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era Oct 2015
"ctrl a then backspace"

that's all I do
whenever I wanted to talk to you
sanch kay Oct 2015
i like it when
your name and my name
meet in the unlikeliest of places;
falling off someone's lips like twin dew drops
in a stray conversation, or appearing
together as partners in crime
when our vices are the
topic of conversation.
Nilesh Mondal Sep 2015
Our goddess lives under a banyan tree
Deep in the forest. She paints
And sings songs, to put herself to sleep.

2. Royina, your dad paints too.

Tuesday evening, he paints skies
And at the dinner table, you wonder
Why he has blue on his throat.

Wednesday, he paints the sun.
His fingers are red with the flames
He doesn't read letters addressed to him
Because he's afraid
Of burning them black.

Friday, he doesn't paint.
Just sits by the lake, on a secluded bench.
Feeding pigeons. And hearing them coo.

3. Royina, remember the boy who held you
Last time you allowed yourself
To be kissed?

He played a guitar, you told me.
And he had long thin fingers, which fluttered,
From string to string.

He wrote you a letter when you left.
And you folded it eight times. Then put it
In your pocket. Tell me, Royina
Did you put it in your heart too?

4. What is it with creative people, Royina?

The writers and the guitarist and the painters.
Do they look at you like you are the magic you are?  
Do they tell you, no, you're not
Who you think you are.
There are so many shades under your skin
Let me peel off your inhibitions, and I'll show you.

5. Royina, their letters never reach you.

And they wonder why, homes are still called
Addresses.
hannah lace Sep 2015
I failed to mention my frustration
when I told you "no" without hesitation,
but you pulled me in with determination,
and left my body full of devastation.
I laugh when you're brought up in conversation.
The truth is that I'm avoiding confrontation.
the reason for my pregnancy
Monicah Kiptoo Sep 2015
So we fall into conversations over cups and tables.Because it is what people do sometimes.Because we might get an insight inside the other world.The other's world.

So we take walks and stretches,just a mile isn't enough. Because we desire to.Because it's a new experience .Always ready to explore.

So we touch and let touch,it's the feel of it.Because it's a level of human connection. Because there's a certain feel good about it all.Pleasures of all time.

So we live and let live ,some matra we picked.Because we've seen and done much.Because we are yet to see and do some more.All stuff good and hell-ish.

So we are that kind of flame,fast but steady.Because the world runs at our pace.Because the world is ours.It's all beautiful really.
For mganga
mk Aug 2015
when we talk
you always ask
"how are you?"
before you ask me
"what's up?"
& to me,
**that makes all the difference
// all of the stars, you make them shine like they were ours //
mk Aug 2015
7w
"what's wrong with me?"
                 *
"too many memories"
// har martabaa tu chaahiye //
Carl Halling Jul 2015
It was she, bless her,
who followed me...
she’d been crying...
she’s too good for me,
that’s for sure...
“Your friends
are too good to you...
it makes me sick
to see them...
you don’t really give...
you indulge in conversation,
but your mind
is always elsewhere,
ticking over.
You could hurt me,
you know...
You are a Don Juan,
so much.
Like him, you have
no desires...
I think you have
deep fears...
There’s something so...so...
in your look.
It’s not that
you’re empty...
but that there is
an omnipresent sadness
about you, a fatality...”
"She Dear One Who Followed Me" first existed as a series of scrawled notes based on several conversations I enjoyed with the dear one of the title, in 1982 or '83.
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