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Red Oct 2012
These vans on my feet are *****.
Dripped on by the blood of a won basketball game.
Dirt covered from the many mosh pits.
Torn on from my longboard grip.
Rubber grey from long walks.
Bled through tie die from lots of running
Brown stains from standing in the woods
Broken eyelets from a forgotten drunk night.
Missing shoelace caught in a bicycle wheel.

Only to be replaced.
Just like my love.
Like my summer.
Lost to backdrops scrolling past,
She sits knitting
in the carriage of a train.
The vague needles
They scintillate and glimpse
With the cadence of the wheels –
Upbeating ceaselessly.

Strips of tiny loops
And eyelets like dewdrops
Of condensation
Grouped on the superior rim.

Once in a while,
She gives a heave
To loosen more yarn from the skein
Of Filipino-made wool,
brushed worsted weave.
Spun and carded
from the richest fleece,
Deeper in the wicker basket by her feet.

The needles flash,
With ancient rhythms and attack
Of duellists in their chainmail coats.
With little hesitation she can tack
From plain to purl to blackberry.
Count back by rote or slip a stitch
While the fish-eyed gimlets gleam.

All gather profusely in her lap,
As windfall trove, rich-patterned
And warm with peach-fuzz nap,
All crafted from a single line of yarn.
Marvels fall continuously from wise
Spell-binding hands and all is well for now.

(9/11/13 @xirlleelang)
Nat Lipstadt Aug 2013
http://m.wikihow.com/Unhook-a-Bra

Pinch the eyelets but oh so gently,
To properly unhook the device to safely release paradise
From it's containment chamber.
This be one of many secrets to unlocking
The mechanism that holds some of the happy things
The human body artist conceived
To perpetuate the
Species.

According to the internet,
To extract joy to the world correctly,
Depends upon both your station and your
Positioning.

Thus, it helps to have GPS,
Which most men think is that pointy thing
Between their legs,
But is not.

Given the laws of gravity,
And other natural limitations,
Sadly that utensil of little avail
In this surgical operation.

If one desires to release the tension
Between the connectors of the protectors,
Guardians of her heart,
It will be necessary to
Let your fingers do the walking.

So cut and paste the title above,
In your web browser place!
Do your homework or risk feeling
As petite as a schnauzer.

Seems your natural tendency,
Righty or lefty, matters in this endeavor,
Of which I was unawares, oft pressing the incorrect lever.
This, the likely cause of my spectacular
Teenage
Fumblings and failures.

Had I known that fact,
In the days before the Internet,
Surely I would have brought along my
Catchers mitt
To step up my game.

Sage advice the article provides:
Get a bra, and practice, practice, practice!
It gets easier with experience.


But methinks that is a bit of a
Risky adventure,
Lest you be seen boy,
Practicing upon yourself,
Or even a dummy,
Dummy!

So cut and paste the title above
In your web browser,
Do your home work or risk feeling
As petite as a pocket schnauzer.

But the most important tip
This wealthy article of information provides,
The conclusion.

In the hour of your desperate struggle,
Drooping
Ego
And
Crushed
Pride,
Ask for assistance from one more practiced,
Hopefully nearby,
Whose help usually comes with a charming smile
of touching condescension
For your male idiocy and verbal in-articulation.

She, unawares, that you have got her
Positioned precisely where you want!


For when you lift her up,
In a free state, the one Divinity intended,
and in your arms, enfolded and protected,
In one grand poetic gesture,
Sweep her off her feet,
Her surprise will be

..
O

So Touching!
No comment.   Nah changed my mind. If you ain't smilin or laughing by now, you need to practice
doing that as well!


Go to

**http://m.wikihow.com/Unhook-a-Bra**

Further research on the subject as suggested by a reader:
Names of Bras - see  http://shop.lululemon.com/products/clothes-accessories/women-sports-bras/Itty-Bracer?cc=4528&skuId;=3503835&catId;=uswwearit1

My fav is Ta Ta Tamer
ryn Jan 2016
The shoes I bought
Are too big for me
But I love them
I love them dearly

I strapped them up tight
I redid the laces
Put on layers of socks
Crammed ***** of tissue to
fill the empty spaces

I submerged them in water
In a pail, to the bottom they'd sink
I left them in the sun
In the hopes that they'd shrink

I just wish that they'd peer through their eyelets
And see me for all I've done
I will not cease to fill the voids
And fulfil the love I've begun

The shoes I bought
They remain too big for me
But I still love them
I love them dearly
In the meantime in the Állos kósmos or Ultramundi, Wonthelimar after hearing the speeches and paragraphs of the speakers saw from paradise how Calypso Lepidoptera appeared, approaching in great magnitudes on the dry land on the banks of the blue and golden stones of Skalá. In torrents of rushing from the water-sky with wind-water, by geomorphological hydraulics of the collapse of the irresistible capacity to harass each other in the ears of Seleuco's dialogues, after they piled up in the sneaking curds of him on the island of his speech. Right there it settled from the koelum or sky of the Lepidoptera from the Orofí or ceiling, on the natural arches of aeolian erosion and its devastating plumage, appearing in the subaerial splendor of Chauvet and its gloomy darkness, changing the morphology of the bank of Skalá turned into enchanted turquoise light also with Calypso nuances. From here Wonthelimar obscures the circumflex arc or circumflexes, which pierced and eroded the surface, piling up the ex-generals of Alexander the Great, to skewer them on the stump that was languidly seen supporting them, after the tides of Lepidoptera that avalanche in destined per capita towards the destined underworld of Wonthelimar.

Wonthelimar was separated from everyone by the moat that was separated from the gods of the surface, but now where the supporters of Seleucus were predestined by imbibing themselves in the bilocated kingdom of Chauvet and its darkness, where they were put into agreements of suitability and clarity of words discursive for the eagerness to persuade his major general. But they all fell into the middle of a dark Ultraworld, judging themselves to be dying in stockpiles of biosystems where no one helped them and gave them some indication or diagnosis of being separated from the canopy that drained them from spectral affairs, speaking as vivid visions of benefits and sovereignties that escaped from themselves without contemplation or quietism of the human race, which procreates xenophobia to kings without throne or nation. Under the Attic, calendar were the months here were only eighth, Anthesterion, received them with the name directly of the main festival celebrated in this month, Anthesteria. In goods of name contests in the semester of Pyanepsia, Thargelia, and Skira where they were relatively significant, in some of the greatest celebrations in the life of a Polis, which is not recognized in the name of the month. Some sparkled in the sound of the Great Dionysia celebrated in Elaphebolion (ninth month), and the Panathenaia in which they are only indirectly recognized in Hekatombaion (month one), named after the hecatomb, of the sacrifice of "one hundred oxen" celebrated at night. End of the Panathenaia. This is where the suspicious fondness of both families of Seleucus and Alexander the Great differed in the accent that marks the written line of the infra Polis, where the leaders of Haides or Hades are lost, for the purposes of Aïdes, as not indivisible, but with the presence of Wonthelimar, who is invisible but epically static on his balustrade in all the rings that chorally wore them for each patronage of the diádocos generals, even so he had betrayed the Hellenic legacy, by a Hellenic-Orthodox one in the disappearance of Alexander the Great in Babylon without knowing that it had been rescued by Wonthelimar, surpassing the limits of the rings of stefánes ibix, or Aros de íbiz, as nano kvantikoí daktýlioi, quantum nano-ring that augured to sensitize the dermis of its carpal phalanges, from the eighth, Anthesterion to Elaphebolion (ninth month), minus the one hundred and twenty days of gestation in a month of the attic of imníbiz, that it was of wise advice to receive him in the new engend rivers of Wonthelimar in the depths and bundles of marrow with gestation forms of an Ibex goat, with their embedded bases of stalagmites, filing the meaning of each life that was lodged in the depths of the caves and its opacity. The Eygues of Valdaine was the Acheron, but with half the deceased who sat in rows and unleashed their laurels that possessed poor aids tormented by mandrake root hands.

The underworld was a swamp that covered the heels of the diádocos in the immense blackness of the cavern that wounded them one and the other with its Kopis, by more than a hundred blows and slashes that covered them with mud and moans in their buried half bodies. That they had been intruded from linear entrances to the underworld of Wonthelimar. In the thick musts of the quagmire where objects with ornaments of fear and cavalier materiality lay, such mangrove deserts satiated with gloomy fibromyalgia and amnesia, refiguring in the wandering bones, that sinned in lights and destinies that were adopted in the sub-world with incorporeal needs., more than the exhaustion that tore the skeletal muscle of each one behind the meager compromise openings, in the strong ligaments of the host Wonthelimar that took them at forced steps towards paradises where there will never be consciousness from a Theseus typology, but from a sub taxonomy - Verthian mythological, for purposes and among others that unleash it by propelling self-infernos that are not those born by a Macedonian force or Satrap into puny kings turned into a servile, mute and decayed.

It is necessary, that solitude of all the entrances from the abyss into which they fell, was titanic and of ultraphobic acquiescent inspiration, and in the acid gestures of search of Persephone or Aerse that in random gestures fled from their persecutors, like females who ended fleeing from themselves falling into the back room where the end of souls is never exceeded or Psyché re emigrating from the punishments of a satire or a static that resulted in a ghostly wandering, or in tendentious spinners that tribulated in belated bundles of repentance. From primitive times, subjugations have been longed for in kings who would never think of leaving their cracks and washing their hands behind the backs of others who stood by, leaving the courage to lose themselves in the perversity of a body deposited in the Tartars, having to give them their prehistoric debts and meadows of carpeted debts and caged rooms.

The generals commanded by Seleucus walked barefoot along with the stump that wounded them in seams for their plantar areas, and in extreme distress, they did not dare to ask mercy from the cave host who transported them through the deep pit of perpetuity, where the frigid bullet of angina of Wothelimar, filled them with memories that protected their survival. In unworthy caprice and watery *****,… it ran frivolously down their legs, even after each impulse to recover the flashes of estimating being scared of oneself, after finding dead fruits subsisted halfway, feeling voices from the origin of the abyss that I quoted them.

Etréstles says: "Mashiach allow me to enter this grave, I do not know if I should go to rescue them, because I know what will happen..., I only ask that if I enter with courage, help me to find the same light of the exit, with the same memory of not to waste arrests, and not to lose myself in my entrustment by those who I know will not return”

Behind some Sabine poplars, it is seen how the elytra of the Lepidoptera were opened for those who crossed from the darkness without the appearance of their fruitful eyes that tickled praises of surrender, and not of ibid in the ibid that surrounded them, as if they were violated that heal at the moment when their faces departed from the miracle of privacy, and from the solitude decreed of non-existent company, companionship calming any dogmatic symptoms and hypoxia that the glimpse of the Eygues and the Acheron left them, further behind in which Saint John the Apostle and Vernarth, Reader and Petrobus to bring Etréstles back.

Saint John the Apostle says: “Vernarth go for your brother,… he wants to protect the souls of Seleucus and his comrades, go soon because there is little left to fill them with darkness which will even besiege in their reasoning and anti homelands that will not be from the din of the campanile, out of tune with joy that runs on the graces of the gift that frees you from the worst virus by not being anti-viral… ”.

Vernarth replies: “Etréstles is the slogan of Erebus, perhaps of Bumodos…, I have to stop him for his profession, since the comrades of Seleuco will not return, the effigies of Wonthelimar have made them of his children in Ultramundi, and what is Solstice of the underworld, it is only a small Sun that fits in the buttonhole of the orthogonal slot that confines it”.

At that time Raeder paraded where he before they reached the omega of the gully pit, running swiftly over the eyelets of Wonthelimar, leaving both completely naked, to tear them away from the contrived spell and bring Etrestles back all the way together and running., but both stripped of lightness and acceleration escaped from the centripetal bodies. After the tortured walls of the pit, they no longer supported themselves in their Skotos or Erebo of Wothelimar in such a primordial deity of this theogonic and fantastic event in the bilocated cavern of Chauvet in Skalá. Here all the densities and units of physical genres, from above and below surrounded them in the thick sulfur atmosphere, Ananké in such a goddess of inevitability ran after all who tried to reverse the situation of the diádocos, for the purpose of consenting their paragraphs Hellenics and to save their lives, but the mother of the Moiras went behind Etréstles and Vernarth along with Rader and Petrobus who were basking in the glow of Persephone that imbued them as they stagnated drinking mead with the Canephores who followed him. From this cryptic moment or from the bombastic insignia of Crete, Kanti's trotting from his Cretan figure was felt united with the Lepidoptera Calypso, redeeming Demeter from her crying on the edge of some Bern olive trees, emptier now that the last gradients of the agonic and venous voices in the hilarious of some diádocos that were completely absorbed by the benevolent illusion of Wonthelimar, snowy in the harrowing tenuity of his gestures and of the great Iberian that took them towards the heights of the hillocks and towards the Ultramundi that It turned them into proles of the mountainous areas, and into super aquatic monsters with thousands of loose eyes in the arches of the generals bleating, which transposed ****** subjugations of primal deities, and philastics of phantasmagorical genres of Hellas that is plucked from the peritoneum of their stomachs, and that guttural eradicated them from the blue adrenaline of Apollo.

This odyssey dispelled the orthogonal lines of the poetic affliction of those who could see the sunset and the Spyché ***** that antagonized Ananké's numinous efforts to extubate them, and perhaps exile them to the Theban plains to graze Achaeans of the first degree alongside Shamash. Lamenting of young afternoons and of the abysmal with beautiful hair of the generous of effects, swampy and of feverish Hadesian or Hade's rounds that crippled their districts, they emanated from some Marie Curie junk and vapors radiating this Parapsychological Quantum to them from their own holy final body., for a virtuous and rout of the Ultramundis of Wonthelimar.
Wonthelimar Ultramundi
Mark Goodwin Feb 2012
I am The Shoes of Shoes,
which are Solomon’s. Let him polish
me with the oil from his brow, for his gloss
is better than sunshine.

Because of the fragrance of thy ointment buffed
upon me, thy name
is Scent Shine, therefore do the ****** shoes
love thy feet. Stretch me,
with your Shoe-Tree, and I will run
& rejoice with thy feet through
gardens & woods, and across mountains alike.

I am leather, but comely, O ye Daughters
of Shoeshopingham, as The Pile Beneath
the Prophesised Viaduct, and as in the abundant
bottom of The Wardrobe of Solomon.

Look not upon me, because I am leather,
but put me upon thy feet for I
am thy soles.

I am the Rose of Shoe, and the Lilly of The Laces.

As the strong shoes among thorns, so
is my love among The Shod.
As the tongue that tightens to the fruit of the foot, so is
my beloved among The Shod.
His left foot is in my left purse, and his right
foot is my right, tight.
The Polish of My Beloved, behold, cometh
glinting off llyns, he cometh leaping upon
the mountains, with both of me tight on his feet.

Looketh fourth through The Round Window
of Wisdom, through The Lattice see
him shoeing himself with my flesh.

Take us the socked foxes, the little foxes that chew & spoil,
for our shodding is tender.
My Loved Shod’s feet are mine and my leather is his.
Until the day break, and the unshod shadows flee, turn
my Loved Shod, and be thou like the shoe young on the mountains.

Behold, thou art fair, my shoes, behold thou art shoes as fast
as a flock of goats over the Mountain of Shoedon.
Thy laces are like soft strands of moss, which have been spun
& woven in the Workshops of Acorns by The Grubs of Oak.
Thy eyelets are like the sweet slots in which nestle
the seeds of the pomegranate.
Thy tongues are like scarlet leaves fallen from speaking
trees, and thy squeak as I walk in thee is comely.
Thy heal is like the shield that should’ve been
fashioned for Achilles.
Thy two toe caps are as sleek & pert as the twin otters
that fish among the lilies.
How beautiful are thee, shoes for feet, O Goddess’s daughters,
the joints of thy soft foot-slot smooth as the gleam
of jewels, the work of the hands of a cunning cobbler.

O Solomon set me twin shoes as seals
upon thy feet, for Love is as strong
as The Road to Dead we must follow. O
my Loved Shod! for every one
of thy steps you make

in me is my bliss.
from 'Shod', by Mark Goodwin, published by Nine Arches Press

digitally produced audio poem version: http://soundcloud.com/kramawoodgin/song-of-shoes
partially due to the weather,

state of the roads.



these are not just closed

due to snow, some

as cars slide, cause a commotion.



it is a steep hill, the crimea,

some call it a mountain



steeped in history.



plans change, while

the bus windows remain *****.



sbm.



nails



#notes and jottings

Esgidiau Meirw Boot Dump, Moel Bowydd Primary Reference Number (PRN) : 14626 Trust : Gwynedd Community : Ffestiniog NGR : SH69924845 Site Type (preferred type first) : Modern REFUSE DISPOSAL SITE Legal Protection : Description : A mound of slate waste covered to an unknown depth with the (?burnt) remains of thousands of hobnail boots, heel plates, nails, eyelets etc. Dimensions 40 x 30 x 2.5m. <1> A low mound about 35m in diameter lies to the east of the A470 (Plate 66). Its earliest phase consists of slate waste from a shallow linear working shown on the 1889 OS 25 map. This is almost entirely covered by a dump of waste boots. The upper layer consists entirely of heel plates, eyelets, nails, screws, sole shanks and occasional sole plates (Plate 67). Beneath this is a thick layer of ash, also containing metal fittings. Until quite recently there was a grave slab with a pair of boots incised on it along with the inscription Esgidiau Meirw (dead shoes). The stone now lies on the wall of PRN 14777 (Plate 68). It was probably moved by the land-owner for safe keeping after being daubed with paint. The dump is known locally as Tomen Sgidiau (boot dump) and dates from World Wall II. The boots are rejects from a factory that was set up in Blaenau Market Hall to recycle old boots and shoes for the army. (Hopewell, 2005) A low heap of slate waste lying to the east of the present main road. The tip is covered with the rusted metal fittings of a large number of hob nailed boots, and other small metal waste, including nuts and bolts. There is also a significant quantity of a fine silty material – possibly the residue of burnt and decayed leather. On top of the mound is a slate grave slab with a pair of boots incised upon it and the inscription “Esgidiau Meirw” (dead shoes). The feature is thought to be a World War II army boot dump. (Riley & Roberts, 1995) Sources : Riley, H. & Roberts, R. , 1995 , A470(T) Blaenau Ffestiniog to Cancoed Improvement ( © GAT) Hopewell, D. , 2005 , A470 Blaenau Ffestiniog to Cancoed Improvement Pt I & II ( © GAT) Hopewell, D. , 2000 , Upland Survey 2000 , <1> Events : 40503 : Gwynedd Upland Survey 1999-2000 Moel Bowydd (year : 2000) 43801 : A470 Blaenau Ffestiniog to Cancoed Improvement: Archaeological Recording PtI&II; (year : 2005) 40295 : A470(T) Blaenau Ffestiniog to Cancoed Improvement (year : 1995)



see also

boot dump incomplete blog

https://sonjabenskinmesher.wordpress.com/2015/03/26/boot-dump-2/
Nothing Much May 2015
I'm wearing my favorite boots today
They fit perfectly,
Since Ive finally broken them in
It took a while to wear my footprint into their soles
But now my body has beaten the leather
Until it curls around me.
They are comfortable, practical
The tongue used to stick out and squeak with ever step
But don't worry, I silenced it.
I've laced my boots up tight
Don't want to be too big now
Don't want to be loose
I can't let you slip away from me again.
I top the knot off with a little bow
Still got to be pretty
What are you if you're not pretty?
They have scuffs and scratches and cuts and bruises
But that's just because of all the fun I've had
Sometimes I clean them up a bit
A little spit and polish, and they're good as new
A little spit and polish, and everything's okay again
But they're getting worn down, I can see it in your eyes- I can see it in their eyelets
But I know they can't walk away
After all, who else could they fit so perfectly?
Logan Robertson Nov 2018
In a shoe box he sits
Quietly watching the darkness
Sitting forlorned
He's a sneaker
A loafer
Tied in laces
And hidden in shine
Alone
As his eyelets sag
With hopes the light peeks in
An envelope
Finding his leather
If only he could feel a touch
A foot
Feet
Interaction
A women's toes that wiggle
On those cold and lonely nights
Where inhabitation brings comfort
If only
He
His shoes
It could be fitted and fulfilled
Tailored and shined
And not be a beaten path
With wishful thinking
Of a women's toes that wiggle
For now though
A shoe horn would be the panacea
His hope
From being shelved
Hidden
In a shoebox he sits
Looking at the darkness
At the four walls corrugated
In lost time
Oblivious
Of walking

Logan Robertson

11/24/2018
For some, life isn't roses. Red blossoms on sunny days. And others, him, sit watching the barren trees of the fall. In their obscurity they are torn.
pgherna Sep 2011
the silhouette cast from the sun light
  
there is a  tease of peekaboo played thru  eyelets

a taste of yellow to a crispy white cotton
revealing an opened back and naked shoulders

a memory and a time
Missed
this is the smile that comes to my eyes
cast from a simple Sundress .
My organs need aligning      
To my mind's meandering tract.
Irrespective if she loved me,
I should have loved her back.  

August 1st 1994

What do you want from me? I am not just,
As you desire; I am not whole or part
Of your antiquity. I know I must
Deplete my ore of you; I must depart,
If only to withstand the judgment call
That I should sober mine my soul. I dig
But find my land possesses naught but pall
Shrouds, wrecked by empty casks and crowded brigs.
‘Tis only with the passing time and flight:
When I long to belong, when I am blind
With *****, stupefied and brain-dead bright,
That Scotland, you invade my winding mind.
The question haunts as dreich as my desire.
My constant drunken dream will ne’er expire.

Where do we go from here? What is to come
Of me within you, in you, here and now?
The solitary plight in one man’s sum
Of rhyme and reason creases on my brow.
I, sweat in winter outcast by the self,
Must sit. I crouch and crawl from bed to bowl.
This box is stutter stained by glass, the serf
My conscience specified, to catch the soul’s
Transfusion red to street. It drips and slides,
It split my very sides when sadness swept
So close. Dear Scotland, will I ever hide
The condemnation, nailing my inept
Existence? Will I ever find the time?
Dear Scotland please prepare my earthbound lime.

It did, and I did, one after the first.
And now the long time that I walk upon
Has thrown itself, is gone. The wayside burst.
Yet blind, I still conceived my setting sun.
Lone looped black celluloid, I circled, fed
Upon the axle of my own demise,
So many times in dry feet, airborne led
(To a) dishevelled Scotland, spread for absent eyes.
Undressed: acceptant in the throes of musk,
The tear comes shuddering. The chasm wails;
The dales of concrete weep from dawn till dusk.
Yet my visage of sickened eyelets fails.
If Scotland is to eye, my wounded knee:
Then tomb my head in Boston, let it be.
Because,
You loved me with a broken quill clutched tight
Into your hand. My blind eyes reacted to
The sound of greyness in your voice. A flight
And fancy ploy: the essence of a truth.
As memories of eggshelled sojourns waltzed
To Spain and back my tip-skin touched the soul
Of spirit taste, on foot, which cracked beneath
Another sole. My role had shifted poles.
Yet then, in linened white and Boston bright
Disdain, I worshiped, nay, I bled the thought
Of rain on cobbled Ahston Lane. To fight
The want was useless. Now, to the fight, I float.
A ghost in life, I crawled the clouds for miles,
To shake my Scotland’s hand and reconcile.






Barry Miller-Cole 2011
You appear as an image of beauty through a smoky haze
One true thing no impossibility can deny
Making thunder echo with the grace of an angel
While you delight in the lovely sound
Of my sighs

Then careful indeed, you drift before my eyes as a vision
Quiet as a dear offering of perfect silence
******* my soul as you pull on every string
Connecting the fabric of my heart’s
Very own eyelets

The moment I find I am a breath away from pretending
I see your face clearly as a fresh-water spring
Softly smiling, I lie listening to your echoing thunder
Resounding inside my perfect silence
Surrounding everything
Copyright *Neva Flores @2011
www.changefulstormpoetry.blogspot.com
www.stumbleupon.com/stumbler/Changefulstorm
PK Wakefield Oct 2010
it was that i was. gurgling a valorous *** of cells at the bottom
of the notched brick habitat of sickly algebra. and i and. with all
the dirt meticulously skeletal. trenchant chaotic lips blathering
skinny vocal animals. the smooth monkeys pinstripe about the
square in my needle city. well and i am an we. with your habitual
pocket of blood and dust in correct lumps small and large proportionately
spitted on your ideal, at my hips your hips(hand in hand). we walk
bythe specific straights towering sky breakers hollering reflective
skin. the neon electric residue of light smacks my eyelets. and
some ****** **** with the night air agreeably. but i,m a yours
and only. yes. so let's make some drips of clear tremulous benedictions
to this vibrant lovely hell
I hear when you're upset, a walk calms your mind
It explains why you're in stride all of the time
I know, right now, I'm the cause of your feverish pace
I'm the reason you've took to the trail and covered your face
So I suppose it makes sense that I should apologize
I know you love your shoes, but take this walk in mine
The souls they share - they're already worn
The toes are scuffed and the laces torn
They've been everywhere I've ever tried to roam
Eyelets have seen it all, except a peaceful home
The right tongue, it sometimes slips and lies out right
And the heel has turned, but not without a fight
They know how to cut shapes, they've kicked ideas around
Their views on life and the world are quite profound
The curve where your arch rests, it almost feels divine
They could be a perfect fit, yeah, they're my size nines
What I Feel May 2017
Many Jack does come-a here
in bat-light hours stumble far.
How you wander here then, Jack?
Not follow misty guiding star?

Jack all alone in darkling woods.
Why Jack elf so alone?
No Jill elf keep-a company?
Be Jack elf never Jill elf known?

Why Jack be looking sad, Jack elf?
Jack know not way to go?
What be you in your hand, Jack elf?
Why dew from eyelets flow?

Jack come with me, me know what way.
Me play-a Jack a song!
Me keep-a Jack in heart and mind!
With me Jack elf belong!
A fairy finds a man walking alone deep in the woods at night.
We’re tying our shoes-- as we think about the day's gifts
          Holding strings-- curling ribbons with latent sweat
"I’'ve heard they’ll pull us through-- we tie around each box
          eyelets, through tunnels and catacombs."-- a shimmering luster abetting
beyond the sky.

Today we mourn those drained sausage-limbs at noon-time
     --(Sallow-cheeked mistresses and fortunes abounding
        for those who have time for such things.)

With tears
     --hiding the feelings of those who have none

                  slapping the ground.
We see
           every unfurling light
combine with blots of pity
                                                 to fortify prairie grass.

And I remember an old gravel highway that separates my family and church from geologic
build-up which the wind is slowly chewing.

I can't be with them-- like the western, sandy steppes of Nebraska,
     I can't hold water, and their loving nourishment sinks through me.
     My arms won't be like ribbons, in an embrace of the
dead’s remitting tendrils.
     As I lay outstretched on the Sand Hills, shielding my belly from the desert sun;
     boring water trapped in caverns under neatly wound sweat-bows and boxes
I, one day, too, cry emaciated tears.

     Surely, we are tethered firmly to the spool, dangling with
tensity on the tines of breath, shimmering, aloft-- but also, don’t forget:

We are fastened by a knot above our leather casing
     holding the body in-piece and being manipulated at once.
     We decorate the boxes, in which we are to lie
with wet, green ribbon, pulled through rocky soil by course, chapped hands.
MMXII
AT Talbott Jan 2015
Laces snake through sneaker eyelets
As shuffling rubber squeaks anew
An impressionist blur of mottled colors
Shuttle end to end with fury true
Keith Ren Jan 2011
Your face is a token.
Thus feed instead words.
Don't bore me with lesson's facade.

I've seen this, the circus.
Your rings merely eyelets.
Engage me with freshening Odds.

I'll teach you to whisper.
Though, bring me full substance.
Even pelt me with heaviest clods.

Let's drink now fruition,
Til swimming in discourse,
And earn out each other's applauds.
c quirino Apr 2013
He asks you, “how does a forest sound.”

there’s that veiled, monastic hush to everything,
not so much muffled,
words, (in your language or others,)
that cannot be understood save for their intonation,
vague fingerprints on your pearlescent neck.

you look up and there’s lace,
weaving itself matador armed through impossible eyelets.

straw falls out eventually,
your face hollows,
and eye sockets repurposed as homes for vines,
tendrils pushing upwards,

they breach the surface of the earth and take their first breath.
wordvango Nov 2014
of crying violin on cello moonbeams
spending my spinning around
wet, filled eyelets, drumming in my heart,
rising me up, bringing me close,
under a delicate chin,
drawing the bow across my breast,
to a ledge, poses me delicately on a  quiet impasse, brings me
off the edge; varying from key to soft
then growing again,  impossible, so
to describe
orchestrally.
wordvango Feb 2015
of crying violin on cello membranes
spinning around my head
to wet filled eyelets
strumming heartless strings
rising up, bringing closer
up under a delicate chin,
a bow
drawn across a breast heaving,
to a ledge so close to dropping off,
posing delicate
now a quiet impasse
letting the edge go.
varying key to soft then growing,
again,
to an ecstasy
impossible
to describe,
orchestrally.
Lendon Partain Mar 2013
Suspended by eyelets, over delicate violets,
in the coat closet above my grave.
The marionette, of skeletons wrist,
layer together like clothes neatly hanging.
We divide up our lives, into green, pinks, and whites,
like my sixth grade best friends wardrobe hung.
But the guilt below our silk, displace dirt as earth spills,
keeps us nailed to pineboxes we dug.

Skeletons in our closet
While the parade of tendons follow bones.

Muscles drag our bodies, while our loved ones place our grave stones

The doors shut but we are digging
Our way out of this dirt

Clenching our ribs our femurs out hips
This basement emotions mirth

Collapse, dig down below the cave bottom trove
Of eyelids hung open starring at our motion while we try to gather our home

We put together skin to make us look better we staple our eyes opened up
Tie our veins back in to our circulation, inervate our brains to our thumbs

Piecing together after death has weathered our body's to frail specks of ****
The vultures can eat us but put back the pieces scab ourselves back together with dust
Skeletons in your closet.
so i got home,and the wind yesterday has blown some of the leaves away….

taken the holly wreath down  there and surprised to find I was crying.
( ah when you are under the weather things get to you……)
it will be nice to see you. the early days are hard especially this time of year.
your hat has turned into quite a project. i took it to mill to get darning wool,and it was pointed out that lots of the holes are indeed eyelets, and what a splendid hat it is.
also spoke of leaf bags and she said that if one have had the bags a while they will start to degrade…..
how much needs mending?
sbm.
Richard Riddle Jun 2016
Chances are, you have to do a 'search', then order one on line. If you're under 60 years of age, you probably never heard of it, anyway.

Walking in to a pharmacy, or drug store, asking a young clerk, who is in their late teens, or early twenties, or even 40's to 50's, knowing very well what their reponse will be before you ask the question, becomes'comical', seeing the puzzled expression on their faces, especially when the companies web site indicates the store has it "in stock. A"simple little tool", inexpensive, but to some, of which I am one, 'priceless.'  It can relieve a huge amount of frustration in seconds, put a smile on your face, make your day "bright" again, saves time, can help prevent being late for appointments, and it has been around for centuries, long before the 'zipper' was invented. Approximately eight inches long, solid handle, with a curved wire tip, two and a quarter inches in length. I introduce you, to,"The Button Hook!", Tah-Dah!

This "simple little tool" is used by many who are afflicted with such maladies, as arthritis, or have neuropathy issues in their hands, making it difficult to button a shirt, pants, etc. Just insert the wire end through the buttonhole, loop it around the button, pull it through.
Some tools have a 'hook' on the opposite end of the handle, to help pull shoelaces through the eyelets.

I realize this is not a poem, but there are many on the site in my age range that may have similar issues, or perhaps physical issues due to injury or illness. Just wanted to pass this on to you.(I posted a photo on my Facebook timeline.)

richard riddle 06-06-2016
annh Jul 2019
I remember the day we first met. In the doorway of that tiny boutique with the leadlight windows on the corner of Main and Wharf. You looked expensive, all laced-up leather and felted wool, commando meets catwalk. Your friend was in stitches about something, and it was when you turned to her and stuck out your pretty tongue - then, right then - that was the moment that I decided you were going to be mine.

I put aside my embarrassment and guilt. I ignored the whisperings of my empty wallet, and the thought of what my flatties would say in the morning. I picked you both up and took you home. Two for the price of one.

Ten years later, both of you are still around. Not quite as streamlined and sassy as you used to be. Your souls - my bad - soles are in need of repair, your white stitching has blackened, and your brass eyelets are looking a little worse for wear. But we’ve walked miles haven’t we? You, me, and your mirror image - BFFF - Best Feet Forward Forever.
‘You may have a face like an old boot, but I love you.’
- Helena Torrens

‘To conform is to give in.’
- Jean Paul Gaultier
Pitter patter pitter patter
Of each drip drip drop
As it ricochets off my window panes
Or glances by my door

The gurgling and chugging
Ushered from my rooftop
Moving with a purposeful haste
As if a finish line it seeks out
To which it will be graded with a score

Their lanes help subdivide them
Into a mini-highway system
Flowing and gushing through
As the droplets begin to pour
This marvelous eco system
Running with high efficiency
A pedestrian in their Water World
Sauntering, I take my tour

These waterways and fountains
Are the perfect camouflage
With their help I shield my pain
To the world outside my door

With so many falling drops
Hiding from others all my tears
And no need to hold them back
My life has happiness no more
Dewy drops from sky above
And moisture pods from eyelets too
An endless storm of paindrops fall
Forever lost what was before

Without effort, cast your chill
These scattered thoughts - I am confused
A lightning bolt I caught for you
But you had seen it all before

Nothing fancy; nothing new
Like fresh cut grass with morning dew
And so my Paindrops fell for you
But you don't want me anymore
Written: March 3, 2018

All rights reserved
Adyasha Behera Sep 2017
Yellow pages of a tale crunched
To the hold of fingers playing along
The soft fabricated pieces of a story
My mind drifted away into its ecstasy
To a world woven to perfection
By the beautiful tailor of words
Starting off by the small brook of life
It led me to infinite sea of beatitude
Sailing along its strings of fable
Of love and romance
“How could Thee hurt me,my love?”
Tears dropped down the cheeks of maiden
Of the novel that held me awestruck
My eyes hurt from the rays of light
Looking up to the mirror my eyelets had strung
Together and wet from cascade of emotions
I had not noticed the sudden rush of grief
Feeling quite doleful I craved further
The story took me on a coaster ride
Rich in compassion and equal dismal
“Oh! The enchanted damsel of my heart
I vow before Thy never would I ever grieve Thee.
Those valuable tender eyes will shine forever”
Pledged the honest voice of her sweet beloved
My mind filled with heavenly gratitude
Bliss had overcome the dark clouds of glum
A sweet smile manifested on my lips
Unnoticed had I cheered too?
Such a delightful end to an exuberant tale
That spoke of mistake regret and repentance
That engulfed me into a tale of love
And not mistakenly the tray of words
Braided by the most magnificent author
Unmindful of the magical paradise
Have I too been into THE TALE OF TRANCE?...
Ever been into a world created by the magical pages of a novel?
Then come forward to read my tale of trance
evelyn augusto Dec 2017
In my sleep I
chew on the
laces of the gloves,

trace the eyelets
with my tongue,
memorize the leather
the way an animal will
lick a wound.  Hour

after hour, while you
dream, I gnaw
and pull,
to work my fists
free.

Betrayal is bone
on bone, is
the long, vacant scream
of the dying, is
what pardons the soul

leaving these words
and this mouth
weapons.
Star BG Nov 2018
Where would a poem be,
without a readers eyes?
The glowing ***** that lead one to pool of soul.

Where would a poesy be, without inquisitive eyes?
The obe’s that pulsate to expand and explore written word.

Where would a sonnet be,
without eyelets that focus divinely?
The optics that have power to shift words into consciousness.

Where, oh where would a poem be,
without gazing eyes shaped like sun?
The vision seeds, that shine to cast their view upon a dream.
It came while chatting with  Jayantee Khare  Thanks JK
Ryan O'Leary Aug 2018
Incarcerated in laced prisons,
by those who attempted
to silence our tongues,
a faint, but recognisable
lilt, of strong words spoken
softly, escaped through the
eyelets, into the ether, where
our wordsmiths forged and
honed, what was to become,
the most powerful weapon, to
be wielded against any Empire!!
Creepstar Feb 2016
Each stitch pulled is when I can drift back to my love,lady death.caress her face and promise her I won't be long
The eyelets open once more from a deep slumber
Hoping that their tears will make it all numb
Two hearts once sewn rip as they pull away
And the pain is quite intolerable
I may not ever leave this dark place again
Don't leave me here alone to die with no way of ever exiting
Short of taking the key to the eyes of my arm and going deeper
Finding that one good spot until no more claret comes forth
But instead light spill out from my being
Warmth fills my mind
I'm going where I belong
Barn door
swings gentle in the wind
and as it swings it sings a creaking hymn
each rusting metal part contributes something to the tune
no caustic gale has swept this sodden farmyard free of life
time has cleared this plot, severing today from times long past
those who lie in the churchyard up the valley know full well
what years have brought this building down
with windows mostly out,
battered eyelets all shot through with jagged holes
as if the house itself had lost its stocky stone built soul
crouched low, set firm against a nagging breeze
sagging ivy wags a finger in its gaping maw
that bent and twisted raw bone knuckled door
and finds its way through rotten skirting board and floor
to lift the planks and venture to the cellar dug below
toppled from beneath, by damp and rot
where pale and sickly mushroom flowers grow
fat and pink among the creeping green
a place that better days have definitely seen
JaxSpade Aug 2018
Violet comes again
As a triolet
Poetically formed
With a bayonet
To the guts of tryin'
Regrets
Hooked on an fish
Without a breath to live
In the wildin'
There must be a better way
Of dyin'
There should be another way
Or alchemy
Violet
Comes again
As a means
As a way of
My head
Cryin'
On the hills of sirens
Flashing pirates
Skull bones and riots
I wish I was cyan
But I'm violet
Charcoal and wired
Between  
I'm dyin'

I'm dyyyyyyin'

I'm dye in
Violet
As a triolet
I can feel it
Vibrant;  vibrate
Islands
Specifically ask me
Why here
Whyyyy here
Should I stay quiet
Silent
Should I ever care
Or Giant
I'll be violet
Because it comes again
And again to me
I'll just be
That color
And shine it

Shiiiiiiiine it!

I'll ever be
  I'll ever be

Violet pours poetry
It comes again
Coloring
Violet pours poetry
Velvet and consciously
It comes blood read
Violet pours poetry
It comes again

As a triolet.......
                              …
                                    ..
Violet comes again as the nights eyelets lace the stars heads
Purple and sky lit
Lavender scents a bruise
Hit
The color of heart
Pulsing Magenta and red
Hurts to pound those memories left

Under ultraviolet rays pierced
The skins shade
Tan and beige blurs

Violet comes again
On a Royal colored path
Of hopes golden

A search for trees
just may bring
a little more oxygen

Red found indigo blue
In a deep purple brew
Of passionate sizzurp made
In a kool aid smiles tooth

As the stars unraveled
The permanent scramble
Of scales and dues
We traveled the purple
And pattern to the lantern
That lights our spirits
and allows us youth

Violet came like a hurricane
Hurling winds colored in views
Sipping on my mango beer
I Cheers to the God who knew

Majestic mountains painted
On the bounty of mutiny
Colored a landslide of falling rocks
Which boulder my enemy

The prayer of Jabez I said to the Lord if I could be closer to yours would you expand my territory

in the meat of scars
Violet keeps coming
and came unto me humming
If it be in your will
have mercy on my flesh
Pummeled

so I stumbled upon the earthly
Paths crumble
a violet me
Bruised bullied
And troubled

Knowledge found in the rubble
Left the truth upright and stable
uncovered
The shade of a grapes mother
Painted on me violet and wine in a stars cluster
I am just one In a trillion of the same difference building
Trying to ketchup
Instead of mustard

— The End —