Quick break-up Senryus.
Pick one to quickly, cut that
relationship cord:

I'm sorry, What'd you say?
I can't hear you (confused look)
- we’re breaking up.

You’re the guy that
every girl at our school wants
- it's their lucky day.

It's time that we took
our relationship to the
previous level.

I still cherish the
initial misconceptions
I had about you.
.
.
Songs for this:
Love on the Rocks by Lizzie Mintz
Lovefool by The Cardigans
Nothing Can Stop Us by Saint Etienne
Forever by X-Cetra

You just can't
compete with
**** Me
boots.

The leather-clad calves
that
whisper "come to bed...
I promise so
many touches"

Cardigans merely dictate
"shoulders maybe...
You  so much as peek
at my
collarbones, and you're
done for,
Mister."

Spoken -
Maybe I would
tease...

"Try only,
to kiss
my cheek
because I'm
on the
boring bus"
(and especially
in your Chamber)

Or so you
would suppose.

But inside this
sweater, I'm
a *Butterfly.

Paris has traditionally been the city where inter­national designers – from Australia and England to Beirut and Japan – opt to unveil their collections. However, Karen Ruimy, who is behind the Kalmar label, chose the runways of Milan Fashion Week for her debut showcase in September.

The Morocco-born, London- based designer hosted an intimate al fresco event in a private palazzo to launch her holiday line of fine cotton and silk jumpsuits, breezy kaftans, long skirts, playsuits and off-the-shoulder tops in tropical prints.

Ruimy had a career in finance before moving into the arts – she owns a museum of photography in Marrakech – and has become increasingly involved in fashion and beauty, thanks to her personal interest in holistic therapies.

These are clothes, she explains, that marry luxury and wellness, and are the things she would wear when she wants quality time by herself. The fact that they are made in Italy, convinced her that Milan was the right place for her debut – where she showed alongside the likes of Gucci, Prada, Verscae and Marni.

On fashion calendars, Milan has conventionally been the place where the runways confirm the trends and themes hinted at ­earlier, in New York and London. However, this season, the Italian designers did not speak with one voice, making Milan Fashion Week all the more refreshing for it.

Often, there might be an era or style of design that dominates the runways during a particular season, but for spring/summer 2017 in Milan, there was a standout showing of techno sportswear and techno fabrics employed in updated classics such as coats and box-pleat skirts, or with references to north African and Native American themes.

The Italian designers sent looks that would appeal to everyone, from the haute bohemian and athletic woman, to the cool sophisticate and the art crowd, as well as – as in the case of Moschino – to the iPhone generation.

Only three seasons ago, Gucci’s creative director Alessandro Michele was lauded for his complicated maximalist styling. Yet in Milan, Gucci channelled a dreamlike vibe with Victoriana, denim, athletic apparel and oversized accessories, thrown together in delightful chaos, making it difficult to predict the direction Michele is taking Gucci in.

Currently he seems to be in a holding pattern, hovering at once over 1940s Hollywood glamour, 1970s flared pantsuits, and ruffled party dresses from the 1980s, in a cacophony of ­colours and fabrics.

The feeling of joyous madness continued at Dolce & Gabbana, where street dancers emerged from the audience to start the party in the designers’ tropical-themed show. The clothes used some of their familiar tropes, such as military jackets, corseted black-lace dresses miniskirts. New, however, were the baggy tapering trousers redolent of jodhpurs, and the lavish and detailed embellishment the designers used to sell their story.

Wanderlust dominated the moodboards at Roberto Cavalli – rich patterns, embroidery and patchworks inspired by Native Americans – and Etro with its ­tribal themes on kaftans, duster coats and Berber-style capes.

Giorgio Armani, Agnona Tod’s, Bottega Veneta and Salvatore Ferragamo – with its stylish twisted leather dresses and crisp athletic sportswear designed by newcomer Fulvio Rigoni – all answered the call of women who want stylish but undemanding clothes.

Marni would appeal to the art world for its graceful, pioneering ideas. The label’s finely pleated dresses displayed a life of their own, and its micro-printed dresses were gathered, folded and distorted to walk the line between stylish and quirky.

In contrast, the sportswear at MaxMara and Donatella Versace targeted the dynamic generation of athletic women, with sleek leggings, belted jackets, power suits and anoraks. Versace has made it clear that she thinks this is the only way forward. She may be right, but there’s always room for the myriad styles displayed at Milan Fashion Week in all our wardrobes.

It was feathers with everything at Prada. Silk pyjamas, boldly coloured and mixed checks, cardigans and wrap skirts with Velcro fasteners show Miuccia Prada reinventing the classics. Most glamorous was the series of evening dresses and pyjamas with jewelled embroidery and feathers, worn with kitten heels that married sporty straps with heaps of crystals. Prada’s must-have bag of the season is a bold clutch with a long strap fastener, that comes in a multitude of geometric and daisy patterns.

Versace

Over the past three seasons, Donatella Versace has been carving out a new image for her brand – a shift from the luxe glam of red carpets and superyachts, although the inhabitants of that world will be sure to buy into the new Versace vibe. Donatella’s girls are both glamorous and empowered. The sporty look is tough, urban and energetic, judging by the billowing ultra-thin high-tech nylon parkas and blousons, stirrup trousers and dresses (the shapes of which are manipulated by drawstrings). Dresses, skirts and tops are spliced at angles and studded together. Swishy pleated dresses and silky slit skirts gave energy when in movement, and were as soft as the look got.

Bottega Veneta

Model Gigi Hadid and veteran actress Lauren Hutton walked arm in arm down the Bottega Veneta runway, illustrating the breadth of the Italian maison in Tomas Maier’s hands. This was a double celebration of the Bottega’s 50th ­anniversary and Maier’s 15th as its creative director. Menswear and womenswear were combined, and the focus was on easy, elegant clothes in luxurious materials, such as ostrich, crocodile and lamb skin for coats; easy knits and cotton dresses worn with antique-style silver jewellery; and wedge heels. Fifteen handbag styles debuted along with 15 from the archive.

Fendi

Silvia Venturini’s new Kan handbag was a star turn at Milan. The stud-lock bag dotted with candy-coloured studs, rosette embroidery and floral ribbons couldn’t help but charm every woman in the audience. It was the perfect joyful accessory for Karl Lagerfeld’s feminine vintage romp through the wardrobe of Marie Antoinette, with sugary colours, bows, big apron skirts and crisp white embroidery juxtaposed with sporty footballer-stripe tops – effectively updating a historical look.Read more at:http://www.marieaustralia.com/formal-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses

Hair burned into beautiful submission
Face acrylically defined and chemically composed
Adornments meticulously chosen
Scent tested and approved
Smile practiced and performed
I am a porcelain doll
Sipping tea, at 6 am in the quiet of a sleepy-city apartment
Porcelain doll dainty wrists
Washing dishes, feeding cats
Folding linens, singing hymnals
Praying for peace and safety
Porcelain doll knitting sweaters
And folding paper cranes
Reading poems, setting tables
Wearing cardigans and pearls
Porcelain doll decorating cupcakes
Lighting scented candles
Watering potted plants and humming childhood lullabies
With my porcelain painted lipstick mouth


But lipstick can be dark
Eyes lined black as city alley ways
There is anger at injustice
The world outside the confines of a pastel doll house
It’s messy
It’s hard
It’s iron and concrete and coal
And I am too
Biking through the brick metropolis
Sunglasses and headphones
And anarchist literature
Evenings spent sprinting through the smog
Heartbeats synchronized to the crude drumming of the city
So hard to impress
I’m on the metro
Eyebrows structured and defined
And adorned with a calculated air of apathy
See me social justice march
Down highways with fervently entitled youths
See me armed against misogyny
Until my peers learn to better conceal it
See me smoking cigarillos
Drinking black coffee
Breathing the tainted air of the city that birthed me
And chanting manifestoes.

But my manifesto can be love
And love can conquer anger and fear
And hatred
Love can reconcile, it can erase timidity
And it can abolish resentment
Let it wash my face and take the need for vengeance from my spirit
Let it replace the thirst for power with thirst for truth.
I burn incense
And wear long skirts
Naked face and braless lazy days
Reading pacifism in the park
I walk far to find pure air to breathe
I sit and deconstruct my dichotomy
Under a wise and ancient tree
I trace myself backwards and forwards
I meditate on the paths I have traveled
I cry for the things I have seen
And for the things I have done
I contemplate transcendence
I drink wine and listen to folk music
On the terrace of my home
I bike barefoot to buy Indian takeout
And eat it in silence on the floor of an empty room

I think only of death
And resurrection
Of betrayal and redemption
Of opposites and compliments
And how to progress in knowing how divergent pieces of myself can learn to harmonize
I think about minimalism and materialism
Sentimentalism
And swords and pens
And how this race I run was rigged from the start
I think about blackberries
And the complexity of their literary and symbolic significance
I think about the number seven as I see it reoccurring in every possible sequence and equation
I think about God,
And TS Eliot
And If I dare disturb the universe
I think about porcelain dolls and ****** activists and ***** hippies
I think about war and peace and politics
About corruption and poverty and imperialism
About western ideals and conspiracy theories
And communism
I think about being radical,
And how both sides of this ideological war are defined by fear
And I think about love, as radical but defined by the absence of fear
The absolution of fear
And how I am fairly certain it is the answer
I think about the inevitability of art and war
how they create each other
how they destroy each other
inspire each other and annihilate each other
and how there is nothing that is innocent.
I think about pain and privilege
And stacked decks of cards
I think about dreams and nightmares
And prophesy.
I think about the darkness within me
Tendencies to lie and manipulate and steal
The darkness that I know could make me very great
But alone in the ashes of the world
I think of the curse of wealth and power
And I try to evaluate my motives
And the driving force of my ambition
But I don’t know.
I think about grace and all the things I don’t understand
And toil and fate and destiny
The shape of these things, their origins and culminations
And what this black box of secrets contains.
I think about so many things,
Until everything I was on the outside is gone.
My body is gone
My painted face and sculpted hair
My varnished nails and pierced ears
All my clothes and appendages and freckles are gone
My blood evaporated
My brain an invisible energy in the wind.
My home and street
And city
Are gone.
And even in such complete concentration
When it is only my essence and nothing else
And I transcend throughout my past and future
When I am spread thin
And stretched into the corners
When I fill the cracks and crevices
And melt into the pores of everything
And my spirit is awaked to a dimensionless reality
Even then,
Scio Nihil

I know nothing. .

I'm gonna wear
my weathered cardigans
and be swallowed by the pack
of Seattle commutes
with my vinyl records in one hand,
a guitar in the other,
and a backpack full of
J. Kerouac and C. Bukowski
and R. Adams and L. Cohen.

I gonna live
off of the San Francisco Bay saltwater
and the bummed cigarettes outside
of bars that play nicotine music
to my ears.

I'm gonna sleep
on the ground in front of cookie-cutter houses
with their fence posts painted white.
I'll feel my psyche strum its last chord
and soon I'll be gone
without a sound.

I'm gonna die
in a new town where nobody knows my name.
I'll be a Chicago artist
full of New York poetry,
a Great Britain romantic
full of Alameda Victorian architecture,
or a Nebraska idiot
full of Midwest ambition.

Truth is,
I suppose I really would like to be one of those girls
who frollicks in the sun in white dresses
and ballet slipper pink cardigans.

But I can't.
Something inside me fears it,
I don't feel... safe in those colors.
They don't fit me.
I'd like to look like Kalel from Wonderland Wardrobe,
but she's like every other girl,
tiny and naturally cute.
I'm too big to wear those clothes.
I have a big head and big arms
and a long torso
and strong horse legs.

I'd like to be a lady,
cute and sweet,
but I was born unfeminite.
I was born ugly.
A goblin amongst humans.

I'd like to wear my hair like that
and flaunt just like all of them,
but I could never do that,
for I was not made like that.
I wasn't made
for lace and ribbons
I was made for leather and chains
even better, a box,
a cardboard box suits me best
as it'd hide all my features
and keep my hidden from the world.

Phantom of the opera,
I do love the opera,
covering my pig face in a mask
and stumpy body in a black shroud.
I'm doomed to be like this.

I wanted to be like the other girls so bad
but I couldn't
and I started to hate it,
hate those colors
and stupid flowers
and ribbons
and makeup-
because they didn't look good on me,
made me look like a fool.

And now I'm trapped in
black, black,
black,
black
and more black
only ever black
black and bulky
because my body isn't like theirs
and my head is big
and like that of a pig,
so I'm stuck hiding
knowing I'll never be able to wear
white dresses
or those Ballet Slipper Pink cardigans.

Department store leg warmers
sharing the stage with thrift store achievements
candle wax and I can't recognize futuristic defeat.
Here in my corner
red lights, behind plenty of ears and tattoos
cardigans, cardigans galore.
I've seen them all before,
these cardboard cutouts.

Lamp, desk, repeat
lamp, desk, repeat.
I love the view when everything
dissipates into jean and jean and
t-shirt

I was reading when you're pineapple hair scooped
up my conscious mind
behind books and bags,
books and bags and cups.

golfers riding mechanical bulls.
puking on street corners.
awkward cops. angry to boot.
***** fights. purple dresses. gold heels.
greasy cheesesteaks.
shuffle board AND bocce ball.
spirit'o'mericuh.
doritos. cool ranch AND nacho cheese.
white and black pin strip cardigans.
breast pumps or sound amplifiers?
****** indie.
photo booth bombs.
hot tea.
cheap whiskey.
expensive cocktails.
sticky icky danky green.
missed shows.
long lines.
wait.
remind me why im here again?

You're like a window
Light shines through
But it's dark inside

Cardigans for Curtains
All those lovely shapes, beside
Depending on the weather
Sometimes you're blue (Don't forget I can see through)
Sometimes you're black
Sometimes stars get stuck
           Fixation, Oxygen deprivation
Where would we be without you...?
                    dot, dot, dot, Question

The stars get stuck in the cracks
Obviously a metaphor for your flaws
And these lines/curves/obscurities
                  of my vision
Help me see you

Prism, dancing, and trying to age like wine
Getting, getting better all the time

Reflect it back
   Childhood
Magnolia leaves
Currently being abandoned
             Streets
Real Estate
   And different Paint

Then College
NOT taking you're money
"Too bad, see you next time honey"

Lanterns and Moths like houseguests
   Here to assess the property damage
You are not Real Estate

You are a Window
Light shines through

Ivy like a crown
Curtains like a blanket
You're looking from the corner
Feeling like the abandoned streets
Ex boyfriend like kids throwing stones
                      their blind, so they usually miss...you're beauty

You may crack, fracture, fractal
But you are Urban
                   There will be renewal

Here comes the repairman (Not that you need a man)
            Band-aids & stickers
Heartache like a stomachache
And he's looking in

There's the Windowsill
Light Shines through

You are more than a Window
But it's dark inside

Thump Thump.
Butterflies crawl in my chest.
Thoughts swirl around in my head.
I can’t focus or see straight.
This is anxiety.

And it’s not something I
talk about often, though it’s
more common than one might
think, where my heart pounds so
loud and anxious
thoughts threaten to
drown out everything
that makes me,
Me.

You see, my brain sees simple
things incorrectly.
Texts and sometimes the
thought of leaving the
house sends
adrenaline coursing through my
system like
a thousand shots of caffeine
into my bloodstream.
The logical parts of me fled on the
first flight out of town,
leaving me to feel the tremors and
full force tsunami
on the ground.

Anxiety is a lot like love,
but it’s a battle not a dance.
A lifetime, not five minutes.
Unlike love, it’s often violent.
But just like love, it’s quite silent.

Anxiety feels like hunger, but stronger.
Like fear, but it lasts longer.
Writing this poem has quelled the
qualms that anxiety often spells.

I wish that I could be honest
about this part of me. But it's
one of those things you’re trained
not to talk about from a young age.
Because unless you’re depressed,
medicated, or heaven forbid
you’re not seeing a therapist,
then it’s not bad enough to qualify.
It’s not big enough to report.
I’m not suffering enough.

But if you could just feel
my heart beating fast.
If you could interpret the swell
of my tell-tale blush.
If you could whisk your fingers
through all of my thoughts.
If you could only
hear all of the things I’m feeling
but can’t quite express.
Then you would know that my
silence is telling.
I may be smiling, but currently I’m
fighting for sanity in my own mind.
The mind I feel is no longer mine.
I’m walking a dangerous
tightrope *****.
My mind is a minefield of poisonous
butterflies.
They threaten to swallow me alive, so
I tread the violence quietly.

I fear when I expose you to this
side of me, you’ll only see anxiety
or that maybe I’m lying.
But anxiety is not me.
I am more than mixed up brain signals.

The rest of me is cardigans in the summer,
because it’s cold inside.
I am mock converse and ponytails and
words on paper,
thoughts poured out,
slowly.

I just feel anxious
Sometimes.
More than normal, actually.
But I’m dealing with it.
And I’m no less me.

You were the world, you were the sun.
You stood out in a green t-shirt.
Your guitar solo sounded like a possessed cat.
I was amazed, I was in awe.
How many girls are there in the world like this?
A rarity in this deadbeat town.
A warm feeling in the corner of my stomach.
A spine jolt at any word said to me, any smile given to me.

Euphoria and pleasure, molecules touching.
Twisted sheets and callused hands.
Young skin, the softest I had ever known.
Where am I, and how did I get here?
A biopic and a box-office failure comedy.
In each other’s pocket.

The moons passed, the candle flickered.
The 12-bar blues was wrong, but you could not accept.
Your pitch was all over the shop.
Tone-deaf, some would call it.
But I did not want to harm your feelings.
You’re perfect, and there’s nothing else to it.

The rains came and went, and there we were.
Perched atop a hill in a new city.
I forced good feelings into my stomach.
I wrote and wrote songs, I poured them out.
You didn’t care. You never cared about my music.
All right for you, taking on the world.
Shaking percussion across hand-railings.
That’s pretentious. It all sounds the same.
This strange behaviour automatically makes you better than me.

A night comes where I wish to stay in.
Perhaps watch a Jim Jarmush film.
No, let’s drink plenty of cider and head out.
Visit the valley. Go to stupid clubs where everyone is cooler than me.
My father’s suit, I brandish it.
I am verbally knocked down by the filth of the valley.
I should have stayed home.
You and your stupid friends are drunk,
And I join you on a 2am bus home.

We lie in the shadows of the nest.
I talk of the cigarettes.
I do not wish to walk through this smoke with you.
Stop it now, do it for me.
You didn’t give a ****. You would continue.

You never cared about my music.
Whenever I picked up a guitar, I got bad vibrations.
Any of your perfect hipster friends pick up my guitar, instant praise.
Play that again, Oscar.
That’s not a person’s name, that name belongs to a Muppet.

I should have done what I wanted.
I should have bought my groceries separate.
My money flew away in the breeze. My job wasn’t enough.
You didn’t care.
It was all about you. You couldn’t get money from the government.
It was all about the scene.
Putting on your most op-shoppy clothes, heading out to roll cigarettes and drink with other pretentious lower-class folk.
******* cardigans. Get the **** out.

I hate the way you didn’t give a **** about the songs I wrote.
I hate the way we’d always have to buy dark chocolate because the normal kind hurt your teeth.
I hate the way we’d never hire out a zombie film because you thought they were real.
I hate the way you cut your hair to look like Agynes Deyn. You didn’t look like her.
I hate the way you’d bag out our old town and think you were so much better because you lived north now.
I hate the way you told me about the clone of me you were seeing. He even played a Jazzmaster and had the same haircut as me.
I hate seeing new photos of you looking so sick. Every photo you’re holding a cigarette.
I hate thinking about what you’re up to right now.
I hate how you always come into my mind when I’m trying to get on with life.

But what I hate the most is the fact that I know you never think about me, ever.

And I think about you almost every day.

6/10/11 12AM

it’ll be shaved legs and summer dresses
without cardigans
sunkissed hair, skin, eyes even
though you’ll never know, I wonder,
would your eyes burst out of their sockets
like rockets
if you saw that much of my skin
under healthy light?
instead of naked in your bed
I’m untouchable,
a fantasy, barefoot in a meadow
skin so wanted
- though she’ll be wearing hers
blatantly and ready
for you to have,
smoking a cigarette she says is her
last
because
‘she’s only smoked three
this week’
she’s proud, sure she is
though you’re not even sure you care at all
and the sun makes the day longer
the moon makes the night as romantic
as Paris
and you’ll get along
even though you don’t smoke
and she doesn’t know what it means
to not need you
and she doesn’t know what it means
when you’re with and crave the skin
of another woman
- like me for instance -
but you’ll get along
like sea turtles or baby pandas playing
under sheets or
spontaneously in your kitchen
weaving breaths
weaving beats
an effortless ******
then heavy sleep
because you two know what it’s like
to know each other that well
yeah,
you’ll get along  
for months to come

I am a rare breed. I'm a soft breeze in the very beginning of fall. The little orange leaf that's fallen off the branch of a forty foot tall tree. I am cardigans and ginger hair braided back with a little daisy chain tucked behind my ears. I am the smell of a new book right if the shelf of Barns And Nobel. I am the leather bound journal used for writing down the secrets God shares with His children. I am twinkly lights hung around white walls. A sweet smelling candle and warm pumpkin pie.

Decorum is corrupt, decorum is dead, the books we told were good
            have all been read.
Fitzgerald has been bled dry by institutions, teachers and those guys in
            red chrome cardigans.
Those Pennine walks have turned to drunken talks in the eaves of the night,
            high above conscious thought and the cold glow candle light
The long haul flights back to the heavenly sight of tyre black
            tarmac have become tedious meditations;
though those lamentations still exist within my wrists,
            a yearning for your riverside kiss.
Bus journeys along roads and routes I already knew are
            changing without consultation,
it’s temporary probation, an experimentation, a test
            of time well spent.
Time well spent in ground floor, high rent, properties,
            fading away into a slack attitude disease.
Needles and fluid, *** and Cupid won’t lift you from this
            perpetual stall,
nor will anything at all; though maybe plans scribbled down on
            napkin edge corners will.
With thought, white paper vertices can quickly become
            mountain range peaks.
Throw politeness out of your transport’s window
            and become a widow to the road,
black veil eyes, cold and grainy, lost in your endeavour
            to find somewhere new to feel safe and clever.
Take those books that you thought were good to tear
            into the new prose of the year.
Rip title pages and dedication pages and index pages
            from the spine
and throw them in the air
            to make a new line of literature and pain.
Take also your pencils and strip them of
            their back bone lead
and shave them into clean kindling for fire start
            shavings for a warmer lonely camp bed.
It’s there and then, in your fake polyester,
            four season sleeping bag womb
that’ll you’ll experience the darkened tomb
            of unbound freedom.
But like paragraphs of small print found in the back of the squint-again-magazines,
            freedom comes at a price, as if long hair and lice or poverty and bedroom escapade vice.

Did you know they pay people to study here,
to stay here after studying? It’s the human
capital flight of the tech-smart who type faster
than an entire room of secretaries in cardigans and pearls.
But the bigger question is, if all the brains
are draining out like spiders in a shower, then who is still here
weighting the state lines down with stones
if not zombies? Brainless bodies hungry, crabby, and without
an appropriate sense of boundaries.
          They lure you in
with home values and cheap houses—the tired ones
who are getting old for their age, who don’t run as fast or as often
and want an easy life with chubby children and a yard,
or those who are sick of being felt up ‘accidentally’ on the 22 Fillmore bus.
This is how they get you.
          And you stay because it grows on you
the way everything grows in Indiana, effortlessly and way too fast.
Plus, let’s face it, you’ve gotten lazy and don’t
make enough money to one day move away
with the kids and the yard and all.
So the zombies win.
          But being Indiana,
the neo-conservatists would swoop in to save the day
against the zombies who hate us for our freedoms
and the liberation of our women. And sometime after
the "Mission Accomplished" banner is broadcast
to all 50 states from a ship safely tucked away
on Lake Michigan,
          the zombies will regroup again
and pick us off like old ladies at the bus station.
Then with even more determination and hatred of the living
they’ll get fat on intellect until they’ve eaten the last,
and the un-dead of Indiana will die of starvation.

My English teacher told me that my sentences didn't have enough commas. Sounds to me like she just needs some looser cardigans. I just want Swarovski crystals and silk pajamas. I want nice bed sheets and curtains. Preferably white and lacy. I want a nice little part time desk job that's only a few days a week. you see, I'm actually a good writer, but it's not straight A's on essays that I seek.

The cardigans have invaded Carnegie Hall
Flickering in the reflection of an antique disco ball
The piano keys tremble in fear
Of the beauty no one will hear
Dulled out through a clash of commotion
Rumbling in the raging ocean
Stomping their feet in senseless rhythm
Leaving wayward elbows to cause a schism

The violins bellow noise
The band play with their toys
Everyone seems perfectly content
Forgetting how much money they spent
Waiting for one lasting memory.
Something akin to 'Discovery'
Then as the precipice reaches the sun
A fire alarm cause everyone to run.

It’s always been enough to wear the same cardigan for comfort,
This old red chenille one I bought at the wholesale store when I was 15.
It’s funny—it never came with memories, but it has them with me.
I ripped a little hole in the crochet links more than once, bumping into corners and getting it caught on chairs;
I think I’ve always been getting caught on chairs. Snagging my best laid plans on what it means to be a person, wearing a cardigan, but,
It still sits in the back of my closet, in one piece.

I remember wearing it when I needed comfort. When comfort wouldn’t come. When comfort was a love letter delivered to the wrong address. When I read something that wasn’t mine, and became mine nonetheless, in worn out crochet. I should have thrown it out years ago, but it’s mine,
Tattered and torn and sitting in the back of my closet because I’m too afraid the next time I wear it will be the last before it rips completely.

I, on the other hand, have already ripped completely.
Because I could only stay in the closet for 19 years.
I miss that red chenille cardigan. It was there when I was there, in the closet, being me when I shouldn’t have been me,
And it stayed at home when I left for somewhere I thought was better.

I visit my parents. I suppose I still live there, in part, with that red cardigan.
Stuffed into a space that’s small but safe,
The way plants grow withered but tall without sunlight
Or the way I ended up so independent I became lonely.

I define loneliness by how well it wears a red cardigan.
I judge it by how much the snags and small unravelings stick out;
I love it for that. For the sticking out. For the unravelled yarn in place of my tangled emotions,
For the staples that I put in it because I didn’t know how to sew.
My mother could have taught me how to sew, but I exist in a whirlwind of quick fingers and dropped stitches,
And my woman’s place is not the same as hers.

I wish she’d taught me how to make flapjacks, how to repair cardigans, how to love a man;
I wish she hadn’t taught me that my father loved me.
I wish my father had seen an old cardigan and thought of repairs, instead of the old donation box it could be thrown into,
But he was never the type to try and fix things anyway.

I’ll fix his mistakes. I will keep that cardigan, that old thing,
And I will not repair the imperfections that have given it character.
What am I but a red chenille cardigan? Held onto but never worn?
What am I if not something to be contained at the broken seams in hopes that I can preserve myself longer?

So, I am preserved. A fossil. An old relic of Pompeii, frozen in ash, wearing a cardigan that I don’t really fit into anymore,
A wash of red amongst the black and grey wreckage;
Oh, how I have a home in the wreckage. How I am a cardigan atop the ashes.
It doesn’t flutter. There’s no wind to carry it.

In another life, I’d be the wind. But we’ve already established the story, haven’t we? I’m the cardigan.
I’m nothing but thread that’s woven itself into something of minor importance at best.
So, here I am. Minor importance. Worn cardigan. Here I am, wearing it all. Can you see it yet?
It’s riddled with holes, but still in one piece.