Just like any other town, except the middle school is in an old strip mall, selling free education. The bank advertises a “Kalachi Festival” and nothing else, not low interest loans or free checking. The streets are lonely, but then again, it’s Sunday morning and most are at church. Where I’m headed, riding passenger, just for you. I hate riding passenger, but I’ll let you wear the pants today, I’ll stick to my fifties inspired floral skirt and clichéd pink teddy bear sweater. We arrive. Nine-thirty on the dot. Right on time, you say “I told you we wouldn’t be late.” I roll my eyes and breathe deep as I open your car door. We walk across the gravel lot to a low lying building. Church. No loud music or free coffee to hide behind. No large crowds or jumbo screens. Just people. We go into a classroom. Read from the bible. Meet people whose names I promptly forget. But that’s okay, they forget me too.
We finish on the gospel of John. And take a bathroom break, I take a while, not willing to endure the awkwardness that is sure to occur if I exit before you do. I stare at my reflection and regret my eyeliner. I’m glad I wore flats, not heels, and feel a bit overdressed to be honest. I exit, after using hand sanitizer as hand soap, realizing, then proceeding to wash my hands again. You’re talking to an elderly woman, she’s small, fragile. I hug her awkwardly, I’m terrible at meeting people. Another deep breath. Your father comes into view. What if he hates me? What if you realize you’ve made mistake? What if I accidentally say ****? ****. ****. ****. Deep breath out. Shake hands, smile and greet awkwardly, yet again. Meet Pearl and Ruby. The Two Jewels of the church. Meet Leonard. Joke with leonard, Think of my grandfather and how I should call him. Mentally punch myself in the arm. Greet your mom, get told I’m pretty, laugh, not knowing what to do.
I sit next to Alanna and the *** Smoking boyfriend, Scott. Sing. Pray. You do announcements. Everyone takes communion, Myself included. You pray, with such conviction and belief I’m confused. I put on the pious face for the congregation. Look innocent. Observe. Sing again. No instruments, only robust voices, all together. Your hand is in mine for the sermon. Finding it hard to concentrate, I notice the approximate age and décor of the church. Probably mid-late seventies. The Mauve carpet reminds me of my mother. She loved mauve in the 90’s, when it was popular. Exposed beams make it feel more like a chapel. They remind me of my church at home. There’s a choir section, making me realize it could have been another church at some point, you don’t have choirs. The sermon’s finished. Your hand has left red marks on mine, small ovals that you fuss over. We make our way out of the church. The last to leave. Following your parents home.
You lived in the country. In a wooden house that reminds me of my first house in Perry. Covered in dark wood. Your kitchen reminds me of my mother, covered in sunflowers, her favorite. You give me a quick tour.  The art that covers the walls of your home is yours and your siblings. I’m amazed. We clomp down the stairs; “they’re extra steep” you warn. Your mother’s preparing lunch. I contemplate offering to help, but don’t want to look like an *** if she says yes and I mess something up.
We retire to the living room with your father. He asks about my family. My parents, an Engineer and a Marketing Director. He asks about their expectations for me. Asks me if I live in the country, No, I reply, I live on the golf course. His eyebrows raise further. ****. I should have left that out. He thinks I’m wealthy. I’m not, neither are my parents. Mercifully we get called in for lunch. Roast, salad, corn, cantaloupe, potatoes, I love home cooking. You peer pressure me into cheesecake. Your father suggests you take me to the pond. You think twice. Taking in my shoes and skirt. We go anyways. Kiss as soon as we’re out of sight. I wish we could just lie down beneath a tree and sleep. We walk back to the house. Collect groceries and money, Even me. We go to the car. Drive away. You’re tired. So am I, we fight a little on the way back, mostly joking. We fall into bed and sleep away the morning. Which you say went well, I’m still unsure.

Becoming... hmmm...
what am I... becoming...
is this the enlightenment
of my trip? hmm...
journeying through the seasons
of inner time and place...
therein which lies... a space....
not that sort.... not the sort of the
spicky icky spacky... space...
it's the... hmmm... sleepy space...

I sit and wonder... this place is where I... ponder...
fabric... the fabric of this life...
I AM FLOATING INTO THIS CHAIR
CONCEPT BANDS
CONCEPT ALBUMS
THAT'S WHAT I WANT TO SEE I AM JUST LIKE TIMOTHY LEARY
... but that... that is only a character.. the outlook I assume in..certain moods...
that state of worry... that's what I mean.

I am the wind
the sea
...
speak friend,
enter...
speak...
speak to me.
'I see we meet again... hmmmm...'
The music keeps changing my moods, you see...
Subconscious... I must be more mindful...
'Increase mindfulness'
I must bring the feelings... out
don't shove them away...
don't shove me away...
on this normal
squashy day

Love your dark shadow love the wolves
streams of consciousness I must cut up all of these streams
I worry too much about the future... am I crazy? or just afraid of being...
telepathy

Here's this concept that I have that represents all of these feelings that I have that I tell
to you and you receive as whatever feelings you associate with said concept
and hope they match up

I only write when I have something to preach... a sermon, you see..
yet I write every day...
to preach a sermon to me

'Does it make me bad?' this way I am?
does it make you.. mad?
mushy swampy bog filled mushrooms
I sag into the soppy plants in me
this world is my swamp
and this swamp is me
into the swampy swamp I romp
All day I ravage roam
I stomp
jive my vibe...

Exotic exodus execution
into the deep reeds
paddling the little cellophane canoe
Must... move...
Must... go...

Love, faith and forgiveness principal are in
Christian school. Torrid anger thou must flay
While it's still displaying on the eastern tray
Ere its set on the *** laude of thy sterling
Prize. The other meek cheek of thine turn--
Though tough--to him that seek thy burn.

Gladly go not one but twain miles with
Him that bid thee. Distribute cheerfully
To widows cream bread and wine; the needy
And orphans--whether you're rolling in it--
Never neglect, and make no open show
Of thy charity: its trumpet do not blow.


Make mammon thy master nay. Believe
The Bible though you cannot It fathom
Out--the Spirit thy heart will guide. Kingdom
Eternal chiefly pursue; to goodness cleave.
Both parents and priests honour, and men
In authority obey. Keep the Lord's pen.

Fast and pray, playing not to the gallery.
In heaven's safe thy treasure store, where
Robbers and rust have no access nor share.
For worldly wants, soul, never you worry--
Jehovah-Jireh above knows thy very need,
Who gives in season due to the sower seed.

Salt and light on earth be. Thy righteousness
The Pharisees' must exceed. All differences
Reconciled, lest thy balance draws offence
By heaven's audit. Loincloth of faithfulness
Wrap. At a lady be weary to leer, and thy
***** bridle. To God thy heart wholly tie.

The log in thine own eyes first remove
Afore thy brother's speck you see. Grudge
Not but ask, seek and knock. Don't judge.
Such measure from others expect to them give--
Golden rule. Strive to enter in at the narrow
Gate: the rough, rugged road to the end follow.

Never sits still unless
he's passed out on the floor,
playful smile hides wise eyes
as his beard talks to us
after communion with a bottle of Jack
and rolling down the rabbit hole:

*We have been going before the beginning
It's not what you know but how you apply it
Ancient knowledge is knowledge now
We follow what is right for us

Everything was a miracle once

When **** is happening, it's ****
it's only not **** once it's happened already.

Everything is general,
what we do is specific.

We're fighting to get past so many archetypes and realities:
nature vs. nurture
fight vs. flight
yin vs. yang
Right vs. left
male vs. female
analytical vs. emotional
visual vs. verbal  
majority vs. minority
experience vs. innocence

What's the point of distance
when you can see yourself on another plane of existence
and not simply see yourself consciously?

When you see yourself, who are you?
You know who you are because when you ask the universe
it will arrive in time!

If the earth had a temple
Surely it would be the ocean
With its stained-glass fish
And its stately silver sands
Its keening choir of whales
And rocking sermon of waves

The world above is not
A foreign paradise
With its broken-glass windows
And its dingy gas-stained streets
Its keening choir of mothers
And angry sermons of men

If the earth had a temple
Our world would be its end.

From Potent Treasures despite Five Months past
The Sixth Great Angel suddenly appeared
Reminding my Lost Voice which Virtues last
And preached the Sermon of True Self revealed
How Wonderful must your Header advise
Being the Younger of your Sister's sprite
From there Unknotted Loyalty devise
Though snubbed by Pink Dandelions in spite
Now I can see why he chose over you
His Charming Sense knew your Heart was that Pure
And please keep on; Keep that Silver Disc blue
Coat them with your Wings from being demure.
Yes I Agree. Of your True Coating's stand
Thank you so much for reminding me at hand.

The man stood on a box
In the middle of the park,
When people walked by
The old boy would bark
“It’s in the Bible,” he cried.
And some people would ask
What is in the Bible, sir?”
Prepared to take him to task.

“Everything’s in there, friend!”
He answered with a smile
Feeling the people there
Would stay and listen a while.
“Well, that’s an easy answer!”
One of the onlookers said.
“You have left nothing out!”
The orator nodded his head.

“The Bible has answers for you
To any question you can say.
It will be your salvation, sir
No waiting until Judgment Day.
It tells you what to eat and then
Tells you how to choose a wife.
It tells you how to go to heaven
When you reach the end of life.”

The questioner replied, “Yes, sir,
And it tells of women made of salt,
And a fellow who walked on water
Another brought the sun to a halt.
It tells of a boat quite big enough
To have two each of every animal.
And people floating up to the sky.
Don’t you find these things incredible?”

“Not all,” the soapbox man said,
“God can do any holy thing at all.
He has made the planets, the sky,
The heavens and the waterfalls.
God knows everything and he is
Who speaks to you in your heart.”
The onlooker shook his head, said
“So, when does that stuff start?”

“What stuff, sir?” the orator asked.
“The part where God speaks to me.
I haven’t heard a word from God
And I have been listening, you see.
That would be a truly wondrous thing
For this God person to finally do.
But, if God speaks to all of us
Why the hell do we need you?

And his wife would dab at the foreheads with a steam cloth and she would murmur leave my sons and he would count his sons and come up with four. And he would keep it from her that this was the bruising work of the fifth whom he had beaten in a hidden room and left for dead. And he would leave the kitchen walking backward and his heart would try to stay.

When finally God spoke it was not with mouth but with hand if one can imagine an emperor of puppets.

The heart it jumped back into its rightful cave but was not afraid and could no longer beat.

And the man took the boy by the ear into the room and asked for a quarrel and one was provided. The boy though was protected by an upturned glass and watched his father bat himself as a puppy will its nose.

After which the insects began to land but always the blood would come back to the face of the boy.

And the father was made to spit on a cob and with it brush his teeth. And he called them his sons what were four spheres of water.

Maybe socilogy taught me one thing.
That when we in a bunch, we mainly do the wrong thing.

To the child that seems shy.
Maybe it because that child was affected by things they seen.

To the child that tries to speak.
But seems to be a strutter.
We pick on.

I..I.. don't s..speak a.a..a lot.
The first thing people do it attack their speech.
Which makes them more afraid.

Maybe it's because I'm older.
The reason I notice it more, now.
Many people loves to do wrong to be popular.

To the community that knows domestic violence goes on.
Why wait until someone's dead and gone.
To say, I should have done something all along.
Quietness, is just as worse.

A heart does, what the carrier let it do?

To the adults that profits off the body of a child.
It's wrong.
And should be reported as soon as possible.
It's the right thing.
Plus, it's the law.

Common sense exist within all of us.
Even in the minds of adults, with a mind of a kid.
Many are brighter than most doctors will admit.

To the spouse that feels like giving up.
Remember, there always a better solution.

Well, this is my sermon for today.
Too much over preaching runs people away.
Truth hurts.

The rain poured
a glass of wine
through my lips,
solid chunks of sky
hitting relentlessly
the thin slice of dome,
my head dizzy
reciting the do-re-mi-
cascade of water
breaking into bullets
and merging then
back into puddle.

This started earlier tonight,
white stone sheets,
dense air cool by November,
darkness so natural to thought
that my eyes were shut,
whatever observes
what the eyes exclude,
silently observing
my complicity
with melancholy itself.

So the sermon of blah,
almighty course of opinion,
eternal genesis of monologue,
running never away from me,
but through me.

At this point
anything can happen,
repeat repeat,
or the moon’s light
rising as smoke
into the hair that is your,
to the night I speak,
body’s cosmos.

The rain dwindling,
at this point,
the ache can be melody –

cool whiteness of breath
entering the sore river
of the night,
this time my body of thought,
the house with the wonderful
arch to welcome pain inside.

Do I have hope?

That is,
to some degree,
the question
that draws this poem.

The symbolism of this Christmas classic
has a second, hidden meaning for the ages.
For this song has an ulterior motive,
contained in verses that seem outrageous.

Christ is the truest fulfillment of Love,
in the primary doctrine of Christianity;
therefore, He is the focus of each refrain,
being the sin offering on Crucifixion’s tree.

The pair of turtle doves represents books,
volumes of both the Old and New Testaments.
The Bible embodies the Spirit of God calling…
for the World to turn to Christ and repent.

The three french hens stand for the trinity
of metaphysical concepts: Faith, Hope and Love.
Despite questionable claims, Love requires action-
and that some of us need a gentle, spiritual shove.

Four calling birds correspond to the Good News,
found in accounts of Matthew, Mark, Luke & John.
Together they present a harmonious view of Christ
and the divine message of the Gospel’s Song.

The five golden rings echo the Jewish Torah,
one of the first accounts of God’s spiritual laws.
Genesis, Exodus, Leviticus, Numbers and Deuteronomy
remind of Redemption’s need to offset human flaws.

Six geese a-laying demonstrate the creativity of God,
regarding His work in the archetype days of creation.
For we are to lift up our eyes and see Him, through
inspiration that fuels our desires and imaginations.

The swans a-swimming represent the seven-fold gifts
from the Holy Spirit: Prophesy, Serving, Exhortation,
Teaching, Contribution, Leadership, and God’s Mercy…
holy promises that complement the substance of Salvation.

The eight maids a-milking reflect the Beatitudes,
a message given by Christ at the Sermon on the Mount.
He taught Heavenly concepts, in which we are blessed,
via inspired platitudes for us- to joyfully recount.

Nine ladies dancing recall the Fruits of the Spirit:
Love, Joy, Patience, Kindness, Goodness, Self-Control,
Faithfulness, Peace, and Gentleness - sacred constructs
for soothing the pains, experienced by our weary souls.

The lords a-leaping personify Jehovah’s Ten Commandments:
instructions for worshiping only Him, keeping the Sabbath,
and various prohibitions against idolatry, blasphemy, ******,
theft, dishonesty, and adultery, which lead us off His path.

The eleven pipers piping constitute the faithful Disciples,
who walked the Earth with Christ, observing Him firsthand.
They were the original, Christian acolytes who were taught-
how to live victoriously under the pressure of Life’s demands.

The drummers drumming symbolize the twelve points of belief,
outlined in the religious doctrine, called the Apostles' Creed.
Now with greater insight, lift your voice and sing this song,
using your faith in God, that you willingly and lovingly concede.
.
.
.

Author Notes:

This my poetic interpretation of the familiar Christmas song. From 1558ad until 1829ad, Roman Catholics in England were not permitted to openly practice their faith. An unknown author, during that era, wrote this carol as a Catechism song for young Catholics. It has two levels of meaning: the surface meaning plus a hidden meaning, originally known only by members of their church. Each element in the carol has a code word, implying a religious tenet, which children could easily remember.

Learn more about me and my poetry at:
http://www.amazon.com/Reaching-Towards-His-Unbounded-Glory/dp/1419650513/ref=sr11?ie=UTF8&qid;=1387452157&sr;=8-1&keywords;=reaching+towards+his+unbounded+glory

By Joseph J. Breunig 3rd, © 2013, All rights reserved.

Happy the lab'rer in his Sunday clothes!
In light-drab coat, smart waistcoat, well-****'d hose,
Andhat upon his head, to church he goes;
As oft, with conscious pride, he downward throws
A glance upon the ample cabbage rose
That, stuck in button-hole, regales his nose,
He envies not the gayest London beaux.
In church he takes his seat among the rows,
Pays to the place the reverence he owes,
Likes best the prayers whose meaning least he knows,
Lists to the sermon in a softening doze,
And rouses joyous at the welcome close.

i was born all naturally
formed in a lax factory
im actually
a hack with ******* in my nose, practically,
every day,  haphazardly
stumbling home, half asleep
i cant tell whats happening
vision begins blackening
im whack like kriss kross
crack like rick ross
major brown boy to houston
be like, "yes, we have liftoff"
dont like me when i'm *******
cause *****, i'm bruce banner
or maybe i'm bruce wayne
either way, i got mad manners

tearing down walls like berlin
preaching like its a sermon
potential begins to burgeon
i'll cut you up like a surgeon
killing in place of coercion
so you better lower the curtain
my head and my body are hurtin
so tell me how quick does the world spin?

i'm taddling on ya, you can call me a toddler
but the snitchin n' **** is somethin im never fond of
and i never grow up, cause i'm the neverland smuggler
peter pan turns into one of my best customers

i never grew into my head, im not cocky
never had the eye of the tiger, im not rocky
growing up i never got in fights or caused a lotta ****
but presently im screaming "**** the world", i've got a bone to pick

i've gotta problem and i think its the probable cause
you hold me captive, keep me trapped in your facets of laws
looks of repulsion are what cause me to brandish my claws
constant compulsions reminiscent of prodigal flaws
i've gotta problem and i think its the probable cause
see im a goblin shark i'll sink in my nautical jaws
im not a joker im a jester with lesser facades
wrought with insomnia cause drugs are american gods

and to think: there's a human face behind
the horror;
it's ultimately unimaginable,
or a variation of relentless
theology never consolidated
as in: always providing a priest:
sermon of Baal
                                 - why do
we need them? please remind me...
   why do we need priests and imams?
that's hardly a worse affair
with the already staged Holocaust
and ethnic cleansing of
the disintegrating Yugoslavia -
am i to care about the Vatican lard
because it just staged something
memorable like not wearing
reds suede shoes? oh... hip hip hooray!
i'm all ears and applause.
they wear the dog collars
but never the choir boys' leash -
i'd cleanse the marble floors with their
desecration - because they are nothing
more than what some are called
state benefit scroungers -
               abracadabra crappers -
                     i'm actually unemployed
because you deem priests as worthy of
being a demanded profession...
this is my Martin Luther kindred oath -
only with the Poles and the Irish
can this circus go on as it is;
what can these priests actually summon?
a warm ****, and carbonated waters
of lake Galilee; and that's all folks;
but nonetheless you keep them
employed, as you said to Socrates:
cobblers and bartenders and carpenters
to the gas chambers! because we need
impotent priests of Baal / Jesus Christ!

1545

The Bible is an antique Volume—
Written by faded men
At the suggestion of Holy Spectres—
Subjects—Bethlehem—
Eden—the ancient Homestead—
Satan—the Brigadier—
Judas—the Great Defaulter—
David—the Troubador—
Sin—a distinguished Precipice
Others must resist—
Boys that “believe” are very lonesome—
Other Boys are “lost”—
Had but the Tale a warbling Teller—
All the Boys would come—
Orpheus’ Sermon captivated—
It did not condemn—

O Buddha, the gold vein of thy sermon of mercy ran through gloom-gorged, rocky hearts, and illumined their darkness.

Thou loftiest soarer of renunciation's skies, beneath thy God-lifted eyes, the kingdom of sense-comfort, the rivers of gross greed, the vast and lust-scorched deserts of desire, the tall trees of temporal ambition, the cactus plants of prickly world-worries—all melt into invisible smallness.

Buddha, the arc-light of thy sympathy sought to melt the hardness of cruel hearts. Once thou didst save a lamb by offering thyself in its stead.

Thy solemn thoughts still silently roam through the ether of minds, searching for ecstasy-tuned hearts. Seated beneath the banyan bodhi tree, thou didst make a solemn tryst with the Spirit:

    "Beneath the banyan bough,
    On the sacred seat I take this vow:
    Let derma, bones, and fleeting flesh dissolve;
    Until the mysteries of life I solve,
    And receive the all-coveted Priceless Lore,
    From this place I shall stir, never, nevermore."

Thou symbol of sympathy, incarnation of mercy, give us thy determination, that we may seek truth as doggedly as thou didst. Bless us, that we may be awakened, like thee, to seek remedy for the sorrow-throbs of others as we seek it for ourselves.

From: Whispers from Eternity
A Book of Answered Prayers
1949 Edition

Fable IV, Livre V.


Mes bons amis, je dois en convenir,
Je n'imaginais pas qu'un mort pût revenir ;
Que bien empaqueté, soit dans cette humble bière
Des humains du commun la retraite dernière,
Soit dans ce lourd cercueil dont le plomb protecteur
Plus longtemps au néant dispute un sénateur,
Au grand air un défunt pût jamais reparaître ;
Et par aucun motif, si pressant qu'il puisse être,
Se reproduire aux yeux des badauds effrayés,
À ses vieux ennemis venir tirer les pieds,
Sommer ses héritiers de tenir leurs promesses,
Et forcer ces ingrats à lui payer des messes.
Un curé de notre canton,
Qui, s'il n'est esprit fort, est du moins esprit sage,
Deux fois par semaine, au sermon,
L'affirme cependant aux gens de son village.
« Or ça, lui dis-je un jour, plaisant hors de saison,
Tantôt vous commenciez un somme,
Ou bien vous perdez la raison. »
« - La raison, répond le bonhomme,
Laquelle à mon avis doit régner en tout lieu,
« Même en chaire, enseigne qu'à Dieu
« Au monde il n'est rien d'impossible.
« - Aucune vérité n'est pour moi plus sensible.
« - Vous reconnaissez, frère, en accordant ce point,
« Qu'à mon petit troupeau je n'en impose point,
« En lui disant que Dieu, mécontent qu'on se livre
« À de pernicieux penchants,
« Peut laisser les défunts lutiner les méchants,
« Afin de leur apprendre à vivre.
« - Bien ! et vous le prouvez ? - Appuyant quelquefois
« Ce dogme édifiant d'un pieux stratagème,
« Vers le soir, dans la grange ou sur les bords du bois,
« Je le prouve en faisant le revenant moi-même.
« Tantôt vêtu de blanc, tantôt vêtu de noir,
« J'ai vingt fois relancé jusque dans son manoir
« Tel maraud qui, déjà coupable au fond de l'âme,
« Et pendable un moment plus ****,
« Convoitait du voisin le fromage ou le lard,
« Ou bien la vache, ou bien la femme.
« Changeant, suivant le cas, et de forme et de ton,
« Assisté du vicaire et surtout du bâton,
« Ainsi dans ma paroisse exorcisant le crime,
« Régénérant les mœurs, je fais payer la dîme,
« Donne un père à l'enfant qui n'en aurait pas eu ;
« Et quand au cabaret dimanche on s'est battu,
« Mettant l'apothicaire aux frais du bras qui blesse,
« Je fais faire ici par faiblesse
« Ce qu'on n'eût pas fait par vertu.
« Osez-vous m'en blâmer ? - Moi, curé, je le jure,
« De tout mon cœur je vous absous ;
« Et qui plus est je me résous
« À tolérer parfois quelque utile imposture.
« Par un vil intérêt vers le mal entraîné,
« Au bien si rarement quand l'homme est ramené
« Par le noble amour du bien même,
« En employant l'erreur qu'il aime
« Dominons le penchant dont il est dominé.
« Sans trop examiner si la chose est croyable,
« De la chose qu'on croit tirons utilité.
« Un préjugé sublime, une erreur pitoyable
« Peut tourner au profit de la société ;
« Il est bon que Rollet tremble en rêvant au diable,
« Et César en pensant à la postérité. »

My water tower in the sun, my pillar in the dark.
Rust on a warehouse door, **** anatomy of a shark.
A hidden, naked cartoon, vulnerable and hurt.
The afternoon rays of light, exposing my empire of dirt.

Squid in a dark room, forgotten seat for you to ****.
Discovering rotten apples, the fruitless empty pits.
Far on the *****, the eye is negligent to mankind.
No on has *****, yet "American ****" isn't hard to find.

From this floor to the next, watch out for the holes.
Stalactites are forming, between the rods and the poles.
The gang is all here, each with a gat.
Questioning Detroit, wondering "where da party at."

A symphonic silence, from abandoned piano keys.
For the love of the city, the birds and the bees.
A ladder to assist you, in anything but a climb.
Wasting away the day, when all you have is time.

Where they once opted elevators, they now offer only stairs.
Peacefully residing, in the asbestos, grime, and the glares.
The walls they're all puking, a paint chip epidemic.
No chalk at the chalkboard, a failed academic.

Some sign walls in scribble, some bless us with art.
Beautiful light fixtures hang, while sanctuaries fall apart.
The debris and the rubble, wooden frames and the splinters.
A back road in the city, in the dead cold of winter.

An altar to stand at, with no sermon or expectation.
A pew a sinner can rest, with only God's examination.
A wall devoted to an *****, hymnal at hand.
Stained glass more exaggerated, with shards in the plan.

Dancing on floorboards in rafters, climbing up to rooftops.
Wandering and trespassing, trying to avoid cops.
Panda bears, pillar ****, and playing in the snow.
In the shadows and the blackest rooms, I really like to go.

Pussycats in hallways and the golden lightning kitty.
Posing seductively in vacancy is where I feel pretty.
I've seen the light at the end of the tunnel, I've found King David.
Interrogated with the whys and don'ts, though I wish they'd save it.

Picasso in the projects, Sloth and Marilyn Manson.
Fairmont Creamery Company, a view held for ransom.
Some window panes are for looking out, some for looking in.
Struggle Buggy Snow White still sleeps, forever strugglin'.

I've seen them ask for me, "Warriors come out to play."
Detroit is to me, what night is to day.
I caught Pikachu and have seen a **** elephant.
In the frost of the Fisher, I found a heart that was spent.

But the cardio made of brick, spoke with such sass.
Resting bones at the Packard, in an armchair that's trash.
Patriots are nosey and robots attack.
Never putting an hour on when I'll get back.

On top of the world, or looking up from the bottom.
Abandoned buildings, schools, churches, there's something about them.
Where a tree has a better chance of rooting and planting.
When a society suddenly seems a bit slanting.

Color a flower on a wall that's been broken and charred.
Breathe life into a battlefield, encourage the scarred.
Take away ego and vanity, glance into a filthy mirror.
Don't just listen to a person, actually hear.

Sure maybe at times I may seem a bit morbid.
And my words can be harsh and approach kind of forward.
But when you're standing alone, in a hallways that's dead.
Whose last bell has been rung and last book has been read.

Then you hear footsteps from the floor up above.
It's in that uncanny awareness.
And fear...
I find love.

A Sermon for the Flawed

Blessed are the visions and fantasies of the morally compromised.
they manifest like a Genesis Garden.
With fruit bitten knowledge from their own meta-modernist novel.

Blessed are the incandescent
it is they who know that life is infinite... if only in increments.

Blessed are the painful lamentations, one day the world will know your poetry

Blessed are the heartbreakers, they give gravity to the pain that pulls ink to pen

Blessed be the traumatized artists, they who stand in upright in eternal defiance

in victory over their traumatizer
in victory through canvas
in victorious acrylic paint masterpieces (((a rage in refutation))).  

Blessed are the autumnal attractions,
an April Renaissance, through frost bitten winters, for those that are godly and the struggling sinners  

Blessed are the stolen hallway glances, galvanized in the explosive immersion of instant attraction...

Blessed are those who
engage
in a breathtaking taboo
surrender.
Written meticulously upon
shards of glass
from a broken moral compass.