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LatteQueen  Mar 2016
Colosseum
LatteQueen Mar 2016
I'm tired of this death match
fighting for my place
amongst the scattered remains
of a
thousand
broken hearts

This is not Sparta
I am no gladiator
and            you            
are
no
prize
Wuji Feb 2012
Watching men defeat each other,
Like it's our own little Colosseum.
People pay to be up close,
To be with the winning team as they boast.

The women stand at the side,
Cheering for front line tide.
They will crash with the other team's wave,
Split the difference bets are made.

Body on body they battle each other,
Do they even know one and another?
Or do they just follow the coach's words,
"Push forward boys, make them hurl."

Game after game,
They do the same thing.
Win or lose,
They still get paid.

Paid the big bucks to put on a show,
Commercials roll on before you know.
Get you to buy, get you to watch,
Buy this ****** like Miss March.

Forty-Sixth battle same as all before.
Crowds will still cheer, the cheerleaders are all ******.
Losers will *****, and the Referee always *****.
These mindless men get paid the big bucks.
The CCC keeps the masses appeased.
Shamas Hereth  Sep 2014
Colosseum
Shamas Hereth Sep 2014
Toss them into the pit!

That babbling **** who twitches
on the side of the local gas station,
who talks
as if he had company!

The girl with obvious scars
across her thighs and arms,
it's her fault for not seeking help;
she does this to herself!

Freak! who writes poetry
and speaks with words
that force me to pick up
effort and a dictionary!

*****! he is not a man, not even to his
lover, he makes her feel respected and
on equal plane! he even fights
for gay rights, for the animals near-extinct!

Let the helpless and the helpful,
the hopeless and the hopeful
suffer, not by
each other,
but
by
themselves.

And we, with years of
practice, of
earned
ignorance
can enjoy the scene
from the tops of
our immoral high horses.
Warning: I do not align my beliefs with the words of the narrator.
Payton Hayes  Feb 2021
Blue Halls
Payton Hayes Feb 2021
The snow drifts were
       quite high, piling up into the
northern sky, burying
      towns and trees and the poor souls who
    had fallen asleep on the grass
and had awoken with shivers as snowflakes
left little kisses on their eyelids.
    Except that, it was never grass. There was never any grass to begin with. There was no grass
      or spring
             or sun
                  or summer
                            or birds.
There was only winter and snow.
And the blinding, white terrain had become both a place of         desolation and
        s a n c t u a r y.
The Aroura Borealis danced like a beautiful blue fire across the night sky. Stars blinked in and out of existence.
And somehow, the halls always remained.
The blue halls.  
             Imagine, if you will, the Colosseum cut into halves and shaped like an elbow macaroni.  Drop it out in the middle of an arctic wasteland and wash it in the blue glow of the northern, night sky.
A bright yellow light poured out of the windows and onto the snow, but no one was ever inside.
Some say it's the doorway to heaven.
Others say it's the gates of hell.
And then there are the strangers. Strangers who wear their lavender, silk headscarves and avoid the rumors of such an exquisite and eclectic piece of architecture.
Others like myself.
"If there is no one inside, then where is the music coming from?" He asked me, his blue eyes shining as blue as the heavenly hues against the midnight clouds.
" The halls will hum if the wind passes through them just so."
We listened to them once more. A low and ancient hum emanated from the structure. It was an old sound that resonated within me-unnerved me.
The mysterious blue halls were not a simple door to some glorious silver city or the passageway to a fiery lake.
      
The halls were the most beautiful and interesting instrument the universe has even known.
"It's the harmonica of the gods!"
Perhaps one of them
dropped it.
Perhaps it was a flaw in design.
Perhaps it was meant to be silent and with one teensy miscalculation, an entire orchestra of notes were born by the wind.
Perhaps it is telling me to tell you that you should look not towards all that makes you perfect, but the imperfections because that is where true beauty rests.
And you are so beautiful.  The kind of beauty that doesn't know it's own beauty. Like when you are sleeping, and the moon washes over your face. I like when you are sleeping, for you are so beautiful, yet so unaware.
This poem was based off of a dream I had years ago. It was written in 2016. You can find an image that looks similar to the structure in the poem here: https://www.lifeinitaly.com/tourism/rome/rome-for-free-ten-best-free-sightseeing-in-rome/
Martin Narrod Apr 2014
Maybe you're the colosseum. The code to get through the glass doors is actually just '1954'. You could put up the painting of me at auction, or I could take a cruise from London to the Islands North of Siberia, a stop in a department store in Northern Greece. I stop and take a ride in the middle front-third seat of a older friend's younger brother's car, and force all of them to come outside and see the spider's eggs at Bob-o-Link. Massive cornucopias of cotton walls entwined with silk.

In the department store I ask to be introduced to someone who can take me by the hand and recognize me by my number, show me everything I'll need to shoot a full-length feature, even how I can get to Prague so I can do a little shopping. But the horror of seeing is so frightening, and the girl that I came with wants to do nothing.

I find a little shop selling Czech candies, music, and newspapers, so I try to buy everything but the horror is getting closer. I'm in a lazy Susan, how often does that happen? One more turn and I'll lose my stomach contents and then I won't need anything.

I take a climb up a street that says "Smrzlinu Ahead," but the houses on the street are all either empty or boarded up. I drift in the soccer field, watching my legs, looking over my shoulder. I fall for a pile of clothes that can hide me but are also very soft to lay in.

Another cruise- tropical, perhaps? Somewhere for coy adults, who shed their skin in Winter when their eyes start molting off. Someday I will place both hands into the ocean, I'll dream huge, and go swimming until I start to laugh. One day I'll sink to the floor of the bourn, maybe the same day I wake up and I'm not swimming alone.
burned up Mar 2015
I am a gladiator in the Roman Colosseum
when the lions are let loose
and I've been given a sword that's too small
to defend myself with
The people in the stands are laughing at me
Not one of them reaches down to pull me out
Because they put me here
They sent these lions to hunt me down
for the crimes I committed
They clap and cheer
Because to them it's a sport
watching me get torn apart
And I never thought I would be down in this pit
Because I once sat where they did
Jeering and clapping for convicts to pay their dues
But look where I am now
I am the gladiator in the Roman Colosseum
when the lions are let loose
Star Gazer Jun 2016
Well the stages
Were lit for these people
And those pages,
Demanded another sequel.

The stroke of a pen,
The swipe of a blade,
Dare to do this again?
Do I let myself be afraid?

Each sequential simile,
Painted the portrait
That was given to me
of emotional anguish and torture.

While sunbathing in the shadows
I let the thoughts consume me
And as I'm alone, praying not to explode,
I remember the way that you'd hold me.

I was breathing, speaking, hurting,
a mask behind a rugged shell that was forgiving,
But under a slight gap in an undrawn curtain,
I was struggling, grieving, and tired of living.

The stage was roaring,
Viewers were watching, laughing,
And as I watched their smiles soaring,
I convinced myself to stop cutting.*
_________________­__
...
...
...
...
...
...
...
...
...
...
...
...
...

I am not one day closer to death
I am having one extra day of living
And if I shall witness my final breath
I am leaving this world singing.
"...I saw beauty in mountains and sunsets
...I saw beauty in things labelled 'as usual'
...And though I tried so very hard to forget
...I can't seem to find myself as beautiful."
                 -The version of me that let himself die.

___________________________________
Sa Sa Ra  Oct 2012
Roaming Still
Sa Sa Ra Oct 2012
When we play...---...
Is it for our better'... or
for the better equipping's
of hearts, and minds freeing
to bare our souls within
as this body of life
life has given
living still
scribbles
of scripts
positioning
composition's
bets mete bettering
to better ourselves unto
this weather of givings
whether we see it 'tis
take's or receiving's
without the grace
of a child's it is
all too much
deceiving
one's
greener
leafing's fall
blowning off 'tis
grieving's leaving
going going
glowing
gone

Gong GONG GONGING GONG GONG!!!!

a
sad
noise 'tis
@ competition
shush'... listening
did you hear that if
you don't better me
i may better you
if  you don't
win,  i win
dominion
of you
too,
am
I?
Y
my
eye'...
the pain of bye's
in natures foreboding
I
by
eye
cops
comp
cop cop
for bronze
comping copper
stamping stomping
          ramp's romping
inclination's
phrasing's
of phases
chosen's
ration's
poses
to
e
y
e
be
war's
worshiped
rule breaking
nature's fool
forsaken
lost
'---
my
Y
do odes of '--- my'...??? of the sullen
gloomy calls within the ***** of tears
in paralyzing fears or of the faceless
ruse of starkness descending upon
a dimming simmering flame
shining yet or singing
'if I had a hammer'
one hammer pounds
one above, another below
another softens the soundings
of where the cooper's barrel is at
of making a rest for dearest guests
one basket withers glittering gone sold
another is casket's for the cooling
with taken souls captured
enslaved to undo ruins
whether by a taking
this being to grave
or in misgivings
crook simply
sins  fouled
"fooled" or
schooled
a fool
feels
all,
m
I
?
Y
is it
however
that dogs are
revered and best
friends
too
be
.
Y
so
then,
what is
humanity
for food controlled
leashed, collared gate
for a lease of our
soul tethering
weakening
pained ill
limping
gait
'--- ode
to the meek
the taken
of taker's
speaking's
mistakenly
tokened
tolls.

What are
being's selling's
paths by soles paving's
for hunger's relinquishing's
as footprints trodden the
starving are solemn's
no food for souls
with out love
the broken
...---...
pitch me a sales
as i already do wail
a 'poor granted soul
in soils poor planting
or then ...---... please!!!
leave and so take
your willing
chilling
chills
sown
as ...---...
to the forsaken
who depend on that pill
for the pain and the fright
which steals our dear breath
takes wings, life and flight
death walks as much
as the grim reaper
still is brewing
opiates for
balkers
asleep
walk
bye
as
I
---
you
'--- my
gr8 greeter
called life as the living
living in memories of darkness
to the soul calling light
sleeping by day
only by night
'tis flight
...---.... 'o
deceive me deception
i made you mad
really made
therefor
eyes
shuttered
fractal spawn
i can not beat thy
blinded own childs
if eye can not control
the only owners of me
sold for the glittering scold
you would be my excuses
as a mother defends
what a man can
not achieve he
must create
pretending
it's all in
the brewing
stillery stewing
so let us all play
the game as it is
of spiritual potions
where meek meets might
in the awesome of loathings
dark-lings of fear breathing omens
while dragon's breathe fire in deep keepers
Still Our Colosseum is so Romanesque
so forgive my doting while stilling
the stiller's still and so no, no
I am not that player of so,
called so of the gaming
darlings ac-cursing of
flashings thrashing
trashing of our
lives truly
dearest
here
eye
be
to
...---...
my friends clear and
Sow the never-ending story of
Our lives more worthy nurtured of loving as
Silly Will Nilly fairy dragons fired in the natures of love with
air to wax and oils fired breathing anew guidance for misgivings of
lost roaming tillers, till within it is found the pounding of lost vile's
Pouring out transmutations of the flowering scents of forgiving
Pearly rivers torrentially rush the heavenly sendings of
Soothing balm to wounds in mending and cries of
: SOS unattended finally heard as
<3 <3's ...---... <3 <3's
in the living river
of life walked
and spoken
words
are
LOVE IN ACTION!!!!!!
DING DING DING
GONG!!!!!!!!!
<3 <3
:)
Begin again!!!
Lovingly, Ra
Sa Sa Sun
Sunny
Run
Un
1
'
.
.
.
To the Roman and lost (to all those promises) roaming's of us all and the knives and swords we each wield both ways some slicing in vain in veins  and in others where hate is cleared from love as you will see, understand and accept. Yes, and still is in 'as' always and stiller-y, our brewery of soul potions more real than any witches or alchemy drink. The spirits within heart, mind, soul are the real transmutable of holy grail mountain movers, shakers, makers and breakers.

PS: ... --- ..., = SOS such is key to the rest if you would consider most other punctuation's here typical though minimally used.    
The way I wrote would be as 'help' and or 'save our souls' and 'save our selves' is worth a gander; http://acronyms.thefreedictionary.com/SOS

So about read again if you read once ignoring the ...'s and or ---'s that is overly well then is why I suggest just on the one hand as far as the read is concerned anyhow the rest you know already much about take the ...'s as s's and ---'s as o's got it go go go!!! The ...---...'s are best for your hearts choosing really of course always as with all!!! >3 >3 :) :) R

PPS: Stanza from "eye am I to ... --- ... (help) my friends dear has 3 consecutive lines respectively starting with S, O, and S leading also a second set with P P S : SOS unattended finally heard as hearts help hearts ding **** gong!!!!

PPPS: take PPS: as post post script in reading down in typical fashion or as across the lines loosely cryptic as post postmortem script, or un-dead finally!!!

PPPPS: “"If I had a world of my own, everything would be nonsense. Nothing would be what it is, because everything would be what it isn't. And contrary wise, what is, it wouldn't be. And what it wouldn't be, it would. You see?” - Alice in Wonderland quote
http://thinkexist.com/quotes/alice_in_wonderland/

******written from the left margin indeed it too would be easier to follow some of the encrypted or encoded keys; but understanding that it still can be had as in final edit it is shifted right and overall the read and shape at least on a screen with enough pixels to me seemed over all having more potency for the more willing understood albeit!! Thank You!!! Ra

What a hungry soul can do running on two grapefruits and a cup of black coffee for the day!!!!
Nite Nite!!!

<3 <3 :) R
Omnis Atrum Sep 2013
A lachrymose ebullition,
unable to be muffled by its producer,
is postulated idiosyncratic,
and erupts behind locked doors of each abode.  

Remembrance trailing each hastily inhaled sob
of each adolescent informed of responsibility,
and of how appearances are more important
than actualities,
but not the stones it chains to their feet,
nor how they must repress sentiment.

If the building blocks of Stonehenge
were to frolic and wriggle voluntarily,
what force would fight the gravity
always pressing downwards on those below,
from collapsing the entire structure?

Without convenience to focus on sentiment
the neglected portion of our humanity
congeals until it can no longer be contained,
until it metastasizes from heart to brain.

Until the bulldozer rolls through you without resistance,
to create a more scenic landscape,
or else,
a multistoried parking garage for others to leave
their possessions they do not require at the moment.

Inaudible to distracted passers-by
wrapped up in their causeries,
of the scores of their preferent Colosseum teams,
or else,
sensational stories relayed by jovial faces
from the teleprompter directly to their subconscious.

This outburst,
anticipated to reverberate only within the confines
of the relative safety of this shelter,
until the sound waves of each echo
slowly
lose
momentum.

Who could be expected to hear each cog,
slowly being worn down,
while hidden within a working machine?

When those that convince the populace
that their lament will be heard and mended
urgently cram currency into their ear canals
when their position has allowed their own
muffled cries to cease.

This begs a question from the masses.
A question, muffled, and without words.
Each raised hand stretched upwards
as the inattentive teacher ignores,
causes another hand to reach skyward.

This populace never intended for their own
whimpers to be heard,
not heard, but heeded.
While the torment of their tear filled convulsions
bulldozes through them,
not heeded, but auscultated.

Yet, these proceedings were never attended.

Not even by those same
that attempt to muffle their own ebullition
within the sound-proofed walls of the shelters
that they conceal themselves in.

Each, alone, quietly succumbs to the pressures
of waiting out
jovial sentiment with uncomfortable contentment.
Waiting,
to not exhale each murmur,
but to consume the promises they are fed
by those same whose ears are plugged with green,
until the protecting walls grow bars
and all are provided with solitary confinement.

Until it is only logic that guides the thought
that each is truly and irreversibly alone.

Until all are singled out in their struggles,
until they are uncomfortable recognizing
that they exist.

Until, separately, each attempts to smooth
their worn edges,
as to not break down the machine.
To hide the nicks that they have endured
lest they should cause,
a momentary lapse,
in productivity.

Each gear is further deformed
by this bending and contorting,
as the fear of protest causes them
to endure the pressure of warping
to try to fit a position
that they were not molded for.

Until they believe that unrepressed sentiment
has been made illegal,
and that unmuffled voices
will only cause more harm.

Yet, there are those that hear,
and heed,
and auscultate,
each muffled cry.
Each weeping convulsion,
and the pressure caused by keeping them in.

For those,
each turn they make within the machine,
is made with the sole purpose
of removing mufflers.

Until each muffled sentiment is uninhibited,
moved by the tsunami of a zeitgeist,
and ascends toward the empyrean.
Until each cultural center covered by a filter
inverts the filter's position
to collect sentiment from the base,
and send the congealed, concentrated,
neglect of humanity to the precipice.

Each syllable combining with the next,
working in unison,
as those that participate in primal dances,
to take a new form.

Not even those that release this unmuffled sentiment
know the form this conglomeration will adopt,
but it will move from one coast to the next.
A tidal wave of tears that will push
from one corner of humanity to the next,
until we again understand that it is acceptable
to feel our pain in unison.

So that we can begin to make progress
on the alterations that are necessary to the machine.
So that we are once again able to produce something,
besides awkward struggle.
So that we can stand on the highest precipice
of every unmuffled sentiment,
with unimpeded hope that one day we may relearn how
to hear, and heed, and auscultate,
happiness in unison.
Ariel Baptista May 2015
Museums as art
Art as museums
Sail the trail to my mausoleum
Psychopaths and physicists
Psychiatrists and philosophers
Philanthropists and pilots and painters


Declare now, that these are our days –
Our hours, and our days
These are our city, our hours
Our time, our days.


This is our world –
At 14:92 I landed here and claimed it
And searched it and found it wanting
Of civilization that I could so easily supply
By means of wounds and iron
And brawn and truth
(and just a tiny touch of influenza darling)
By means of our Lord,
Who grants us all that we desire
If only we **** enough of those he did not choose.
This is our world –
And we shall make it what we will
Make it in our own image
Teach it that innocence is not knowing the difference between right and wrong
Raise it to hate no one
But to love itself so deeply
That all other love seems hateful in comparison.
This is our child, love
Yours and mine.


Here the first shall be last
And the last shall be first
But once the first are last they shall be
Last
Last
      Last
And once the last are first
They shall make it so they can never be last again
This is our primitive accumulation
Of necessary materialism
Let’s cultivate matter
To make objects that we can place on shelves
And in cases –
These are our cases
And we love them as we love ourselves


Museums as mass graves
Mass graves as museums
Kiss me in my mausoleum
Priests and prisoners
Prostitutes and prophets
Pioneers and pilgrims and pagans


This is our time –
And we are dispensing it in spendthrift increments
Buying threadbare bandages for our cavernous canyons
Buying ample earplugs
To seal in the silence
So we can somewhat say
“look there is peace –
Look we have done it
In our time it is accomplished” – 


This is our peace –
And we know it by the signs
The lions and lambs lay quietly together
In our brass-barred zoos
For as long as shelves and cases
Are intact and the first are first
And the last are last
And the civilized are organized and holy
There is peace –
Oh, look
We made peace!

And as for Solomon and Socrates –
We take their words to weave through our new wisdom
And when we re-chart the constellations
We shall give them each a star
And salute them once a year
When they come around the universe
Oh, look
How wise we are!

Mass graves as art
Art as mass graves
There have been no better days
There has been no greater time
Politicians and pornographers
Professors and pirates
Psychologists and pastors and pianists


This is our time –
And we are doing with it the very best we know how
The last are toiling and trying
And the first are trying to think to try –
But there is a shortness in our hours
And a violence in our peace
There is inherent foolishness in our wisdom
And disease in our cities
And there is death upon our shelves and in our cases.

This is our world –
We crafted it and declared our truth to be true
We sculpted this, our colosseum
Please inscribe my mausoleum
With “we know not what we do”

— The End —