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Glenn Currier Oct 2018
I hoist the old scarred oaken chair
onto the workbench.
I think about how this nick
and that scratch
and that unglued cross bar
happened
and how many years it has withstood
the heavy weight of the humanity
who have found it and laid their burdens upon it.

And I give thanks that it is still repairable
still of use and available
for the brief respites
of those it serves.  

I give thanks that I too
am still on the workbench.
Margaryta Mar 2014
I put light bulbs into roses
And I tried to make them grow,
But no further than my workbench
Would they ever even go.
I connected them with wires, clips –
I’ve tried it all:
Drew out diagrams on yellowed paper,
Labelled in my chicken scrawl.
Once the electrician came to look.
“What have you been doing girl?”
It was then that at my workbench
A bag of fertilizer did he hurl.
Gone then were the wires, clips;
Gone the ashes on the floor.
All that’s left were wilted roses
Piled up right by the door.
Senor Negativo Aug 2012
Spring blossoms gentle acceptance
Of vagaries of desperation
Like variegated autumnal leaves
From the core of the stone of floods
Undeclared truths
Affirmative requests

There is chaos as a whole
In the expanse of the unending.
Fear fades mystically.
Death and boredom leave your lungs ...
There. Exists
Justice and pleasure... .
.... thoughts of living, laugh in the face of Death.

all the thoughts of failures
Conglomerate and are cast away
Into a deep trench
the soothing currents lull
Sinking green verdure.
Embraced by the biosphere
And forming a reef,
Thereby even your failures succeed.

Even now your image is being painted on the dull white canvas of my love.

Violent storms may rend the world
scattering lesser unions,
There is endurance in our madness...

Laughter, the golden bird, with bejewelled feathers,
Leads to the oasis of truth, in this desert of deceit
Reciprocation of sensation
Every intention to remain

And the rapidly ascending choir of broken angels sing the song which massacres despair.

And the body I wish to settle
Caressed by the deepest dark of night
Birth of the morning
The genesis of pleasant daydreams
Calm, hope ...
..... And a sense of success
Blue morning justice cascades
With dispelled illusions, and realized wishes.
Everyday upon wakening
I discard hate
As love, is mildly colored supple flesh
Withdrawn and plunged, into the crack of a stoney heart

Space infinitum opens before us,
On the petals of the lotus
Space through which two beings connect
No matter the distance.

We know that beneath this dull white nightmare
Dwells a vibrant black dream,
That is neither evil or good,
But just is.

On the workbench of despair,
Disassembled hearts are heaped.
In this pile I dwelled for an age of pain,
Until you plucked me from the pile
And made me whole again.
Charlie Chirico Jun 2014
An old friend invited me to his lake house, surely to get away he mentioned.
A dock leading to a pristine lake, not a ripple in sight. He left spare keys on an island table. Said he would be back in a few hours, apologized, and instructed me not to go into the boathouse, something or other about it being repaired. His headlights hit the home and by the lake until it hit the gravel ahead. I walk to the pier to get a better view of the lake. To smell whatever it is that you smell at times like these. The pier is maybe fifty feet. The boathouse is at the end towards the left, not exactly hidden by shrubbery, at least not maintained in a few years. Surprisingly the door opens easily. Light is scarce. Water is beneath. I'm not country nor wealthy enough to know that not all floors are solid.
A switch is to my right. It enluminates a workbench. Tools are absent, besides some rope to tie boats, I suppose. Instead it is covered with pictures. All of a boy. Possibly seven. I'm intrigued, delighted being a lie or an embellishment. Many photos are taken at this location. On the pier or besides the house, as others are taken at places I'm not familiar with. There's a photo with a boat, the boy is sitting and smiling, saying cheese with as much force as a wave. Under the workbench is that very boat. Flipped over, but still kept. I stand still for what seems like minutes. I'm walking toward the house pulling the door shut behind me. I make my way to the kitchen. Married couples always have notepad and dry erase boards hanging around. They did.

*I decided to head back to the city. The air here is too clean for me. Also, I went against your wishes and went into the boathouse. I'm sorry for your son. Your loss. I haven't touched a thing in my boy's room for six years. I keep the door shut. I'm afraid I'll drive myself crazy, ya know, just sitting on his bed and he runs in to grab and go. It's completely irrational, but so is burying a child. I know that I won't be all smiles when you return, possibly you as well after reading this, but I felt compelled to act and explain. Call me if you want to talk, I'm not sure I can give guidance on how to cope, but sharing stories is always good for the heart. All the best
bleh Jan 2016
(not a poem i guess but eh)




Space keeps falling to the sides. I try to concentrate, - I mean, I make a token effort every now and again,- but concentration, fixation is always in terms of something external, something I'm not sure I can deal with.  I roll over and go back to sleep.



'Where's the flour?'
'Where you left it.'
'Which is where?'
'On the table. What you want it for anyway?'
'Which table?'
'Haha. The generic maple with the ugly-*** spandrels. What are you making?'
'You think we could afford that? Nah, it's like, faux-pine or some ****. And like muffins.'
'Oh good, there's banan's that need using up'
'No no, like, other muffins. Crumpets and such. Got any golden syrup?'
'I think there's some maple.'
'No, it's like, ply, I swear.'



I haven't moved in days. I need to. He'll come eventually and I don't want him to see me like this. Plus, I need to locate that smell. I can't have guests over with it here. I'm just not sure where it is though. I  feel like it's on my left arm when I’m in the middle of the room, but off to the right everywhere else. It's.. acerbic, but fermenting, like vegetables on the onset of rot but not quite there yet. Not that I know; I haven't moved in days. I don't want to smell it again. Also garlic, definitely garlic.



We visited the inland sea the other day. The hundred years since last time hadn't changed it one bit. The beached clay was brittle under the midday sun, and the cracking footsteps fragmented it into a hundred hexagons.
               'I hear a strain of the pathogen is airborne. It's only a matter of time now'
A group of tourists park up by the shore. A child holds out their arms and runs in small circles.



The corridor keeps flashing. And maybe spinning. It's hard to tell, the colour change starts at a different point each time and there's no discernible rhythm to it. You keep pacing up and down. I feel self conscious that you want to leave, but then again, you did show up unannounced. You shake the snowglobe disinterestedly. The fragments burn like molten static.
'Stop that. I feel like I’m vomiting spiders.'
'You're being dramatic.'
'None the less.'
'Don't worry; you'll get through it. The world is transitioning, and this is just motion sickness.'
'I know that, I didn't say I was worried, I said I wanted it to stop.'

'sorry'



We'd always go for a walk at night if we felt we needed to talk. It was an unwritten rule. The veil of amber filter let our more timid thoughts breath in the nebulous darkness. Stark daylight was always too suffocatingly real, and that was the one thing we were never allowed to be; real. You'd always talk superficially if we discussed personal matters. That day you did a one-third spin clockwise and faced my side, and talked grandeloquently, hammed up like on a stage. You gave an embarrassed smile and blew a kiss for the invisible audience. I always felt jealous of those nothings, those non-existent beings, that got to figure into your world.



'Christ it's warm today. I can't think.'
'so don't bother.'
I spin in the chair. Whooosh. Whooosh.



It's the end of a 6 hour shift. A customer, a mother in her odd thirties, was angry that a sale item was out of stock, like sale items always are: She'd only gone out of her way to shop at this store because of the advertised deal, and we had taken time out of her busy schedule under false pretence. Her child stared at the ground intensely, his eyes watering. I tried to imagine the situation through his eyes, to try and ground myself; to remain both present, but stable. She insisted on speaking to the manager. It's a relief really; He's a skeevy ****, but he at least knows when the customers are just there to start ****, and responds accordingly. He comes over, asks what the problem is. It turns out I entered the code wrong and the item was still available after all. He gets one from out the back, handles the transaction, says have a nice day and apologises for me and everything, and I just stand there blankly; I’d had the graveyard shift the night before and honestly I’m beyond feeling right now, but when she mutters 'dumb *****' as she turns away a tight feeling still twists in my gut anyway.
I come home and leave the door hanging open framed in the setting sun and just drop my bags in the hallway. You're in the kitchen, hunched over a workbench eating out of a mug.
'Whatcha having?'
'Cornflakes.'
'….Cornflakes?'
'Yep.' you pivot as I approach. 'corn..flakes.' you hold out the packet.
'coooornfllllakkkkkkkeeeessssss' I start laughing.
'coooornfllllaaaaaaaaaaaaaaaaaaaakes'
we chorus the term in groaning monotone, and I grab the packet out your hand and throw it down and violently stomp it into the ground with every non-energy I have left. You just laugh and egg me on, repeating 'cornflakes! Cornflakes!' in crescendo, ostinato. The satisfaction of each crunch gives me the drive to smash them further, and corn dust spills out of the pulverised cardboard and gets everywhere. In the end I’m panting, my face is a mess of tears, and I collapse over onto it and just roll, bathing in the glorious fragments of reconstituted mulch.



'They say another ice age is coming.'
'They also say we'll be swallowed by the sun'
'well, it's true.'
'Yeah, but which'll happen first? I need to know to dress accordingly.'
'Tunnel's up ahead'
'I know, I see it.'
I deliberately swerve to the side and speed up, changing back at the last moment.
'You know I hate it when you do that.'
'What, don't you wanna die together with me? Here and now? Immortalised, as if our existences actually meant something?'
'like Diana and the nameless chauffeur?'
'******* exactly.'
We step out onto the hill, frozen **** tufts breaking underfoot. It's cold as hell but the skies glittering. You get out the telescope you borrowed off your rich *** sister.
'I think that's Jupiter over there.'
'Pfft, Jupiter.'
'What?'
'What's the blankest space you can find?'
'Hmm.. that way?'
You point it in that direction. 'Look'
I stare into it, but it's hard to keep focus while shaking from the cold. You keep adjusting and asking ,’See anything?', eventually some hazy distortion comes into view.
'See, no matter where you look, there's always something there.' You're trying to sound eloquent. 'Even when it seems like you're drowning in nothing.'
I stand back. 'That's terrifying. I feel sick.' I try to breathe but it's shaky and shallow. I stare into the ground, but I can still feel it; the blaze of the myriad innumerable heavens burn into me. Their judging gaze pierces through me and tears me to shreds.  



'You know, I think I read that Spinoza thought that consciousness is manifest in the ability of finite beings to continue persisting in and of their own will over time.'
'Doesn't that make a toaster more conscious than us?'
'Yeah, you don't say.'



We were twelve and at the department store. It was strange. I'd never taken the bus by myself to just hang out in town before. I always feel disorientated and light-headed in crowds so it had a strangeness; waves of apprehension cushioned by the homogeneity of it. one can be truly alone in a crowd; floating in a sea of otherness, where each gaze is no longer a signification of anything, but a warm static. We were among the aisles of a department store, in the toys and tacky house ornament section. Like, the junk you buy children and grandparents for their birthday. **** that you'd only attribute to people whom have no discernible qualities of their own. We were looking at snow globes. We kept trying to shake them violently enough so that the scene framed within would become entirely lost to the fog; it always felt so disappointing when clarity returned and things re-became what they were. I remember saying, 'I wonder if it tastes like real snow', I don't remember, It was stupid, I don't know why I said it, it sounded cool in my head. But you responded, that I remember, by taking the thing and smashing it against the concrete floor, and pouring out all the fragments into our hands. We tried them together and coughed and choked in laugher. It tasted awful, entirely unsurprisingly. On a rush you stuck one in your pocket, grabbed my hand, and we promptly left the store, and my heart was palpitating, it felt like all the rules, all the natural laws that had prefigured my world were crumbling, and I was terrified, trapped in the gaze of my mothers look of disappointment when we'd be inevitably caught, somehow watching me from its potential future, and I'd no longer be allowed to visit you but it was okay because I was here with you now in this moment and we were alone in this faceless mechanical place crumbling around us, and when we left, and no sirens buzzed, I felt sick with excitement at the unbounded possibility present in everything in every second. I cringe thinking back on it, and feel ashamed at finding such meaning, feeling such unabashed wholesale virtue in indiscriminate destruction, but sometimes, sometimes I still shake that snowglobe as hard as I can, till everything determinate is lost in haze, and I still feel a wave of comfort wash over me.



‘We’ve been walking for ages. you know where we’re going, right?’
‘It’s just up ahead. I swear’
‘You swear?’

‘I mean, I’ve only been there once before myself.’
‘****. This way?’
‘Wait-‘
‘What?’
‘Huh. Nothing. Sorry, I thought I heard a car coming.’


‘I think that’s the ocean?’
‘But.. aren’t we heading inland?’
‘You sure?’
‘Yeah, I swear.’



We're in your room. Your reading on your bed and I'm in the swivelly chair by the desk, pretending to work, but really we're just chatting, talking about.. something. Whatever. It was probably stupid, laughing at our own jokes, as always, catchphrases repeated till they loose all meaning. It's been a long day and honestly we're both too tired for coherence by this point, but the lack of effort lends the air an easy comfortability. But then suddenly.. Suddenly you stare into my eyes as if you're looking at me and it's somehow different, an intense gaze that I can't escape, as if you somehow found something located there, something fixed in those abyssal pupils. The feeling is overwhelming and terrifying. I am grounded, ripped into the prison of being and frozen static like a dumb animal transfixed in headlights: I am outside myself facing in, and I’m falling away. I pull you in and kiss you to escape; now, it is your touch that is fixed, your smell, your taste, and I breath a sigh of reprieve. You hold my back as I fall into you. I lace my fingers through the buttons in your shirt and feel the faint pulse of your flickering heartbeat. At once an ever-changing epiphenomena, and a calming rhythmic certainty. I vacantly tug at the buttons and your expression changes, gone is the feeling of suffocating questioning, but one of transfixed observation. Your touch is not a reaching out into something, but a continuation of yourself; I am an instrument of your lust, an extension. Holding me in your arm, you nervously run your hand down from my nape and trace my bra from the strap over the line of my breast. The lightness of your touch is a painful tickling and I push myself into you further, my thighs wrapping around yours. Your touch shoots a burning into me, not painful, but like glowing kindling, or the warmth of a blanket; an immanence, a retreat. I let my mind go blank and we continue; you fumble with my bra as I fumble with your belt. We're both shaking but too far gone to notice, too distant to care. The dry freeze of the night air contrasts your damp heat. You clasp me as you trace your hand under my skirt and I feel your arm brush my thigh. I tremble slightly at the sharp coldness of the damp cotton coming unstuck. After a stretching moment of awkward liminality, I feel you pass into me. It's a burning smoothness, distilled liquor. The rubber is an alien feeling, and for some reason I imagine myself as a giant balloon; a malleable featureless surface, filled with emptiness. I feel myself through the threshold of your presence and I am afraid; I am a boundary which encompasses nothing, and by your passing through I fear that I will be pierced; I will burst and out will flow an obsidian wind that will wither you to nothing, but it will keep coming, an endless torrent that will subsume the world and turn everything to desert, and the only way to save you is to keep it bound up as tight as I possibly can till my heart feels like burning metal, and I feel my tears land on my hand tightly clasping your shoulder. You ask through wavering breaths if I want to stop, but I shake my head; if you left now I would be caught and torn open; no, instead I subsume your undulations into myself; till the rhythm is as oceanic noise; a surface rolling located miles above a lightless motionless centre.



The pale green lamplight flickers. A nausea, tepid, but understated. The sentience of moss; an almost motionless drone, but the sense of unfolding. The corridor seems larger than it once was. Blank reflections harrowing accusations, mechanically indifferent but piercing; an alarm clocks wail. I lie still, I lie still. The buzzing repeats. I lie still. I am flowing, seeping through floorboards into the pores of the earth, into colonies of worms and I am lost and free, a motion, a multiplicity, pure form without the anxious drudgery of parts; pure alimentary canal, pure Elysium absolution. The flickering quickens and gets brighter. A pulsating light, a strobe, a beat frequency wavering behind vision. The liquid earth, saturated by light, hardens and dissolves. And 'I' am lost among the ruins, a vague memory of a sentiment. A nostalgic grief, an asphyxiated longing. I reach out to you desperately in the drag of the undertow, but you are the chalk of faded bones; cast to the winds centuries prior. A thousand years pass of blanket darkness, and a unitary bell rings. The flotsam batters against the temple gates. Debris collects in cracks, and my pieces are among them. I cling to retention, and return. I am cold sweat outlining the floorboards, the feeling of clenching before vomiting, repeated endlessly.



A few weeks after, turning off an avenue onto the main road, I see you. You're crossing, coming this way. It was bound to happen eventually. I bite back the moisture forming in my eyes and try to remain faceless. You suddenly change your trajectory, and hit the side of a car. It honks at you and you dodge around it. I allow a bitter smile to myself; the fact I can cause you such disorientating discomfit indicates I still mean something to you. Even if it's just a discomforting anxiousness, something beyond the boundary to be avoided, I have causal powers, extension; I can see my flicker of presence in you even now, even if I cannot for the life of me find it within myself. You run around and I walk straight. It's empowering; I can remain fixed, even if the torrent of the world flows around me. At that moment, I feel the indubitable strength to persevere. I am stronger than this world; I am stronger than you. But then, just as suddenly, the feeling folds upon itself and is gone. I felt solidified, just now, by the fact that I was the one that remained in this random encounter. I won, you lost. but Won how? With the ability to pretend that I can exist alone, in a world that means nothing to me? The ability to maintain a solid spectral façade, when underneath, scratching away under the skin, I contain nothing? To continue terrifies me. Knowing that I have the strength to continue terrifies me. That last thing I ever intended was to outlive you. I feel the world drain away from me, and yet I remain, left standing, alone, in a of realm of perpetual nothing.  



I feel sick

a hundred years pass in the cavity of the desert. Merchants make trade off raided materials and makeshift weapons. A library is burned. A soldier, wanders freely. An insect buzzes around his face. He darts about the place in annoyance, but it remains. He can't shake it. He closes his eyes. It's still there

I feel sick

the sun burns bright arrhythmic  clicking.  A late twenties couple go clothes shopping, however the child is hungry and will have none of it. Lunch is suggested. They are jocular about the decision, but feel an uneasiness about the indulgence. The air is saturated and dries
Alastur Berit Aug 2013
I ripped our love apart.
I defiled it.
Whatever we had I graffitied all over,
I sprayed noxious fumes over a work of art.
And you're gone.

I ate our love up.
Devoured it.
We had a four course meal planned out.
I ate the desert before the meal began.
And you're gone.

I bulldozed our love.
Destroyed it.
We were architects for not just a building, a city.
I burned the plans, the structures.
And you're gone.

I killed our love.
Murdered it.
a life of
Your pit bull and
hairless cat and
motorcycle
Workbench
-did you ever take that course?
love

Your eyes when they were seventy.
When we were on shrooms,
I hallucinated you at seventy.
I started crying because you were so beautiful.
That was before I went homicidal.
But you are gone.
And I don't blame you.
We hadn't spoken
Too much had been left unsaid
Now silence sits there

Collecting the dust
Like one of your projects
Waiting to be fixed

Never forgotten
But not cared for as it was
Left 'till much too late

You left suddenly
A quick fix out the back door
Me left unfinished

Still,

I'll remember you
As I choose to- the Tinker
Everything just so

You'd sit at your bench
Stripping the wood of varnish
Bringing out beauty

Polish here, dust there
Every detail adjusted
Perfection strived for

Now that you are gone
Your antiques your legacy
I'll remember you

For the good in you
And I will try to forgive
you the dark hours

I will have to start
Mending memories that you built
A Tinker's daughter

Rewiring my grief
Sitting at your workbench and
Stripping it of guilt

Sit and watch, Tinker
Watch me try to mend a heart
Left in disrepair

Polish here, dust there
Every detail adjusted
Acceptance strived for
Jet Dec 2020
I

At night, I search for the wrench
I lift it off my nightstand
I lie down on the workbench
the cool weight held in my hand

what I must loosen first is my knee
lull myself to a state of repose
leg is a swollen trunk of a tree
placidity the pain soon outgrows

ache that is green
ache that is ivy,
ache that is wrapping
around me
entirely.

being disarming,
the way that a friend will--
in no way harming,
I pry up one tendril,

My ache and I have just locked eyes
I turn my bolt counter-clockwise

just one half turn.
making way t’ward release,
pain is adjourned
to finally find peace


II

And in the factory,
It seems I was wound too tightly
Deemed satisfactory
Now, I relieve pressure nightly

The bolt pushes in such a way
it leaves the metal bent
Relief is not given away
but instead it is lent

pain that is sharp
pain that goes squish,
pain that is swimming
around me
like fish.

The pain in my head
a pain bright white
Will surely spread
If not done right

My head and I sob, throb, and cry together
And then I finally sever the tether

spin one full revolution,
Though I know it's unwise,
Lets in nightmare pollution
Maybe last night’s reprise



III

At night, I will always search for the reasons
Why is it that bad things happen to good people
I lie down and lament each of the seasons
If it’s about church, I’m skewered on the steeple

Now plaguing me is my dear heart
O! Please don't think me frigid
It’s how to be, if you are smart
Walls that throbbed become rigid

want that is lace
want that is divine,
want that dissipates
completely
in time

Wincing at every twinge
Heart so hollow it awards me pain
Lace is fraying at the fringe
Meteor in my orbital plane

said it flutters and feels flighty
prescribed one spin righty tighty

Then, compact are the loves I hold,
Locked in my heart airtight
No space empty or left cold
I wish you all goodnight
The Shed

Waiting for afternoon
when I visit, tea in one hand
crossword in the other.

Rows of last year’s seeds parade on the shelf
by the window, cobwebs high and tight.
Mulchy  tobacco odours mingle in mooted sunbeams.
Garden tools hung neatly on nails, the workbench clear
save for the jars of nuts and screws and old mug rings.

Exiled carpet, stiff with fatigue,
plant pots are the only pattern left,
the wooden stool  moulded with old-age-grooves
and joints that grumble,
stands next to bottled rhubarb and elderberry
dusty and vibrant,  drinking in summers past.
Mitch Nihilist Jan 2016
it’s late
or early,
depends how you
look at it,
only my hands and
heart are cold,
smoke filled garage,
rusted tools
hang themselves
in front of me,
paintless brushes,
painted brushes and
baseless screwdrivers
ashy floors and drywall
painted with holes
from fists and hockey
pucks, church pews
of razor-slit,
spray painted
by angsty young
i sit upon,
unfinished projects
are suppose to sit on
the other side of
the workbench.
Not sure what was going through my mind when I wrote this.
Michael Hoffman Feb 2013
I went into the garage
sat down at the workbench
laid out a clean sheet of Tyvek
and sterilized the long steel probe.

This wasn’t a snap decision;
I did months of research
got some tips from an ER nurse friend
knew the risk
but could not live this way anymore.

Numbed my right eye with ophthalmic anaesthetic
leaned over the mirror
and slowly pushed the needle
into the socket beside my nose.

It didn’t hurt
just pressure
like the blogs had said
and then

The world exploded in yellow stars
Martin Narrod Feb 2016
To be classifiable, she nervously applies the cake to her nostrils
While splinters stick in her fingertips. 30. To be a woman she
Harvests necrotic insects and dances in Warhol underpants.

I explain how gravity loves the catalogue of your unique hollywood
Romances. Each train takes a new storyline through the ****** treetops
And counterfeit addictions she poises herself in to seem attractive to
Each magazine under her daddy's workbench.

Being a woman is more than big ***** and paint for brains. Some skins Cling to the reels of the love language sprinting through historical Venetian street settings. I smoke ***** with wizards.

For the first time I witness the acatalepsy of the Irish, but narrowly
Passing the beguiling succor that renders the whim of persons
In the acronychal hours.

I'm telling you your hands are my new exoskeleton. I take to you
With the excitement of gravity. New denude photographs of pallor
Fleshes upstay the human trials we are blessed to share in this open sky,
Where I warn the blues of the sky to be jealous of these sciophilous Women who experience the unyielding pressure to feel the pleasures
Our confabulations offer acushla.
trials experience vday valentinesday acushla darling photography pleasure poetry writing venice italy freedom spirit explorer gravity fingertips wrangler desert america
My teeth are smiling back at me
From a glass beside the bed
I wonder "Do they look that bad"
"When they're positioned in my head?"

They looked all kind of cloudy
***** brown, and green
I think I need to change the way
I make my teeth get clean

Right now I use polident
To make my choppers shine
But, if this is the way that they turn out
I'm embarrassed that they're mine

I took them out and washed them off
I stuck them in a glass of bleach
I thought, "This will make them whitey white"
The colours will all leech

Out of my clean choppers
And will brighten up my smile
Then you'll see me from afar
Well, at least a half a mile

I left them for two hours
and they came out brown and green
I thought, they look no better now
They look totally obscene

I even took to painting them
A glorious shade of white
I left them on my workbench
To dry and harden overnight

They still look brown and greeny
Like they were buried in the yard
I swear, I've never had a thing
That's made me work so hard

I cannot put them in my mouth
with out cleaning off the crud
It's looks like I am smiling
With a mouth that's full of mud

I took a pad of wire wool
And scrubbed them like you do
They didn't get much brighter
But, now at least...they're blue

I went down to the chemists
To get something for my teeth
I needed something powerful
To relieve me of my grief

The chemist said "please shut your mouth"
"You're scaring all who passes"
"Your teeth are oh so snowy white"
"The dirt is on your glasses!!"
Another Pam Ayres , Spike Milligan sort of write.
decompoetry Sep 2010
Dirt from under the tire swing caked into my fingernails;
so raw, they’re beginning to hurt like hell,
layers crusted upon layers until they’re busted.
You can smell the smell and I can tell
you’re disgusted.

You shoot me down
with that knowing tone,
as if you’re too good,
as if I’m just ****
with ***** fingernails,
with that *** that shakes in your stride
as you walk away from me,
as you shoot me down.

I’ll shoot you down.

You leave me trembling
in my wake,
in my sleep,
as I shake,
as I weep.

Soon you will tremble,
and I will win,
and after you’ve realized
why we’re perfect,
you will also win.
.
We will tremble.
We will win.
We will love.

Perfume savored,
I return to my sanctuary,
my four walls;
walls stripped of character,
walls strangling my mind,
a mind running out of time,

and the cellar door
leading to my dirt floor,
where I can collapse
on my knees
and scream pretty please,
and pound my fists
into my skull
until I bleed
enough sin to succeed
in my goal of filling
a paradoxical hole
eating my stomach
to shriveled bits.

Crimson tears forming puddles
to drown my fears of failure,
I continue to formulate your ideal man,
so you will be my ideal girl,
and together we shall rule the world.

I pry at magazines with cutout eyes,
I dine with your hologram,
but it’s never the same.
I need the real thing,
I need you here,
underneath me,
on my dirt floor,
where you are mine,
evermore.

When I am through,
flowers will grow differently,
and the moon’s glow
will never glow quite right again.

Music will sound completely new,
histories forever tainted,
our love will stay true.

When I am finished,
nothing will ever be the same.
They will say nasty little things
that you’ll never hear.

They will say I’m crazy,
and they’re right:

I am.

I am insane, but at least I know
I am the rain and I am the snow,
I am the cloud destined to guard you
until the sky falls down.

I am the hand that comforts,
the lips sewn into your own,
the bleeding heart dying
beside your bleeding heart.

I am the creator,
and you are my prize.

Claim thee I shall.

My fingers bury themselves
in my cellar floor,
as I try to grasp
how to make you happy,
how to please you,
how to complete you,
how to have you,
got to have you,
need to have you.

Must have you.

Fingers so *****, it’s sickening.
Maybe one day I’ll cut them.
Maybe one day, a lot of things will happen.
When I’m finished with my project,
maybe that day will come.
When I’m done building your present,
maybe you will have me.

When I’ve built your man,
maybe I’ll build you.

With a toolkit like mine,
there are no exceptions.
I can reject your rejections,
and accept my paradise.

Madman’s fingernails
claiming handfuls of hair,
so stressed, so pressed,
trembling on my workbench,
striving to at last add
the finishing touches
on our present,

the one I’ve built
just for you;

my magnum opus.

I hope you like it.
Response to 'Anna's awesome challenge over at Poetic Dreamers.
He sat for eons,
God's workbench,
His tools,
Materials.
Brass and gold,
Silver, platinum,
Aluminum,
Electrum and copper,
Rubies and emeralds.

God made watches.

One fine day,
He decided
"Earth."
And grabbed up a frame,
And started filing.
And by God did he file.
The schematics.
The gears.
Must be perfect.

Five days later,
God was almost done,
Only one gear remained,
The finest of gears,
God spent more time
On this one gear
Than any other
In his watch.

This gear is you.
i like to see how far the razor
can reach underneath my skin
before i pass the callouses
and slip into my bloodstream.
i'm a fountain of youth
with leaks and bruises
where the years come seeping
out slowly. and if only you'd notice
you could grab hold of it
and squeeze the life right out of me.
perhaps into a glass flask and burner
and let it bubble away on your workbench
find out why it didn't sit right inside me
and how you can harness its energy
so i can give back to the earth
instead of ******* all my days away
playing with my blood.
Death of mother hallowed out silence
   more painful then  buzzing power tool,
aye never again saw,
   nor heard industriousness jollity eviced,
   contrasted when mourning did rule

wrought immediate cessation
   from his strong lance throwing arms,
   where artisanal magic did un spool
and ample tears streamed down raw cheeks
enough   o fill a pool

uncertain if sparring with depression sprung
   via loss of a Coney Island jewel
whose poverty she claimed (shamefully)
   most meals comprising thin gruel
rescuing a damsel in distress thence deceased didst fuel

   unwonted burded, and forced him to spar
   with fear he might lose the duel
left alone in a old mansion
   with only fond fading memories utmost cruel.
----------------------------------------------------------­----------
Suddenly without bedmate and counterpart
   one month shy of fifty years, no deity could answer
razor sharp emotional pain cut to the quick
   recollecting ballroom dancer

himself as a handsome youth so graceful and suave,
   fast as Bill Haley, or comet
   and lightly afoot in seventh heaven as a prancer
oh..and ever the debonair, humorous, and loving romancer
where pixie dust sprinkled via an invisible en trancer.  
-----------------------------------------------------------------­---
Uterine/ovarian Cancer metastasized
   dealing deathblow, and took more than mother away
her rigor mortis terminated love labor lost,
   whence second love sans father,
   his hands no longer did oh bay,    

whose once passion to ply his creative handiwork
   heartfelt interest hardened as sun baked clay
where formerly, he spent energy and time
Page Number Two:  

drafting designs and building ornate creations
   most every night and day,
which lifelong penchant to draw
   (deepseated and etched within his genes)
   until profound grief did flay  
dealt mortal kombat towards,
   whence toiling at basement workbench

   colored his world blackish gray
nor would he respond, and only tearful sorrow
   exuded upon losing the special maiden, whom he lay
down and begot thyself and two sisters,

   during living years sans lightness of being an a may
fly expert designer, creator and builder –
   during me chilhood objects like play  
house and Flintsone car

   (with license plate to boot), beaming with ray
dee ants at products of imagination got wrought,
   until grim reaper did slay
purposefulness and will power to remain alive  
   pronounced sadness witness loss of appetite

   and considerable diminishing beefiness obvious
  without him getting atop scale for a weigh
but fate smiled upon accursed widowerhood,

   and now for quite some time,
   a gal took hull hiking to history
   and the restaurant at the end
   of the galaxy they went – yay!
Darkness
The only thing I can see as I hear the words “**** yourself.”
Frustration
The only thing I can feel as I take the blade from the workbench.
Tears
The only thing I can taste. The salt the bitterness of the things they tell me to do.
Manic depression episode
The thing that I go into when I heard those two words.
Time
The only thing that is warped but completely on track for me.
Suicide**…
The only thought in my head and I never knew what suicide was at the point in life.
Sorry this one is bad. I am not good at writing in the morning
CA Smith Mar 2018
The woodcarver
Chips away at his creation
The old, steady hands
Crafting something of perfection
Each wood shaving falling away,
piece by piece,
gives way to a more and more beautiful masterpiece.
But halfway through,
he sits, and he rests.
The creation still stands on the workbench, incomplete.
Time goes on,
and on, and on…. yet the unhatched egg of a figurine still remains.
And one day, the carver again takes it into his hands.
“Finally, your time has come”
He sits back, and he widdles, and widdles….and widdles.
The wooden sculpture at last takes its final form.
And although it was finished last,
and he had made hundreds of items in the past,
the piece that took the longest,
was much more precious than any other piece he had ever made before.
On a chilling winter night
The quill slips and icy, has to fight
I wrap my frozen heart around a shawl
And frost traps my ink which freezes too.

However, inside, my body burns with desire
Making me tremble like red hot magmatic fire
But this poor quill, alas
Numbed in this weather is exhausted already!

The flame of my candle flickers and weakens
Inspiration shows a passing fancy and she wants to be desired
I’m going to break free from this heavy inertia
But how? Everything is still and tired!

Oh cruel globe! Why is my soul so mute?
She was able to drench me in its natural artistic flood
I can’t believe in her sudden inactivity
What’s going on, I’m going numb in my blood!

Oh you my muse, spread your silky artistic veil
Over my being beseeching you to save it
Oh you, my well of inspiration and mystical words
I implore you, listen and come to my bedside, hail!

But why is everyone, Heavens, deaf to my call?
Just who is willing to hear my plea of despair and silence
No one can revive this depressing poetry and her fate
Loneliness, to the four winds I’m going to dislocate!

In a certain hour of a chilling winter night
I’ve let my writing expire at my workbench
Farewell then, poetry, fie!
In my night I fade away and nothing muffles my plight!

But with this new dawn, don’t you cry my muse
I’ll write  with you,  I’ll be in your care
And we’ll content ourselves with sweetness, laughter and schemes
I’ll once again respond to your vital needs

However, aura of happiness and joy
I simply won’t do it tonight, but finally,
Don’t fret and rest in my dreams, hopefully
Tomorrow I’ll worship you, unconditionally!

Written on August 26, 2010,
Translated on November, 13, 2017
This is an old I originally wrote in French in 2010
I had forgotten about it and decided to translate it today!
WC Wrights Nov 2019
The other day I was ricocheting slowly
off the blue walls of this room,
moving as if underwater from typewriter to piano,
from bookshelf to an envelope lying on the floor,
when I found myself in the L section of the dictionary
where my eyes fell upon the word lanyard.

No cookie nibbled by a French novelist
could send one into the past more suddenly-
a past where I sat at a workbench at a camp
by a deep Adirondack lake
learning how to braid long thin plastic strips
into a lanyard, a gift for my mother.

I had never seen anyone use a lanyard
or wear one, if that’s what you did with them,
but that did not keep me from crossing
strand over strand again and again
until I had made a boxy
red and white lanyard for my mother.

She gave me life and milk from her *******,
and I gave her a lanyard.
She nursed me in many a sick room,
lifted spoons of medicine to my lips,
laid cold face-clothes on my forehead,
and then led me out into the air light

and taught me to walk and swim,
and I, in turn, presented her with a lanyard.
Here are thousands of meals, she said,
and here is clothing and a good education.
And here is your lanyard, I replied,
which I made with a little help from a counselor.

Here is a breathing body and a beating heart,
strong legs, bones and teeth,
and two clear eyes to read the world, she whispered,
and here, I said, is the lanyard I made at camp.
And here, I wish to say to her now,
is a smaller gift – not the worn truth

that you can never repay your mother,
but the rueful admission that when she took
the two-toned lanyard from my hand,
I was as sure as a boy could be
that this useless, worthless thing I wove
out of boredom would be enough to make us even.
This poem is from someone who I've adopted as my personal, digital and written poetic mentor. I also highly recommend you hear him read this poem. It's very moving to hear people read their own poems.
Todd Aug 2018
The poet sighed,
took out paper and pen
and waited for inspiration to come.
Nothing.
He stared at the blank page
for hour after hour,
like every day
for the last month,
nothing came to him.
“There is no poetry in my anymore.”
he mumbled weakly,
as if there were not strength in him,
but he hurled the pen across the room
hard enough to gouge the wall.
He got up, went about his day,
he had a lot of things to do,
later, he took up the paper and pen again.
“There is no more poetry in the world.”
he wrote, the words scrawled
untidily across the page,
“No more words
of love or passion,
no more pretty phrases.”
He went on at length,
describing his lack of feelings,
his inability to express his pain.
After a couple of pages he paused,
with a steeling breath
he went on.
“I’ve found a way out
of the pit I’m trapped in,
this empty, emotionless void.”
“I cannot make it out myself,
I will need a ladder.”
“A ladder is a wonderful device,
able to help mankind
rise above troubles,
to lift them up
when their own abilities
fail.”
He put his pen down,
walked out to his garage,
in there, he looked upon the ladder
he had placed under his way out,
a noose.
He stood there for a moment,
thinking about his lack of feeling,
his failures,
the people that betrayed him.
He looked down at the pages in his hand,
placed them carefully on the workbench,
the would be found there,
read and examined.
Thereafter people would understand
why he took this route,
why he could no longer cope
with his inability to write.
He climbed the ladder,
put his head in the noose,
his portal out of the pit.
He stopped for a moment,
looked down at the pages,
then it hit him.
These pages he had written
were his finest writing in months,
perhaps in his life.
Thinking about what he wrote
he realized,
there was the emotion he hadn’t felt,
the words that wouldn’t come.
Startled by the revelation
he stepped back,
off the ladder,
his mind ablaze with ideas.
But the noose, that was his way out of pain,
was still around his neck.
As he hung there,
helpless,
slowly fading away,
he cursed himself.
Why hadn’t he paused
at the base of the ladder,
reread the pages he carried.
Now, it was too late,
everything he still had within him
would die with him.
People would read his words
and never know,
that he had found his voice again,
had come to understand
that numbness and pain
don’t last.
They would read his words
and think less of him.
As these thoughts faded
and darkness claimed him
a single tear crept down his cheek.
A final testament
that he had,
in the end,
regained his humanity.
But sadly,
it would dry and disappear,
long before he was found.
More crap from my leaky mind.
BTW Jan 2023
Music Can Make Me Cry
26 Januarys 2023

More than poetry, art, stone sculpture,
A violin, a piano, flutes,
Hold me.
Higher than I can climb on my own.
Deeper than I can reach with these arms.

Love songs cry.
Clear, not words,
Music,
Melody, overcome me.

Lifted beyond today,
To a place,  no pain, no fear, no loss.
Children, family, friends,
You are here.
Warmer than camp fire, flame under a star-lit sky.
Over snowy berms, valleys, pebbled lanes,
Opening wheat fields, endless expanse.
Peace.

Music live.  
In the woods, in the cities.
One tiny bird brings an opera.
Reedy waters, symphony.
From each meadow, divas, a tenor.
Forest, choir, spirits, ghosts.
From Dad’s workbench, voices of angels.
Mom’s eyes, heaven.

Under the streetcar rides my soul.
Clopping hoofs, rhythm, my heartbeat.
Rain drops, my breath.
Ocean waves, my birth, my being.

Today’s sun, tomorrow’s promise, yesterday's memories.
Thunder, creation.

My love, you bring each sweet tone.  
You gift my pedestal.

Sometimes music, can make me cry.
BTW Dec 2022
Inheritance
28 December 2022

An old metal toolbox, lock broken, dented, streaked with paint,
Sitting on the corner of Dad’s worn workbench.
Precious beyond measure, those old wrenches, altered, trusted.
Some twisted and bent, others ground, origins faint, rusted.
Years spent working, an old wooden garage behind the house,
Rented for ten dollars, a pit hand dug in the dirt.
Home shared, long late hours with an occasioned brown field mouse.
Dad worked a second job, late at night, second job, curing auto hurts.
Traded to his own sclerotic back, arm wrenched.


There was little treasure, little gold to measure.
Little wealth reflected in the obituary notice, not much,
Home drawn art, poetry, love letter, photos, Dad’s touch.
Little a banker could value.

I eyed that toolbox.
My inheritance he carried every day,
My reflections on years spent in his care.
His songs, his pain, his ability with a baseball, a horseshoe.
Good, bad, success, failure, unmountables, uncountables,
Keeping us safe, fed, loved, together, in historic time.

My inheritance was the ragged edge of that 75 year toolbox.
My treasure, his gift. Mine.
Sharon Flynn May 2019
Vega the weaver patiently sits
on her enchanted workbench
of cobwebs and silvery beams
skillfully weaving her pictures
of dreams spun in azure blues
and pinpoint dots of stars
early Christmas gifts are made
for all her fairytale friends
the wooded sprites of forest glades
fairy princesses of glowing leaves
and elves of playful mayhem
though the Christmas holiday
is about seven months away
while a drunken crescent moon lay down
on his back sipping a flask of Planter's ***
on a lake of scattered moonbeams
Lawrence Hall, HSG
Mhall46184@aol.com

                            The British Army Pocket Knife

A great big chunk of folded Sheffield steel
For pocket, backpack, toolbox, or workbench
Rope work, leather work, awning work, rifle repair
Gutting a rabbit for dinner if it comes to that

No plastic-y Swiss gimcrackery for us
One tightens the blade by taking a hammer to the rivets
And sharpens it hastily on a handy rock
Wash off the mud and the blood and it’s good to go

It’s clanky, clunky, and out of date – it’s British
As British as can be - and so are we




I’m not British, but I needed a voice. My Hall ancestors were transported from Northern England to the New World for being bad, and the same for my deBeauville / Beauville / Beville / Bevil ancestors from Chesterton and my McQueen ancestors from Scotland.

I love my nifty British Army knife.

I will never eat rabbit again. Ich.
T R S Aug 2020
And then I finally saw what you said I couldn't see,
How much I loved you, wasn't a foreign idea to me.

Pining for that little bit of love you gave
Pickled my heart strings in tarnished golden thread

Darkness gave me glassy eyes
Loveliness is little more than stress on my workbench

I've dusted lint out of my linen pockets and stocked them with candy instead.

Mussy hair makes me care less about why and where
Just disappoint me
Poignantly
And I'll breath it just like air.
Ryan Dement Aug 2020
When my father finds
he has the wrong tool,
he mumbles to himself,
shuffles to the workbench,
comes back with something else.

— The End —