and i am eleven again
feeling like tomorrow
is a couple yesterday's ago
smothered in cayenne pepper
hot enough to take off taste buds
and tonight i am eating a meal
only worth burning
it tastes like my parents anniversary
it tastes like a zinfandel
left on the counter too long
it's a bad story, see
there's no silverware
'cause my mom sold it
to keep the lights on
and somewhere in heaven
somebody in a suit
doing commentary
on this fiasco
is telling someone else
in a suit that
"you have to eat love with your hands"
so we sit, four plates on the table
for the two of us
my brother's long gone
dad's even further away
& he's not the one who's buried
i carry both their names like anchors
that i cannot unmoor from
while she looks at the empty table
and says something about the news
she says something else
but she's not talking
we aren't proud of this, see
my dad likes to wax his car
he's proud of it
and my mom says
she sees a lot of him in my hands
says, i touch the things i find
like they didn't belong
to people sleeping in the ground
she says i touch photo albums
the same way-
you know,
i never used to believe
that history could repeat itself
not until i could
fast forward seventeen years
and still wake up to smoke alarms
how i would go into our kitchen
to find it empty
and the dinner smoldering
& my mother in her bedroom
looking through family photos
like it's a just another summer day
and the sirens are just the birds
i don't ask, i never say a word
in this moment
i am an archeologist
afraid to dig up the past
cause history repeats itself-
you see
my brother is dead
and my father is gone
they have been for some years now
and my mother
sometimes forgets
and sets their place at the table
like they're still here
and in the confusion
ends up ankle deep
in pictures of how it used to be
she let's dinner burn
and douses it in red pepper
hoping i won't know the difference

I want to be your abacus baby,Oh you can count on me.
I wont say that i love you, or i heart you, I less than 3 you.
Your molecules must be moving fast,girl. Cause your really hot.
Are you igneous sedimentary or metamorphic? All i know is baby you rock.
And if god existed I'd thank him for you, but I'm rational and read a lot of Sam Harris.
Your beautiful like the font garamad,but i want to see you sandarac, take your pants off.
I want to be your abacus baby, you can count on me,
And i observe your quirks oscillating, and I'm formulating, a g-string theory..
Like an archeologist,I'm gonna try and compute your age. cause i really want to date you.
You make me feel like a male giraffe. I want to nudge your **** and make you urinate,and mate you.
Scientific fact,thats what they do.
The value of my love for you cannot be expressed exactly. More rational then Pi.
Hey "****" is a legitimate word in scrabble, just FYI
I want to be your abacus baby, you can count on me.
You can **** me into your super massive black hole, the center of your galaxy. Im talkin ******.
I may not be the strongest or the prettiest, but my knowledge of grammar shines.
I know how to use the words  further and farther..correctly. Every fricken time.
Example:farther indicates physical distance
and further a depth or degree
example: the moon is getting farther from the earth
about 4 centimeters annually. Fun factoid,take it home with ya.
You just keep getting further into my heart.
You just keep getting farther into my heart.
I want to be your abacus baby, you can count on me,and if the situation is ambiguous, further and farther can be used interchangeably. Just a fun factoid.
I want to be your abacus baby, you can count on me.
Baby i less than 3 you.
So please take off your pants.

Dear Poet Friends, the Sphinx remains shrouded in myth, legend, and History. Modern research by archaeologists and Egyptologists have revealed some of its hidden mysteries. My research has resulted in providing you with a short & a balanced view about the Sphinx, keeping in mind the short attention span of my readers. Unfortunately, I am not able to post the Illustrative photographs here which accompanies my Sphinx story. Hope you like this story, thanks, - Raj Nandy, New Delhi.
            
         THE MYSTERY OF THE EGYPTIAN SPHINX

INTRODUCTION
Towering over the Giza plateau facing the rising sun over the
River Nile,
The Sphinx stands defiant for over four millennia, braving the
vagaries of weather and marauding time!
With a lion’s body and a human head the Sphinx remains
shrouded in part myth, part legend, and ancient History.
While the date of its construction, and identity of its face
have intrigued scholars for many centuries.
Today I shall tell you about this monumental and magnificent
structure,
Which stands as an iconic symbol of Egyptian architecture!
Man fears Time since he forever remains as it’s bonded
prisoner in captivity.
However, only few hours of freedom are granted to him during
his earthly sojourn, to live and love life with impunity!
But Time fears the Pyramid and the Sphinx, as they stand
defiant with their raised head;
As miniature symbols of eternity which even Time dreads!

MYTHS AND LEGEND ABOUT THE SPHINX
Many controversies and theories abound as to the identity
of its builders during ancient times.
Some say it was built by the people who came from Plato’s
lost ‘Continent of Atlantis’, prior to the Egyptians, way back
in time!
Others say it was the ancient Zulus who had inhabited the
wet and rainy Giza region with its great lake.
Around 8000 BC, during the close of the Great Ice Age!
But with changing weather pattern the Giza region later became
a desolate and a deserted area.
Yet no records or hieroglyphs survive, to make things clear.
The name ‘Sphinx’ is said to have been given 2000 years later  
by the enterprising Greeks.
Since in Greek Mythology there is a Sphinx, but with a woman’s
face, a lion’s body and with eagle’s wings;
Which guarded the entrance to the ancient Greek City of Thebes.
To the Greeks we owe the ‘Riddle of the Sphinx’ which asked all
passing travelers the following question:
“What is it that has one voice, and walks with four legs in the
morning, with two during the day, and with three in the evening
time?”  - about which those travelers had no notion!
The Sphinx devoured all those who had failed to answer, till the
Greek Oedipus confronted the Sphinx and replied,
That the riddle had described the three stages of a Man’s life.  
Since he crawled on all four as a child, grew up to walk on two
legs.
But during old age used a stick which became his third leg.
Hearing the correct answer the Sphinx is said to have jumped
into an abyss killing itself!

THE  SPHINX PROPER  
Modern Egyptologists generally agree, that the Sphinx had been
carved out from a single mass of limestone mound, -
Which dominated the Giza plateau before 2540 BC.
Built by Pharaoh Kufu’s son Khafre of the Fourth Dynasty.
Khafre was the builder of the second largest pyramid standing
next to his father’s Great Pyramid of Giza.  
While the Sphinx stands on the eastern most boundary of the
Desert Sahara;
Six miles west of Cairo, on the edge of Giza plateau.
It is 240 feet in length and almost 70 feet in height, aligned to
the Pyramid of Khafre behind.
The Sphinx lies on its hunches guarding the vast ‘City of the Dead’.
Where pharaohs mummified bodies lie deep within the pyramids;
To facilitate journey of their soul to gain eternal life and be
resurrected,
To join the Happy Fields of Osiris the Egyptian God of after-life
and death.

Great conquerors like Alexander and Napoleon had stood
dwarfed before the mighty Sphinx.
But to Napoleon we remain grateful for our knowledge of
Egyptian civilisation among other things.
For it was his soldiers who had discovered the Rosetta Stone
in Egypt in 1799, with its  bilingual inscription.
Written in Egyptian hieroglyphs and Coptic Greek, resulting in
the decipherment of the Ancient Egyptian pictorial inscriptions!

EXCAVATIONS AND RESEARCH WORK
The Sphinx had been buried by the shifting sands of the desert
many a time during past centuries.
While periodic restoration work continues to preserve it for
posterity.
American archeologist Mark Lehner and his team during the 1970s,
had analysed the bedrock under the mighty Sphinx.
They found natural cracks and fissures, and also narrow passage
ways dug by early treasure seekers!
His team climbed all over the Sphinx like Lilliputians over Gulliver, -  while mapping its structure entire.
It was found the Sphinx had been subjected to five major restoration efforts since 1400 BC .
While Mark’s dedicated efforts earned him a Doctorate in Egyptology at the Yale University.

Mark’s research also concluded that the visage of the Sphinx was
once painted in red.
While traces of blue and golden yellow decorated the ‘nemes’, the
Pharaoh’s brightly stripped head dress.
Controversies rage even to this date, as to whose features the
Sphinx’s Negroid face did actually represent.
While the disfigured nose of the Sphinx has given rise to many
speculations.
Was it the Muslim Arab conquerors, or a fanatical Sufi Turk who had tried to destroyed it as a pagan symbol!
Today I recall that the mighty 1700 years’ old statue of the Bamiyan
Buddha in Central Afghanistan.
Which was destroyed during March 2001 as a pagan statue by the
fanatical Taliban!
  
Mark feels that in all likelihood the Sphinx’s face was that of Khafre, with whose pyramid the Sphinx stands aligned.
While those ancient architects had arranged the location of the three pyramids of Giza and the Sphinx in conformity with solar events, - while choosing their construction site.
A settlement bigger than 10 football fields at this site was excavated,
Where the Sphinx formed an integral part of Pharaoh Khafre’s building complex!
This ‘Lost City’ of Mark Lehner had barracks, workmen’s quarters and kitchenette.
While remnants of diets found suggested workers were perhaps
rendering national service, and were not slaves.
No iron or bronze tools were found, only crude stone hammers and
copper chisels lay buried beneath the ground.
These copper chisels had to be sharpened at the charcoal furnace
frequently, for executing chiseling  work with artistry.

SIGNIFICANCE OF THE GIZA COMPLEX AREA
Mark Lehner and other Egyptologists felt that the pyramids, Sphinx, and the Temples Complex of Khafre was thoughtfully arranged,
For linking solar events and harnessing the power of the Sun God  
to resurrect the soul of the Pharaohs after their death!
This transformation not only guaranteed eternal life for their dead king,
But also sustained the universal national order, passing of seasons, the annual flooding of the Nile, and their people’s well being.
During sunset at March or September equinoxes when the sun appears to sink into the shoulder of the Sphinx, -
“At the very same moment the shadows of the Sphinx and the pyramids
both symbol of the king becomes merged silhouettes.
Sphinx representing Khafre as Horus the revered falcon god, offers with
his two paws to his father Khufu incarnated as Ra the sun god, who rises
and sets in that temple,” – as the ancient Egyptian’s thought.
Unfortunately  Kafre’s dream was not realised, since the Sphinx Temple remained unfinished as now we get to see,
As the Old Kingdom of Egypt finally broke apart around 2130 BC.
The desert sand began to gradually swallow up the Sphinx, till almost a thousand years later,
Thutmosis IV cleared the area, and introduced cult of Sphinx worship during the New Kingdom Era!
Rest is history, which has been already covered by me.

     CONCLUDING THE SPHINX STORY
The ancient Sphinx as Egypt’s iconic art,
Has captured the onlookers mind and heart.
Buried deep within its shifting sand,
Lies many a secret still unknown to man!
The Sphinx still beckons out to me,
Perhaps one day I shall get to see.
Today the Sphinx stares out at a fast food restaurant.
As it now faces a full frontal urban assault!
The rising water level of the Nile, tourism, traffic, and
air pollution, along with many urban constructions;
Make the authorities to worry about its preservation!
The Sphinx beckons out to man from eons past,
What is that secret it wants to share with us?
Perhaps it is about Environmental Degradation;
And the urgent need for Global Preservation!
                                                   ­        -Raj Nandy
ALL COPYRIGHTS WITH THE AUTHOR ONLY

after a drunken fifteen minute walk home
you discovered me in my bed
like dinosaur bones
dusted off the feathers and white house paint
we made love after two years
‘my god you’re a saint’
you tasted and felt as good as i’ve dreamed
your name on my breath,
you ripped all of my seams
morning light and we talked about being sad
put my hair behind my ear,
'sometimes loneliness isn’t that bad'
i don’t know if it will happen again
but i’m not ready to let our sweet rendezvous end

The crust barely give us enough
Brown and rocky stuff
To recall histories long removed
From where we stand

But with steady hands
Better men come working
Sifting and shifting
Through layers upon layers
Carefully dusting dear artifacts
To uncover forgotten facts

Till the dullness of ignorance cracks
Letting deep historical truths
Trickle through to me and you

What a grand thing for a human to do

As ancient ruins
get picked over with pick axes,
these detracted sites
show spite towards gods,
plus absurd signs in dirt,
with blurred lines distraught
and new plots not deserved
for fickle followers disturbed
by death scavenger dealings.

Instead of a sickle
it wields a shovel,
distorting the calm presence,
wrong bearings bring up
consequences long coming.
And these phantoms now creep
throughout ghost town dungeons.
Skulls and bones abound, cousins
and other kin found fundable.

Love becomes a couple
archeologists who unearth puzzles
pulling apart logic
no longer deductible,
so loan me your conscious
I'll connect it to old ones
we'll slowly dissolve into
improbable causes, duped.

It’s very surprising that “SATOR Squares”

seem to appear everywhere

the mighty Roman army had gone;

can they together, really belong?

Can anyone else see

inside this puzzle’s mystery?

It’s been learned that it’s not a game

and a truth, always remains the same.

Known is the square’s earliest evidence –

Can it be a mere coincidence,

that it was found in a retired soldier’s home?

From one who had faithfully served Italy’s Rome.

The Naked Archeologist cracked this riddle,

by playing around with the letters of its middle.

Fairly revealing were some of its words,

whose interpretation were not fully obscured.

From analyzing all 5-lettered Latin palindromes,

it became clear; this particular grid stood alone.

The hidden phrases are now, no longer lost;

PATER NOSTER, “Our Father”, forms a cross;

The leftover letters include “a” for “The Alpha”,

while “o” represents “The Omega”.

The last secret, discovered inside this puzzle’s framework,

informs us: “The Alpha and Omega holds the wheels in work.”

For with Jehovah, nothing is impossible –

when we see that “Jesus makes God’s work possible”.




Author Notes:

Information for this poem was gleaned from a video presentation of Simcha J., who is known as the Naked Archeologist. The first SATOR square was found carved on the wall of a retired soldier's home; he had served the Roman army and his name was Paquio Proculo; it's been dated around 79 AD.

http://www.satorsquare.com/

Learn more about me and my poetry at:
http://www.squidoo.com/book-isbn-1419650513

By Joseph J. Breunig 3rd, © 2011, All rights reserved.

Around the world swinging my hips, A hula hoop queen
Wrapped up in our nation’s flag I’ll be your American dream
Microphone miss superstar, shake the feathers in my hair
Honey you’re my favorite audience, you know I love it when you stare
Late night rooftop philosopher, tell you everything on my mind
Lover archeologist, boy you’re the best thing I’ll ever find
Little baby human canvas tattooed up my wrist
Turn into a woman fast when you grab me for a kiss
Vroom Vroom Racecar driver when I follow you up north
Lit up your sky fire works on our first July fourth
Princess of the gas station, buy me cherry gum
Lighting up my cigarette, won’t forget to spark you one
You lived a world of black and white, and that is not a lot so
I’ll bring in my vibrant reds, you got yourself Picasso
I know I scare you at most times, but never should you quiver
For my king at his request, the queen is sure to deliver
Apache chief rain dance girl, my tribe calls me brave heart
But I’m not always so courageous; I’m just trying to be smart
I’m thinking with my heart so fast the pumping blood’s still blue
But it beats, and I do all these things, I do them all for you.

i can clearly hear how english mutates...
a book review by a channel... better than food...
the book he's reviewing is goETHE's captain faust:
and the non-avengers...
but no...

i don't hear: stick an umlaut anywhere you please...
i, "for some reason"... do not hear
a: Θ... a göethe... or a goëthe (ladin alphabet -
the germans know about this)...
there is this... goe-ether association...
it's sometimes a riddle of goë, göe...
or quiet simply...
the remains of the ancient latin grapheme (œ)?

educated people make this distinction -
and they'll catch "you" out on it...
since... they represent the Hyacinth Bucket brigade...
gynocentrism doing a snail-trail:
one step forward... two steps back...
it's beside what the linguist "says":
a bucket is a bucket a ***** is a *****...
otherwise? glorifying such a harsh reality
of a surname like: bucket... but not beckett?
no... "samuel"? well then...
it's not a bucket if it's somehow
translated via chernobyll as: bouquet...
is it?! is it?
because even in french: they self-cannibalise...
i.e. they "eat" some letters...
they write one language: but speak another...
what isn't bucket what is nonetheless
bouquet? well... isn't it: bouque-?
it's not even that... boo-k for the ones that
still hear... and can write grafitti schlang...
in some variation of a german...

becuase educated people can get away
with treating GOETHE...
as?  '/ˈɡɜːrtə, ˈɡeɪtə'...
or in simple-me-and-you being bilingual...
fiddling around we arrive at:
Göerte... which is "said"...
but this "lunatic asylum" exception has
to be written: with a clarity of a *******
Greek THETA... a fin! the end!
which always makes lying easier...
when you can: say (a)... but... but...
imply (b)... like some "metaphor"...
some forever useful tool of nuance...
some "spectacle"...
it's easier to lie when... you say (a)
but are "implying" (b)...
then you can blame it on...
not allow the literacy of the masses:
quite as much... you require... exceptions
to the rule... to **** out the lesser educated
"people"...

don't get me started...
born? Ostrowiec Świętokrzyski...
perhaps i should have never left...
3 years in Edinburgh...
over a month in St. Petersburg...
somewhere in Paris, Stochholm, Venice...
Athens... Belgrade from a distance...
Amsterdam... two weeks in Kenya...
and a nonchalant attitude surrounding
London... a strong distaste for Warsaw...
a myth of Cracow...

and no, i haven't been everywhere...
but... after a while... does it really matter
where you go, if you're bringing
expectations with you?
expectations and postcards?
clichés? clichés expectations and postcards?
and... a whole lot of strangers
you haven't met?
tourism and: feeding the ghost town
mentality... perhaps a ghost town would be
something to behold... instead of this...
atypical metropolitan casualness of avoiding
each other... busier busier: and no more
busy than once pronounced dead...
but wait for it: you're at least given a "scene"...

but no... i know one language that
makes pedantic orthographical observations...
but i also know a language that...
write one way... speaks another...
whichever way, best, to suit it...

and you "know" it would only be Fa-Ber'g -
no... borrow the j- from je suis...
if that last E was not an acute É...
but an grave È (grave... or? gráve...
grrrr'av... not a hey hey grave...
GRA-Vity)...

hence? my point exactly..
if the diacritical markers are respected
in fwench... with an acute É and a grave È...
why do "we" need... I(i) and J(j)?
why not... I(ı) and J(ȷ)?

besides... ever imagine writing an autobiography
like a Knausgård... defender of the runes
for a sentence in volume 1...
major google-maps ****** *** volume 2...
i write that with a "glee"...
i mean... you can be immediately be put off
writing an autobiography...
just to avoid the mediocre descriptive elements
of using something more complicated
than a hammer...
for an otherwise... less than a hammer's worth
of banality: evaluation of modern banality /
procrastination...
no one we have been given these complicated
tools... and to the best of our abilities we
best procrastinate, using them...
i hardly think a hammer would be used
to... pretend to play the drums...
but yes: Knausgård... the defender of runes...
irony... but the mr. google-earth guy to turn to...

yes... and before i discovered a past...
there were the runes... and there was
forever this latin morph of the barbarians
"thieving"... but there was also the glagolitic script...
apparently! and before that there was the greek!
and... somehow... i did arrive at having
to master some vague understanding of
mother cyrillic!

- but prior to... did you know what
slavs love cabbage? all the pakistani point this
out: slav love cabbage!
today? i watched the film Layer Cake
and made some cabbage soup...
Layer Cake being? the pre-to-a-bond-film
taster for the actor Daniel Craig...
it was hardly a Guy ******* Ritchie film...
woz itz? but... a decent actor advert...
with "hindsight"...
if i watched the film then...
or as i whatched the now...
and all the known actors jumped the train...
well... cabbage soup... base?
a decent polish / jewish chicken broth...
most of the chicken goes into a ***...
except the *******: you make a *******
roulade with that...
and proper potato bakes...
potato bakes like Heston Blumethal
boils a soft egg...
tatties in cold water... until they start boiling...
then you hunch over them...
boil them for a decent fiver...
turn off the heat...
again... hunch over them...
like an inquistive condor waitig for
the water to stop bubbling...
asking the question: are we all ready...
for the oven? yes, my toy soldiers,
are we, ready?

apparently they taste like christmas
tatties in waistcoats!
my my... what a lovely affair!
cabbage soup? you really need a complete
lack of imagination and a work-around
using root veg...
the european way...
but what is preferred is ensuring
you make a cabbage soup like...
a slav treats a cabbage like a frenchman treats
an onion: you suffocate it...
an hour minimum...
until the crass ******* boils out...
and you're left with...
a sweetness... and softness...
bay leaf all-spice (english spice) included...
some kiełbasa (etymology?
root... kieł- derived from the plural?
kły... canines... suffix -basa?
baza - base... canine-base...
something that requires an understanding
that elevates the dog, "debases" the man...
no quran reader will understand this:
for lack of a better word: shaming food...

where would pakistani cuisine be...
without the pantheon of hindu spices?!
i'll eat like a dog and in so doing:
live a tier above a king...
i still find it highly unimaginative...
to call one fruit "forbidden"
and one meat: "impure"...
whatever Gabriel spoke to Muhammad...
never really explained crab meat...
crab meat crab meat...
the Maldive muslims eat crab meat...
what's crab meat again:
when it concentrates a comparison
with ol' porky porky? scavenger of the seas...
what's with the muslim beef on pork?
and god was critical...
of his perfected animal worthy of
consumption... looks pretty silly from
Beijing... so Beijing is ensuring that Muslims
"look silly"... well... "live"... silly...
so god was so... this that and the other...
then he lent his "all knowing wisdom" and said...
no... this one animal... which you can...
butcher and make use of...
all that's missing is the oink and the hoofs!
or whatever it was: i can't eat the oink,
the grunt remain's the bacon's owner...
and perhaps the "hoofs"...
but such a pristine animal...
tapeworms come... much larger in size...
from aquatic flesh... so...
tic-toc... tic-toc... pull a sly porky on me or...
Gabriel my ***...

the Pwophet sez!
much easier these days: to, "get away" with "it"...
camel jockeys turned oil barons...
yachts... whizzed-up-*******-white-****-****...
and never... the odd-ball from
that long extended lineage of the family
living with a cuddles *****, soft toys...
east of Beirut...
that pencil girth's woe explosion in the sky...
"built" by people...
who employ slave Bangladeshis for
a sunday's worth of sabbath cricket in the desert...
i thought that deserts were only good
for waiting for qurans and dinosaur blood
and myopia and... the odd dehydration
hallucinations?!

i'll eat some sushi to sober up before
i accompany my mother: circa 60 getting
a hip replacement surgery done on her...
i'll sober up: but first things first:
spew...

mind you... below you will find some
ancients inscriptions...
i had to wonder: if the precursor text
of the anglo-sphere people...
the germans and "celts" of the british isles...
the welsh... the scandinavians...
was bound to runes...
before the latin men came...
what did "we", the slavs, use?

before the greeks allowed us entry into
the realm of mediating the otherwise:
quasi-fathomable?
cyrillic is what came: AFTER...
but there was a prior...
i'm no longer interested in the prior...
no more than i am interested in greek...
i once slurred russian cyrillic
for not having any diacritical markers...
i knew they had them...
but that they were... crude...
for lack of a better word...

how does that theory sound?
the: ex Africae omnis est Africanus...
sorry... what?!
giving my scrutiny of phonetic encoding...
am i closer to speak...
or thinking, and if not thinking,
then, reading?!
by the looks of it...
i devolved from encoding in
chinese... perhaps not so much:
sanskrit... but i most certainly suffered
moving across Siberia: obviously: not "i"...

mind you: i've looked at "it" and thought...
me, reproduce? add a stranger to the equation
of my family? i'm just happy to end
the libeage... thank god i don't have
some inheritence complex abounding...
no expectation, no "legacy" akin
to a surname like Rhodes (circa NY)...
i was born with one ****** surname,
which changed... i'll die with another ******
surname: that never made it to a status
of Eshlert... nonetheless! i'll leave...
like a ******* Einstein of an acronym:
E = MC... good for me! bravo ty! bravo ja!

beside the egyptian hieroglyphs...
i'm yet to read something...
from... Congo... perhaps i'm just too ignorant...
or the -igger shade was just too much
that it... grabbed my attention and
i forgot that the victim olympics didn't
happen every 4 years...
but every... whimsical time-span of...
a quarter of the length of a fortnite...

whatever: all out of africa implies...
i'm writing in a devolved chinese...
frozen bits across the siberian fickle desert...
next stopover? Novosibirsk!
no need for pyramids in Novosibirsk...
no "awe" to be found...
when you're toe-dead numb from
frost bite.... is there?!

my letters are a sieve... they allow meaning
through like hands praying to cusp water!
it's, the, reality...
you have ****-wit socialists on one side...
and then... this hyper-inflated
darwinism is all historism on the other...
middle ground, people!
"democracy"! i stand stand both the marxism...
or the darwinism... but arguments failed...
or? we can have the extreme of both ends
of the argument! enough of reading
Pasternak will teach you...
hey... shhh shhh... the collective can
congregate any minute now...
they don't need that many intelligent people
to rally them...
what your, "your" side needs, though?
if enough brass people: stupid enough
to entertain, to lulluby...
em... that's now much to "go on"... is it?
the intelligent with pour gasoline
on a fire...
the entertainers will simply pour
cold milk into a saucepan that contains
milk you're warming to...
melt some butter some honey and an egg yolk
to self-remedy: devoid of big pharma influences...
a witches' brew for a cold and soar throat...

side note: do i "worry" about not having children?
if i lived on the Faroe islands,
Greeland, Iceland, Norway -
i most probably would probably mind...
small town mentality: enlarged...
then again: my family, "my" and "family"
is not exactly accomodating...
why am i not spending time with my grandparents?
at least one side... the "patriarchal" side
drops off: accomodating the madonna anyways...
a sister (my mother) and a brother (my uncle)
are waging a war...
this... "eastender" soap opera is...
i don't have the finances to grativate away
from it...
enter children? and they'd be more ******
up than i already am with my libido
and no outlet... i've stopped seeing prostitutes:
no because i felt "bad":
that one time we only pretended to be
leeching / kissing oysters just because
i forgot to trim my ***** hair:
like some western feminist argument
about the exploitation of romanian women "matters"...
when... the labourer drones of men
of building sites... coming in to work...
hangover... might perhaps... stop...
fuelling the english lush economy...
i didn't want to have children because:
family-wise? things, "things" are messy...
and there's no magic carpet to get me out
of here... not when the last surviving remnant
of a past... i.e. my grandmother,
talks to my dementia riddled grandfather
with the words...
and he stresses them: you no good...
skurwysyn!
elaborate? sure! z-kurwy-syn...
from-a-*****-son..
my grandfather's mother...
well... let's put it in facts...
my grandfather is an illegitimate (
oh **** me, i spelled that right, drunk)
son... his mamma then married...
the father of this illegitimate child...
was a polyglot... spoke 7 languages...
emigrated to the U.S. of A...
remarried, fostered some shards of glass...
and sent his last postcard...
from Niagara Falls... before jumping
into the kamikazee sun...
oh my family is perfect...
then this mother of his...
had two children with a man...
who would beat my grandfather...
which is why he became a "pioneer"
coal-miner aged 15 or 14 or 16...
then this one kid ended up being
fostered... then this "watermelon" of a kid
(nickname) came out...
from a love affair... and when the "*****" died...
his quasi-foster father lived with him...
and in this custard: he...
the father semi-god-know's what...
abused the old man for putting up with
him as a love-child: in wedlock...
and... well thank god there was
no epitaph to begin an end with...

me and children? i am gracious,
i am kind... i don't want them to inherit this
history... which is worse than
a history of germany... at least those *******
had the nazis... which is worthwhile
in terms of exploiting them via video games
as those: evilz badz guyz!

i always think: the sooner i'm dead -
the more chances i have
to either dream... or breathe...
currently i quasi the former and accept
the reality of the latter...
but me and children? my, own, brood?
em... for some capitalistic driven darwinism
pressure ploy of narrative?
taxes and retirement plans for
the western: placebo: aged?
grand'm'ah and gwand'p'ah not fit under
the same roof... set them on the butcher's
path toward the "shop" of wrinkle
and: pristine effortless economic
endeavor... the pig's the lot...
economic meat and... about as barren as a dinner
plate scooped up for examination
once a pauper sat before it to supper...
ingenious! if only, if only we were all born
into a Charlie ******* Dickens' lot of life!
then, only then, we could, we could
perhaps, perhaps: write about it!

i have seen how people have lived their lives...
how... they had wish to write about it...
which always involved a lot of other people -
movie scripts written by directors
and not... actual manuscripts of scripters...
they would write... but then:
started to gag from **** at the mere of thought
of being: brutal, honest, honing...

people either write an honest autobiography,
they ghost it: have someone write a biography,
they write an autobiography that's
designated as: tabloid...
but most importantly... they forget...
a "Moscow"...
when i was in Moscow... i felt like i was
in London for the very first time...
a last time...

i did mention that i didn't envy the russian
diacritical approach...
the odd: miss and "there"...
but no... i didn't envy them...
to me there was no russian orthography...
there is an orthography: which you mind
above any metaphysical discussion...
when, and only when... aesthetics comes
into play...
i.e. rz = ż and ó = u and ch (cerp i ha) = h (samo ha)
this is how orthography is born...
sorry... i'm too "busy" dealing with
orthographic ******* to even mind
your "metaphysics" or a death of (it): interim...

as i stood at the feet of the tower of babel...
i started to su doku the pieces that
pleased my eyes... and the pieces...
left in leftover arabic squiggles of
the remnants of the 20th century...
and the new emergence of environmental
beijing free-of-syndromes to spawn
the 21st... or...
the child of a one-child-state-policy
without a Beijing... only a gradual evaluation
of... concerns for...
not giving birth to yet another ****-wit
of the world's counter to: another
****** of a gullible persuasion...
given that law is blind...
he must have been born: deaf!

- you didn't see me coming;
i didn't even see you leave... -

since the greek letters i tend to most "forget"
are:
- gamma lower-case (γ) because
of the upper-case upsilon (Υ)
- lower-case zeta (ζ) becaue
of the lower-case "11" (ξ)
- eta, lower-case (η) is no real grief
with lower-case EPSILON (ε)
until... you enter the cyrillic
"debate" of е and э...
- lower-case NU (ν) and lower-case
UPSILON (υ)
- Ξ (Θ, Φ) i.e.: XI, PSI, CHI, PHI...
return: that first 'un' is an ale'ks...
alex... but it's not an X in the way that
CHI expresses itself in CHurCH...
lay-teΞ...
- then again... greek orthography begins
in SIGMA... those... quasi-germans...
those remnants of the northern / teutonic
crusade... those Pruσσianς...
or... Prußianς...
the greek F and the greek "F"...
key into a keyhole: Φ...
key turning in a keyhole: Θ...
the iota of four uses... Θ, Φ, Ξ... Ψ...

but that's only the greek... i will not touch
on the glagolitic... until, barely skimming
the draft months earlier...
until i come with my own diacritical markers
and show you: how i was wrong...
yes... the russians do use these markers...
but they, mostly... do not "accent" them...

because i'm no Ezra Pound i didn't have
to imagine going as far back
as the Taoist ideogram...
because i remained bound to the anchor
of europe and...
i really didn't find anything of worth
in africa encoding: silence into their
verbiage with anything:
beside the odd spell of hieroglyphs...
so? i am not an Idaho man...
or whatever mid-western miss-western
******* the genius came from...

i don't have an ideogram:
i have a synonym... the sound is exactly
the same... but Charon 'ave their eyes!
mind you...
ądam and ęwa are off limits...
as is: ł... then again: given that i write in english...
em... "yes, and no"...

but here's my rubric... a rubric implies:
i will not narrate this crap:

don't get me started on the russian variations
of Y... i once said... because the greeks had
names for their letters... and the romans didn't...
well... in western slavic: Y "why, I" has a name:
e'GREK... iGrek... e and i are interchanged
between the western slavs and the islanders...
but the russians?
let me Shakespeare that for you:
pre-scriptum - don't ask me...
how oh how a german umlaut infiltrated
the alphabet: i blame catherine the great...
you have...

е (ye)
ё (yo)
й (-y-) - which acts like a "ȷUDAS"
ы (ý) - alt. to? ıGREK
ю (yu)
я (ya)

all that's missing is a: иы variation?!
let me check my pentagram of vowels...
e, o... u, a... oh right... IO-T'AH-T'AH-T'AH...
sinking the ******* POTEMPKIN!

it's for the best: i'm entrenched in two languages...
which makes me "schizophrenic" /
bilingual... ergo? i have to write in at least:
four... pepper in some latin etc.....
and modern slang? i need that...
and some german... and perhaps a dash
of Gaelic... and some scandi-navigational
pseudo-romancing the rosetta stone...

the rest is quiet "simple"...
a french-atypical acute... because there's no gr'ah-v'eh!
grave ole...
and a dot... like the dot used for no real purpose
in english...

i.e. ь involves the acute...
while the ъ involes the "horde" symbol...
either the dot above the Z in ż or the caron
above the R: ř...
alternative interpretations invoke
even more: 'hide and seek" mechanisms
of the russian Y...
  объект: interJEct with an obJEct...
thus? there just seem to be gradations
of hiding a why (y) with its added vowel...
and its mutant й... crescent mongol moon...
and all the rest of "it"...
since when you "borrow": yew borrow...
you get something along the lines
of: e.g.:

ć.        ць: c.f. surnames ending with -CKI
ń.       нь
ó.      "u" or? Loonin...
ś.        cь
ź.        зь
dz.     ž (dzik - boar - the wild adjective is a tautology)    
ż.      ř       rz   (зъ) or? ж...
ł.       woad... łagodny (he - gentle)
                        łagodna (she - gentle)
š.      sz.      ш             (sh)
č.      cz.      ч               (ch... you're not foreign
to graphemes... mr. Æ ms. Œ...
you simply haven't seen it applied
to consonants... only vowels!)
щ     šč     (szczypta - pinch -
a germanic, saxon "ch" is a cz...
or a caron above the C...
ch' ch'.... akin to the caron above the S...
sh' sh'... so far away from "god": YHWH...
yet so close, so, close!)
ha ha... a "dangling bit"...
and i thought the russians weren't
good at hiding "things"... from ш to щ
you have hidden: a caron a "c"...
a ****'s CHeap... in a dangling "left-over"...
of an otherwise caron S... heap of SH SH ****...

in terms of the cerp and ha and samo ha?
the greek χ (chi) comes into play...
but not like a cheeze...
more like a vowel-catcher breath...
eerie as ****... a HA HA with...
cHA cHA! i.e. like the surds you allow
hindu words access to: gnostic -
'nostic... or... knife... i.e. 'nife...

it's no surprise for me, now...
out of all the black caribbean kids,
the indian and pakistani,
the africans... i was one of the first
to: come out swinging from under
the iron curtain:
distrust levels? high... near almighty...
not enough "japanese" in me
to squander a late debt from
Hiroshima or some other etc.

in some remote original draft...

as ever, i drink, and am a nobody, but then i find myself inclined to look upon the god of gods: whatever remains of worth for the phonetic encoding... whether latin, greek, rune, cyrillic, or ⰒⰑⰃⰀⰐ ⰒⰉⰔⰏ (another googlewhack)... the glagolitic phonetic encoding... sure, first they'll ban the runes in sweden, before realißing that... there's another alphabet... the glagolith...
                  Ⱉ = Ω, given Ѡ = ω...
         this alphabet has been suppressed, long enough!
to be honest? i've never seen a more beautiful letter,
anywhere, other than in the glatolith...
     Ⰿ = M = ᛗ...
                      maybe that's why i like my given names
so much...
                            ⰏⰀⰕⰅⰖⰞ
                 i too! i too have a past!
             i don't need to peer into pseudo-arab ***
the quran religiosity of hieroglyphs
of the northern africans, camel jockeys!
                             there's, oh there's so much
more at stake than the runes...
                what of the Kiev Rus vikings?
this, this is their language:
                ⰕⰑ          "ⰏⰑⰆⰅ"          (może = maybe)    
(to = this)
                                                   (ⰜⰀ = trzeba, trza /
                                                            tsa)­
            ⰕⰔⰑ (tsa)           ⰃⰀ (ga)     ⰂⰀⰓⰉ (vari)
               (gadać = converse... gavari)

    Ⰴ (d)                ⰆⰫⰕ (żyt = fathoming life)

                             ⰆⰫⰕ (worthwile noting:
this is out lot of, a, life)...

      ⰛⰫⰛⰍⰀ (szyszka = cone, of the ᚦᛁᚱ /
                                     ⰡⰑⰄⰟⰀ - fir /
                              jodła tree)

see, i can't solve crossword puzzles...
      i don't know where i would begin,
fathoming this sort of "plaything" thesaurus...
i can play a solitaire mahjong,
i can solve you a su doku puzzle
without wanting to compensate myself
by competing...
                  
   but i do know...
                    what conjured the atom,
the letter?
  what conjured the atom, the letter,
and subsequently, the alphabet?
        noun...
                  the cipher conceptualißation
of making a name, smaller,
so small, in fact...
that letter emerged, and names were
no longer indicative...
of a meaning...
  so much so, that units were
formed, fathomed...
and when merely giving names
to these units, akin to the greeks,
alpha...
        which had to become a-lpha...
and beta had to become b-eta...
          well... only thanks to the latin men...
they became songs...
sing-alongs...
   very much thanks for the H vowel
catcher of the hebrew god...
ah... said the castrato...
  b'eeh sang the castrato...
           em...
  obviously the devil managed to keep
some of the letters...
z'ed...
                 it's still bewildering...
how the latin men "reinterpreted"
the northern runes...
   as the greek men "reinterpreted"
the north eastern glagolitic script...
and to think! to think!
    Ⱃ = R = ρ = rho...
         but what happened, "elsewhere"?
ᚱ = R... but... but... where's the trill?
R, as a letter, looks like it's about
to hide a leg... and start rolling...
ripping apart all other onomatopeias
associated with the rattle of a rattlesnake,
or the sound it could make,
to associate itself with the sound
of water boiling... where did that "go"?
with the french hark "innovation",
and the english tongue...
being bitten and left numb by
a tarantula?!
                      
  point being... i never imagined myself
much of an archeologist...
i always found:
  if you state your "necessary" freedom
to speak?
you're a tongue inside one cranium,
at a particular time, in a universal space...
but, like kierkegaard,
you care more about a freedom to think?
i'm "here", i'm "there", i'm "i'm"
like heidegger might state...
                  using this very modern
language that's english...
          but then sliding back into...
an obscure region of history...
      in two places at once...
        at a universal moment in time,
in a particular space...
                   talking exhausts me,
whenever i start speaking for more than
ten minutes,
there is a cotton mouth infestation,
my tongue turns into a serpent about
to shed a layer of its skin,
and, if i'm lucky,
i will not swollow the tongue...

                    and why wouldn't the runes
be more protected, but currently under
siege -
             both the latin text and the greek
text (respectively),
had the ambition of performing an
x-ray on the runes and the glagolitic texts,
treating them as pseudo-hieroglyphics...

but they found similarities,
   which made this foreign phonetic
encoding systems relateable...

ᚠ = F
                ᚢ = U         (copernican "up-side-down")
ᚨ = A (strange sort of arithmetic, / \
                                              )
               ­ ᚱ = R (d'uh)
   ᚺ = H...
           ᛁ = I
               ᛋ = s
                ᛏ = t (what's with the "bending knee",
so much for the supposed: "arrow"),
               ᛒ = B...
           ᛖ = Σ = E...
                   ᛗ = M...
                   ᛚ = L...
                  ᛟ = o - crude version of circle...

so? the latin men had an easier way to
fathom the runes, and ingest them
into the x-ray vision of post-latin...
   the greeks with the glagolitic script?
much harder...

         Ⱂ = Π = P = ρ (rho)
                 Ⰰ = A = ᛉ = Z...
             Ⱇ = φ = ᚦ = θ...
                             Ѡ = ω...
                Ⱑ = A...
                          Ⱔ = ε....
                                            Ⱚ = θ...

but i agree... you couldn't get "our"
peoples to where we are now,
with these pseudo-hieroglyphics...
   after all: Ⰿ (M) is a beautiful letter...
in glagolitic terms...
          but... it's too complicated for us,
at this moment in time...
it might have had all the necessary
practicality in its necessary time...
that it was allocated to...
but... given people these days
are looking at X-|ɔ\
                              / \ /_ / ?
                            how ******* hard must
it have been, when,
the phonetic encoding,
was as hard as it, to now, us,
it seems?!
                   so... whatever is happening
in sweden, right now?
       i'm not bemaoning it,
   i have a tattoo... it reads: Sienkiewicz...
the swedish deluge of 1626–29... a.d.,
          **** it, ban the runes...
i've "just" discovered the gagolitic phonetic
encoding, the sort of **** that
st. cyril and methodius had to work with,
and it wasn't as easy as translating /
incorporating the runes...

                     oh sure, i'm waiting...
                 first they ban the runes...
   then they'll have to learn something akin
to the glagolitic script...
             returning back to their x-ray
latin lettering...
                       i still can't believe that
james joyce got away with writing finnegans
wake... without ever employing a single
diacritical marker...
spewing out... what became the modern
english grafitti spreschen...
   e.g.: lolz...
                              und: L8ER...
it's like: the worst of the worst of what
already is the worst in the form
of the h'american demands for acronyms.          

after watching an old couple walk
past me into the supermarket:
    or unlike the men climbing
           the matterhorn:
   which from postcards seems so
much more majestic in its formidable
shape than the goliath everest
    (from postcards) -
                 5 miles, a dark forest,
  and i can show you where english
druids chant: satanus in excelsior!
   and i thought i spoke bad english:
it's: in excelsis satanus...
       i would have approached them,
but then i was alone,
      and there was one idiot shouting
and about a crowd of twenty disciples:
you could hear the murmur
   adhering to the chant from a distance
of about 300 metres...
                    i only had beer on me,
no goat blood, no woad pigment...
                crash a party when they
were having a party in complete
darkness?
                     it's a good thing there was
a song change on my headphones
               and for a minute i picked it up...
wait a minute: i thought i owned
these woods, walking at night?
               ragnarök blood of Hvalba:
unfortunately the norse founded
kiev,
           so if they founded kiev,
                they must have past where
i made mark as: the land immune to
                                       the black death...
if i were an academic with a stipend,
   i'd write another boorish book on the matter
to attract moths...
          but the old couple, hand in hand,
shrinking but not exactly disappearing...
     in me the inherent conceptualisation
of a twin, like a limb missing,
  but with all my limbs intact...
              yet still a twin gleaming in my mind,
as the story i was told in my childhood
no echoes like a behemoth ghouling:
    they said to me:
   did you know that in this world there exists
a person that looks exactly like you?
         what? so i started looking,
      not leonardo, not brad,
                    can't compete -
            if i really am the stronger twin
                 who sent my twin to the plough
and the hearth... am i not to suddenly
    lick ash?
                  but the old couple:
   what a rarity to see, dwarfs,
                                  of former majestic
forms... elsewhere the single mother with
a baby in a buggy at 10 minutes to 11 during
the week, bewildered by reading
frozen foods labels...
           oh... about the supermarket...
grr... mein gott!
                    Surabhis! Surabhis everywhere!
the joy of walking into a supermarket
last, aisles as spacious as any king's
    lonely castle...
        but in the hours 12 in the afternoon
till about 5 in the afternoon?
        traffic jams!
                   zombified shoppers, women,
of course, children to boot...
                           how many times i might
have bumped into them...
      gaze lost, hazy eyed...
                 sometimes i had to walk down one
aisle, emerge from another, just to pass
  a woman standing fiddling with her
hair...
           the new meeting place, apparently,
but that's beside the point,
   the more i listen to radio,
  the more i learned that i'm far from
a music snob...
            take for example:
       free deejays's song
                            el amor es un party...
what? cuba not pretty any more?
              but there's a worthwhile observation
in there:
        only rich men have the chance
        to play a woman's game of "the chase"...
        only rich men get to "chase" women...
        the poor schmucks?
                          ****! have to live with them.  
****... i need to find that
    one exchange in ingmar bergman's
film wild strawberries:
            when the old man wakes from
a dream-memory in which he is
the ****** of a **** scene...
        where a woman is teasing a man
to the point, until he transcendes
                   a teasing woman,
                       and finds a Jezebel...
so upon waking...
                the "children" are picking
flowers in the rain...
                          and there's talk of
abortion...
       at this point it's gone beyond
castration...
                      the conversation invokes
the death-mask of man,
    or man as tomb, and woman as
the robber -
                         apparently once impregnated
man cannot ask for his ***** back,
and in some twisted way:
           and as much as i'd like to "cheat"
having found the screenplay online,
   i have the misfortune of owning the ****
movie...
        and how i like returning
to silent cinema, black & white, foreign,
with subtitles...
                     at this point,
because didn't place the subtitles: on top
of the screen, but at the bottom...
   well, **** me: am i looking for
Cindarella, because focusing back
on those faces means i seem them without
lips and merely eyes and noses,
   and perhaps a chance to spot
   a wriggling, morphed into an insect
st. peter's, if not van gogh's ear!
              or the lost "art" of handwriting...
Cinderella? my focus is so low from
      the action, that i might as well be
  watching, either a ballet, or a *******
riverdance!
             dr. isak borg (a)
marianne borg (b)
        dr. evald borg (d)

such a weird and heart-numbing thinking
went into writing this...
i have a history, a past:
regardless of having children and with
their existence: some sort of guarantee
for a future...
that i have a past, a history,
and it exists... outside of its current
written format,
that i can escape with or without having
children: that i would have probably
later ***** mentally...
having ingested all this third party
quasi-history propaganda
for the only history that's being
salvaged: the insect prone libido
of a status quo... well then...
let my "failure" be the patent for all future
success.

I am an
emotional
      archeologist
digging d
                 e
                        e
                                p
into the contours
of the heart
trying to discern
what spots
need tender healing,
how to treat and
soothe its
fissured parts
I am a soul-mind
                   excavator
discerning
temperature and hue
measuring the depths
of textures
as we get down
to the root
We work hard,
my team and I
mapping earthen layers
we use the implements
                     of wisdom
to try and heal
this pain acute
and as we gently
cut through the strata
of history, of scars
I know that this
         explorer's work
is worth it
for we will reach up
to the stars
So we continue on
in patience,
into the
blazing core
      like truth-warriors
like healers
      unlocking secret
ancient treasures
that will rise up
to the
fore

"Are the gods angry?"
she said with a laugh
as Vesuvius rumbled
with warnings advance.

I cuffed her behind,
but gently, and laughed:
"Lady bring me more wine
for my morning repast."

I had sup'd with old Pliny
just the evening before.
Admiral of the fleet
anchored safely offshore.

My vineyards are fruitful,
a source of fine wines.
and the olives, when pressed,
make a spread that's divine.

My Villa is handsome,
and I own many slaves.
so you see I've no use
for their Jesus who saves.

The top of the mountain
disappeared in a blast
Our homes are laid siege to
with pumice and ash.

The women are screaming
I hear a child cry.
I hear prayers vainly offered
to an uncaring sky.

The air is quite thick
My lungs are oppressed.
My Villa is burning
along with the rest.

With a cloth on my mouth,
I race to the shore,
hoping, dear Pliny,
to see you once more.

I look on with horror
as burning stone blocks my path
I crouch by a wall
as my last moments pass.


* * * * *
The Archeologist tutted
"Well, who have we here?
"Clearly no slave
from this ring it appears."

" I am Lucius Flavius."
My Lemure would remind.
but I'm like a statue
and mute for all time.

Postman
and poet?

love letters in mail

Accountant
and poet?

precision, detail

Archeologist
and poet?

sifting for feelings

Electrician
and poet?

a jolt
leaving one reeling

architect
and poet?

drafting with words

Zookeeper
and poet?

singing of birds

Bus driver
and poet?

observing life's roadways

Minister
and poet?

perhaps how he prays

Lawyer
and poet?

though about win or lose
her poetry just might amuse

Economist
and poet?

Aren't we all that?
though we wear different hats
distilling things downwards
saving on words

whoever you are
whatever you choose
listen, observe
welcome your Muse!

Madame LeCarvennec had asked the chauffeur to be at Manoir Tregont Mab by 7 PM, the start of civil twilight during the vernal equinox, which would give them plenty of time to get to Pointe du Raz by nightfall at 8:52 PM.

It would be bitterly cold and windy at Enez Sun, so Gaëlle put on her black Lululemon cold weather leggings, long sleeved top, fleece vest, black hooded Patagonia puff down jacket, and black military style UGG leather boots.

Madame LeCarvennec had her druidess clothes and things taken to the island this morning, so she could travel and fly unencumbered.

Gaëlle walked down the stairs, where Madame LeCarvennec was waiting for her. They kissed twice cheek to check in silence. Then Madame LeCarvennec gave her a quarter baguette, ham, and butter sandwich.

Gaëlle walked out into the drizzling cold and stepped into a black Evoque Range Rover. The chauffeur, a middle aged man, armed and former  1st Marine Infantry Paratrooper, gave her a quick glance in the rear view mirror and started to drive.

They drove  in silence up D783 to Quimper, then D784 east to Pointe du Raz. She looked at the windows at the ghostly landscape, houses passing by in a blur. The seriousness of the situation weighed on her, as she slipped deeper into her thoughts, watching the endless landscape of cornfields.

They pulled into the deserted Pointe du Raz gravel parking lot. The sound of muffled crunching rocks bring her back to the moment. The driver stopped. She got out, and gasped at the cold vicious wind. She closed the door, and the chauffeur drove off. She was alone, in the dark Finistère shoreline.  

She walked down the paved trail towards the Sémaphore de la Pointe du Raz, a modern lighthouse, equipped with the latest in high-tech lighting, electronics, and microwave communication equipment. Then pass the Notre Dame des Naufragés, Our Lady of the Shipwrecked statue, till she got to the edge of the jagged rocks jutting into the Atlantic.

Directly in front of her was La Vieille, a lighthouse built on a rock, to the north Phare de Tévennec, a lighthouse built on a big rock and said to be haunted, and to the northwest, the infamous lighthouse Ar Men, called the hell of hells by keepers.

Lighthouses were classified by keepers into three categories, according to the harsh working conditions: "Hell" for houses at sea, "Purgatory" for island houses,  and "Paradise" for houses on land.

5 miles out, she could barely make out Enez Sun. The island was dark. The residents had left. The island was deserted except for the nine priestesses. Gaelle jumped into the air, placing her hands to her side as she picked up speed and altitude. The wind was blowing hard, forming white caps on the waves below.

She saw the bonfire, outstretched her hands, lowered her legs, and started her descent, landing several meters away from the circle of priestesses. A priestess pointed to a sack with Gaelle’s clothes: a white heavy cotton dress, a thick green woolen cloak, and turnshoe soft leather shoes.    

The priestesses were standing, holding hands, around two standing stones called Les Causeur in a field south of Eglise Saint-Guénolé in the center of town. Gaelle watched as they chanted and swayed rhythmically as a group. She knew from her days as a priestess, she could not be part of the circle, as the individual priestesses gave their power to the circle and leader, the eldest of the priestess, to amplify and see into the future.  

The priestesses swayed, tilting their heads back, chanting, but the eldest, Kermorian, bowed her head, concentrating and focusing her Sight. Images would come into focus, and she could make out their meaning, front the context of the subject or their surroundings. It was up to her to piece together the visions and make sense of what she’d seen.

Kermorian dropped to her knees. Her head bowed low. The circle stilled and quieted. Kermorian spoke, “ I see her. She has returned to Paris. She seeks her mother, to bring her back. She had killed many girls and many more will die to resuscitate the mother. She is manipulating men, and one in particular, to unearth her mother. That is all that I can see this night.”    

Kermorian, fell back on her ***, exhausted from the vision. Her second attending to her. The priestesses broke their circle and gathered around the fire, breaking breads, cakes, and drinking wine.  Kermorian weakly got up and walked to the fire, sat down on a cut tree stump and stared into the bonfire.

Kermorian spoke, and the priestess quieted. “She is back. Our sisters in Čachtice had been watching her. It is clear why she is back. To resurrect her mother, whom the French archeologists from la Musée Carnavalet are excavating her coffin.”

Kermorian waved Gaelle to her. “You are the closest to the archeologist and the mother. He will lead you to the daughter. Only then will we know how to deal with her and how to stop her from resurrecting her mother. The mother is the one who decimated our people. She must not be allowed to return. When the archeologist removes the iron stake through her heart, and the daughter feeds her blood, the mother will resurrect and seek vengeance on our people.”

Gaelle knew of the horrors the vampires had wreaked on her people. The systematic slaughter most of the druids, priestesses, vaters, and bards, killing the leaders, dispersing the followers. She then killed the men, so no fields could be tilled, gamed hunted, or women and children protected. They died by the thousands, the luck ones were taken into slavery by the Romans.  

The Celts abandoned their cities, dispersed, and hid deep into the forest of Europe. Our people hid in forests around Rennes, Broceliande, Quimper, Carnac, and Armorique.  

The Celtic culture was slowly forgotten and replaced by Gallic, then Roman, and finally French.

A small group of priestesses and druids were able to **** and stop most of the vampires. The others fled Europe, going deep into the desolate and savage Ural mountains, where they stayed until now.

The Christians and their new ways dismissed vampires, fairies, and magik even though their Holy books spoke of Lilith and her sisters in the garden of Eden, succubi, and magik.

Gaelle had seen excavation, the coffin, and Gerard. She’d gotten close to him, ****** him, and made sure he'd not forget her.

The street named after the Spaniard who discovered the Pacific

The drive named after the Spaniard who conquered Mexico

The lane named after the Spaniard who blessed the Americas’ first Thanksgiving

Yielded enough rubber bands from newspapers

To twine a ball

Round enough

Bouncy enough

For a good game of stickball

Until the kid tasked

With finding rubber bands

From the circle named after the Spaniard who painted pictures

An oddball among all those adventurers

And a cluster of dwellings that didn’t subscribe

To rolls of paper

Hit it into the backyard with the dog on a chain

But fear kept us on a chain

As we stood over the rock wall

Looking for a manila spot

On unwatered St. Augustine

And spotting it

Disdaining it for

The angry barks

Bared teeth of the restrained beast

Letting it wait

For an archeologist centuries hence

(Maybe even a few decades from then)

To find it and marvel

“Even back then humans played games -- or so we assume --

With round objects.”

The pain is felt
As she, the preeminent archeologist knelt
Before the porch
And the holder of the torch

Of a land, once beautiful
Protected by the dutiful
Vibrant cultures which would fall with a thud
A price paid with disease and blood

From this would rise a new culture
The ancient morsels scavenged by this vulture
Manifest destiny was the rule of the land
Smothered and choked by a cold hand

Created by terror, torture and fears
Remaining in place for hundreds of years
A promise of liberty and justice, but not for all
The reason for this culture's eventual fall

This was not the story her digs appeared to tell
For liberty was the name of that cracked bell
Hymn's proclaiming the land of the free
And a constitution that begins with "We..."

As she gazed towards the sky
She could not fathom why
What on earth made this lady cry?

"Give me your tired, your poor"
Welcoming all upon her shore
This was the message upon her door

Gazing upon her once hopeful eyes
She soon began to realize
Perhaps, they were not all knowing and wise
And for too long believed their own lies

It was this realization
Of this ancient nation
Which helped her see
The tears shed by she
This lady...
Liberty

(C) Shawn White Eagle

.all of Dante: no feminism; surely woman was such a half-"breed" that she didn't deserve the partiarchal sustenance anomaly of a Dante... a: mutation... half-wit me: succor? no succor! surely a man these days, would rather read ****-****** poetry from the 20th century, and watch football... than be levelled to a "need" to fathom the courtship of woman... it's enough for me to read the Braille of a key and a keyhole: and... like... some miraculous enterprise of a door... i'm out: dodo project... all the man that i will ever be: is being the man i was not expected to be: one thing being a puppet in the hands of the gods: another to be a puppet being kicked and shoved by a fellow human mob; fin; yep... fancy a gambled spotting of a Dante on a roundabout of: on a whim, within a whim, and... whenever she puts on lipstick in an advert: i am not thinking about her thinking of the metaphor for: *******.

you know...
i once stop myself...

i'm reading some
homosexual poetry
from the 1950s

and then i...
"reflect":

what is woman
writing in
the 21st century...

??????

archeologist...
certainly not
an entymologist...

one word...
pre-
whatever ethnic
grouping i was
part of...

***'gy'el...
one word savior,
much more
than an "our father..."

oh i'm way, way past
brown, coco,
copper tanning,
way past the Bangladeshii:
100 shades of
  goo...

gold smitten...
and some of Cairo
hushed extra-
     extravagance
of the dimmed
sandy-
-hued locket of
             timid amber...

4 artifacts from
the 20th century
imprinted on my collectivised
aspect of a singling out
mind:
the holocaust
of the 1940s...
itallian **** from the 1970s...
music videos
from the 1980s...
t.v. reruns of cartoons
in the 1990s...
4th artifact... ****!
****!

what's the fourth 'un?

westerns:
with their scoop of:
any action, no action,
all action:
   panorama to boot...
a decade bias:
'60s...

             and with so many
takes on, "the trip",
i sometimes they didn't
drag god, the word, logos,
into their phantoms
upon the wake...
if only... they didn't desecrate
the shrines of
ingesting hallucinogenic
fungus,
by simultaneously
writing about them:

no go: zombie area...
   i too wish:
no x-ray was handy
in the variety of poem...
but:
******* desecrated
the sights...
like the machu picchu
of the soul...

what then:
at the end of a bottle?
another bottle!

       and prior to?
all of the worthy set
that constitutes
the making of life:
in the collective quest
of the repeated set
of mistakes.

- i tune in into
the speakeasies of
american psychologists
who:
a controversial
opinion is as much
degrading
as a shot of *****...

they could have tripped
all they wanted...
but have recorded:
nothing of their
experiences...

   and all would be:
just as well...
stiff & the stale Vatican:
holy men
for a worth of a leather
shoe... or a cotton shroud's
worth of a hood 'n'
fabric...

                as i sometimes...
have to stop...
no writing,
and interlude of reading...
and nothing but
a shelter in music...

rarely does the sound
of falling rain
compensate
music...

     i remember that the first
time i heard
       ola gjeilo i was in
transit, i cried,
because only the kind
of beauty never to be
attached in attaching itself
to the world, the organic,
will ever make me
cower into complete
shadow:
disowning a heart,
both in rhythm as
           in subject-matter...

now i know the word
to counter what
is being strained:
4000 b.c.

                to boot...
summary:

40s lamb for the slaughter...
70s italian ****,
80s music videos,
90s televised cartoons...
50s new york poetry...

         some jazz,
some painting,
   and then some of 21st century's
summary "criticism"...
         19th century architecture...

but of course...
  none of this even
suggests a chance to savour
  a contemplation
as recuperation...

         to me?
the poets of the 20th century...
should have never have
dragged
  the word into the phantasmagorical
world of the fungus "deity":
namely?
whatever word
is to be extracted from the dream
world is nothing but:

****, skyscraper,
*****, oyster, hat...
             screwdriver...

we have been abandoned
by dreams...

we have been kicked out
from our "2nd Eden",
the Eden of Dreams...
and, it's as if:
we... "don't know it"...

i can only see my persistent
inability to dream,
the anglo-saxon lie that:
we can elaborate on
sleep with: staggering
dream-architectures...

      no! we've been kicked out!
second strike!
i blame the beatnik poets:
because why would you
drag the word into
hallucinogenic experiences...
while desecrating
the altar of the unconscious?

to have been kicked out
of the Eden of Sleep...
is to face the reality
of standing before
the Narcissus of a mirror's
rejection of the 3D man...
an no 2D avatar waiting:
mind you...
   the atom, the... "man"...

i sleep, i don't dream,
all i see is the
gnawing worm:
                         εποχoν -
the bulwark
released from
being tied to an orbit
for our safety: on a leash:

gnarl - up!
and gnashing teeth
like a mythology
of a grinding into
    spit
from a crushing wheel;

however much i try...
i can't dissociate
the following:

fjør-

                             & -skå...

da!

             no anglo-saxon can
lie to me,
in saying:
  he's the architect of
the dream-world:
while mine:
    remains shackled
to ruin...

                     and sometimes:
baron music
shoves a sock soaked
in **** down my throat:
and i...

mingle fingers away from
flesh,
and entomb them
in the wind:
and lacerate myself
with a vision
of an x-ray's worth
of gaze.

Please tell me all your secrets,
I’ll listen so very intensely,
I know I could never beat this;
intrigue consumes me so immensely.
Tell me all your little stories
from your birth until today,
I swear there’s so much there for me,
not one is boring regardless of what you say.

I’m an aspiring archeologist
wishing to discover your bones
I’ll take detailed notes in a list,
from the gravel to the stones.
I’ll dig as deep as you permit,
carefully brushing away the dust,
gently admiring bit by bit,
proving I’m someone you can trust.

Please tell me all the thoughts in your head,
the ones before you sleep and while awake.
A novel that’s new each time I’ve read,
each detail I’ll comb and rake.
Speak every word that comes to mind,
I crave to step inside your brain,
I know there’s hidden corners for me to find,
and so much understanding left to gain.

I’m an aspiring architect
wishing to build you to the sky,
every support beam I’ll personally inspect,
protecting any damage low or high.
I’ll construct only to your designs
ensuring you’ll never break and never bust,
producing the math and drawing the lines,
to prove you’ll be the only thing to never rust.

Please tell me all your deepest fears
so I can prepare myself to stand toe to toe,
the ones that cause sleepless nights and tears,
those are my one and only foe.
Tell me about the world you see,
how it looks through your bright eyes,
so I can express it creatively,
and paint you the perfect skies.

I’m an aspiring starving artist
wishing to illustrate every aspect of you,
you can criticize and say I’m blinded by the mist,
but every poem and portrait will be true.
There’s no explaining this pure bliss,
but I’ll make up new words and colours if I must,
as you’re the only thing that I ever miss,
proving this is love not just lust.

She lays out her heart
On her sleeve  
Both sleeves
As the red
Carpet is rolled
Out for royalty
Whether for
Honor or dishonor
But always
For ceremony

It beats in polyrhythms
Under and on her
Many layered epidermis
Whose layers
Perhaps only a mystical
Archeologist could
Analyze
The complexity of an
Ancient undecipherable book
              
Created by years of damaging
Neural and spiritual
Pathways by absorbing
The essence of her
Personal peace pipe
Which is bereft of the
Essential factors found
In thousands of years of
Dream religion

She fancies herself
A new breed of
Shaman perhaps
A connection broken
At an unknown time
In her spirit
But felt strongly
And deeply as
Phantom pain
Evident in her
Crystal ball
And stargazing

A remnant of
A long lost tribe
A tapestry of
Religions
Trivialized
Pop cultural  
Spirituality
And superstition

Her motives
Misplaced and obscure
But definitely from
A healing source
But the channels are
Eroded and indefinable
Bastardized by

Extraneous channels
And alien sources
A trickle of water
In a dry river bed
All muddled into
This enigma and

Multicolored tapestry
Which is often
Misunderstood
And underestimated
Protected by the
Thick epidermis
And hard to follow
Cardiac polyrhythms
Revealed when her
Many layered tongue
Lashes out and cuts deep

Not intending to control
And manipulate
With leadership
Origins perhaps in the
Shaman or tribal leader
But definitely
Out of place and time
Since their true essence
Has been lost through
Her Westernized
Industrialized
And hyper-capitalized mind

And scattered to the four winds.

When I was traveling in the train,
With no strain on my brain,
Only peeping through the window,
To have a look of nature.

The flying birds, the grazing cows,
The race of trees in opposite direction,
The green green fields, the great mountains,
Lovely ponds and walking rivers.

The muddy huts and the children playing,
That was all that I could see,
My soul went somewhere else,
And I was thinking, what is life?

The gift of God, or the curse of devil,
Life is to enjoy or to suffer,
Many answers floated in my mind,
But the journey finished with answers incomplete.

Thereafter, I bombarded this question,
to each and every person I met.
A philosopher told, Life is sorrow,
A Scientist told, it’s an invention.

It’s a game answered the player.
No, it is a play, told the actor.
I went to a sage to get the answer,
Devotion is life, I was told.

Life is an ambition and dream,
Answered rich and cultured youth,
But the other youth not agreed,
Because he believes, it’s struggle.

Life is a chance, said the gambler,
No, its dance of happiness and pain,
Answered the classical dancer,
No, Life is Renovation, told the Archeologist.

Life is knowledge, said the teacher.
Life is thought, said the thinker.
“Life is a matter of self realization”,
It cannot be defined, defined the absent minded professor.

I met a roadside preacher,
That’s poor little creature,
Totally filled with confusion,
Said, ‘Life is an illusion’.

I asked this question to the driver,
Who picks me daily for the school?
He said, Life is like a bus,
Running on the roads of time.

So many answers, all were right,
But all were somewhat incomplete.
So it was difficult to compile,
And get the answer as a whole.

I keep on thinking all the time,
Deriving the answers as solving equations.
At last, I concluded as a whole,
That Life is Hope and Hope is Life.

History of people

The stone walls and vaulted ceiling held memories the light seemingly superficial human identities have
Passed in and out like the outward wind that briefly buffets the outer structure then moves on if only

We could use a tool like the archeologist not to deface or change but take scrapings their work tells the
Grand story of people and place I would like the more personnel their struggles and their outcome we

Can and do learn from history and in time be able to take DNA when the science is stronger to take  
From these living libraries through test tubes and meaningful searches that will connect people even

Closer than ancestry search sites this shows your long ago relative was a silver smith and how impressive
If the very searcher himself works in a similar field someday I’m sure they will have applications that

Will be virtual it will be made in the same village you can set in your easy chair and have the unfolding
Of how it felt the highs the lows the commutable variable of life’s most cherished meaning what is to

Exist to be such time and effort is expended in the thoughts of this will serve our posterity what a
Precious stream flows from solid rock just like life giving springs in ancient and modern day where life

Would have to be deferred but out of a pristine valley not only nature but human enterprise is giving the
Opportunity to devise many wonders traceable back through time we lose essentiality when we don’t

Build bridges to our rich past cares can over run us or as they say they can provide stepping stones it is
So easy to defeat someone who has lost the chain links that tells who he is and where he comes from

This erodes his knowing and sense of belonging take careful measures to shore up the present with the
Glories others fixed in the earth as guide posts that will not fail no matter what the storm is now go in

These sacred blessings that hold back fire and flood in them you will feel your stature enlarge nothing
Will be to big you already have been given the mastery of them it’s told in the stone

I see you,
In greater conversations
And small
Talks,
Lost in time,
But,
Weighted in a reality,
That the years
Exist,
Through small lines,
Near your eyes
Are histories,
That most miss,
I see you,
In stanzas of songs,
Reminding you
Of home,
Nights of sweat and smoke,
Paired with a hopeful abandon,
Of living forever
But praying for death
By
Their kiss,
I see you,
In prose and rhymes,
Of books upon books,
With eyes heavier than
The pride,
You wish you saw in your father's,
The legs sore,
Because you forgot what it's like
To not try to run,
I see you,
In the moments,
In the
In between,
The indescribable
Deep breath photographs
That make up the flashes
Of phone calls and razors edges
On linoleum,
With Fate's scissors
Being put back in the box,
I see you,
Through the hidden smiles,
That convey a sense of mystery,
Forcing my uncontrolled
Outbursts,
To see what other
Smirks and eye rolls
That even you are surprised
When they are uncovered,
Like the gaunt archeologist
I treasure them,
And put them on display
At my memories museum,
I see you,
In the days
You are away,
When shirts and the sounds
Of morning coffee contemplations
Are the only things
Keeping me sane,
I see you,
In future momentary messages,
And past years pudding proof,
That with all the moments,
Yet lived,
That
Will let me,
See you.

As I danced into a flowered sea
My spins consumed space and time
Each whirl sang "whoosh"
Dirt flung about new finds

An archeologist of selfish kinds
Fossilized in feat and pride
Each further from the truth
Perception left beside

I kept about, my eyes did lie
Everything began to melt
Deluded happiness formed in whole
Willingness was all I felt.

Sometimes,
in the Land of Dreams
I can see my own karma
a flicker
of flame
like those ashes that shoot up
from a summer bonfire.
Tiny lick of a second
Before it fades
I reach out to capture it
like a firefly in a jar,
But with a kiss of white heat
It is gone.

Sometimes
in another land
I am an archeologist
digging deep into the Earth
uncovering secrets
revealing artifacts.
Looking for the bones
of my past existence.
Searching for selves
I cannot remember
In order to  hold them
Up to the
Light.
Then after digging,
behold the curious sight:
Me, on the earth, on my knees
mouth open in amazement…
for instead of bones
I have found fire opals
slipping and sliding through my fingers
Cool and smooth
glowing in the night
their brilliant iridescence
lighting up my palms
like a dance of fireflies.

And then,
A most peculiar event;
A hot crimson glow
Emanates from inside, above
And below


Could it be?
Is this real?
I check once, then twice
Yes, my very bones
have turned into opals
Making me gleam from within
Sending out messages of light
Into the full dark
Of the deepening night
Trying to catch a signal
in the air
crackling along those roots
hardwired within .
Roots, like bones.
Growing deep into the earth
where precious stones reside
I am at a loss for words,
just feelings now
and have completely
forgotten my pride.

And  I stand there,
in contemplation,
all lit up from within
radiating light
unto every direction...
I think:
"This is the place to begin."

And all at once
in the blink of an eye
the opals pour from me
right out
And as those fine stones
slip from my bones
I know I have changed
both within
and without
the fire implanted inside
never to go out

My safe place
is not so safe
anymore.

Tinged with
wisps of passion,
second-hand smoke.
Forbidden memories
curl around
my heart.

The keyboard
looks up at me,
in pregnant
silence.

It knows.
It has the power
to unlock
earthly secrets.

It sits
like an archeologist
on a mission,
ready to unearth
old texts
private messages
never meant to be
seen by others

I stare at it.
My heart is there.
Those texts
and the white space
in between

I want my space back.
For it is mine, only mine
way before I let you
push in
My place
to dream
to dance
to let imagination
fly.
After all….
this is how
you arrived


So now, I summon
myself
And in one
simple act,
I take it back.
Just like that.

I release you
back into cyberspace,
from whence you came.
My lessons
have been learned.
I now say
No to pain.

Keyboard,
welcome back.
I crown you
Guardian of
my Safe Place.
My music,
my poetry.
Where imagination
runs wild,
My inner sanctum
of peace.
This has always been
and will always be
my landscape
of
release.

9/15/2016

the first confirmed case of cannibalism in the Jamestown colony has been identified as a 14 year old girl, possibly from a wealthy family

they found you with
lamb in your bones
and said you had a good diet

I am trying to think of
what kind of person you were
before they put a hatchet to your

skull, assembled you along with
skunk, peat moss, dog.
you were from a wealthy

family because of the
protein they found embedded in you
or maybe you were a servant

and ate well.
maybe this is why they got you–
the first two blows were shallow

and meek
the one that severed you into
cuts for meat

broke your tibia
like you would slaughter cattle
maybe, the archeologist said, if she had

someone to protect her
this wouldn't have happen
she didn't.

but then I read you were dead
before they even
started

I was left to wander this wasteland
of broken dreams
and uncover their shattered remains
hidden, embedded into the sand of time
lost in a golden desert, forgotten
I unearth them
like an archeologist digging up ancient bones
magical and weathered  
the fossils of dreams
are beautifully tragic
melancholy nostalgia

How can I call myself a Boricua when I
barely know the Spanish for earth and sky,    
have no roots in the soil of Moroves,
no sense of San Juan’s flavors,
the warm Atlantic blowing Arecibo  beach,    
Ponce dancing in the Caribbean’s laughter—  
all memories stolen from postcards hastily
bought at the airport along with a  
tin of Florecitas by my mother returning home.

Those little flowers exploded suns on my tongue
and created colors, formed postcard dreams  
of forts, conquistadors, Taino villages burning
in flames rather than submitting to Spain’s sway.
I craved to be an archeologist reverently
dusting off the bones of my ancestors.
I wanted to be an artist, like my uncle Bob,
splashing faceless heads among yellow flares
devoid of black, red, no tint of sad back story.
I settled for being a poet, a painter of words,
a discoverer of the history of hopes.

There is a memory of the Rambler hitting a cow
on the dirt mountain road leading to Moroves.
The bovine sliding down the embankment,
nonchalantly getting up and going his way.
The Rambler’s front end forever stuck with the
impression of an angry bull welded in the grill.
Another of a drive to a carnival, sitting
in the cab of another station wagon,
stargazing the white half moons rising
from under the red halter of my cousin Anna.
A final one of my grandmother praying
the rosary while I stumbled to the outhouse,
spending the night on the swing under the porch
because I didn’t want to break her silence.

Cows, moons, prayers are my Boricua heritage.
I can’t translate the decimas of a jibaro song,
nor dance a merengue, a bomba,  plena.
I have no desire to eat sugarcane from the  stalk,
nor split the soursop for it sweetness.
I am lost in the winds every Boricua knows.
My memories are blown away in the hurricane.
I seek the solace of the first flight out
after the storm, sad knowing  that
I was not born, like every Boricua,  
from the roots up, to study the light of stars.

In the dark, I see you.

I see your room, dim and weird. Unusual artifacts from an unusual archeologist, digging through the sediment of life, littering shelves.

I see your face, framed by loose hairs from a lazy bun, all over a poorly fitting hoodie.

I see your hands, more aged than I remember, with your various rings, punctuating the oddities of your personality, acquired over a life strangely lived.

I see your tattoos, a reflection of choices and things believed at one point or another. People who influenced, and ideas that crept into prominence. I don't like tattoos, but they are like stained glass windows, and I can see their beauty, as you shine through them.

I see your car, on a mountain road. I can hear you loudly proclaim, expressions of grief, and through them, expressions of relief. A venting process, an opportunity to raise your voice and yell! To shake a stick at God, not knowing if he sees you, but knowing that I do.

I can see the three days we spent together lined up in a row, like photographs in a reel. A moment at the University, holding my hand, and my ever so subtle embarrassment at the notion. A prolonged eye contact over coffee that's not that great, but servicable as a context for deep conversation. A long phone call, after a short text, after a long time, from a short lived love.

I can see your eyes, looking back at me, wondering what I see in you. In their reflection, I think the same. I can see the shape, and the eye-shadow, applied meticulously or perhaps lazily, I'm not sure.

I can smell the lotion you use, I guess it's the same you've always used. It takes me back to hiking short hikes in non hiking county, sitting over an ugly creek on an old rusted pipe. Yet in those moments the world could not have been any more beautiful.

I can feel your hair in my hands, a soothing motion, attempting to smooth the notion, the conversation, that was ugly and disgraceful, but necessary.

I know in my heart , what you mean to me. I know that I love you, and feel no shame at saying as much.

Around you, I am free. My soul bared, I melt on to you, and carbonize, like sugar burning in a pan. How stuck I have become.

"Let a pan sit in warm water with some dish soap, before using the rough side of a sponge to remove stubborn food and stains."

Some cleaning advice from me to you.

In the dark, I see you. You glitter like the stars. In the distance, you dance in perfect harmony.

But like every astronomer, I too must accept, no matter how much I love the stars, I cannot go to them.

I watch, through my telescope of memory, where only in the dark, can I see you

I'd like to be buried in sand
so when an archeologist, an excavationist, or a child
walks into the sandbox,
they might believe my body is a hidden treasure,
and for once,
I would be remembered.