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My daughter sleeps to the sound of the ocean
softly, gently rocked
forth and afar into dreams and nightmares
a soft static blanket
the assonance of water

My daughter sleeps
to the sound of an ocean that she has never heard
a loop of imagined waves that have
never wet her feet
she has never run screaming and laughing
from the imagined horrors of seaweed, foam
Tangaroa’s arms enfolding her

As my daughter sleeps, I cry
as salty as the swells she’s never seen
in this landlocked room
slowly falling from my cheek
to land on hers
a soft saline baptism

As my daughter sleeps, my thoughts fly
wondering how I can fill her
with the awe that something as elemental
something as capricious
something as beautiful
can exist in this tattered world

but still, my daughter sleeps
I grew up on and in the Pacific. It's wild and elemental, and I miss it dreadfully.. now my daughter sleeps to a loop of the sound of the ocean and it struck me as ironic that she dreams to something she has experienced.
Paul Butters Oct 2017
Alliteration and assonance
Are what we need to make words dance.
Pretty poetic practices percolate the page,
As apples happily meet our approval and appreciation.
Words have music
As surely as the sun
Gives light.
And all these things
Are older than the hills.

Paul Butters
First 2 lines were writen 10\10\2013, so I just carried on......
Thomas W Case Jan 2021
I watch life float
by like a dragon-fly
riding the breeze.
Amanda Oct 2018
When I was young I wasn’t taught
How poems are written using thought
I have no idea what the poetic terms mean
And lines should be worked until pristine

Alliteration, Anapest, Assonance, Blank verse
Too much for the mind to traverse
Tercet, Trochee, Refrain and stanza line
Apparently free verse means lines don’t rhyme

I feel it’s all a bit clinical and cool
And poetry shouldn’t follow a written rule
It’s not something than can be planned
Like an essay written on demand

Poetry is love, lost and found
It’s anger, regret, a human battleground
It’s all of you, written down on a blank page
It’s grief, laughter, hope and rage

Poetry is a flow of all your fears
Written with ink of salted tears
And emotions tumble into cyber space
Searching for a connection, they cannot trace

Every poet travels the downward dip
Of the emotional power trip
Feels the soul of the written word
That bleeds more freely than the cut of a sword
Samuel Butcher Jun 2015
To begin: a poem entitled “Lines to Serve as an Introduction to the Show, Written for the Lowest Common Denominator; Hastily Amended to Address our Pale Horse Future”

There are no literary devices in this poem
no simile, no apostrophe-
there's no dissonance, no assonance,
no distancing my consonants,
in constellations of conversation,
an astronomic lack of conjugation-
there's no elevation in
the elongation of thoughts-
With this piece, my synaptocratic,
idiosyncratic oath I recants.
I'm just a guy quick-drawing
inspirado from the sky,
full clouds and dark wishes,
kisses from other's Mrs'
red wine and all that comes after.
The truth's in repetition,
the revolution of the wheel,
all art's born of friction.
Hell, God said
'Creation is lonely work,'
and on the eighth day,
hoping hands will hold flimsy dishes,
he filled us with desperate artist wishes-
Sad, bold lumps of clay rising
like Play-doe,
hell, ask Plato,
we're forms arriving at the real
manifest desk in a city,
where writers write dying,
praying for real forms arising,
just in time for the plying
of fact in layers peeled back,
while cracks in the truth
erode faith from way back-
Stopped dead in their tracks,
feel like thieves who steal moves,
but the ecstatic hack,
the stark raving yet pragmatic
hack will still muse;
muse for the muse
and on the grandest conquest
will invest, digress, come upon
an ingress and disappear into
a land beyond the beyond.
All in search of the mustang *****
who won't ever wear a saddle-

I've met the muse
She was the queen in the land of the blind
and what she lacked in depth perception
she exploded in all the truths of all the world
because to her all truth appeared equidistant
So I met her for a simile, but missing an I
all she could offer was a smile
but it was she who taught me
the demography of cool
“artists create from nothingness”
she told me
“and so when they begin it is with nothing,
so they live among Ginsberg's ***** streets
where the rents cheap and they chip away
at the void until where once nothing
now is something”.
“Remember,” she said, “creation is lonely work
but once created celebration demands a crowd;
so those with nothing are surrounded by those
who need something; something to fill the
emptiness they cannot fill themselves.
But the crowd ***** the creator dry
and like weeds temples to the boring
emerge on those once ***** streets
and the artists still have nothing and
now need something to stay – but with
nothing they are forced to move:
move on, move out, move away,
leaving behind those who only know
how to follow to lead”.

**** slick, you're sly, you heard my simile-
in a piece that promised no imagery,
and that wasn't the only one...
Do I contradict myself? Abso-simile-lutely
This realm is rife with ******* platitudes and
be sure, this poem here contains a multitude
We have many names on the list,
some you've forgotten, some you've missed:

I'm sorry Lawrence Ferlinghetti
we here ain't getting
any closer to a rebirth of wonder

I'm sorry Jack Kerouac
there ain't no going back
on the road when your directions
start with you are here
and here is a windowless room

I'm sorry Billy Burroughs
the algebra of need is thorough
but ours increases not geometric
but exponentially

We have many names on the list.
some you've forgotten, some  you've missed

Beat.
mike dm Dec 2015
form doesn't hafta **** content
but it often does
with modes of operation done to death

all of us
are its vics

so i rise up and **** it back
w slant rhymes that tickle the oblique
consonance that creeps
and an assonance that grabs
Neha shimoga Jan 2016
That angelic smile.
That evil heart
That beautiful mind
When you touched me your
atoms snuck into my skin.
I still smell you in my hair and in
my clothes. How can I forget that
essence when everything I do just
reminds me of you. I catch myself
Simper and dancing to your assonance
You hit me like ocean waves
And you've flooded my heart with
ebullience and enthusiasm..
I'm ready to shed all my skin to the very bone
beneath it and lay
my heart down underneath yours
just to show you
how much I adore you..
But I know it's not going to bother you
because of the vivacity
on your face when I see her existing in
your dreams.
Steven Hutchison Apr 2015
I promise to respect you
No matter what’s revealed
In assonance and in rhyme
In form and free verse
When you look to me for courage
I will lend a steady hand
I promise to persevere
No matter the position of the moon
In syllable counting and soul scraping
In haiku and villanelle
I will cherish the time you lend me
In frustration and in ease
I will wait for you
I promise to give you my all
No matter what I think I have left
Innovation and exercise
In reaching out and introspect
I will keep nothing for myself
But give to you freely
All that the spirit and bone of me
Will allow me to give
Demetrius Burns Aug 2014
Thunder in a Bottle
Let’s slide between the      
sheets of eternity and
Oblivion orging ourselves on
Pistachio gelato and conversational
Snafu
Tangling ourselves in tangents and
Inhaling
Stardust in cosmic proportions
You were the thunder to my lighting—
Striking from above and below—
While you pure, never touching the ground

I spoke tongues in your presence
Spinning curve ***** of diction for assonance’s sake
I hoped my words were spaceships
Someday I’ll understand you or
just stop trying.
brandychanning Jun 2020


neglect and respect do not rhyme,

{will grant you one,
will give you none.

will demand one,
will send you some.

you poets,
always thinking
you can get away
with murdering
the English language.

***** of assonance,
you do not fool me,
I’ve killed a thousand
men’s “original”rhymes,
while you’ve been
fast sleeping,
they’ve been
fast seeping.

I’ll give you no quarter,
won’t spare a lousy dime,
my spare change,
is poet-unaffordable,
cheap suited hucksters.

work and ****
do rhyme.  
you can be one,
if you do not
put in some.

work by day,
slave by night.

awake to the sun’s
inquiry, what have
you done for me
lately?

IF

all you have to show is this
scribbilus miscellaneous,
tear up your lice-ence,
poetic and DMV, you
ain’t going nowhere.

was branded by hot iron,
early on,
brandy channing.

your best nightmare,
guidance counselor,
extraordinaire,
great big fairie,
poseur, exposer,
m u r d e r e r
of awful poetry}


WHAT,  
what do you stand for?
neglect and respect
rhyme,
you stand
Neha shimoga Nov 2016
Reminiscing on my past.
Why didn't you text?
A simple message
would have made my
day beautiful.
What is that has been
left unfinished that
you still appear in my
dreams?
Why is it still a pleasure
to think about your
celestial face?
Why do I still meander
that you are going to run
back to me and apologize
for everything you have done?
Why am I so lonely without you?
Why do I try to find you in every
single boy I meet?
Why does your assonance still
play in my head?
Why do I look up at the sky
full of stars and think of you?
Why do I still love you
so irrevocably
and unconditionally?
Why do I still get butterflies
when someone takes your
empyrean name?
What is this unfinished business
left between both of us
that makes me smile like
I have conquered your heart?
Absence of you
has made my life troglodytic.
You are the light that can enlighten
my tenebrous soul.
We're on the last chapter and
it's not you who is going
to continue
to write this ambiguous book.
I have the pen and I shall turn
it into a day dream that I wish
everyday comes true.
Tell me what these dreams I get everyday are all about? No matter how much ever I convince myself that I have moved on my eyes still look for you in the darkness and I try to look for you in every guy I meet.
I don't understand. We have an unfinished business. Maybe it was meant to be but something went wrong.



Well I wrote all that a long time ago and I have moved on. But I am still trying to figure out what went wrong. :P :P
Hope y'all like it. :)
Nat Lipstadt Apr 2022
https://www.nytimes.com/2022/04/15/books/review/what-is-poetry.html

an excerpt…

“From time to time I’m asked, with bewilderment or derision, if this or that poem isn’t just “prose chopped into lines.” This idea of the free verse poem as “chopped” prose comes from Ezra Pound via Marjorie Perloff, who quotes Pound in her influential essay “The Linear Fallacy,” published in 1981. The essay encourages an oddly suspicious, even paranoid reading of most free verse as phony poetry, as prose in costume. The line, in Perloff’s view, in these ersatz poems, is a “surface device,” a “gimmick.” She removes all the breaks from a C.K. Williams poem to make the case that a stanza without the intentional carriage returns is merely a paragraph.

I find this baffling — as if chopping up prose has no effect. It does have an effect, the way putting more panes in a window changes the view. The architect Christopher Alexander thought big plate glass windows were a mistake, because “they alienate us from the view”: “The smaller the windows are, and the smaller the panes are, the more intensely windows help connect us with what is on the other side. This is an important paradox.” To state the Forsterian obvious again, adding breaks to a paragraph is not always going to make an interesting poem — but most poets don’t write that way. They write in the line, in the company of the void. That changes how you write — and more profoundly, how you think, and even how you are, your mode of being. When you write in the line, there is always an awareness of the mystery, of what is left out. This is why, I suppose, poems can be so confounding. Empty space on the page, that absence of language, provides no clues. But it doesn’t communicate nothing — rather, it communicates nothing. It speaks void, it telegraphs mystery.

By “mystery” I don’t mean metaphor or disguise. Poetry doesn’t, or shouldn’t, achieve mystery only by hiding the known, or translating the known into other, less familiar language. The mystery is unknowing, the unknown — as in Jennifer Huang’s “Departure”: “The things I don’t know have stayed/In this home.” The mystery is the missing mountain in Shane McCrae’s “The Butterflies the Mountain and the Lake”:

the / Butterflies monarch butterflies huge swarms they
Migrate and as they migrate south as they
Cross Lake Superior instead of flying

South straight across they fly
South over the water then fly east
still over the water then fly south again / And now
biologists believe they turn to avoid a mountain

That disappeared millennia ago.

The missing mountain is still there. As for what is on the page, the language that changes the shape of the void, I’m of the opinion it can be almost anything. One of my favorite books that no one has heard of is “Survey Says!,” by Nathan Austin. It’s just a list of guesses ventured by contestants on “Family Feud,” arranged, most ingeniously, in alphabetical order by their second letter, so you get sequences like this: “A bra. Abraham Lincoln. A building. Scaffolding. Scalpel. A car. A card game. A cat. A cat. Ice cream. Ice cream. Ice cream. Ice cream.” We get the answers; the questions are missing. “Get a manicure. Get a toupee. Get drunk. Retirement fund. Get out of bed. Get ready! Let’s go with manuals. Get sick in there. Let’s say a pet. Let’s say shoes. Bette Davis.” The poetry seems to perform hypnosis, the found rhymes and assonance and anaphora enacting an enchantment, a bewitchery; it seems to be giving subconscious advice. Get ready! You must change your life.”
A lament don Ghaeilge

A language
in my Blood
but not - on my tongue.

The prose and poetry of my ancestors
fallen - on deaf ears.

When did we accept this anglicized assonance,
to marr the seanchaithe tale of soil and air?

The Land of Saints and Scholars -
speaking words from others tongues.
Nat Lipstadt Jan 2023
Poetry seems to perform hypnosis, the found rhymes and assonance and anaphora enacting an enchantment, a bewitchery; it seems to be giving subconscious advice. Get ready! You must change your life.”

Elisa Gabbert is the author of five collections of poetry, essays and criticism, most recently “The Unreality of Memory & Other Essays.


~~~

Tue Jan 2024, 2023 8:33am

<>

Or it may not,
but know, core know, say it out loud,
write down by hand in pen,
this poetry thing
is addicting
and dangerous


Sadly,
I am an addict,
Not a recovering one,
for the infection
has no cure,
no vaccine,
and amputation
does not help


Sometimes, for a time,
it goes deep,
it is living while you believing,
and disbelieving
sometimes, for a time,
it got bored and travelled on


Not how it works

almost every sub surfaces,
the innocuous are not innocent,
a quick retort, an unfocused hazed memory
trips you up
and down on the sidewalk
a familiplace,
you return/go


and back on Boogie Street,
no need to find a dealer,
they find you
and the new curse word of modern times,
“use your words!”
fates but does not sate,
and you think to yourself,
the quieter time was fine,
but this pleasuring release,
the bewilderment
the urging and the purging
of poem after poem after poem
is the hell you love.
I’m hot on the tail of a poem’s trail
To discover what makes it tick,
For the ones I receive in the daily mail
Are always giving me stick.
I don’t want the ones with a ******-probe
That go ravelling into my brain,
Or a moody muse with a too short fuse
They only generate pain.

When I spot one bearing a carefree lilt,
A rhythm that echoes my heart,
Or a rhyme scheme pairing a seem with dream,
We’re off to a flying start.
It gallops ahead of me, feeling its way
Through words that it finds by chance,
And makes it plain that it wants to play
In the meadows of assonance.

So I chase it over a babbling brook
On a cliché, rhyme or hook,
And still the breeze that will rhyme with trees
Turns the pages of my book.
I search for characters, sweet young girls
And for ladies, fair of face,
Who dance along with the poem, twirl
In the aftermath of grace.

While men, the heroes of quests and seas
Marooned on a distant shore,
Will take the poem to where they please,
You’ve never been there before.
And they meet the girls with the hair like corn,
Are trapped in their sparkling eyes,
They come together in winter storm
And all that you hear are sighs.

For the poem gives, and the poem takes
It will lull you, thrill you, dance,
From its wedding bells to its funeral wakes
It will still you, fill, entrance!
Its magic lies in its rhyme and scheme
As it weaves a recurring spell,
It nestles into your heart and dreams
Like an Olde Tyme Wishing Well.

And when it finally comes to stand
On the shore of a timeless lake,
As the book slips out of your listless hand
It whispers, ‘Are you awake?’
Then I spring to life and I seize it then,
And give to its tail a twist,
‘I’m still the poet, I hold the pen,’
I write, in the evening mist!

David Lewis Paget
ConnectHook Apr 2024
adipose asinine America:

beastly yeast in obscene obesity
swell-swigging wig-gagging reflex
exposed midriff ****-lift grifters
wiggle-waddling weight around woo woo town
thick fake fingernail fail
day-glo sick show sale
ghetto-guffaw designer-clawing
wherever wits were wanting
jiggle-giggling juvenile thing in a thong
sing song sung ******* thang sang
pajama-jamming baby-daddy mammy
loudmouth proud plebe crowd
smirk-smoke the joke in cannabis choke
crass fat ***-crack blackjack
queer queen king thing of a
bipolar solar son of a
******* in hyped-up lowlife lockdown
cluelessly curating dimwitted day
descending darkly to dusk.

You GO, girl.
PROMPT 26:
write a poem that involves
alliteration, consonance, and assonance.
Alliteration is the repetition of a particular consonant sound
at the beginning of multiple words.
Consonance is the repetition
of consonant sounds
elsewhere in multiple words,
and assonance is the repetition of vowel sounds.
Scarlet Niamh May 2017
Some girls know all of each others poetry off by heart.
They find assonance in their laughter.
Their linked hands echo in sybilance.
I sometimes sing as if I am one of them
but what if I can't hum on key?
What if my elegies are the ones nobody reads?
Words, words, words. They rush over me and out of me
to a dead audience.
There is no innocent brush of fingers
or sweet laughter, only the perverse desire
to write something more than myself
and wait for an empty orchestra of applause to greet me.
Perhaps if I write as I am
then I will become who I am not.
Perhaps I will become one of the poets,
harmonising in time with the rest of you.
~~ Silly how something as arbitrary as a number can crush my confidence. ~~
Joseph Martinez Jan 2017
I'll write to you
John Wieners
you old twisted fruit long
dead & drained of brilliance
brain inherited from Burroughs
you analytical ****** John
long gone are the hours you
spent in bars in bed in someone's
*** like Ginsberg you are the
emotional man who ran his
fingers through the flesh
of frozen moments tenderness
exhibited in elegies of
departed lovers no dope
sunrise sheltered by your
words the refuge of poetic
gnosis brought from Beats
to Black Mountain *******
Moloch men mounting
one another thighs apex near
sun to receive the final fatal
flash of pleasure then descend
again to madness like
Kerouac you sought the silver
honey-milk of bohisattva jazz
jive held eternity in a frozen
moment and a moment on a
page made offerings to the
hideous grey gods of machinery
and read the neon streetlight
hieroglyphics you who busted
mind-forg'd manacles of Blake
with consonance and assonance
and *** of boys born bravely
to the ecstasy of final drunkenness
& one last cigarette O
prisoner of earth and of the body
you are risen!
Elle Jul 2018
An open-form poem


We stand up and speak out, in voices scratchy and riddled with slang-we cry
                                                         “consent, consent and equal pay.”

Those older than us, scoff and pull our knees off the ground, they tear our signs and say,
                                    “don’t you have another boy to throw away?”

“You don’t know your rights, who do you think you are? You work as a waitress  and have acne, you must be mad to think your voice counts.”

But don’t forget to vote on Election Day.

“When I was your age I was steady- with a good job, a steady girl, and those loans paid off.”
“You are not steady, it’s because you are lazy. Too much sleep and rap music is what is making you unsteady.”

Pastors and preachers and priests, say this generation is violent and lazy
                                                           and video game sales have risen.

These kids have no sense of reality, they are emotional and gay and trans and lesbian
We cannot block their cries out any longer
Because they are us.
They are black and white and brown and feeling.
And they are us.

Our sisters, our brothers, our friends, our lovers,
our people are dying.
In shootings, hate crimes and in standing up.
                                      
         “all these young people are killing the brick and mortar stores”
you are killing my people.


We have tasted reality and we will not hold back.
And we will stand. We will rise.

Our feet will be unsteady,
but we push
and pull
and advance.

No more we will be silent.


I have a dream.
If no man walked the streets, I’d wear a pretty dress at dusk and stargaze in the park.
                                
                                 But my fear of jeers and violence holds me back-
the dreaded “hey baby,” pounds in my head.
                                   Let me wear a dress and let me not be catcalled.


“You cut your hair.”
“It’s just a phase to cut your hair.”
“What if your future husband likes long hair?”
“Are you trying to say something with that hair?”
“Boys don’t like girls with short hair.”


As sad as it is, my story is not unique, all my friends have a story like mine. We sit at tables and drink our nonalcoholic drinks, carefully watching for the man who saw us come in.

We share tips on how to fit our keys between our knuckles, on how the elbow will hurt the most, in
                                                                 the face, stomach and groin.

We share our shame the ***** feeling after a man purposely touches your arm as you brush past him,
the shame you feel after you decline him, and he mocks you with words like
                                                                         “you were ugly anyway.”

The shame you feel when he respects your instance that you have a boyfriend, more than he respects your right to say no.

The shame is better than the potential risk of him finding out you are single; a solo woman is easier than one who has a man.
                                                            “c’mon baby, I know you want it.”
A stubborn “no” makes him declare over you;                                          
                                            “*****, no man would love you anyway.”



The boys loved me until I learned to love myself.
And then I was labeled,
bossy.
stuck up.
prissy.

Then they grew up and found it enchanting.
A strong woman was desirable.
Attractive.
****. Alluring,
A challenge.
They loved it until they realized it wasn’t a front, that I wasn’t secretly insecure, they wanted me until they realized I didn’t need them.

I was raised in privilege. No gangs to fight, no mouths to feed, my rent was paid, and clothes bought new.

Am I untouched?

Has my white-fair skin erased for me, the everyday danger my brothers and sisters of color face?
bulimia,
anorexia
and blades
they will not touch me on this pedestal of privilege.
Isn’t that what they say?
You have good grades and both parents, depression and anxiety don’t hang out in the Hamptons

Our boys are starving- abs are easier obtained with lack of food, then with diet.
Let them be beautiful.
Let them be soft.
Let them be boys.

Shame on us for telling soft boys to “man up” when they cry and then raging when our husbands and boyfriends won’t show emotion.

We are a generation saying
No more.
This must stop.
This is not how it’s supposed to be.
This is not how we will be.

We’re self-named, untamed, untouched, unridden.

Scandal. Closed doors and stilettos. Parking under street lamps and groups because there is safety in numbers.
Hiding their tears and fighting to prove they are men, toxic masculinity is all over them.

This generation of children is saying no more. We are labeled feminist, weak and selfish.
We are told
“don’t be so mean,”
“keep your pretty mouth shut,”
“you run like a girl,”

Weak, powerless.
Lazy, insecure.
Rebellious, fickle.
Ungrateful, unpatriotic.
These labels surround us.
But they are not us.

And we will stand. We will rise.
Our feet will be unsteady,
but we push
and pull
and advance.
No more we will be silent.




                              Paragraph of Explanation:
This poem is an open form poem in the style of Allen Ginsberg. I participate in a movement of using poetry as a voice for activism, hence this very political poem. To quote myself (is that even a thing) from my comments on the “what movement would you start/participate in” assignment; “Teenagers should be able to talk about social issues within the medium of literature without it being labeled as “angsty” or “moody.” This is a poetic rant against all the people who think that teenager’s opinions are not realistic or “real” opinions, on: toxic masculinity, school shootings, racism, bigotry, violence and sexism against women.
I used italics to showcase the lines that were supposed to be significant. I used alliteration, assonance, rhyme, allusion, slant rhyme and repetition. I quoted Martin Luther King's “I Have a Dream,” “and it occurs to that I am America” from Allen Ginsberg’s “America.” The “Knees off the ground” alluded to the peaceful protest of the NFL, “We’re self-named, untamed, untouched, unridden.” is from Moonlily by Marilyn Nelson. The scandal line is a nod to the recent rise in women speaking up concerning the harassment in Hollywood. Stilettos is for the issue of workplace harassment. And  I have made my open form in the style of Allen Ginsberg and from a few modern poets who have written things concerning current politics.
It’s a call to raise our voices, that we will not be silenced, it’s a call to understand that we can change the world with our words and the fact that we will.
Athena Bennett Apr 2017
I'm not meant to be a poet...
                                   ...but so be it.

     I can't find enough words that rhyme...
                                   ...honestly I just don't give myself enough time.

     Hell, I can't even follow a simple meter...
                                   ...if I could my poems would be much neater.
      
    Poetry is basically a puzzle...
                                   ...but my pieces don't fit.

    I think I need a genie, I have a wish to grant...
                                   ...but for now all I can do is rant.
  
    Assonance and Consonance...
                                    ... what's the dmn difference?

    Then there's figurative language...
                                    ... I swear I'm at a disadvantage.    
                                               ­                           
    There's different types like a quatrain and haiku...
                                   ...hell I never knew..
  
   F
ck I even have to worry about structure...
                                  ... You know I'm just gonna schedule my departure.

   There's a lot of things that I'm not...
                                  ... and for this I've given so much thought.

   I've made my decision and your not gonna like it...
                                  ...I am NOT a poet.
I am not
Donall Dempsey May 2015
SPEECHLESS
( for B. B. )

The page looked at me
blankly.

The words gathered
inside my head

but refused to
come out.

'Sorry mate...
we're on strike! '

'But why...? '
I cried.

'Do I have to spell it out
for you? '

'Write...write...write! '
'That's all you do! '

'You 'ave us up
all ****** night
it just ain't right! '

'No...I...don't! '
I lied...blatantly.

'Oh...who was that sentence
I saw you with last night? '

'That was no sentence...that was
my haiku! '

'And those poor vowels
...the howls! '

'Look, mate...we're consonants
so we can take it but

...a vowel's a vowel! '

'Now, it's just
our luck
that we're gone & got
ourselves an Irish poet

who is prone
to a little

internal vowel
rhyme! '

'Assonance! '
I said.

'Bless you Guv but
I don't cares wot you'se call it! '

'All we hear all night long is
O...E...I...U! '

And with that
they left

the whole ******
alphabet

absailing out of my head

marching down
my forearm

the whole ****** platoon
now on my patella

now turning at the door
saying: 'See ya fella! '

'Call yourself...call yourself
a ****** poet! '
they jeered

'We're off to Bryan Baker's
head! '

'Now...there's a poet! '

Slam!

The door was silent.

They were gone.

I was...
...I was

...speech-less!
Putting the writer's block on the block and chopping off its head with the sharp axe of humour. How...how dare it threaten me by talking my words hostage!
19
Probing poems punch,
With a certain assonance,
Pretty inflection.
wordvango Dec 2016
stay in style substance
the formatted displays of high society
for a day
then get gritty get down
get ***** where most of the world
lives
where the entrails
meet the nitty gritty
and leave the counting of syllables
silly when you take a look
at it, the anapest is a spondee
of silliness
**** all that
poetry I claim for
the common man
now rules and laws are
but to keep us out
**** all you arrogant mfs
you can **** my assonance
R Rice Sep 2016
The 1950's kids' show host stopped his routine in mid-sentence.
Several young boys in the audience were reeling, laughing, pointing...
Captain 5 asked one what was so funny.
"Luther pooted" was the answer.
Another said, "Harvey farted"
The Captain, an English major, grinned and said:
"Flatulent assonance"
Neville Johnson Jul 2019
HOW TO WRITE A LOVE POEM

You can do it, anyone can write a love poem. First, decide you want to do it, then get something to write on, pencil or computer, and begin. Do it anytime, anywhere, whenever you have a few minutes to contemplate. View the ability to do so as a treat, for it will be fun to navigate emotion via words, akin perhaps to working a crossword puzzle as you fish for just that word or turn of phrase that gives meaning. It is challenging and exciting to find that rhyme that works.  It helps to have a strong vocabulary, but just knowing the language is all you really need. Some of the greatest poems ever created are utterly simple in the language used.
Metaphors and similes are always welcome additions to poems and utilize onomatopoeia, alliteration and assonance whenever possible. Using these tools delights the eyes and ears.
Put your mind at ease and enjoy and appreciate having the time and ability to create and think about life’s most precious gift. Start with a phrase or thought that has come to mind upon which you’d like to expand. (I have a collection of these I call upon when I’m looking for inspiration.) Focus on the what, why and how of love and its meaning to you. You can write about your feelings for someone you know or with whom you are in a relationship. Or, perhaps, you will be writing in a fictional context drawing from your own experience or from hopes and dreams. Is there someone you miss, or to whom you wish to be closer?  It helps to have someone to think about, but it’s not necessary.
There is no formula for a love poem, it can be free verse, a sonnet, or one of a myriad of rhyme schemes. When I write, I just start writing and words and rhymes just flow. It’s somewhat like riding a bicycle. It’s not that hard to learn, you can go faster and faster in any direction you want. The more you write, the easier it becomes stylistically,  
There are many kinds of romantic love:  those of longing for or missing someone special, and the contented, satisfying type when it’s really going well, among other variations. You’ll never be at a loss for inspiration. I get ideas from the newspaper, comments in conversation, and much of the time, out of thin air. So many times I’ll write a first line, not knowing where the poem will go, and lines come, one after the another, as if on a scavenger hunt. Then, voila, I have a perfectly formed little verse that is just right, at least to my eyes.
Writing has a salutary, therapeutic effect. Grappling with words and emotions in the context of love is invigorating contemplation which can assist in resolving thorny, important issues facing the poet. The problem may not be solved, but perhaps it may be defined. This is your opportunity to get back at a someone who hurt you in a failed romance. You’ll feel better after doing so and no one will ever have to know you really feel or how you were so hurt. When you do share your poems with others and loved ones, you’ll be gratified at the reaction and the recipient will be thrilled to have been the object of such affection.
Write for yourself, satisfy yourself first.  Poems are personal and can remain private forever, so don’t worry about being embarrassed about what you write. Get it down.  You don’t have to show it to anybody. However, once created, maybe you will want to. Love is about sharing, devotion, friendship. Writing poetry has gotten me through much sadness, given me goals, and been endlessly pleasing to my psyche over the years.
Be spare in your writing, don’t use any unnecessary words. There is elegance in simplicity.  It is in the editing that the poem truly comes alive. Doing a good polish is to eat the icing on the cake.
Once you start writing poetry, you will never stop. It’s addicting and just a great way to use time wisely. You will amaze yourself with what comes out of your mind and heart. It’s a process, writing, and will exercise your mind and bring much pleasure.  
Start today.
Some of you may find this helpful.
japheth Oct 2018
our love is poetry:

a series of rhymes
of words with identical ending
having different beginnings.

an assonance
of words totally unrelated
but were fit together as intended.

a consonance
of words that invites a trance
as if urging me to dance.

an alliteration
of words i hear that ignites a flame
but soft and as warm as fleece.
i read this book and really tried hard to understand the different ways to write and the word association. miss u guys.
Daniel Magner Mar 2017
Has the potion of poesy
been processed out by my liver?
Maybe I ****** it out with last weeks whiskey,
or forgot to sprinkle it
over my frozen "meals for two,"
which always end up as a meal for one.
Has the season changed so much
that the wind carried it away?
The bees cannot find its pollen to spread,
and I cannot smell it
drifting through the complex...

What comes next? What comes?
Life after poetry,
do you scatter,
dissolving, dispersing energy?
Do you matter,
to the Earth, the air, the galaxy?
Or do you slip into an early routine,
forget the touch, the taste,
the sound of words
bouncing in your mouth?

Can you be reborn, reincarnated
as something new, something with assonance,
consonance, brilliance and shine?
Can I somehow get back,
back,
please come back
gentle poesy,
gently rhyme,

be mine?
Daniel Magner 2017
PERTINAX Apr 2018
Storms wash over the lands
Flooding
Causing a veritable maelstrom
Palpable
Trunk swaying in reaction
Lightning
Flashing and booming in bass
Cacophony
Wind pounding and beating
Incessant
Attempting to erode the landscape
Cleansing

Then...

Calm
A break in the dissonance
Assonance
Filling the pall left behind
Peace
Healing the ravaged earth
Sun
Shining glorious rays
Prismatic
That shatter as the eye passes
Blind
A terrifying howl reminiscent
Forlorn
Followed by a sickening rip
Broken

Then...

I am flying!
Spinning
Rotating at an ever increasing rate
Disoriented
Confused as my world tumbles
Torn
From the only home I'd known
Alone
Just a tree caught within a raging
Cyclone

— The End —