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"flitted" poems
the sunflowers gleamed in the noon day sun their flourish of color couldn't be out done the sparrows flitted above their ravishing visages they were enchanted by their dazzling mirages
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Mar 15, 2013
Mar 15, 2013 at 12:00 PM UTC
Sunflowers
the sunflowers gleamed in the noon day sun their flourish of colour couldn't be out done the sparrows flitted above their ravishing visages they were enchanted by their dazzling mirages
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Oct 20, 2013
Oct 20, 2013 at 8:32 AM UTC
Sunflowers
Last night I dreamed again. I tripped the soul right out of me. Danced dashed against the moon. I dove through the night. Skinned through it to get to you. Slipped flitted out of my body. Just slunk over to you. I screamed my rage at you! Tore out my heart for you. If sleep is the little death, Then I'll see you again tonight. cc1210
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Dec 22, 2010
Dec 22, 2010 at 5:09 PM UTC
Last Night
What we have named Fire Escape (an ordered, angular tangle of ladders and rail) had made picture geometries in my west window well-framed and flat--set foreground and background in two dimensions, as the sun hid, and my round eye opened. What we have named Fire Escape was flaked-paint brown orange, as if first it had been born of a flame and then had taken up living as metal-- tempered itself into usefulness, which I should trust now, in case of the yelling and the engines. What we have named Fire Escape was happy Jungle Jim or Jungle for Jane for the sparrows I saw this morning which flitted and wildly played within, rising up arched and back again. Made of the square pairs of ladder rungs-- a tunnel entrance or ducking posts, or highway bridges to clear; the birds like small plane, daredevil pilots each following each, going under. No sparrow would ever crash. And what is this I remember now? How one bird eased its engine and perched there to stay? As if to offer me, with a little turn of head gesture-- a thank you, for the bread I'd left on the sill? Or to say I'd better shut the curtain and make my exit? Either prideful guess gets me nowhere fast. Failed even is speaking in any sparrow languages from my recline stuffed chair; again, but now imagined, to draw beady eyes to fix on me, telling me much less. That morning, with the very last sparrow gone, I remember that nothing in my sight moved, save an American flag at a distance in the wind, with its one red-white striped wing waving toward the cold north, as the white church spire, framed in open quadrilaterals, held its position.
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Apr 15, 2013
Apr 15, 2013 at 5:18 AM UTC
A Fire Escape of Sparrows
What we have named Fire Escape (an ordered, angular tangle of ladders and rail) had made picture geometries in my west window well-framed and flat--set foreground and background in two dimensions, as the sun hid, and my round eye opened. What we have named Fire Escape was flaked-paint brown orange, as if first it had been born of a flame and then had taken up living as metal-- tempered itself into usefulness, which I should trust now, in case of the yelling and the engines. What we have named Fire Escape was happy Jungle Jim or Jungle for Jane for the sparrows I saw this morning which flitted and wildly played within, rising up arched and back again. Made of the square pairs of ladder rungs-- a tunnel entrance or ducking posts, or highway bridges to clear; the birds like small plane, daredevil pilots each following each, going under. No sparrow would ever crash. And what is this I remember now? How one bird eased its engine and perched there to stay? As if to offer me, with a little turn of head gesture-- a thank you, for the bread I'd left on the sill? Or to say I'd better shut the curtain and make my exit? Either prideful guess gets me nowhere fast. Failed even is speaking in any sparrow languages from my recline stuffed chair; again, but now imagined, to draw beady eyes to fix on me, telling me much less. That morning, with the very last sparrow gone, I remember that nothing in my sight moved, save an American flag at a distance in the wind, with its one red-white striped wing waving toward the cold north, as the white church spire, framed in open quadrilaterals, held its position.
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42
291 How the old Mountains drip with Sunset How the Hemlocks burn— How the Dun Brake is draped in Cinder By the Wizard Sun— How the old Steeples hand the Scarlet Till the Ball is full— Have I the lip of the Flamingo That I dare to tell? Then, how the Fire ebbs like Billows— Touching all the Grass With a departing—Sapphire—feature— As a Duchess passed— How a small Dusk crawls on the Village Till the Houses blot And the odd Flambeau, no men carry Glimmer on the Street— How it is Night—in Nest and Kennel— And where was the Wood— Just a Dome of Abyss is Bowing Into Solitude— These are the Visions flitted ***** Titian—never told— Domenichino dropped his pencil— Paralyzed, with Gold—
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How the old Mountains drip with Sunset
Little bits of fallout are scattered at my very feet. Mingling with dust motes and spilt tears. These little shards of time. Whether, they were fragments of clocks & antique watches or the very iridescent pockets of dusty memories. I am not sure. Few things that I do know is, please do not try to pick them up. If you do, be careful, be cautious. Hold your breath if you need to. One little cut is the doorway for all those creased and crinkled memories to tip-toe in. I did both. I held you in my hands. Wisps of your warmth flitted through my outstretched fingertips. You flowed gently in my veins, kissed my ribcage, gently nudged my heart. Then, it was n o t h i n g. I gasp on some days at this emptiness that fills me up. The silence lends itself to hear my words; the truth. I            had you   in the dusty       past. The present is one my eyelids cannot close to, not without your heart-beat saying 'I am here' to mine. Little bits of fallout- burnt and crinkled memories mingled with shards of you then me.
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Apr 10, 2014
Apr 10, 2014 at 8:06 AM UTC
Stay
I rolled in Michigan strapped to a kayak in the namesake lake vision obscured by freshwater I plunged under the blue surface out of my element panicking as a fish out of water- in water I reached for the release and missed but grasped swelling panic Dread thoughts of the end... my family… last words… Still submerged- somehow a semblance of sensibility surfaced, unlike myself frightening fantasies flitted- shot like skeets in the sky and peace prevailed. I stretched through the moist blindness, found the release- my sweet release. Gasp air. Freedom from death's clutches I see my unpreparedness for death, ability to survive Fifteen seconds to find my inner calm, my inner panicked strength, the depth of my composure fifteen seconds for reevaluation Fifteen seconds submarine style to find who I really was and am Arguments are made that safety and tranquility are the best mindsets for education But, safety lacks motivation, tranquility lacks demand, Life's trials breed introspection.
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Jun 22, 2013
Jun 22, 2013 at 4:51 PM UTC
Rolling in Michigan
*Just the other morning I watched a blackbird. It flitted through the unexpected sunshine, Drawn, as they are, to the feeder in my garden. This one, though, overshot its path. It was flying so fast, It didn't see the glass. Death was instantaneous. This morning I saw death of another kind. Ethereal, yet just as unexpected. "Maybe I got complacent, maybe I didn't think." And the centre of my body is flickering. I didn't expect to find flaw, I couldn't have seen the fall. Death comes slowly and now it's down to you. *
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Feb 28, 2011
Feb 28, 2011 at 8:36 AM UTC
The Blackbird
Most late summer days fade into night holding a tepid dreariness in their breath, beating away with the tedium of the sun from late July through early September. Yet ephemeral as it may be, the life of early summer is purely sanguine in the face of its oncoming age, as willowy saplings sway in the blustering breezes of June, and sprouts of vivid animation appear all around. This is when the soul heals, and out of the mulch rises new beginnings and the ripening fruit of various works. In this early season of summer, many taciturn inhabitants of the flourishing earth made their home, and among them, Lily: a creature of reticence and intricacy. She burgeoned in attitude and character as days crept forward, extending her limbs upwards in an eternal paean to the heavens― as such was her sinecure and quiet delight. In this, she stood insular to her ubiquitous family, an outsider to the sisters who flitted about carelessly on the wind, satiny gowns of pink and yellow billowing as they twirled. Always invited into the fray, Lily was evermore stalwart in her choice to keep out of their plainly sordid affairs. Yet in her isolation, the night whispered to her many a berceuse. The sleepy stars implored of Lily’s indolent nature as she gazed into their eyes, trailing across eternity into peaceful slumber. The night sky held wonders and questions that filled her paltry existence but placed her in stasis with the decorated heavens of her dying season, Left to wither away with the insidious heat and vibrant splendor of late summer evenings.
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Aug 11, 2018
Aug 11, 2018 at 2:45 PM UTC
ephemeral evenings
Most late summer days fade into night holding a tepid dreariness in their breath, beating away with the tedium of the sun from late July through early September. Yet ephemeral as it may be, the life of early summer is purely sanguine in the face of its oncoming age, as willowy saplings sway in the blustering breezes of June, and sprouts of vivid animation appear all around. This is when the soul heals, and out of the mulch rises new beginnings and the ripening fruit of various works. In this early season of summer, many taciturn inhabitants of the flourishing earth made their home, and among them, Lily: a creature of reticence and intricacy. She burgeoned in attitude and character as days crept forward, extending her limbs upwards in an eternal paean to the heavens― as such was her sinecure and quiet delight. In this, she stood insular to her ubiquitous family, an outsider to the sisters who flitted about carelessly on the wind, satiny gowns of pink and yellow billowing as they twirled. Always invited into the fray, Lily was evermore stalwart in her choice to keep out of their plainly sordid affairs. Yet in her isolation, the night whispered to her many a berceuse. The sleepy stars implored of Lily’s indolent nature as she gazed into their eyes, trailing across eternity into peaceful slumber. The night sky held wonders and questions that filled her paltry existence but placed her in stasis with the decorated heavens of her dying season, Left to wither away with the insidious heat and vibrant splendor of late summer evenings.
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yesterday my thoughts lost in the pines i heard a rustling of leaves crooned the sunlight sheepishly trespassed between the thick branches and I stepped forward, and I slipped then I stood up seeing the hollow it was left ajar although undeterred, I was afraid of uncertainties thrilling my veins suddenly my body flitted like water roaming in a drainway my mouth spoke an unknown language of pain and ache unfamiliar faces cherished my appearance it was vague, not that dim and they said I was born.
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May 17, 2021
May 17, 2021 at 3:46 AM UTC
I was born
And in that wild berlin winter I twirled ghosts through the frozen, concrete streets Out of bohemian jungles in the midnight afternoon I returned to the States with terrible ennui Slumped on cold buses I flew through Hamburg in an ***** haze Smoking joints in the lantern lit glow of Amsterdam I didn’t eat for 3 days I rode the train to Zoo Station And flitted about East Berlin Where there was no excitement to be had Walking the night alone in the bitter, biting wind I took the ferry over to England Safe in the Mersey’s mystical, dreary mist I hid my tired eyes under my fisherman’s cap And found an expanse of quiet, precious bliss Ailing from nights spent on streets and stranger’s floors I was a child, traveling alone Disenchanted by my youthful escapades, Cured of the plaguing desire to ramble and roam.
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Mar 1, 2017
Mar 1, 2017 at 11:08 AM UTC
World-Weary
I wrote to you on a paper boat Those questions in my heart, I wrote to you on a paper boat It sailed fast, slow and then a stand still, The wetness seeped in, the ink bleeded ... I expected you to raise your head, Reach out to rescue the boat on puddle, Some dreams of mine, you might have saved, The bleeded letters, you might have traced. All my antics not withstanding, The soaked boat slowly sank, My eyes flitted between the boat and you, Still hoping you will race to its rescue... When the boat slowly sank, The ripples died a slow death, Your head moved in my direction, "Phew! I am done for the day", you said.
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May 19, 2016
May 19, 2016 at 3:38 PM UTC
I wrote to you on a paper boat
Under a low-hanging branch of magnolia, a foolish young person lay breathing his last. He bled out his guts to the soft-stirring air, Soothed as white petals, like ghosts, flitted past. A foolish young person believed those around him, A foolish young person left Mother at home. While many would say that she tearfully warned him, She was one among many who told him to go. She told him of bravery, bloodline, nobility, And of destitution, tables yet to turn. Under the branch that snows down white magnolia, He bleeds out remembering others’ words. Under a spice-scented branch of magnolia, He thinks of the will of a God he knows not. God would not wish for the sins he’s committed; This murderer is not on his way to meet God. He thinks himself hero, and calls himself savior, Conservator of all that his short life has known. To keep others underfoot, deprived, and in chains, He gives up his body, his blood, and his bone. Under a low-hanging branch of magnolia, His heartbeat an abacus, he tallies up deeds. He fought not for money, he fought not for "rights," That reasoning is long since lost to the weeds. He fought not for love of the branch of magnolia; He fought not for dignity, the saving of face. He fought for one thing, and one ugly thing only: A life lived as if of superior race. One could say he did not know his own motivation, Because he so fervently deluded himself, And many, thereafter, denied it as well, Till they worshipped the rag that led him to death.
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Oct 14, 2015
Oct 14, 2015 at 2:29 PM UTC
The Meaning of the Stars and Bars
Under a low-hanging branch of magnolia, a foolish young person lay breathing his last. He bled out his guts to the soft-stirring air, Soothed as white petals, like ghosts, flitted past. A foolish young person believed those around him, A foolish young person left Mother at home. While many would say that she tearfully warned him, She was one among many who told him to go. She told him of bravery, bloodline, nobility, And of destitution, tables yet to turn. Under the branch that snows down white magnolia, He bleeds out remembering others’ words. Under a spice-scented branch of magnolia, He thinks of the will of a God he knows not. God would not wish for the sins he’s committed; This murderer is not on his way to meet God. He thinks himself hero, and calls himself savior, Conservator of all that his short life has known. To keep others underfoot, deprived, and in chains, He gives up his body, his blood, and his bone. Under a low-hanging branch of magnolia, His heartbeat an abacus, he tallies up deeds. He fought not for money, he fought not for "rights," That reasoning is long since lost to the weeds. He fought not for love of the branch of magnolia; He fought not for dignity, the saving of face. He fought for one thing, and one ugly thing only: A life lived as if of superior race. One could say he did not know his own motivation, Because he so fervently deluded himself, And many, thereafter, denied it as well, Till they worshipped the rag that led him to death.
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Too striking, those two dark eyes- both heartbreakers. Mine less gorgeous. Like my flowery perfume, my short, flirty skirt, supposed to be charming. But, as we danced His eyes flitted briefly to my neck or my hair Not jealous Studying Scolding my droll twirl
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Nov 11, 2014
Nov 11, 2014 at 1:18 PM UTC
Judgment
Some things never change            The circular stains on the ceiling above my heart shaped bed didn't exist under that rule   Sometimes they seemed constant            And sometimes that made me feel ok                      But other times, as I lay in bed,             Somewhere near the halfway point between laying down and falling asleep,        I stared up at them and they moved          Left and right Ellipsing each other,     Becoming ovaloid in shape Sometimes they simply flitted away, vanished     I thought them gone, But they continued to return. They would not be so remorseless as to leave and not look back to see the blank space they had left.      So my little circular stains stayed for a while.     I was happy looking up in wonder at something I could never understand but never dared question.    Until one day I simply wasn't. My interest in the stains steadily faded until I began to drift off on my side staring out the window, searching for owls I could hear but not see. These sounds made me hope. They made me open the windows I had locked tight. They made me breathe.          Those sounds lull me to sleep even now. And I've stopped looking for the circles completely
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Feb 8, 2015
Feb 8, 2015 at 2:43 PM UTC
How the Circles Faded
Modern words do no good in love. Cars, jeans, mini skirts, flirting, and texts Pale in comparison to Carriages, slacks, petticoats, courting, and letters We traded something in for our knowledge, industry, and democracy: Romance. Love and beauty and honor have flitted away On wings of steel. Is true love possible in a world With such shallow, lacking words?
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Nov 29, 2012
Nov 29, 2012 at 9:05 PM UTC
Modern Words
1384 Praise it—’tis dead— It cannot glow— Warm this inclement Ear With the encomium it earned Since it was gathered here— Invest this alabaster Zest In the Delights of Dust— Remitted—since it flitted it In recusance august.
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Praise it—’tis dead—
When I flitted with the fall I could feel the cool imprint of fingers, The pounding of veins, Adam's fright, Twisted, in the effulgence of the night. My axis span by this faint touch of hand And I dreamt of some respite In spring's ethereal step To blink beyond this cusp of night. I fled; too fast to grasp — that I was broken, For ash cities and burnt leaves, Cool waves and barren trees. This — a token, to the months I left unspoken.
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Oct 31, 2012
Oct 31, 2012 at 5:59 PM UTC
autumn
The wind blew out and the sea rolled in By the cliffs and the curving beach, A lonely stretch, they were kith and kin And had never heard human speech, A cottage grew by the shore one day There were figures of surly men, The sea had muttered, ‘They’re in my bay,’ And the wind replied, ‘Amen!’ The men had left but the cottage stayed Like a wound to the ocean’s pride, It split the wind at the valley floor As it passed there, either side, The sea said ‘blow it away my friend, For it grieves my heart to see, The works of man where I lap the sand,’ And the wind said, ‘Leave it to me!’ It soughed and soared at the eventime And it scored with sand from the beach, It struggled to topple the chimney pots As it surged at one and each, It lost its puff as the sun came up When the tide was on the ebb, ‘I couldn’t move it a jot,’ it sighed, ‘And the roof, it felt like lead.’ ‘We’ll wait for the winter tides,’ my friend, ‘I’ll surge and wash it away, I’ll undermine its foundations, then I’ll sweep it out in the bay.’ But then a flickering candle lit From a window, facing the shore, ‘There’s something a-move, for a shadow flit Last night through the cottage door!’ The sea had grumbled, ‘We’ll wait and see What lingers there in the light,’ The wind peered in at the window pane And sighed at the wondrous sight, ‘A creature there with its golden hair And its eyes, a deep sea blue, That set me quivering in their stare, So what will they do to you?’ The morning saw at the cottage door A woman all dressed in white, She wandered along the empty shore And the sea had gulped, ‘You’re right!’ He lapped his waters around her feet As she waded in for a swim, And said to the wind, ‘She’s warm and sweet, And it’s sad, but you can’t come in!’ Back on the beach, a gentle breeze Had whispered the woman dry, Then flitted, scurrying out to sea, ‘You’ve changed your tune, but why?’ ‘I think we needed that cottage there, In reflection, let it stand.’ The wind just capered along the shore As the door of the cottage slammed. David Lewis Paget
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Nov 27, 2013
Nov 27, 2013 at 4:04 AM UTC
The Intruder
The wind blew out and the sea rolled in By the cliffs and the curving beach, A lonely stretch, they were kith and kin And had never heard human speech, A cottage grew by the shore one day There were figures of surly men, The sea had muttered, ‘They’re in my bay,’ And the wind replied, ‘Amen!’ The men had left but the cottage stayed Like a wound to the ocean’s pride, It split the wind at the valley floor As it passed there, either side, The sea said ‘blow it away my friend, For it grieves my heart to see, The works of man where I lap the sand,’ And the wind said, ‘Leave it to me!’ It soughed and soared at the eventime And it scored with sand from the beach, It struggled to topple the chimney pots As it surged at one and each, It lost its puff as the sun came up When the tide was on the ebb, ‘I couldn’t move it a jot,’ it sighed, ‘And the roof, it felt like lead.’ ‘We’ll wait for the winter tides,’ my friend, ‘I’ll surge and wash it away, I’ll undermine its foundations, then I’ll sweep it out in the bay.’ But then a flickering candle lit From a window, facing the shore, ‘There’s something a-move, for a shadow flit Last night through the cottage door!’ The sea had grumbled, ‘We’ll wait and see What lingers there in the light,’ The wind peered in at the window pane And sighed at the wondrous sight, ‘A creature there with its golden hair And its eyes, a deep sea blue, That set me quivering in their stare, So what will they do to you?’ The morning saw at the cottage door A woman all dressed in white, She wandered along the empty shore And the sea had gulped, ‘You’re right!’ He lapped his waters around her feet As she waded in for a swim, And said to the wind, ‘She’s warm and sweet, And it’s sad, but you can’t come in!’ Back on the beach, a gentle breeze Had whispered the woman dry, Then flitted, scurrying out to sea, ‘You’ve changed your tune, but why?’ ‘I think we needed that cottage there, In reflection, let it stand.’ The wind just capered along the shore As the door of the cottage slammed. David Lewis Paget
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1436 Than Heaven more remote, For Heaven is the root, But these the flitted seed. More flown indeed Than ones that never were, Or those that hide, and are. What madness, by their side, A vision to provide Of future days They cannot praise. My soul, to find them, come, They cannot call, they’re dumb, Nor prove, nor woo, But that they have abode Is absolute as God, And instant, too.
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Than Heaven more remote
Once there was vernal sunshine all around With plants and blooms in color and scent abound Butterflies here n’ there and from all corners unseen Flitted back and forth in iridescent sheen Birds sang tuneful songs of contentment Squirrels and bunnies hopped in spirits buoyant But all along now I see trees, leafless and bare Nakedly shivering in winter’s chilly air        Even when the Earth adorns in full glory Here I bide alone, so dull and dreary Oh! Dear! Why have you so hurriedly left me? Was it to make me drift aimless in this turbulent sea? We were once a happy pair of doves Seeking warmth under each other’s wings By sundown, we flew to our evening nest Under temple spires, we sought easeful rest We walked the meadows, gathering spring flowers We roamed aimless through ocean strands We watched life’s ceaseless ebb and flow We waited eager to grab life’s evanescent glow We knew sorrow’s depth and worth Each morn, for us, was love’s rebirth We walked close to paths supernal And lived ever in love eternal Now I have lost the rhyme n’ rhythm of life I see the world around with sorrows rife I am a broken reed far beyond repair With no songs to be played now or ever Once we danced to the rising and lilting measure Each synchronized step, we took with such pleasure Oh! I hear from far, your anklets rhyme and chime They ring in my ears through the time Each wayside flower to me recalls your lovelorn face The wind swayed lilacs reflect your grace Deep in silent night the odor of your flowing hair Comes wafting, and for a while, I feel you near A boundless emptiness often fills my space The question –‘What next’ stares at my face Yet never shall I yield, but shall bravely sail Hoping, we together shall meet at the Golden Dale
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Jan 29, 2017
Jan 29, 2017 at 5:49 AM UTC
Why Have You Left Me?
Once there was vernal sunshine all around With plants and blooms in color and scent abound Butterflies here n’ there and from all corners unseen Flitted back and forth in iridescent sheen Birds sang tuneful songs of contentment Squirrels and bunnies hopped in spirits buoyant But all along now I see trees, leafless and bare Nakedly shivering in winter’s chilly air        Even when the Earth adorns in full glory Here I bide alone, so dull and dreary Oh! Dear! Why have you so hurriedly left me? Was it to make me drift aimless in this turbulent sea? We were once a happy pair of doves Seeking warmth under each other’s wings By sundown, we flew to our evening nest Under temple spires, we sought easeful rest We walked the meadows, gathering spring flowers We roamed aimless through ocean strands We watched life’s ceaseless ebb and flow We waited eager to grab life’s evanescent glow We knew sorrow’s depth and worth Each morn, for us, was love’s rebirth We walked close to paths supernal And lived ever in love eternal Now I have lost the rhyme n’ rhythm of life I see the world around with sorrows rife I am a broken reed far beyond repair With no songs to be played now or ever Once we danced to the rising and lilting measure Each synchronized step, we took with such pleasure Oh! I hear from far, your anklets rhyme and chime They ring in my ears through the time Each wayside flower to me recalls your lovelorn face The wind swayed lilacs reflect your grace Deep in silent night the odor of your flowing hair Comes wafting, and for a while, I feel you near A boundless emptiness often fills my space The question –‘What next’ stares at my face Yet never shall I yield, but shall bravely sail Hoping, we together shall meet at the Golden Dale
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Blood. Rich, dark blood, flowing through her shimmering fair hair Coloring fair blonde strands With a scarlet hue Coloring pale pink lips With red drops that trickled down her porcelain skin. Face upturned Hands clasping her beating heart She let her eyelids drop closed Into an endless void of darkness As she stayed silent Unloving And dead in her own way. He lay before her Covered in malicious crystals That grinned As they ****** his life out of him Killing the already dying light Gripping him. His eyes were unfocused His lips trembling His hands freezing With the Grim Reaper's gaze trained upon him. Yet she shut off all thoughts and simply looked to the light And let the crystals take him away from her. She was hoping for something else Something more But in the end, All she got Was furious green eyes looking into her own As the glint of a freshly made sword with its elegantly shaped metal and brilliantly crafted spirit Flitted across her vision Tearing her blonde strands Ripping her fair skin Slicing her fair lips Slitting her slender throat As she was colored with new blood In a brighter shade. Before the blood that dripped over her didn't belong to her. But this time, It Did.
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Sep 5, 2013
Sep 5, 2013 at 2:37 AM UTC
Beating Heart
We stretched out on open ground To soak the sun from the air around us I your child and you my gateway to the world And we watched as butterflies kissed Flew away And kissed again The flowers planted in fairy circles Too-long years and years ago And I cried to see you laughing again How long has it been Since we painted each other's lives My finger-paint scrawling, full of innocence Your masterpieces of mother's love How long? too long I cannot know how the years weighed heavy on you While I flitted around as free as a bird Or as sweet as the nectar In Persephone's veins Oh my mother, oh my sister, oh my dearest friend for life How much can I show you Of my soul When all that I know is poured out from you You know it all You've seen it all and yet treasure my meager offerings I do not have a grasp On how you work your magic on this gold-dust filled evening I cannot see how to give back I do not know, I do not know You are a Goddess to me
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Oct 13, 2010
Oct 13, 2010 at 6:37 PM UTC
Les Baisers des Papillons
Oh Satan's vexing, gypsy moth. Icarus of the lamp. Torched, foul, smoldering ember. Aye, the jokes on you. Good riddance netherworld gadfly, dust covered moon splashed wings, who flitted too close the sun. I shall miss the not. What of thy onlooking brother? Is he not the bright one, bathing in incandescent blissful ignorance? Though he be but Nature's Dastard, he'll bask the morrow, whilst thy apparition flies to hell, whence ye came. *While enjoying a beautiful Summer night, I was attacked by a squadron of moths and millers.  The zealous, daring, but stupid one, flew too close to a lamp and got fried. The other, pious, yet too afraid worshiped from afar. By the way, one's just as stupid as the other one. The lamp is not the moon cretins. *
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Mar 9, 2013
Mar 9, 2013 at 11:00 AM UTC
Gadflies (a Shadorama)
There’s a silence out in the fields tonight Where the barley sheaves are stooked, Their shadows stand in a menacing line While the wives at home are spooked, They peer from windows, they peer from doors And they lock their shutters tight, There isn’t a man in the valley’s span For they didn’t come home tonight. They left their cottages there at dawn As the sun was on the rise, Wandered out with their ploughman’s lunch And rubbed the sleep from their eyes, They carried their sickles across their backs Their ******* hooks and their flails, And who could read took a crumpled book To read with a half of ale. They bent their backs to the task ahead Of reaping the sheaves of grain, The clouds were billowing overhead And they said, ‘It looks like rain!’ The sun went in and the sun came out As the shadows flitted across, They stooked the sheaves at an angle so The rain would drain from the crops. The rain held off ‘til the afternoon When the men were streaked with sweat, They sheltered under the Sycamores, Laid down their tools in the wet, The wives were busily cleaning homes, Preparing the worker’s tea, They didn’t look out to the barley field ‘Til the sun dipped into the sea. They didn’t look, it was almost dusk When they noticed something wrong, The men would usually come back home, They’d hear them, singing a song, A silence settled upon the land And the wives came out to stare, But nothing moved in the barley field, The men were just not there. Their faces white in the pale moonlight The wives sat still, and stared, The stooks were seeming to move about And the women, they were scared, The stooks lined up in the barley field Like a pack of hooded ghouls, And lying right in the midst of them Was a heap of reaping tools. There’s a silence out in the fields tonight Where the barley sheaves are stooked, Their shadows stand in a menacing line While the wives at home are spooked, They peer from windows, they peer from doors And they lock their shutters tight, There isn’t a man in the valley’s span For they didn’t come home tonight. David Lewis Paget
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Feb 24, 2014
Feb 24, 2014 at 3:29 PM UTC
The Barley Stooks
There’s a silence out in the fields tonight Where the barley sheaves are stooked, Their shadows stand in a menacing line While the wives at home are spooked, They peer from windows, they peer from doors And they lock their shutters tight, There isn’t a man in the valley’s span For they didn’t come home tonight. They left their cottages there at dawn As the sun was on the rise, Wandered out with their ploughman’s lunch And rubbed the sleep from their eyes, They carried their sickles across their backs Their ******* hooks and their flails, And who could read took a crumpled book To read with a half of ale. They bent their backs to the task ahead Of reaping the sheaves of grain, The clouds were billowing overhead And they said, ‘It looks like rain!’ The sun went in and the sun came out As the shadows flitted across, They stooked the sheaves at an angle so The rain would drain from the crops. The rain held off ‘til the afternoon When the men were streaked with sweat, They sheltered under the Sycamores, Laid down their tools in the wet, The wives were busily cleaning homes, Preparing the worker’s tea, They didn’t look out to the barley field ‘Til the sun dipped into the sea. They didn’t look, it was almost dusk When they noticed something wrong, The men would usually come back home, They’d hear them, singing a song, A silence settled upon the land And the wives came out to stare, But nothing moved in the barley field, The men were just not there. Their faces white in the pale moonlight The wives sat still, and stared, The stooks were seeming to move about And the women, they were scared, The stooks lined up in the barley field Like a pack of hooded ghouls, And lying right in the midst of them Was a heap of reaping tools. There’s a silence out in the fields tonight Where the barley sheaves are stooked, Their shadows stand in a menacing line While the wives at home are spooked, They peer from windows, they peer from doors And they lock their shutters tight, There isn’t a man in the valley’s span For they didn’t come home tonight. David Lewis Paget
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