It is full winter now:  the trees are bare,
Save where the cattle huddle from the cold
Beneath the pine, for it doth never wear
The autumn’s gaudy livery whose gold
Her jealous brother pilfers, but is true
To the green doublet; bitter is the wind, as though it blew

From Saturn’s cave; a few thin wisps of hay
Lie on the sharp black hedges, where the wain
Dragged the sweet pillage of a summer’s day
From the low meadows up the narrow lane;
Upon the half-thawed snow the bleating sheep
Press close against the hurdles, and the shivering house-dogs creep

From the shut stable to the frozen stream
And back again disconsolate, and miss
The bawling shepherds and the noisy team;
And overhead in circling listlessness
The cawing rooks whirl round the frosted stack,
Or crowd the dripping boughs; and in the fen the ice-pools crack

Where the gaunt bittern stalks among the reeds
And ***** his wings, and stretches back his neck,
And hoots to see the moon; across the meads
Limps the poor frightened hare, a little speck;
And a stray seamew with its fretful cry
Flits like a sudden drift of snow against the dull grey sky.

Full winter:  and the ***** goodman brings
His load of ******* from the chilly byre,
And stamps his feet upon the hearth, and flings
The sappy billets on the waning fire,
And laughs to see the sudden lightening scare
His children at their play, and yet,—the spring is in the air;

Already the slim crocus stirs the snow,
And soon yon blanched fields will bloom again
With nodding cowslips for some lad to mow,
For with the first warm kisses of the rain
The winter’s icy sorrow breaks to tears,
And the brown thrushes mate, and with bright eyes the rabbit peers

From the dark warren where the fir-cones lie,
And treads one snowdrop under foot, and runs
Over the mossy knoll, and blackbirds fly
Across our path at evening, and the suns
Stay longer with us; ah! how good to see
Grass-girdled spring in all her joy of laughing greenery

Dance through the hedges till the early rose,
(That sweet repentance of the thorny briar!)
Burst from its sheathed emerald and disclose
The little quivering disk of golden fire
Which the bees know so well, for with it come
Pale boy’s-love, sops-in-wine, and daffadillies all in bloom.

Then up and down the field the sower goes,
While close behind the laughing younker scares
With shrilly whoop the black and thievish crows,
And then the chestnut-tree its glory wears,
And on the grass the creamy blossom falls
In odorous excess, and faint half-whispered madrigals

Steal from the bluebells’ nodding carillons
Each breezy morn, and then white jessamine,
That star of its own heaven, snap-dragons
With lolling crimson tongues, and eglantine
In dusty velvets clad usurp the bed
And woodland empery, and when the lingering rose hath shed

Red leaf by leaf its folded panoply,
And pansies closed their purple-lidded eyes,
Chrysanthemums from gilded argosy
Unload their gaudy scentless merchandise,
And violets getting overbold withdraw
From their shy nooks, and scarlet berries dot the leafless haw.

O happy field! and O thrice happy tree!
Soon will your queen in daisy-flowered smock
And crown of flower-de-luce trip down the lea,
Soon will the lazy shepherds drive their flock
Back to the pasture by the pool, and soon
Through the green leaves will float the hum of murmuring bees at noon.

Soon will the glade be bright with bellamour,
The flower which wantons love, and those sweet nuns
Vale-lilies in their snowy vestiture
Will tell their beaded pearls, and carnations
With mitred dusky leaves will scent the wind,
And straggling traveller’s-joy each hedge with yellow stars will bind.

Dear bride of Nature and most bounteous spring,
That canst give increase to the sweet-breath’d kine,
And to the kid its little horns, and bring
The soft and silky blossoms to the vine,
Where is that old nepenthe which of yore
Man got from poppy root and glossy-berried mandragore!

There was a time when any common bird
Could make me sing in unison, a time
When all the strings of boyish life were stirred
To quick response or more melodious rhyme
By every forest idyll;—do I change?
Or rather doth some evil thing through thy fair pleasaunce range?

Nay, nay, thou art the same:  ’tis I who seek
To vex with sighs thy simple solitude,
And because fruitless tears bedew my cheek
Would have thee weep with me in brotherhood;
Fool! shall each wronged and restless spirit dare
To taint such wine with the salt poison of own despair!

Thou art the same:  ’tis I whose wretched soul
Takes discontent to be its paramour,
And gives its kingdom to the rude control
Of what should be its servitor,—for sure
Wisdom is somewhere, though the stormy sea
Contain it not, and the huge deep answer ‘’Tis not in me.’

To burn with one clear flame, to stand *****
In natural honour, not to bend the knee
In profitless prostrations whose effect
Is by itself condemned, what alchemy
Can teach me this? what herb Medea brewed
Will bring the unexultant peace of essence not subdued?

The minor chord which ends the harmony,
And for its answering brother waits in vain
Sobbing for incompleted melody,
Dies a swan’s death; but I the heir of pain,
A silent Memnon with blank lidless eyes,
Wait for the light and music of those suns which never rise.

The quenched-out torch, the lonely cypress-gloom,
The little dust stored in the narrow urn,
The gentle XAIPE of the Attic tomb,—
Were not these better far than to return
To my old fitful restless malady,
Or spend my days within the voiceless cave of misery?

Nay! for perchance that poppy-crowned god
Is like the watcher by a sick man’s bed
Who talks of sleep but gives it not; his rod
Hath lost its virtue, and, when all is said,
Death is too rude, too obvious a key
To solve one single secret in a life’s philosophy.

And Love! that noble madness, whose august
And inextinguishable might can slay
The soul with honeyed drugs,—alas! I must
From such sweet ruin play the runaway,
Although too constant memory never can
Forget the arched splendour of those brows Olympian

Which for a little season made my youth
So soft a swoon of exquisite indolence
That all the chiding of more prudent Truth
Seemed the thin voice of jealousy,—O hence
Thou huntress deadlier than Artemis!
Go seek some other quarry! for of thy too perilous bliss.

My lips have drunk enough,—no more, no more,—
Though Love himself should turn his gilded prow
Back to the troubled waters of this shore
Where I am wrecked and stranded, even now
The chariot wheels of passion sweep too near,
Hence!  Hence!  I pass unto a life more barren, more austere.

More barren—ay, those arms will never lean
Down through the trellised vines and draw my soul
In sweet reluctance through the tangled green;
Some other head must wear that aureole,
For I am hers who loves not any man
Whose white and stainless ***** bears the sign Gorgonian.

Let Venus go and chuck her dainty page,
And kiss his mouth, and toss his curly hair,
With net and spear and hunting equipage
Let young Adonis to his tryst repair,
But me her fond and subtle-fashioned spell
Delights no more, though I could win her dearest citadel.

Ay, though I were that laughing shepherd boy
Who from Mount Ida saw the little cloud
Pass over Tenedos and lofty Troy
And knew the coming of the Queen, and bowed
In wonder at her feet, not for the sake
Of a new Helen would I bid her hand the apple take.

Then rise supreme Athena argent-limbed!
And, if my lips be musicless, inspire
At least my life:  was not thy glory hymned
By One who gave to thee his sword and lyre
Like AEschylos at well-fought Marathon,
And died to show that Milton’s England still could bear a son!

And yet I cannot tread the Portico
And live without desire, fear and pain,
Or nurture that wise calm which long ago
The grave Athenian master taught to men,
Self-poised, self-centred, and self-comforted,
To watch the world’s vain phantasies go by with unbowed head.

Alas! that serene brow, those eloquent lips,
Those eyes that mirrored all eternity,
Rest in their own Colonos, an eclipse
Hath come on Wisdom, and Mnemosyne
Is childless; in the night which she had made
For lofty secure flight Athena’s owl itself hath strayed.

Nor much with Science do I care to climb,
Although by strange and subtle witchery
She drew the moon from heaven:  the Muse Time
Unrolls her gorgeous-coloured tapestry
To no less eager eyes; often indeed
In the great epic of Polymnia’s scroll I love to read

How Asia sent her myriad hosts to war
Against a little town, and panoplied
In gilded mail with jewelled scimitar,
White-shielded, purple-crested, rode the Mede
Between the waving poplars and the sea
Which men call Artemisium, till he saw Thermopylae

Its steep ravine spanned by a narrow wall,
And on the nearer side a little brood
Of careless lions holding festival!
And stood amazed at such hardihood,
And pitched his tent upon the reedy shore,
And stayed two days to wonder, and then crept at midnight o’er

Some unfrequented height, and coming down
The autumn forests treacherously slew
What Sparta held most dear and was the crown
Of far Eurotas, and passed on, nor knew
How God had staked an evil net for him
In the small bay at Salamis,—and yet, the page grows dim,

Its cadenced Greek delights me not, I feel
With such a goodly time too out of tune
To love it much:  for like the Dial’s wheel
That from its blinded darkness strikes the noon
Yet never sees the sun, so do my eyes
Restlessly follow that which from my cheated vision flies.

O for one grand unselfish simple life
To teach us what is Wisdom! speak ye hills
Of lone Helvellyn, for this note of strife
Shunned your untroubled crags and crystal rills,
Where is that Spirit which living blamelessly
Yet dared to kiss the smitten mouth of his own century!

Speak ye Rydalian laurels! where is he
Whose gentle head ye sheltered, that pure soul
Whose gracious days of uncrowned majesty
Through lowliest conduct touched the lofty goal
Where love and duty mingle!  Him at least
The most high Laws were glad of, he had sat at Wisdom’s feast;

But we are Learning’s changelings, know by rote
The clarion watchword of each Grecian school
And follow none, the flawless sword which smote
The pagan Hydra is an effete tool
Which we ourselves have blunted, what man now
Shall scale the august ancient heights and to old Reverence bow?

One such indeed I saw, but, Ichabod!
Gone is that last dear son of Italy,
Who being man died for the sake of God,
And whose unrisen bones sleep peacefully,
O guard him, guard him well, my Giotto’s tower,
Thou marble lily of the lily town! let not the lour

Of the rude tempest vex his slumber, or
The Arno with its tawny troubled gold
O’er-leap its marge, no mightier conqueror
Clomb the high Capitol in the days of old
When Rome was indeed Rome, for Liberty
Walked like a bride beside him, at which sight pale Mystery

Fled shrieking to her farthest sombrest cell
With an old man who grabbled rusty keys,
Fled shuddering, for that immemorial knell
With which oblivion buries dynasties
Swept like a wounded eagle on the blast,
As to the holy heart of Rome the great triumvir passed.

He knew the holiest heart and heights of Rome,
He drave the base wolf from the lion’s lair,
And now lies dead by that empyreal dome
Which overtops Valdarno hung in air
By Brunelleschi—O Melpomene
Breathe through thy melancholy pipe thy sweetest threnody!

Breathe through the tragic stops such melodies
That Joy’s self may grow jealous, and the Nine
Forget awhile their discreet emperies,
Mourning for him who on Rome’s lordliest shrine
Lit for men’s lives the light of Marathon,
And bare to sun-forgotten fields the fire of the sun!

O guard him, guard him well, my Giotto’s tower!
Let some young Florentine each eventide
Bring coronals of that enchanted flower
Which the dim woods of Vallombrosa hide,
And deck the marble tomb wherein he lies
Whose soul is as some mighty orb unseen of mortal eyes;

Some mighty orb whose cycled wanderings,
Being tempest-driven to the farthest rim
Where Chaos meets Creation and the wings
Of the eternal chanting Cherubim
Are pavilioned on Nothing, passed away
Into a moonless void,—and yet, though he is dust and clay,

He is not dead, the immemorial Fates
Forbid it, and the closing shears refrain.
Lift up your heads ye everlasting gates!
Ye argent clarions, sound a loftier strain
For the vile thing he hated lurks within
Its sombre house, alone with God and memories of sin.

Still what avails it that she sought her cave
That murderous mother of red harlotries?
At Munich on the marble architrave
The Grecian boys die smiling, but the seas
Which wash AEgina fret in loneliness
Not mirroring their beauty; so our lives grow colourless

For lack of our ideals, if one star
Flame torch-like in the heavens the unjust
Swift daylight kills it, and no trump of war
Can wake to passionate voice the silent dust
Which was Mazzini once! rich Niobe
For all her stony sorrows hath her sons; but Italy,

What Easter Day shall make her children rise,
Who were not Gods yet suffered? what sure feet
Shall find their grave-clothes folded? what clear eyes
Shall see them ******?  O it were meet
To roll the stone from off the sepulchre
And kiss the bleeding roses of their wounds, in love of her,

Our Italy! our mother visible!
Most blessed among nations and most sad,
For whose dear sake the young Calabrian fell
That day at Aspromonte and was glad
That in an age when God was bought and sold
One man could die for Liberty! but we, burnt out and cold,

See Honour smitten on the cheek and gyves
Bind the sweet feet of Mercy:  Poverty
Creeps through our sunless lanes and with sharp knives
Cuts the warm throats of children stealthily,
And no word said:- O we are wretched men
Unworthy of our great inheritance! where is the pen

Of austere Milton? where the mighty sword
Which slew its master righteously? the years
Have lost their ancient leader, and no word
Breaks from the voiceless tripod on our ears:
While as a ruined mother in some spasm
Bears a base child and loathes it, so our best enthusiasm

Genders unlawful children, Anarchy
Freedom’s own Judas, the vile prodigal
Licence who steals the gold of Liberty
And yet has nothing, Ignorance the real
One Fraticide since Cain, Envy the asp
That stings itself to anguish, Avarice whose palsied grasp

Is in its extent stiffened, moneyed Greed
For whose dull appetite men waste away
Amid the whirr of wheels and are the seed
Of things which slay their sower, these each day
Sees rife in England, and the gentle feet
Of Beauty tread no more the stones of each unlovely street.

What even Cromwell spared is desecrated
By **** and worm, left to the stormy play
Of wind and beating snow, or renovated
By more destructful hands:  Time’s worst decay
Will wreathe its ruins with some loveliness,
But these new Vandals can but make a rain-proof barrenness.

Where is that Art which bade the Angels sing
Through Lincoln’s lofty choir, till the air
Seems from such marble harmonies to ring
With sweeter song than common lips can dare
To draw from actual reed? ah! where is now
The cunning hand which made the flowering hawthorn branches bow

For Southwell’s arch, and carved the House of One
Who loved the lilies of the field with all
Our dearest English flowers? the same sun
Rises for us:  the seasons natural
Weave the same tapestry of green and grey:
The unchanged hills are with us:  but that Spirit hath passed away.

And yet perchance it may be better so,
For Tyranny is an incestuous Queen,
****** her brother is her bedfellow,
And the Plague chambers with her:  in obscene
And ****** paths her treacherous feet are set;
Better the empty desert and a soul inviolate!

For gentle brotherhood, the harmony
Of living in the healthful air, the swift
Clean beauty of strong limbs when men are free
And women chaste, these are the things which lift
Our souls up more than even Agnolo’s
Gaunt blinded Sibyl poring o’er the scroll of human woes,

Or Titian’s little maiden on the stair
White as her own sweet lily and as tall,
Or Mona Lisa smiling through her hair,—
Ah! somehow life is bigger after all
Than any painted angel, could we see
The God that is within us!  The old Greek serenity

Which curbs the passion of that

1

I am a house, says Senlin, locked and darkened,
Sealed from the sun with wall and door and blind.
Summon me loudly, and you'll hear slow footsteps
Ring far and faint in the galleries of my mind.
You'll hear soft steps on an old and dusty stairway;
Peer darkly through some corner of a pane,
You'll see me with a faint light coming slowly,
Pausing above some gallery of the brain . . .

I am a city . . . In the blue light of evening
Wind wanders among my streets and makes them fair;
I am a room of rock . . . a maiden dances
Lifting her hands, tossing her golden hair.
She combs her hair, the room of rock is darkened,
She extends herself in me, and I am sleep.
It is my pride that starlight is above me;
I dream amid waves of air, my walls are deep.

I am a door . . . before me roils the darkness,
Behind me ring clear waves of sound and light.
Stand in the shadowy street outside, and listen-
The crying of violins assails the night . . .
My walls are deep, but the cries of music pierce them;
They shake with the sound of drums . . . yet it is strange
That I should know so little what means this music,
Hearing it always within me change and change.

Knock on the door,-and you shall have an answer.
Open the heavy walls to set me free,
And blow a horn to call me into the sunlight,-
And startled, then, what a strange thing you will see!
Nuns, murderers, and drunkards, saints and sinners,
Lover and dancing girl and sage and clown
Will laugh upon you, and you will find me nowhere.
I am a room, a house, a street, a town.

2

It is morning, Senlin says, and in the morning
When the light drips through the shutters like the dew,
I arise, I face the sunrise,
And do the things my fathers learned to do.
Stars in the purple dusk above the rooftops
Pale in a saffron mist and seem to die,
And I myself on a swiftly tilting planet
Stand before a glass and tie my tie.

Vine leaves tap my window,
Dew-drops sing to the garden stones,
The robin chips in the chinaberry tree
Repeating three clear tones.

It is morning. I stand by the mirror
And tie my tie once more.
While waves far off in a pale rose twilight
Crash on a white sand shore.
I stand by a mirror and comb my hair:
How small and white my face!-
The green earth tilts through a sphere of air
And bathes in a flame of space.
There are houses hanging above the stars
And stars hung under a sea . . .
And a sun far off in a shell of silence
Dapples my walls for me . . .

It is morning, Senlin says, and in the morning
Should I not pause in the light to remember God?
Upright and firm I stand on a star unstable,
He is immense and lonely as a cloud.
I will dedicate this moment before my mirror
To him alone, and for him I will comb my hair.
Accept these humble offerings, cloud of silence!
I will think of you as I descend the stair.

Vine leaves tap my window,
The snail-track shines on the stones,
Dew-drops flash from the chinaberry tree
Repeating two clear tones.

It is morning, I awake from a bed of silence,
Shining I rise from the starless waters of sleep.
The walls are about me still as in the evening,
I am the same, and the same name still I keep.
The earth revolves with me, yet makes no motion,
The stars pale silently in a coral sky.
In a whistling void I stand before my mirror,
Unconcerned, I tie my tie.

There are horses neighing on far-off hills
Tossing their long white manes,
And mountains flash in the rose-white dusk,
Their shoulders black with rains . . .

It is morning. I stand by the mirror
And surprise my soul once more;
The blue air rushes above my ceiling,
There are suns beneath my floor . . .

. . . It is morning, Senlin says, I ascend from darkness
And depart on the winds of space for I know not where,
My watch is wound, a key is in my pocket,
And the sky is darkened as I descend the stair.
There are shadows across the windows, clouds in heaven,
And a god among the stars; and I will go
Thinking of him as I might think of daybreak
And humming a tune I know . . .

Vine-leaves tap at the window,
Dew-drops sing to the garden stones,
The robin chirps in the chinaberry tree
Repeating three clear tones.

3

I walk to my work, says Senlin, along a street
Superbly hung in space.
I lift these mortal stones, and with my trowel
I tap them into place.
But is god, perhaps, a giant who ties his tie
Grimacing before a colossal glass of sky?

These stones are heavy, these stones decay,
These stones are wet with rain,
I build them into a wall today,
Tomorrow they fall again.

Does god arise from a chaos of starless sleep,
Rise from the dark and stretch his arms and yawn;
And drowsily look from the window at his garden;
And rejoice at the dewdrop sparkeling on his lawn?

Does he remember, suddenly, with amazement,
The yesterday he left in sleep,-his name,-
Or the glittering street superbly hung in wind
Along which, in the dusk, he slowly came?

I devise new patterns for laying stones
And build a stronger wall.
One drop of rain astonishes me
And I let my trowel fall.

The flashing of leaves delights my eyes,
Blue air delights my face;
I will dedicate this stone to god
And tap it into its place.

4

That woman-did she try to attract my attention?
Is it true I saw her smile and nod?
She turned her head and smiled . . . was it for me?
It is better to think of work or god.
The clouds pile coldly above the houses
Slow wind revolves the leaves:
It begins to rain, and the first long drops
Are slantingly blown from eaves.

But it is true she tried to attract my attention!
She pressed a rose to her chin and smiled.
Her hand was white by the richness of her hair,
Her eyes were those of a child.
It is true she looked at me as if she liked me.
And turned away, afraid to look too long!
She watched me out of the corners of her eyes;
And, tapping time with fingers, hummed a song.

. . . Nevertheless, I will think of work,
With a trowel in my hands;
Or the vague god who blows like clouds
Above these dripping lands . . .

But . . . is it sure she tried to attract my attention?
She leaned her elbow in a peculiar way
There in the crowded room . . . she touched my hand . . .
She must have known, and yet,-she let it stay.
Music of flesh! Music of root and sod!
Leaf touching leaf in the rain!
Impalpable clouds of red ascend,
Red clouds blow over my brain.

Did she await from me some sign of acceptance?
I smoothed my hair with a faltering hand.
I started a feeble smile, but the smile was frozen:
Perhaps, I thought, I misunderstood.
Is it to be conceived that I could attract her-
This dull and futile flesh attract such fire?
I,-with a trowel's dullness in hand and brain!-
Take on some godlike aspect, rouse desire?
Incredible! . . . delicious! . . . I will wear
A brighter color of tie, arranged with care,
I will delight in god as I comb my hair.

And the conquests of my bolder past return
Like strains of music, some lost tune
Recalled from youth and a happier time.
I take my sweetheart's arm in the dusk once more;
One more we climb

Up the forbidden stairway,
Under the flickering light, along the railing:
I catch her hand in the dark, we laugh once more,
I hear the rustle of silk, and follow swiftly,
And softly at last we close the door.

Yes, it is true that woman tried to attract me:
It is true she came out of time for me,
Came from the swirling and savage forest of earth,
The cruel eternity of the sea.
She parted the leaves of waves and rose from silence
Shining with secrets she did not know.
Music of dust! Music of web and web!
And I, bewildered, let her go.

I light my pipe. The flame is yellow,
Edged underneath with blue.
These thoughts are truer of god, perhaps,
Than thoughts of god are true.

5

It is noontime, Senlin says, and a street piano
Strikes sharply against the sunshine a harsh chord,
And the universe is suddenly agitated,
And pain to my heart goes glittering like a sword.
Do I imagine it? The dust is shaken,
The sunlight quivers, the brittle oak-leaves tremble.
The world, disturbed, conceals its agitation;
And I, too, will dissemble.

Yet it is sorrow has found my heart,
Sorrow for beauty, sorrow for death;
And pain twirls slowly among the trees.

The street-piano revolves its glittering music,
The sharp notes flash and dazzle and turn,
Memory's knives are in this sunlit silence,
They ripple and lazily burn.
The star on which my shadow falls is frightened,-
It does not move; my trowel taps a stone,
The sweet note wavers amid derisive music;
And I, in horror of sunlight, stand alone.

Do not recall my weakness, savage music!
Let the knives rest!
Impersonal, harsh, the music revolves and glitters,
And the notes like poniards pierce my breast.
And I remember the shadows of webs on stones,
And the sound or rain on withered grass,
And a sorrowful face that looked without illusions
At its image in the glass.

Do not recall my childhood, pitiless music!
The green blades flicker and gleam,
The red bee bends the clover, deeply humming;
In the blue sea above me lazily stream
Cloud upon thin-brown cloud, revolving, scattering;
The mulberry tree rakes heaven and drops its fruit;
Amazing sunlight sings in the opened vault
On dust and bones, and I am mute.

It is noon; the bells let fall soft flowers of sound.
They turn on the air, they shrink in the flare of noon.
It is night; and I lie alone, and watch through the window
The terrible ice-white emptiness of the moon.
Small bells, far off, spill jewels of sound like rain,
A long wind hurries them whirled and far,
A cloud creeps over the moon, my bed is darkened,
I hold my breath and watch a star.

Do not disturb my memories, heartless music!
I stand once more by a vine-dark moonlit wall,
The sound of my footsteps dies in a void of moonlight,
And I watch white jasmine fall.
Is it my heart that falls? Does earth itself
Drift, a white petal, down the sky?
One bell-note goes to the stars in the blue-white silence,
Solitary and mournful, a somnolent cry.

6

Death himself in the rain . . . death himself . . .
Death in the savage sunlight . . . skeletal death . . .
I hear the clack of his feet,
Clearly on stones, softly in dust;
He hurries among the trees
Whirling the leaves, tossing he hands from waves.
Listen! the immortal footsteps beat.

Death himself in the grass, death himself,
Gyrating invisibly in the sun,
Scatters the grass-blades, whips the wind,
Tears at boughs with malignant laughter:
On the long echoing air I hear him run.

Death himself in the dusk, gathering lilacs,
Breaking a white-fleshed bough,
Strewing purple on a cobwebbed lawn,
Dancing, dancing,
The long red sun-rays glancing
On flailing arms, skipping with hideous knees
Cavorting grotesque ecstasies:
I do not see him, but I see the lilacs fall,
I hear the scrape of knuckles against the wall,
The leaves are tossed and tremble where he plunges among them,
And I hear the sound of his breath,
Sharp and whistling, the rythm of death.

It is evening: the lights on a long street balance and sway.
In the purple ether they swing and silently sing,
The street is a gossamer swung in space,
And death himself in the wind comes dancing along it,
And the lights, like raindrops, tremble and swing.
Hurry, spider, and spread your glistening web,
For death approaches!
Hurry, rose, and open your heart to the bee,
For death approaches!
Maiden, let down your hair for the hands of your lover,
Comb it with moonlight and wreathe it with leaves,
For death approaches!

Death, huge in the star; small in the sand-grain;
Death himself in the rain,
Drawing the rain about him like a garment of jewels:
I hear the sound of his feet
On the stairs of the wind, in the sun,
In the forests of the sea . . .
Listen! the immortal footsteps beat!

7

It is noontime, Senlin says. The sky is brilliant
Above a green and dreaming hill.
I lay my trowel down. The pool is cloudless,
The grass, the wall, the peach-tree, all are still.

It appears to me that I am one with these:
A hill, upon whose back are a wall and trees.
It is noontime: all seems still
Upon this green and flowering hill.

Yet suddenly out of nowhere in the sky,
A cloud comes whirling, and flings
A lazily coiled vortex of shade on the hill.
It crosses the hill, and a bird in the peach-tree sings.
Amazing! Is there a change?
The hill seems somehow strange.
It is noontime. And in the tree
The leaves are delicately disturbed
Where the bird descends invisibly.
It is noontime. And in the pool
The sky is blue and cool.

Yet suddenly out of nowhere,
Something flings itself at the hill,
Tears with claws at the earth,
Lunges and hisses and softly recoils,
Crashing against the green.
The peach-tree braces itself, the pool is frightened,
The grass-blades quiver, the bird is still;
The wall silently struggles against the sunlight;
A terror stiffens the hill.
The trees turn rigidly, to face
Something that circles with slow pace:
The blue pool seems to shrink
From something that slides above its brink.
What struggle is this, ferocious and still-
What war in sunlight on this hill?
What is it creeping to dart
Like a knife-blade at my heart?

It is noontime, Senlin says, and all is tranquil:
The brilliant sky burns over a greenbright earth.
The peach-tree dreams in the sun, the wall is contented.
A bird in the peach-leaves, moving from sun to shadow,
Phrases again his unremembering mirth,
His lazily beautiful, foolish, mechanical mirth.

8

The pale blue gloom of evening comes
Among the phantom forests and walls
With a mournful and rythmic sound of drums.
My heart is disturbed with a sound of myriad throbbing,
Persuasive and sinister, near and far:
In the blue evening of my heart
I hear the thrum of the evening star.

My work is uncompleted; and yet I hurry,-
Hearing the whispered pulsing of those drums,-
To enter the luminous walls and woods of night.
It is the eternal mistress of the world
Who shakes these drums for my delight.
Listen! the drums of the leaves, the drums of the dust,
The delicious quivering of this air!

I will leave my work unfinished, and I will go
With ringing and certain step through the laughter of chaos
To the one small room in the void I know.
Yesterday it was there,-
Will I find it tonight once more when I climb the stair?
The drums of the street beat swift and soft:
In the blue evening of my heart
I hear the throb of the bridal star.
It weaves deliciously in my brain
A tyrannous melody of her:
Hands in sunlight, threads of rain
Against a weeping face that fades,
Snow on a blackened window-pane;
Fire, in a dusk of hair entangled;
Flesh, more delicate than fruit;
And a voice that searches quivering nerves
For a string to mute.

My life is uncompleted: and yet I hurry
Among the tinkling forests and walls of evening
To a certain fragrant room.
Who is it that dances there, to a beating of drums,
While stars on a grey sea bud and bloom?
She stands at the top of the stair,
With the lamplight on her hair.
I will walk through the snarling of streams of space
And climb the long steps carved from wind
And rise once more towards her face.
Listen! the drums of the drowsy trees
Beating our nuptial ecstasies!

Music spins from the heart of silence
And twirls me softly upon the air:
It takes my hand and whispers to me:
It draws the web of the moonlight down.
There are hands, it says, as cool as snow,
The hands of the Venus of the sea;
There are waves of sound in a mermaid-cave;-
Come-then-come with me!
The flesh of the sea-rose new and cool,
The wavering image of her who comes
At dusk by a blue sea-pool.

Whispers upon the haunted air-
Whisper of foam-white arm and thigh;
And a shower of delicate lights blown down
Fro the laughing sky! . . .
Music spins from a far-off room.
Do you remember,-it seems to say,-
The mouth that smiled, beneath your mouth,
And kissed you . . . yesterday?
It is your own flesh waits for you.
Come! you are incomplete! . . .
The drums of the universe once more
Morosely beat.
It is the harlot of the world
Who clashes the leaves like ghostly drums
And disturbs the solitude of my heart
As evening comes!

I leave my work once more and walk
Along a street that sways in the wind.
I leave these st

Love, though for this you riddle me with darts,
And drag me at your chariot till I die,—
Oh, heavy prince! O, panderer of hearts!—
Yet hear me tell how in their throats they lie
Who shout you mighty: thick about my hair,
Day in, day out, your ominous arrows purr,
Who still am free, unto no querulous care
A fool, and in no temple worshiper!
I, that have bared me to your quiver’s fire,
Lifted my face into its puny rain,
Do wreathe you Impotent to Evoke Desire
As you are Powerless to Elicit Pain!
(Now will the god, for blasphemy so brave,
Punish me, surely, with the shaft I crave!)

Now, when the moon slid under the cloud
And the cold clear dark of starlight fell,
He heard in his blood the well-known bell
Tolling slowly in heaves of sound,
Slowly beating, slowly beating,
Shaking its pulse on the stagnant air:
Sometimes it swung completely round,
Horribly gasping as if for breath;
Falling down with an anguished cry . . .
Now the red bat, he mused, will fly;
Something is marked, this night, for death . . .
And while he mused, along his blood
Flew ghostly voices, remote and thin,
They rose in the cavern of his brain,
Like ghosts they died away again;
And hands upon his heart were laid,
And music upon his flesh was played,
Until, as he was bidden to do,
He walked the wood he so well knew.
Through the cold dew he moved his feet,
And heard far off, as under the earth,
Discordant music in shuddering tones,
Screams of laughter, horrible mirth,
Clapping of hands, and thudding of drums,
And the long-drawn wail of one in pain.
To-night, he thought, I shall die again,
We shall die again in the red-eyed fire
To meet on the edge of the wood beyond
With the placid gaze of fed desire . . .
He walked; and behind the whisper of trees,
In and out, one walked with him:
She parted the branches and peered at him,
Through lowered lids her two eyes burned,
He heard her breath, he saw her hand,
Wherever he turned his way, she turned:
Kept pace with him, now fast, now slow;
Moving her white knees as he moved . . .
This is the one I have always loved;
This is the one whose bat-soul comes
To dance with me, flesh to flesh,
In the starlight dance of horns and drums . . .

The walls and roofs, the scarlet towers,
Sank down behind a rushing sky.
He heard a sweet song just begun
Abruptly shatter in tones and die.
It whirled away.  Cold silence fell.
And again came tollings of a bell.

     *     *     *     *     *

This air is alive with witches: the white witch rides
Swifter than smoke on the starlit wind.
In the clear darkness, while the moon hides,
They come like dreams, like something remembered . .
Let us hurry! beloved; take my hand,
Forget these things that trouble your eyes,
Forget, forget!  Our flesh is changed,
Lighter than smoke we wreathe and rise . . .

The cold air hisses between us . . . Beloved, beloved,
What was the word you said?
Something about clear music that sang through water . . .
I cannot remember.  The storm-drops break on the leaves.
Something was lost in the darkness.  Someone is dead.
Someone lies in the garden and grieves.
Look how the branches are tossed in this air,
Flinging their green to the earth!
Black clouds rush to devour the stars in the sky,
The moon stares down like a half-closed eye.
The leaves are scattered, the birds are blown,
Oaks crash down in the darkness,
We run from our windy shadows; we are running alone.

     *     *     *     *     *

The moon was darkened: across it flew
The swift grey tenebrous shape he knew,
Like a thing of smoke it crossed the sky,
The witch! he said.  And he heard a cry,
And another came, and another came,
And one, grown duskily red with blood,
Floated an instant across the moon,
Hung like a dull fantastic flame . . .
The earth has veins: they throb to-night,
The earth swells warm beneath my feet,
The tips of the trees grow red and bright,
The leaves are swollen, I feel them beat,
They press together, they push and sigh,
They listen to hear the great bat cry,
The great red bat with the woman's face . . .
Hurry! he said.  And pace for pace
That other, who trod the dark with him,
Crushed the live leaves, reached out white hands
And closed her eyes, the better to see
The priests with claws, the lovers with hooves,
The fire-lit rock, the sarabands.
I am here! she said.  The bough he broke--
Was it the snapping bough that spoke?
I am here! she said.  The white thigh gleamed
Cold in starlight among dark leaves,
The head thrown backward as he had dreamed,
The shadowy red deep jasper mouth;
And the lifted hands, and the ****** *******,
Passed beside him, and vanished away.
I am here! she cried.  He answered 'Stay!'
And laughter arose, and near and far
Answering laughter rose and died . . .
Who is there? in the dark? he cried.
He stood in terror, and heard a sound
Of terrible hooves on the hollow ground;
They rushed, were still; a silence fell;
And he heard deep tollings of a bell.

     *     *     *     *     *

Look beloved!  Why do you hide your face?
Look, in the centre there, above the fire,
They are bearing the boy who blasphemed love!
They are playing a piercing music upon him
With a bow of living wire! . . .
The ****** harlot sings,
She leans above the beautiful anguished body,
And draws slow music from those strings.
They dance around him, they fling red roses upon him,
They trample him with their naked feet,
His cries are lost in laughter,
Their feet grow dark with his blood, they beat and
      beat,
They dance upon him, until he cries no more . . .
Have we not heard that cry before?
Somewhere, somewhere,
Beside a sea, in the green evening,
Beneath green clouds, in a copper sky . . .
Was it you? was it I?
They have quenched the fires, they dance in the darkness,
The satyrs have run among them to seize and tear,
Look! he has caught one by the hair,
She screams and falls, he bears her away with him,
And the night grows full of whistling wings.
Far off, one voice, serene and sweet,
Rises and sings . . .

'By the clear waters where once I died,
In the calm evening bright with stars. . . .'
Where have I heard these words?  Was it you who sang them?
It was long ago.
Let us hurry, beloved! the hard hooves trample;
The treetops tremble and glow.

     *     *     *     *     *

In the clear dark, on silent wings,
The red bat hovers beneath her moon;
She drops through the fragrant night, and clings
Fast in the shadow, with hands like claws,
With soft eyes closed and mouth that feeds,
To the young white flesh that warmly bleeds.
The maidens circle in dance, and raise
From lifting throats, a soft-sung praise;
Their knees and ******* are white and bare,
They have hung pale roses in their hair,
Each of them as she dances by
Peers at the blood with a narrowed eye.
See how the red wing wraps him round,
See how the white youth struggles in vain!
The weak arms writhe in a soundless pain;
He writhes in the soft red veiny wings,
But still she whispers upon him and clings. . . .
This is the secret feast of love,
Look well, look well, before it dies,
See how the red one trembles above,
See how quiet the white one lies! . . . .

Wind through the trees. . . and a voice is heard
Singing far off.  The dead leaves fall. . . .
'By the clear waters where once I died,
In the calm evening bright with stars,
One among numberless avatars,
I wedded a mortal, a mortal bride,
And lay on the stones and gave my flesh,
And entered the hunger of him I loved.
How shall I ever escape this mesh
Or be from my lover's body removed?'
Dead leaves stream through the hurrying air
And the maenads dance with flying hair.

     *     *     *     *     *

The priests with hooves, the lovers with horns,
Rise in the starlight, one by one,
They draw their knives on the spurting throats,
They smear the column with blood of goats,
They dabble the blood on hair and lips
And wait like stones for the moon's eclipse.
They stand like stones and stare at the sky
Where the moon leers down like a half-closed eye. . .
In the green moonlight still they stand
While wind flows over the darkened sand
And brood on the soft forgotten things
That filled their shadowy yesterdays. . . .
Where are the *******, the scarlet wings? . . . .
They gaze at each other with troubled gaze. . . .
And then, as the shadow closes the moon,
Shout, and strike with their hooves the ground,
And rush through the dark, and fill the night
With a slowly dying clamor of sound.
There, where the great walls crowd the stars,
There, by the black wind-riven walls,
In a grove of twisted leafless trees. . . .
Who are these pilgrims, who are these,
These three, the one of whom stands upright,
While one lies weeping and one of them crawls?
The face that he turned was a wounded face,
I heard the dripping of blood on stones. . . .
Hooves had trampled and torn this place,
And the leaves were strewn with blood and bones.
Sometimes, I think, beneath my feet,
The warm earth stretches herself and sighs. . . .
Listen!  I heard the slow heart beat. . . .
I will lie on this grass as a lover lies
And reach to the north and reach to the south
And seek in the darkness for her mouth.

     *     *     *     *     *

Beloved, beloved, where the slow waves of the wind
Shatter pale foam among great trees,
Under the hurrying stars, under the heaving arches,
Like one whirled down under shadowy seas,
I run to find you, I run and cry,
Where are you?  Where are you?  It is I.  It is I.
It is your eyes I seek, it is your windy hair,
Your starlight body that breathes in the darkness there.
Under the darkness I feel you stirring. . . .
Is this you?  Is this you?
Bats in this air go whirring. . . .
And this soft mouth that darkly meets my mouth,
Is this the soft mouth I knew?
Darkness, and wind in the tortured trees;
And the patter of dew.

     *     *     *     *     *

Dance!  Dance!  Dance!  Dance!
Dance till the brain is red with speed!
Dance till you fall!  Lift your torches!
Kiss your lovers until they bleed!
Backward I draw your anguished hair
Until your eyes are stretched with pain;
Backward I press you until you cry,
Your lips grow white, I kiss you again,
I will take a torch and set you afire,
I will break your body and fling it away. . . .
Look, you are trembling. . . Lie still, beloved!
Lock your hands in my hair, and say
Darling! darling! darling! darling!
All night long till the break of day.

Is it your heart I hear beneath me. . . .
Or the far tolling of that tower?
The voices are still that cried around us. . . .
The woods grow still for the sacred hour.
Rise, white lover! the day draws near.
The grey trees lean to the east in fear.
'By the clear waters where once I died . . . .'
Beloved, whose voice was this that cried?
'By the clear waters that reach the sun
By the clear waves that starward run. . . .
I found love's body and lost his soul,
And crumbled in flame that should have annealed. . .
How shall I ever again be whole,
By what dark waters shall I be healed?'

Silence. . . the red leaves, one by one,
Fall.  Far off, the maenads run.

Silence.  Beneath my naked feet
The veins of the red earth swell and beat.
The dead leaves sigh on the troubled air,
Far off the maenads bind their hair. . . .
Hurry, beloved! the day comes soon.
The fire is drawn from the heart of the moon.

     *     *     *     *     *

The great bell cracks and falls at last.
The moon whirls out.  The sky grows still.
Look, how the white cloud crosses the stars
And suddenly drops behind the hill!
Your eyes are placid, you smile at me,
We sit in the room by candle-light.
We peer in each other's veins and see
No sign of the things we saw this night.
Only, a song is in your ears,
A song you have heard, you think, in dream:
The song which only the demon hears,
In the dark forest where maenads scream . . .

'By the clear waters where once I died . . .
In the calm evening bright with stars . . . '
What do the strange words mean? you say,--
And touch my hand, and turn away.

With Donne, whose muse on dromedary trots,
Wreathe iron pokers into true-love knots;
Rhyme’s sturdy *******, fancy’s maze and clue,
Wit’s forge and fire-blast, meaning’s press and *****.

Monsoon Rhapsody



I am rain on a summer day
Drenching drowsy, lifeless buds
Stirring them to a dancing wakefulness
Washing leaves dull and dry with dust
Dousing fire in a desert ringed inferno

I am the drizzle on a pale moon night
Easing into the heart with music
The melange of water humming with the wind
The splash of puddles in fields of barley
Gently filling thirsty river beds craving for a flow

I am showers before monsoons
Impregnating the air with soothing droplets
The hint of life in an oasis of colours
Breathing moist on a farmer's bronzed skin
Tingling the world with shimmering emerald

I am sawan, the monsoons
Winding my way through a chorus of clouds
Thundering my presence into the sea of renewal
Cascading on sandy shores that glisten with light
Whisking away waves of gold with jubilant darkness

I drape the land in arrays of greens
Scent the soil in my fragrance
Dance with the rhapsodic dance of the peacock
Wreathe petals into flowers that vine
And curve in the soil of growth.

Master of the murmuring courts
    Where the shapes of sleep convene!—
Lo! my spirit here exhorts
    All the powers of thy demesne
    For their aid to woo my queen.
       What reports
    Yield thy jealous courts unseen?

  Vaporous, unaccountable,
    Dreamland lies forlorn of light,
Hollow like a breathing shell.
    Ah! that from all dreams I might
    Choose one dream and guide its flight!
       I know well
    What her sleep should tell to-night.

  There the dreams are multitudes:
    Some that will not wait for sleep,
Deep within the August woods;
    Some that hum while rest may steep
    Weary labour laid a-heap;
       Interludes,
    Some, of grievous moods that weep.

  Poets’ fancies all are there:
    There the elf-girls flood with wings
Valleys full of plaintive air;
    There breathe perfumes; there in rings
    Whirl the foam-bewildered springs;
       Siren there
    Winds her dizzy hair and sings.

  Thence the one dream mutually
    Dreamed in bridal unison,
Less than waking ecstasy;
    Half-formed visions that make moan
    In the house of birth alone;
       And what we
    At death’s wicket see, unknown.

  But for mine own sleep, it lies
    In one gracious form’s control,
Fair with honourable eyes,
    Lamps of a translucent soul:
    O their glance is loftiest dole,
       Sweet and wise,
    Wherein Love descries his goal.

  Reft of her, my dreams are all
    Clammy trance that fears the sky:
Changing footpaths shift and fall;
    From polluted coverts nigh,
    Miserable phantoms sigh;
       Quakes the pall,
    And the funeral goes by.

  Master, is it soothly said
    That, as echoes of man’s speech
Far in secret clefts are made,
    So do all men’s bodies reach
    Shadows o’er thy sunken beach,—
       Shape or shade
    In those halls pourtrayed of each?

  Ah! might I, by thy good grace
    Groping in the windy stair,
(Darkness and the breath of space
    Like loud waters everywhere,)
    Meeting mine own image there
       Face to face,
    Send it from that place to her!

  Nay, not I; but oh! do thou,
    Master, from thy shadowkind
Call my body’s phantom now:
    Bid it bear its face declin’d
    Till its flight her slumbers find,
       And her brow
    Feel its presence bow like wind.

  Where in groves the gracile Spring
    Trembles, with mute orison
Confidently strengthening,
    Water’s voice and wind’s as one
    Shed an echo in the sun.
       Soft as Spring,
    Master, bid it sing and moan.

  Song shall tell how glad and strong
    Is the night she soothes alway;
Moan shall grieve with that parched tongue
    Of the brazen hours of day:
    Sounds as of the springtide they,
       Moan and song,
    While the chill months long for May.

  Not the prayers which with all leave
    The world’s fluent woes prefer,—
Not the praise the world doth give,
    Dulcet fulsome whisperer;—
    Let it yield my love to her,
       And achieve
    Strength that shall not grieve or err.

  Wheresoe’er my dreams befall,
    Both at night-watch, (let it say,)
And where round the sundial
    The reluctant hours of day,
    Heartless, hopeless of their way,
       Rest and call;—
    There her glance doth fall and stay.

  Suddenly her face is there:
    So do mounting vapours wreathe
Subtle-scented transports where
    The black firwood sets its teeth.
    Part the boughs and look beneath,—
       Lilies share
    Secret waters there, and breathe.

  Master, bid my shadow bend
    Whispering thus till birth of light,
Lest new shapes that sleep may send
    Scatter all its work to flight;—
    Master, master of the night,
       Bid it spend
    Speech, song, prayer, and end aright.

  Yet, ah me! if at her head
    There another phantom lean
Murmuring o’er the fragrant bed,—
    Ah! and if my spirit’s queen
    Smile those alien prayers between,—
       Ah! poor shade!
    Shall it strive, or fade unseen?

  How should love’s own messenger
    Strive with love and be love’s foe?
Master, nay! If thus, in her,
    Sleep a wedded heart should show,—
    Silent let mine image go,
       Its old share
    Of thy spell-bound air to know.

  Like a vapour wan and mute,
    Like a flame, so let it pass;
One low sigh across her lute,
    One dull breath against her glass;
    And to my sad soul, alas!
       One salute
    Cold as when Death’s foot shall pass.

  Then, too, let all hopes of mine,
    All vain hopes by night and day,
Slowly at thy summoning sign
    Rise up pallid and obey.
    Dreams, if this is thus, were they:—
       Be they thine,
    And to dreamworld pine away.

  Yet from old time, life, not death,
    Master, in thy rule is rife:
Lo! through thee, with mingling breath,
    Adam woke beside his wife.
    O Love bring me so, for strife,
       Force and faith,
    Bring me so not death but life!

  Yea, to Love himself is pour’d
    This frail song of hope and fear.
Thou art Love, of one accord
    With kind Sleep to bring her near,
    Still-eyed, deep-eyed, ah how dear.
       Master, Lord,
    In her name implor’d, O hear!

Time swirls above me
in the dead of coldest night,
when the witching hour brings you
in copper cloud's delight,

So I can feel you moving,
touch the quivers of my skin,
bursting through the cascades
of the naked storm within

Rushing you inside me
pushing deeper,
deeper in,
tasting salt in tongues
when the droplets cleave the wind

And the boundaries
cease between us:
dissolve where sweat begins.
Torrents sweep in waves
coursing through the joining Syn

Face to face we rise
from the pipes of Pan
within
breathing mist together
as the bird songs wreathe
a ring
of foliage and of flowers
around ancient stones
and altars,

Where all the others leave us
their carrion
in the garbage,
we take Raven with us
and soar
above the bloodlines,
the glisten of the kin

Raising new horizons,
we feel the morning spin,
hatching suns beneath us
in the shadow of our wings,
un-folding life together,
ten-folding on forever ...
and ever ...

Within.

Death himself in the rain . . . death himself . . .
Death in the savage sunlight . . . skeletal death . . .
I hear the clack of his feet,
Clearly on stones, softly in dust;
He hurries among the trees
Whirling the leaves, tossing he hands from waves.
Listen! the immortal footsteps beat.
Death himself in the grass, death himself,
Gyrating invisibly in the sun,
Scatters the grass-blades, whips the wind,
Tears at boughs with malignant laughter:
On the long echoing air I hear him run.
Death himself in the dusk, gathering lilacs,
Breaking a white-fleshed bough,
Strewing purple on a cobwebbed lawn,
Dancing, dancing,
The long red sun-rays glancing
On flailing arms, skipping with hideous knees
Cavorting grotesque ecstasies:
I do not see him, but I see the lilacs fall,
I hear the scrape of knuckles against the wall,
The leaves are tossed and tremble where he plunges among them,
And I hear the sound of his breath,
Sharp and whistling, the rythm of death.
It is evening: the lights on a long street balance and sway.
In the purple ether they swing and silently sing,
The street is a gossamer swung in space,
And death himself in the wind comes dancing along it,
And the lights, like raindrops, tremble and swing.
Hurry, spider, and spread your glistening web,
For death approaches!
Hurry, rose, and open your heart to the bee,
For death approaches!
Maiden, let down your hair for the hands of your lover,
Comb it with moonlight and wreathe it with leaves,
For death approaches!
Death, huge in the star; small in the sand-grain;
Death himself in the rain,
Drawing the rain about him like a garment of jewels:
I hear the sound of his feet
On the stairs of the wind, in the sun,
In the forests of the sea . . .
Listen! the immortal footsteps beat!

If someday on a stone you read
My name, by a dying flower
Please find one memory to cherish
Some hope, for a dreadful hour.

Wreathe it in an ivy circlet,
With the wisp of a silky ribbon;
We'll make of the bare bones of love
A feast, whether taken or given.

A romantic grace that ebb and flows
A wilting palour, or gleaming candour.
Dressed in the most splendid melancholy
Dost thou, Yesteryears, again bloom and wreathe
Piercing the fibres of succoring apathy
Unyielding, haunting asymmetry
Ghost of my Roisin Dubh vent thy effrontry

If Fall shall rob fair summer of her boon,
    And steal the gloried rays of her gold sun,
And dreamy essence of her calming moon,
    Whose beams across the Heaven’s bowers run,

And all her sweets, her candied charms and spells,
    And all the finest beauty of her store,
Then days shall come, in which Cronus compels
    Fall to make grander all that summer bore:

To make the sunshine doubly gold and bud
    Much sweeter, golden blossoms, and then birth
Much fairer fruits, rich with sweet, temp’rate blood
    And feed with triply fresher dew the earth,

And pave the roads with golden folds of wheat
    And piled gourd, and hang the trees with leaves,
And spread with posy flame the glades where meet
    The murm’ring brooks, and where the sunshine weaves

Its silk of light across the morning skies,
    And all the flowered bowers with sweet breath.
Aye, even if the summer clime soon dies
    The Fall shall wreathe a beauty of its death.

Swift bee, the gilded messenger of bliss,
    Begirt with golden stars of Heaven’s span,
What draws you to the clover’s gentle kiss?
    Sweet nectars, that the strongest drinker can
    Carouse with dreams and dizzy waves of sleep,
        Or mocks the freshest breath of summer’s clime?
            Swift bee, a flame-plumed star of black and gold,
    Why do you with your mouth, completely reap
            The liquors that each golden bud does hold,
        And lulls with somnolence the might of time?

Oh, bee, you spread the tufted pollen clouds
     Like nebulae of opal stars crossways
The delicate, soft digitalis crowds,
    Which passionately garner sunbeam rays
    Within their coral shells. I can’t express
        How much your toil’s worth to coming spring,
             And how so passioned glide your wings around
    The purple, gentle harebell’s loosened dress,
             And make, through pretty hums, spring’s hopeful sound
        Oft too profaned by your most fearsome sting!

Oh, pretty hummer! Hearty worker! Bee!
    I see you roaming round the garden’s bend,
Where sweet, white daisies wreathe a canopy,
    And make you but a hearty, cheerful friend.
    Swift bee, the aching, swollen heart of mine
        Desires comfort where pain knows no ruth
            The buds hold, like rich garners golden grain,
    Ambrosia of the gods, dream’s honeyed wine
            So bring and let dear bee, such moisture stain
        My lips and warm my heart with spring’s bright youth!

From art, from nature, from the schools,
  Let random influences glance,
  Like light in many a shiver'd lance
That breaks about the dappled pools:

The lightest wave of thought shall lisp,
  The fancy's tenderest eddy wreathe,
  The slightest air of song shall breathe
To make the sullen surface crisp.

And look thy look, and go thy way,
  But blame not thou the winds that make
  The seeming-wanton ripple break,
The tender-pencil'd shadow play.

Beneath all fancied hopes and fears
  Ay me, the sorrow deepens down,
  Whose muffled motions blindly drown
The bases of my life in tears.

a language ever unspoken
words that have no meanings until
they are printed on the pages of a perpetual knowing
a life lived in beginnings
a destiny of sunrises
a world ever in creation
a woman writing the birthsong of her dreams
she has collected like seashells on angelic shores
they were waiting to be discovered behind her green eyes

she pushes aside the layer of words
that capitulate to her wealth of lovely image
getting to the words spoken to her as the girl
getting to her written soul
where the implication of essence that becomes
the fragrance on which a heart may lay
sweet song to the listening soul
meaning of our lives...

I can see that smile in many ways
but I can only see you in your
expressions of your heartfelt wreathe
expressions of your art
true to who you are
in that creation you strive
who needs no other name than the song
that you cast onto the worlds waters
the very same song that upon which this poem thrives
that makes it live and breath in the summer breeze

I can see that smile many ways
but it is the listener who tells the tale
it is the lovers of images who purchase the wares
its the lovers of a world ever in the creation
who wear your words like a gift of sunshine

© 2017 mark john junor all rights reserved

Let us, my dove; just rub along as planned,
This is the place for the clever pipe to sound.
Should I be ashamed to live content with one girl?
If this be an offence, the offence is loves.
Let no one blame me- Emily, please to share
A dewy bed on mass clad heights;
There, you shall hear the sisters nine haunting
The craggy rocks, and singing the sweet
Thefts of old world Jove. How he burned for Io.
But if there is no one, who ever can
Beat the youthful wingéd ones taut weapons,
Why am I alone guilty of a crime all share?
Their chorus knows what it is to love!
Shall I suffer the holy Ivy to wreathe my head?
You allow me to pluck down the stars by hand!
For without you, my Emily, my heart is powerless!

There once was time to sit and spin
The dream without, the light within
When young ideals like creed and rote
Would wreathe their blue tobacco smoke!

When wine was certain at each sip
When answers leapt at every lip,
Such were the days, when we all knew
If we were asked, what we would do.

But life began to call us in
And time, as such, has grown so thin,
We rush to do the things we must
While dreams, ideals, are things of dust.

And soon we turn our backs on them
Those shadows that were once young men
Who never dreamt hypocrisy
Would spill their dreams, philosophy;

And rule them with a rod of steel
And teach them well how not to feel,
And lead them blindly through their days –
They spare no thought for younger ways.

And where that dream, ideal, that once
Was held to spell deliverance?
Well we might ask, and well we might;
It’s life, not death, puts out the light!

David Lewis Paget

Life has given me pain and torture
My sweetheart behaves like butcher
Difficulties are in cluster after cluster
Life is nothing but a death chamber

Now it has become difficult to breathe
Poisoned sword comes out of  sheath
My beloved comes out with wreathe
My restless soul crops up just to seethe

What is life who will make me learn
Turn after turn and to **** and to burn
In sojourn we discern to take concern
Let us feel intoxicated but at the  tavern

Col Muhammad Khalid Khan
Copyright 2016 Golden Glow

Worms of wrath and worms of envy
Wreathe beneath my aching flesh.
My heart lies cold on the floor of Lust
Yet alone it beats afresh.
Is it pride that keeps it beating,
long after others end.
Or is it greed to long for someone
Wishing to be not just a friend.

Silly slothful thoughts sometimes
rush trough my weary mind.
leave well enough alone they say
love's something you won't find
this gluttonous desire
for somebody to hold
Can never be fulfilled
Yet it will not be controlled

Let us share
        an incantation of the old world
Let us unfurl words like a string of pearls
torn from ocean deep - I battled Krakens
to bring you these words – let me wreathe
the drowning seed of ancient demons
in a modern tale of high rise jewellery
You can wear me at your leisure
for I am a book of poetry - open in your hands
caress my pages - I offer ages of wisdom in sand
strung sorrowful about a stony neck
can you see the mystery of that cloud
striated by the mountains tip carved
deep into the sky in defiance of the wind
unbowed by time yet so vulnerable
to lion and tiger, to the hermit and his tearful rain
did you know that every beach was once a mountain?
so every ocean floor kissed the sky in its youth
let us built these fragments into clamshells
string them on pearlescent pages turned
by curious eyes and ponder how time
makes a mystery or a monster of us all
Let us share
              this incantation of the old world
for in words
              we can live forever

Knobby-wristed boys stroking my thighs
Arms wrapped 'round my waist, filling my ears with their sighs
They hold me, and they ask most politely
To touch each of my ******* when they're pressed against me tightly.
I'm lost in the haze; it's a plume of smoke in my brain
Requests patter past me like drops in the rain.
The room is dark, outside it is cold
I am older than they and they are not as old
'Round my soft unkempt body, they wreathe their desires
We don't ask, "Do you like me?" We are not liars.

Dabble, Drabble
Play with the rabble

Unafraid, Arrayed
With a naked blade

Fearless, Peerless
After all this time, careless

Sliver, Quiver
Running wild like a river

Cellar, Seller
Wildlands dweller

Rotten, Cotton
All but forgotten

Night, Wight
Bereft of Night

Dream, Gleam
Cold as a mountain stream

Seep, Weep
Time to creep

Breathe, Wreathe
All alone you seethe

with what you had in your hands was simply

an ellipsis to emptiness. Hands can only carry
                very little weight.

and to have been caught in a virulent string
   of your Decembering noontime air – was it,

just birds spry and singing or was it
a wreathe of girls surrounding the *****

back to how it was to create light out
   of primitive engines?

once it capitalizes, we are caught in this
small circle. often retained, the detritus of

such duel: once ripples are May and
  initialed the reprise of springtime,

yet here we are only tropics, and cancer,
   and the heat is too much as to bear

charge, your tired, sleuthing dog Django.
   rasp for the lift, was it before the collapse

when both a yawn and a dance trembled
into   /stillness/

You bind me
You tie me in a dream
You find me
You seek me out in the crowd and
Blind me
You fixate me
You put a blindfold on me and
Lead me astray
You tease me
You pass me pleasures and
Take them away
You observe me
You watch me wreathe and yearn
You create me
You might even break me and
Pick me right up
You make me
You deal the cards so I can play
with you

i feel like we are on two different continents separated by a body of water too deep for either of us to cross with bare feet
too rough for any boat to try and defeat, the waves will enclose it in a blanket of salt and misery
simultaneously conjuring up treacherous winds that **** planes and helicopters in with a whirlpool of melancholy
the tides are undecided, constantly changing from low to high but as of late the high tides are taking over and my continent is drowning in a sea of confusion and despair
i cannot breathe, my land is being ****** away, each rise and retreat of the sea taking mountains with it, destroying what once was a beautiful bliss of serenity
the ocean
the ocean makes me fearful, makes me wreathe in my decaying skin (too much exposure to salt’ll do that to you)
the ocean is what our love has decimated to.

darling i have meat stuck in my teeth
             i have not a wreathe on my dome
             i have a long measure of water
             rammed in my throat, hemmed in like
             your body’s canopy in the stream of me
             i chase the silence like a tractable beast
             in this hollow den of nothing
                                                         darling
i have not hands but chains
      i have volcanoes and not moons
         i see past the banners,   an army of   light
       unfastening itself  from  the poles of foreverness
     I have in my eyes   again the frail azure
            and the gyration of clouds mangling themselves
         to    figures,   assumptions,    colloid
          endless   snow,     frayed beings moseying towards
                     rows     of   lengths and   the autumnal abode  of  hills
   turning     green,    brimming with    the ***   of pastures,

      feasting in this fill of such   heaviness,   a name    of what I cannot   recall
         darling   the yellowbell       darling   the lignified    amaranth
               darling      here   at   such   meeting    I    am  starved
         with    little    movements     of   flesh

entering the gradual hour,
this wraith without announcement,
without wreathe, without the
song of bells nor the fracas
of cathedrals.

are you always like this?
have you already deciphered
the enigma imbued on the twists
of our roads? have you already quieted the anthem of emptiness?

when silence befalls you, do you trill on the same bough after your tired flight? with what weight of water do you scrunch the already dampened foliage? outside windows and all openings there is only the old moon's wane, and in this uniform exactitude, do you speak what remains to be said? what are only these words that remain so small in us? why have we not foreseen their deaths?

why must you go in the irretrievable dark and emerge with
only scarce light? why must now your languid bones rattle underneath the ground of this formlessness and speak to me the languages i conceive on my own
and not from your once brazenness?

before your rigor was the sibilant stridence of your once wry smile.
we cannot find it in us anymore,
and somewhere yet again, inside of us, rallies still with its mayday and its warfare,
something only a shadow could
only ***** in the total dark.

If I remember correctly there was, eating into the rough and big of a quiet and unsnowed languid mountain, a road neatly where trodden a boy and girl (all day) who came to the body of a lake in the last wisp of summer gently amorous of their shoulders suffused a wreathe of light on bough and stem. Gentler, still, who even than irrelevantly brushed their limbs in copper and beaded dew of striving youth. I, if I remember correctly, was a boy who in a summer one time, by the body of lake, knew a girl. who said,

                                                                                                                                                                   she loved him.