Lord, how much life can reside in a tree?
I don’t even know his name, but then
I write down my poems every day
On pieces of paper made from his skin.

He has witnessed my winter tears
And I have enjoyed his blossoms when it’s warm
Even though my window, looking to the sky,
Doesn’t reach as far as his outstretched arms.

When I’m in pain, he
Sings my tribulations.
Even then, between us
There’s a silence so enormous
That it takes in everything
From madness to desperation:
Blasphemy, the miracle above,
Prayer and a cry of love.

Sometimes, after ages of this silence between
Us, a single leaf falls down. And then,
Without knowing why, or what the cost,
A grateful universe learns by heart
What it’s lost.

by Ana Blandiana, translated by Paul Scott Derrick and Viorica Patea

Between two ruins I built a house,
between two treason I planted a belief,
between two chasms  I set a table with napkins
                                                            and salt shakers,
between mountains of corpses I saw a saffron
                                                             and I smiled at it.
That is how I lived.  Can you understand now?
                                          That is how I lived.

Maria Banus
*translated by Dan Dutescu

Transformation:
one into many &
many into one

the bird of paradise
half truth and half lie
it's not pure fiction
but pure singing
or intensity of the dark light

this vibration of your U(nconscios)
is a floating vessel
(sunk into mystery)
for my dreams
mine is for yours and for her
and for them
this is the way we meet
It's scary and wonderful
to recognize each other
some mirrors are crazy
light hides itself best in the dark
and darkness hides itself
best in the brightest of lights

there are too many layers
of liquid meanings in this
creature called life -
the same way
the ocean is carrying
different layers of
pressure and dark

the bird of paradise
dissolves itself
into singing cause
this is the only way
to meet its music
a bird constantly changing
the shape of its wings
to accomodate danger -
the danger of being alive
on your own
day after night

To live well and to die well is the same task.
Epicurus

the song of the old rusty swing
like a frozen pane
(somewhere in a passing memory)
not knowing if there can be
such thing as genuine trust,
you wait for transparent nights
amid angst,
the turmoil of words, rushing gestures,
tired patterns
suffocating all
clairvoyance
you wake up from the lethargy of dreams
to the cruelty of life devoid
of connection
a door got jammed

your parents and their distant lives
-their past is your future-
carrying their never ending childhood
like a message in a bottle
the contraction of days bears you the same
the taste of death is just a habit now
no safeguard
you whisper your dreams to the ragged baby doll -
“Bebe” is here for you
You’re the pain taster
forcing dangerous juxtapositions
or the silent screaming melodies
abundant in misattunement
while mother flashes her cracked smile
on empty days
it might have been better to swallow
her thoughts
while father has a croaked ambition
never to rest
translating his will of power

the promise of tomorrow
left you unscathed
slipping out of time
needs practice,
a neat forehead,
to bear in mind that
light holds on to uncertainty
every time you fall

last mile home is the hardest

when I close my eyes
I can see the trees breathing
when my thoughts have the rythm
of a gentle rain I can feel the
terrible pain of the sun trapped in its orb
the indifference of the coffe machines
how there are still dreams in retirement plans
the pulse of life rhyming with death
just see the world population clock,
the pollyanna sindrome, if necessary
oh, this whisper in the essence of void:
what a bliss to be round around
the prismatic love that warps the edges
of time deeper and deeper
into its hidden curves of wonder

I carry this huge body inside me
of beings unknown
to themselves
they look at the walls
and don't tear them down
they murmur a refrain
indecipherable,
the self-hypnosis of life.

we live the best we can
in these lands
we seek each other out
and not find each other
only sometimes,
to our surprise.
we live in this body
of tears and fear.

I was little, very small,
it must be said.
I envied the flight of birds,
I crushed the flowers
with such a tenderness,
unbearable.
I had a feeling that poetry alone
had not pulled the bridge
from the shore of trust

Books we've never read are opening for us.
Towns shimmer in the night air.
Cold dawns. Warm autumn train stations.
The roads turn like pages. Eyes reddened by wind.

Nothing now but the bookmark of a horizon.
You hold my little finger tightly.
Dew prints ellipses on our path;
Later, coppery shadows line the grass.

The day's reborn. I yearn for longer books.
The Lord plays his music on the wind's viola.
We are as pure and strange as Sanskrit words.
We greet the sun, whom we resemble.

by Marjana Savka

tonight I’m calling fearful souls
the peers of my tribe
there is chaos in the heart of stones we are casting
there is a lot of pain in unborn desires
we are trembling, we are holding our breath –
what does it mean to feel safe
we are dreaming and waiting
old mothers are screaming unheard
the tyrant is playing backgammon with God

I am searching for each of you in the safety of dawn
the beast with bottomless eyes is here
Inside
so difficult to grasp our soul
to endure this: a world of faceless people
we cover our eyes, mouth, hearts
bottomless eyes are smearing

the body as a battlefield
oh, we remember what we want to have forgotten
we collapse under the burden of our own fragility
the history repeats itself shutting down stories
so many stories of cancelled love

the slaughterhouse soul is too heavy
and I can’t remember the ancient joy and innocence
the simplicity of being
words have just exploded
and my heart is cracked open

and now I am afraid even of my words
of that which should not be named
the murderer of soul, dignity and poetry

I am afraid of staring into bottomless eyes
without my peers
without my tribe

"Bring me the sunflower so I can transplant it
to my earth scorched with salt,
so it can display all day to the azure mirrors
of sky the anxiety of its yellow face.

Dark things stretch towards brightness,
bodies exhaust themselves in a flow
of colours: this in music. To vanish
is thus the hazard of venturing.

Bring me the plant that leads
where blond transparencies rise
where life dissolves like essence;
bring me the sunflower crazy with light."

*Eugenio Montale

"Oh, tranquility
Penetrating the very rock,
A cicada's voice."
Matsuo Basho

I was broken, how much do I have to say?
my first taste of the air, a tornado
I wear my mind full of cracks, of strange attractors,
the chaos of the blue lives there,
some collage of potting soil and beauty
my tears are round like an explosion
my hips an extension of tenderness
I was broken beyond despair beyond repair
white birds in my smile going to far away places
in search for their shape
when nobody sees me my hands are full of laughter, of dance, of forgetting, no need to take myself too seriously

I am broken and I like to feel
my fragments caressed by
the morning air, by his sleepy hands,
or the passersby's careless looks

Increasingly there’s more in my life
A life between barcode
SIM
Remote with apocalyptic news and dire pornographers

life among multiple camera teams
between several videos about a future that all sounds good

blocks of life between advertising and surveys on how
Europeans can achieve
the cosmic ****** and a more profitable single currency

living ever more my own life
inside an inland country
where in waiting and loneliness I see greetings
from where I hope to reach the Himalayas and write:
‘Life is no good with Coca-Cola!’

Dan Mircea Cipariu

[Translated by Jon a’Beckett]

New Europe Writers  Bucharest Tales, Contemporary Literature Press, Bucharest 2014

I'm in no hurry,
I'll let time pass by.
Each second as it drops
Bit by bit erodes
Suffering.
I'll be patient.
Each wave that breaks
Is rasp to the rock.
On which I'm bound,
Each speck of rust
Thins the chain.
In just a millennium, or two,
The rock will become sand,
The iron links fine powder,
My bones calcium molecules
Dissolved in water,
Suffering nothing.

By Ana Blandiana, translated by Adam J. Sorkin

from the fifth floor you can see better how people
grow older, you can see or choose not to see
the world like an eruption
in the night I sing and bleed a little
I explore the memory of light on the skin
there is pain and an envelope of laughter
there is the concrete shape of things and the shape of babel
the other-me rehearsing faces, bodies. alphabets, the taste of love
who decided we are human some believe love is like a full stomach
i would love to remember when i was a single cell
a coded fullness hallucinating me, hallucinating you
she has a beautiful smile when it's winter
and you love her. the story encircles you
we can choose to see the world with sincerity
my ashtray is full of dreams and I won't stop dreaming
you'll use the same soap as her and you'll even write a memo to yourself: love can be so hot in the middle of the day
I'll write in my diary: let's see what I can forgive myself for
somewhere inside there is a feeling waiting for another feeling
there are words waiting for more words, for only the words
can point to something much more free

can’t speak about you in words but
in the heaviness of trees on unrelated stones
or all the things I didn’t chew
the worm of history froze silent
no axis mundi in my blood but
dysmorphic dreams
your rancid placenta

I can’t speak while
you spin around on streets smelling of flesh
and the layers of time squeeze all the screams of me

mother: the furthest language

When you dream you are an author but you do not know how it will end.
Cesare Pavese

a broken view the horizon
careless the blood chronicles
you can see me through the prism
of your yearnings
a lost god has forgotten your name
I'm waiting now and then wordless
for the Renaissance of desire

-after **

Everything great on earth
begins as something small.
Lao Tzu

I

Older than China
I am the memory of trees;
sip the earth from me.

I remember mist,
sunlight climbing the steep hills
leaf by silent leaf.

When I was a seed
I was drawn to a raindrop:
we made a strange brew.

Take me in silence;
I am all of the autumn,
cup me in your hands.

Warm in your fingers;
I am moments of quiet in
long conversations.

More than a prayer
on the road with the pilgrims,
by windows in rain.

II

And if you see yourself here,
hand lifting the cup,
imagine these are your leaves:

no curse this winter, then spring,
three months of sadness,
you'll see its shadows haunting.

The house will feel empty, but
then there is passion,
cups left on the floor. Sunlight.


Tony Curtis, Three Songs of Home, The Dedalus Press, Dublin, 1998

*the poem was posted with author's permission

yeah, the sun, the moon,
the craving, the coffee in the morning,
thesis, antithesis, synthesis
the old dream out in the open
and the girl who doesn't say "I love you"

she's whispered in the mist
of unknown cities
devoted
en pathos
(like the priestesses of the old temples)
young horses measuring the
silence between words
hello, says the devil

and the sun and the moon,
the craving follow unknown routes
she's having her coffee black
in an imaginary morning
holding the synthesis of "I do"&"I don't"
(love you fiercely)

her shadow is passing
with the wind
between memories
chasing the shape of
tomorrow

We, the rescued,
From whose hollow bones death had begun to whittle his flutes,
And on whose sinews he had already stroked his bow-
Our bodies continue to lament
With their mutilated music.
We, the rescued,
The nooses wound for our necks still dangle
Before us in the blue air-
Hourglasses still fill with our dripping blood.
We, the rescued,
The worms of fear still feed on us.
Our constellation is buried in dust.
We, the rescued,
Beg you:
Show us your sun, but gradually.
Lead us from star to star, step by step.
Be gentle when you teach us to live again.
Lest the song of a bird,
Or a pail being filled at the well,
Let our badly sealed pain burst forth again
And carry us away  -
We beg you:
Do not show us an angry dog, not yet -
It could be, it could be
That we will dissolve into dust
Dissolve into dust before your eyes.
For what binds our fabric together?
We whose breath vacated us,
Whose soul fled to Him out of that midnight
Long before our bodies were rescued
Into the arc of the moment.
We, the rescued,
We press your hand
We look into your eye-
But all that binds us together now is leave-taking.
The leave-taking in the dust
Binds us together with you

**Nelly Sachs

days revolve in circles and
transparent dilemmas: death and seduction
hours like sirens and full hearts
the conquerer is no winer with his reflexes drawn into eagerness
I saved some slopes into unknown
as they set the table for the unheard screaming
whose is the fierce desire?
what does the poor mind know about
the honest being?
what can your body do with his/hers/theirs?
dangers in the four corners
true love is the hardest thing
those days wouldn't let go of the centre
the full-emptiness of this desire:
give myself to me already devoured
hurt, shame, helplessnes

true love leaves you free
incomplete facing the heart
of darkness
unresolved

we are here because of the trees
what about the climate of our mind?
too many versions of alternative realities
and we've killed the spirit of oceans
in our souls
our bones don't grow roots anymore

we exist because of the flowers
and we are dying in the most stylish way
wearing Dior mascara, high heels, oh,
the latest Zara shirt

we are here because of the bees
it's not to late to ask ourselves
what is the climate of our hearts?

death can be so
just so asymptotic with our obsessions
so asymbolic on golden shoulders
and climate just another
hollow word
sent to Mars

when the silence of leaves comes to me
I dream of continents of clouds, yes, don't be surprised
I dream for Grandma too, she never saw them
not today, not tomorrow, but sometimes, who knows,
when my hands would be continents for you
I'll lend you my skin just for a moment,
just long enough to feel it lift me up and I'll
jump off it like on a trampoline back into
my own burrow - the salty, marine wonder of
blinking thoughts without orbit

poetry, this dear wasting like an unheard music,
the dissolving mint of dreaming
in Nichita's horses' mane
all day long god seems to be combing
the clouds that overflow in cascade,
always ruffled, like the shadows of thoughts

“Your silence has been with me and I have let it have its say. I feel, as always, the same closeness to you which your silence makes into a kind of speech of its own.”
Anne Sexton

"and if I remember
you are my memory
and if I forget
you do not fade away"
E. E. Cummings

"Your body is away from me
but there is a window open
from my heart to yours.
From this window, like the moon
I keep sending news secretly."
Rumi

"I am learning to see. I don’t know why it is, but everything enters me more deeply and doesn’t stop where it once used to."
Rainer Maria Rilke

nights revolve in imaginary loops
I am captive inside my lips, inside fingertips
so that I see everything half and half
waves, tears, apples, words
half for me, half for not me, but the other you
I have to keep my hands for myself cause
you have sunshine tattooed on your skin
words are this space where I can breathe
when your hands get concentric

Autumn eats its leaf out of my hand: we are friends.
From the nuts we shell time and we teach it to walk:
then time returns to the shell.

In the mirror it's Sunday,
in dream there is room for sleeping,
our mouths speak the truth.

My eye moves down to the *** of my loved one:
we look at each other,
we exchange dark words,
we love each other like poppy and recollection,
we sleep like wine in the conches,
like the sea in the moon's blood ray.

We stand by the window embracing, and people look up from the street:
it is time they knew!
It is time the stone made an effort to flower,
time unrest had a beating heart.
It is time it were time

It is time

by Paul Celan

Autumn eats its leaf out of my hand: we are friends.
From the nuts we shell time and we teach it to walk:
then time returns to the shell.

In the mirror it's Sunday,
in dream there is room for sleeping,
our mouths speak the truth.

My eye moves down to the *** of my loved one:
we look at each other,
we exchange dark words,
we love each other like poppy and recollection,
we sleep like wine in the conches,
like the sea in the moon's blood ray.

We stand by the window embracing, and people look up from the street:
it is time they knew!
It is time the stone made an effort to flower,
time unrest had a beating heart.
It is time it were time

It is time

**Paul Celan

the dream is dreaming itself, we are its subjects
the mysterious writing of life, its ellusive quest
an inflationary expansion was deleting its traces
zero degree of consciousness in a moving aliveness
strange rhythms around and strange qualia
there were attributes without letters at first
before a predicate turned into subject
life othering itself into much more in its own image

life was chatting with itself before the knower and the known
spinning the seeds of time, change: its true substance
I am you and you are me but  we need
a symmetry break for the dawn of mind, the other of the body

so much was already done since life was rehearsing for eons its scripture, forms of habit, viable conventions
processing its otherness relentlessly
mind is this forest-creature exulting, hiding, defending,
breaking down, screaming, expulsing, recomposing, sprouting light and lightning

the very first thoughts traversed the barrier of vibrant void
their binding a translation of a body in time, a future storyteller
pure movement the nature of space, the wonder of above and bellow
the first qualia, tension and intensity, an unstructured  flow of frequencies, a cascade of warmth, fullness, emptiness,  
a body discovering herself, her unbearable, her rapture, the feeling of being

the centre is everywhere expanding, accelerating a creative chaos
thinking was just waking in the  field of a dreaming body
thoughts needed to outgrow slowly their skin of imaginary beings

then again and again
dreaming keeps decomposing the already thoughts trapped in their echo chambers, their networked cocoons circle our certainties
a thought needs to die to create another, a sacrifice to the god of the unknown
oh how many deaths we have already died recomposed only by dreaming, the solvent from which reality is born

intensively your body is translating feeling into dreaming,
extensively the mind is dislocating dreaming into thinking  
whille a distant star is crushing itself,  
love rehearses its gravity,
death is saturated by its own dismay

perhaps poetry is this witness of silent cosmogonies

for the distance, the blessing and the curse
in this forgetful bed, on this blank page
I sit as quiet as an empty hourglass
so used to contemplate the wounded pride
of desolation
the dilemma in your steps, the missing link
happiness just an eclipse
an accident on unmapped streets
-space is just the exhaustion of time-
worlds of words caught up in their embryo
crushed there,
their innocence stripped away
paper-thin dreams chased away like useless creatures
from your back burdened with the same shame and
no soft tissue for your tears

if only I could say this loud enough:
love is the courage in our cells
disambiguation
and there will be a day -
no more fear
no more far away

from East to West a pain without name, something inescapable, like the girdle of caskets, like a corpse. we struggle with what seems to be mostly an idea - the dimensions of the body, with the memory of the skin, with the history of contracting our bellies and puking our dreams. this world covered by layers, textiles, invisible armours, self-imposed absences. tears crushed by violence, by laughter, after all it was not that bad, they say. we carry so many tears that we are heavier than air, lighter than our tormentors, sillier than our dreams
crushed words, crushed voices, empty meanings for the unraveled selves. i write only a chronicle of this time devouring its fragments

the night is darker on your lips
my hips are dreaming while
your touch is searching for its meaning

I am deep into the dark forests of the soul
where everything is hyperreal
me is not me you is not only you
too much is together and the mind just a narrow stream
I am listening to the old cries as if souls are passing through me,
as if I need to understand what the birds are saying to each other

the route to understanding is through this dense unknown
and when I might find it I leave it guarded by the certainty of clouds passing by
so hard to see inside your mind inside your kind inside your bones
aliveness is a killer, the mind has its own temperature
the body already knows everything I have to find the vitally wise language
I feel the natural dance of the opposites, the flight and the fall, I need some other dimensions though to get out the whirlwind
feelings flow like the contour of a distant lighthouse distant fire distant aurora,
the silence of the light a true companion for conversations in the dark

yes, it is real, as real as daylight
how history recycles itself
darkness is falling with the speed of thoughts
of certainties, of pathos, of a wounded hope
I feel like screaming, I feel like weeping and
this can change nothing, and I can't find a better metaphor
we hurt each other unwittingly if we stop thinking together
if we stop talking, stop listening to each other
how vulnerable we can be, how deceptive
how potent the unhealed wounds
they write history books

an abstract darkness is near, a concrete darkness
division and such pain in the depth of the living
a darkness without perfume but blind screaming
disguised in a blinding light,
so old that it keeps reinventing
the destruction of saturated worlds
the social body can not survive without a heart
without a multiple mind

blue insomnia have woken up in my words
seeds of wind, the lament of unknown men, women
the impossible alphabet of terror
daily I pass by the same cemetery
the willow-trees have new leaves now
the words can' swerve while
their faces dissolve slowly deeper and deeper into death
and I’m holding mine into hands smeared with tears

he  loved me like
they loved their neck rope

we see through the night
what we can
empty jars
purple lies
hardly the collection of killings
that makes
the morning sing

death has no words

night comes with waves of perfume
the trance of flowers is quiet and only
the winds can touch the secret of trees, still
sleeping under the apple trees gives one deeper dreams
when darkness hunts me I remember
your empty hands against the form of light
how you struggle to find the archaic tune
the chronicles of the invisible unfolding
my mind recycles thought from sprout to seed
the vesper bell plunges the crickets,
the roundness of the heart deeper
into the hour of the dark

desire has no mercy
like a red morning light
tickling your feet
it has me transparent
it has me transformed
into roar, thunder, wave
or quicksand in your hands
till the air in between
is fully charged,
radioactive
and insane

these are still beautiful days to feel alive
despite the fragility of our thoughts, our tissues, our tears
the totalizing concepts swallowing the real
despite meetings without mirror, a strategy of the invisible
despite the decay of atoms inside walls, steps and apples
despite the accident of the imagination that we are
the excess of life, undigestible
despite the depth colliding with the surface of things
despite a pain without meaning, a dream without a dreamer,
a torment without memory
I look at things with crystallizing eyes
despite the limit of the impossible

After it blossomed,
The flower said,
"Now, my beauty is beyond my control.
Now, even I am beyond my reach."



Ahmad Nadeem Qasimi, Selected Poems, The Pakistan Academy of Letters, Islamabad 1995

the world so fragile so resilient embracing tight
its spinning delusions, inequalities, contradictions
while he is smiling at his fists, the most powerful
a mascarade game we play with reality
impossible to tolerate the contact with daylight
democracy no longer soothes us when it lies to us
political agency crushed in empty pockets
eyes full of a radical hope
the truth obscured in our mythical mind

we need to be brutally honest with our mental health
with the health of the oceans, of the air, of our dreams
he is a fragment tormenting our fragments while
the world is not yet prepared to grieve its disneyland

an escapable paradox will hold us
oh, how are we falling when we think we are rising

the future is unstoppable
its echo chambers are searching
for some truth

Distance is the cog wheel
on the haunted axle of my hearing,
grinding fine the deadened mind
of that unborn god
waiting to be caught
by the earth's blue speed,
and carrying in a handled urn
the plucked heart - ours,
it's beating, it's heard, it's beating, it's heard,
a sphere in wild growth -
the roads are wet with tears,
memory frail and elastic,
a sling for stones, a gondola
drowned in childlike Venice's,
a tooth yanked from the cells with a string -
down the empty socket of Vesuvius. And you exist.

by Nichita Stanescu, translated by Thomas Carlson and Vasile Poenaru

Distance is the cog wheel
on the haunted axle of my hearing,
grinding fine the deadened mind
of that unborn god
waiting to be caught
by the earth's blue speed,
and carrying in a handled urn
the plucked heart - ours,
it's beating, it's heard, it's beating, it's heard,
a sphere in wild growth -
the roads are wet with tears,
memory frail and elastic,
a sling for stones, a gondola
drowned in childlike Venices,
a tooth yanked from the cells with a string -
down the empty socket of Vesuvius. And you exist.

*Nichita Stanescu

but I fill in the blanks of thought with black panthers
they watch you closely as days lose their names and time moves in all directions
no ordinary dreams in the present continuous of flesh
but some flashes of certainty:
the colour of my tears suits you well,
distant is the moon from its own doubt

For the kids the first ending of the world.
For the cat a new Master.
For the dog a new Mistress.
For the furniture stairs, thuds, my way or the highway.
For the walls bright squares where pictures once hung.
For the neighbors new subjects, a break in the boredom.
For the car better if there were two.
For he novels, the poems - fine, take what you want.
Worse with encyclopedias and VCR's,
not to mention the guide to proper usage,
which doubtless holds pointers on two names -
are they still linked with the conjunction "and"
or does a period divide them.

Wislawa Szymborska from Here New Poems
translated from Polish by Clare Cavanagh

the sky leaves traces of light on my skin
the lunar plexus is singing
I'm receiving these images from the future
the missing steps of memory come between  us
do not touch this fiery boundary cause you might
melt me down into a sweet oblivion
it's impossible not to love you from this edge
of a palimpsest full of wonder

too much outside too little inside
everything there loud and noisy
in the stream of energy
every single cell an orchestra,
a blazing furnace
recycling the unseen
what to choose slipping
from a dream to the same dream
possibility after plausibility
with the insatisfaction of a night
unable to decipher the tales of the moon
one needs true silence to hear
the meaning of music
don't let go of the wisdom of stones
every fragment knows there is something
wiser, a finite infinite semiosis

the heathen hours plunge neighing
into something
struggling on my lips
I am looking for my blood
how it knows to explode
the salty earth is my sister
something rounded
dissolves yesterday all over
the crest of sleep brings you to me
whole
full
enraged
with desire

don't peel me off you
that's all

because of sadistic hands
we grow bigger hands
to grab, pull, squeeze, pierce
every body has its dread
darkness is pushing the boundary
pushing us against the volcanic
visions of the depth while
looking for its light or its
might
who knows

night rests her weight on my shoulders
the cry of seagulls tears the unconscious of morning
I see what I need to see, the stranger in me
I absorb crises, storms, bridges,
life's torment  to invent its limits
the differance - the forgotten passion of language
the effete and the barbarian.
the sun also rises unhindered
on wheat plantations

last night I dreamt the Authority of dreaming
I had to send a petition so they tell me how to end the dream.
dreams do no harm when they keep their innocence
between innocence and experience a handful of pebbles
to help find our way in the blinding light

an embrace without a lost paradise
your cabaret words like a trance
I walk through the corrosive noise
I find my way to your footsteps on narrow streets
you hardly look back at your traces when they erase your touch from the map of time
so painful the hands left alone
you are touched by a melancholy impossible for some mornings
I am touched by reverie, entropy and memory
next desire on display a stain or a broken destiny
the weight of our shadows unknown
a foreign tissue is carrying the profoundness of thoughts
bear with me this heart tarred with pain

a moon song be the night
when trees remember how deep their dreams run

obscure the radiography of the sky
night clouds and vertigoes in my feet
the waters of pain just mirrors for enlivened souls
this spark is roaming adrift without the north star
what is love what is pain
these charming games this chasing of a mirage something deeper
beauty is the warmest colour
you are beautiful you don't know it
day after night night after day
we repeat each other's name devoid of time
of mind of touching hands and of and of
this skin that contains us when we awake in a dream
betwen regression and progression **** meanings
I hold on to breathing you deeply wildly
as deep as an uninvited sea at midnight

silence, heat, witnessing and forgetting, waiting, dried flowers in my hearing, they all grow wiser in the light that doesn't stop growing
shhh, I don't want to disturb you when your body is dreaming