scarf hysteria friday,
thirteenth, even the spectators
joined in. unpacking the delivery.

polyester kept quiet with electrical
revery, silk excited us in with gentility.

it was the deepset , pleated, spotty,
adjective filled woollen slightly
felted, even reversable at such
a reasonable price, that sent us
over the edge. all was lost after that.

there are two ll s in woollen.

sbm.

Your mother's washed
your red patterned
woollen jumper,
the Christmas one
we call it, as that
was when
you wore it last.

She hung it on
a wooden hanger
in the hall to dry.

Seeing it there,
silent and empty,
opened in me
a deeply wounded,
unuttered cry.

Later when dry,
I took it down
to turn
the right way in
and fold,
then pressed against
my cheek and chest
to hold,
as if
for a moment
you were there again,
your beating heart,
your pulse of life,
your solid being,
but I knew you weren't,
just the coloured wool,
the red patterned jumper,
that just been washed scent.

I thought you immortal;
how sad that is,
that illusion love made,
that you will always be there, lie,
that you will
never never die.

I clutched
the jumper tight;
tried to sense you there,
your pounds of flesh,
your gentle self,
your body
within the wool.

How sad that is,
they'll say,
the old sad fool.

Your mother washed
and dried your
red patterned
woollen jumper
yesterday, today
I placed it on
a plastic hanger
and put away.

They reached the low lying city of Lacedaemon them where they
drove straight to the of abode Menelaus [and found him in his own
house, feasting with his many clansmen in honour of the wedding of his
son, and also of his daughter, whom he was marrying to the son of that
valiant warrior Achilles. He had given his consent and promised her to
him while he was still at Troy, and now the gods were bringing the
marriage about; so he was sending her with chariots and horses to
the city of the Myrmidons over whom Achilles’ son was reigning. For
his only son he had found a bride from Sparta, daughter of Alector.
This son, Megapenthes, was born to him of a bondwoman, for heaven
vouchsafed Helen no more children after she had borne Hermione, who
was fair as golden Venus herself.
  So the neighbours and kinsmen of Menelaus were feasting and making
merry in his house. There was a bard also to sing to them and play his
lyre, while two tumblers went about performing in the midst of them
when the man struck up with his tune.]
  Telemachus and the son of Nestor stayed their horses at the gate,
whereon Eteoneus servant to Menelaus came out, and as soon as he saw
them ran hurrying back into the house to tell his Master. He went
close up to him and said, “Menelaus, there are some strangers come
here, two men, who look like sons of Jove. What are we to do? Shall we
take their horses out, or tell them to find friends elsewhere as
they best can?”
  Menelaus was very angry and said, “Eteoneus, son of Boethous, you
never used to be a fool, but now you talk like a simpleton. Take their
horses out, of course, and show the strangers in that they may have
supper; you and I have stayed often enough at other people’s houses
before we got back here, where heaven grant that we may rest in
peace henceforward.”
  So Eteoneus bustled back and bade other servants come with him. They
took their sweating hands from under the yoke, made them fast to the
mangers, and gave them a feed of oats and barley mixed. Then they
leaned the chariot against the end wall of the courtyard, and led
the way into the house. Telemachus and Pisistratus were astonished
when they saw it, for its splendour was as that of the sun and moon;
then, when they had admired everything to their heart’s content,
they went into the bath room and washed themselves.
  When the servants had washed them and anointed them with oil, they
brought them woollen cloaks and shirts, and the two took their seats
by the side of Menelaus. A maidservant brought them water in a
beautiful golden ewer, and poured it into a silver basin for them to
wash their hands; and she drew a clean table beside them. An upper
servant brought them bread, and offered them many good things of
what there was in the house, while the carver fetched them plates of
all manner of meats and set cups of gold by their side.
  Menelaus then greeted them saying, “Fall to, and welcome; when you
have done supper I shall ask who you are, for the lineage of such
men as you cannot have been lost. You must be descended from a line of
sceptre-bearing kings, for poor people do not have such sons as you
are.”
  On this he handed them a piece of fat roast ****, which had been set
near him as being a prime part, and they laid their hands on the
good things that were before them; as soon as they had had enough to
eat and drink, Telemachus said to the son of Nestor, with his head
so close that no one might hear, “Look, Pisistratus, man after my
own heart, see the gleam of bronze and gold—of amber, ivory, and
silver. Everything is so splendid that it is like seeing the palace of
Olympian Jove. I am lost in admiration.”
  Menelaus overheard him and said, “No one, my sons, can hold his
own with Jove, for his house and everything about him is immortal; but
among mortal men—well, there may be another who has as much wealth as
I have, or there may not; but at all events I have travelled much
and have undergone much hardship, for it was nearly eight years before
I could get home with my fleet. I went to Cyprus, Phoenicia and the
Egyptians; I went also to the Ethiopians, the Sidonians, and the
Erembians, and to Libya where the lambs have horns as soon as they are
born, and the sheep lamb down three times a year. Every one in that
country, whether master or man, has plenty of cheese, meat, and good
milk, for the ewes yield all the year round. But while I was
travelling and getting great riches among these people, my brother was
secretly and shockingly murdered through the perfidy of his wicked
wife, so that I have no pleasure in being lord of all this wealth.
Whoever your parents may be they must have told you about all this,
and of my heavy loss in the ruin of a stately mansion fully and
magnificently furnished. Would that I had only a third of what I now
have so that I had stayed at home, and all those were living who
perished on the plain of Troy, far from Argos. I of grieve, as I sit
here in my house, for one and all of them. At times I cry aloud for
sorrow, but presently I leave off again, for crying is cold comfort
and one soon tires of it. Yet grieve for these as I may, I do so for
one man more than for them all. I cannot even think of him without
loathing both food and sleep, so miserable does he make me, for no one
of all the Achaeans worked so hard or risked so much as he did. He
took nothing by it, and has left a legacy of sorrow to myself, for
he has been gone a long time, and we know not whether he is alive or
dead. His old father, his long-suffering wife Penelope, and his son
Telemachus, whom he left behind him an infant in arms, are plunged
in grief on his account.”
  Thus spoke Menelaus, and the heart of Telemachus yearned as he
bethought him of his father. Tears fell from his eyes as he heard
him thus mentioned, so that he held his cloak before his face with
both hands. When Menelaus saw this he doubted whether to let him
choose his own time for speaking, or to ask him at once and find
what it was all about.
  While he was thus in two minds Helen came down from her high vaulted
and perfumed room, looking as lovely as Diana herself. Adraste brought
her a seat, Alcippe a soft woollen rug while Phylo fetched her the
silver work-box which Alcandra wife of Polybus had given her.
Polybus lived in Egyptian Thebes, which is the richest city in the
whole world; he gave Menelaus two baths, both of pure silver, two
tripods, and ten talents of gold; besides all this, his wife gave
Helen some beautiful presents, to wit, a golden distaff, and a
silver work-box that ran on wheels, with a gold band round the top
of it. Phylo now placed this by her side, full of fine spun yarn,
and a distaff charged with violet coloured wool was laid upon the
top of it. Then Helen took her seat, put her feet upon the
footstool, and began to question her husband.
  “Do we know, Menelaus,” said she, “the names of these strangers
who have come to visit us? Shall I guess right or wrong?-but I
cannot help saying what I think. Never yet have I seen either man or
woman so like somebody else (indeed when I look at him I hardly know
what to think) as this young man is like Telemachus, whom Ulysses left
as a baby behind him, when you Achaeans went to Troy with battle in
your hearts, on account of my most shameless self.”
  “My dear wife,” replied Menelaus, “I see the likeness just as you
do. His hands and feet are just like Ulysses’; so is his hair, with
the shape of his head and the expression of his eyes. Moreover, when I
was talking about Ulysses, and saying how much he had suffered on my
account, tears fell from his eyes, and he hid his face in his mantle.”
  Then Pisistratus said, “Menelaus, son of Atreus, you are right in
thinking that this young man is Telemachus, but he is very modest, and
is ashamed to come here and begin opening up discourse with one
whose conversation is so divinely interesting as your own. My
father, Nestor, sent me to escort him hither, for he wanted to know
whether you could give him any counsel or suggestion. A son has always
trouble at home when his father has gone away leaving him without
supporters; and this is how Telemachus is now placed, for his father
is absent, and there is no one among his own people to stand by him.”
  “Bless my heart,” replied Menelaus, “then I am receiving a visit
from the son of a very dear friend, who suffered much hardship for
my sake. I had always hoped to entertain him with most marked
distinction when heaven had granted us a safe return from beyond the
seas. I should have founded a city for him in Argos, and built him a
house. I should have made him leave Ithaca with his goods, his son,
and all his people, and should have sacked for them some one of the
neighbouring cities that are subject to me. We should thus have seen
one another continually, and nothing but death could have
interrupted so close and happy an *******. I suppose, however,
that heaven grudged us such great good fortune, for it has prevented
the poor fellow from ever getting home at all.”
  Thus did he speak, and his words set them all a weeping. Helen wept,
Telemachus wept, and so did Menelaus, nor could Pisistratus keep his
eyes from filling, when he remembered his dear brother Antilochus whom
the son of bright Dawn had killed. Thereon he said to Menelaus,
  “Sir, my father Nestor, when we used to talk about you at home, told
me you were a person of rare and excellent understanding. If, then, it
be possible, do as I would urge you. I am not fond of crying while I
am getting my supper. Morning will come in due course, and in the
forenoon I care not how much I cry for those that are dead and gone.
This is all we can do for the poor things. We can only shave our heads
for them and wring the tears from our cheeks. I had a brother who died
at Troy; he was by no means the worst man there; you are sure to
have known him—his name was Antilochus; I never set eyes upon him
myself, but they say that he was singularly fleet of foot and in fight
valiant.”
  “Your discretion, my friend,” answered Menelaus, “is beyond your
years. It is plain you take after your father. One can soon see when a
man is son to one whom heaven has blessed both as regards wife and
offspring—and it has blessed Nestor from first to last all his
days, giving him a green old age in his own house, with sons about him
who are both we disposed and valiant. We will put an end therefore
to all this weeping, and attend to our supper again. Let water be
poured over our hands. Telemachus and I can talk with one another
fully in the morning.”
  On this Asphalion, one of the servants, poured water over their
hands and they laid their hands on the good things that were before
them.
  Then Jove’s daughter Helen bethought her of another matter. She
drugged the wine with an herb that banishes all care, sorrow, and
ill humour. Whoever drinks wine thus drugged cannot shed a single tear
all the rest of the day, not even though his father and mother both of
them drop down dead, or he sees a brother or a son hewn in pieces
before his very eyes. This drug, of such sovereign power and virtue,
had been given to Helen by Polydamna wife of Thon, a woman of Egypt,
where there grow all sorts of herbs, some good to put into the
mixing-bowl and others poisonous. Moreover, every one in the whole
country is a skilled physician, for they are of the race of Paeeon.
When Helen had put this drug in the bowl, and had told the servants to
serve the wine round, she said:
  “Menelaus, son of Atreus, and you my good friends, sons of
honourable men (which is as Jove wills, for he is the giver both of
good and evil, and can do what he chooses), feast here as you will,
and listen while I tell you a tale in season. I cannot indeed name
every single one of the exploits of Ulysses, but I can say what he did
when he was before Troy, and you Achaeans were in all sorts of
difficulties. He covered himself with wounds and bruises, dressed
himself all in rags, and entered the enemy’s city looking like a
menial or a beggar. and quite different from what he did when he was
among his own people. In this disguise he entered the city of Troy,
and no one said anything to him. I alone recognized him and began to
question him, but he was too cunning for me. When, however, I had
washed and anointed him and had given him clothes, and after I had
sworn a solemn oath not to betray him to the Trojans till he had got
safely back to his own camp and to the ships, he told me all that
the Achaeans meant to do. He killed many Trojans and got much
information before he reached the Argive camp, for all which things
the Trojan women made lamentation, but for my own part I was glad, for
my heart was beginning to oam after my home, and I was unhappy about
wrong that Venus had done me in taking me over there, away from my
country, my girl, and my lawful wedded husband, who is indeed by no
means deficient either in person or understanding.”
  Then Menelaus said, “All that you have been saying, my dear wife, is
true. I have travelled much, and have had much to do with heroes,
but I have never seen such another man as Ulysses. What endurance too,
and what courage he displayed within the wooden horse, wherein all the
bravest of the Argives were lying in wait to bring death and
destruction upon the Trojans. At that moment you came up to us; some
god who wished well to the Trojans must have set you on to it and
you had Deiphobus with you. Three times did you go all round our
hiding place and pat it; you called our chiefs each by his own name,
and mimicked all our wives -Diomed, Ulysses, and I from our seats
inside heard what a noise you made. Diomed and I could not make up our
minds whether to spring out then and there, or to answer you from
inside, but Ulysses held us all in check, so we sat quite still, all
except Anticlus, who was beginning to answer you, when Ulysses clapped
his two brawny hands over his mouth, and kept them there. It was
this that saved us all, for he muzzled Anticlus till Minerva took
you away again.”
  “How sad,” exclaimed Telemachus, “that all this was of no avail to
save him, nor yet his own iron courage. But now, sir, be pleased to
send us all to bed, that we may lie down and enjoy the blessed boon of
sleep.”
  On this Helen told the maid servants to set beds in the room that
was in the gatehouse, and to make them with good red rugs, and
spread coverlets on the top of them with woollen cloaks for the guests
to wear. So the maids went out, carrying a torch, and made the beds,
to which a man-servant presently conducted the strangers. Thus,
then, did Telemachus and Pisistratus sleep there in the forecourt,
while the son of Atreus lay in an inner room with lovely Helen by
his side.
  When the child of morning, rosy-fingered Dawn, appeared, Menelaus
rose and dressed himself. He bound his sandals on to his comely
feet, girded his sword about his shoulders, and left his room
looking like an immortal god. Then, taking a seat near Telemachus he
said:
  “And what, Telemachus, has led you to take this long sea voyage to
Lacedaemon? Are you on public or private business? Tell me all about
it.”
  “I have come, sir replied Telemachus, “to see if you can tell me
anything about my father. I am being eaten out of house and home; my
fair estate is being wasted, and my house is full of miscreants who
keep killing great numbers of my sheep and oxen, on the pretence of
paying their addresses to my mother. Therefore, I am suppliant at your
knees if haply you may tell me about my father’s melancholy end,
whether you saw it with your own eyes, or heard it from some other
traveller; for he was a man born to trouble. Do not soften things
out of any pity for myself, but tell me in all plainness exactly
what you saw. If my brave father Ulysses ever did you loyal service
either by word or deed, when you Achaeans were harassed by the
Trojans, bear it in mind now as in my favour and tell me truly all.”
  Menelaus on hearing this was very much shocked. “So,” he
exclaimed, “these cowards would usurp a brave man’s bed? A hind
might as well lay her new born you

Colourful and soft
Hearts, stars and polka dot
Pull me on when it turns cold
Entangle me, don’t fold

Woollen, netted or cotton
Worn at the bottom
Warm, cosy and neat
That’s how I keep your feet

I am always in two’s
You can wear me with shoes
Wear me wherever you like to
But take me off when you enter the loo

Please don’t get me wet
Even I stink when I sweat
Don’t misplace my twin
It will break my heart and that’s a sin

I won't  let your feet turn cold
I will be there when you are old
I am comfort, I am the best
Used in north, south, east and west.

I am stretchy, I am a sock
I ease your feet for a run or walk
If I take the back seat
Numb, tanned and torn feet.

So pay my parents well
Don’t let your feet swell
I promise to serve you
I know you need me too.

-Zainab Attari

With a steaming mug of coffee in hand I watched:
the sun fall, the wind shiver, the leaves stand and land roll,
the birds swing, yellow beams dance,
and people stride in woollen warmers.
She plucked a flower in fool bloom,
then ambled away with a bamboo basket.
The clink of steel whistled through the air,
rousing sleep in the grouchy ones
saddled with books and a play toy in hand
walking in step with a grown man.
I walked there once, trying to keep pace
clasping a finger as large as my fist.
His snores now fall softly, circling the room
while I stand by the window,
wearing his shoes.

Chapter one:

  The strange entanglement of the sun, twisted in kooky bedlam with The Great King Moon in winter.

Have you ever looked down at yr feet on the long walk home & wondered if you’re really moving forward any more or if all your really doing is just moving the ground? Don’t answer that, its a rhetorical question. Of course you have. We all have. You think you’re moving in the right direction, following the north star or the compass in your brain or maybe just your nose or your thumb and fore finger. You  believe that you’re gonna make it somewhere, you have to believe. What else is there. The truth is, you’re going nowhere, we are all going nowhere, we just spin on the slanted axis & never really go anywhere. We have been conditioned to believe that this is the way the world works but I’m here to tell you that it doesn’t, you gotta buck up, **** up or ******* ‘*** let me tell you, yr ‘dreams’ mean nothing to anybody ‘*** living, real living is not connected to REM. That’s all just more ******* you’re gonna have to put up with people trying to sell you. Lick the boot, get over the barrel & bite down on your watch strap. That’s all there is to it. The mind is a magnet. If you find yourself staring in to the abyss: Jump right in. Swan dive. Hold your breath & wait. Everything will be OK. I promise you.

I’m writing, ah writing! Writing this worthless piece of *****// manuscript of means for you. For me, for the future, for love, for lust, for hatred of all things hating, for your mother & farther, for my friends, my beautiful angelic, clinically insane friends, for time, for the soles of my shoes with hundreds of miles under their laces, for your fat greedy pockets, for the moon, for the sun to spit on, for the wind to taunt, as he does like the great cowardly, perverted invisible fiend that he is, for nothing, for not quite everything, for your aching lovers, for your broken hearts, for the worlds water, may you always be clean & run free, for the great biblical liars, for the sorrowful wonder of the great homeless & may all their wants come to be wanted, for *******, for fumbling, for the vast oaken heavy doors on bars that keep us safe from the  horrors outside, for guilt, for sugar-blue smoke, for all the kids sitting in **** stained squat houses with half a horse embedded in their face, for my schools that gave up on a bored child, for warmth & fire & woollen clothing, for Paris where I can fulfil my great dream of becoming a sullen cliché, for the gravel-mounted marching marvel, may you never lose your way, for the Parthenon, for Aubergine, for The Firefly, the swan, bleeding,for growing up, for all the music makers,all people should play all instruments to any degree(rather than just, age & shrivel), for Howl for Carl Solomon, for every down & out that ever clawed his way up the street & through the yellow door, for all the animals that gave their lives to keep me fat & red faced, for Christ sake, for the invisible man in the sky, causing all war & so much death-thank you, for the wild west, for Bert & John, for the great literary mastodon to look down his reset nose at & ask me why. Why?

The way that old dial telephones look & feel. The questions that need no answers. Feeling down, down & out, upside down & inside out,upside in & downside out on the pavement at five am. Waking up in unknown beds & crawling down drain pipes. Getting lost in a place you have lived your whole life. Being in the woods simply to be in the woods. Drinking coffee even though you hate the taste. Never telling a stranger the truth. Living under a false name. Drinking yourself to death in the dark lonely-crowded corners of ***** stained wood floor warehouse floors. Feeling solid-sterling-gold for feeling so terribly horrifically half-corpse-like the only way you can really feel is completely statuesquely angelically magnificent and the only way is down(you really have no idea how far I fell that morning) , Only going out when it rains. Only going out in the dark. Staying up all night dreaming and sleeping all day. Remembering to forget, forgetting to remember to remember to be forgetful. Understanding that you and no one else understands nothing but eat-drink-sleep-****-death. Smoking until yr tongue bleeds and yr eyes burn like that fire in the sky in the fearful month of June. Wishing you knew how to tie a noose & writing ”suicide” on yr calender on a day you have no planned engagements. Shooting to the moon & back in the bee-bop-bo-bo-batter-batter-chitter-chatter like jazz on the neon streets of the earths mother. Crawling in to a stone cold bed after walking for six days & feeling bored & lonely again in ten minutes.

That’s why, I’m glad you asked. If I’m going out, then I’m out going with some steeze in a cloud of smoke, yr wife & I’m not taking you with me.

For all these things & more is the reason I write. To write for the sake of writing. For, some people write, just to write & they are truly the the lost meaning of it all.

Automatic travel rambles to plug up the holes in yr lonesome pockets. Blues.

Chapter two:  

Creeping moss-stick under-flowering the useless but grateful Tuesday poet, Jim Gravestone Sr.

The ghost of the monorail, living only in upturned memory sits slow & smooth/low against the Sunday evening rapture. You gotta know which way is down. Down. The dew on the grass & the creamy-green residue of the night before is just too close to a real drama. Absolute dahma. Down in the cold rising damp & the stain on your shirt.

He sits , sits like you, like me & like old Tom Mooney the prison king. If you ever saw such a sad sight as he, I do believe you would roll out your tongue on the pavement right there & then & wait for the road sweeper & all his secret, early morning charms & the great wolf man, pork chop sideburns (lupine dreams)to clean you up & clean you out. I do declare!

For he knows-for he has seen. Seen the sun rise from his pearly throne up on the dark side of the moon, the very face of Bowie, right there in the eye socket. He sees all. You can live your life, & you do, & you should, but he, O’ he, he has really been there & where & back again. You carry on with your sleepy routine of mule-back coffee office doom death jobs(you sleepy Bohemian, you)  & in you spare time trying to keep your nose from filling up with water & your private parts entwined with somebody else’s most private of parts, & on the side lines of you spare time you can deal with your family & all the friends that you’re sick of but hold on to, only for the fear of being left alone in the dark with nothing but all of the above. Then again you always have your studies(STDS)all of the ologies, of course.

Sleepology, cocaineology,rainolgy, sunology, lonleyology, depressionology, suicideology, talkology,empypocketsology, meaninglessology, masterbationology, coutntingyourmoneyinpintsology,walkology, onenightstandology, jumpthetaxiology, begology, borrowology, stealology,feelology, upallnightology, sleepalldayology, Xology, ologyology, etcology etc…ology etc.

Just find something you can care for ‘*** [insert atheist god/idol] knows that nobody is going to do your caring for you, even I they do in fact care for you.

I have been beginning to notice,that I(and I may not be alone)

always look at the past through a marigold monocle.

This, meaning nothing now ever seems to be joyous or gay or splendiferous until it is a past memory.

A cobweb. A rafter. A leaf on the ground. …I guess.

         Chapter three:

I know you know it but people that you don’t know, really are a funny, funny thing…

I stand outside the rain & watch the people passing by; really the most depressing experience of my ever increasing years. Un-jolly fat men with whiskey-nose & scuffle-feet stanzas of gibberish, talking gibberish & gibberish being their inner most self. Pre-war women with Arctic-blue hair, faces melting, everything pointing down, shuffle. Kids pushing prams full of ugly babies towards a house of who-gives-a-**** & ******* & I’m-gonna-die-here and what of it. Is there really no more to life. Listen to the top 40 on the radio, clueless, oblivious. Cogs. All cogs. Military troglodytes following them back in a dead eyed daze, dreaming of killing in the real and virtual. No you may not have a cigarette. Leave me alone, please. Let me listen to my watch ticking in peace & at least pretend that you don’t exist.

The human body is comprised of several ‘substances’

including..

Mercury,

hydrogen hydroxide,

fountain pens,

the lost dates of calenders,

various small woodland animals,

including…

Voles,

rabbits & field mice.

Other such things as…

Misplaced birthmarks(of the brain)

feelings of remorse and regret,

the stolen trinkets of past lovers,

and of course,

white blood cells,

pesticides,

and the second hand

from a 1956 ’Hamilton Rail road’ pocket watch.

E.L August 7th

           Chapter four:

Last night, last night was the last night it was the night last

Picasso raincoat. Imagelessness. Bottomlessness. I lost my umbrella & my Holden Caulfield head-wear, again. I was skipping on a rain cloud, corduroy boy and scarecrow girl, reunited in a soft entanglement sticky in the senses. Hoof! The only way is up when you walk down these stairs, snakes and blisters, but you’ll sweat it all out in babble cream conversation and love in your eyes. Tell me a story, tell me a story, tell me something to prop my chin up in this brown tunnel. Your name it is something I cant care to remember but of course I never really had a name of my own either, so we shall be the great wonder of the nameless masses, the ones born to no name and never wanted one anyway. A name is nothing but a label, a calling card, call me anything, call me king Charles II just as long as you do call me, the sound of a voice, your voice, any voice reeling off a comprised anagram of the alphabet is enough to get my short attentive ears to perk up and twist my noggin backwards towards the direction of my inbuilt gypsy sonar. So anyway, I was going to talk about something, something great… but now its gone and all I have is bloodshot eyes and sweaty liars palms to prove to the world that I had an idea once, I swear I did.

Here’s an idea for you to dig you heels into:

The world keeps making mistakes, everybody makes mistakes, its natural, nothing to fear, it happens all day every day. BUT, with every mistake we make, we then proceed to learn from that mistake, so.. stay with me here… Once the world, the whole world meaning everyone in it, has made every mistake they can make and of course and one would hope of course, that they have also learned from all of these mistakes; once this has happened, there will be no more mistakes to make, right? Therefore leaving the world perfect as a whole, no mistakes to make, learnt their lessons on every lesson and we can all go on with living a perfect existence, yes?…

No.

I’ve really thought long and hard about it -could never happen, people are not perfect, they never will be, if they were I wouldn’t want to know any of them, and the world, well the world is an imperfect place, and the same rule applies.

But let me hit you with another bit of knowledge to round things off and maybe put a positive spin on things. Hoist ye marrow-thumbs around this;

One of the many few early times that my legs forgot how to use them selves, I was sitting on the pavement, trying for one to reattach these two now useless appendages stuck like butter to my lower torso, but foremost trying to light a cigarette with my useless cold hands and equally useless matches, fearful of the sneaky clear coward, invisible old Mr wind, when a kindly stranger, half my size, red my hair, opposite my *** and now opposite my broken legs appeared like a person will appear when you mind is in other minds, a smile, a sympathetic look and two working hands to fire up the stick in my mouth. I said my thanks, babbled about babble and the generation of gibberish and im sure many other things inconceivable to the sober ear of a dame such as she, the bringer of flame and enlightenment, not of the smoke but of the simple mind, an idea is what she left with me and it never left. She stopped my rambling typewriter of a tongue and said ‘shush’ she held my head in her hands, looked at me straight,so I thought she might be death or god or that I was passing out,she all green eyed and like the woods, looked at my eyes like they were tethered together and dropped the bomb on me, she said ”if you are looking at the moon, then everything is alright” kissed my warm on frozen forehead and was gone into the night, never to be seen again.

That’s all the advice you will ever need, & so ll I will leave you with.

You never left a name, but I never wanted one anyway.

Midnight moment

beautiful rags

midnight joy.


Nevermind your little light,

set apart your golden dreams

that offen break,

& come to play.


Chapter five: There are things I want to write but I am not going to write them.

The End.

‘Stay gold, Pony Boy’

He was a Grecian lad, who coming home
With pulpy figs and wine from Sicily
Stood at his galley’s prow, and let the foam
Blow through his crisp brown curls unconsciously,
And holding wave and wind in boy’s despite
Peered from his dripping seat across the wet and stormy night.

Till with the dawn he saw a burnished spear
Like a thin thread of gold against the sky,
And hoisted sail, and strained the creaking gear,
And bade the pilot head her lustily
Against the nor’west gale, and all day long
Held on his way, and marked the rowers’ time with measured song.

And when the faint Corinthian hills were red
Dropped anchor in a little sandy bay,
And with fresh boughs of olive crowned his head,
And brushed from cheek and throat the hoary spray,
And washed his limbs with oil, and from the hold
Brought out his linen tunic and his sandals brazen-soled,

And a rich robe stained with the fishers’ juice
Which of some swarthy trader he had bought
Upon the sunny quay at Syracuse,
And was with Tyrian broideries inwrought,
And by the questioning merchants made his way
Up through the soft and silver woods, and when the labouring day

Had spun its tangled web of crimson cloud,
Clomb the high hill, and with swift silent feet
Crept to the fane unnoticed by the crowd
Of busy priests, and from some dark retreat
Watched the young swains his frolic playmates bring
The firstling of their little flock, and the shy shepherd fling

The crackling salt upon the flame, or hang
His studded crook against the temple wall
To Her who keeps away the ravenous fang
Of the base wolf from homestead and from stall;
And then the clear-voiced maidens ‘gan to sing,
And to the altar each man brought some goodly offering,

A beechen cup brimming with milky foam,
A fair cloth wrought with cunning imagery
Of hounds in chase, a waxen honey-comb
Dripping with oozy gold which scarce the bee
Had ceased from building, a black skin of oil
Meet for the wrestlers, a great boar the fierce and white-tusked
spoil

Stolen from Artemis that jealous maid
To please Athena, and the dappled hide
Of a tall stag who in some mountain glade
Had met the shaft; and then the herald cried,
And from the pillared precinct one by one
Went the glad Greeks well pleased that they their simple vows had
done.

And the old priest put out the waning fires
Save that one lamp whose restless ruby glowed
For ever in the cell, and the shrill lyres
Came fainter on the wind, as down the road
In joyous dance these country folk did pass,
And with stout hands the warder closed the gates of polished brass.

Long time he lay and hardly dared to breathe,
And heard the cadenced drip of spilt-out wine,
And the rose-petals falling from the wreath
As the night breezes wandered through the shrine,
And seemed to be in some entranced swoon
Till through the open roof above the full and brimming moon

Flooded with sheeny waves the marble floor,
When from his nook up leapt the venturous lad,
And flinging wide the cedar-carven door
Beheld an awful image saffron-clad
And armed for battle! the gaunt Griffin glared
From the huge helm, and the long lance of wreck and ruin flared

Like a red rod of flame, stony and steeled
The Gorgon’s head its leaden eyeballs rolled,
And writhed its snaky horrors through the shield,
And gaped aghast with bloodless lips and cold
In passion impotent, while with blind gaze
The blinking owl between the feet hooted in shrill amaze.

The lonely fisher as he trimmed his lamp
Far out at sea off Sunium, or cast
The net for tunnies, heard a brazen *****
Of horses smite the waves, and a wild blast
Divide the folded curtains of the night,
And knelt upon the little ****, and prayed in holy fright.

And guilty lovers in their venery
Forgat a little while their stolen sweets,
Deeming they heard dread Dian’s bitter cry;
And the grim watchmen on their lofty seats
Ran to their shields in haste precipitate,
Or strained black-bearded throats across the dusky parapet.

For round the temple rolled the clang of arms,
And the twelve Gods leapt up in marble fear,
And the air quaked with dissonant alarums
Till huge Poseidon shook his mighty spear,
And on the frieze the prancing horses neighed,
And the low tread of hurrying feet rang from the cavalcade.

Ready for death with parted lips he stood,
And well content at such a price to see
That calm wide brow, that terrible maidenhood,
The marvel of that pitiless chastity,
Ah! well content indeed, for never wight
Since Troy’s young shepherd prince had seen so wonderful a sight.

Ready for death he stood, but lo! the air
Grew silent, and the horses ceased to neigh,
And off his brow he tossed the clustering hair,
And from his limbs he throw the cloak away;
For whom would not such love make desperate?
And nigher came, and touched her throat, and with hands violate

Undid the cuirass, and the crocus gown,
And bared the ******* of polished ivory,
Till from the waist the peplos falling down
Left visible the secret mystery
Which to no lover will Athena show,
The grand cool flanks, the crescent thighs, the bossy hills of
snow.

Those who have never known a lover’s sin
Let them not read my ditty, it will be
To their dull ears so musicless and thin
That they will have no joy of it, but ye
To whose wan cheeks now creeps the lingering smile,
Ye who have learned who Eros is,—O listen yet awhile.

A little space he let his greedy eyes
Rest on the burnished image, till mere sight
Half swooned for surfeit of such luxuries,
And then his lips in hungering delight
Fed on her lips, and round the towered neck
He flung his arms, nor cared at all his passion’s will to check.

Never I ween did lover hold such tryst,
For all night long he murmured honeyed word,
And saw her sweet unravished limbs, and kissed
Her pale and argent body undisturbed,
And paddled with the polished throat, and pressed
His hot and beating heart upon her chill and icy breast.

It was as if Numidian javelins
Pierced through and through his wild and whirling brain,
And his nerves thrilled like throbbing violins
In exquisite pulsation, and the pain
Was such sweet anguish that he never drew
His lips from hers till overhead the lark of warning flew.

They who have never seen the daylight peer
Into a darkened room, and drawn the curtain,
And with dull eyes and wearied from some dear
And worshipped body risen, they for certain
Will never know of what I try to sing,
How long the last kiss was, how fond and late his lingering.

The moon was girdled with a crystal rim,
The sign which shipmen say is ominous
Of wrath in heaven, the wan stars were dim,
And the low lightening east was tremulous
With the faint fluttering wings of flying dawn,
Ere from the silent sombre shrine his lover had withdrawn.

Down the steep rock with hurried feet and fast
Clomb the brave lad, and reached the cave of Pan,
And heard the goat-foot snoring as he passed,
And leapt upon a grassy knoll and ran
Like a young fawn unto an olive wood
Which in a shady valley by the well-built city stood;

And sought a little stream, which well he knew,
For oftentimes with boyish careless shout
The green and crested grebe he would pursue,
Or snare in woven net the silver trout,
And down amid the startled reeds he lay
Panting in breathless sweet affright, and waited for the day.

On the green bank he lay, and let one hand
Dip in the cool dark eddies listlessly,
And soon the breath of morning came and fanned
His hot flushed cheeks, or lifted wantonly
The tangled curls from off his forehead, while
He on the running water gazed with strange and secret smile.

And soon the shepherd in rough woollen cloak
With his long crook undid the wattled cotes,
And from the stack a thin blue wreath of smoke
Curled through the air across the ripening oats,
And on the hill the yellow house-dog bayed
As through the crisp and rustling fern the heavy cattle strayed.

And when the light-foot mower went afield
Across the meadows laced with threaded dew,
And the sheep bleated on the misty weald,
And from its nest the waking corncrake flew,
Some woodmen saw him lying by the stream
And marvelled much that any lad so beautiful could seem,

Nor deemed him born of mortals, and one said,
‘It is young Hylas, that false runaway
Who with a Naiad now would make his bed
Forgetting Herakles,’ but others, ‘Nay,
It is Narcissus, his own paramour,
Those are the fond and crimson lips no woman can allure.’

And when they nearer came a third one cried,
‘It is young Dionysos who has hid
His spear and fawnskin by the river side
Weary of hunting with the Bassarid,
And wise indeed were we away to fly:
They live not long who on the gods immortal come to spy.’

So turned they back, and feared to look behind,
And told the timid swain how they had seen
Amid the reeds some woodland god reclined,
And no man dared to cross the open green,
And on that day no olive-tree was slain,
Nor rushes cut, but all deserted was the fair domain,

Save when the neat-herd’s lad, his empty pail
Well slung upon his back, with leap and bound
Raced on the other side, and stopped to hail,
Hoping that he some comrade new had found,
And gat no answer, and then half afraid
Passed on his simple way, or down the still and silent glade

A little girl ran laughing from the farm,
Not thinking of love’s secret mysteries,
And when she saw the white and gleaming arm
And all his manlihood, with longing eyes
Whose passion mocked her sweet virginity
Watched him awhile, and then stole back sadly and wearily.

Far off he heard the city’s hum and noise,
And now and then the shriller laughter where
The passionate purity of brown-limbed boys
Wrestled or raced in the clear healthful air,
And now and then a little tinkling bell
As the shorn wether led the sheep down to the mossy well.

Through the grey willows danced the fretful gnat,
The grasshopper chirped idly from the tree,
In sleek and oily coat the water-rat
Breasting the little ripples manfully
Made for the wild-duck’s nest, from bough to bough
Hopped the shy finch, and the huge tortoise crept across the
slough.

On the faint wind floated the silky seeds
As the bright scythe swept through the waving grass,
The ouzel-**** splashed circles in the reeds
And flecked with silver whorls the forest’s glass,
Which scarce had caught again its imagery
Ere from its bed the dusky tench leapt at the dragon-fly.

But little care had he for any thing
Though up and down the beech the squirrel played,
And from the copse the linnet ‘gan to sing
To its brown mate its sweetest serenade;
Ah! little care indeed, for he had seen
The ******* of Pallas and the naked wonder of the Queen.

But when the herdsman called his straggling goats
With whistling pipe across the rocky road,
And the shard-beetle with its trumpet-notes
Boomed through the darkening woods, and seemed to bode
Of coming storm, and the belated crane
Passed homeward like a shadow, and the dull big drops of rain

Fell on the pattering fig-leaves, up he rose,
And from the gloomy forest went his way
Past sombre homestead and wet orchard-close,
And came at last unto a little quay,
And called his mates aboard, and took his seat
On the high ****, and pushed from land, and loosed the dripping
sheet,

And steered across the bay, and when nine suns
Passed down the long and laddered way of gold,
And nine pale moons had breathed their orisons
To the chaste stars their confessors, or told
Their dearest secret to the downy moth
That will not fly at noonday, through the foam and surging froth

Came a great owl with yellow sulphurous eyes
And lit upon the ship, whose timbers creaked
As though the lading of three argosies
Were in the hold, and flapped its wings and shrieked,
And darkness straightway stole across the deep,
Sheathed was Orion’s sword, dread Mars himself fled down the steep,

And the moon hid behind a tawny mask
Of drifting cloud, and from the ocean’s marge
Rose the red plume, the huge and horned casque,
The seven-cubit spear, the brazen targe!
And clad in bright and burnished panoply
Athena strode across the stretch of sick and shivering sea!

To the dull sailors’ sight her loosened looks
Seemed like the jagged storm-rack, and her feet
Only the spume that floats on hidden rocks,
And, marking how the rising waters beat
Against the rolling ship, the pilot cried
To the young helmsman at the stern to luff to windward side

But he, the overbold adulterer,
A dear profaner of great mysteries,
An ardent amorous idolater,
When he beheld those grand relentless eyes
Laughed loud for joy, and crying out ‘I come’
Leapt from the lofty **** into the chill and churning foam.

Then fell from the high heaven one bright star,
One dancer left the circling galaxy,
And back to Athens on her clattering car
In all the pride of venged divinity
Pale Pallas swept with shrill and steely clank,
And a few gurgling bubbles rose where her boy lover sank.

And the mast shuddered as the gaunt owl flew
With mocking hoots after the wrathful Queen,
And the old pilot bade the trembling crew
Hoist the big sail, and told how he had seen
Close to the stern a dim and giant form,
And like a dipping swallow the stout ship dashed through the storm.

And no man dared to speak of Charmides
Deeming that he some evil thing had wrought,
And when they reached the strait Symplegades
They beached their galley on the shore, and sought
The toll-gate of the city hastily,
And in the market showed their brown and pictured pottery.

you know, on that N86 bus listening to dikanda's
https://goo.gl/OAUjMe (ketrin ketrin),
while going to the brothel, where i kissed *****'s
eyelid skin i turned my heart into a lung...
and it burst akin to muscled stress of the softer tissue,
by heart was the black horse of the race...
she would only be worth £110 an hour...
but in my heart... a lifetime... so classical fm is
asking for three songs to be enlisted in the hall of fame
here are my three:
1. something to think about (christopher young) -
   hellraiser ii,
2. no time for caution (hans zimmer) -
    interstellar,
3. spectres in the fog (hans zimmer) -
     the last samurai, competing with
(4. any other name (thomas newman) -
     american beauty,
and....
5. carpe diem (maurice jarre) -
     the dead poets' society);
i always found classical music invoked
by fast image exchange most adhering
to a modern public... after all...
the notes written down are transliterated
from moving geometries
asking for a human face...
that one abstraction leaving another created...
so enriched we can be living and leaving here,
but leave and live here cradled and crawling
and nothing more than an attempt for
a crafted shawl of woollen care...
assuredly we were the blank canvas,
when the sheep and lion were clothed...
the lizard inwardly having its blood cooled...
and we the mediators...
to evolve from an origin of such biological diversity?
why will darwinism claim to be a humanism
and let no humanism in?!
if darwinism branched from science for a populism
of understanding prepositions as propositions
(given that propositions are allowed expression
with far many more complex words than prepositions,
given the former are deemed a nature or origin
and the latter a nature of coordination)
why allow it a humanistic simplicity
and complicate humanism to a non-expression's
extent of a complexity? darwinism cannot grasp
humanism's complexity per se, for each its own per se
allowance... darwinism cannot relate to humanism,
since humanism deals with the one diluted into the many,
while darwinism deals with the many concentrated into
the one:
and noting the varied dimensional usage of pronouns,
the singular (engaging), the singular (disengaging),
the plural (effective), the plural (ineffective),
to use but a few among others... how would a self,
as either realistically concerned or as expressed
in an atlas pose when one individual speaks of a species
to ever survive... to speak of humanity per se,
is to not speak of being human per se (a self),
but as if under a constant threat from either internal
or external stimuli, it's to speak as if human
but hardly being human... darwinism only said
in simpler terms 1 = ~∞ 0 1 (one equals
approximately infinity denying one... expressed
further: one equals approximately infinity denying
oneness, hence ethnicity, hence disparity,
the infinite approximate is due to the no. of equally
represented identities of reflection as one's akin
in historical content for a vanity representation
of ego) / although there's a parallel disparity:
1 = ∞ 0 ~1 (1 equals a reasonable infinity
of the semblance collective, as approximated within
one's own constitution, denied by the constitution
of the semblance collectivised denying 1 its
oneness by a division, into pop. psychology
of subconscious, unconscious, ulterior and posterior
assembling of identification in order to relate
a concrete un-divisible one, to a oneness
of ~∞ 0 ∞†, whether governed by animate or inanimate
things, worthy of either representing
∞ = 0 ~1, or ~∞ = 0 1 (infinity equating itself to
a denial of an approximation of one,
or approximate infinity equating itself to a denial
of one) - by most standards a collective power
increases, while an individual coercion with
such increase in power is diluted to mediocre representation
of what was once hoped for to be an individual...
as worded: i'm about to inherit a pickaxe, an igloo,
a herd of sheep, a land arable for regular hunts
to provide sustenance, but as i said, the oddity
of increasing vocabulary as body-building index muscle,
will hardly teach you the physics of quanta in
the realm of modulating grammar,
on the basic basis of grammatical as
a method of de-categorisation one word from it being
named, to it being acted upon as a termed way of
walking (differently), or otherwise.

†a bit much for me, an alfred jarry moment
at the end of dr. faustroll's opinions and exploits...
papa **** got the dangling essence of things:
je suis jarry among the je suis cherub charlies,
if poet does not appreciate other artistic mediums
he can't mediate them,
poetry is supposed to mediate all artistic expression
with platonic criticism... it's supposed to mediate,
with poets appreciating each and every craft...
whether sculpture we scrap metal stolen from a park,
or whether an oil canvas be worth as much as toilet
paper when the painter is alive, and millions more
when he's dead.. we need gravity a demanding
drama to extend drama into grammar...
poets have to become the middle-men of haggling,
they need to appreciate art in an elitist way
in order that art can't become genealogically defining,
like dramatics of the theatre lost between idols
of 1950s screening compared to idols of 19'90s screening...
we need poets as the glue stuck to every output...
we need to appreciate all art other than their own
to discover their own... we can't have the mindless
jealousy bribe us to reconcile composition,
so that poet against poet is still writing poetry...
he isn't... he's writing a polemic... and that's hardly
a dialogue... it's a mortifying analogue of monologue...
and we don't want poetry to be such a belittling
circumstance of the original intent of practice,
why would a poet's rarity be reduced to
a market blasphemy of ultra-eloquent speech
in order that it might be used to scold?
why the jealousy? why?! it reeks of revenge
that only requires a Darwinism to include it,
as sustainable and necessary,
too many monkeys to create a single man...
too many difference in man from continental span
of africa, to asia... to even bother a standing ovation
origination in genetic scrip of a chimpanzee...
script wants man to be genetically above
a genetic script of a banana numbering more genes
that itself... the biodiversity of monkey
is akin to man... why would the two chiral statues
suddenly become gemini of explanation?
it all fits... but it stinks...
well, whatever that was... it's the pride of a language
that keeps darwinism alive...
but theology is closer to humanism than darwinism...
it's a compound logic, darwinism ends with with an ism,
an empiricism... and the only logic accounted for
is a logic of repeat... just look at the forms of these words...
formulated by L and Γ (origin of the kabbalistic interpretation
of allah)... keep the prefix akin to a suffix composed to
an enclosure... theology provides the better logistics
of expressing being human than an empiricism
known to be darwinism... after all a -logy tends to
repeat a systematic use of words...
empiricism a systematic use of facts...
easier to become bored of facts than words.

the Himalayas rise
there is snow on the peaks
I watch it from my bed
I gaze and gaze at it
in the morning
as a little village girl goes by
sniffling with cold
I too am cold
it is chilly here in Tosh in May
but a young Israeli boy
took off his shirt
and stood on the fencepost of the guesthouse dancing
down was the deep green valley
all of us watched in admiration
the next day I went down to the waterfall
which from here is a beautiful whisper in the air
there are donkeys and a path
and pretty houses on the other side of the valley
and everywhere there are people smoking hash and relaxing
in the cafes and the guesthouses
it is almost like a pilgrimage smokers keep coming
and sit around smoking talking
I pull down my woollen cap my arms and back
feel the chill despite a thick sweater
despite a blanket and a four inch thick quilt
I roll my joints and smoke them alone
sometimes smoke them with others
I look at the hills and the valleys and the wooden houses
I look at the white peaks glowing in the sun
and talk about CCR and stained glass art with Michael from Norfolk
who’s going down the valley to another village for a party tonight
with his young Spanish friend
I talk about Bombay with Puneet and Manya from Kanpur
who’ve come here on a Bullet
Hash Heaven Manya says reading my mind as the joint passes on
to the four engineering interns from Delhi
and all the time I sip on ginger lemon honey
for my sore throat until on the last day it disappears
unlike the young Israeli girl’s pink laptop in a pink cover
found by the part time caretaker in the garden on a pink chair
she left behind last night because it was too dark
come again the guesthouse boys say to me as I pay them
what a scene I think how cool as I begin to leave the village
down the dung-clotted stone steps nodding to the smokers coming in.

there, the air is thicker
it hangs full, like the ladies

all the sadness lived in the
capsules of trapped air in
woollen jumpers left behind

men with their toothless
smiles and shining skin
coax laughter from a steel drum

the market boasts a rainbow
of sarongs, papayas, star fruits
offered in jangling song

it was a medicine.
the coral blooms in the reef
are teeth in a dog's mouth,
guarding.

It was hardly a JFK moment but if, like me, you remember what you were doing when you first heard a Spice Girls track, it may be hard to believe two decades have elapsed since the girl group released their debut single, Wannabe, in the dying days of John Major’spremiership. Together with Oasis, Blur and Blair they heralded a new dawn for Britain - selling millions of records while they were at it - before embarking on what turned out to be a lengthy hiatus just four years later. There was a brief reunion in 2007-8 but the question now is: how, if at all, will they mark their 20th anniversary this summer?

Sitting opposite me in a London hotel bar in Leicester Square, just across from where she co-hosts the Breakfast show on Heart FM withJamie Theakston, Emma Bunton - the one formerly known as “Baby Spice” - makes no secret of her hope that the “girls” (now all in their forties) will get their act together.

“We adore each other. There’s so much we’ve been through. I would love to do something,” she says. “I think we’d all quite like to do something, but it really is figuring it out. We all have such different lives. Mel B [Melanie Brown, formerly Scary Spice] lives in America. We’ve all got different managers.” Not to mention the fact they are all mothers now and their busy schedules include commitments such as school plays, which makes finding time for a reunion even harder.

It’s natural to wonder, too, if any jealousy simmers beneath the surface. Victoria Beckham’s star has risen exponentially since the group broke up, with her marriage to former footballer David, their children and her fashion line keeping the profile of the erstwhile Posh Spice higher than those of any of her former bandmates. Bunton insists she’s delighted for her though.

“When a friend does that well it’s incredible. She’s just hilarious and I know exactly what she’s thinking just by looking at her,” she says. “I see pictures and I go, ‘I know what she’s thinking about!’ I’m very lucky because I know the fun, sarcastic, brilliant other side to her as well.” The fact that Beckham invited Bunton to choose a dress for her 40th birthday in January would appear to support the picture she paints of their friendship.

When “Baby” joined the band in 1994 she was almost young enough to be in a school play herself. Now she has two babies of her own - Beau, aged eight, and four-year-old Tate - with her fiance, the singer Jade Jones, to whom she has been engaged since 2011. Although she could pass for 30, her woollen shawl, floral Kooples shirt and the glasses that frame her face give her the look of an elder stateswoman of pop.

“Wouldn’t that be amazing?” she agrees when I suggest a one-off gig at Wembley Stadium. “Fingers crossed. That’s something we’d really love to do.” While we talk, a phone rings in her bag. It’s Geri Halliwell, formerly known as Ginger Spice. Bunton ignores it. “I’ll speak to her after and tell her you suggested it,” she says of the concert idea.

Meanwhile there is her new early evening live TV show to focus on. In BBC Two’s Too Much TV, she pairs up with Rufus Hound, Sara *** or Aled Jones, reviewing and previewing what’s on the box. Her years of experience as a radio host have come in handy here, but the programme itself has reportedly suffered some disappointing audience figures.

Still, Bunton is pleased to be forming a female double act with ***. The phrase “Girl Power” - which she defines as “supporting one another in everything you do” - was famously central to the Spice Girls’ brand and is something she continues to draw on. “For me, it started with seeing my mum going back to college at 40, starting karate at 40. She just kept growing and I’ve really fed off that,” she says. “I want to grow as much as she did and still is. She was my first role model. Jade is brilliant, it’s just we [girls] have had to push a bit harder. As girls we’ve pushed things forward.”

Bunton was born and raised as a Catholic with her younger brother in Finchley, north London. Her parents worked hard to provide for their children but separated when she was about 11, which she struggled with. (“I don’t like change too much,” she says.) Until her father, a former milkman, recently moved to Ireland, she would visit him every Sunday. Privately educated at the Sylvia Young Theatre School in London, she was granted a scholarship when her parents could no longer afford the fees.

Though not one to dwell on failure, even she began to question herself when the rejections kept coming. “You’d think, ‘I’m just not good enough,” she says. It wasn’t until she auditioned to become the fifth member of the Spice Girls that her big break arrived. She was asked there and then to move in with the others in Maidenhead - and the rest is nineties pop history.

Part of the Spice Girls’ selling point was their girl-next-door image. While it could not be said that *** was removed from the equation - theUnion Flag dress Halliwell performed in at the 1997 Brit Awards left little to the imagination and many of Brown’s leopard print outfits were an exercise in cleavage-display - *** appeal was not the main draw. Yet even if looks weren’t the focus (wasn’t it all supposed to be about fun, girl power and attitude?) Bunton hasn’t always felt secure about her body image.

“Obviously [body shape] is such a big thing in this industry,” she says. “I’m 5ft 1in so I feel that sometimes being curvaceous is harder to carry off because I’m so short. But I’m comfortable. I’ve always been that kind of way. In the industry it is becoming a bit more difficult because everybody is so slight, it’s quite unbelievable. I don’t know how they do it.”

When she first joined the group she felt relaxed enough about her appearance, but went through “probably a very short stage when everything hit and there were pictures everywhere and you think, ‘Do I look OK?’” This faded, and having children has helped stop her worrying about this. “It’s something I just don’t take on board as much because I can’t,” she says. “But you’re being pictured every day or papped, so obviously there’s that pressure of hoping to look half decent in pics.”

Reflecting on how motherhood has transformed her, she goes on: “I used to be very self-absorbed, I’m sure, worrying about what I was going to wear to the next event or whether my roots were done,” she says. “I’ve changed as a person.”

So what about that long engagement? Will she ever get round to tying the knot? She and Jade will need their heads knocking together before they do, she says. “If we do, we’ll definitely elope,” she adds.

Career-wise, she remains ambitious. She has a small part in the forthcoming Absolutely Fabulous movie and would like to sing and act more, as well as branching out into comedy (she’s already been involved in Comedy Central’s Drunk History).

Pop culture doesn’t cast out the over-40s these days, so there’s no reason to think she won’t stick around. Nobody, after all, puts Baby in a corner.Read more at:www.marieaustralia.com/short-formal-dresses | www.marieaustralia.com/formal-dresses-2015

Christmas is upon us !
Another year is gone
It seems like only yesterday
We celebrated the last one
Adverts on the t.v
Toys upon the shelves
Children are told stories
Of santa and his elves
Food is on the table
Theres turkey , christmas pud
Children on their best behaviour
Trying to be good
Carol singers outside , singing in the street
In woollen hats and scarves they dress
With wellies on their feet !
A snowman stands a guard outside
With a carrot for a nose
Presents under christmas trees
Tied with pretty bows
Jingle bells are ringing
As rudolf pulls the sleigh
The saviour lord jesus
Was born upon this day
Christmas is a time for peace
To last the whole year through
May santa bring his greatest gift
Of christmas joy to you !

Helen passes me
her doll
Battered Betty
hold her
for a minute
she says

I hold the doll
between hands
away from me
in case she may
wet on me
as my old man
used to do
when my kid brother
was a babe
and he didn't want
the kid's ***
on his new suit

what's wrong with her?
I ask

she's got a temperature
Helen says

I look at the doll
who looks white
and cold and I smile

ok
I say
well take off
these clothes
and woollen jumper
no wonder she's hot
and got a temperature

we are walking along
Meadow Row
towards the fish
and chips shop
over the crossing
to get my mother's order

do you think
she's got a temperature?
Helen asks

I feel the doll's forehead
no it seems fine to me
I say

ok
she says
and take the doll back
and holds her
against her chest
rocking the doll
side to side
and patting
the doll's back

it's just she seemed
hot this morning
Helen says
when I got her
out of bed

whose bed?
I ask

mine
she says
the one I share
with my sister
with Betty between us
next to Teddy

I see
I say
seeing her rock
the doll side to side
like a good
little mother

she's lucky
I say
I sleep
with my little brother.

A lowly wooden bench lent itself to a lonesome aged narrow man in a common garden in the smallest hour of the day’s beginning. In the thick haze of the summer’s waking light the common is thinly met with the company of others. Just an old man and his acquainted bench who came to give his eyes sight to the grass and trees, and to rid himself of thought.
He and the bench creak as he sits back; clutching at the satchel veiled among his dull drudged garb that bleeds into his pallid slack and cracked skin.
The wiry hairs bushed around his nostrils recoil to the deep inhale before the sigh, his yawning blue eyes sliding behind a milky glaze follow a bushy tailed rodent hurry into the confidence of a tree.
Through all nonchalance a pair of hobgoblin lugs under a brown woollen hat slides up the flanks of his head to outlying drowned tones of laddish laughs and lewd levity, an unseen clutch of kids filling the common’s spread with their foolish louting prances. Intimidating the preferred and performed with their innocuous idiocies; a mere asocial array of follies without the thought of good manner.
The thoughts of the old man are only briefly drawn; his ears leave the sounds of reckless recreation and back to the hushing song of the swaying grass, the rustling shake of the seasoned leaves on gorged and drooping branches. To his own wilted waning heart, the tremors, quiver and shivers within his own cage, his thoughts turned to his own temporal passage and to the re-joining of his love, of whom no longer lays her head on his shoulder, whom no longer wraps herself around his arm on the lowly park bench.
His lowest lip gives to an emotive tremble as he heaves himself over to the hem of the seat, his hands without any other part to play; frenetically tickle one another with frail kinked fingers.
With what little his body has left to give the eyes well to the upmost point of a tear, as he feels the weight of his wallet in his side trouser pocket against the rough of his skin. Where there within lays an image of a most loved face in a prized time, so that it may be remembered so it may fetch ease to a remittent floundering morsel of a man who could justly with the dead.
The photograph within his keeping need not be looked upon from under the shine of a laminated holding; it needs only to be there, only to be known that it is there.
The satchel was undid and fetched from within the clutter came an elderly notebook now held in his hands. A phlegmy husk of something said breeches his gummy chops, and he spits as he spat shouting out at the still of the garden.
“You should always write more than you do,” she would say, “you are better for it when you do and it lifts me as it does you, when you do.”
The old man reads from the notebook with a weak hate for the world.

“Am I for the worms yet? Am I to be from this rock?
Am I not yet too mad for this mad maddening world?
Four corners of an empty house, a homeless place of curling wallpaper and aloneness for company.
A room in a vagrant house with no light to fill it with a decrepit fool for a keeper
His stink stinks the walls for days as the blow flies form a speckled haze as they feast in filth of his unnoticed demise
With no manner of intention and for relation or friend, there is no cause and no mention for any to attend
He will rot with the house and his memory with it, with his memory does his love die and together they are ghosts in a world where ghosts do not exist.”

The old man pauses as he forcibly triggers one finger to his temple and ***** in his lips. His empty cries fall to a mumble as his hands tremble with his dear notebook in their grasp.

“Take me now cruel are the fates, take me now and rid me
The worms will welcome me, my flesh for an endless night
My life for a world without this life, for a life without his world
I would hold with a brim smile if it was not for my memory of her, if she was not to be lost at the close of this stint
I know not or want knowledge; I seek not of a design and not of meaning
Just a cure for this affliction for my must to her who brings me so much sorrow
Through blissful ages I can no longer hold, and can barely recall
We are all just people who will soon be once living, to be unlived and to forget is a conflict in myself
I have no answer as I have no question, you can have no answer to a question you do not seek nor ask
I dare not speak but I have no end for this, I have no solace and I have no end.”
The old man; the poor old man began to close his dear aged notebook and find the need to bring a smile, perhaps a moment of lunacy to calm the tightening knot beneath his breast.
He pulled a scratching cackle from the pit, wild and uncooked wiping the drool from the crook of his maw with the back of his blotched, mottled hand.
The old man found some seconds of a stoic amenity as his wild eyes grew gallant for those mere moments before the grey metal heft of his sullen vesture fell to his shoulders, he became heavy once more as the world retook him and cloaked again in the present - the light ebbed from him as swiftly as it came. The old man reproached his satchel to humbly return his dear old notebook.
There was a crack like a pick to ice with a hollow thud like a boot to wood as an immediately dissipating claret mist fizzed above his head. The make shift found-about cosh still swinging through the air and over his crown, the old man’s wilted body twisted and slumped to the floor face first. The concrete path before him tearing at the skin of his chin, his frail bones cracked as the meagre weight of his body forced itself into his neck. Laying perverse and unnatural the life was soaked up into his woollen hat and out across the concrete, to the grass – to the worms that writhed below the muck. His eyes were as lifeless as they were when he lived.
They did not wait for the gentle hiss of the spray or the bubbles that popped in the pool that surrounded the old man. They had snatched the satchel and ran off into the spread of the common until they were nothing but outlying drowned tones of laddish laughs and lewd levity.
Crazy old *******.
A lowly wooden bench has lent itself to a lonesome aged narrow man in a common garden in the smallest hour of the day’s beginning. In the thick haze of the summer’s waking light the common is thinly met with the company of others. Just an old man and his acquainted bench who came to give his eyes sight to the grass and trees, and to rid himself of thought.

it turns out
Mother Nature is
just as indecisive
as the rest of us
it seemed that
she had finished
with her winter
her day-long frosts
and biting winds
no longer the need
to cocoon oneself
in protective layers
when venturing out
for nothing more than
a bottle of milk
of down-stuffed coats
and twice-wrapped scarves
woollen hats
and thermal socks

it felt like
we had moved on
our spring had arrived
just in time
we could enjoy
the brisk early mornings
despite their chill
safe in the knowledge
that the gentle touch
of afternoon warmth
would shortly follow
the biggest setback
to be expected
was an intermittent
morning-to-evening downpour
dampening our anticipation
though only temporarily
of any plans we had made
until the puddles were dry
or had drained away

it may have been
a false start
but i'm loathe to say
we were tricked
or call it
an outright lie
those brightened days
were a welcome change
enjoyed by all
we were simply
carried away by
the primaveral allusions
lulling us enough
to forget the cold
and its significance
catching us unprepared
and exposed
like those delicate flowers
so recently bloomed
buried for now
beneath this weight
of snow

I wear
your grey
woollen mittens,
the ones

you can make
into gloves
by pulling over
the fingers

to make complete;
soft, thick,
but warm; neat.
I can sense you near

with them on;
an imaginary pulse
moves along
beside mine.

You felt the cold;
although didn't say
as such
or not

over much;
your hands
and fingers
seeking shelter

within the wool,
rubbing against
the fibre, skin
on softness,

warmth like
a kind of drug,
seeping in.
I wear your grey

woollen mittens,
my fingers fitting
where yours once did,
the feel of you

in the wool's soft memory;
the fibre’s hold,
keeping you warm,
my son,

keeping to warm
against the cold.
The mittens seem fresh;
not worn thin or aged

or coming unwoven
as some things do.
I wear your grey mittens,
have them close,

neat and touching.
I wish they were you.

He was sitting on the stone cold step outside the Co-op
A thin blanket around his thin shoulders
His outstretched hand reached out to me
And touched my heart.
I gave him the cup of coffee I had been drinking
He seemed pleased, I felt good.

I saw him again on Saturday night, he looked thinner
His face hidden beneath a ***** grey hoodie.
Once more the outstretched hand reached out to me
I gave him a warm blanket, made of wool.
He grunted thanks, I felt good.

One week later I went looking for him on the stone cold step
outside the Co-op
He was sitting on the woollen blanket,
his eyes shrunken into his skull
I gave him my coat.

He gave an almost imperceptible nod of his covered head
And stretched his hand towards me again.
I fumbled in my purse, and gave him all I had – he grunted “Huh”
I felt I’d let him down.

My friends said I was losing weight, my clothes no longer fitted me.
I gave my sweater made of cashmere
To the hooded skeletal figure on the doorstep
outside the Co-op

His jeans were frayed and ***** from the streets
I gave him mine, they no longer fitted me.
He looked up, his broken teeth bared in a forbidding, dangerous smile.
I flinched. His outstretched hand pulled at my wrist,
I backed away, he held me.

I tried to run but his fingers tightened their grip, digging into my flesh
He pulled me in the direction of my home.
His grip on my wrist burning hot

I turned at my door to see him, he grinned, his eyes seeking my soul.
His face now no longer thin, his bony fingers now fleshy,
his rotted teeth Improved.

I looked at my hand. I saw my reflection in his eyes. My face skeletal
with shrunken cheeks,
My shadowed deep set eyes
haunted.
He laughed a croaking triumphant laugh as he entered my house
And pushed me out.


I turned and my feet took me back to the stone cold step
Where I crouched down outside the Co-op
A thin blanket appeared on my thin shoulders
I held my outstretched hand towards an approaching stranger
Who walked on by.

©AEB 14.05.16

The sanguine shades of India
Flow in mantras through my mind
In hashish tones sienna brown
To ochre greens, I find.
The soaring slopes of massif peak
And roaring waterfall
Lead to tranquil rhododendron glades
Capped in scarlet, I recall.

The clamour of the market place
The grimy squalor found
In the gutters on the roadway
With a constant wall of sound,
In the bartering for spices, red
In wicker baskets wide
With the stench of open sewer
Causing queasiness inside.

Dustiness of sandaled feet
Robes of saffron gold
And the gleaming glow of polished bronze
To purchase, should  you hold.
Patterned carpets lay displayed
In jute and woollen blend
Whilst ancient hands on simple loom
Weave more for you to spend.

Ullulation in the air
As turbaned dancers spin
To shrilling ethnic instrument
With drumbeat adding din.
Wild eyed watchers flashing teeth
As rhythms beat the air
Encircled by a chanting crowd
With temperament at flair.

Thronging people fill the lanes
Churning on their way
Interspersed with sacred cow
Meandering to hay.
Children flock with outstretched palm
Surging as they do
Insistently to foreign purse
In urgency that grew.

The sea of dark skinned faces
Mid flashing whites of eyes
An intensity of gaze that takes
You jarringly by surprise
And everywhere the pungency
Of the continent in the air
With the spicey taste of curry
And a chutneyed rice as fare.

But in speaking to the people
I found their manner warm
And their love for caste and custom
And their cricket team was worn
Like a flag around the shoulders,
Like a talisman, so proud,
And their love for home and family
Reiterated, long and loud.

Overhead, the baking heat
Occasionally relieved
By a downpour of monsoonal rain
Must be seen to be believed.
And the total inundation
Of believers on the stair
Of the teeming seeking holiness
In the river Ganges there.

And then as quickly as I came here
It became the time to leave
And the wonders of diversity
Were beyond what I believed.
What was once a frank abhorrence
Grew surreptitiously on me
The splendours of this mystic place
Well deserve their sanctity.

Now far across the oceans
In my safe and sterile land
I am drawn to stare to seaward
To recall my thoughts at hand,
Out across the sprawling delta
Gazing far to sunset sea,
That special taste of India
Flows irrevocably, back to me.

Marshalg
13 July 2014

Meet me at the verge, the place where
Caledonian Road meets the river and the
Reckless thugs of Camden dare not travel,
Lest they find themselves back home, alone once more.

Meet me at midnight, before the
Gates break loose and spill the stragglers to the street,
And just after the last bus leaves the station,
And the tube stops, silent, dead.

Meet me for reasons unknown, for
Sake of impulse, of joy, of freedom,
To cast away what memory you might have
Of days less full and rich as this.

Meet me dressed in black and grey,
All the better for the night to swallow you whole,
Take you within, deep, as a lover to another,
Or a shipwreck lost within the sea.

Meet me with apathy and disdain,
With carefree abandon and slight
Mistrust, for you are more wary than I
And have seen darker evenings.

Meet me then and take my hand,
Through woollen gloves and shivering, and
Stare at me through condensed breath, as we
Share a smile and walk lightly away.

A lantern light from deeper in the barn
Shone on a man and woman in the door
And threw their lurching shadows on a house
Near by, all dark in every glossy window.
A horse’s hoof pawed once the hollow floor,
And the back of the gig they stood beside
Moved in a little. The man grasped a wheel,
The woman spoke out sharply, “Whoa, stand still!”
“I saw it just as plain as a white plate,”
She said, “as the light on the dashboard ran
Along the bushes at the roadside—a man’s face.
You must have seen it too.”

“I didn’t see it.

Are you sure——”

“Yes, I’m sure!”

“—it was a face?”

“Joel, I’ll have to look. I can’t go in,
I can’t, and leave a thing like that unsettled.
Doors locked and curtains drawn will make no difference.
I always have felt strange when we came home
To the dark house after so long an absence,
And the key rattled loudly into place
Seemed to warn someone to be getting out
At one door as we entered at another.
What if I’m right, and someone all the time—
Don’t hold my arm!”

“I say it’s someone passing.”

“You speak as if this were a travelled road.
You forget where we are. What is beyond
That he’d be going to or coming from
At such an hour of night, and on foot too.
What was he standing still for in the bushes?”

“It’s not so very late—it’s only dark.
There’s more in it than you’re inclined to say.
Did he look like——?”

“He looked like anyone.
I’ll never rest to-night unless I know.
Give me the lantern.”

“You don’t want the lantern.”

She pushed past him and got it for herself.

“You’re not to come,” she said. “This is my business.
If the time’s come to face it, I’m the one
To put it the right way. He’d never dare—
Listen! He kicked a stone. Hear that, hear that!
He’s coming towards us. Joel, go in—please.
Hark!—I don’t hear him now. But please go in.”

“In the first place you can’t make me believe it’s——”

“It is—or someone else he’s sent to watch.
And now’s the time to have it out with him
While we know definitely where he is.
Let him get off and he’ll be everywhere
Around us, looking out of trees and bushes
Till I sha’n't dare to set a foot outdoors.
And I can’t stand it. Joel, let me go!”

“But it’s nonsense to think he’d care enough.”

“You mean you couldn’t understand his caring.
Oh, but you see he hadn’t had enough—
Joel, I won’t—I won’t—I promise you.
We mustn’t say hard things. You mustn’t either.”

“I’ll be the one, if anybody goes!
But you give him the advantage with this light.
What couldn’t he do to us standing here!
And if to see was what he wanted, why
He has seen all there was to see and gone.”

He appeared to forget to keep his hold,
But advanced with her as she crossed the grass.

“What do you want?” she cried to all the dark.
She stretched up tall to overlook the light
That hung in both hands hot against her skirt.

“There’s no one; so you’re wrong,” he said.

“There is.—
What do you want?” she cried, and then herself
Was startled when an answer really came.

“Nothing.” It came from well along the road.

She reached a hand to Joel for support:
The smell of scorching woollen made her faint.

“What are you doing round this house at night?”

“Nothing.” A pause: there seemed no more to say.

And then the voice again: “You seem afraid.
I saw by the way you whipped up the horse.
I’ll just come forward in the lantern light
And let you see.”

“Yes, do.—Joel, go back!”

She stood her ground against the noisy steps
That came on, but her body rocked a little.

“You see,” the voice said.

“Oh.” She looked and looked.

“You don’t see—I’ve a child here by the hand.”

“What’s a child doing at this time of night——?”

“Out walking. Every child should have the memory
Of at least one long-after-bedtime walk.
What, son?”

“Then I should think you’d try to find
Somewhere to walk——”

“The highway as it happens—
We’re stopping for the fortnight down at Dean’s.”

“But if that’s all—Joel—you realize—
You won’t think anything. You understand?
You understand that we have to be careful.
This is a very, very lonely place.
Joel!” She spoke as if she couldn’t turn.
The swinging lantern lengthened to the ground,
It touched, it struck it, clattered and went out.

It started at the beginning of adulthood
where the wandering into the new house
became a chore. The doorway greeted me
by snagging my woollen jumper.
The motorway was screaming, the battered gate happily hanging from its hinges.

His image first flashed into my sight,
And when I stared through the fogged up windows
I could still figure out his figure.
Loutish, he sauntered past
On a hillside, desolate.

He didn’t move for three hours.
He was most probably entwining the thorns from the bush
into his complex mind. Maybe
the boy with the thorn in his side
Had been brought to life by this mystery animal
With a mass of unkempt mane.
Unruly, unnecessary, untouched.

The notebook on my kitchen table lay untidily
waiting to be roughened up. I picked it up
and cast light over the paper.
I imagined him doing the same
But his art was thunderstorms
And mine merely a drizzle of rain.

I made progress
and the flowers were growing from my fountain pen.
Confidence developing, I invited him inside
And there were still no words from his unfathomable jaw.

A month later, we became one
and I still didn’t know where his intentions were lying.
I’m a girl afraid, does he even have any?

Ink *** after ink ***
I ran even further in this marathon of confusion.
I slowly slid from his dismissive grasp, his matted paws light
I had drawn graffiti over his portrait.
a permanent marker changed beauty into art.

I crept before his wake, into his sleep
And his lyricism lay imbibed in the walls, the desk, the door.
I felt the gale force energy cry inside
Which erupted like a volcano, turning remnants into ashes.
Face down, mane rough, scars bright, fur singed
Interior managed.

In the morning, I lifted his heavy paw away from me
And placed it peacefully beside him.

paris...
no american in sight, or how i just see utopia...
songs on the steps of  sacré-cœur, kissing
an american girl, then cheese and wine
next to the Eiffel tower, laughing, joking, trailing
and tailing off with talk of nabokov,
the nightclub scene with ping-pong ecstasy dances,
youth, youth, youth,
of youth that congregated once in those places,
parisian girls congregating for a game french hushes
with the chinese whispers  and anglo comic charades
learned from the conquering normans...
paris back then, what wouldn't i have given for it,
but i learned of starving north,
where lecture upon lecture repeated david hume,
and i said:
                   it's the 21st century after all!
                   make edinburgh the new paris!
oh paris, but paris stay intact,
with the eiffel tower in my palm,
where all love met no love
but love met love all the more fictive,
written with a million reincarnations
that once told a tale of warring fractions known
as factions,
and it was told so: paris of my past where
i walked the streets with the compass height
ordaining coordinates that the tower was
to thus learn:
in times of panicky sentencing est mort,
people congregate in hawkish gaze
at monuments of their bone and marrow
turned into cement and irons of scaffold,
and there they congregate to ogle a new hope
when encouraged by a new fascination
of those that are less amazed by the phonetic
simplicity of animals than those who keep them.
oh paris, how i too wished things would have
remained a truer you begging truancy
from international press coverage,
how that one summer i became embedded
in taking to sleep on rock that felt like
woollen napkins filled with duck quills.
and in the memoriam altar two boys played
this song: as entombed by the title.

Helen pushed
the second hand
doll’s pram
over the bombsite

off Meadow Row
Battered Betty her doll
was tossed
from side to side

there there
Helen said
can’t be helped
you walked beside her

practising drawing
your silver coloured gun
from the holster
your old man

had bought you
from the cheap shop
through the Square
you hit back

the hammer
one two three times
just like that
I can’t get her to sleep

Helen said
stopping by the ruins
of a bombed out house
she tucked the doll in

with the woollen blankets
her mother had knitted
Mum said to take Betty
for a walk in the pram

but she still won’t sleep
you put the gun back
in the holster
and pushed back

the black hat
your granddad
had given you
have to keep her quiet

around here
you said
there might be Injuns
and they scalp hair

off babes and kids
and such
Helen looked
around the bombsite

looks deserted to me
she said
pushing the pram away
from the bombed out house

you never can tell
you said
they hide  
and when you’re least

expecting it
they come screaming
over the plains
Mum said you’d make

the best husband
for me
Helen said
coming to a halt

opposite the coal wharf
you drew out
your gun again
and fired shots

over your shoulder
that’s nice of her
you said
twirling the gun

over your finger
and then back
into the holster
Mum said

you would make
a good dad
one of the horse drawn
coal wagons moved away

from the coal wharf
and clip-clopped
along the side road
perhaps

you said
we could get our own
house on the prairie
or one of those houses

off St George’s Road
with the big gardens
Helen got
Battered Betty out

of the pram
and rocked her
over her shoulder
patting her back

and said
yes and I could milk
the cows and you
could hunt buffalo

and we could sleep
in one of those
big beds
with buffalo skins

over by the main road
a red number 78 bus
went by
and dark clouds

crowded
the less
than blue sky.

Fly through the snow Matilda my Queen
in your cloak of white so new and clean
fly to Wallingford and Brien Fitzcount
race to him on your fine-bred mount.......

Nest met her as a maiden fair
sent to brush and braid her hair
they came to speak of her young life
So learning Nest was a young wife
Her husband taken ransomed high
noone yet his life to buy
So nest an offer makes the Queen
Her safety then she has forseen

"Henry's son and heir you be
promise now your word to me
my ancient spells will blind men's eyes
my mother taught me well and wise
Wear this magic woollen cloak
over which great Olwen spoke
no man will see you in the snow
ride free to Wallingford now Go!
But see you pay the price of mine
gold for my husband's freedom fine
If you fail me mark it well
you won't escape from my mother's spell

So Matilda fled and made her move
and Nest's fine gold she did approve
but time was run and so too late
The poor young knight had met his fate
The bargain that they had was done
yet though a high and lofty one
she sent a note back with the cloak
in it wishes gently wrote
"For the loss of your man
no gold will pay
so empty words
I will not say
But whatever you ask for
I will give
except to make
the dead man live"

"Send me two oxen
Welsh and stong
dark and quiet
each six feet long
a yolk of yew
a chain of steel
and what I do
I shall reveal"

the debt was paid
the oxen came
from Ruthin
perfect each the same
then off she went
alone and strong
a journey dark
a journey long

Nest came to lofty Norman towers
strong walls fine ladies in their bowers
threw a mist against the stones
here to find her lover's bones
Beast's chained to the Castle wall
hauled straight down they crash and fall
then stealing through the rush and mist
Olwen's cloak does she even exist
noone sees her at the grave
her oxen draw forth this poor Welsh knave
then mourning her loss they steal away
none go near she'll curse they say
Her keening song of tragedies
make even stone hearts feel unease
will her vengeance come down hard
will they fall by magic marred
the people quiver in the rain
feeling now her anguished pain
But fear not this girl of ancient sight
she is not here to hurt or fight
just here to find her lover's bones
and sing to them as she carries him home

My senses remember it
better than my
memory

and maybe it's the memory
of you that's lead me back
to this place. Where my skin
shakes like small coils of wire
shot with electricity

but it's a nervous,
nerve reflex and not proof
that I'm alive

my limbs hanging like
the branches of a
tree

a cool breeze
shuddering the
roots

I always felt new with
winter. Ice beneath
my feet. Itchy woollen
jumpers and the smell
of cinnamon

but you stole my seasons
the way you stole my
heart and now a cold
breeze sends me into
darkness

***** footprints on
dead ground. Black
coats and boots

and the smell of your
body, missing, and
the sound of my neck,
caressed by a white scarf,

breaking

audio me in... tell the b.t. off standards
to change the connection to lie to get to syria...
i wanted to become a butcher too...
not butchering people though...
onomatopeias of resonance of blah... blah...
you know... woollen trill...
i want the target bacon, i want to target bacon
on that ****... head-banging with a pony
while blowing a sheen into a rodin marble
for the glisten of a haircut mare...
dark ivory like purple of a grenade of indigo
blotched with blood...
and spanked / spiked by kandinsky...
i told you i woz a barking gimmick, a barking cult-piece of mafia...
you’ve been warned dear bouncer allotment and semi-detached...
hey kieran - had his kidneys transplanted aged 15...
took to having a ****** aged 16 on the south park fence
when two ******* eyed us and the boys came to make cake...
oi boys r’ us you mention st. petersburg anywhere south of the thames?
i thought so...
make that spelling spaghetti for a kebab of dead meat
appealing:
it’s making headlines, people are fed fat but sugar headlines...
when fat headlines... people will be fed sugar...
salt will never compromise the use of steroids for balloon pop protein
for a mere attire of the bow tie undone with laze.

Oil on canvas c.1926*

I suppose the catalogue tells all
about this painting on the wall.
It had pride of place
in some private collection.
Now, shielded by an electronic guard,
deemed precious, it’s unusual and large;
an early work, when (she said)  ‘I was
full of painting those around me’.

Here they are, my Warwicks:
Joe, Enid, baby Paul
and just in the corner
Auntie Liz.

They are substantial folk
these Warwicks, and have
eaten here a substantial tea.
The firelight’s purple shadows
make a mask of Joe’s wind-scoured face,
and next to the milk jug, look,
his great wedge of fingers lie at rest.
Enid, softly centred in woollen cream,
a wide-eyed Paul on her wifely knee,
seems to gaze beyond her motherhood,
to Northrigg Hill and a setting sun.
There is a general daze of repose;
the meal is over and we are replete with tea.
Lizzie contemplates the washing up.

The artist sits across the table,
rests her sketchbook
on the starched, white cloth,
and with a few firm strokes
collects this family’s shapes and forms
as I do now across the electronic guard
to secure a memory sketch  as
no photography's allowed.

In the underpass sat a hunched male figure
wrapped in an old blanket
a woollen hat pulled down over his head
beside him his scruffy dog
his sad eyes following those walking by
listening his silent cry.

In front a small sign written in large letters
simply read please help me
a chipped tin mug placed close to his feet
some people showed him pity
putting loose change in before moving on
never asking what was wrong.

Not until that day man and dog were gone
was it noticed the empty space
at the same moment on a lonely riverside
a dog was barking frantically
running alone along the slippery wet bank
where a body had recently sank.

A blanket laid half submerged at the edge
definitely something was wrong
a couple ran oven concerned about the dog
spotting a body drowned
another life lost where nobody really cared
yet sadness they both shared!

The Foureyed Poet.

The African
American
Guy sitting on

A bench in the
Laundromat gives
You the eye, the

Kind of I’ve been
Around awhile
Stare, not a bit

Unfriendly, but
Maybe bemused,
Wondering why

A white dame would
Want to look at
Him for and him

Alone in this
His kingdom of
Machines twirling,

Cleaning while they
Toss water and
Foam. Better than

Watching TV,
He drawls, all got
The same channel,

But different
Cycles, diverse
Clothes, all kinds of

Dirt and dullness
And sins to wash
Away. You were

Never good at
Small talk, but you
Try to say a

Few words and smile,
Putting yourself
At ease. Can’t wash

Your soul here though,
He says, showing
A bright gleam of

White teeth, just sit
Still and stare
And contemplate.

You unpack your
Bag of wash and
Sense his eyes fixed

On you, his mind
Ticking over,
As you place in

The clothes large and
Small. An old white
Guy comes in here

Everyday,
He says all of
A sudden, brings

His wash, sits and
Stares, mumbles to
The machine, while

Watching the same
Few items of
Clothing go round

And round. You nod
Your head and take
In his tee shirt,

Shorts and woollen
Hat, his socks and
Shoes and wonder

What your mother
Would have made of
Him had she been

Here. This place’s
A kind of dull
Purgatory,

Where souls wait for
Their time to come
To go to Hell

Or Paradise.
He laughs, moves his
Legs back and forth,

Pushes his hat
Further back on
His head. Maybe

We’re already
In Paradise,
Maybe this is

It. You and I,
Both sitting and
Staring at these

Washing machines,
But really in
Essence, we’re dead.

You turn your back
To watch your wash,
See the whites twirl

Like fond lovers
In the water
And sickly foam.

When you look back
Again he’s gone.
Maybe to Hell

Or Paradise
Or just back home.

Descant of light

The raconteurs of spring
winging whispered sonnets
chase the woollen winter malaise
from silent skies
fluttered hush of doves
herald the nirvana of dawn
Shadowed palette of dusky hues
muted blues spun somber grey
give way
the subtle brush fades
to the rush
of insatiable light
the alchemy of day
and night
Dismiss this imbroglio
melancholy thoughts
Bitter vignette of lamentations
words chilled expire on lips
disappearing wisps
My spirit lifts
in the blush of sun
dancing across pristine paper
arias burst in the illumination
scattered saffron pollen
blessing multiplied
my hands industrious
I lift my eyes....
The avatar of hope supplies
this descant of light
04/12/08
TL Boehm