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I walk into the woods
Taking the one less worn
Headed east
On a westbound path

Foliage thinner at times
Mountains peak through
I long for those mountains
Heading east on this westbound trail

Keep the sun at my back
As I gaze at the darkening sky
The moon shall rise
In the east on this westbound line

I want to stop
Turn around
But my heart lays at the end
East on this westbound route
Does he even know?
Chris Fortune Jun 2016
Westbound is where my heart has always been.
Every time I turn around I always go back again.
Senses are renewed and my spirit brings forth.
Telling me to head west and the notice is short.
Before I get moving there is something I have to say.
Over and over again you always take my breath away.
Under the canyons and over the hills of my heart.
Now I know what I really need and that is a start.
Deliver me on a westbound train and ignite the spark.
The spark that was always in me waiting to be unfurled.
Red hues of a western sky take me to a different world.
Always looking before I jump not knowing where I go.
I made the right choice and this I do surely know.
Now I go westbound and into a new tomorrow.
Maggie Emmett Jul 2015
PROLOGUE
               Hyde Park weekend of politics and pop,
Geldof’s gang of divas and mad hatters;
Sergeant Pepper only one heart beating,
resurrected by a once dead Beatle.
The ******, Queen and Irish juggernauts;
The Entertainer and dead bands
re-jigged for the sake of humanity.
   The almighty single named entities
all out for Africa and people power.
Olympics in the bag, a Waterloo
of celebrations in the street that night
Leaping and whooping in sheer delight
Nelson rocking in Trafalgar Square
The promised computer wonderlands
rising from the poisoned dead heart wasteland;
derelict, deserted, still festering.
The Brave Tomorrow in a world of hate.
The flame will be lit, magic rings aloft
and harmony will be our middle name.

On the seventh day of the seventh month,
Festival of the skilful Weaving girl;
the ‘war on terror’ just a tattered trope
drained and exhausted and put out of sight
in a dark corner of a darker shelf.
A power surge the first lie of the day.
Savagely woken from our pleasant dream
al Qa’ida opens up a new franchise
and a new frontier for terror to prowl.

               Howling sirens shatter morning’s progress
Hysterical screech of ambulances
and police cars trying to grip the road.
The oppressive drone of helicopters
gathering like the Furies in the sky;
Blair’s hubris is acknowledged by the gods.
Without warning the deadly game begins.

The Leviathan state machinery,
certain of its strength and authority,
with sheer balletic co-ordination,
steadies itself for a fine performance.
The new citizen army in ‘day glow’
take up their ‘Support Official’ roles,
like air raid wardens in the last big show;
feisty  yet firm, delivering every line
deep voiced and clearly to the whole theatre.
On cue, the Police fan out through Bloomsbury
clearing every emergency exit,
arresting and handcuffing surly streets,
locking down this ancient river city.
Fetching in fluorescent green costuming,
the old Bill nimbly Tangos and Foxtrots
the airways, Oscar, Charlie and Yankee
quickly reply with grid reference Echo;
Whiskey, Sierra, Quebec, November,
beam out from New Scotland Yard,
staccato, nearly lost in static space.
      
              LIVERPOOL STREET STATION
8.51 a.m. Circle Line

Shehezad Tanweer was born in England.
A migrant’s child of hope and better life,
dreaming of his future from his birth.
Only twenty two short years on this earth.
In a madrassah, Lahore, Pakistan,
he spent twelve weeks reading and rote learning
verses chosen from the sacred text.
Chanting the syllables, hour after hour,
swaying back and forth with the word rhythm,
like an underground train rocking the rails,
as it weaves its way beneath the world,
in turning tunnels in the dead of night.

Teve Talevski had a meeting
across the river, he knew he’d be late.
**** trains they do it to you every time.
But something odd happened while he waited
A taut-limbed young woman sashayed past him
in a forget-me-not blue dress of silk.
She rustled on the platform as she turned.
She turned to him and smiled, and he smiled back.
Stale tunnel air pushed along in the rush
of the train arriving in the station.
He found a seat and watched her from afar.
Opened his paper for distraction’s sake
Olympic win exciting like the smile.

Train heading southwest under Whitechapel.
Deafening blast, rushing sound blast, bright flash
of golden light, flying glass and debris
Twisted people thrown to ground, darkness;
the dreadful silent second in blackness.
The stench of human flesh and gunpowder,
burning rubber and fiery acrid smoke.
Screaming bone bare pain, blood-drenched tearing pain.
Pitiful weeping, begging for a god
to come, someone to come, and help them out.

Teve pushes off a dead weighted man.
He stands unsteady trying to balance.
Railway staff with torches, moving spotlights
**** and jolt, catching still life scenery,
lighting the exit in gloomy dimness.
They file down the track to Aldgate Station,
Teve passes the sardine can carriage
torn apart by a fierce hungry giant.
Through the dust, four lifeless bodies take shape
and disappear again in drifting smoke.
It’s only later, when safe above ground,
Teve looks around and starts to wonder
where his blue epiphany girl has gone.

                 KINGS CROSS STATION
8.56 a.m. Piccadilly Line

Many named Lyndsey Germaine, Jamaican,
living with his wife and child in Aylesbury,
laying low, never visited the Mosque.   
                Buckinghamshire bomber known as Jamal,
clean shaven, wearing normal western clothes,
annoyed his neighbours with loud music.
Samantha-wife converted and renamed,
Sherafiyah and took to wearing black.
Devout in that jet black shalmar kameez.
Loving father cradled close his daughter
Caressed her cheek and held her tiny hand
He wondered what the future held for her.

Station of the lost and homeless people,
where you can buy anything at a price.
A place where a face can be lost forever;
where the future’s as real as faded dreams.
Below the mainline trains, deep underground
Piccadilly lines cross the River Thames
Cram-packed, shoulder to shoulder and standing,
the train heading southward for Russell Square,
barely pulls away from Kings Cross Station,
when Arash Kazerouni hears the bang,
‘Almighty bang’ before everything stopped.
Twenty six hearts stopped beating that moment.
But glass flew apart in a shattering wave,
followed by a  huge whoosh of smoky soot.
Panic raced down the line with ice fingers
touching and tagging the living with fear.
Spine chiller blanching faces white with shock.

Gracia Hormigos, a housekeeper,
thought, I am being electrocuted.
Her body was shaking, it seemed her mind
was in free fall, no safety cord to pull,
just disconnected, so she looked around,
saw the man next to her had no right leg,
a shattered shard of bone and gouts of  blood,
Where was the rest of his leg and his foot ?

Level headed ones with serious voices
spoke over the screaming and the sobbing;
Titanic lifeboat voices giving orders;
Iceberg cool voices of reassurance;
We’re stoical British bulldog voices
that organize the mayhem and chaos
into meaty chunks of jobs to be done.
Clear air required - break the windows now;
Lines could be live - so we stay where we are;
Help will be here shortly - try to stay calm.

John, Mark and Emma introduce themselves
They never usually speak underground,
averting your gaze, tube train etiquette.
Disaster has its opportunities;
Try the new mobile, take a photograph;
Ring your Mum and Dad, ****** battery’s flat;
My network’s down; my phone light’s still working
Useful to see the way, step carefully.

   Fiona asks, ‘Am I dreaming all this?’
A shrieking man answers her, “I’m dying!”
Hammered glass finally breaks, fresher air;
too late for the man in the front carriage.
London Transport staff in yellow jackets
start an orderly evacuation
The mobile phones held up to light the way.
Only nineteen minutes in a lifetime.
  
EDGEWARE ROAD STATION
9.17 a.m. Circle Line

               Mohammed Sadique Khan, the oldest one.
Perhaps the leader, at least a mentor.
Yorkshire man born, married with a daughter
Gently spoken man, endlessly patient,
worked in the Hamara, Lodge Lane, Leeds,
Council-funded, multi-faith youth Centre;
and the local Primary school, in Beeston.
No-one could believe this of  Mr Khan;
well educated, caring and very kind
Where did he hide his secret other life  ?

Wise enough to wait for the second train.
Two for the price of one, a real bargain.
Westbound second carriage is blown away,
a commuter blasted from the platform,
hurled under the wheels of the east bound train.
Moon Crater holes, the walls pitted and pocked;
a sparse dark-side landscape with black, black air.
The ripped and shredded metal bursts free
like a surprising party popper;
Steel curlicues corkscrew through wood and glass.
Mass is made atomic in the closed space.
Roasting meat and Auschwitzed cremation stench
saturates the already murky air.              
Our human kindling feeds the greedy fire;
Heads alight like medieval torches;
Fiery liquid skin drops from the faceless;
Punk afro hair is cauterised and singed.  
Heat intensity, like a wayward iron,
scorches clothes, fuses fibres together.
Seven people escape this inferno;
many die in later days, badly burned,
and everyone there will live a scarred life.

               TAVISTOCK ROAD
9.47 a.m. Number 30 Bus  

Hasib Hussain migrant son, English born
barely an adult, loved by his mother;
reported him missing later that night.
Police typed his description in the file
and matched his clothes to fragments from the scene.
A hapless victim or vicious bomber ?
Child of the ‘Ummah’ waging deadly war.
Seventy two black eyed virgins waiting
in jihadist paradise just for you.

Red double-decker bus, number thirty,
going from Hackney Wick to Marble Arch;
stuck in traffic, diversions everywhere.
Driver pulls up next to a tree lined square;
the Parking Inspector, Ade Soji,
tells the driver he’s in Tavistock Road,
British Museum nearby and the Square.
A place of peace and quiet reflection;
the sad history of war is remembered;
symbols to make us never forget death;
Cherry Tree from Hiroshima, Japan;
Holocaust Memorial for Jewish dead;
sturdy statue of  Mahatma Gandhi.
Peaceful resistance that drove the Lion out.
Freedom for India but death for him.

Sudden sonic boom, bus roof tears apart,
seats erupt with volcanic force upward,
hot larva of blood and tissue rains down.
Bloodied road becomes a charnel-house scene;
disembodied limbs among the wreckage,
headless corpses; sinews, muscles and bone.
Buildings spattered and smeared with human paint
Impressionist daubs, blood red like the bus.

Jasmine Gardiner, running late for work;
all trains were cancelled from Euston Station;  
she headed for the square, to catch the bus.
It drove straight past her standing at the stop;
before she could curse aloud - Kaboom !
Instinctively she ran, ran for her life.
Umbrella shield from the shower of gore.

On the lower deck, two Aussies squeezed in;
Catherine Klestov was standing in the aisle,
floored by the bomb, suffered cuts and bruises
She limped to Islington two days later.
Louise Barry was reading the paper,
she was ‘****-scared’ by the explosion;
she crawled out of the remnants of the bus,
broken and burned, she lay flat on the road,
the world of sound had gone, ear drums had burst;
she lay there drowsy, quiet, looking up
and amazingly the sky was still there.

Sam Ly, Vietnamese Australian,
One of the boat people once welcomed here.
A refugee, held in his mother’s arms,
she died of cancer, before he was three.
Hi Ly struggled to raise his son alone;
a tough life, inner city high rise flats.
Education the smart migrant’s revenge,
Monash Uni and an IT degree.
Lucky Sam, perfect job of a lifetime;
in London, with his one love, Mandy Ha,
Life going great until that fateful day;
on the seventh day of the seventh month,
Festival of the skilful Weaving girl.

Three other Aussies on that ****** bus;
no serious physical injuries,
Sam’s luck ran out, in choosing where to sit.
His neck was broken, could not breath alone;
his head smashed and crushed, fractured bones and burns
Wrapped in a cocoon of coma safe
This broken figure lying on white sheets
in an English Intensive Care Unit
did not seem like Hi Ly’s beloved son;
but he sat by Sam’s bed in disbelief,
seven days and seven nights of struggle,
until the final hour, when it was done.

In the pit of our stomach we all knew,
but we kept on deep breathing and hoping
this nauseous reality would pass.
The weary inevitability
of horrific disasters such as these.
Strangely familiar like an old newsreel
Black and white, it happened long ago.
But its happening now right before our eyes
satellite pictures beam and bounce the globe.
Twelve thousand miles we watch the story
Plot unfolds rapidly, chapters emerge
We know the places names of this narrative.
  
It is all subterranean, hidden
from the curious, voyeuristic gaze,
Until the icon bus, we are hopeful
This public spectacle is above ground
We can see the force that mangled the bus,
fury that tore people apart limb by limb
Now we can imagine a bomb below,
far below, people trapped, fiery hell;
fighting to breathe each breath in tunnelled tombs.

Herded from the blast they are strangely calm,
obedient, shuffling this way and that.
Blood-streaked, sooty and dishevelled they come.
Out from the choking darkness far below
Dazzled by the brightness of the morning
of a day they feared might be their last.
They have breathed deeply of Kurtz’s horror.
Sights and sounds unimaginable before
will haunt their waking hours for many years;
a lifetime of nightmares in the making.
They trudge like weary soldiers from the Somme
already see the world with older eyes.

On the surface, they find a world where life
simply goes on as before, unmindful.
Cyclist couriers still defy road laws,
sprint racing again in Le Tour de France;
beer-gutted, real men are loading lorries;
lunch time sandwiches are made as usual,
sold and eaten at desks and in the street.
Roadside cafes sell lots of hot sweet tea.
The Umbrella stand soon does brisk business.
Sign writers' hands, still steady, paint the sign.
The summer blooms are watered in the park.
A ***** stretches on the bench and wakes up,
he folds and stows his newspaper blankets;
mouth dry,  he sips water at the fountain.
A lady scoops up her black poodle’s ****.
A young couple argues over nothing.
Betting shops are full of people losing
money and dreaming of a trifecta.
Martin’s still smoking despite the patches.
There’s a rush on Brandy in nearby pubs
Retired gardener dead heads his flowers
and picks a lettuce for the evening meal

Fifty six minutes from start to finish.
Perfectly orchestrated performance.
Rush hour co-ordination excellent.
Maximum devastation was ensured.
Cruel, merciless killing so coldly done.
Fine detail in the maiming and damage.

A REVIEW

Well activated practical response.
Rehearsals really paid off on the day.
Brilliant touch with bus transport for victims;
Space blankets well deployed for shock effect;
Dramatic improv by Paramedics;
Nurses, medicos and casualty staff
showed great technical E.R. Skills - Bravo !
Plenty of pizzazz and dash as always
from the nifty, London Ambo drivers;
Old fashioned know-how from the Fire fighters
in hosing down the fireworks underground.
Dangerous rescues were undertaken,
accomplished with buckets of common sense.
And what can one say about those Bobbies,
jolly good show, the lips unquivering
and universally stiff, no mean feat
in this Premiere season tear-jerker.
Nail-bitingly brittle, but a smash-hit
Poignant misery and stoic suffering,
fortitude, forbearance and lots of grit
Altogether was quite tickety boo.



NOTES ON THE POEM

Liverpool Street Station

A Circle Line train from Moorgate with six carriages and a capacity of 1272 passengers [ 192 seated; 1080 standing]. 7 dead on the first day.

Southbound, destination Aldgate. Explosion occurs midway between Liverpool Street and Aldgate.

Shehezad Tanweer was reported to have ‘never been political’ by a friend who played cricket with him 10 days before the bombing

Teve Talevski is a real person and I have elaborated a little on reports in the press. He runs a coffee shop in North London.

At the time of writing the fate of the blue dress lady is not known

Kings Cross Station

A Piccadilly Line train with six carriages and a capacity of 1238 passengers [272 seated; 966 standing]. 21 dead on first day.

Southbound, destination Russell Square. Explosion occurs mi
This poem is part of a longer poem called Seasons of Terror. This poem was performed at the University of Adelaide, Bonython Hall as a community event. The poem was read by local poets, broadcasters, personalities and politicians from the South Australia Parliament and a Federal MP & Senator. The State Premier was represented by the Hon. Michael Atkinson, who spoke about the role of the Emergency services in our society. The Chiefs of Police, Fire and Ambulence; all religious and community organisations' senior reprasentatives; the First Secretary of the British High Commission and the general public were present. It was recorded by Radio Adelaide and broadcast live as well as coverage from Channel 7 TV News. The Queen,Tony Blair, Australian Governor General and many other public dignitaries sent messages of support for the work being read. A string quartet and a solo flautist also played at this event.
John F McCullagh Jan 2012
I’d worked late the previous night,
programing applications.
When the alarm went off at four A.M.
I hit snooze- no hesitation.
Eventually my feet found floor,
I stumbled to the shower.
A routine usually done in ten
took me a half an hour.
I was running up the platform steps
but my train just left the station.
Great, I will be late for sure,
I thought, in consternation.
At least the day was perfect,
Warm and clear, no threat of rain.
I fished and found my ticket
and took the next westbound train.
The ”E” was fairly crowded
When I boarded it at Penn
I’d missed the first and I was glad
Another quickly came.
Beneath the streets of Gotham
The subway lurched downtown.
Above all hell was breaking loose
as two large planes were down.
I climbed the stairs up to the street
And entered the inferno
The sky now black from billowing smoke
Bright day turning nocturnal.

A Seven thirty Seven’s wheel-
I heard a woman screaming
I saw a body at my feet
Were we at war or was I dreaming?
I stared up at my window-
where I worked the night before.
Where flames and smoke leapt to the sky-
where my co workers were no more.
They’re jumping, someone shouted
I saw black specks launch from on high.
Better to die upon the street
Than to suffocate or fry.

I turn and ran, I am ashamed.
No Hero’s tale to tell.
I was a safe way away
when the first tower fell.

Had I not hit the button
or dawdled in the shower.
Had I caught my usual train
I’d be dead in the tower.

This is my shame and burden
To live when others died.
Preserved by fate and circumstance
From terror from the sky.
Kyle Kulseth Aug 2013
Push a day off to one side
drink in the citrus street light
           lock arms with the night

Forty minutes, fifteen thoughts,
a hundred steps to next time
          check off the prayers you've tried--

--on frozen fingers. Through
your wind-chapped lips let one more dangle
              off your westbound life.
You've been here too long;
             You got nothing to lose left,
              quiet, spit it out
                             into the sky
                             Turn right.

Lay my 20's down to sleep
slept my way through a decade
             now open pint glass eyes.

Pushing thirty, since I'm ten
I've been grasping at something--
           something undefined

     On frozen feet been walk-
-ing south-by-southwest, hands in pockets
                clawing empty space.
Haven't got one dime
               to toss into the water
               but Northwest winds
                                  frame my North-        
                                   east face.
prairiegrass dreams

Across the Sandhills
wading into the untamed Niobrara
barebacked.. brown,  and beautiful

Within her Misty Mountain dreams
she is heading my way.
Ah, sweet lord God almighty,
look at her go..

Westbound,  she is best-found

    right there..  on the edge
    of these dreams of my own

Oh my lord..
look at that beautiful horsedream  go
Will I be able to survive her..

  I don't know
.  .  .  

You feel him..  don't you, sweet one..
my beautiful Snickers
on that Gordon, Nebraska hill--
his home,  his birthplace..

Until his beautiful spirit
one day..  finally found me

Striated and stoic
he is waiting for you..
To bring, you
the rest of the way home.

North now,  into Dakota
as you bleed  
with the Lakhóta
on a trail,  split

   between Pine Ridge..
   and Wounded Knee.

Feel your war-torn  Spirit
melt  in to them
(you will not fall)

As you ride this black-maned  dream
just a bit further North..
towards a man, named Paul

Within my own,  I can feel you both

Ah hell, babe..
I can feel you all


hold on to your dream of this dream..
remember every-thing
https://youtu.be/fqCGidfNG0M


Rough draft, this feels inadequate
to the picture I want to convey.
His likeness is in the sixth frame shown,
and again, between the two  of her;

His eyes.. in the two, up close.
You will not go lonely

https://hellopoetry.com/poem/3369599/snickers-on-a-hill/
xoxo
Aaron LaLux Nov 2017
Who cares who shot JFK I wanna know who shot Tupac,
who cares about the CIA's JFK Files release date,
it’s 2017 and I’m on a plane watching All Eyez On Me,
flying westbound outta the Westside of LA,
on All Hallow’s Eve and it’s all feeling kinda spooky,
because I’m on this plane with another Libra The Boy Drake,

and I don’t care who shot JFK,
I want to know who shot Tupac,
met Suge two times and got the feeling he didn’t,
plus when they hit Pac even Suge got two shots,

so who shot Tupac,
as I write with all I’ve got,
in red ink as my red eyes blink,
pen lines looking like blood drops,

all eyes on me,
until my eternal slumber,
but enough about the words,
what about the numbers,

75 million albums sold,
713 songs,
7 films that’s 777,
same as the title of the latest book I put out,

seems Tupac and I,
share a mutual obsession with the #7,
plus his last album Killuminati was subtitled 7 Day Theory,
not to mention the fact that Pac was shot on September 7th,

as I trace the early similarities,
between me and Tupac,
I think back to when I almost signed with Suge,
and I too feel like Tupac,

I too was raised in New York,
I too got put on in LA,
I too almost lost my soul in Vegas,
I too am both profane and a saint,
I too feel confused and conflicted,
I too both sin and pray,
I too write with a sense of urgency,
because I too know tomorrow isn’t promised today,

I too have found my street instincts to be risky,
I too have gotten it on at the Luxor,
I too know there’s a thin line,
between Love & Hate and between Enemies & Lovers,

trapped between over the top celebrities,
and detectives undercover,
and I’ll a pirate sailor sailing high,
but still I have to fight from going over,

oh Lord,
forgive me for I know not what I do,
and maybe the reason I feel guilty,
is because I waste my gifts on **** and *****,

choose,
your own adventure,

lost,
caught up in the trap that’s why they call it a trap,
winnin’ till when that window rolls down and you don’t know,
if it’s gonna be a gun shot or a camera snap,

I know what’s coming even though I don’t know when,

signing my own death certificate,
like Pac signing to Death Row,
see he thought he was just giving Suge his Music,
but really what he was giving him was his soul,

nobody know when they’re gonna go,
we’re at the table at the Last Supper till they pull our card,
which I guess is sickeningly befitting,
considering Tupac was shot in Vegas on Las Vegas Blvd.,

and all that’s left of him,
is this movie that I watch on this plane,
and what’s happened to our music,
lost Tupac and gained Drake,

and that’s not a shot at Drake,
I mean Drake’s cool,
I’m flying with him to Australia,
but Drake doesn’t have Tupac’s soul,

our music has been watered down,
now Hip Hop sounds like Pop Rock,
I mean how can you even compare,
Hotline Bling to Keep Your Head Up,

what the fck,

how’d we go from Black Panther,
to ***** cat,
how’d we go from I Ain’t Mad At Cha,
to Best I Ever Had,

and I’m not even mad,
I mean I respect Drake for sure,
he gets that money and has always been good to me,
but Drake is no Tupac that’s for sure,

but I won’t elaborate further because,
we all know what happens when you ask too many questions,
so I’ll just keep getting my money and writing my books,
& keep going to church without admitting confessions,

and I’m ending,
this poem right here with an RIP,
RIP to Tupac,
Rest In Peace,

another leader slain,
and I’m so caught up I forgot what I was saying,
even forgot where I was,
which is flying westbound on this plane,

writing verses in blood red ink,
feeling like Pac All Eyes on me,
wondering who shot Tupac pen lines like blood drops,
as I write what I think with all that I’ve got in ink,

ink as red as my red eyes that blink,
sending this poem off as a literary Hail Mary,
with California Love even those it’s Me Against the World,
Keep Your Head Up & congratulations Brenda’s Got A Baby,

and I know I’ll likely Live & Die in LA,
so I wonder if there’s a Heaven for a G,
& if there is Dear Mama I’ll meet you at **** Mansion,
& please know I Ain’t Mad At Cha but I’ve gotta go so peace…

∆ Aaron LA Lux ∆

30/10/17
I've never told anyone about this, but I've met Suge Knight several times and he was always cool with me. We flew to JFK airport in NYC & discussed a lot of things. I wasn't going to mention this but a combination of factors led me to coming out about it. 1st of all a photo of me and Suge popped up online, 2nd, the JFK papers were released last week, 3rd, I flew with Drake to New Zealand, and 4th, I watched All Eyez On Me on the flight... Which led me to writing the following poem. Please let me know your thoughts on this, or anything else related to Tupac, Suge Knight, JFK, Drake, or your boy Aaron La Lux... ∆
J Arturo Jan 2014
the hills were beginning to grow
the grass greening on the approach
to Blue Earth, and how
in summer
Minnesota shed her old coat
to shy guilty into brief silty lakes
like the
joy of a little kid, sneaking a forbidden dip.

remarking, casually, about
white warm flowers hung low from
planned oaks, and the impossible way the town
pulled local hills close, to coat
in dandelions. and cultivate
all under an ambitious midwestern sun.


          rolling through the stop sign, hand on mine
          you told me if you’re moving at all

          you should keep it in second gear.


and we had so far to go, but in the light that
broke through westbound clouds,
we became less so.
contented to spread toes out in earth we
dug into Minnesota, the middle coast:
a land we could like to get to know.



and you:
looking down at the salt, the sand, the scars of
the grand american plantation:
the last coast.
knowing that by the next coast, we
you and me.
we'd be through.

          saying, ‘how could anybody die?’

          saying,
          ‘how could anybody tell you anything true?’



undercut by the honest waves of the little lake,
the hum that drummed in my gas tank.
trying, for once, at a little piece of truth:

          when I leave this place I leave
          a part of me behind.

          and that part of me
          will be you.



saying there’s only so much sweetness in the soil,
only so long after the thaw,
and grief is rich and dark and made for sowing:
must be, for maintaining verdant local hills, must be
for to keep corn sweet. must be for to put
grief
on the table. must be for to
keep with us.

          for to keep a little bit to eat.

saying, we bleed but together we make a hole
to bury both our bodies in.
saying there’s a west out west but too late it’s
already hemmed us in.

          saying now I am only a fragile assimilation of this weak
          and fractured purpose that drives me, and you are

          beautiful enough I would lie to let you love me.


even I would scorch this soil if only things wouldn’t grow I would
saying Blue Earth is still in the trucker's atlas is
only an excuse for sunshine. a point,
where freeways go.
saying,
“with earth, so green, that here they call it 'Blue'.”


          saying
          “I could learn to love a leopard.”

          saying
          “how dare you.”
Just once I knew what life was for.
In Boston, quite suddenly, I understood;
walked there along the Charles River,
watched the lights copying themselves,
all neoned and strobe-hearted, opening
their mouths as wide as opera singers;
counted the stars, my little campaigners,
my scar daisies, and knew that I walked my love
on the night green side of it and cried
my heart to the eastbound cars and cried
my heart to the westbound cars and took
my truth across a small ****** bridge
and hurried my truth, the charm of it, home
and hoarded these constants into morning
only to find them gone.
David Bremner Sep 2018
The M6 is slow southbound north of Lymm.
Queuing likely Junctions 4 through to 3.
Accident on the slip-road at Strensham
South. Rubberneckers slowing just to see.
Busy clockwise on the M25.
Overturned tanker - now down to one lane.
Rush-hour traffic, best avoid the drive.
M62 heavy westbound again.
Ongoing road works on the A1 (M).
High sided vehicles avoid the Forth
Bridge. Reports of a breakdown just come in
For those leaving the M5 heading north.........
  Felicity comes, I turn off the dial
  The traffic has cleared - if just for a while.
Simon Piesse Jul 2021
No service to all westbound destinations due to flooding . . .


At Ravenscourt Park, it rained apocalyptically.

Then, God said:

‘Let go of point-to-point.

Paddle properly, like you mean it.

Hear the gentle song of the hummingbird.

Sip the sweet cup of the orchid.

Steer clear of the piranhas that are possessions;
Swim away from the caiman, who can drag you under.  

Take it stroke by stroke.  Do not splash about.

Go with my flow.

When your meanderings meet the mighty ocean of my love

Be ready.

This is just the beginning.’
mark john junor Jan 2014
sunset faces
seem filled with thoughtful reflection
eyes drawn to their own page of living
 and their own written in stone paths
the golden light of the westbound sun
gives its kindness to her weathered face
hides the lines of worry
that have shadowed her days
and in the dark hour
it will be the afterimage of her golden moment
that will sketch this day in ink for me
that will define this place for me
the profile of her face in  golden sunset
her proud strong frailty
that her standing spoke so loudly
as to confound the darkness
and in thouse dying embers of daylight
behind and by her side all these silent spectators
to this strange day shall mark it within their own hearts
what they beheld on this side road of humanity's circus
one old woman stood and defeated the darkness
harlon rivers Oct 2017
The blustery east wind
gathers the fragrant  
Warm Springs
high desert
mountain sage,
cascading
downhill
through
Dry Creek pass
surging downward
from above
the Hood River valley,
with breath of sky's bouquet
of billowing
aromatic avalanche,
gushing
of heaven's zephyr

The poignant
sudden starkness
of fiery autumn leaves
letting go
whirling ― falling
helter skelter,
pushed urgently
flying westbound,
beckoned franticly
by
distant whispered
ocean bellows
blowin' in the winds
    of change ―

Adrift across
Parkdale
mountain meadows,
Coyote  bent,
paw trodden
ripe sweet grasses,
pungent  with
waft of mountain sage
and fermenting apples fallen ―
the waxing silence
of the marvelous moon
echoes  just beyond
the Lost Lake of the Woods,
its golden orange crescent
dances on clear lake ripples,
high perched
sky reflection lapping
the moon kissed shoreline

 ― alone ―  

The Sliver of the Moon,
skinny lithe
unripened youth
arching
as unsated
       summer love  ―  
sage memories
waxing and waning,
whiffs of honeyed Jasmine
writhing witherings,
coalescent

    time drifts onward ―   

unstoppable changes
never turning around
looking back
to see
their fading reflection
    recurring ―

  

august rivers 2017

note to self:
September 15, 16 east wind
Breathing Waft of lingering Mountain Sage
another Autumn soon comes

... and I'm getting older too
When our senses are heightened, do you ever think about the journey of the stimulus(?)!  like the path of scent or even smoke...or a distant sound.
How far is the distant horizon you see...even how far away can we be touched (?)! in its many realms...

Just stuff in drafts...
all these are real places
on the long road home

All habitat at Mt. Hood's fingertip reach
in Oregon, North America
Home of the devastating Eagle Creek wild fire of 2017
In the treasured western scenic Columbia River gorge

Waft of Mountain Sage
Written by:  h.a. rivers
John F McCullagh May 2012
to contemplate your beauty
is this poets' guilty pleasure,
but, as we're taking separate trains,
this joy won't last forever.
The play of light upon your face
as you read some Lovers' twit
gives you an aspect of Kabuki
in the station's dark abyss.
Your perfect, doll-like, features
painted porcelain by the light
An oasis of sheer beauty
amidst the station's urban blight.
Too quick, the moment passes.
I board and you remain.
For, you see, I'm headed Westbound
aboard the downtown train.
You reminded me of one I loved
in another place and time.
The girl who is forever young
and never far from mind.
This is a composite of images encountered yesterday. In the course of my travels I encountered a stunning beauty waiting on a train platform, An Asian girl with an I phone who  was rendered pale white like a kabuki mask and a girl with perfect skin and impossibly perfect doll like features.   Here they are made one.
The 5:55 never came
what the hell happend
to that underground train?

We're just commuters
they boot us
from pillar to post
and the least I expect is
the most that they give.

The cost is
my time lost

no explanation given
TFL have driven me
to the point of
no return

but not on the 5:55.
Cyril Blythe Oct 2012
Stepping out of the February cold, Janie removes her wool scarf as the bus door closes behind her.
Route E-2, Westbound.
She shuffles down the bus toward her usual seat; second from the back, left side. The driver starts the bus and from her seat Janie can hear him singing along to “Summertime” by Janis Joplin. The bus is always empty this late and if there ever is anyone else aboard it’s better not to converse. Safer that way.
The brown pleather seat in front of her is peeling towards the top. Janie leans forward and idly picks at the scab-like dangles of brown as she watches out the foggy window. She idly picks and peels until she feels her hands wetted, cold. Looking down, they are covered in blood and mud.
“What. The. Actual. ****.”  She whispers, wiping her hands on her scarf. She continues to peel back the leather and a trickle of deep red begins to run from the seat back, clumps of mud slowly falling too. Then, she sees the white of a bone. The bus turns right.
Robert C Howard Nov 2015
Standing in the tunnel
at Eighth and Pine station,
I survey westbound commuters
waiting across the tracks  -
standing arms akimbo
or leaning on marble walls.
A well-suited young man paces the platform -
cell phone pressed to his cheek.

    [Passengers stand clear of the
    edge of the platform at all times]

Rushing in from the east,
a gleaming white chariot
arrives - pauses - resumes
leaving the far platform vacated
as if by alien abduction

From the left a blazing light
pierces the  tunnel
and the Shiloh – Scott eastbound
halts and snaps open its doors.
crossing the threshold.,
I claim a seat by the aisle.

    [Please stand clear! Doors are closing]

With eyes half shut I scan the crowd:
uniformed workers wearing ID's,  
a toddler’s arms and legs
dangling off his mother's lap,
An elderly couple talking softly.

The soft clatter of wheels
and the gentle side-to-side sway
rocks us like a cradle -
memories of the long day
melting into thoughts of home.

    [Fairview Heights Station.
    Doors open to my right]

The lady with the toddler steps off.
A trio of teenage girls
fresh from the mall
seek and find empty seats -
filling the rear of the car
with the music of their chatter.

Streetlamps scatter shadows
over parking lots.
The unseen country side
slips by under cover of darkness.
Headlights gleam like jewels
waiting for crossing gates to lift

    [Next stop Belleville Station
    Doors open to my left]

I clutch my lap top,
work my way to the door
and wait for the train’s full stop

Stepping out into the frost filled air
I pause to watch the sleak white chariot
vanish on the eastern horizon.

September,  2006
Please consider checking out my book,  Unity Tree - available from Amazon.com in both book and Kindle formats.
undefined Nov 2014
I caught a Union Pacific headed westbound
howling at the moon
A blanket of stars and my guitar
that's when I wrote this tune

That "Midnight Express" will get you there
if ya haven't a worry, or reason to care
Headin' down the line, steady as she goes
it's like heavy metal rock and roll
------------------------------------------------
Rode it up an' down to Sacramento
when a railway man said, " Ya gotta go."
I heated up iron 'til the trail went cold
riding heavy metal rock and roll

Heavy metal, rock and roll
it shakes and it quakes ,  rattles my soul
I wasn't born on a train
but that's how I'll go
thanks to heavy metal's
rock and roll

--------------------------------------------------
Now every time I hear a whistle blow
I think of "catchin' out" and wonder where it's goin'
Well, I may sing like some "country folks"
but, I love heavy metal & rock and roll
:)
david badgerow Mar 2012
i spent seven days in a foxhole
eating sand and burying the secrets
of former lovers.
i gave myself the silent treatment
for the first four days
then i sang for the other three.
i dreamed of cowboys and westbound trains
and i had an old sack full of bottles
so i wasnt alone.
i was a fine toothed comb
or a skill saw
and i felt useful for once in my life.
i crushed a box of lightbulbs on
the fourth night
and i found the prettiest place to sleep.
i hung photos on the wall of the prison
to keep me happy
and missing you.
now i live in the basement of the world
and i wish for nothing more
than a swiss army knife and
one word from you.
Just got the last one, gone are the worries, gone are the cares, I jumped over the turnstile aware of the stares, the chase through the tunnel ways, the magnificent leap and praise The Lord I landed aboard the last one, they call me the fast one and now you know why.
Give me wings and I'll fly.
Ben K Feb 2018
I drive beneath the overpass
the final sign 396
Lincoln fades into the clouds
the horizon envelopes me

the hills bow down to rise again
the trees grow dense, a final stand
enter in the open sky
where sea and stone and flesh are one

.  .  .

as the open windows roar
sixty five into the night
flying gravel, dust, sweat
I check that I’m still breathing

like the clouds ten miles deep
block the million year old light
stars unneeded shine in vain
I am silent in my song
A W Bullen Jul 2016
Peered through the ideal imagery
of petty dream-spun avenues.
Brushed the quiet tides that rose
in fluid blends of milky down.
The clamour of the Westbound flocks
that scarred the last in pulsing chevrons
told of lands beyond the lay
of harlequin recline.

The lilac swathes that bled to blue
then proffered airs a saintly glow
cooled in easy idiom, the rapid
pyroclastic flow of dry diurnal doubt.

Aromatic night descended,
petals closed on avenues
to the path, the stars attended
cold eternal retinue.
Far ushers of the dew gilt foot
in concert with the silver seethe,
the mist in supple opulence,
an ***** to breathe.
Dacia B Apr 2015
In these strange lands I deposit my sleep
into a small percentage of the neat twenty-four boxes in which I can make a memory.
The clock runs 24 instead of two swings of 12.
I wish it could all be black and white
not Greenscale.
In the movement of the long white snake through the ocean of soft hills,
they glide up and down like a bloated wave in the See.
I stare blankly in disbelief at the rows of wise buildings.
As if they are unreal, like a theme park.
Rivers quietly saw through the hard earth
knowledgeable trees gather at her banks.
Vast and soft.
Green clouds of leaves.
And the airplanes slice through the heavens
leaving a trail of white blood.
Raging with accents of gold from the sun.
As she makes her journey to you, westbound, southbound, homebound.
Her last fingers of light drizzling inside me like golden syrup to sweeten the foul, rotten darkness that feasts on my starved love.
But I shall find sweet redemption, in these strange Femdlände of my blood.
Headlights flashing in the west lane told us
Something was wrong
That it was only a matter of time
Before traffic would halt to a stand still

Late evening darkness, a trunkload full of groceries
Still another 45 minutes until we would be home
Not looking forward to the chore of unloading
The sorting out and organizing, putting things where they belonged
Couldn't see the end of the line in front of us
From where we found ourselves
At the end of the line
Headlights coming up behind us to take over that position
Pushing us closer and closer to whatever it was
We had been stopped for...

"Uh-oh", she said, and I understood completely
"Wonder how bad it is?"
Even as Highway Patrol cars
Black as vultures with carnival lights dazzling
Zipped by us, close cut to the left, at unnatural rates of speed
Their sirens blared louder than usual
Almost pulled, it seemed, by a magnet
To the scene
A small perimeter surrounded by casino lights
Luring the line of cars forward
A yard at a time
Towards confirmation, their worst fears
Vicariously offered by the indifferent hand of fate
"There it is!", she said. "I can almost see it."

I took my iPhone out of my pocket and opened
The camera application
"It's too dark for that," she told me, a little perturbed
She expressed her disgust with me that I would capture the scene on video
"Ah, but the lights are cool. "
Even then I understood exactly where she was coming from
And I realized that I was disgusted with myself
Never mind, I'd already started, might as well let the camera roll
Cool lights and all

The truck in front of us began to make some progress
Picking up a little speed
No more than necessary to witness
The reason for the wait...didn't we deserve it?
Such a pain in the *** to have to wait

"There it is...Whoa, that looks pretty bad."

The car was facing the wrong direction
There was no doubt that it had been going in the right direction
Before it all went wrong
Alone, though it looked as if it had smashed head-on with a truck
No hit and run, not from the looks of it
Most likely the concrete embankment
Velocity
The automobile's hood torn off to expose
A tangled and crushed engine smoking
A good portion relocated inside the cab
The whole thing looked like a vision
From the mind of an artist
Trying real hard to give Salvador Dali a run for his money
In black and white, exposed only by the bright, flashing, candy machine lights
That made it possible for all of us to see
The cops hovering around the scene every bit as impotent
As we
None were even close to the wrecked machine

Like anyone would have done
Admit it or not
We rubbernecked our way around the display slowly
Slowly enough to see
Only a second or two of noticing
In the miraculous glow
Of the overhead light
The driver

He was still as a stone at the bottom of a pond
Head slumped only slightly
With no one at his side to encourage him
His chances were slim to none
The cops seemed to be repelled by the car
As if none wanted to get too close to whatever it was
Floating through the night air
Coming from inside the cab of that crushed machine
We felt it ourselves passing by and we fell silent
I struggled in my mind to understand why I felt the way I did
What deep wells of my psyche had been tapped
A stone skipping across those waters, the ripples colliding
Splashing into others, forming even more, without reason
Without significance, without a single clue
We were forced to settle for silence and I gave it the opportunity to sink in deep
Until I turned on the radio, hoping for some kind of levity

"Well, there goes the ambulance", I said
As we both noticed it's lights flying westbound toward the scene
"Maybe things aren't as bad as they seemed," I said
She was more realistic:
"Maybe they're worse."

We drove the rest of the way home
Sober and somber
The spirit was still with us
But I could tell it was breaking apart
We didn't notice it after I turned the radio on
The classic country station
The only one we could agree upon
The song was just beginning to fade out
I recognized it as Eddie Rabbit's biggest hit
"Driving My Life Away"
And I couldn't help but think,
Someone's got a wicked sense of humor
It was bothering him the noise that came at night from outhouse
He didn’t give it much notice in the barn was a lot of mouse
Just wondered why in the day he would hear none of the sound
But it all started with him on the bed and the lunar path westbound.

As the grandfather clock chimed past twelve he kept counting the gong
It was about time to ***** up his ears the music would soon play along
The glass windowpane brought him the sky with stars all over firmament
Shaken out of wits he would tell himself it couldn’t be done by rodent.

Night after night it went on happening he couldn’t wish away with a laugh
It reached him one night to his patience’s end he said enough is enough
With his gun and torch he left the bed the truth for once he must learn
Who played the music regular midnight was somebody there in the barn?

He made his way through the shrub laden path under a half-lit moon
To find what it was that robbed his peace the source of the pestering croon
The outhouse loomed eerily in semidarkness a magic of night’s artistry
The man wondered what was hidden within what piece of baffling mystery.

Just as his shadow fell on the door floating in the crescent moon
The wind hushed off descended a lull stopped abruptly the tune
Nerves frayed in the nightly trudge his brows furrowed in doubt
He shrugged it off unlocked the door the fact must be found out.

A yawning black swallowed him with the smell of years’ dust
It took a while to see past it for his strained eyes to adjust
Then he remembered the torch in his hand his only aid for light
He pressed it on in the beamed circle caught the piano’s sight.

*Lying un-strummed for ages the piano had stood the time’s test
Playing host to its squeaking mates turning itself to their nest
They gaily treaded on the undead keys the notes were sheer fun
Their plot was uncovered on that night without the use of a gun.
before the wall
came down,
there were lines
12 hours long
for bread and kielbasa;

and nuclear warheads raced
rhetoric east to west,
and back,
and rhetoric won...

I sat on a train
westbound,
idling on the left side
of the border

the 'gestapos' stormed aboard
with their black leather boots
knee-high;
stern angled faces
missing smiles;
eyes of winter
and steel,
unblinking....blue,
sending chills through
and through

'you,' he said
pointing at me

his open fist
flipping the universal
'come here' signal...

60 minutes later
he conceded...
reluctantly...

the 15-year old
black face smiling
in the mug shot
on my passport

was indeed....me

not some ****** student
trying to flee
the misery
behind those curtains

to freedom...

without walls 12-feet high
topped by razor-edged rolls
of barbed wire;

without food lines
12-hours long;

where choice
and opportunity
know no bounds...

~ P (Pablo)
(8/7/2013)
A L Davies Mar 2011
ears still ringin'.
cut across from saint lau with a coupla burgers,
walk down peel, misty and damp, to a bus stop.
once home find hair smells like mcdonald’s & clouds & remember
that conversation i just had about the increasing
amount of wayward young adults..
with the driver of the 360 westbound.
---too cold for the balcony so i'll
probably just couch it & sizzle a nice bowl & wish
i had a little bit more to write tonight.
post- concert poetry on being uninspired to write poetry. (january 17th)
Matt Jun 2015
Dave,
My husband and I were traveling from Louisiana to Dallas, TX.  Saturday. on Interstate 20 westbound.  We passed a convoy of military vehicles on the Interstate headed towards Dallas.  Also,  in an area in which traffic had come to almost a complete stop because of road construction, over to the south of I-20, my husband and I spotted 3 white helicopters hovering in a triangular formation over an open field for over 10 minutes.  Traffic was barely moving for a long time and the helicopters never moved, just hovered.  Also,  someone on Facebook traveling on I-20 in Louisiana today posted a video of UN ambulances being transported in which the UN logo had been taped over on all the vehicles but, on one door the covering had blown loose and you could clearly see the UN logo.  I am praying for the people of Texas and Louisiana to wake up to what is going on especially with these false flag events like prisoner escapee and house to house searches in Texas to gather data about what is in the homes more than likely.  Texas is under attack and now, ironically, the tropical storm system in the Gulf which was originally predicted to head our way in Louisiana at the gulf, has turned and is now going straight through the heart of Texas where they have already had major flooding going on.  Please pray for our nation!!

Ronelle Ford
Shreveport/Bossier Louisiana
Kelly EC May 2015
Anchormen every morning
Famed KC's three-sided hub.
Traffic northbound,
Southbound,
Eastbound,
Westbound.
Honks and blinkers all resound
In one ear and out the other,
Distant memories of highways
I'd never traveled nor cared about.

Now you've brought them meaning
I've passed over every road
Racing to you
Then cruising and dreading visits' endings.
ugh
Part One: (The Part With No Rhyme)

Do you remember
when I was to be expelled?
A life ruined (or so I thought)
because of my facade of stupidity,
of delinquency.

And do you remember,
after the weekly screaming and biting?
Which met with more biting, and more screaming,
and crying
And how my only solace for discomfort and failure,
were the stolen pills-

the ones with the moon imprint-


that made the heaviness of the impending crash,



weightless.



Part 2: (The Part With Rhyme)

Westbound, California bound.
Turned around, though-
to their little-big town.
Unkept and festering, with rats
Not quiet, nor sound.

Oh, how I hate this town,
and how, everything must be either white or brown-
and how, the only thing in common-
metals and jewels, robbed from their crowns.
Act I

               Married at 25, in a small chapel off Caustic drive. Mr. Robinson was the envy of the whole town, as they all witnessed the beauty of his wife in a wedding gown. Twas a truly glorious occasion, even for those opposed to the Victorian persuasion.
                As a gift from her father, Mrs. Robinson received a family home. It wasn’t a gigantic bother, just a free place to roam. The couple was instantly overjoyed, not that it was an emotion to avoid. It just wasn’t a typical occurrence, for Mr. Robinson who, devoid of the world, felt little congruence.
                For six long years Mrs. Robinson’s husband toiled with cars, and avoided the nightly pleasure of bars. He brought home every penny he could, but was robbed a bit, working in a “hood”. Still he had enough saved for a little vacation, something to distract him from his “wretched vocation”.
                On the way home from withdrawing some money, just some small cash to get something for his honey, Mr. Robinson was stood up by a common thief, who smiled viciously with rotted teeth.  The man handed over his wallet with little struggle, scarred for his life. Seeing a license the man remarked through a muddle, about ****** Mr. Robinson’s wife.

Act II

                  Brutality was in this man’s blood, his day of reckoning approaching like a flood. It was clear to see in the thief’s gaze, that this wasn’t some malformed craze. Mr. Robinson had seen the look before, in his own mirror before crashing to the floor.
                  Violence was something begrudged in his soul, burning hot now festered by burning coal. He had avoided it all his life, steered away by a devotion to a girl he knew would be his wife. But in this moment it could have all faded away. So Mr. Robinson allowed his mind to stray.
                   His fists flew in an uncontrolled manor, there was little there that resembled glamour. The thief thrashed with the might of a knife, but Mr. Robinson put up a fight, clamoring to an image of his wife. Soon the thief’s skull was as flat as the pavement, and then Mr. Robinson sat there, constant and patient.
                    After a trip to the bar, Mr. Robinson returned home to his wife, and then laid before her all his strife. He wasn’t one to hide behind a lie, which could sever such an ever-loving tie. Mrs. Robinson understood it all to well, though from her hysteria you could hardly tell.
                    Tears were shed between both the Robinsons, and then came a series of promises. The first was that they’d leave the country with great speed; the second came contingent on one final deed. Mr. Robinson had to clear out his chequeing account, without inspiring a hint of doubt.
                    Sure enough, the deed went off without a single hitch, but in the back of his mind, Mr. Robinson had an itch. The wish for chaos hadn’t gone unnoticed inside his head, just lingered behind like a common dose of dread. Still he pressed on, and bought two tickets to Milan.

Act III

                    Mr. Robinson was drenched in sweat as the couple went through the metal detectors, and crossed a path of lazy eyed T.S.A inspectors. Regardless of any present fear, the man was aware that his destination was more than near. Walking past the last of the T.S.A, Mr. Robinson looked cool, nodding along to the music of DFA.
                    Boarding the plane turned out to be no big deal, in the pat down security had hardly copped a feel. They played a movie on the plane; its plotline seemed to run quite the same. A man boarded a westbound flight, but fell victim to a trending plight.
                    The whole compartment was overloaded with rage, and it came in a parcel they couldn’t encage. One by one they fell victim to disillusion, surely the result of a drastic head contusion. Though quickly it spread like a vile pollution…no race exclusion.
                     In the end only one lay in the wake, the turmoil, to him, was no more than a piece of cake. He was immune to the disease spreading amongst the flight, and used brute force to conquer the plight. Slid from the plane a triumphant man, and smiled for the cameras after a quick scan.
                     The whole film was a colossal joke, told from the mirrored reflection of a director on coke. Mr. Robinson didn’t take much from it at all, except that the righteous stand tall, it didn’t matter that the plot was about a hero, Mr. Robinson was going to burn that down like the fires of Nero.

Act IV

                      He strolled off the plane with a righteous grin. Mrs. Robinson obliviously was seen coating sun tan lotion all over her skin. They stayed at a hotel near the beach; Mr. Robinson renewed his license and began to teach. Six months passed without blood, no names to drag through mud.
                      During this time the Robinsons had a child, who had a tendency to be quite wild. The little girl was far too rambunctious; though saying so may be a bit presumptuous. It seems though, that it was the opinion of her father, who found need in removing the life of his daughter.
                       Mrs. Robinson played the part of being willfully naive, searching for some desperate form of reprieve.  She knew her husband had gone insane, the facts for which were more than plain. Still she pushed through and looked for the good, no matter what sort of hallowed grounds the shadow stood.
                       Two years went by without incident, their tedious normalcy, overly consistent. Then a reporter came asking questions, about a small time mugger and their known relations. Mr. Robinson laughed it off as though nothing was the matter, and then took the man down through the science of avoided clatter.
                       Hidden amongst those who don’t get found, was Mr. Robinson’s third victim, newly crowned. The deed lay hidden for a decade or so, time’s vagueness makes it hard to know. Romance was lively in the Robinson household, though such flare up hardly needed to be foretold.

Act V**

                      Mrs. Robinson was blind to all her surroundings, making it rather hard to collect any findings. She continued to believe that her husband was a kind soul, an innocent, but worldly foal. He spoke to her by the tender light of a candles glimmer, held her close in that weak flames shimmer.
                      One day she fractured a wall overloading a shelf, behind the latex laid the Robinsons daughter herself. Terrified and confused, Mrs. Robinson waited for her husband to come through the door, when he did she was already curled up on the floor.
                     They prayed together for a solemn moment, and then Mr. Robinson murdered his wife with little postponement.  He placed her inside the wall of his family home, right night to the kitchen phone. The next 40 years he consoled his loss with many a life, but none were buried anywhere near his wife.
                      He left the home as a constant reminder, of those he had failed as a provider. Stayed in it for every moment one should, and held onto it as long as one could. But in death, the home went up for auction, and it was sold off without a hint of caution.
                      A young Stedman bought the home for him and his future wife. They bought the home at a very low price, at such a rate it was hard to think twice. Renovations came, as one would expect, though the issues found weren’t necessarily from neglect.
                      This family was tainted by that gruesome, wretched home. Turns out, Mr. Stedman was also forced to roam. He had a nasty habit with a very sharp blade…that type of predilection doesn’t typically fade. During upkeep, Mr. Stedman discovered an odd bit of insulation, but certainly wasn’t about to seek further consultation.
                      He realized exactly what it was laying in the walls of his home, and he saw no reason not to let it get overgrown. The first victim added was his very own wife; they had been going through a bit of a strife. Soon after mudded in his parents in law, but removed them thereafter finding their odour quite raw.  

……………………………………………………………………………………
Kris Pretorius Mar 2021
A westbound fog steadily showing its face,
as the sun hides its own.
On a bus bound for somewhere far from here,
an unknown destination far away from home.

Through every savanna, through every green field,
through every soggy
marshland with mud sticking to the heels.

It seems that everywhere I go,
whether it be high or low, far or near
time never seems to slow
and she’s never really here.

With every shrinking cigarette,
each separate dying ember,
with each slow wilting flower,
with each breath, I surrender.

Thoughts of the living traded in for the dead.
“Vanitas” or such, I believe men once said.
John F McCullagh Apr 2014
I was waiting on the platform,

waiting for a westbound train.

I was thinking about you

but I didn’t know your name.

I had seen you at the wedding-

You were playing bass guitar.

I didn’t at the time yet know

How wonderful you are.

Amazingly the train was late,

delayed because of rain.

You came with that umbrella.

I forgot about my plane.

I somehow found my courage

to finally ask your name.

In time we would share sorrow

But first we’d share romance.

I’ve no regrets that we two loved-

just grateful for the chance.

Someday I’ll tell our children

How we met there in the rain

How a shared umbrella

brought us close

While waiting for a train.
A verse about the finale
All nights are too long
When your lover's far away-

I chase the trains all night
The ones my thoughts are riding;
Hobos bound for anywhere but home.

Trains full of candle smoke
And down from comforters,
Trains mixing together a combustible dream
In their blurry eyed compartments.

My memory is westbound
My history behind me somewhere;
If I stay behind, I'm nowhere,
If I don't jump soon enough, I'm lost

I can't remember getting on at any station,
I never had a ticket stub
Nobody here seems to knows me-
Why have I always been afraid?

I'm the tear in a nun's eye
I'm the broken note in a crow's cry

The standing fall down on trains,
The sitting see everything swiftly pass them by
Before they can ring the bell-
I can see your eyes, out of a hundred windows

In every window, door and steeple
The faster, the farther I go, the more you keep up with me;
Haunting, like a vision
Soundless, like a dancing flame.

I sleep and wake fitfully,
Feeling the cabin vibrate-
Are the eyes inside or out now?

We can play like ghosts at midnight,
With the past and future;
We can pass through walls
As invisible as wind:

I'm the tear in a nun's eye
I'm the broken note in a crow's cry

Death teases us with the nearness of it's breath
Like when you look into a crowd
And happen to lock eyes with the one staring straight at you-
Even though you never saw them before,
And didn't know they'd be looking your way.

I wander past your outstretched arms
Looking for the other you,
The one outside my head
Who fills out all my waking dreams

When everyone's gone
Who will see the stars falling,
And who can give me absolution?

For I'm the tear in a nun's eye
I'm the broken note in a crow's cry-

Nights are too long
When your lover's far away.

written to Morning Song/Zero 7
Mo Issa Dec 2016
He Walked through the long corridor
of Green Park tube station.
There was a strong backdraft
that pushed him from behind.  

He entered the train heading westbound
to Russel Square, on the Picadilly line.
It was packed with every kind of person
imaginable--the weird, schoolkids,
the bankers, tourists, parents with babies
and then there was her.  
She had shoulder-length brown hair.
She was slim, pale and had piercing green eyes.
She was wearing khaki chinos
with a white Ralph Lauren Polo shirt.  
A black choker on her neck and holding
a book.
Murakami's 1Q84.

The same book he was reading.
There was a hush in the air
as their look lingered for several seconds.
She looked at him, smiled and lifted
her eyebrows.  

He looked at her and said,
"If you can't understand what just happened now
without explanation,
then you won't understand it
with an explanation."
She smiled and remembered the line in the book.
N Mar 2017
guilt tied itself
around my wrist
like a red balloon
don't tell me this
is the gist
it follows me around
north, east, south
and westbound
an unmissable reminder
of what i have done
see, it's all just a rerun
a **** show or a gag show
it's been so long since
i last saw a rainbow
a red balloon
friend, it's just air
but it's so heavy
and let me tell you
it has never been easy
so i guess maybe
the walls crack
because sometimes what
they hear
is just too much
to bear
---
https://www.youtube.com/watch?v=S4tdlPQ5kMk
---
before the wall
came down,
there were  lines
12 hours long
for bread and kielbasa

and nuclear warheads raced
rhetoric east to west,
and back,
and rhetoric won

i sat on a train
westbound,
idling on the left side
of the border

ten 'gestapos' stormed aboard,
black leather boots
knee-high;
stern angled faces
missing smiles;
eyes of winter
and steel,
unblinking - blue,
sending chills through
and through

'you,' he said
pointing at me

open fist
flipping the universal
'come here' sign

60 minutes later
he conceded,
reluctantly

the 15-year old
black face smiling
in the mug shot
on my passport

was indeed - me

not some ****** student
trying to flee
the misery
behind those  iron curtains

to freedom

without walls 12-feet high
topped by razor-edged rolls
of barbed wire;

without food lines
12-hours long;

where choice
and opportunity
know no bounds.

~ P
Azathoth Apr 2019
I am a prisoner to the rings magic,
As the elves sing a tale so tragic,
A fellowship of friends embark from the city of elves,
And on the path to a red glowing hell.

He gave me this ring with fear in his eyes,
A powerful magic that filled our heads with lies,
I must throw it into the fires of doom,
No matter the cost,
Leaving the shire, i must depart soon.
For I am a Baggins,
And we may wander,
But never get lost.

Look for me in the sky,
Look for me under the ground,
Look for me on the back of an eagle,
You will find me going westbound.
Just a small one about Frodo :)

— The End —