"Well...,"
              she said, unwell.
"Well... surely...,"
              she continued, unwell, unsure.
"Listen," he said.
              But nothing.
              Just some rain tapping a window out of boredom.

"You know what makes every story pretty?" he asked.

"What?"

"Unpredictability. One day, I don't even know how your hands feel; the next, they are all I ever want to hold."

"You know what makes unpredictability pretty?"

"What?" he asked.

*"That your every syncopated heartbeat is my love story."

Each curl of conversation
stills my tongue, half-sentences
stranded in the mire
of biting reason

words silently form
protests, defenses
reasons and intentions

worthless to ears already fed
with the insistent conundrum
accompanying every attempt
at reconciliation.

The dark corridor did nothing
But intensify her gaze

I could tell my eyes were so transparent,
She could see through me

With her glass eyes

Sometimes I talk to you the best when you're nowhere around. Like there are things I can't address with an audible sound or an eloquent progression of adjectives and nouns when I feel the weight of eyes running across my face.
It's just the space in which I reside, communication commits suicide and I'll slide out something sly or a bad joke and try my best to let it go, because I know you don't hold it against me.
It's not that you make me nervous, I just render myself wordless. My vocal chords are worthless when the sensations are so heavy. Concepts seem obscure and on the tip of my tongue, but too scared to take the plunge. They turn back and run and my silence seems dumb, distant or despondent.
Sometimes I have too much to say, so I'll stutter to articulate a notion that would take me all day to actually feel like what I wanted to convey was done justice, or worse, I'll reflectively reiterate and ramble redundancies, rearranging rhetorical rumblings, remorsefully reaching to recite a redeeming rendering, like an OCD patient switching her light on and off endlessly because it didn't "feel" the way it should have in her mind the first time, the tenth time, the hundredth...
Though when I'm alone, it's a completely different scenario. Someday I hope you hear me speaking through the speakers of your stereo, and my words will flow and show concise precision of a vision with intention and you'll know, I sat there for hours to bring you that message.
I'm either speechless or I bleed an abstract sequence, the in-between is when I sing to apparitions or rewrite things I've written just to interpret my own cognition. There are no translators or subtitles for my kind, whose vanquished language is transmuted into music, tunes, or incoherently scribbled lines. Though I guess I should confess, sometimes I feel like you decode me nonetheless. I'm blessed to have a friend that knows the truth about my essence, beyond flesh, beyond silence, beyond expression. It's not like my thoughts are oh-so-profound or some ground-shaking revelation too complex to pronounce. But it's something about myself that I've found. I speak to people best when they're nowhere around.

The curves that could **** a man
Aren't at her hips
But dance around her lips
As words that serve neither to stroke nor strangle the silence that tangles inside your grip, but sings and breathes beneath wings of wit from
Those casually crafted curves
Weaving a wind into a wave
Never tumbleweeding out
But either darting
Or floating
To and through you
As an inner voice would
Had you not muffled it with music
And reduced it to one or two loose lipped quips and semantic antics
Curves, warm with form and with friction
Neither liquid or gas in state
With no mass but with weight
They're past but don't pass away
They lay aloft, lingering in the light they were given unto
Or, did they bring the light to you?
Oh yes.
Sultry sounds of synchronizing synapses
Seep and slide deep inside, into the spaces
That two souls so similar, long have sat
Seemingly separate from the infinite vastness
Telepathic, though she doesn't act it.
Hourglass figure, go figure
The hourglass smashes
Or remains undetected, in those seconds
The curves that could **** a man
Form the words that could resurrect him.

You told me when we talk its a risky conversation.
So I imagine
We had embers for mouths
And
We conversed with smoke signals.
Unable to control our spits
The  bomb ignited
In which neither of us meant to have lit the fuse.

The girl with the book, sitting alone at the bar
Sipping her 16oz glass, head in her pages

A quiet moment, surrounded by strangers
To be alone in your head, but programmed to be present in the normality of reality

To write in a public space but to avoid conversation
But welcome it, when it presents itself

To live without a penalty of, if, things don’t go your way,
Or to have the lines and be able to overthrow them

To meet new friends and be introduced to others

And to find out that we all need a quiet moment
In the middle of strangers

After our conversation
I was left unsettled, like the pages of my life and been torn out
I left the celebration
As the sky lit up like gold, walking home my usual route

I know the party lasted until late afternoon
and when you are drunk you don't notice much
Empty bottles among colourful, frail balloons
and my glass of wine in the corner untouched

After our conversation
I was left uneasy, like I'd been walking in circles on a straight road
I left the celebration
As the sun woke the city, walking home to the music's echo

I know the party lasted until late afternoon
and when you are drunk you talk too much
Empty words strung in a truthful, painful tune
and my glass of wine in the corner untouched

After our conversation
I was left confused, like I'd forgotten every face and every day
I left the celebration
With a heart that was bruised, and I could hear the sirens not too far away