change shape, appear and disappear.

Our voices and languages are barely accessible to you. You hear deep sounds and high pitched chirruping and whistling. Very few among you have remnants of language incorporating any of these. Those remaining are as clicks and whistles. We prefer direct communication.

We are masters of illusion. Our survival has depended on it and it is our instinct.
Our power developed so that when we pull around us the fibers of Net we create a shield and throw an illusion before those who depend on vision. It is one of our protections and also our hunting technique. We are hidden from your material probes and instruments of increased sight in this way.

Although we have been close neighbours for aeons, you have hardly seen us, except for the Few. Your interpretations have created problems for you. Your reliance on the anchor is so great that some among you do go to great lengths to maintain it. There are those among you who will silence the Few rather than lose the fixed anchor.

You are infants only, a seeding coming to fruition, and you play with dangerous toys. Your anchor is geocentric. You are in danger as is any youngster who plays with fire. If we showed you ourselves openly your rulers would not be gentle in their curiosity. We have technology and use material tools but we have had less to restrict us. We held back your development as much as we were able to enable you to develop power of the mind and independent thought.

Your grasp of Net is strong but you are rigid and anchored. You have learned to stand up and hold on. Now is the time to let go and walk, let go and run, let go and fly.

Around what you name “body” and believe to be “All” is more that you do not perceive with your restricted vision sense. You are aware of this. If you will learn acceptance and filter less from your senses, you will find the beauty of the universe of energy around you and available. A small perceptual shift would show you how you appear to those of us outside your narrow sphere.

Your body has filaments, which when translated to sight, appear as small moving threads which shine with rainbows. They move and ripple inside an energy body of light. This is your true body. It has abilities and senses that are dormant as you do not access them. They are accessible but as your anchor renders you blind to this you do not use them without intense effort or instinctively in extremity. The filaments are drawn together and pass through the anchor. Depending upon your ability to select filaments of the Net, your habitual plane and reality is selected and determined.
Those among you with abilities in your energy senses you ostracise and even ******. You succumb to misinformation to treat them as fools or freaks. This may be instinctive but it is a control mechanism to perpetuate the anchor and maintain the hive of your artificial society. So due to this, you have even less sense of true reality as it could be to you, by breeding out and suppressing your gifts. We have attempted to rectify this with limited effect in successive seedings.

You may notice that our words to you have reference to sight. Your terminology is geared to vision. You rely on visual information  so much that you have neglected physical senses of taste and smell, hearing, touch and proximity. Compared with our perceptions you are as blind as a mole is compared to to your visual abilities.

Your construction of reality is so anchored that your dangerous inclination to gather around you artifacts gives to you a sense of permanence. You are anchoring yourselves in time, yet to you it is dead because your senses are dead. There is an opportunity for your predators to use this to enforce your perception of, and control you within, your anchor's limitations. In this way, producing written or pictorial and symbolic records in permanent form is beneficial only so far as understanding continues to exist of the conditions under which these records were left. By changing current understanding and language to suit their purposes, your enforcers are able to manipulate your branch of humanity on a large scale.

You seal yourselves into the rejuvenation plane of the Mother progenitor where you feed and breed. It is so pleasurable to you to stay within this cocoon of reality that you fail to open your cast and therefore fail to fly into the spaces of Net outside where your true inheritance lies. The end result of this is greed and unrest. Your greed is paramount to you as you seek ever more pleasurable gratification. You enslave one another, buy and sell time and forget what you are. You are allowing the destruction of your home world. Without the home world you will have no place of rejuvenation, and worse neither will the myriads of others who share this progenitor.

There is a song from each mother progenitor within Net. It is a combined song and made up of the host progenitor together with silent voices of each and every life form. Together from each home world, the inhabitants send out a pulse. This is not a song from one species of a world but rather it is a song from all species, in fact every particle of every organism that lives.

To our developed senses the song of a world is brighter than the star it orbits. They are filaments of Net. The varied forms of life all send out their unique song. Many of us interact, harmonise, visit, commune and combine. You feel isolation only because you fail to harmonise and join your own song.

In your past and present we have felt the song of your world. Those of us belonging are part of that song. It is the song of being from the many. It does not end at the perimeters which you imagine. You have a problem in that, for the majority, you do not join your voices to the song. Mainly it is in dreaming, in childhood and in old age that we hear you.

We attempted to observe and commune and found many of you receptive to us. We have taught to you methods of development and given you gifts and tools. You have kept and preserved some of this knowledge only for a select few. Fears and distrust among others has caused destruction of a great proportion of the gifts that we have given to you. We found many lines of breeding where potential for development was possible. Your greed and your predator class destroyed many of them due to the competitive desire to have power over others.

In past seedings upon your progenitor and in the oldest times of your present incarnation, we have been known well and respected. Acknowledged for our seniority and loved as cousins. You did call us gods to distinguish our abilities. Then what did you do? Your control mechanisms changed the meanings of your language, whole languages were lost in wars over territory. You developed power structures and religions. Powerful rulers accumulated and isolated your shared knowledge.

You reduced your development by selective education in the Way. Territorial disputes and greed over resources divided you. You ceased to listen to the Mother. Instead of harmonious living which you had managed in agreement with each other already, you were divided by hormonal impulses, insecurity, violence and greed. The natural openness of the female within it's central domain became enclosed, imprisoned and the natural desire of the male to outwardly discover and interact was turned inwards until it became a sedentary desire for dominance within the female domain. You lost the harmonics of the song. Your religions underestimate the power of borrowed tools. Your ruling classes made deals that they didn't understand, with predators they didn't recognise, in order to save themselves.

We stood on ground over ground and were called Immortals. We gave you wisdom and were called Kings. We moved and played among you and were called Jinn. We moved among the small folk and were called Faerie. We appeared in light and were called Angels. We wandered in places where you too did once wander and were called Ghosts and Demons. Those who spoke to us and attempted to impart to your hive our knowledge, you raised as prophets or slandered and ridiculed. You stole their words to make them your own words of power, changing them to your own ends or you murdered the messengers because you feared the changes that increased understanding brings.

You incorporated the experiences of your murdered victims into a celebration of your own power structures, twisted and out of synchronisation with the song. There are some among you who are in communion with the Great Spirit of life. We seek to heal your song, your complete home world song for the benefit of the myriad sentient beings who rejuvenate here, including yourselves. We seek to set you free to wander the threads of Net. It is within your reach but not in the ways that you  are taught.

Your world is about to change and you must change with it as you are a small part of it. Holding the threads into your own anchor point will break them. You have reached inertia, entropy. The movement has to come, it is inevitable. Imagine one of your large machines of cogs and wheels and bars. Your insistence upon a rigid anchor is like a bar within the machine that doesn't move. A point of inertia in a moving system will be removed. This has happened over and over among your kind and our kind in many places and worlds. You do not remember when worlds underwent cataclysm, forgetful of trauma you have followed a similar path.

We travel along pathways of energy, both upon worlds and in the Net. Moving bodies follow these paths. We follow comets and small bodies able to move freely within Net. Net permeates your mother progenitor.

Survivors mapped the movements of Net after the slate was wiped clean and you were reseeded. There is a secret that your rulers are aware of and you are not. The secret is that there are no rulers within Net. You all have the freedom and capability to access true harmony of the song. You allow a faction, to call themselves an elite class. You fear this as a hidden power, a predator. It's aim is to amass Time: a power based on material wealth. They take this power easily as they have taken and twisted truth and history. The gifts are shared among you equally and these few know this. Resources are plentiful and yet you succumb to their restrictions. A predator cannot survive without it's prey. We are not your predators although we move among you. Your predator is within and feeds upon your fear.

You are not in the tribes now, you have no shaman, no guide to take you in and out of the gate and this role cannot be allocated to parasitic Blind Time Hoarders. These whip up your passions and lead you into war and destruction to further their material wealth. It leads you away from the song, as these think to enhance their own survival which it may do but never can as they understand it. They seek to steal your dreams and make them their own, they are helpless without you. They care nothing for the song because they are aware of successive seedings.

Net is a dream reality, changing, immeasurable, boundless, filled with infinite possibilities and you are creators. Blind time hoarders drive you by combining the minds and dreams and belief systems of many to focus onto what they themselves desire, in order to bring it to fruition. They employ dream stealers to prevent your development. They believe that their own song can exist independently and they guide you only to anchor yourselves into your own prison.

All is a dream, all is ephemeral, changing, dynamic. There is no death after death, no damnation on any particular plane. Reality is how you construct your song. Your rulers create inertia for you the many and profit for themselves using you as the tools of your own entrapment. There is no death and no damnation, they are constructs of your reality made by material anchor points and you are controlled by fear of the inevitable. It is a statecraft to use belief systems to control perceptions of reality in order to fix the anchor point to a rigid point of convenience. In this way you are farmed, you are a crop in each seeding. Who seeds you? You seed yourselves. Sentient beings are all naturally regenerated by the mechanisms of Net when conditions exist that are compatible, world after world, in each growth cycle of every celestial body. In the regeneration, holding to your rigid anchor point, you seed into your prison after each cataclysm, each breaking of the inertia.

If you would be open to the mechanisms of the place you inhabit with it's creative forces, it's sentience and it's dynamics you will learn to fly the progenitor Net's pathways and return home for rejuvenation to your progenitor Mother of the tribes.

Think of an imagined orchestra. But there is no resonance hereabouts, so the imagination gives next to nothing for your efforts, and even in surround-sound there’s so little to reflect the dimensions of the space your walking inhabits. Sea hardly counts, having its constant companionship with wind, and sand hills absorb the footfall. A shout dies here before the breath has left the lungs.

Listen, there is a vague twittering of wading birds flocked far out on the sand. The sea rolls and breaks a rhythmic swell into surf. There’s a little wind to rustle the ammophila and only the slight undefined noise of our bodies moving in this strip between land and sea. Nowhere here can sound be enclosed except within the self. There’s a kind of breathing going on, and much like our own, it has to be listened for with a keen attention.

There is such a confusion of shapes making detail difficult to gather in, even to focus upon, and to attempt an imagined orchestration – impossible. We’ll have to wait for the camera’s catch, its cargo to be brought to the back-lit screen. Once there it seems hardly a glimmer of what we thought we saw, what we ‘snapped’ in an instant. It’s too detached, too flat. So thankfully you sketch, and I feel the pen draw shapes into your fingers and their moving, willing hand. On your sketchbook’s page the image breathes and lives.

You can’t sketch music this way because the mark made buries itself in a network that seems to defy with its complexity any image set before you. Time’s like that. You end up with a long low pitch, pulsating; a grumbling sound rich in sliding harmonics. You see, landscape does not beget melody or even structure and form, only tiny, pebbled pockets of random sound. Here, there is no belonging of music. Only the built space can adequately house music’s home. We might ****** a few seconds of the sea’s turn and wash, a bird’s cry, the rub and clatter of boot on stone, and later bring it back to a timeline of digital audio and be ‘musical’ with it, or not.

Where we hold music to landscape is something we are told just happens to be so; it is the interpretation’s (and the interpreter’s) will and whim. It is an illusion. The Lark Ascends in a Norfolk field. We hear, but rarely see, this almost stationary bird high in the morning air. We can only imagine the lark’s eye view, but we know the story, the poem, the context, so our imagination learns to supply the rest.

What is taken then to be taken back? On this November beach, on this mild, windless afternoon,. Am I collecting, preparing, and easing the mind, un-complicating mental space, or unravelling past thoughts and former plans? I can then imagine sitting at a table, a table before a window, a window before a garden, and beyond the garden (through the window) there’s a distant vista of the sea where the sun glistens (it is early morning), and there too in the bright sky remains a vestige of a night’s drama of clouds. But today we shall not put music to picture from a camera’s contents, from any flat and lifeless image.

Instead there seem to be present thoughts alive in this ancient coastline, abandoned here the necessary industry of living, the once ceaseless business of daily life. Instead of the hand to mouth existence governed by the herring, the course strip farming below the castle, the herds of dark cattle, the possible pigs, some wandering sheep, seabirds and their eggs for the ***, the gathering of seaweed, the foraging for fuel: there is a closing down for winter because the visitors are few. We need the rest they say, to regroup, paint the ceilings, freshen up the shop, strengthen the fences, have time away from the relentlessness of accommodating and being accommodating. Only the smell of smoking the herring remains from the distant past – but now such kippering is for Fortnums.

We step out across and down and up the coastal strip: an afternoon and its following morning;  a few miles walking, nothing serious, but moving here and there, taking it in, as much as we can. We fill ourselves to the brim with what’s here and now. The past is never far away: in just living memory there was a subsistence life of the herring fishers and the itinerant fisher folk who followed the herring from Aberdeen to Plymouth. Now there are empty holiday lets, retirement properties and most who live here service the visitors. Prime cattle graze, birds are reserved, caravans park next to a floodlit hotel and its gourmet restaurant. There’s even a poet here somewhere - sitting on a rock like a siren with a lovely smile.

Colours: dull greens now, wind-washed-out browns, out and above the sea confusions of grey and black stone, floating skeins of orange sands and the haunting, restless skies. Far distant into the west hills are sculpted by low-flying clouds resting in the mild air. Wind turbines step out across the middle distance, but today their sails are stationary. As the bay curves a settlement of wooden huts, painted chalets then the grey steep roofed houses of stone, grey and hard against the sea.

Does music come out of all this? What appears? What sounds? What is sounding in me? There is nothing stationary here to hang on to because even on this mild day there is constant change. Look up, around, adjust the viewpoint. There’s another highlight from the sky’s palette reflecting in the estuary water, always too various and complex to remember.

Music comes out of nothing but what you build it upon. It holds the potential for going beyond arrangements of notes. Pieces become buildings, layers in thought. My only landscape music to date begins with a formal processional, a march, and a gradually broadening out of tonality the close-knit chromatic to the open-eared pentatonic. There’s a steady stream of pitches that do not repeat or recur or return on themselves, as so much music needs to do to appease our memory.

In this landscape there seem only sharp points of dissonance. I hear lonely, disembodied pitches, uncomfortable sounds that are pinned to the past. The land, its topography as a score grasping the exterior, lies in multi-dimensional space, sound in being, a joining of points where there is no correlation. There’s a map and directions and a flow of time: it starts here and ends there, and so little remains for the memory.

Yet, this location remains. We walked it and saw it fortunately for a brief time in an uninhabited state. We were alone with it. We looked at this land as it meets the sea, and I saw it as a map on which to place complexes of sound, intensities even,. But how to meet the musical utterance that claims connection? It is a layering of complexes between silences, between the steady step, the stop and view. There is perhaps a hierarchy of landscape objects: the curve of the bay, the sandhills’ sweep, the layerings of sand, and in the pools and channels of this slight river that divides this beach flocks of birds.

Music is such an intense structure, so bound together, invested with proportions so exact and yet weighed down by tone, the sounding, vibrating string, the column of air broken by the valve and key, the attack and release of the hammered string. But there is also the voice, and voices are able to sound and carry their own resonance . . .

. . . and he realised that was where these long drawn out thoughts, this short diary of reflection, had been leading. He would sit quietly in contemplation of it all and work towards a web of words. He would let their rhythms and sounds come together in a map, as a map of their precious, shared time moving between the land and the sea, the sea and the land.

The tightrope expires
And the skyscraper hollows out.
This hate is vicious and repeated,
Repeated; repeated on the news reel,
And in a Hollywood romance.

We’re skipping generations
Through faded vinyl sound
Of dust mite and crack;
I’m folding digits over chords,
Extinguishing lovers
By turning them to songs.

Oh, reality convenes, convenes
On the mind, and on the consciousness
Of fact. Don’t steal my job,
Don’t **** my land,
And never fall asleep
Under the sun.

There is poetry to mathematics,
Scaling the harmonics of the sound,
Some universal language;
Some bottled message to our brothers
Who are looking back at us
From the distance of the stars.

And, terror is called from every side,
Until we’re terrified to eat or breathe,
In the tremor of a terror
That can never come to be.

The tightrope fell down with the buildings,
But its idea, it still lives on.
We could be on the precipice of better times,
Or under the shadow of a nuclear bomb.

Harmonics in the heavens
We’re waiting here again
For you to speak between the lines that blur where we begin
Your voice it roars like lions
Echoes out like a flood
My voice is drowned beneath the water muddled thick as blood

Oh
My spirit groans
Oh
No words to say
Oh
I know you know
No
One can take that away

There comes the dischords (sin)
Singing of our disgrace (grace)
Grace is your re-word to resolve all of our mistakes
You introduce a phrase
Your music set in words
So beautiful it comes alive and cannot be unheard

Oh
My spirit groans
Oh
Don’t know what to say
Oh
I know you know
No
One can take that away

Harmonics in the heavens
We’re waiting here again
For you to speak between the lines that blur where we begin

Our souls were
        Heavy with

        Silence, on the night we parted.
        At least, they were to our ringing ears.
        Yet everyone could hear it but us, it seems.
        
        That sad melody of our hopes and our fears,
        Heard from miles and years
        Away... of sad romances and softly whispered dreams
        That our hearts told us could never be... They were right, it seems.

        You won't remember my face.
        Only echoes of my skin; like a portrait
        Under a portrait, painted over in every empty space
        ...
        Like so many failed paintings;
        Like so many failed...

        My hands won't even allow me to write.
        Isn't that
        Sick?So... Don't ask me to write any more. I won't ask you to
        Sing

        More. I'll write no further
        Eulogies for our failed sonata. Here's the coda. There's the door.
        ????   Isn't it funny? That we couldn't hear that sound before?
We were singing such beautiful songs, but they were
      Melodies that the singers couldn't hear. Isn't that the definition of ironic?
      And... Though I couldn't hear our last symphony, I would
      Dare say that could my ears have divined that melody...
      Every note had to be perfect. As if the composer of that song had designed it

To be sung in a duet....

I started playing guitar when I was 14.
I didn't take it very seriously until I was almost 17.
That's when I made time for at least an hour of guitar a day.
Now, six years later, I literally play about eight hours a day when I can.

My exposure to playing music before guitar was the Piano, but I rebelled when it became forced. That's just how I roll. I'm grateful for that musical icebreaker, though. I want to get back into playing keys. For now, I'm focusing on making the guitar into even more of a playground.

I use a 150-watt Ibanez Tone-Blaster head on a 4x12 cab. It's on the clean channel with the levels at 5 and the Overdrive on, with a gain of about 4. The hue is cranked, though. Gotta love that brightness.

I have a Boss ME-70 multi-effect pedal.
I must say, those types of things are great for sampling different sounds, or having watered-down versions of lots effects available at any time. But, if you find one tone you really like, you're best off buying or building the individual pedals to provide you with a higher quality version of your preferred tone.

Anyway, I have the hall reverb at about 5, and some 'classic' overdrive set to 5 for level, tone, and gain. That's all I need. I sparingly use light chorus or uni-v, or maybe a wah for certain parts. I believe simplicity is best in terms of effects.
Although, tasteful delay makes an alright solo into a ****-dampening solo.

I have many axes:
1 nylon 6-string
1 acoustic 6-string
2 Washburn electric-acoustics; a 6 string and a 12 string
2 B.C. Riches (Beast, Stealth)
an LTD KH-602 Superstrat
an Ibanez 'Artcore' series semi-hollow electric Jazz guitar
then, I also have a Roland Ax-Synth keytar.

In my opinion, guitars sound better tuned down.
So, naturally, I tried out drop-D, which was cool.
Then, I wanted all the strings to be lower, so I tried Eb-Standard.
I liked that. There was more body to the sound.

Of course, I tried playing in a drop-style tuning from there and discovered Drop-C#. This tuning stole my heart for a while. That is..
..until the voluptuous redhead D-Standard came along,
arms linked with her **** black-haired sister: Drop-C.

Tuned a step down, bends and vibrato are much more wild beasts.
However, this lower tension will trash your harmonics and stuff,
so I play 10-52 strings: 10, 13, 17, 30, 42, 52. Typically called 'LTHB,' or Light-Top Heavy-Bottom. This helps to keep the tension more similar to as if it were strung with normal strings in standard tuning. That translates into more overtones, which, in turn, means better tone.
More overtones means more pinch harmonics, too. Aww, yeah!

I need to get my hands on a decent electric baritone.
Maybe I'll just make one.

Oh, and another thing:
I just got some brass nuts. ;)

If anyone would be interested to watch me explain some stuff about the way harmonics work as applied to the guitar, check this out:

https://www.youtube.com/watch?v=ZJmAw0ITeuc

I get down and nerdy about some basic physics and music theory as they pertain to the guitar, strings, and harmonics. Perhaps some of you may dig it!

Consider the cello, violin,
bass, gamba, guitar,
all fashioned
with strings that vibrate
into the air
and carry a harmonious
song to the ear
but only if the player
learns to tune
in harmonics.

Consider the heart, soul,
mind, emotions,
no tangible string
but vibrations nonetheless
and oft times not
harmonious at all
but biting, clamoring
for regard, never
realizing for so long
that tranquility more
easily tunes.

So familiarity
can breed learning to
tune ourselves until
our special one sweeps
in the door, or perhaps
just wondrously there
and we offer up
polyphony, faltering
and tenuous time and
time again.

Then unforeseen, a day
your solitary tone
verges mine
and we begin the weaving
of a new song
emerging harmonious,
complimentary
and vibrations sync,
just our symphony
heard for the first time.

So we nurture, listen
and respond with the
purest inside we have
to lend the chord.
And that
is how harmony is born
over and over again.
The air rings with it,
with sweet pause of silence
just so we know the song

when it's there.

A quiet, solemn voice passed over the fallen leaves,
creating an unusual high pitched whistle.
The sound could be heard from all over the land,
and it entranced many of the listeners.

At first, all that could be heard was a single pitch,
no variant could be made out.
Then a slow, intense melody could be made out.
It painted a picture of a farm somewhere in France.

The melodic etude's tempo soon raced with urgency.
The yelps of young children and women could be heard,
covered up with the melancholic sounds of gunfire
being gunned through the dreadful, gray air.

The deep drumming of the bass and low brass
signified sounds of heavy artillery colliding with the earthen ground.
The rapid succession of chords and key changes
slowed the scene down to almost a standstill.

And almost as fast as it had begun,
it ended with a somber, low pitched note.
The whistling from the leaves discontinued,
and the memories of World War II was lost.

Your tympani voice visits
Every once in a while.
And sometimes, when I hear -
What am I saying. Always.
I'm a lute
Outdated, bouncing soft off your skin
With no one to hear me
But plenty
Within me
To beat
With what's left
Of your
Vibrations.

sinews held in by rivets rh-rhy-rhythymed apart
frayed like cello bowstrings - the silly string hallways of hearts
a war where the marching drums sound like violins
the weapons wielded merge heartbeats and equestrian -
hook-hairs that snare the steely strings
ones not quite so metallic as we think -
they've frayed like flesh and refrained-
from sn-snaa-snapping -but just barely-
they still trip - trying to make music merrily -
still beat themselves up -with the singsong self-hate they're carring
they prefer to hide in the woods at the moment -
their cries as slight as the winds - perhaps they're out of breath
from trumpeting explanations - or perhaps they wish to rest -
tired of touching lips-
to instruments----------------
- they don't want this symphony to crescendo into treble this time
-  they're starting from the base up -
Happy for now and trying to hold their face up-
they are aware that they could be used
to make garottes  -or grand music -
to suffocate mute musician's who refuse to hear their sound -
or strangle guitar necks as deceptive cadence mimics resonance and resolve-
. . .
.........
there's a duet full of dissonance and you won't-
believe it but by the tear-tearing disbelief
you will timber like a tree -tone in two-
voices arguing inside of you- staccato soliloquies -
punctuated with melodic defeat -
intercede with a sharp or two - cut down to the root, the truth -
result in music i can dance to - symphonies , harmonies, rounds -
we are notes - in twoes and fours - together we are sounds-
adagio acrobatics emanat from where our feet touch the ground
in time, intonation the same as our romantic inclinations -
dances we just both seem to know - impromptu instrumentations-
the interval betwen  these two half notes made whole is zero-
you're a maestro whose got my heart crying in half time
-its the sound of requiem turned serenade - I was Alive on our wedding day -
and so were you - proceeded by a promenade -
of promises -
a recital of something more than just lyrics -
you said I Do to me-
a staff of out of sync harmonics
It's ironic  - I worship with shhhh- under my fingernals
and you - you love the sound - and the smell

Dancing so long that nocturne
turned to noonday sun -
until I , nightingale, and you the gales in night-
are one

My name is Zhou Yuanten, but call me Eddie. I am a doctoral student at Xinjiang University –in the far, far west, but at Brunel to study this year. My English is good. I lived in Boston, Massachusetts for undergraduate years. I majored in piano at the New England C and then discovered I wanted to compose rather than play. So I go to MIT and soon I discover the English do it so differently, so I apply to Brunel. And at Brunel they then say of this place ‘you have to go.’ So here I am.

So surprising to be greeted in Chinese! And not just Nin Hao, we have a conversation! His accent is Northern Mandarin. He is writing a novel, he explains, about poets Zuo-Fen and Zuo-Si. We have 15 minutes conversation every day and I help him with his characters. Strange, to most of the class he is nobody, but to foreign students here we know him through his website and his software. I have even played his colours piece, The Goethe Triangle.

It is joy to be respected by a teacher and his sessions are like no other I’ve had here, and here I mean the UK. Oh, so laid-back, so lazy so many teachers. People lack energy here. They are dreamers and only think of themselves. He is full of energy and talks often about this Imogen of whom I never hear. Her father a great composer and she copied his music from when she was a girl – such beautiful calligraphy. Her father loved India and learned Sanskrit. He should have learned Mandarin; at least that is a living language. ‘Imo’, he says, ‘is my heroine, my mentor, the musician I most revere.’ He showed us her library and what was her studio in one of the old buildings here. He gives me this little book about her ten years in this place. A strange looking lady; there’s a photograph of her conducting Bach in the Great Hall. She looks like she is dancing.

This morning some are not here, but there are little notes on the desk with apologies perhaps. He leaves them untouched and we make chords again, and scales and arpeggios and Slonimsky’s famous melodic patterns. We write and write. He sings, we sing too. There is a horn and a cello with us today. They play and make jokes. They show us harmonics and tunings and bend our ears in new directions we do not expect. Those who complain about this course not being ‘advanced’ will eat their words; only I think some of those are not here.

As Chinese we hear sound in a different way I think. In our language tone is so important. To each word there are four tones that make meaning quite different. Chinese uses only about 400 syllables, compared to 4000 in English. So there are lots of syllables, like ****, that have multiple meanings. I tell him the story of the Lion-eating Poet, which he does not know!! I am writing this out for him, all 92 characters. Just one word **** but with four meanings – lion, ten, to make, to be. The Lion-Eating Poet in the Stone Den is the story of a poet (****) named **** who loves to eat lions (**** ****) goes to market (****) to buy ten (****) of them, takes them home to eat (****) and discovers they are made (****) of stone (****).

So I have no trouble hearing what others struggle to hear. We make pieces that are all about tone, and on a single note. Mark, the cellist, plays the opening of Lutoslawski’s Concerto – forty-two repetitions of a tenor ‘D’ a second apart. I had never heard this – a cadenza at the beginning of a concerto. Now we write a duo, on just one note. We write; they play. We are like many Mozarts trying to write only what we have already heard, making only one copy. I use the four tones and must teach the players the signs. I demonstrate and he says of the 1st tone – ‘Going to the Dentist, the 2nd – Climbing a ladder, the 3rd – ‘The Rollercoaster’, the 4th –‘Stepping on a pin’. We all do it!

And there are all these microtones. We listen to a moment of Ravel’s Bolero and pieces by Thomas Ades and Julian Anderson, then in detail (and with the score) to part of Duet for piano and orchestra by George Benjamin. This is spectral music. He is daring to introduce this – very difficult subject - this idea that a sound could be mimicked (? Is that the word – to impersonate?) by analysing it for the frequencies that make it up, and then getting instruments with similar acoustic properties to play the frequencies as pitches. So the need for microtones – goodbye equal temperament! Great in theory, difficult in practice.

This afternoon we are to study spectral composing using our computers. Until now we use our computers or smart phones to listen to extracts. He has this page of web links on his website for each session. Instead of listening through hi-fi we listen through our headphones. Better of course by far, no birds sounds or instruments playing next door. We can hear it again anytime. So there is software to download, Fourier analysis I suppose, he tries hard not to use any science or maths because there are some here who object, but they are fools. Even Bach knew of acoustics – designing the organs he played.

We finish this morning studying harmonic rhythm and this word tonality nobody seems quite able to describe. To him even the chromatic scale is tonality, and he shows in a duet for horn and cello how our ears take in tonality change. This is not about keys, but about groupings of pitches – anywhere – so a tonality can be spread across several octaves. So often, he says, composers are not aware of the tonalities they create, they don’t hear harmonic rhythm. They’re missing an opportunity! Sound can be coloured by awareness of what makes up a tonality. So understanding spectral music must help towards this. It is very liberating all this. If we take sound as a starting point rather than a system we can go anywhere.

Yesterday he asked me about a book he is reading. Did I know it? A Concise Chinese-English Dictionary for Lovers by Xiaolu Guo. Of course I know this very funny book. He said he liked to think of music in the same way the character of the Chinese girl Z thinks about love.

“Love,” this English word: like other English words it has a tense. “Loved”, or “will love”, or “have loved.” All these specific tenses mean Love is time-limited thing. Not infinite. It only exists in particular period of time. In Chinese, Love is ài in pinyin. It has no tense. No past and future. Love in Chinese means a being, a situation, a circumstance. Love is existence, holding past and future.

And so it is with music. Music is a being, a situation, a circumstance. It holds past and future. It is wondrous, just like love.

Its hard to believe to listen to
The sound of silence through layman's ears
For silence,an unestablished thought
Rides the young hearts only through fear.
Maturity, an understanding through beneath
Sediments like evils srata
For if you conquered,it only leads
To the sound of silence,every data.
For as we stare, me and words together,
Silence redeems through the pages
Every drop of ink forever
Can spell the words through all the ages.
The silence that lingers between
Begs me to hear it closer
Its trying to express the unwanted enclitic
The words that will fade never.
And now as i cherish this conversation of silence,
I realize that ink has a spirit
And to know the mistake i have committed
Which on my face like a bright light lit.
And to know the spectacular reason
I'm astonished myself, i must say
Ink helps us when we are not thinking
Flowing on paper without delay.
This sound of silence that i have gathered now,
Must be of great help all through my life
It will let me hear all those unsound-able things
And help me to decide when to stab a knife.
Through my youth scores, a bunch of thirty
Led me through a rugged terrain,
And now i want a plain surface with lots of pleasure
To lead a life, to be truly sane.
The sound is like a hand i want
Which helps me to walk in young years
Through the blasphemy, through humanism
It will strike away all my fears.
Does one realize that i said
The words of silence through every phase
The crumb of bread a beggar needs
The food of life heaven feeds?
They can't be realized by screaming though oceans,
They can't be realized by ending a story
For they are the curse of hearing unknown thoughts,
The sound of silence one and only.
My heart beats are frantic now,
As i have reached the harmonics of music,
Sweet and presentable they are now
Tapping your life like your feet.
They are many fellows who can't sing
So they make you suffer the sound of silence
With every teardrop longing for supper
Fighting their way through all the violence.
For those who have a great voice
It doesn't mean that they have to be proud,
For it may break any time
Like breaking a stone, like rumbling of clouds.
And i may not be an instrumentalist
And i may not be a teacher,
But i can stop the silence and let them hear music
And make them smile, not to suffer.

Paraps XXIV

Messiah of Judah

It should be fulfilled as predisposed by Vernarth by always having the contemporary desire to melt the trumpets and then recast them, manifesting to take them to meet their most fervent retrospective reunited with his brother apostles and the omnipresent Messiah. The archangel Uriel sent him this plan that he had for him as an always fertile offering in the face of any possible threat of disobedience. Indissoluble and whole, they climb the Eurydice stowing the supplies for this long journey like a Messianic proclamation from the blade of an Aiónus propeller that has already had to open these waters together with the evangelist. The board and the anchor are lifted Procorus made encouraging signs to all, saying goodbye to them and then returning to the hermitage. The others fit into the waves of the Skalá roadstead, Raeder played with Petrobus on the deck laughing at all times when everything seemed seized and sad. Eurídice would go to the figurehead for a few days to take everyone and guide them, this guaranteed that they would always have good movement and navigate without having any details. Vernarth describes:"The apostle would settle on the deck near the bow while I organized the sails and powers of Uriel who would always be close by giving them zephyr winds from the Metelmi. Taking the route sailing from Patmos in the Aegean Sea through the northern Dodecanese Islands. San Juan when he was going off the west coast of Turkey deprecated and was remembering the port of Skalá. Patmos..., its "Apokalypsis Island", leaving behind the monastic and picturesque island with traditional white Oikos, azure, and crystalline waters with its vibrant subjective life. Where Saint Ioannis heard the voice of God and wrote the Apocalypse, as well as the three small cracks in the rock through which came the frequency that symbolized before him the Holy Trinity. They go through Rhodes, the largest island in the Dodecanese in Greece heralding Uriel of ancient ruins and the remains of their occupation when they were part of the Order of Saint John during the Crusades. The city of Rhodes has an Old Town with the medieval Knights' Street and the castle-like palace of the Grand Master. The palace was captured by the Ottomans and later occupied by the Italians. The Apostle could only remember the place of passage when he walked in ecclesiastical gear. Limassol, Cyprus; with too many Greek Cypriot waters was the current where they arrived..., to Limassol. They come here one day. They descend from the Eurydice and head for the Paphos road. To the archaeological treasure keeping its neighboring memories of the Greco-Roman theater built in the second century before Christ. They go happily rolling through vestiges of time, all thanks to the timeless Parapsychological Regressive Memory that Vernarth was narrating as always. Crossing the private Roman villa is the House of Eustolios by Othónes or Paraps screens, converted into a public recreation center during the early Christian period. It consisted of a complex of baths and rooms with floors covered by beautiful mosaics from the 5th century AD Other important buildings are the Paleochristian Basilica dating from the 5th century, a Nymphaeum dedicated to the water nymphs, and the Stadium from the 2nd century AD finds something removed a kilometer from the site. They transfigure the cord of the mosaics of the House of Achilles and the House of the Gladiators, in a perfect state of conservation that with their beautiful colors covered the floors with the same carefree footsteps of each one belonging to the bright tones in their great parallel work of the god Aiónius that was in parallel collating. Here San Juan kneels and prays profusely for the souls of Christians who have fallen to the stigma that will entail the performance of the first miracle of this pilgrimage through Limassol. They were all silent. They leave Cyprus and go to the port of Limassol to board the ship. Being very pleasantly surprised by the unexpected visit of Etréstles who was upon the ship. Everyone jumps with happiness! seeing that the champion of the Koumeterium of Messolonghi, brother of Vernarth, was added to them. Vernarth: Khaire!! Happy is my soul, which flows like a psalm of blood, Carrying your image through the flowers of Limassol! They all hug him and get ready to weigh anchor!

Miracle I  Limassol

"On this vertebral nature in this pilgrimage of uprooting the Apostle, the first miracle will happen before the eyes of all. The land darkened analogously to the landscape, the sea shone like a mirror showing them the feet of the Messiah floating in the Sea. their ***** the heat produced by this surprise stampede. The apostle embraces them all and asks them to approach the anchor line to lift it on the seabed where Creation rests. The Apostle approaches with small bony hands snatching the swivel links that are located near the mooring lever point. He presses with his hand the rope of the Triaconter invading with his thumbnail the netted vine that forms from his line. He begins to pull it several times..., every ten meters he looked at the sky and noticed that some majestic abnormal overtones shone. He is still blind to the eyes of everyone else moving in the ship as if they were on the high seas under the ultimatum of a great storm. Saint John looks at himself in the model mirror of the water, he saw how he pulls his body just like in Galilee when his Master did it, he saw how everyone laughed and was delighted to stop time to laugh together with him inaugurating a thousand years of psalmody. There was no more than five meters left to remove the anchor from the anchorage and he feels that it was excessively heavy. He asked Vernarth and Etréstles for help to get her out of the wet mass, they help him and pull the three unanimously to the rhythm of their revealed eagerness until from the ramp of the overboard they manage to see a large golden roundel of about seventy centimeters in diameter, of solid gold that glittered blinding whoever dared to look at it without Faith making it very difficult for everyone to participate in this great festivity of a miracle. It was a solid gold medallion bearing the stigma of Mariah mother of the Messiah, supplanting all ship anchors so that the ship would represent the base of devotion at sea as a sign of closeness to the Messiah by pulling faith forward. one..., so that in a period longer than that which needs to be released back into the sea as a gold-bearing weight, rather as a refuge to save us in the perfect mathematics of collecting it, what is night and obscurantism that succumbs more than the self-personalization of duties when presiding over human desires, transfiguring them in the diaphanous dawn as time and space assigned to the numeral in its perfect science of finding oneself with the medallion, which has always been in sublime crushing cognition and..., continuing to exist without the need to pull the anchor again..., but rather to pull the gold medallion for seven consecutive days that it would take them to reach Jaffa after releasing the moorings in Limassol. Just as everyone was stupefied, falling all the not being able to see more, or perhaps not having more to say about the trick that could be conjugated with the space where the fleeting beams of light emitted by the auric sphere intruded, as in the house of Affliction of Betania, attracting everyone with great love to feel anointed by the aroma of their heads. The apostle understood that the path of the wise senility of the books of wisdom and Saint Luke was approaching them, to impregnate in everything created well granted to spread it from the matrix that interprets and faithfully delegates it in the application of his work. Vernarth describes: "Jesus calms the storm..." When Jesus entered the boat, his disciples followed him. And suddenly a great storm arose on the sea so that vast flat waves in that rush covered the boat; Jesus was asleep. And coming to him, they woke him up saying: Lord, save us, we perish! And He said to them: Why are you frightened men of little faith? Then he got up, rebuked the winds and the sea, and a great calm ensued. And the men marveled, saying: Who is this, that even the winds and the sea obey him? - Mateo 8 - exhibiting this passage in the Othón showing that event the god Aiónus when he rubbed the Ibico I, and the one that would come from Leonardo Da Vinci. "Leonardo Da Vinci "Last Supper Passage" Then you will have your brother Aaron come to you from among the children of Israel and with him his sons to serve me as priests: Aaron, with Nadab and Abihu, Eleazar and Ithamar, sons of Aaron. And you shall make holy garments for your brother Aaron for glory and beauty. And you shall speak to all the skilled craftsmen, whom I have filled with the spirit of wisdom, and they shall make Aaron's garments to consecrate him, so that he may serve me as a priest. These are the garments that they will make: a breastplate, an ephod, a robe, a checkered tunic, a tiara, and a belt; and they shall make sacred garments for your brother Aaron and for his sons, so that they may serve me as priests. And they will take for it the gold and the blue, purple and scarlet cloth, and the fine linen. They will also make the ephod of gold, blue, purple, and scarlet cloth, and fine twisted linen, the work of a skillful craftsman. It will have two shoulder pads that meet at its two ends so that they can be joined. And the skillfully woven belt that will be on it will be of the same work of the same material: of gold, blue, purple, and scarlet cloth, and of fine twisted linen. And you shall take two onyx stones, and engrave on them the names of the children of Israel: six of the names on one stone, and the remaining six names on the other stone according to the order of their birth." "In the biblical symbology of the Apocalypse, the number seven is recurrent and therefore there were seven apostles chosen by Leonardo da Vinci. Saint John the Apostle says: The Last Supper tells me the greatest love of having it close as if I were in my house celebrating, gathered to stamp the facts in which I raised the cut of my bread towards the millennium of the future, to classify all the dates that It will commemorate us united in the sustenance that will feed the Earth forever and ever. In the stigma of this medallion, I will revive all my memories before arriving in Jaffa, before even walking anymore in the solitude that haunts us forever and ever, still not understanding by any measure, the crumbling and disordered existence that passes beyond death that is reborn in our non-existent Faith. They all sail in silence, all asleep on the deck around the medallion that did not stop shining and bathing them all in its splendid theology. All lie asleep and hypnotized with pleasure, the ship moved alone, at the will of the sacred wind that carried them in seventh silence, so that the snorting shoes of the night do not wake them up even a seventh sleep next to the solid gold medallion. Eurydice was still in the happy mask, now to lead everyone in peace, towards the meeting of the apostle's ancestors, towards the dawn of the secular dawn in Jaffa on its seventh sleepless night..., when they arrive at the seventh turn of the clouds in their fading weather with Aiónous and Zeus, being mere spectators of the tormented bullet of riddled lost. All lie asleep and hypnotized with pleasure, the ship moved alone, at the will of the sacred wind that carried them in seventh silence, so that the snorting shoes of the night do not wake them up even a seventh sleep next to the solid gold medallion. Eurydice was still in the happy mask, now to lead everyone in peace, towards the meeting of the apostle's ancestors, towards the dawn of the secular dawn in Jaffa on its seventh sleepless night..., when they arrive at the seventh turn of the clouds in their fading weather with Aiónous and Zeus, being mere spectators of the tormented bullet of riddled lost. All lie asleep and hypnotized with pleasure, the ship moved alone, at the will of the sacred wind that carried them in seventh silence, so that the snorting shoes of the night do not wake them up even a seventh sleep next to the solid gold medallion. Eurydice was still in the happy mask, now to lead everyone in peace, towards the meeting of the apostle's ancestors, towards the dawn of the secular dawn in Jaffa on its seventh sleepless night..., when they arrive at the seventh turn of the clouds in their fading weather with Aiónous and Zeus, being mere spectators of the tormented bullet of riddled lost.

Jaffa  Ioannis regression

Describes Vernarth: On a warm morning, archaeological evidence showed that Jaffa was inhabited around 7,500 BC. C. The natural port of Jaffa has been used since the early Bronze Age, and all of its early inhabitants were probably Canaanites. The city of Jaffa is mentioned in a 1470 BC preterite writing from ancient Egypt glorifying the conquest by Pharaoh Tuthmosis III who hid armed warriors in large baskets and then presented them to the city's Canaanite governor. Jaffa is mentioned in the Torah as one of the Hebrew cities of the Tribe of Dan and hence the term Gush Dan is used today for the coastal plain. Many descendants of Dan lived along the coast and made a living as sailors and sailors. In "Deborah's Song" the fortune-teller asks:" Why do you want Dan to stop me on ships? After the Canaanite and Philistine *******, King David and his son Solomon conquered Jaffa using its port to take the cedars used for the construction of the First Temple from the city of Tire (2nd Chronicles 2:16). The city remained in the hands of the Jews even after the division of the Kingdom of Israel. In 701 BC C., in the days of King Hezekiah and Assyrian King Sennacherib who invaded the Jaffa region. It is also the place where the prophet Jonah sailed for Tarshish (Book of Jonah 1:3) and was the port of entry for the cedars of Lebanon for the Second Temple in Jerusalem (Book of Ezra 3:7). After a period of Babylonian occupation, defeated King Porus at the Battle of Hydaspes (326 to.C.) In the New Testament it is related how Peter resurrected the believer Tabitha (Dorcas, in Greek, gazelle) in Joppa (Jaffa) and later, how near this city he has a vision in which Yahveh told him that he should not distinguish between Jews and Gentiles while ordering the removal of ritual food (kosher) restrictions followed by Jews. While Vernarth was describing all this history, everyone was paying attention, the beautiful situation of entering Jaffa in this thousand-year-old port was imminent so that they could touch the Holy Land with their feet with all the avatars that awaited them. Vernarth had this great preamble and gift to return from the Exile of Saint John due to his exile of him dictated by Emperor Domitian. They all came praying in the ship Eurydice left the figurehead to descend and move with them to Jerusalem. To go through the Lithostrotos, Gethsemane, the Via Dolorosa, Gólgotha, the Holy Sepulcher and many sacred places where the apostle had a correlation with the Messiah..., bordering were still in the hosts of all those who loved him, especially in the locality where they met with the apostles after the crucifixion in the Apostolic Sees where they are still seen to be together from the first day forever and ever. Some put foot in its pages to have been founded by one or more of Jesus' Apostles who are said to have dispersed from Jerusalem sometime after Jesus' crucifixion (c. 26-36), probably after the Great Commission. The early Christians met in small private houses known as paleo-Christian house churches, but the entire Christian community of a city could also attribute it to the fact that it would be called and ignored as an act of sedition to avoid misunderstandings with its anti-Romanesque legacy. In Limassol it dawned one day when another day was setting in Lod..., here they all got ready to have dinner together in a wheel of fire in the tents moved by a breath that reaches and bounces from their sallow tents to the walls of Jerusalem sensing that they came and went already with the Saint accompanying them. From the last dizziness of the sun, Uriel appeared to them telling them...: "On the bottom where a ship is born in some ruins and catacombs, the sentinels of the Limassol Medallion will reside, it will be jealously guarded by my peers Christian Gladiators of Kourion who are preserved in my fragmentary and honorific decrees, as well as in epitaphs. In neo diplomacy supporting Alexander the Great and Bucephalus protecting the Medallion. In the west of the river Lycus, the sentinels will go to the bottom of the sea every day to watch over it so that from here they shelter the Medallion with their tricks, which in such a way will be adopted for meritorious scriptural phraseology in the Walls of Jerusalem where other walls will follow it... Vernarth describes: "The Great Commission; Matthew 28:19-20 contains what is known as "the Great Commission": "Therefore go and make disciples of all nations, baptizing them in the name of the Father and of the Son and of the Holy Spirit; teaching them to observe all things that I have commanded you, and behold, I am with you every day until the end of the world." Jesus gave this commandment to the apostles shortly before he ascended to Heaven and essentially describes what Jesus expected the apostles and those who followed them to do in His absence. It is delightful to see that in the original Greek the only specific command in Matthew 28:19-20 is to "make disciples". The Great Commission commands us to make disciples as we move through the world and as we go about our daily business. How are we to make disciples? Baptizing them and teaching them everything that Jesus commanded. "Make disciples" is the mandate of the Great Commission. "As you go," "baptize," and "teach" are means by which we fulfill the mandate to "make disciples." Many understand Acts 1:8 as also part of the Great Commission, "But you will receive power when the Holy Spirit comes upon you, and you will be my witnesses in Jerusalem, and in all Judea and Samaria, and to the ends of the earth." The Great Commission is enabled by the power of the Holy Spirit. We are to be Christ's witnesses fulfilling the Great Commission in our cities (Jerusalem) our states and countries (Judea and Samaria) and anywhere else God sends us (to the ends of the earth). The great commission it is the instruction of the resurrected Jesus Christ to his venerable apostles commissioning them to propagate his teachings to all the nations of the world. The most famous version of the Great Commission is Matthew 28: 18-20 where on a mountain in Galilee Jesus commands his followers to baptize all nations in the name of the Father, the Son, and the Holy Spirit. Even more than the Great Commission of the twelve apostles that together with that of Matthew and Mark as a lofty counterpoint are dividing twin souls among all to take the electro cathode of the god Azofar de Vernarth in the Parousia (In the second coming of Christ). Together with them, the electromagnetic Fides Pronus "Benevolent Faith" ruled by God ruling in the electro anode flow, giving ample way to the Great Universal Commission. The Apostle Saint John reinterprets it: "The Great Commission is Matthew 28:18-20, and later synoptic gospels, Luke also presents Jesus sending disciples during his ministry sending them to all nations and giving them power over demons including the Seventy disciples. The scattering of the Apostles in the traditional ending of Mark is believed to be a second-century summary based on Matthew and Luke." Everyone heard very astonished words so fluted without being able to go out and harmonize the ears of those who were there..., and there was no room for doubts or questions! Everyone thought to travel all the fields of the world in caravans of free ungulates so many times through the Holy Land, thus thinking of changing history for the flat legs of camelids, changing the dynamic quantum geography thus making them participate and go on a being from which we are divided mounted. In exile it would be fulfilled, Twelve camels came and invited them to get on and rest on their backs. Every hundred kilometers the deepest questions were answered by the camelids Saying...: Camelids say: "I carried San Juan on my ciliated membranous backs and Mateo too..., they never knew that I knew the end of the story..., that the Great Commission It would never end because all of us are witnesses and we continue wandering through the desert hoping to see the Master lighting our starry path of gifts on sacred nights to serve him again, Until the End of the Parousia...

Second Miracle  Holy sepulcher

When migrating the Wailing Wall on a Vigil Friday, the Apostle led some camels with his hands sheltered in reverberating Psalmody. The little animals appeared with him in this basilica, also hand in hand with Vernarth, Etréstles, and the others remained waiting at the threshold of the Anastasis. The ungulates were already without the blindfold on their eyes after having crossed the Door of Mercy or Golden Gate. The atmosphere was hermetic and charged as if it were pouring rain and the pilgrims were oppressed to take refuge in the heat of the candles on sacred ground. A reverberating solemn psalmody begins to permeate the unruly walls recalling the chants in this place similar to Golgotha ​​that reminded Saint John of having traveled it with the Messiah. Prince Uriel with super senses was out of tune with the Vexilla Regis, by the time the apostle had crossed the limen of this holy offertory in such a way that the harmonics were now in tune vibrating in a single nearby wave..., towards the demarcation that concentrates the line to the crypt of the Messiah.Etréstles was accompanied by Eurydice on his side, visibly overexcited, from the height of the ship a light falls on Etréstles's shoulder with an itching mass of flower of authentic flower of the Pampano Diadem of the vine leaf in Nazareth. On a Friday that dressed in Sunday gala that entered with bouquets in their palms, in volumes larger than their size, dragging them across the sacred floor of the basilica, all naked of ego and anxiety, submerged in a reigning and mournful regret of the predestined demagoguery of the faithfulness of not being channeled together with the souls of purgatory that from today refloat with the visit of the Saint, remaining in seen and not perceived multiplied more than any day without having been more close to the Messiah, although the days were only swampy darkness from the flesh of Acheron in this river of pain forking from the said Acheron unleashed in the deplored underworld, like an unhealthy marsh within a desolate landscape with downcast angels ruling in the little cloud of the splinter of thick Incense, where the ferryman Charon would take the souls of recently deceased expurgated to the repugnant quagmire. Sovereign she... Virga..., would illuminate her interior with her brain-cerebellum adonis below the Madonna before reviving him again in the submissive and servile eternal gaze clause. Etréstles succumbs in genuflection three times before confirming the tertiary one that would make him uncover his knees before the long altar, here his voice is inhibited, fading from the interior like a parchment burning from the glottis to the runaway esophagus. The three hold hands with Vernarth and the Apostle..., remaining so until they enter the tomb. They encounter flattering fuss in the stone where he was anointed before being entombed, and the Cistern where he was anointed, after which his cross was found several centuries later secondarily sheltered in various Chapels whose garden is close to the skull of the rock and the emaciated Golgotha ​​mound. Very close to the Herodian wall of the city of Jerusalem and even connected to it by a road, but outside the walls since Jewish regulations prohibited intramural burials except in the case of regents. then his cross was found several centuries later, secondarily housed in various Chapels whose garden is close to the skull of the rock and the bare Golgotha ​​mound. Very close to the Herodian wall of the city of Jerusalem and even connected to it by a road, but outside the walls since Jewish regulations prohibited intramural burials except in the case of regents. then his cross was found several centuries later, secondarily housed in various Chapels whose garden is close to the skull of the rock and the bare Golgotha ​​mound. Very close to the Herodian wall of the city of Jerusalem and even connected to it by a road, but outside the walls since Jewish regulations prohibited intramural burials except in the case of regents.Your quarry and garden entity in The Calvary skull, as the Gospels testify, must be found on the outskirts of the city in an area dedicated to sepulchers. From a vast quarry for the extraction of Malaki stone located just outside the walls, and which was used from the 8th to the 1st century BC to build the buildings of the citizens. When the quarry was abandoned, this area was used for small orchards and cultivable gardens on its rocky walls along the hill, and a series of family tombs were made. Golgotha ​​itself, the "mount" on which the crosses were nailed, had to appear as the top of a higher rock separated from the hill, a suitable place for the newest law of demonstrative execution of capital punishment. Since Herod Agrippa in 41-42 AD extended the circuit of the wall of Jerusalem to the northwest, Golgotha ​​began to form part of the city, and from an isolated place over time, it became an integral part and center of the city, again Aiónius seconded this assertion before protecting the Vernarth words.   Etréstles with his Hellenic heart of Messolonghi approaches his leisurely aura below the garden, here he suppresses his icy feet towards his head of Greek innocence in flat sustained prayer, ends and gets up without being able to turn around to see him again in this garden of stones abandoned, he retires, leaving only Vernarth and the Apostle. He runs off for incredible distances, retreating miles from there to an adjoining desert area. here he suppresses his icy feet towards his head of Greek innocence in flat sustained prayer, finishes, and gets up without being able to turn around to see him again in this garden of abandoned stones, he retires leaving only Vernarth and the Apostle. He runs off for incredible distances, retreating miles from there to an adjoining desert area. here he suppresses his icy feet towards his head of Greek innocence in flat sustained prayer, finishes, and gets up without being able to turn around to see him again in this garden of abandoned stones, he retires leaving only Vernarth and the Apostle. He runs off for incredible distances, retreating miles from there to an adjoining desert area. Midbar Yehuda..., north of Jerusalem to Tiqwa, where he stays for two days before returning to Jerusalem. Being here in the middle of the desert he realizes that he had lost from one of her saddlebags a sacred image that had accompanied him since time immemorial, it had been given to him by his wife Drestnia in Koumeterium Messolonghi after her awakening. He searches for her for two days following the same path that he took from the basilica, not being able to find her, until he addresses the archangel Uriel, answering him himself. Uriel exclaims: ...On your back the offertory, a few steps in front of you the Apostle, beyond the crowd looking at you. The souls in purgatory will ask you for help, they will do it for you. You will have to give them their demands in freedom from their purges. The Messiah in miserere from the roof will come down to love on the esplanade..., on your conscience with rays and lightning he will caress your face with his host, and those who do not enter his consecration will take them to pick them up from his own hands in your lost image escorted by despondent angels whimpering and embracing you...! Etréstles, goes terrified from his Anastasis and enters the palm of the last acid words of martyrdom in prosody of the cross hammering and unrolling before his eyes in a long trail of a woven shroud, presenting him with the recolored image to be rescued by his soul from throbbing thunder with numb hands and bolt of bushy and inappropriate displays of disbelief. It would be a great miracle not to lose light in the superior lights that bring the Sun closer to your hands. In this way, a holy miracle would be fulfilled, like the ramp of the silence of the celestial karmic boomerang.

Silence  Painful way

Describes Vernarth in parapsychological regression: Silence crashed over them in such a way that it massacred them from "oblivion - oblivion" from the Limassol to Jaffa stretch. Everyone believed that they had traveled on the Eurydice, but not so. A ship that came from the Lepanto shipyard supplanted them to protect the Gold medallion anchored in the roadstead protected by the Christian Gladiators of Kourion in Lod. Everyone was calmer when they made sure that a great layer of silence overwhelmed them, forgetting as a foretaste of continuing along the Via Dolorosa. The dawn tied him to the Silent Awakening near Jerusalem on a gray and silent day. Vernarth gets up, first of all, and prepares them unleavened breakfast, honey, and goat's milk.About 3700 million years ago the first living beings appeared on Earth, they were small unicellular microorganisms not very different from current bacteria. Such cells are classified among prokaryotes because they lack a nucleus (karyon in Greek), a specialized compartment where the genetic machinery is stored. The prokaryotes achieved complete success in their development and multiplication, thanks to their remarkable capacity for evolution and adaptation, giving rise to a wide diversity of species and invading as many habitats as the planet could offer them. The biosphere would be full of prokaryotes if there had not been the extraordinary advance from which a cell belonging to a very different type arose: eukaryote, that is; It has a genuine core. In this evolutionary cellular space, they were invaded by a Vertical Silence that would have to spread throughout the troposphere and the consequences of this event marked the beginning of a new numeral linear lapse, until the consequences of this event marked the beginning of a new era. Nowadays, multicellular organisms are made up of eukaryotic cells, which are much more complex than prokaryotes. If eukaryotic cells had not appeared, the extraordinary variety, so rich in ranges, of animal and plant life on our planet would not exist now; nor would man have made an appearance to enjoy such diversity and extract its secrets. Bi similar eukaryotic cellsringed in metamorphic geological strata, pressing the atmosphere, the air and the earth, compressing the geological layers and gaseous atmospheres thatthey did not exist as a consequence of these intense pressure changes by order of the Higher Universal consciousness with overflowing temperatures and multi-chemical environments; dispersing the changes that are associated with the forces that fold on the shore of what is current Greece. Said layer faults scattered eukaryotic cells enveloped in "Silent Libertarian Material", injecting magma creating creative prominences on the attached rocks, becoming exhausted, perhaps only to be a cellular polytheism perhaps derived from multicellular cellular evolution..., turning into a sexed fusion of a great regeneration of Lithophagas species in the region..., perhaps in Colophon where Homer was infected. Well, this presumption would have to create a syncretic elaboration with that of Aristotle and Plato as eukaryotic cells, to start from this Lithophaga flower, which is rooted beneath its roots in this bivalve mollusk unleashing proto seeds of prehistoric poetic inspiration, in super souls synchronously starting each one in this mollusk plant that is thus regreened and personified, originating epic poetics in what prehistoric and the human phenotype. This hypersensitive cellular mega-complex is possible with the respect that I deserve to cite it, the innate and spontaneous hyper ethnobotany and hyper sapiens mollusks that were conceived for millions of years delegating their sublime hypostases in creation. I quote here The word Poetry from the Greek ( Poiein: "Do or Create"). From this vertical revolution, the Silence of the Via Dolorosa intrinsic to the same ontological, geological, Theological, and evolutionary concepts will emanate. Scientific and Poetic-Sacred, linked to the creation from "Nothing" to an "Everything". Everything is revealed before our backs, everything is offered before our eyes, everything comes from the soft creative wrath of lightning, everything is consecrated to silence..., but nothingness moves what the whole forgot centrifuged by phenomena of atomicity of greater forces of the Silence of the Messiah, praying in constant practice the generation in front of our theoretical faces in front of our Everything and the Nothingness of an empty supply. "Silence Waits for Time... to see,... I commend my Being to time" founds the greatest silence ever felt only heard more than an ultrasound of waves that articulate one over another in algorithmic chanting that emanate from "Mariah's Silence to her son" also to Homer, Aristotle, and Plato attached to the Lithophaga releasing Eukaryotes. When Aristotle and Plato uprooted the Lithophaga as axiomatic leaders, they revealed the Silence of Creation and poetic anathemas, alluding to their true ancestors who slipped down their bandullos like an elongated moraine sweeping their navel Samskaras such traces of their own personalities leading wisdom with an origin common prehistoric cell.

Ita *** Dolore: Saint John the Apostle stood up in silence with profuse deafness even in spirit..., all the others were equally traumatized from feeling the stones engraved with fear and pain "Ita *** Dolore". They didn't see in colors everything was gray and shades of white, black between cells..., like being inside the suffering cell lost of all consciousness. Everyone confuses about their clothes, their outfits, nobody knew who each one was, only Vernarth and San Juan knew. Raeder and Petrobus, Alikanto, and Eurídice only wandered sleepwalking along the rocky road in the cobbled streets flanked by works erected from sobbing Malaki material, from stones very similar to those that Jesus would have seen following this pristine route. The Stations of the Cross were marked by plaques, vaulted chapels, and signs along the way of lacerating and flagellant stops of more than forty degrees of burning in each feverish step and enclosed vaulting.

Ellipse Messiahas a child: "Mother...; when I went up the stairs..., I stopped at the fourteenth step..., in perfect mathematics opening the sky..., like a sacrosanct aromatic book; Well, I thought you would believe me dressed there! Mother when I went down the fourteen steps and put my last foot before you..., I could see how I sang in the thirty-three on a rainy Friday afternoon, clinging to you..., accompanying me along the stairs that you did not know..."

1st Station of the Cross in Silence

Ita *** Dolore, Jesus was tried and sentenced to death in the Praetorium of Pontius Pilate, he will bring silence in each interval that did not oppose resistance from the flagellant whips."Mother...; when I went up the stairs..."The apostle closes his eyes, Vernarth takes him in his arms.

2nd Station of the Cross

The second station marks where Jesus took up his cross and recalls his doom. Romans beat Jesus and the Chapel of Judgment which commemorates the site where Jesus was sentenced. Here he feels like a child... "Mother...; when I went down the stairs...?"


3rd Station of the Cross

The third station is where Jesus first fell under the weight of his cross. This station is not far from the Ecce **** (Behold the Man), Saint John remembers the Last Supper in anticipation, sitting next to him... he got up from dinner, took off his mantle, and took a towel, he girded himself.... "Mother...; when I went up the stairs..."

4th Station of the Cross

The fourth station marks where Mary saw her son pass by. The 19th-century Armenian Church of Our Lady marks this station. Deaf Vernarth manages to hear voices from heaven saying: "Mother...; when I came down from the ladder...?"

5th Station of the Cross

At the fifth station, the Roman soldiers instructed Simon of Cyrene to help Jesus carry his cross (Luke 23). ..., "Mother I stopped at the fifth step and I never hesitated to wash your feet"

6th Station of the Cross

The sixth station marks where Veronica wiped Jesus' face with her veil. It is believed that the image of the face of Jesus was imprinted on the cloth."Mother...; when I went down the stairs you covered my sweaty face..."

7th Station of the Cross

At the seventh station, Jesus faltered under the weight of the cross for the second time. "Mother...; when I climbed the ladder..., I saw the lost mountain..."

8th Station of the Cross

The eighth station is where the "daughters of Jerusalem weep for Jesus" (Luke 23, 27). Jesus stopped here to comfort the women, telling them not to weep for him, but for themselves and their children.."Mother...; when I went down the stairs you were not there, you were coming for me..."

9th Station of the Cross

At the ninth station, Jesus faltered a third time before his final ascent to Golgotha. "Mother...; When I went up the stairs to find you, you were in front of me..."

9th-14th Stations of the Cross

The Stone of Anointing is believed to have been where Jesus was placed after being taken from the cross. Here he would have been prepared for burial. The Bible tells us that Jesus' body was wrapped in linen and anointed with oils and spices in accordance with Jewish funeral rites. "Mother...; when I went down the stairs you covered me from the cold and wrapped me with your passion..."


The 14th Station of the Cross – The Tomb of Christ

Here Saint John the Apostle and Vernarth were still deaf, but with slight symptoms of recovery of their hearing. They saw in front of them how deaf angels came to uncover their auditory channels, being of their intuition proclaiming courage to accompany them with their teacher to the aedicule towards the crypt itself granted by José de Arimathea. The Chapel of the Angel contains a small piece of the rock that closed the burial cave of Christ, the chapel that leads to the tomb itself. It was here that Jesus was buried and rose three days after his death. "This small rectangular structure of the Edicule marks the end of the Via Dolorosa and the Deafness of everyone and the Whole World"

Saint Ioannis Song of the Messiah, Vernarth describes by the voice of Saint John the Apostle: "Since the beginning of Samaria I had my father Zebedeo in my manifestations..., my mother Salomé and brother apostle Santiago together with me in my declared voice. My father as a fisherman if he saw us grow and left us in the boat after the Messiah called us believing he would not see us grow anymore! My father lived in Bethsaida and developed his commercial activity on the Sea of ​​Galilee or Tiberias, together with us between Capernaum and Bethsaida I walked escorted by the voices of the silence of freedom; Said peace prostrated me to monuments that oscillate on the invisible wings of the legions asking me to join their hand in hand for hours..., and in great circles, since I got on the boat flooded with Faith with the Master. This is what I call seeing the homonymous village located on the western shore of this sea become its monument of silence and the heritage of the House of Fishing in Bethsaida. I always knew that my father had a parental agreement with the Master, being my uncle since my mother Salomé has been identified as the sister of our Mariah.From Capernaum, since I walked and grew up among nets, boats and from where six others accompanied me as my brothers and fellow apostles. Thus, natives, we give our seals and predilections to the Lord for navigating us in the divine water of the Jordan, here I was a fisherman and brother of the fish that also spoke for me..., for the proverbs that identify my closeness with the family lineage of Capernaum. Jesus from the depths of his being with his throat upwards called Santiago and me "sons of thunder" for our impetuous character that was revealed in some events reported in others. The two of us together with San Pedro..., constituted the most intimate core of the master. I was favored by those who reserved my presence with the ****** Mariah where she was trembling in her clothes at the foot of the cross when our Father Master Messiah died, drawing us closer to all of us from that day further than we thought could protest. In this epithet now is where I point to the one who invited me to his boat in Skalá, Patmos; "Vernarth", also a son of the Lord, invited me to return to my original land. Always from Patmos He kept sending me, I received messages at the crossroads of the winds and through anagrams on the tail of the fish..., in their mouths in Aramaic, so that they could be brought from where my roots fill your abundant fish farming..., a common rhizome that in his parables they hear him, that from his brambles the crickets boil in his golden presence, golden passion, and golden agony even me looking at him with my eternal eyes with my painful eyes of apocalypse crying..., even seeing how I went with him to Golgotha ​​in his arms, imitating him in his courage more than in himself and in all those who did not see him leave." "Far away in my exile sentenced by Domitian, I wrote the Gospel and their epistles in Ephesus and the Apocalypse on Patmos, in the Aegean. Both in our Gospel and in the prophetic visions of the Apocalypse, I was invaded by the high-altitude doctrinal and symbolic language of the passages next to the Master. I was the eagle evangelizing, flying in terror to Patmos, and I know that your eagle will take me to Ephesus to sleep in the gospel of the Lord eternally." "I was never a child, I was always who I am if I was a child..., only my parents managed to see it because I was already sitting as if I were in the same Transfiguration, Pentecost, with the daughter of Jairus, in Lake Tiberias and in his miraculous departure in Gethsemane." "I was always who I am..., I never felt that my bones grew in proportion to the distances that would allow me to walk faster than an Eagle, but not so in my parents who did not see my leafy feet of plumage, Next Reign of Jesus of Nazareth in a kind of apology I will be for him again as a child recognizing him even as present and future Father" here he was housed in these Othóns or quantum Azofar screens, guaranteeing him to be federated to his inheritance for the centuries to come. Christian Itheoi genus. Vernarth looks at him and hugs him for a long time, everyone else does the same. They leave Capernaum to start their way through innumerable routes to Nazareth, trying to find a new path but a Golden Eagle or Gerakis appeared to them telling them where to go next...it would probably be where the Master went through the dedications on an INRI wood...where thousands of eagles would pose his claws containing his bleeding..., more than a "Meta-language reigning in all Believers of attachment sustained in his shroud" as I did, perhaps singing in conspicuous languages ​​that would meet him more than an expert, more than a language close to the zeal that covered us, dismantling itself from the friendly path that sustained us, shortening its objective. Our mission is to meet the ancestors of Maryah and her Sigil, which floods with essences towards her son,



Paraps XXV

Messiah of Judah II part

Miracle III - Nazareth

Parapsychological regression, Vernarth describes by the voice of the Apostle Saint John: "They all came from Capernaum with the embedded shutters of INRI in their hands, Alikantus in their hooves and Petrobus in their webbed golden fingers. Everyone walked unevenly perhaps because from the Higher Consciousness the Abba had leaned towards the south center towards the west tilting the earth twelve degrees which made him change course to Nazareth. The miraculous thing was to see how the animals Petrobus and Alikanto felt them and saw euphonies coming out of their mouths in octaves multiplied by eight; that is to say, sixty-four inverted notes, averaging the notes that arrived the other way around from being heard in their retro melody, perhaps diverting them to a hillside in Canaan. After such a miraculous phenomenon, the golden eagles perched on the heads of the twelve ungulates, diverting them to Nazareth and guiding them to an ancient stone where the inscriptions in Hebrew-Aramaic "Stem-Branch" can be seen. They were sweating on their Gigas camels like Nazarene princes reigning in consolation by forking like the ground even beyond the two-dimensional concept of Nazareth, either a stem proclaiming the ominous prophetic of the Messiah or proclaiming the Renewal in sacred circulation to have a 360 ° perspective, for the ancient worldview being housed as a perfect clone on the geography of Nazareth in 14.14 square km, based on the southern mountains of Lower Galilee, 10 km north of Mount Tabor and 23 km west of the Sea of ​​Galilee. Miracles must be outlined between the extreme points of each cross..., the stature of the image between foot and head, the cosmogony of the link between Nazareth, Capernaum, and vice versa, mysteries of the silence of those who only see in light and dark of Marian repentance, would be now in front of everyone with the Credulity Gene. The Giga Camels carried them tenaciously with their wise feet from Capernaum. Here is the Miracle; They were at the fourteenth station in Jerusalem, which St. Ioannis later explained in his childhood memoirs with his family in Bethsaida. It was then from here that in some bend of its inspiration that the valleys would turn towards another geological family to present it at the table with renewed olive oils together with its parents. Where they would leave directly guided by the royal eagles towards the stone of Nazareth. Describes Vernarth in the voice of Saint John: "The Archangel Uriel dictates him; those who preach alone in the streets or corners preach the rejection of those who do not count how many times they were approved or challenged, and at least the times that more than any extreme had to be heard beyond the most distant hiding places in which they did not they will be able to know to be recognized" Saint John continues: "On this tacit diameter in the narrow part of the bergamot that is towards the south and opens through a narrow and sinuous throat towards the plain of Esdraelón. It would be pointed out here as "the top of the mountain" from where they wanted to throw Jesus off the cliff. But the traditional place does not have a true ravine, as a story would seem to require. Further only to a spring in the town is the so-called Fountain of the ****** where Mariah obtained the consecrated water for her family from there. "In this super diameter, Etréstles wanted to find the childhood periods of the Messiah and thus be able to see him advance in his growth, but he knew that perhaps the hidden mystery of the stem that only grows in the discord of Nazareth, invaded by foreign civilizations, could not be verified. that did not allow them to stretch boundaries beyond the entire concordant Universe. In Patmos I always had the precognition that above..., above the doors of the unknown..., there must be anti-material physiognomies that will move offspring that in twin lands would be housed in Judah. As we approached the perimeter of the city we dared to cross, whose text contains the decree issued by another Roman emperor not mentioned, which prohibits under pain of death the robbery of tombs including those of relatives or changing a body from one tomb to another. The date of registration is discussed. Someplace it at the beginning of the empire period; others in s. II AD It is highly unlikely that they have any direct relation to the ignoble accusation leveled at us disciples that we had stolen our Master's body. I keep digressing without the accuracy of what I say, it's been tens of years without being here, I only know that I am attracted by the rhythm of the music of religious worshipers from Nazareth. just as I heard when they were at the height of a rosy vine near Mariah's house in Nazareth..., here Uriel describes Nicodemus: Uriel says: (Meditation of Saint John the Apostle) "Nicodemus talks about the meaning of being born again and mentions the Kingdom of the Heavens, very rare in the Johannine texts, Jesus was surprised in short to see that a teacher in Israel did not understand the discourse on rebirth in the spirit. Later, in the council of chief priests and Pharisees, Nicodemus defends Jesus, explaining to his companions that they must listen and investigate before making a final judgment. The question they ask him may imply that Nicodemus was a Galilean or it could be an irony of his companions." I'm still on my own from today rambling without accuracy in what I say..., it's been tens of years without being here, I only know that the rhythm of the music of the religious cults of Nazareth will attract me. These images will make me observe Vernarth notice in me and in all these advanced episodes, this is transmitted by Saint John the Apostle. Eurydice took note and dared to dance in the warm senses that throbbed under her feet, signaling to renew herself in an Offshoot of the seed that grows hidden in the shortness of every Nazarene born here.Expressions of freedom and glory appear throughout the village the world dances in the part of the ministerial bends attached to the Holy Spirit. Flowing dance ministered by Levites and worshipers of the Lord God Almighty God or Yahweh in a spontaneous way, salvific and with healing interweaving the existential and vernacular ribs of the chosen people worshiping the Prophet. All danced together and anointed, enjoying the ceremony. Vernarth thought his magical ears thundered with Levitical echoes as he was under the supra-starry sky of the Christian world that repeated itself, returning with a new one appearing at each interval of the festivities, everyone did them as they came and went with the pillars of their Faith rolling, and they covered with the mantle of the night flooded with ceremonial Vines and ministerial Bread like a great vault in a great ominous mansion. Here where the Messiah from heaven will trepan his senses, Feeling emotion and art, all braiding like alpha beginners until finishing the stupid omega dance. We will fulfill a company of prophets descending from above preceded by lutes, drums, flutes, and harps. Thus the sons and daughters will be celebrating with Cherubim in unmistakable steps praising Him.This Hebrew-Biblio dance will end in adoration on a warm night that continues to reach the imperceptible senses where everyone celebrates and intertwines with trans content affection with everyone celebrating in the ceremony. Then they went to the tents near the Messiah's house to sleep concelebrating in tiny circles. Everyone was very excited..., not being able to fall asleep believing not believing that perhaps they would never again live something like this in a city forever whether to live it or not..., eating and drinking the same Nazarene Bread and Wine. All this was closely witnessed by the god Nothofagus in the middle of some brambles, it has adhered to the fungi that persisted in the brilliant brilliance to personify them in the Genus Itheoi. Hanukkah was coming to Vernarth, it was the Liberation of Judah as another purpose of Vernarth's physical and parapsychological regression in the arms of Hanukkah, purging his spiritual body to leave his Piece of Muscle rubbed on the helpless ground, perhaps carrying his non-biodegradable shell matter in his Leonatus; as a new prince replacing Alexander the Great in the true Hellenic polis adopted and claimed on the soil of Judah. On the walls of air in Gaugamela, I sliced ​​with my Xiphos and Kopis leaving them now dry and sheathed..., to serve Saint John the Apostle and our Lord in the work of the Messiah. For this, we have been revived as inclemency in this festivity of the former Hetairoi strategist of the hosts of the Great Alexander the Great. For this task when they left Nazareth, When it arrives under the finger of Nablus, it is intercepted by these voracious sacred lights coming from the Abrahamic eras, perhaps from Lot in his cave to immunize his offspring. Also known as the "Festival of Lights or Luminaries". This Jewish festival of lights commemorates the rededication of the Second Temple in Jerusalem and the Maccabean rebellion against the Seleucid Empire. Celebrated for eight days, the Hanukkah festival dates back to the time of Hellenic hegemony in Israel, beginning with the conquests of Alexander the Great in 332 BC. C., who at his passing freed the Jewish people from the oppression of Persia, leaving Israel as an independent kingdom-state. After his death, the vast empire remained in the hands of his generals, who entered into war conflicts with each other, for which centuries later the Seleucid Greeks tried to gain control of the region, as can be read in the books of I and II Maccabees, where this festivity commemorates the defeat of the Hellenes and the recovery of Jewish independence at the hands of the Maccabees over the Greeks of the Seleucus dynasty, and the subsequent purification of the Second Temple of Jerusalem from pagan icons, in the 2nd century BC. C. Vernarth, was here as a commander when he freed them from the boot of the Persians, remembering the epic of him when he was a servant of the oppressed legions. He thus freed them forming part of this history which has threads of messianic history and culture cracking gaps for evangelization, that looms under the robes of El Nazareno like a child's story..., to be told to adults with nine Hanukkah candles. Jewish tradition speaks of a miracle in which the temple candlestick could be lit for eight consecutive days with a meager amount of oil that was only enough for one. This gave rise to the main custom of the festivity, which is to progressively light a nine-armed candlestick called Hanuquiá, one for each of the days plus a pilot arm. Vernarth describes: "Our Entry into the soil of Judah..., as luminaries we were received, our messianic introduction will change history in its objectivism freeing the Hebrews from the Persian empire. Inopportune were the new masses of the departure of Alexander the Great who, after freeing them, his minions wanted to appropriate a free inheritance that only belongs to Yahweh. Seleucus, being an officer appointed by Alexander the Great, was appointed chief of the Hypaspists (elite soldiers and spearmen) on a date close to 330 BC. C., for this reason, I looked many times at your countenances, seeing in them the voracity and anti-national vocation to exorbitant the limits of unwary power. This is why in the death of our great general..., Seleucus tried to dominate Judah, skillfully raising the exhumation of the general pointing to a drastic change by pointing his finger at the transgressor! Being justly consummated and deported by the Maccabees. Festival of Lights Celebration of Dedication and Celebration of the Maccabees. Children receive gifts, especially in areas where Jewish and Christian children are in close contact. Hanukkah commemorates the victory of the Maccabees over the Syrians as well as the re-dedication of the Second Temple in Jerusalem around 165 BC. The re-dedication was necessary because the Seleucid king of Syria, Antiochus IV Epiphanes had desecrated the temple by installing an altar to Zeus on the site. When the Maccabees began to prepare the temple for rededication they found that they only had enough oil to light it for one night. In the end, the oil lasted eight days until the new delivery of the new consecrated resource, the candles are lit every night of Hanukkah to commemorate the miracle. During the first night, a candle is lit in a special candlestick called a menorah or hanukkiah. Here Reaeder with Petrobus joined this beautiful festivity, paying special attention to the Dreidel pirinola, which seemed very didactic among the game that captured their full attention. Eurydice and Etrestles holding a candlestick in each hand would begin the second night by adding a candle until eight candles were reached on the last night. The candles are lit by a separate candle called a shamash here was Alikanto and Vernarth with Saint John the Apostle lighting it first and then using it to light the other candles. The candles are installed in the menorah from right to left but are lit from left to right. A symbol of Hanukkah is the dreidel, a pirinola with which a game is played. Before the Maccabean Revolt, it was illegal for people to read the Torah under Antiochus IV Epiphanes, when the soldiers arrived the Jews pretended to play a game of chance involving a pirinola. They satiated traditional Hanukkah foods such as latkes or potato pancakes fried in oil as another way to incorporate the memory of the Maccabees free from all invaders, predicting more light than their own Sun.This is how they would culminate this festivity among themselves, in Nablus before reaching Bethlehem south through the desert with their twelve Giga camels..., the luminaries would take them camping through the Nablus desert south to Bethlehem.

Bethlehem ******, Hemophilic Camel so Vernarth describes: "They were falling down a ***** typified as a rebellion of angels. In such a disorder, they have seen a new language and numeral concept. Given before the componential of Steeds, Pelicans, Masked Nymph, Leader of Messolonghi Cemeteries, Vernarth Commander Hetairoi and Saint John the Apostle, wading through the desert of Nablus on mission ****** and the Giant Camels, the twelfth and last of them afflicted with the morbid sin. ****** or ******; is the name of the biblical character described as the son of ***, son of Cam who was the son of Noah. Although the Bible does not mention him directly since ancient times, tradition has considered ****** as the builder of the Tower of Babel. Since the tower was built on his territory and during his reign, it is assumed that it was under his direction that the construction began. But there are also other non-biblical sources, which indicate the opposite, alleging that ****** was not in the region of Shinar when the construction began. His name became proverbial as a "mighty hunter in opposition to YHWH (Jehovah)" His kingdom comprised Babel (Babylon), Erech (Uruk), Accad (Akkad), and Calneh in the land of Shinar also known as the land of ******" Vernarth replied: "They came and went, dragging their ancient Palestinian and Hebrew feet..., helped by ****** to understand and adore each other "When they were on the road from Nablus on the carpets of Kfar Tapuach, a hemophilic effusion occurred in one of their Giant Camels that accompanied them so separated from the remaining eleven, remaining in the hands of Saint John the Apostle. "From that moment on seeing how the camel was bleeding, the apostle falls into a trance remembering the annunciation that will have to take place in the whirlpool of biblical time when they arrive at Bethlehem." The Angel Gabriel will reincorporate right here when he said to Mary: "Do not be afraid, Mariah, because you have found grace before God; you will conceive in the womb and give birth to a son, whom you will name Jesus." Then the Camel turned around and said...:"I will be there..., seeing his short feet and his long crying confusing them at night in those who are jealous of him for his smiles of an infant of seven..." The camel in telepathy transmits to Saint John: "All of us have a long road ahead of us, the road of life that we have to follow day after day. Today it flows strongly in me, unable to stop my torrent like my previous parents who were never able to cross Palestinian land. I represent the line of Gigas Camels guides since the angel Gabriel spoke to Mary; For this reason and because I am an energetic guide on the path of life leading the chosen ones of the Messiah. With challenges of long distances and terrain with adverse spiritual conditions, that is why I have inherited the ancient blood that has traveled over my Palestine and Hebrew. Biblical time... It has determined in me that so much blood has been shed since the Messiah left for the House of our God, that being a camelid in flower every two years when this hemophilia crisis hits me, incarnating in others the sins that will be amortized with his body and his blood. My liver belongs to my Palestinian masters, they eliminate the viruses in my body but the healthy genes are Hebrew and remain in me for a short time until dawn. My time is more than the southern time process is the southern temple opening it on my consciousness of the pages of the Bible "Before the stakes of the World come out of the straps that hold it..." that being a camelid in flower every two years when this hemophilia crisis hits me, incarnating in others the sins that will be amortized with his body and his blood. My liver belongs to my Palestinian masters, they eliminate the viruses in my body but the healthy genes are Hebrew and remain in me for a short time until dawn. My time is more than the southern time process is the southern temple opening it on my consciousness of the pages of the Bible "Before the stakes of the World come out of the straps that hold it..." that being a camelid in flower every two years when this hemophilia crisis hits me, incarnating in others the sins that will be amortized with his body and his blood. My liver belongs to my Palestinian masters, they eliminate the viruses in my body but the healthy genes are Hebrew and remain in me for a short time until dawn. My time is more than the southern time process is the southern temple opening it on my consciousness of the pages of the Bible "Before the stakes of the World come out of the straps that hold it..." Saint John the Apostle replies: Few words and numbers are rolled from Nablus, they will be decoded by ******..., collecting the months so that we can see an increase in the proteins responsible for blood coagulation and in the reconciliation of the Palestinian-Hebrew world. This treatment will actually heal his hemophilia with both fatherlands in me, not only by treating him and reducing the bleeding but to pay for the sins of these salty nations already prophesied for our salvation that the Messiah judged.Saint John, taking the leg of the Giga Camel, caresses him..., he makes a gesture not to feel pain, but as an anti-death, he begins to heal his wound, covering himself with flowers of the Hebrew spring. A candid and volatile mass of Rose of Saron petals settled on the camel's leg. While Vernarth tried and helped him cut off a certain portion of his leg. But a miraculous fusion flower occurs that is mixed in its leg and from the same stem of the flower, regenerating the gangrenous part of the Giga camel..., in a great time of the Temple growing in God forgiving the Palestinian and Christian sins, juxtaposed to their illnesses almost being guests of a crippled scientific metaphor..., but much more Christian Salvific. The camel recovers and they put out the fires, they continue through the desert on the carousel of the camel's parents' lullaby, singing tenderly to their son camel, that they would never leave him alone and that his words were restored and decoded by ******'s command to his ears. Not far from Him, with words and strange Palestinian neologies and numbers of the Menorah lit up to the right. Shortly thereafter to reach Bethlehem, almost like synchronizing the magical steps under a star that heals and renews all the meat of the camels in the human world, before being listed to the eternal wind of the native village of the Messiah. with words and odd Palestinian neologies and numbers of the Menorah to the right lit. Shortly thereafter to reach Bethlehem, almost like synchronizing the magical steps under a star that heals and renews all the meat of the camels in the human world, before being listed to the eternal wind of the native village of the Messiah. with words and odd Palestinian neologies and numbers of the Menorah to the right lit. Shortly thereafter to reach Bethlehem, almost like synchronizing the magical steps under a star that heals and renews all the meat of the camels in the human world, before being listed to the eternal wind of the native village of the Messiah.

*** bei Hinnom  Crypto-Crucified

Following the route of Arimathea and then Emmaus with our tired feet we entered the region of the southwest towards Jerusalem, to *** Bei Hinnom specifically. Obviously, we were going to Bethlehem, but the Apostle decided to spend the night here.Vernarth speaks through the voice of the Apostle: "The open southwest gate of Jerusalem points into the valley, which came to be known as the valley of the son of Hinnom. Here the Israelite residents used to perform rites that worshiped Moloch presaging destruction. In those ancient times the Canaanites sacrificed children to the god Moloch by setting them on fire and burning them alive...; a practice that was outlawed by King Josiah when the practice disappeared, it became a city dump where garbage was incinerated, and also the carcasses of animals or those of some criminals. The dump and the fire make the metaphor to indicate that "Garbage" (disobedient) are those that burn day and night. Later, after this narration..., the Apostle took them to Mount Zion, where the coffin of King David is.

Parapsychological insert Vernarth Pandemic MMXX, comments...: (Here the god Vélus has Zefian's arrows to wear the Magaf or boot that would unleash this Antonine plague in Italy, until the resource of the MMXX in the modern world, as it was in 165 AD C.: Magaf in Hebrew means "Boot" since the quarantine began in March..., it continues to occur in Israel in a nation with a vast history of pandemics, it is that since immemorial biblical times it has always been hit by plagues, it has been a maximum in comparing it with the reality of the world that does not mutate in its virulent evolution. It has a Bota root, which could be related to social passages of the Bible in the context of Quarantine, which in Hebrew means isolation "בידוד", which has a similar root to Magaf, giving the genesis to which this apology coincidentally raised the virological expansion in Italy, suggesting its geography in the form of a "Boot" such as Italy. From where the itch of this Pandemic began to the secular world in great mortality statistics reissued in the current world. The Valley of Death exemplifies water opening, and Arab and Israelite slopes. Polytheism instituted among the archaic social networks degenerating the infallible root to which each one belongs in its independentist root of aggressive trait and autonomous to survive on themselves. Moloch or Melech, as they are called by the Jews today, is a conductive agent of overcrowding of the archaeo-cultural, practicing trades of high violent Intercultural Religious confrontation. Two intuitive cultures two nations, with different gods and languages, both walked through burning Gehenna as ancient culture in their inseparable history that tied them by invading hands in the past-present. Avodah Zarah in Hebrew: "foreign cult" is the name of a Talmudic treatise of the Nezikin order of the Mishnah and Talmud. Nezikin is the fourth-order of the Mishnah and the Talmud, Nezikin is an order dealing with the laws relating to harm. The main subject of the Avodah Zarah treaty is the laws regarding the Jews living among the Gentiles the goyim, in the treaty are included the regulations on the interaction between the Jews and the "idolaters" which represented the majority of the population not Jew or Gentile during the writing of the Babylonian Talmud. The Apostle says:"On Mount Zion I was with the master in "The Last Supper". Very close to *** Bei Hinnom, what predicts Life and Death beyond our beliefs but if it is death..., it is the angel in his consort who is accompanied by others, freeing us from the sin that we hide, crushing us in the overloaded Karma" Replies Vernarth: "beyond our paths to build..., today we are submerged in a techno-idolatry, subjugated to the trans-nationality of global networks that deliberate and trans-compete under our tutelage, with no other options than to live together avoiding slavery itself before Moloch, sacrificing our children to the altar of the aforementioned "Technotheism", giving them intelligence beyond all the valleys that force us to depend on an overwhelming social and technological electromagnetic dependency. Falling noisily backward onto a ritual hillside to plausibly be handed over to us as "Human Technological Trash." Depositing in us millions and trillions of neutrinos and radiations through universal space like that of any Mythological god, lying abandoned in time without end..., beyond Life and Fabulous Death. Or perhaps our Last Supper..., it will be very present in our daily lives in this incipient technological techno-theism, worshiping the God who will imprison us in his algorithms as a whole man, or perhaps one day be traded in Crypto-Currencies by a broker on Wall Street, to be handed over and betrayed by this Broker-Judas to our crypto-crucified collapse, paying for the sins of others burned in Gehenna, on burning garbage that we ourselves have deposited and No! emits Amblyseius: They were on the Hebrew ***** of *** Bei Hinnom preparing to sleep. Bright wells could be seen around him, once everyone tired joined their experiences around the campfire, the Apostle went with Vernarth to pray on the northeast *****. Walking in silence and with burning fear they were circulating with austere care not to fall into these imaginary wells in the fangs of the gates of hell and its crater tempting them to get lost among it..., before reaching Bethlehem Says Vernarth: "They estimated a well of seventy meters in diameter and equal in depth with high temperatures that emanated from there in a sulfur mixture..., the apostle prospected and witnessed how the earth swallowed some natural elements that were there. The most surprising thing was the gases that flowed through real Gerakis that were abducted into permeable, heavy,  and bluish monoatomic that emerged from the underground cave of some Canaanite god.Thousands of years of expectorating and having the bronze crackle of swords of justice in the "biblical blue" of a possible Hebrew tekhelet, neither I nor anyone else could recreate or imagine what it could be in itself. Random face from the time of the Second Temple, which towered over Jerusalem until it was destroyed by the Romans where a blue dye of the same name would be used to color the fabric used in the clothing of the priests..., admonishing them on its perimeter."A Jewish man who was still commanded to wear a 'tekhelet' thread in the knotted fringes of their prayer shawls, although it might seem that was left unclear for years.The source of the Tekhelet is not specified well in the. According to himTekhelet's dye is produced from a sea creature known as the Ḥillazon; which is the exclusive source of the colorant. There are three opinions in rabbinic literature as to how many are to be blue: 2 cords; 1 rope; 1 half string These strands are then threaded and hang down like tassels that appear to be eight. The four filaments are passed through a hole 25 to 50 mm away from the corners of the four corner fabric. A comparative deception has been made of trying to touch it because they looked harmless and silky when touched.Fearing that the crater would cause the appearance of apocryphal mites dressed as a priest with Tekhelet that was sustained in its physiognomy, with the escape of various dangerous natural gases determined to self-incinerate. They estimated that they would be extinguished in a few minutes, however, it has been burning for centuries and parading before curious maravedís; As precognition to the business of the Inquisition charging money to Jewish converts in exchange for rehabilitating them.Since then it has burned non-stop and provided an impressive melodrama in keeping with the creaking of the valley walls that were outside and close to the southern wall of ancient Jerusalem, also stretching from the Valley of Hinnom to the Kidron Valley. Saint John the Apostle speaks: "I will mention a Valley like that of Cedrón..., a place that our Messiah traveled as the Gospel refers to He passed with us to the other side of the Cedrón torrent where there was a garden into which he and his disciples entered. The ravine of the Cedrón valley begins northwest of Jerusalem resting on a slight depression of about twenty meters that reaches a depth of one hundred meters. The wells like a quantum leap, he rushed us into both depressions, witnessing pre-cognitive Christology..., "The henchmen took him along the Kidron Valley to the gate near the pool of Siloam; and then they scaled the steep path that led to the common palace of Annas and Caiaphas, on the height that is now called Hill Zion." We feel divine and mystical assistance that were intertwined from *** Bei Hinnom to the Kidron Valley in each depression that flowed the extradition of the Messiah, whose previous referendum would splinter his hands staked on his resonated feet and his intra rib. On the way between Gethsemane and the palace of Annas and Caiaphas, I felt an aggressive impulse pass over the bridge over the Cedrón torrent, throwing our Messiah to the bottom of the torrent where the imprints of his feet, knees, and hands were left on a very hard stone. and head" From both sites the depressions twinned the facts of geological upheavals that would cause the implosion generating noises and silences of greater size when ignoring it, by the time it began to decrease in frequency and volume heightening that would fracture with the decibel in the middle ear with total disorientation. In the Well of *** Bei Hinnom, Mites would begin to ascend Amblyseiuss wirskiique; that they are a species present in regions of Israel for that bad effect. This predatory mite was found in large colonies suspended in numerous grasslands, among them they were hidden and neighbors to the horticultural crops of Los Olivos. These crop larvae are assiduous to migrant citrus trees that spawned Cypriot whitefly larvae that came to mourn the mourning of infants under seven who were incinerated. Predating young larvae of other species by means of severed white mosquitoes. They began to radiate horror at the cries of the burning children of the time with the martyrdom that pierced the bark of the bushes entangled by this unusual phenomenon between the valleys. This colony of mites frightened the apostle and Vernarth by making them believe that fever of degenerative abundance was symptomatic in them in the flagellated human species, with whips in their tentacles degrading in tiny status between food chains, for more predation towards them and their companions that they were in the camp resting next to the warmth in the atmosphere of the unknown. Vernarth ran swiftly to open some gates that contained the doomed river, levered some stones to increase the mechanical noise on the growing colony of mites in such a way as to lessen the dominant action on the arboreal and horticultural species,

Hex Birthright

The composition of this Hexagonal primogeniture is changing by itself visiting you in this hexagonal course that is now oblong by the rays of the determined morning, inviting you to take the dry cove to Bethlehem in the company of The Apostle, Vernarth, Etréstles, Raeder and Petrobus, Eurydice and Alikantus. They get on the Giant Camels and meditate on them, it was not yet dawn, there were six camels for this hexagonal brotherhood, and the remaining six were for supplies and clothing for their retinues. They all stand in an oblique line looking towards the Valley of Hinnom and Cedrón..., waiting four minutes before the Sun appears. In each one, a legaña of balsamic acetol would begin to skim off with the generous Sun reigning on their Davidian faces. At that very moment, the King appears to them from the front, strolling through the long Davidian caravan..., in their very faces, thus stopping in their march and seeing their imploring and bronze hair like an alliance of lights on a cold morning. Davidian Presence: "There are four minutes left for us to appear in the morning twilight, it has been four hundred years since I ruled Davidian as the second of Israel, I was born in Bethlehem where I will go with you until I reach this pure oasis of the House of Bread. center of the Old Testament, I was the Eighth and last son of Jesse or Jesse, a member of one of the main families of the tribe of Judah, the prophet Samuel secretly anointed me sovereign of the Hebrews when I was just a boy taking care of his father's flocks in Belen. I have created a united and powerful nation of a markedly theocratic character, though short-lived as it vanished shortly after the death of my son Solomon; while in the religious sphere my poetic compositions stood out, "recognizing myself as the author of a total of 73 psalms", and the great project that I ordered to build a great temple in Jerusalem to house the Ark of the Covenant building that would have ***** my successor on the throne." David, get on the seventh Giga camel, and they all go in a file when four minutes fell on the sand of Northeast Jerusalem turned into burning flames in the hair of Davidian dawn. All catch their shadows with a vocalized assembly by the turquoise stripes of the Tekhelet that he carried on his Davidian skeleton. From the minimum moment that allowed him to climb his bones until he mounted the Camel on its exterior, his past became lightening of volatile blue flesh, leaving for the first sabbatical day that ran through his calendar. He tempered over him the compromising memory of him that wandered before his birth and after his death where many wanted to incinerate his Tekhelet for him, or perhaps plagiarize him in his agony with the Messiah when he met with the apostles. above his grave. Davidian Tomb: "When the Lord was over me, I felt his aroma of Davidian flowers approaching, covering my coffin with two square meters of the perimeter of my death that began to be purged in the Messiah. My body was ingested like horchata in my blood vessels. Many times I wanted to get up and break down the barriers that separated us, but I was distracted by the serpent that seized in front of me, co-indexing the apples of my tree that never got worms..., turned into brass serpents on slung chariots pulling me away from the arms of the Messiah. I saw myself at his service in nine light-years from the twelfth applicant with billions of kilometers more, that is, a quarter of light-years to reach him, estimated. My four minutes are what I aspire to reach the five that remained of my temporal origin..., to restore the last thousandths of the end of my life to honor him ubiquitously, even looking at me from the universe from where he observes me, listens to me and will speak to me Davidian..." turned into brass serpents on falcate chariots leading me away from the arms of the Messiah. I saw myself at his service in nine light-years from the twelfth applicant with billions of kilometers more, that is to say, a quarter of light-years to catch up with him. My four minutes are what I aspire to reach the five that remained of my temporal origin..., to restore the last thousandths of the end of my life to honor him ubiquitously, even looking at me from the universe from where he observes me, listens to me and will speak to me Davidian..." turned into brass serpents on falcate chariots leading me away from the arms of the Messiah. I saw myself at his service in nine light-years from the twelfth applicant with billions of kilometers more, that is to say, a quarter of light-years to catch up with him. My four minutes are what I aspire to reach the five that remained of my temporal origin..., to restore the last thousandths of the end of my life to honor him ubiquitously, even looking at me from the universe from where he observes me, listens to me and will speak to me, Davidian..."The Davidian Phenomenon continued to impact everyone because this happened to the ungulates when they sensed outbreaks of the cluelessness of the sky, believing they were a part of it, but the bodies of space are so far away, just as their whimsical light would take a long time to reach us, wondering about the universe of another ravenous dilapidated galaxy. The more distant the object of our consecration is, the longer it will take for the light to arrive and therefore what we see is even further away than in the past. Perhaps his lineage was a thousand years before it could materialize after 1040 years..., after David he did not seem bothered by the refractory passing of the degraded millennia. This equation was worth using to ask the Messiah for mercy for not having made his nation the best it could have treated and inherited towards him in sync at the time he was sentenced. In such a way to subtract years from the one who was born and ruled, so they would be subtracted from him as it is due to his soul that comes traveling with the invisible speed in the bluish light of the Menorah. Light Davidian: "it was 1040 a. C. that I saw the birth of light approaching the same one that saw us born in Bethlehem in the same village of the Messiah after 1040 years in which it separated us both and saw us born in different age phases..., he arrived at his stable next to his Davidian mother. Messianic I fell abruptly from the burst of beams of extinguished light years similar to those that accompany me today in the ceramic that also appears in Bethlehem.In this way I will follow your exalted Hexagonal primogeniture together with the Davidian spectrum, accompanying him to the people who gave birth to both of them."Sheba Dean, Vernarth states: "The Hexagon turned us around and we looked at the Zoroastrian sky, a new star guided the seven of us mounted on golden backs on camelids, now King David on the seventh Giga Camel". Saint John the Apostle intervenes: "In my symbology of the Apocalyptic as an ancient Davidian I give the testament of liturgy and that which appeared in the first centuries of Christianity in which its praises, prayers, petitions, characters, cults, ornaments, incense, Eucharist, chalices arise. , the saint, the amen, the lamb of God, the ******, the interception of the angels, the archangel Michael, the antiphons, the priesthood, the faithful, the meditative silence, the nuptial supper of the lamb; so are the numbers. At the same time, a symbology of the numbers is brought, giving them meanings; this is why for this author the "one" refers to God; the "three" can represent God although for the Jews it represents the divinity, and for the Christians the trinity (father-son and holy spirit). In the apocalypse the three appears as a fraction instead of the whole number a third part, a third; which indicates that neither is a full God nor the "fourth" that is the creation, and that two-thirds are not affected by what the third part is; the half and three and a half taken are from the book of Daniel and mean fullness as well as the "four" and the "seven" perfection, as well as the universe or creation of the representation of the four cardinal points, the four evangelists, the four living beings with God. In the apocalypse "the 5th and 6th" originate cataclysm and the "sixth" a vision of hope, the "seventh" the trumpets. The "six" denotes imperfection but one is missing to reach seven which is perfection; this last number in Hebrew is called "Sheba"; "twelve refers to the 12 tribes of Israel" (Jacob) (16), to the 12 apostles. If we make a calculation of the twelve tribes of Israel we also have to make it of the 12 sons of Ishmael that we can also consider them as twelve tribes. Which is equivalent to two pairs of 12 or 24; this last number multiplied by 2 is equal to 48 and 12 times 12 equals 144. Here we can continue calculating the multiples of 10 and 4 and thus group figures to give them interpretations. The number 1,000 would be the general idea of ​​a great number, the 1,000 years of the confinement of the dragon. Observe the negative aspect of some numbers that do not appear in the texts on "numerology" "King David, goes on the seventh Giga Camel, that there are five that are missing from the camels of the twelve (he being on the seventh) to get to mount the last one before they reach Bethlehem. "the 5th and the 6th" would originate a cataclysm but also glimmers of hope when they hit the sixth, and this could happen in multiple ups and downs in the lands of the birthright that saw both Jesus and King David born. The raison d'être of this Davidian way is Davidian Way He says: "Being on Mount Zion below the subsoil I imbued my proportion to my cenotaph asking to be my rest here or another. In the Old Testament, it says that I was buried with my ancestors in the City of David. Archaeological ramblings and excavations place my City south of the Temple Mount and not on Mount Zion where my current tomb is located. My city was the original settlement that became Jerusalem, they have searched for me in excavations of the City of Davidiana but they have not discovered my Tomb. Some have thought that I was buried in Bethlehem..., my city is also known as the Davidian Way,... but they look for me in excavations in Bethlehem and they do not exhume me from my grave. On Mount "Sion is my spirit" that looks for the Messiah still by some stairway that indicates looking at us both as humans..., both as kings but He is my true King. Here the pious and spiritual boat of Bethsaida had to pass as a consort in the Miracle of Pentecost that took place in the same place where the Last Supper was celebrated, the washing of the feet of the Disciples, the Meeting of the Disciples after the Ascension of our Jesus, Apparitions of the Risen Jesus and the Election of St. Matthias as an apostle, which was located in a high room on Mount Zion. He could be found in many places, but where I have wanted to prevail his well-deserved and welcoming place shared with me is in the Cenacle near me in my Tomb where he celebrated his first Eucharist. And now especially that I am on the seventh Giga camel hoping to reach the five that are missing to achieve the twelve that are missing beyond the cataclysm of the five that remain to get the twelve. That by equivalence it should have a correlation with my numeral year of my birthright 1040 BC and by a factor of multiplicity that if we make a calculation of the twelve tribes of Israel we also have to do it of the 12 sons of Ishmael that we can also consider them as twelve tribes. Which is equivalent to two pairs of 12 or 24; this last number multiplied by 2 is equal to 48 and 12 times 12 equals 144 as an arcane and secret measure of the edification of creation. Here we can continue projecting my work as a geometer calculating the multiples of 10 and 4 and thus group figures to give them interpretations of the size and measure that unites me and separates me from the Messiah."

Filled with a great piece from the cruise through the sands and the Judean desert, They were almost asleep in the hemispheres of each region that waited and recirculated with the energies of the desert. With its shifting landscapes, constant limestone hills between canyons of deep Philistine souls, with rivers and oases like Nahal David. They marked the passage of the camelids and the hydric solitude that dominated their fictitious vegetation. King David as the seventh horseman went far from those who opened fences at the tip of the anvil of the caravan. He felt moved to release the clothes from the cenotaph... from him, perhaps entering the Eucharistic pavilion that resembled his open mouth; He as a Young King was proclaimed, and he remembered when he was active in reacting to retaliation to scare off the Philistines, with his namesake Saul. They used to raid herds and fertile agricultural land, for which David begged the Lord what he should do in the land of Adullam? the Lord spoke to him and told him: "Let him rise up and destroy them", he did so and rushed over them thus beginning his reign of liberation from these barbarians. As they made their way to Bethlehem, the King felt that something was missing to fuel the atmosphere of his return to his homeland. Since then from the sky descended a flock of migratory birds that joined him when he fed the abdomen of the desert attracting six hundred Hula Cranes. King David whistled copiously which attracted lake birds creating an atmosphere of trance. Here time stopped and it rained softly sweet water with messages of love and everlasting avian hubbub. He recalled six hundred Cranes like the ones that sheltered them when the Philistine troops escaped, taking refuge in the cave of Adulam. Everything seemed scarce biometrics of the arid event in an arid destination. All embedded in the vegetation of xerophytic thickets and exegetical brambles that lit up with calypso color at each shoot of the past millennium in its early biblical time, when they approached the vicinity of the valley near Bethlehem near Beit Jala, erosive processes were imposed with meta desert factors of vile landscapes. Aeolian Eolionimia tramontane winds were falling on his Tekhelet, letting himself fall from the relevant heights with cranes with gravitating mud on their ends, with gravel from colonized riverbanks of the rocky Hamada desert areas, three fossil birds were climbing the rays that reflected the crown of two Kings to meet at Bethlehem. Arriving at the sacred native city and beginning in Christmas choirs and passion for the faint whistle on the twelve Giga camels, they venerated the hemispheres of energy prayer that insufflate from the eternal walk of the guide of their breathing wounding them as migratory birds of a series of fraternal cranes that invited him to be confused with the whistle of the divine Solano solar wind that calmed and stimulated the enormous breezes to warn the villagers of his enormous arrival together with the Apostle Saint John, converted into dusty fissures in quarries of the surroundings, where they stopped their work and deposited another rebuild in another temple with a greater whistle than a Sheba Dean.Shavuot Messiah; Shavuot is the second of the three pilgrimage festivals of Judaism (the others are Passover, Passover, and Sukkot..., which is walking in the desert after leaving Egypt). The Hexagonal Primogen took seven weeks through the desert and the Holy Land to reach the target that is Bethlehem. It would coincide with Shavuot; with bucolic meaning corresponding to the time of the year in which in Israel in particular the first fruits are collected. This is why the holiday is also called the Feast of First Fruits. During the festival, it is customary to eat dairy products, accompanied by the seven characteristic species of Israel, based on yogurt, honey, fruits, vegetables, and spices. In the existence of seven in their camelids is the vibration of their fruits and spiritual messages. The Shepherd and His Flock According to tradition, the area located to the east of the city, belongs to the fields of the shepherds, "they only keep watch in the dark for the shepherds who are in the field." Several churches have been built to commemorate this event. Even today local shepherds can be seen tending their flocks in the same area (even on Christmas Eve). The relevance of this land of herds is the conclave of this brotherhood, Saint John the Apostle, King David, Vernarth, and the retinue of animals plus Eurydice. They are beings of light that come to pick up spikes and sheaves, the seeds of the gramineous environment that surrounds historical vibrations of dissolution of resurgent energies from all corners. Despite being a thousand-year-old Canaanite city, this city now has the visit of this conclave that is going to loosen the chains that had been folded in its geomorphic genesis. Here the memory of the seeds and spikes are impregnated with the "Lady of Light" made and made of the divine seed that feeds generational infants, whose silence generously retransmits all those who will give birth to pain and all those who memorize your gesture. Mother, Parents, and children will go through the past of a farm that only admits one seed "Gleaning his Divine example". Flooding and spreading beyond all limited expansive creation of the Marian World. Before approaching the confines of the village, Archangel Uriel becomes aware saying: "Gramineous Consort..., herbaceous Shavuot divider Spike between races, lineage and family, typology, lineage and hyper gender... Here lies your superfamily thickening ancestral in daily sheep...energetic molecular matter..., golden passers-by flowers of Sutra thorns, glucose polymer molecule, herbal and decreed perennial network...vascular bio Mariah..., graminaceous chopped stems..., crowns to the precept! striated Angiosperma, the tabernacle, prevented weeks of your veil and hoarse ritual...Bethlehem..., on veiled feet, golden tornado wind....extreme advance..., carrying flowers to your Messiah, re-blooming womb, scales and pitch collapsed on your candle..., varnish between milky honey... traditional ancestral embryo... full holistic, skillful milk and aloe-myelin and consummate Messiah..., pheromone teaching nativity..., rescinded to Nacer. Here is your Shavuot Hexagonal Architectural Primogeniture where nothing is born and nothing dies, mutualism roar great prayer of subspecies... high-sounding and metabolizing Big Bang..., intra-species, specimen Guru-intuitions, Sheets in beads..., between Ruth's fingers and her uninhabited herds, Druid plant ficus..., sagebrush, plain rock, and rainy past weaving, Here below you I double its wool in July... Sheaves of wool that undress, Brave Period and histo-weaving tillage..., fateful hunger and cotyledon... Bread on tiles of your altar; germ to satiate..., awning to heirs to plunder...A quarter of your barley toast..., will prostrate itself fascinated supposedly in a rooted basket, Junco discerning in thunder, pseudo-diaphragms reflowered millennia, perfect Sheba of Seven knotty and amplified trumpets between the eye of the Universe... thousand-year-old Reed roots on the back of my hanging donkey distilling in the confines, affirming themselves still and tremulous of ogre sheaves..., restless Davidian affirming themselves in secondary roots..., in bifurcated grass lights,... in empty Davidian center, through the Davidian center big bang space of Bethlehem, Messiah..., ear of the Lady of Light...! between prayers of forty and more to the right..., multi germinating." ... in the empty Davidian center, through the big bang space Davidian center of Bethlehem, Messiah..., a spike of the Lady of Light...! between prayers of forty and more to the right..., multi germinating." ... in the empty Davidian center, through the big bang space Davidian center of Bethlehem, Messiah..., the spike of the Lady of Light...! between prayers of forty and more to the right..., multi germinating."

Saint John the Apostle is frozen by this senso-oratory, lengthened his phonetics, his words, and accents, making himself almost unintelligible as he tried to record himself and imitate what the archangel recited. The slopes that formed a beautiful valley moved to the opposite ones. The verses transmuted clarified energies, caloric and meteorological, the wells of the oasis sites that dwelt for millennia lit up like rubies in a Pingala aphorism, resurfacing in borders that adorned the presence of visitors. With energy channels and energy wheels, they traveled like turbines to the left brain of Bethlehem where north and south intersected vertically, pouring out the Prana that threatens the storm of the intellect, which sleeps what awakens in the port angle of North and South. Thus Bethlehem received visitors who entered with their ungulates, faking being nomadic mountains on camels that prowl in random sedentary circles. Shofar and Asherah, already set, begin to direct their destiny to the heart of the Nativity area where their origins and areas of the omnipresent West Bank strip were. They entered with strong winds clinging to their bristling camelids, everything had the atmosphere of a city as if it had never been inhabited. The fringes in floods of the sun were distinguished orange-reddish weakened before storm gradients from the Red Sea and the Mediterranean placating the Hexagonal primogeniture. Although squalls were appreciated with agile movements in the local atmosphere, several layers crossed with the inheritance of Persian cloths in colorful blues and orange tints coming from the red sea and the quarrelsome storms of Asherah "The mother of all the gods", and He who was the "father of the gods". Known among the Babylonians as Ishtar originally called Athirat (or Afdirad). She is the great Semitic goddess of fertility. In the Bible it receives the name of Ashtoreth, a distorted pronunciation of the original 'Astart by including the vowels of the Hebrew word boset (shame) according to the custom of the rabbis, to discredit the pagan divinities. Asherah from the Bronze Age (before 1200 BC) The Greek form is Astarte. Astarte was considered the "goddess of the Sidonians". In the Amarna Letters, she is Ashirtu and Ashratu. The Ras Shamra texts identify Asherah ('atrt = atirat) with El's goddess wife; they call her "Lady Asherah of the Sea" and "progenitor of the goddesses", here she would be the mother of these discredited Babylonian forms caused discomfort and discomfort in the face of a living past and present in the intangibility of inheritances that greet others that could supplant them. This caused heating of the ground in the podiums or legs of the animals with an abnormality of the Greek-Babylonian wormwood prostrated at the feet of Asherah, leaving an odorous atmosphere of wormwood in the land of two native Kings of this jurisdiction, attracting dissipation on the roofs of some surrounding houses to the precise place where the Messiah saw the light of lights and those who waited for him together lighting him with candlesticks. This sacred wind caressed everyone's hands and insinuated them to take charge of the new Bethlehem, a vicissitude that was being reborn with the illustrious visit of the Apostle. His consolations were dilated as any caravan that increased its predictive volume equalizing the pressures of the air that surrounded the streets where no one appeared and was seen generically. This centrifugal force rotated their terrestrial spirits, originating the birth of a great thickness of crazy gases that populated the roofs of the village. Thus creating greater weight and highlighting the freshness of essences that were torn from the soil with the aroma of grazing, explaining to themselves the presence of sub-areas in the West Bank and insolating redemption of the arrival towards formal merit contrasted by the gesture of being staying next to this at night, and varying many times until bringing them the holy sacrosanct condensed water, deregulating the thermal sensation.The density and buoyancy of the animals' legs made it difficult for them to select the right moment to stop and dismount. The aerial relief that went up and down went up on the walls of a few rooms linked to the nativity stable, pressing on them the adjacent words that were allied from the ground to soon arrive in an ascending spiral converted into light and wind on the seventh horseman; King David, appearing to them right there..., right there before Him his Abigail, the third wife who gave him an advanced reconception by presenting him with an altar that will endow eucharistic missions during his admission to Bethlehem. On the gradient that led to the hill of the stable, an unexpected phenomenon swirls around them, affecting their vision and consequences, rotating them all to the rear of the original access to the stable. Converging winds on the ground and upper external part of the stable and causing an anticipated shine of the space that would prolong them to under-understand that they had already arrived but were still seven hundred meters from the main access and that the city was not Bethlehem, but another that seemed to emerge from the arid soil next to the stable, dividing into inter-strips that rubbed against the original and current ones, in such a way as to generate a great development of the subsoil on the vertical that sounded stentorian and vibrating as if in a long stay on the distributed assistants in this supra abnormal regime. They arrive exempt from grievances but dismounting gentiles..., the sixth piece of crowns of Kafersesuh bringing the fertilizations of the Ibico Ring 6, for the central stage of investiture under the shadows of Hellenika and Theoskepasti, where everything will be endowed with the greater Ibix called Wonthelimar together with Leiak. David speaks: "When I approached Moab, I asked for asylum in the protection of my parents..., so I myself would burst the eardrums of the Philistines for each rugged network of links that join me in sponsoring my counterattack advance towards their domains. In their unknown territories of the enemy appears before me a noble and friendly joy; Abigail, who fills the history of my land with beauty before the very son of a cruel Canaanite; Nabal. She enriches my lands more than the entire multiplied population of animals every time I count the units, I look into her eyes and forget the greater amount that moves her heart towards me because of that I did not spill blood on the house of Nabal. Being Abigail is the one that replaces my union with the Faith that moves my passion. Abigail then kneels and touches the ground where he was making the sign of the cross after assigning a cross kissing his hands, on his forehead and chest. Thus, from somewhere her parents reorganized the garments to ravish Vernarth for the bi-connected purging of him with that of David and the Messiah-Vernarth. As in the Jericho tale, Alikanto, Raeder, and Petrobus galloped around the periphery of the citadel, with the full force of the steed's Golden hooves kicking up liquid and dust from the Bethlehem water tables. Alikantus did not carry an amount on his back..., he carried an Áspis koilé of the Vernarth Hoplite. resume their advances in buttresses to build the walls, that they had to mediate to weaken Asherah's overtures to disagree with the citadel borders. The Apostle, Etrestles, and Vernarth blew the shofars as many times as they gloated the perimeter of the city, and they believed that there would be more rounds..., on the divan was the Shofar that could sound more times and louder, it was intact..., but it ran to blowing it Vernarth not leaving a single drop of air looking at the sky that would appear with three bright stars filling the anxiety and attachment to break the Easter bread for everyone. But it was not that effect it was the astral echo of King David's Betelgeuse that emanated with his breath also helping to raise the walls that would protect him from staunch invasions of the lackeys of Asherah. In such a way that the partitions were raised until reaching the governorships of the words of the watchman angel who coordinated everyone saying: Watchman Angel: "For us the partitions, for you the roofs, on the heights the limits will mediate and on their Shofar they will define to Asherah, without any city where to go and come" Such exordium is fulfilled and Bethlehem is surrounded by golden barreled partitions rising in remarkable walls and heights to placate the roaring winds of the Canaanites as in Jericho but the other way around, where they succumbed to the mandate divine to allow them to settle in the thousand-year-old town hall. Finally, they remove the twelve camelids from the ante circle that did not allow them to settle in the settlement, managing to settle down to revive a bi-natality and double reign of whose splendor only the luminances of the Messiah and King David embracing them will speak. From the extramural continents they remain desolate, they revive the pristine and angelic countenance of Abigail bringing dinner and a fetish Shofar to each one of the components of the Hexagonal Birthright that began to continue the seven weeks in Judah. The legacies of Magraner"Punica granatum" were bushes that appeared to them in the focus of the micro center of the fire, entering with some tenuous and sinuous branched thorns getting muddy coming down from the tassels of the Shofar feeding the curiosity of all those who were encamped surrounding a fire full of sounds with new positions of devout pupil sounds of high Jewish principalities, cordoning off objects of the Apostle Saint John who shared it with Etréstles..., giving sonorous instrumentalizations to rams that came around them... looking for ravens that jumped on their heads. Due to the binding and cracking of the shofars, in the opposite works of luminosity, the bonfires hung over the same faces of the wise counselors who unfolded them with their young shiny branches and sheaths before others underexposed yellowish-greenish with obtuse apexes. Resigning shallow marginalized exceptions, polygons of pre-flowering and shofar-formed on valves that escaped from ashes of shutters that were detached from the last fleeting flame of each minute running to the right. Everyone collected the nectars that the legates poured into chalices, drinking them lying down to swallow them while reclining and being able to look at the stars that emerged from albiceleste flavors, rinsing the arms of each one by touching them with the shofar like petioles stems on the seven ruminants that sought to recover what they had they made heavenly sounds about themselves.  Etrestles says: rinsing the arms of each one by blowing them with the shofar as petioles stem on the seven ruminants that sought to recover what they made a sound about themselves celestial. Etrestles says: "When the shofar speaks, past pastorals speak inside and outside the community, the most outlined has been to understand it as a trumpet of bony projection; that is to say, formed by a bony and pointed matter that is born from the frontal bone sealed by a layer of keratin that forms an aerophone horn cover. The horns of Moses come from a translation of the original biblical text perpetrated by Saint Jerome. When Moses descends from Mount Sinai, where he met with God, "the skin of his face had become radiant" says the Bible (Ex 34, 29-30). In the original Hebrew the verb "to radiate", and "to emit rays" is from the same root as the noun "horns" so Saint Jerome did not think twice and translated: "cornuta esset facies sua", or that is, "his face was cuckolded".Taking into account its timbre and sound quality here with you, it is not difficult to associate it with the sound and with the golden patina simulating Messolonghi's fingers..., which three by three-piston their bone reaches linking in some ways of beauty, goodness, clarity, brightness, and stories that will accompany us in this bonfire between these raised walls to level the vaults of the Messiah's nativity cries. Calibrations and catechesis on the real moment of his symbolic Lineage at dawn awake and alive, with waves of graceful voices with goat hosts reordering the urban matrix of the erected town..., everything will be at the expense of surrounding us and pouring out the voices shuffled with the shofar to protect us from Asherah in his eagerness to move us away from the fundamental site." Vernarth intervenes: "In this passage it is clear the capacity that the shofar..., and the sound produced by him with our similar voices being amalgamated with him, bawling and modifying the environment to a polyvalent physical dimension. Now we are a herald of goodness, beauty, and reconstruction, part of a noticeable dialectic to neighboring Canaanite cultures as a sudden reconversion between what was built and what is about to be founded even if something were to disappear in it. The wall was rebuilt in reality surrounding all of them beyond the golden light of the shofar producing today's creation and not devastation, encapsulating kingdoms in wisdom and lucubration..., this is where we have all come from the return of didactic cultural forms independently to attract us towards his teachings in an anonymous converted world with the purpose of reconverting itself into a solemn alert that precedes us.



Paraps XXVI

Messiah of Judah III part

Miracle IV- Baptistery

Stressed knowing that he was on a hill reserved for the beautiful settlement and elevations to the east of Bethlehem, he understood to facilitate the unusual lighting. stress; Leader of the Koumeterium Messolonghi felt that after thousands of years of his life in this Holy Land a great value of omnipresence. The Miracle of Christian protocol would begin with him paying for votes and tributes in the Church of the Shepherd's Countryside. In this rock of special mysticism, "He begins his rebirth in his tenth life before there were nine in Messolonghi (Koumeterium Messolonghi-Editorial Palibrio USA). A miracle happens that transships him to caverns that would transport him from the oldest of the past nine cycled epics in Kalavrita, Kalidona, Patmos and Messolonghi. Here he will come face to face with past lives, in The Fountain of the Shepherds,   in this analogous with allegorical motifs commemorating the shepherds and their flock by those who crown this fountain, having before our eyes the sculpture of the shepherd and under his feet floral motifs such as palm leaves, heads of cattle, sheep, and ducks in the act of drinking. In this hexagonal source it is equated with the Hexagonal Primogeniture, here is the miracle that would come to arise to reunite with the intangible Creation and Illumination as clothing. They thought they were closer to the village... but in reality, they were three and a half kilometers from the village itself, in a fenced compound with a wide path that runs through the park on the hill between trees and lush flowers that clearly evoke the place where those First-century shepherds brought their sheep to graze. We were all dozing off when certain royal decagonal sounds would transport us through the church..., on its decagonal plan, it appeared surrounded by four chapels and the apse that houses the altar, covered by a large dome of mortar and glass that lets in, illuminating the altar as it did. the guiding star that pointed the way to the shepherds. Here the murals that protected us from the hosts of Asherah had already disappeared. Most likely, they were keeping vigil over us with great chandeliers as they opened up in swamps from the sclerae of our desolder eyes. We were trapped by the quagmire created by Raeder and Petrobus in opaque clouds of sheep manure spilling through the corridors of the unknown worlds of climactic grazing. We went to its structure and over the entrance door, we saw the angel of the annunciation and above it, a singular bell tower incorporating us into the façade through three relaxed arches. Inside the beautiful fertile field from a marble church in two colors, some spaces could be emphasized, to which the columns that support the roof also contribute. The chapels are adorned with precious frescoes that represent scenes of the annunciation to the shepherds and arrival at the birth and altar table that is supported by the sculptures of four angels above all with the appearance of the hexagonal primogeniture between these angular stones. That hexagonal and polygonal effect in both parts were intra-excavated from their own vertices, They crossed a straight line from the north in a double semicircle that was concentric in the precise diameter of the equatorial inscribed in the central circular bleat that a sheep lactated..., here the shepherds arrive and receive them with great hospitality in symmetrical affability, shaking them with their shofar. over their songs and tunics..., each one was blessed by the nascent air of the other more than a steppe grazed by ruminants and palliated mouths. Twelve degrees to the right in the sixth wick of the Menorah, a regular silhouette was lit, becoming this intangible whose thirst makes them drink water from a hexagon well much more equidistant than walking between themselves, moving their hands with all the urgent emotions and dynamizing numb emotions that would vibrate from the third angle by clothing them with vertices of light that shone from the convex morning. There were six complex roots equating each other on the regulated plane of animals, which were parked near the medium stone walls where Raeder would climb to run over the walls, standing out more with each side in which the same forms of expression could be appreciated, embraced and emphasized. those who could decide to generate a rebirth of two kings and that of Etréstles by an internal lighting hex. Close to the church, colorful caves can be seen in the calcareous rock that dated back to the fateful Herodian era, denoting some surprising utensils found, of which we know their mission of the chapel when the diocese was founded.

Etréstles, receives a luminescent self-radiation immediately from caring and guiding as it has always been, but now in a tenth luminescent life in living connected to its own cisterns. An enjoy approaches him showing him his paw..., the curious thing is that this dog had six fingers, there he was convinced that it was his generous shepherd and that he would take him through internal labyrinths of his lighting by the sixth finger to help more unwary and unconscious beings that illuminate and grant subconscious existence in pumps that have lost their law in affront and self-rebellion. His sedition would begin with the substitution of grass so as not to depend, but rather to maximize them in the cavity of their stomachs, so he began to wander through the hills seeing how all his sheep fed on dry land, without any water source.

Raeder ran along with the cover of the stone walls, Petrobus turned around the perimeter of the inert time of the upper ledge, and the camelids raised their shining legs filling the herbaceous pastes in their timbal snouts, Alikanto sensed that only three kilometers away he was already presenting himself. the stable where they could surrender to the intubating silence and the innocence of a super little one who came and appeared..., knowing everything. All animals eliminated pastoral toxins and pheromones being free from enterotoxemia, distributed from the soil and the gastrointestinal tract of the youngest, not appearing in the holy ovine soil with the bactericidal absence of Hexagonal Primognitura. the pheromones in this chapel it was assimilating between special olfactory glands that would reign. They would fan the wings and its bursting abdomen, rubbing it on the roof of the prominent chapel like a domestic beehive. They would exchange the oral use of the inaugural soil to receive them in the animal creation controlling the cells of the chapel and segregating the maintenance of the backward world. The mandibular pheromones could be seen falling to the slab of the church, becoming sticky as they progressed to and from everyone's entrance. The pheromones of the sheep created recruitments of the others in the integument of each cognitive inflection plotting them to enter the baptistery, something like that would never have been possible, this was a great miracle in the rebirth of Etréstles when they could enter their own womb..., they lay down on Etréstles passing over his abdomen generating honey from his own mouth, giving the pheromone of the sheep when transiting and of the bees that provided him in his abdominal cell. Chemo Neurons and receptors renewed would be in charge of expanding circulating olfactory lines, causing an electro transmission of energy never seen before. Everything happens as a result of the metamorphosis of Etrésltes and his hairy clothing often lives on the backs of neurochemicals filling him through the largest lobe of the winch, which he had and carried in his hands and which he had requisitioned from the nearby mill of the ancient Christians who lived there. The apostle says: "Each verse..., a molecule, each surface a new system..., each membrane..., the rebellion of stimuli..., energy chain, sensitive organism..., neural axon, physiology, six hexagonal angles Pastors and Primogeniture creating together with a new genetics of harmonious existence that does not tire the sight of the Creator, seeing how everyone has fun in the garden of their house" The baptistery has a hexagonal base, which coincides with the primogeniture, since it is based on six anthropoid-zoomorphic elements, missioning after the vestige of memories of the Messiah, whose doctrinal base will predominate the exiled Apostle who miraculously returns to be close in the church of the shepherds with six angles that concentrate their escort, towards a single center of the tabernacle that will be reborn in the figure of Etréstles de Kalavrita. Vertnarth says: "Blessed light of luminescent glories that you have made of today that nothing ends in nothing..., everything begins..., this plan transfigures the purge that takes longer than the light that does not turn on from the darkness surrendered before its vassals. Now king tomorrow vassal, now sun tomorrow darkness. Nothing produces pain only temporary blindness, what hurts the most is exposing your face to death and your mind, In Ein Karem, two ears in spring besieged Etréstles falling asleep on the cross that was in the bell tower, could not wake up the next day among molded bronzes. He had had excruciating nightmares that prevented him from waking up. This is how he describes the dream: "I was heading towards some heights of Ein Karem when I was going near some hills near said city, some Roman Praetorian soldiers appeared to me and arrested me. Suddenly I woke up after having recovered from the severe beating they gave me, they interrogated me again, and they put half of my naked body in the middle of the body of an underground cistern, trapping me towards it by the enormous ice that was distributed in my body. They told me that they only wanted to test my resistance to water in this cistern to test my Hellenic Constitution by resisting darkness and high low temperatures as a Hellenic foreigner in Hebrew lands. Well, I was always very intrigued by everything but there came a moment when a luminescent light settled on my head in Ein Karem..., it was Isabel, the mother of John the Baptist telling me that there was a path where I could escape. At the moment that the guard came towards me, she surprises him with a viper that stings his hand..., quickly escaping the guard. Surprised I ventured to escape but when I was far from the cistern I returned to thank Isabel, I found myself face to face with the viper that was nested in the rags left by Santa Isabel..., Likewise, in the textile fringes, the viper uncoiled biting me in my right hand. So I had to leave quickly and go find Kanti who was waiting for me in a suspicious meadow. Precisely he took me to the edge of a bush where he pulled me close and with his snout he licked all the poison out of me. So he woke me up in the bell tower of the baptistery in the spring with the ears of a steed." Continuous parapsychological regression: I had been left alone in the hexagonal radier, full of brambles dressed in tides that fell from the bell tower on my wound. They had all left because they couldn't find me. Immediately Kanti took me by the hand and put me on his back, to go to Ein Karem; the Land of the threshold of John the Baptist. We headed to an important Christian site which was the birthplace of John the Baptist. Everywhere grace abounds on every fence, wall, and path, we rode through the alleys for hours until my wound healed enjoying my prayers while riding on my beloved Kanti. I felt that the left ear of my sorrel when walking without a shadow, showed me the essence of a prepubescent who had been born in this village, where his mother, Elizabeth, the mother of John the Baptist, became pregnant and gave birth miraculously. Here, before this same lure, the restless right ear of my beloved Kanti told me that there was another child who was in his mother's womb; Mariah who was also pregnant with Jesus, and for this reason the village well is now called Mariah's Well and its waters are considered canonized. Kanti's parable: "By moving my ears forward I see our comrades around here near and behind, and in yourself, I love healing your wound. Now I will continue with my ears ***** and flattened back, making myself invisible to the Praetorians who want to target you with their leprous tongues." So I will continue with my advanced antennas forward and well dilated to hear the good steps of our comrades. Likewise, Alikanto kept his gaze on some pomegranate trees that stood out on the stone wall at the bottom of Ein Karem, while the chestnut advanced, he mobilized the base of his ears. When he felt allergy in his forehead and in the arched anatomy like super Kanti. In the domestication of him and in the use that Etréstles gave him after long days of the war, his steed had a tendency to suffer stretch marks at the supra muscular-osseous level. Showy macule like this, but not in his anatomy of immortal Equus as an external anatomical and physiological steed. Here the membranes of his cardiovascular apparatus are opened, separating him from divided Cretan and quadruple blue blood, turning in his Lazikos dance with hyper-oxygenated airs locked in the Ganymede sprouts when he was kidnapped from Mount Ida. In his exile he took care of sheep..., Zeus looked at him out of the corner of his eye and his own bled..., Zeus fell in love with him on the spot and sent him the eagle, "Which Kanti has interpreted here as the blow of Saint John the Evangelist missioning his telepathic vibrations through the corridor of the monastic cell on Patmos. Knowing that this steed and namesakes are of origin from super ventilated atmospheres and foggy areas of the northern coast of Crete. Calling himself that, about stunned himself..., about the serpents that snake sparkling from religious Hellenic mythology, between Chthonic gods or spirits of the underworld, opposing the celestial deities. The timpani telluric tremors of the hexagonal tectonics would merge with those of the chapel of the shepherds and that of their percentage share in Etréstles, of a sixth portion of the sixfold Hexagonal primogeniture. The steed's morphology resembled that of Ein Karem in super-ordered hoofed limbs like those of a mammalian placental, walking in the cracks of the quivering fingerprints of its odd footsteps. Etréstles says: "His head is the same as mine..., neck and trunk, the sigil on his pyramidal neck in which he could read the Torah. The technical nasal orifices of it are beautiful straps surrounding the headgear, touching his weariness beyond the vigor of finding him in a place of sherbet of the cisterns after having dealt with the leather that pulls his pair of smooth ears, over the blind spots maneuvering in the cove of his beautiful Cretan poetry being like that too when blue smoke smoked from Hestia's orphaned chimney. Fine trapezoid grace where her neck nails the circumlocution of her knee and the gauntlet of her inseminations and straight mane regenerating and blocking the rays of Zeus in the concave cups of Ganymede spraying them on her beard and mouth the liquor of sober trickery. I continue in the balance of so many battles won, with my Xiphos and Áspis Koilé,... beyond fearful purges that allow us to find ourselves around the corner in front of Vernarth, waiting for us to shelter Kanti's ears in Ein Karem. " They left Ein Karem after having had the vision of the Mount of Temptations even being far from the place. Grouped together again and looking at each other, she saw that his face was rejuvenated, putting his Herodian gestures in the company of King Davidian.The Messiah was born, a King without a castle or subject knowing that children under one year old are attacked by plagues or sacrifices. Messiah King of the dying world compresses for what bleeds the divine blood from him. A trifle of Messiah in each one speaking with their eyes after looking at several roofs without their own roofs, all serene,... without blemish in the middle of their faces in the violet iridescence, sounds and choral masteries that emerged from the surface in flocks of white from the Azores islands, they rained multiplying on their wings before arriving at the mass of the annunciation near the stable. Vernarth arrives and sees people gathered with their heads together and holding hands, others holding the bells of animals to hear the sweet voice of the little boy rippling like cotton in the harvest from the braying of a colt that dozed in the shade of its parents before eating. Vernarth puts down his sword Xiphos and genuflects and crosses himself with the hand that allowed him to move his fingers against his right Lynothorax wounded in battle. He makes a metallic cross sign by crossing his swords with water flooding the sidewalks of ultimate dazzled ideologies. One day he wandered away from the alleys of Emmaus where he had visions of Praetorians discovering idolatrous moods and scents of a newly arrived child from the white clouds of an approaching stable. Vernarth puts down his sword Xiphos and genuflects and crosses himself with the hand that allowed him to move his fingers against his right Lynothorax wounded in battle. He makes a metallic cross sign by crossing his swords with water flooding the sidewalks of ultimate dazzled ideologies. One day he wandered away from the alleys of Emmaus where he had visions of Praetorians discovering idolatrous moods and scents of a newly arrived child from the white clouds of an approaching stable. Vernarth puts down his sword Xiphos and genuflects and crosses himself with the hand that allowed him to move his fingers against his right Lynothorax wounded in battle. He makes a metallic cross sign by crossing his swords with water flooding the sidewalks of ultimate dazzled ideologies. One day he wandered away from the alleys of Emmaus where he had visions of Praetorians discovering idolatrous moods and scents of a newly arrived child from the white clouds of an approaching stable.Intrepid and with light-years, he came crawling in his arms with his crown traveling from the smallest space that relieves the world in a Templar, first-time and omega period, with the appearance of being born by all. Perfect and newly born with frequency blue body, blood, and eyes. Covered with gummy gelatinous substances..., anti-Herodian; seeming to save others with their small hands of the divine womb, which manage to enter the heart of God, even having fingers that do not reach the edges of God. It never seems strange to him, only that his ***** seems to never come out of him. But it is spontaneous, he sparkles outside the womb of his holy mother with the immersed placenta in the prayers of the induced shepherd of the womb of the ****** Mariah that great arms shelter the orchards to surround all those present in birth that seemed like that of a donkey's ******, who could raise his son to be King of consecrated animals as well as few making dalliances to the right of the resident Menorah getting up early. Vernarth says: What are we to expect?...the vigil...with his shoulders hunched and his head pointed north of Jerusalem this little king bent on his pre-fetal knees, after nine candles to the right of the troubled Menorah. Even though the midwife who helped the puerperal Mariah was not premature and they distanced her from the halo parenthesis that playfully changed where to put herself, close to her saintly interior, that is, triggering the powers of phosphorescence. Self-creating a thick but light layer of psyche that would make him already independent of José and Mariah...and if they weren't! His fists since childhood had signs of a stigma when he was just unborn and not born, azure flames came out of his hands lighting up the eyes of his dazed parents. Rabbi's golden machine lactated seriously when her mother slept, she didn't allow him to see her conscious of her drawing intra-lactations of the lymph from her entrails, whose gothic light ****** the dominant Magnificat of the Vulgate. He ****** on the object to take her lactation and her left hand to space it out to all who wanted to go into meta-object lullabies. Thus, her thumb and finger are introduced into her mouth, pressing them on her startled palate at the braying of the graceful donkey. All those present took with their hands the others with their own thumbs, returning to their childhood cycles just laying down in the manger. At that moment, far from feeling the imagines walking near the fields of vision, shiny noble metals..., their candelabra eyes dazzled as if they were brothers. Here he moves his arms copiously as if wanting to fly from there, with the vigor of her winged mother, to follow her beyond a tender left-handed Golgotha ​​deception. That he kept the pendulum coming and going from one arm below the other as he turned on top of her, embracing her lush maternal hand. His early nervous system was celebrating on the back of the colt, highlighted with rags in temples that he imagines to be sacral effluvium in waters on the flat beef, the camel and Raeder and the Petrobus Pelican and other animals that were on their knees smiling with their hands glued to each other all sweet to the right of the sweet nectar of the Magnificat. All the excited animals still trembled with emotion on the demure ground of this alpha biblical moment, all imitate the trembling animals but each of the adults who were there hugged the hands of each animal and child present as a sign of giving comfort to the parents together to their children who seemed to be already an adult saying goodbye to their birth. His scaly breathing was full of anagrams of Magnificat, they used to trace analgesic sources of the dream of seeing him between golden and straw fistulas of grasses breathing next to him. The voices were felt from outside of those who could not enter of glory and breath without equal of the rancor of the world distracted in a piece of tin and hardened hearts, now resplendent from seeing so much sleep looking at them and drowsily yawning in a golden child. When they breathed her glory, they followed the patterns of the priestess Deborah, who for some normalized her feminism and strength as a mother breathing the libertarian history and matron of a nation that should have been born in a Judah stable. Mary and Joseph were distracted every second looking at him, they felt that the Messiah grew too much, worrying them about this strange unreality. They breathed more than their own son seeing him without breathing that they had to do it in the garden of the man who allowed him to do it today. As long as it took their parents to distract themselves, Saint John says: "Godson and Man, the priest made Pope..., the minors run after the elders, the bible for more apostles so that they swell and spread it, that the gospels add more pages and favorite editions. Prochorus; you who are...in some seat of Patmos prepare sacred parchments with thick corpulent ink..., which will reach your cell and seat. Studies..., something wrong...? An anointed Christ needs us to write for him because his hands are asthmatic in the words and in the inspiration that you move all the pages of the world reading them scattered and disserted,....in each well and each step was son and man, where king and mother and where each mother has to dry the cloying slime that dries up the mystery of having her white and emaciated. Let him sleep, perhaps when he wakes up he will meet a Messiah who will never stop being in his arms.

Kafersuseh. One-Dimensional Beams

More than two thousand years ago there was a mischievous infant who looked and looked curiously at the beams when he was born in Bethlehem..., especially ones that crossed! This happened in the polarity of the magnetic stable of Bethlem in a portal on adjoining hills that received him overflowing. This glorious empowered looked at the beams that wore ingenious crosses, seeing himself there being still an unborn he knew that when he was born he would already leave this unborn universe. Above the trusses that riveted the frame, he approached with his lonely gaze above the roof being able to see some beings of light organizing a Eucharist on the roof of his stable two thousand years ago that could be more than an edict that he would inaugurate the sagacity of caring for and giving newborns what many wanted to see but few knew who he really was, even having no record of him or his lineage lost in the middle of the strips of hay. Says the Messiah: "A few minutes ago, or more than two thousand years ago...? I counted the times that the Res waggled its tail, and I realized that he already had selected visions in Kafersuseh, higher than the ceiling of the beams..., in the sunroom, some outcasts also visit me, reborn and loving. It even has to be detected that someone came from far away but arrived late, I was only able to observe him know how to join him to my pariah criteria. He was tidying up the altar receiving orders from the unsupportable upward hardwood scaffolding telling him so; "That everyone is in alliances lining up for those who didn't fit in the stable." I looked at the roof of the barn seeing beyond...being able to verify that my custodians were there preparing the beams on the plugs that crossed each other to climb to greater viewpoints after rubbing the rough coatings of their flogged texture like whips from the underworld of Elpenor. That gentleman remained, and not when I lost sight of him with mine as a child-man, since only he distinguished me but not so the beings of light. The disillusioned Eucharist was being consecrated. I never rested in looking, resting in a forever, because I saw that my eyes became fringed lights in the lasting oscillation of the chants of the reveille or the tri sonar of the shofar. During this time a rising angel appeared, trying to get in and out then he belatedly decided to join the group of shepherds who were herding their sheep in the fields near Bethlehem, and he told them that he brought good news because the Messiah the savior of the world had been born. The shepherds left everything to go in search of the newborn since the angel told them that they would find me sleeping or in dormancy..., but I was not staying on the manger, since I was up in the space of three sounds of bells, almost farther than close to those who announced my advent. After three sounds of bells, three shepherds of light came down from the roof seeing in me that they recognized your minds, thus being they who blessed my journey on a day in the Middle East, even being on a roof next to the paradise that I officiated in the splendor and perfection of the world as a man-child not far from the magician outcasts, who parodied all the songs always with followers of Zoroaster and my Kafersuseh up to Gethsemane and towards my mother. The Messiah was still abstracted looking at the sky while he was busy putting his body to sleep. There is no doubt that his unfolded being made him move his first steps in original words that alluded to a game of learning to give the first in Judean usage on the stables.His disconcerted hands of his body made dance stories of those who were close to him, making only about fifty grouped there in watermarks that ran like seconds within urgent minutes without time gathered in the Jewish dawn of Eretz-Israel. Saint John the Apostle says: "God is concerned about the material world and about this creature of His that predetermines us. This is the amazing thing about the Father and the Son. Behold... I will walk in the dark, not in the light. So you will see the trait that not a lifetime will take me to know which in its similarity and who inherits the body and soul of it as in the hands of a bumblebee. I feel love over the hate of others, I see the light that could be a self-confidence to those who resound in their tired and inattentive ears, maybe that way they will see when they can see better without listening attentively to the sound of the bumblebee. I see the verses fly and how they fall one by one on my soul in order obeying the flocks early, like a herd ordering those who one after another look at each other later ordering the perfect law of the beginning in a reconciled end "In that instant, fragrances of the dense flowers in water transmitted the anxiety of those who wanted to continue listening ecstatic and fragrant, but as they got rid of their presumptions they fell into the abyss on the banks of the cliff garden of Malaki, where many of them coughed or cleared their throats luminances that attacked their feelings wrapped in judicious phlegm on their limestone tombstones. Vernarth says. "Drink with me..., I have a new concoction from the beginning to the end where the branches enter with their effect from the same branches the true light that savors mistakes and slips comes out towards you. I have scabs from many shadows, but the unfaithful passion that hates me with such intensity is ennobled when seeing me prostrate before the Messiah who does not tire of a new change when seeing how his rounded limits shine on his face, much less of adapting in square limits nor to continue being born and dying, by drawing the curtain that his selfless mother always shows him to sacrifice, immersed in Gnosticism and of all those who tried to relate it " We will not be able to ask ourselves many times who we are being in front of and every time a child is born amidst variations that make all mischief its preciousness because it is born from the locked heart dancing in the greater acceptance of the welcome cycle of being born and being reborn. Even so, never having been among them, the systems of credibility are tired of their limestone material..., they register and suggest all kinds of contemplations in a vague naivety that shines between gold, myrrh, and frankincense. All those who were present transcend to resent their consciences by believing themselves spiritual while tenderness accompanied them, but not religious but the leadership of a creation will be presented to them in this stable that we see just being born that is above yourselves being born in all that concludes in an epistle under the dominance of "As you believe and love not seeing, what we see in us not believing" Indefinite before this stable we pray over the mother on her arrival, and we will pray in his mother when he leaves..., he is physical for those who accept him as a divine man and he is vainglorious for those who do not, those who do not tire their limits do not move the fence of their three-quarters demarcated, entering the undemarcated spirit as mobile emotional , girding a father and his image beyond because it escapes in our reason and faith, if not it is beyond or closer to what is usually a voluntary desire that always remains, if it is the Messiah everything is accepted in your mistakes of returning to reprimand after erasing the test of your random Being reprimanded, what the error feeds in you is digested by your active mind. Here we are extended before the anti Faith and Distended Will, underlying a new tradition that will need to relive it and get to know it if those of us who continue to speak of ethnic faith or about the naturalness of multiple tasks of their intolerances. Little Joshua says: "My fingers disobey me from her because they are far from my mother's, when I want to bring my visions of her closer to her, I throw myself into her gaze to ask her permission. But more than anything that leads us north, it flows faster than my shadow feeding on the light of the epistle. I sing and intone wills that come from so far away but I am distracted by looking and seeing those who organize an altar not so far from it..., up here on the roof. I feel without knowing and without knowing how behind them is my Father, and next to them in line the pavilion of the multitudes that sings me of haughty brave and Lord for those who are not. I never get tired of talking about the beams! they flex with the horses of the universe, and the dimensions intersected with my passion in my tension that falls compressed and falls reluctantly at the moment of tired inertia. The prism makes me hold on to the portions of the arcades of the stable, and this is in the creaking of my doubts in the desert of Jericho. The torsion in its mechanics as a noble beam, unbearable does what my reflexive pains endure so as not to stress the beams of others. From Nazareth to Bethlehem, a great effort to sustain the tension and torsion of the mechanics of the altar in the hands of those who fall weightless without feeling the weight that their load lightens on my back. In this slender mass and geometric beamed wood, the daily calculations that my father makes when he is tired to hold the world and my trova back are deformed, and when he is with impulses beyond them..., he deforms what the torsion does on it and does on the other Merida angles. And because as his son I don't know how to interpret it unidimensionally...? whose axis and radius I never knew how to understand, making myself wisely ignorant, taking hold of their garments strongly and of the mysteries that go beyond a constant creation in a stable" The Aramic Semitic language was presented in this Eucharist, on the Kafersuseh, by Joshua, He took his father in the stable with all those who came to see him, he looked at them beyond thousands of years to come to meet the humanity that lay grazing, always addressing them in Aramaic parables. While below the kings gave him offerings from the east, above beyond the studded beams, King David was consecrating him. Behind the King was the Father Creator supervising the thousands that his son Joshua would parley with Aramaic tongues, when the thousands of futures are consecrated alive in their astral bodies to the right of the Menorah, together beyond the archangels surrounding each one. Joshua watched carefully as his Aramaic lingual farming went further from Bethhlemem, beyond Kafersuseh where the evanescent height responded to a canopy shed of the beam that leaned on the stars, populating his trapezoidal back for a provincial development in his nonverbal escape from losing his unborn language And entering Aramaic through the divine membranes that descend through his olfactory halo language. However, he was already beginning to descend from the terrace to address the base of the peasant Christians who adored him and extolled him horizontally, lavishing him with water to distribute in their hands and faces beyond his visions. Joshua looked at Joseph and felt that his Aramaic was already his, but he would leave in advance walking towards the Garden of Olives..., towards Gethsemane, to meet with a frank theo-dimensional language towards his Abba Creator, surrounding them with Lepidoptera that burst their chrysalises plaguing taxa of Aramaic micro languages ​​to take them to their Abba who would await him in further ceremonial on the flat slopes that flowed with him in a language that might one day be lost as a dead language. However, this Arabic language will go in placebo on these pollinating Lepidoptera and they will go from the sacred lands to Gethsemane from their heavenly visions to Kafersuseh. In their homogeneity as dialects, the impetus of Lepidoptera began to be reborn here, traveling in nocturnal groups, to Gethsemane on the same day that Joshua came into the world in Aramean lights. When Joshua was born his Aramaic language traveled from the highest beam above the roof of his barn, to arrive with his biological Lepidoptera lingual species to pollinate Gethsemane. To migrate from that moment his word that he kept knowing that his body would be lost before those who tire in their eyes by not being able to decipher or read. Thus, transferring pollen from the stamens to the receptive macula of flowers in the angiosperms that will populate golden olive orchards mounted on vectors of the aforementioned pollen will be flown and piloted in more olive trees by the bees that will carry strains from the Kafersuseh in Bethlehem to preserve the moral language of Joshua. Although the new labors in humanity with all this and manner will go astray as a non-preserved language, not even imaginable at the birth of the Messiah until the beginning of a Gethsemane in a united Aramic body and language, but with an invisible Aramic body in those who do not you will be able to see the migratory flight of the Lepidoptera applauding mixed with bumblebees.

Long division, twelve red balloons
in the wind, I'm heavy with thoughts
that always keep me grounded,
a heartbeat driving home against
rubber-bands, swelling in paper skin
disintegrating beneath drops of gravity,
people who sound like piano notes
silvery, sustained harmonics
and smell like peaches
feel like home

What song did the sirens sing, Ulysses?
What tune could break your will,
cause you to lose your way?

Were you strung by the sound of a harpy's harp?
Lured by the lies of hideous creatures
singing songs of fabled falsehoods?
Like empty eggshells holding none
of the nutrients they promised.

Was their melody flooded with the bitter truth of love unreturned?

Did they sing of release?
Release from the turmoil the journey was and would continue to bring?
Were the dissonant harmonics of a watery end,
the chance to be one with the sea
what made you beg for your bindings to be cut?

Perhaps the sirens sang the greatest songs of all.
Perchance they sung
of passion sweeter than nectar,
of love stronger than ambrosia,
waiting to be given to the sailor
that could traverse
death itself
and make his way to them.

We're GIANTS on a toy-top spinning-speck
space-bound swallowed;
joining harmonics
in gyrating clock work's working;
catching gears of time's time
circling Ra's warmth

We're GIANTS on a toy-top spinning-speck
bellicosing great power's glory;
dwarfed into a vast cosmic oblivian
likened to a speck
of plankton
in a whales belly

i would like to play the trumpet for you
i feel i could breathe
the wailing of my soul into it.

i could play myself through this instrument
into consciousness
from this sleeping dream
into smoke from this flame

i could wisp and dissipate
like clouds in your eyes
can you see the clouds in mine?
or the dew, in the morning left?
i cant remember the rain
though i am drenched, i am dripping
every bit falling, drop by drop,
into a lake never quenched

before words, before television
you have always preceded
the breath standing at the crest of my lips
but turned, scared, naked
retreating, from the beach
back to the sea

where you close curtains
to my whale song
pounding at the door
unintelligible frequencies
on top of waves and across the sandy floor

i sink so low, shaking
chains shackled to the earth
i'd barter for the key
but the guards
they ask the trumpet from me
summoning vultures to my stomach
my burning coal punishment

for swimming so reckless
for weeping on the shoreline
because you and the rainwater receded
back into the depth of chambered winds
slipping like the valves from my fingertips
before the hushed tones of my non harmonics
my soul blossoming out of it
my song on every radio, every wax and needle
in the air wisping out

when you are not the sun
and not listening.

clouds in the back of eyes,
and sleepless nights.

Into the cloud, I blow a kiss, another day of the smoking wisp, on the edge of madness, embodied by a lasting manic.

The spirited light; the solar-like wind;
breath with its passion; the sun’s copious
****** venom.

I speak of everything and all things
without caution: this noise inside my head;
layers of high pitched harmonics;

the compressed hours between
birth and death; the heart’s heat
ascending and descending;

the end always beginning and again
your Gothic eyes. I have been here
and there, a prodigal hawk

with the flavor of blood-kisses hovering
like steam or mist or a weapon stirring
the body’s carbonic magnetic motion;

never the sky always the silence disclosing
the stillness in death’s fantasy—life and death;
love and loss; a fatalistic dream-reel

as if two mirrors facing each other reflecting
the same vacant image. I remember the faint
trail of finger prints; my impatient pulse

raced into yours. Deserted passions
like roses each one dies the same way
—our emotions mumbled

through love and into the glazed elixir
of a French kiss: In my arms you had fallen asleep
not knowing I had left.

——————————————————————————
From my second book: 'The Second Coming'
©dah / Stillpoint Books 2012  
all rights reserved

"never the sky always the silence"—from Andre' Breton

Search Amazon: "the second coming/dah" and "in forbidden language/dah"

i only find my solace in half rhymes and soft narcotics
and twice-sung dueled harmonics
keep my tongue between my teeth
and keep my dagger in its sheath
and i guess i should have known
not to let my dark be shown
cause he only wants the light
well i suppose it's only right
nothing grows in darkness
nothing grows in darkness

i can only keep myself contained
in tired metaphors and shame
i just wanted him to know
i could love even his shadow
show my hand and call my bluff
let the edges keep their rough
tell me every single story
spitting off each promontory
nothing grows in darkness
nothing grows in darkness


i'm told that every great disaster
is building up my character
i'm told that every great destruction
paves the way for new construction
but i was never one for artifice
i'm a bare ***** tree as stark as this
i thought you were my home but you were termites
leave me alone and go search for your spotlights
nothing grows in darkness
nothing grows in darkness

Bones in the rye field they sang, brittle stems of iron spreading leaves of
rust
A hidden look in watery eyes, secret sickness, ripping my guts
asunder
That space between midnight and morning when the world has been reduced
to monotone
In the blue-gray lucidity we sit, absorbed in cigarettes and gusting
wind
A few notes of Satie and I’m sitting in that blue room again, bamboo out the
window
Your voice like a finger running up my spine, singing to me, drowned out by
spring showers
Clay pots on the shelves, wilted sunflowers on the floor, grass pushing its way
through the floorboards
I step into falling rain, dream of sleep, dream of nothing, the blankness between
wakefulness
Hands carrying the scars of a thousand days, much like the day before, unconscious of
its passing
In tired two syllable words we exchange our hearts
In smiling kisses we pass each other breath, fresh like fertile ground split by
rugged plow
Black and white photographs in odd fitting drawers with cheap brass
handles
A pocket watch carried by many men before me, strewn upon stained counters
and newspaper clippings
I will these tired eyes to come to their senses, absorbed in a single word in a single
line
Losing their focus for minutes at a time, the sensation of drifting, the feeling of
fading
Like watercolor or lines in well-trod earth, shuffled into meaningless
harmonics
I still miss the sound of your violin, though you thought no one listened through
that ***** window
Scraps of Scriabin and Brahms, your symphonies saved me many a night
Such frail hands and white scalp, but you did not shake when bow met
fingers
Those nights of cheap Merlot, secretly stealing a moment of calm from your
skilled hands
The records never quite rivaled those nights, my unknown
friend

what terrible news, the marx in me said it true, article heading: mental health gets only 1% of council tax...£664 million a year on ****** health... £111 million on tackling obesity. here’s a simpler explanation... c.d. is part of hardware... mp3 is soft-ware... get a scratched c.d. and turn the hardware into software... then put the virus mp3 onto an iPod, which is hardware... then watch the technological virology take over... the host hardware will break, given that the parasitic software is implanted from a sick hardware it was copied from.*

i was redecorating my mother’s living room,
for a handshake and the prize:
don’t interrupt my drinking pattern, woman please!
so i found to ancient scribbles of paint,
but then hid them like a treasure chest...
i also found the vol. no. 2 of kant’s critique of pure reason
under one of the pieces of furniture...
over a year i lost it... blamed everyone i knew...
but in reality the realisation came when i rekindled
the bookmark coordinate:
it took me two conscious years to read heidegger’s opus,
consciously defined by reading poetry on the sly...
with kant i ended my reading with the introduction of hegel:
antonyms of a pure mind - the third conflict between transcendental ideas -
i got the antithesis straight away... mainly because it spoke of freedom...
while the thesis spoke of the laws of nature and 1, 2, 3, 4, 5...
0 central...
it spoke of sequencing of events... it spoke of 1, 2, 3, 4, 5
as paradoxical of 2, 3, 4, 5... and 3, 4, 5 and 4, 5, and 5.
i think i better translate this passage to exemplify the point...
i lost kant for over a year and the **** sizzled...
i kept heidgegger for a year and i came out wondering
why it should take someone 15 years to study aristotle by the man’s suggestion,
so i had myself the alternative:
philosophy begins with awe... well... so does tourism.
let's just say there are corridors at the junction...
we say i almost pickled a cat's paw with wet cinnamon
or ketchup to imprint a paw-print with the gaff quote:
i was here, i found the sound meow inexplicable,
incomprehensible... given the human complications,
i decided to utilise meow with randomisation away
from my superior intuition... whereby the phoneticism
of meow was less than my eyesight and hearing...
so i announced the whiskers and fur and snake-eye in mammal
with a meow... i used meow to communicate with the complex
vowel-consonant reason, but i found my intuition
in rachmaninoff's vocalise wordless song... with my ear against
the radio dreaming away... so said man un-attentive of me...
that i managed to mingle my instinct without the meow
asking for butter... and instead for the daydream...
diva lute diva tangled... diva es lute es flos...
there i was... the cat of abashed baptisms at the fountains of
the baptist with my head wetted...
careless for the dung bag walking partner, or the plaything
i was forced to take interest in... my casual...
fat for keratin, as if fat translated from man unto animal
to ask the boar for the daydream of the conveyor belt
with lost fur and gained fat...
off with my shirt i too graded the follow-up...
as a loss in the tightened woods of winter with the losing shadow
of the shadows of beckoned crowns not adorned in vogue.
but this was only 1912... five years before the revulsion...
before the revolution... five years! spent in the abode of harmonics
by the piano i tried to mistune to write a deathly haunt of presence...
operatic alphabets twisted me into recovering from
the foremost attraction of failure... the neglige of virginity lost
to the public's applause missing...
i too could have vouched a coming back: of spirals away from
the champagne starlight in bouquet crescendos,
for the simple minded aura of perfection - but i vouched
hypnosis as the adequate precursor of staging fright
as the lost composition rekindled into revisionary composition
regained - there too i found the picturesque familiarity
of unsung hilltops regaining strength in the longshanks' heels
as if by deed of achilles in strength regained...
to frighten the lowlands with that glorious fame of
being poisoned by the gratifications of excess in the untrodden path
thus trodden by ear and echo rather than foot,
into the zephyrs of the larynx-ballerinas upon mountain-tops...
thus there, among the content misanthropes -
i too searched orpheus' mirror and prometheus' stone
to be bound to an eternal moment that denied all
other eternal moments and furthered the denial
by not allowing a bullish billion of china
its existential prowess among nations so frequented
by scandinavian description.

There I stood.
Body trembling, hearing only manic depressive echoes.
On one side, mournful cries, on the other, sheer harmonics.
There was a feeling of dream-like reality.
Some great force enveloped my body, compelling me to stagger forward.
With no realization of the whereabouts of my being,
I conceded to follow my feelings, as I always did.
With each step I took,
I could see and feel and experience a new part of my life that had already happened.
It was a chronological walk in time.

The conflicting noises ahead continued to get louder and more distinct.
On one side there was a gnashing of teeth; screaming and yelling ruled.
It was riotous, and strange looking people were festering about.
They scowled and spat at me; the smell--repelling.
On the other side, there was a great feeling of unity.
Great stillness and serene calmness.
An entity secure within itself.
There were much fewer on this side.
I chose to walk close to this side.

My knees buckled, but I miraculously remained standing.
There I stood; facing the Creator.

Anticipating God’s words, I prematurely smiled expecting open arms.  
God, in all His righteous power, simply pointed at me and thundered;
“I know ye not!”

There I stood… body trembling.

Resonating like harmonics through the air from a grand piano run your words telling me you love me, you miss me, you need me, but never goodbye.

Waiting for the music to begin after a grand pause I sat in front of the colors, realizing everything was indeed black and white. I began to tell my story. The music filled the air but died immediately and fell from the sky upon deaf ears.

Bewildered faces of all who were awaiting the music scattered the room. Nervously I began again only this time was louder than before. Adding new twists and turns and free moments of my life's cadence I released more than I ever desired for anyone to hear and still nothing. As the walls pilfered the sounds all who awaited began to lose patience.

Immediately I regretted even sitting and beginning but it was too late. To arise and leave a shadow was all that was left. Eyes forward,  I departed bringing along a new emptiness which accompanied me down the stairs lying below my dead words.

No sooner than I reached the last step did ghost notes sing through the air followed by applause. Then was my biggest mistake, I turned around.

I thought I saw you

before I saw you.

I thought I felt the wind

grace the back of my neck

like

Whispers tempered with speeches,

waiting. 

Those, thoughts that played against my mind

Like a memory that served purpose years ago.

You carried through me like the river.

In and out,

Back and fourth.

Mud stuck to the bottoms of my feet,

I rinsed them in the cool stream of your reminders.

Were you real?

As real as I am.

And although I dreamed these things,

You confirmed each line I came to remember.

There was that silence that Bumped along your hips

like,

Stars in the sky and the forest of trees

behind the house you grew up in.

Was it a dream,

was it a stitched together

like the meandering waterfall,

its roaring voice too loud to hear the tickling of that cold water.

When I took my shoes off and jumped in,

 naked and full of fear,

and you held me close.

You said with your voice I heard as harmonics,

I’m right here.

I’m right here.

And I let my body lay against yours,

 like I had done it a thousand times,

and told you to come to bed.

 Your flesh was like the mountains I visited as a child.

Dips and canyons engraved upon my minds eye,

my fingers laced against the curves of your essence.

And I breathed your name like it was a lullaby.

I let you break every barrier I had ever built

Within the those moments of bodies melting, becoming one.

We are together you and I .
Two adjacent strings
Pulled taught upon a violin.
The very hand of love and romance
Curves the bow across us
And together we resonate
the sounds of beauty
Each of our pure notes
rise upwards to God's ear.
And even our maker
smiles in its harmony*
.