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"appended" poems
a HOME credible THE BISHOP accusation ADMINISTRATION is PARISHES one MINISTRIES that, SCHOOLS after RESOURCES review SAFE ENVIRONMENT of EMPLOYEES reasonably CAREERS available, CONTACT US relevant MAKE A GIFT information BISHOP’S FAITH APPEAL in LOVE AND JUSTICE consultation AFRICAN AMERICAN MINISTRY with CATHOLIC CHARITIES the PLANNED GIVING Diocesan CHANCELLOR Review OFFICE OF CONSTRUCTION Board HISPANIC MINISTRY or CAMPUS MINISTRY other CRIMINAL JUSTICE MINISTRY professionals, STEWARDSHIP AND COMMUNICATIONS there YOUTH MINISTRY is FINANCIAL SERVICES reason MODERATOR OF THE CURIA to MAKE A GIFT TO THE CAPITAL CAMPAIGN believe SOCIAL MEDIA POLICY is FAMILY LIFE MINISTRY true VOCATIONS The soup today is not what it could be; We’d better search out the old recipe Explanatory Note: I fear the poem as written fails, which is my fault (perhaps I have lapsed into fuzziness from reading Leonard Cohen), so here is a bit of exposition: The words in small print are a quote from the Bishops of Texas (long may they wave), generated by some in-house scrivener, about what constitutes a "credible accusation."  "Credible accusation" is not a title in civil, criminal, or canon law, and it appears to be some sort of Article 58 (cf. Solzhenitsyn's The Gulag Archipelago), a means whereby anyone is guilty because he has been accused.  It stinks. Also stinky is the behavior of some few priests and religious. Anyway, I pulled the quote from a diocesan web site, and scattered among it in LARGE TYPE categories from that site.  I stirred 'em all up in a soup because the matter of paedophilia and the bishops' responses seem to be a soup, making it difficult for a "good simpleton" (cf A Canticle for Leibowitz) like me to understand. May God have mercy on us all.
0
Feb 4, 2019
Feb 4, 2019 at 4:20 PM UTC
Our Catholic Soup Kitchen (Explanatory Note Appended)
a HOME credible THE BISHOP accusation ADMINISTRATION is PARISHES one MINISTRIES that, SCHOOLS after RESOURCES review SAFE ENVIRONMENT of EMPLOYEES reasonably CAREERS available, CONTACT US relevant MAKE A GIFT information BISHOP’S FAITH APPEAL in LOVE AND JUSTICE consultation AFRICAN AMERICAN MINISTRY with CATHOLIC CHARITIES the PLANNED GIVING Diocesan CHANCELLOR Review OFFICE OF CONSTRUCTION Board HISPANIC MINISTRY or CAMPUS MINISTRY other CRIMINAL JUSTICE MINISTRY professionals, STEWARDSHIP AND COMMUNICATIONS there YOUTH MINISTRY is FINANCIAL SERVICES reason MODERATOR OF THE CURIA to MAKE A GIFT TO THE CAPITAL CAMPAIGN believe SOCIAL MEDIA POLICY is FAMILY LIFE MINISTRY true VOCATIONS The soup today is not what it could be; We’d better search out the old recipe Explanatory Note: I fear the poem as written fails, which is my fault (perhaps I have lapsed into fuzziness from reading Leonard Cohen), so here is a bit of exposition: The words in small print are a quote from the Bishops of Texas (long may they wave), generated by some in-house scrivener, about what constitutes a "credible accusation."  "Credible accusation" is not a title in civil, criminal, or canon law, and it appears to be some sort of Article 58 (cf. Solzhenitsyn's The Gulag Archipelago), a means whereby anyone is guilty because he has been accused.  It stinks. Also stinky is the behavior of some few priests and religious. Anyway, I pulled the quote from a diocesan web site, and scattered among it in LARGE TYPE categories from that site.  I stirred 'em all up in a soup because the matter of paedophilia and the bishops' responses seem to be a soup, making it difficult for a "good simpleton" (cf A Canticle for Leibowitz) like me to understand. May God have mercy on us all.
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9
dear bill, so sweet of you to leave behind a paper jot for me to find for ev’ry breakfast lunch and tea gone missing since you married me; - however - such wilfulness I do condemn each crust and crumb, each stone and stem, each potluck plum purloined at night to satisfy your appetite; this doctor’s wife has had her fill of poetry and bitter pills, and crumpled drafts in juicy scrawl appended to the icebox door; your words do not a meal make how many more must I forsake - meals, that is - before your page is fit for press and I can sup on more…not less love, floss ps dinner’s in the oven, probably
0
Mar 16, 2022
Mar 16, 2022 at 6:09 PM UTC
this is just to say: a response
pick your master under the cover of snow bends of darkness hemmed to the tops of conifers Soon I will visit to move you. Three appended signatures, Three thousand miles of telephone wire. This is the one letter I cannot send for there is no address for where you are, The one I wish to call upon has no receiver to respond. And now all my teeth begin to fall out Like excess light bleeding from your moons. I know the sound of Glass when I hear it. You have made weapons out of my junk and Then gone to war without me, I see you Against the whistling stars and overseers, Anxiety makes this heart grow fungus These fingertips weary, and I pull out my eyelashes As if trying to see you better through this impenetrable black nightness I lead myself into, until all that were corners and crests become the precipice. Insecurity turns to rooks, hatred turns to Jays Until the weeping have wept and I visit to stay.
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Dec 26, 2015
Dec 26, 2015 at 4:32 PM UTC
Oath of the Horatii
Sky Afire It started as a tendril snaked And quickly caught my eye That beckoned me to come partake The bright majestic sky From turquoise into indigo And all the shades between With molten lava spreading slow As far as could be seen With orange and corals juxtaposed Against the deeper blues And silhouetted trees in pose Amid the great bamboos The clouds were piled in tumbling flow And darkened as they fell To charcoal black, blood red aglow At meeting with the swell And as the skyflow met the sea And seemed to melt within The sea took on its vibrancy And flow began again And as the skyflood reached its peak Engulfing and aflame It seemed directly to retreat As quickly as it came The ashen grey began above And slowly spread below Till all was left in pumice drifts Within its final glow And now the show has ended With the sky once more a sky And the clouds and sea appended For a witness such as I 3 Oct 2000
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Jun 18, 2015
Jun 18, 2015 at 4:06 PM UTC
Sky Afire
Considering me a talented, aspiring shill My muse loaned me a feathery quill Brokering her wisdom, leasing her skill With embroidered frills each barb with beauty did distill Lithographer's vision, a graceful dividend to reveal  Depreciating vane my artistic license to  bill Hollow shaft gilded so her availing light could the vacuum fill Inky reservoir with inspiration did instill A deep well with literary devices did rill Ideas streaming from strained cavity to the mind's tip with zeal   Burnished hues, sharp tones aesthetic notions to congeal A precision valve appended vagaries to swill An automated inkblot defibrillating patterns to spill
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Sep 15, 2011
Sep 15, 2011 at 11:28 AM UTC
Bartered Quill
Appended streams exhume the dreams that surface in conscious guide, As photon beams augment the seams transmitters must abide. The quantum strings of knotted ties, Entangling's of worlds collide, A vortex of spiraled rings, In scattered sets convergent glide, The convex spacial vacuuming's, synaptic points electrified, A hex, insatiable, stochastically adjoins frequencies over-amplified, as complex oracle valuations weight choices to decide.
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Jan 31, 2019
Jan 31, 2019 at 7:19 AM UTC
Thought-Poetry
Considering me a talented, aspiring shill My muse loaned me a feathery quill Brokering her wisdom, leasing her skill With embroidered frills each barb with beauty did distill Lithographer's vision, a graceful dividend to reveal  Depreciating vane my artistic license to  bill Hollow shaft gilded so her availing light can the vacuum fill Inky reservoir with inspiration did instill A deep well with literary devices did rill Ideas streaming from strained cavity to the mind's tip with zeal   Burnished hues, sharp tones aesthetic notions to congeal A precision valve appended vagaries to swill An automated inkblot defibrillating patterns to spill
0
Aug 9, 2011
Aug 9, 2011 at 5:20 PM UTC
Bartered Quill
The first attempt ended in nothingness. Ribbons flowed from the belly of mother hollow, and though they grasped at their own absence, their fingers broke like brittle leaves, returning to the mother’s flesh. This was the birth of change. The second attempt ended in madness. Shadows rose out of the nothingness in waves and cascaded into pools of being, but when being opened its eyes and saw its image, it let out a threshing scream. This was the birth of separation. The third attempt ended in lack. Fire poured from the cosmic maw and baked earth to blood; flesh gorged on itself, and pale figures gripped the edges of rivers, gaping at one another, unable to speak. This was the birth of despair. The last attempt ended in man; and nothing birthed after it. Appended File Source states the archaeologist was investigating the Mariana Trench. Strangely, he began displaying symptoms of decompression sickness on the descent. His state worsened, but, due to his insistence, the pilot continued the mission. The archaeologist began recounting, in “muddled and broken speech”, accounts of his wife and children. In interviews conducted after the incident, colleagues claim to have never met any persons matching such descriptions. Soon after, the archaeologist collapsed. The pilot recounts, in a shaken tone, “By all means he was out. Like—I called to him, you know.” When asked why he did not administer first aid, the pilot replied “I couldn’t st—he was out cold, I ******* swear. I didn’t notice it at first, moving my hand over his face, you know—staring into space. I grabbed the kit, turned back, and that’s when it hit me. His eyes weren’t glazed, they were fixed on me. Tracking me. Like—those weren’t his eyes, anymore.” When asked to expand on this, the pilot broke down and had to be escorted from the room. The archaeologist has yet to awaken from his coma. It should be noted his eyes are closed. — 37, Male. Cairo, Egypt.
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May 22, 2016
May 22, 2016 at 8:36 PM UTC
Non-Entity 000
The first attempt ended in nothingness. Ribbons flowed from the belly of mother hollow, and though they grasped at their own absence, their fingers broke like brittle leaves, returning to the mother’s flesh. This was the birth of change. The second attempt ended in madness. Shadows rose out of the nothingness in waves and cascaded into pools of being, but when being opened its eyes and saw its image, it let out a threshing scream. This was the birth of separation. The third attempt ended in lack. Fire poured from the cosmic maw and baked earth to blood; flesh gorged on itself, and pale figures gripped the edges of rivers, gaping at one another, unable to speak. This was the birth of despair. The last attempt ended in man; and nothing birthed after it. Appended File Source states the archaeologist was investigating the Mariana Trench. Strangely, he began displaying symptoms of decompression sickness on the descent. His state worsened, but, due to his insistence, the pilot continued the mission. The archaeologist began recounting, in “muddled and broken speech”, accounts of his wife and children. In interviews conducted after the incident, colleagues claim to have never met any persons matching such descriptions. Soon after, the archaeologist collapsed. The pilot recounts, in a shaken tone, “By all means he was out. Like—I called to him, you know.” When asked why he did not administer first aid, the pilot replied “I couldn’t st—he was out cold, I ******* swear. I didn’t notice it at first, moving my hand over his face, you know—staring into space. I grabbed the kit, turned back, and that’s when it hit me. His eyes weren’t glazed, they were fixed on me. Tracking me. Like—those weren’t his eyes, anymore.” When asked to expand on this, the pilot broke down and had to be escorted from the room. The archaeologist has yet to awaken from his coma. It should be noted his eyes are closed. — 37, Male. Cairo, Egypt.
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10
I see the cover of the book of you my friend with its catchy graphics and beckoning fonts and title, but how could I truly know the pages of the stories that speak inside? If the unique and essential you were bound into a book, I might scan the index, or watch a Talk Show interview. I could pull a bio off the shelf, and trace the paths from who you were to who you might become sipping tea in my bentwood rocker and who knows, you might do the same for me. My curiosity is keen my friend, because our chapters are interwoven. The air we breathe and our chosen paths have sewn our lives together. The common ground we walk is crisscrossed by our footprints. If I blink for just an instant I notice that new pages have been appended to your book. Even the cover has changed and so it is with mine. So I own without regret or sorrow that I can never know the book of you (or me) whose infinite shelves of once-told stories await some distant final chapter. September, 2013
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Sep 21, 2013
Sep 21, 2013 at 4:45 PM UTC
Rare First Editions
When your Name was appended to mine, My parents said- “It’s for your security.” Blinded by my Veil; I couldn’t see- It was a false promise. In your embrace, I wanted to thrive, to flourish, to live. But I was pushed aside- A bud that died, Not blossoming Into a flower. When I asked for Freedom, you gave me Abandonment. When I asked for a Voice to express myself- you gave me Screams of Anguish. When I asked to be Loved; you gave me Pain. I lie here now, A discarded rag Without an identity. Keeping me company are the scars on my arms- Scars- a gift of your undying love for me? - Vijayalakshmi Harish Copyright © Vijayalakshmi Harish
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Aug 14, 2012
Aug 14, 2012 at 5:43 AM UTC
Scars
soapbox man has measured the moments in the the small wood floor room she dose a wet step soft shoe little hip swing dance to music only she and god can hear and to her soapbox man is god as she slides slowly thru the dense air of his self contained contentions in the the small wood floor room its freedom to her soapbox man has come and she is here to get her fix of his brand of guns to subjugate the dead and iron fist rusting in a vacant lot brand of rule its freedom to her echoes down the bridge road between realitys a woman laughing in slow motion the tread of boots on marble oddly distorted pieces of conversation that are appended to soapbox heroes who preach that those not with us are against us and should be punished for their cruel foolishness this is not heaven its a place that wears the face of grace on earth it wears the mask of memories warm and kind its peace and freedom to her its a lie this is the nature of the human beast what reality we dream is pleasing no matter how toxic in the the small wood floor room she dose a wet step soft shoe little hip swing dance to music only she and god can hear and as time passes and it eats from within she falls to the floor and crumbles to dust a fragment of humanity on a pergo floor and its freedom to her
0
Aug 11, 2013
Aug 11, 2013 at 3:01 AM UTC
high horse
Upon an island fair and green Where not a face of white was seen There lived a tribe of Chami-Tu Whose numbers counted only few Idyllic life of love and peace But all of this was soon to cease. Upon the Raven out at sea An English Captain name of Mee Appended telescope to eye And watched as nothing drifted by Till suddenly it came in view The Island of the Chami-Tu. So Captain Mee he gave a cry Avast the craft there’s land ahoy About the Raven swung her helm Another one to join the realm Swift and sharp it cut through waves Intent to capture many slaves. The Chami-Tu still unaware So therefore failing to prepare For never had they ever seen The fighting forces of the Queen Without a fight they all were found Their hands and feet were tightly bound. They never before had seen a white Imagine do, their fear and fright To Captain Mee this was routine His crew were hard men, cruel and mean They whipped each one the Chami-Tu Just for the want of things to do. And then they stowed them in the hold Where all was damp and dark and cold For many weeks they sailed the sea Just for the love of Captain Mee Who took them to a foreign shore To join the likes of many more And work in fields of sugar cane Where all were treated with disdain. Language changed they would not speak Were brought a God they did not seek Their world was different from ours But we had Gods in Ivory Towers. What was their crime? They never knew They’d lived in peace the Chami-Tu Upon their Island in the sea Where none had heard of Captain Mee And none had ever heard of hate No human being deserved their fate.
0
Dec 19, 2009
Dec 19, 2009 at 9:26 AM UTC
THE CHAMI-TU
Upon an island fair and green Where not a face of white was seen There lived a tribe of Chami-Tu Whose numbers counted only few Idyllic life of love and peace But all of this was soon to cease. Upon the Raven out at sea An English Captain name of Mee Appended telescope to eye And watched as nothing drifted by Till suddenly it came in view The Island of the Chami-Tu. So Captain Mee he gave a cry Avast the craft there’s land ahoy About the Raven swung her helm Another one to join the realm Swift and sharp it cut through waves Intent to capture many slaves. The Chami-Tu still unaware So therefore failing to prepare For never had they ever seen The fighting forces of the Queen Without a fight they all were found Their hands and feet were tightly bound. They never before had seen a white Imagine do, their fear and fright To Captain Mee this was routine His crew were hard men, cruel and mean They whipped each one the Chami-Tu Just for the want of things to do. And then they stowed them in the hold Where all was damp and dark and cold For many weeks they sailed the sea Just for the love of Captain Mee Who took them to a foreign shore To join the likes of many more And work in fields of sugar cane Where all were treated with disdain. Language changed they would not speak Were brought a God they did not seek Their world was different from ours But we had Gods in Ivory Towers. What was their crime? They never knew They’d lived in peace the Chami-Tu Upon their Island in the sea Where none had heard of Captain Mee And none had ever heard of hate No human being deserved their fate.
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48
soapbox man has measured the moments in the the small wood floor room she dose a wet step soft shoe little hip swing dance to music only she and god can hear and to her soapbox man is god as she slides slowly thru the dense air of his self contained contentions in the the small wood floor room its freedom to her soapbox man has come and she is here to get her fix of his brand of guns to subjugate the dead and iron fist rusting in a vacant lot brand of rule its freedom to her echoes down the bridge road between realitys a woman laughing in slow motion the tread of boots on marble oddly distorted pieces of conversation that are appended to soapbox heroes who preach that those not with us are against us and should be punished for their cruel foolishness this is not heaven its a place that wears the face of grace on earth it wears the mask of memories warm and kind its peace and freedom to her its a lie this is the nature of the human beast what reality we dream is pleasing no matter how toxic in the the small wood floor room she dose a wet step soft shoe little hip swing dance to music only she and god can hear and as time passes and it eats from within she falls to the floor and crumbles to dust a fragment of humanity on a pergo floor and its freedom to her
0
Aug 10, 2013
Aug 10, 2013 at 1:41 AM UTC
soapbox man
When you look, what is it that you see? I don't think you see what I do, yet you might try and tell me that it is so, but the way you read the signs is so blind to the splendor, the extravagance of what is there. I find no evidence you see what I see. Soon my luminous world grows dark as the shadows of yours seek to ground what should be in flight, make cynical of all potential light. Why must the world be cast into black and white when there is so much color? You think it safe to bind yourself within the safety of your rules, afraid to venture out, step outside the here and now, outside this room, this building, this city, this country. Within this world erase the boundaries, erase the lines, and realize what lives sure enough dies. That's what makes it so beautiful, aporia In attoraxic duress, we are merely consciousness, outside the blood and the flesh, outside the vessel. For the universe needed something, so now, I observe it, someone had to take notice. Thus, it was given to us to take it and shape it, make it the wonderful place in which we think we can only imagine. Imagine how if we tried to see the potential, the possibilities, released the hate, the anger, the cynicism. We limit ourselves but I don't want to feel the constraints anymore, I'm ready to be, I'm ready to exist, to flourish, to find beauty in simplicity, to imagine, to create, to wonder, to let go of the urge to know and to embrace the infinite possibilities.
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May 22, 2018
May 22, 2018 at 3:27 PM UTC
Appended Streams
the face of yours the life appended a little sign is like a cinema you touched on my forehead a cold soda between the two acts the lyric voice of the gong ringing hourly the falling shadows of the buckthorn trees a sky broken on a day of wind form my frames of the sparrows left from the summer the face of yours the life appended a little sign is the alley of a district where the time is stopped it is the ant, belonging to there, we meet while touching the pebbles with our toes who knows when, where, instantly we had smelt a rain they dropped inside us the face of yours the life appended a little sign is the riverside, when I propped my mouth the crotch wet I steal, form the times when there are no male something which is garnet, a volcano on the booms of which daisy, lily and some lime are piled like cevdet anday says “mountings are aside, we are aside” Koray Feyiz (Translated from Turkish by Koray Feyiz)
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Oct 18, 2016
Oct 18, 2016 at 5:51 PM UTC
side to side
We pretend to apprehend Appended prosthetic desire When in truth we don't Deign to even comprehend What persuasion may conspire Arrested reasonings contend So whatever the difference may be You are the subtrahend to my minuend
0
Apr 9, 2015
Apr 9, 2015 at 4:16 AM UTC
whatever the difference may be
Kaleidoscopic Whorled Wide Web. Against light source well crafted tubular structure appended with eyepiece gazing offers viewer eye-opening, mind boggling instantaneously birthing then vanishing resplendent myriad colorful geometric awesome shifting shapes hypnotizing sight seer into a whirling ****** where multifaceted fractals display pin-wheeling arithmetically perfect triangulate squarely with proportionate arcs astounding with blind faith on microscopic scale analogous to cosmic big bang spell-binding mankind from time immemorial when her/his gaze turned heavenward peering into the azure vault – one macrocosmic hint per the origin from when on-looking proto-humans ruminated inscrutably enamored at the spectacular eminence grise forever holding mystery of universe evolution in shrouded secret continually mystifying one generation after another until twenty first century astro-physicists begin unravel evolutionary tale writ small on planet earth yet storied tome pried open from scientific revolutions enabling birth of cosmos honed with more fine tuned precision to zero in on precise second whence explosion filled void with nebulous material coalescing into rudimentary galactic masses generating vast surfeit of globular structures evincing conically swirling millennially futuristic clear cut entities upon which one – namely gaia finds this sole member **** sapiens reveling in his makeshift primitive contrivance teasing ocular sense with visual ******* begetting thought provoking questions into this eternal wonderment that perchance some intelligent deity willfully rotates planet like some plaything synonymous with mere mortal peering into magic of kaleidoscope!
0
Apr 18, 2018
Apr 18, 2018 at 2:29 PM UTC
Kaleidoscopic Whorled Wide Web.
Kaleidoscopic Whorled Wide Web. Against light source well crafted tubular structure appended with eyepiece gazing offers viewer eye-opening, mind boggling instantaneously birthing then vanishing resplendent myriad colorful geometric awesome shifting shapes hypnotizing sight seer into a whirling ****** where multifaceted fractals display pin-wheeling arithmetically perfect triangulate squarely with proportionate arcs astounding with blind faith on microscopic scale analogous to cosmic big bang spell-binding mankind from time immemorial when her/his gaze turned heavenward peering into the azure vault – one macrocosmic hint per the origin from when on-looking proto-humans ruminated inscrutably enamored at the spectacular eminence grise forever holding mystery of universe evolution in shrouded secret continually mystifying one generation after another until twenty first century astro-physicists begin unravel evolutionary tale writ small on planet earth yet storied tome pried open from scientific revolutions enabling birth of cosmos honed with more fine tuned precision to zero in on precise second whence explosion filled void with nebulous material coalescing into rudimentary galactic masses generating vast surfeit of globular structures evincing conically swirling millennially futuristic clear cut entities upon which one – namely gaia finds this sole member **** sapiens reveling in his makeshift primitive contrivance teasing ocular sense with visual ******* begetting thought provoking questions into this eternal wonderment that perchance some intelligent deity willfully rotates planet like some plaything synonymous with mere mortal peering into magic of kaleidoscope!
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44
हर्फ़-ए-लिबास पिरोये, एक ख़्वाहिश-ए-ख़िताब लिखूँ... रूह-ए-स्याह बिखरे जो, तो तुम्हे नूर-ए-आफ़ताब लिखूँ... #thought
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May 23, 2024
May 23, 2024 at 3:27 PM UTC
Appended...,