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Purcy Flaherty Feb 2018
Have a little slice of key lime pie; get down on your knees and get real high,
'cause mamma’s gone and cut you a slice of key lime pie!

Spank step, toe hop, cramp-shuffle, paddle and roll;
Mamma’s gone and cut you a slice of key lime pie.

Dig deep, riff-walk, clunk-click, scuff those feet;
Mamma’s gone and cut you a slice of key lime pie!

Soft shoe or metal tap on the heel or toe, get your shoes on honey here we go!

Tastes so good, tastes so neat,
it’s a sweet and salty treat!
'cause mamma’s gone and cut you a slice of key lime pie!
The oral tap dance

Song link below:
https://youtu.be/XrX0vDShlko
Mitchell Dec 2012
She stood up against the wooden bar lit by a stale football field that shined florescent green and highlighted polyester blue like a muse of Van Gogh or Galileo. Her hair ran down the nape of her neck like a ****** waterfall and the light of the bar highlighted her sphinx like eyes as she turned and caught his eye. He stood at a small table away from the main bar with a couple of friends who were telling stories of their old college days and he, half-listening, quickly looked away, faking to scratch his eye, for he knew he had been caught looking at the back of her and she, with her women's intuition of being observed and knowing this, kept looking and he knowing the only way not to show he had been caught was to look away quickly and very obviously; like a bad actor caught dumb and silent, clueless of their next line. They blushed and shared the heat of embarrassment in their cheeks with the sounds of worn dollar bills slapping hard against the smooth wood of the bar, the bar man eyeing it angrily as cigarette smoke surrounded them and slowly drifted up like a lost soul toward the ceiling and the piano man, eyes tight shut played for everyone there when no-one cared to listen, all underneath the dim light of the bar as they strained to look away from one another, trying to find something they could put their focus upon, but, at the same time, wanting very much to look back and have their eyes meet by mistake all over again.

He focused on the design of the bathroom placards that were in the right corner of the tiny bar where you had to turn sideways and touch shoulder's with every soul inside just to get a drink. He feigned interest in the bronze design of the men's bathroom: a tiny boy looking down at his pecker as he ****** a 1/2 inch thick stream into what the man gathered to be a sunflower ***. The boy was thrusting his hips forward, both of his hands on his side, and he showed no smile, no grin of satisfaction or victory, just a stark, blank face, as if he were thinking "I am peeing in this ***. That is all." The women's bathroom sign was of a young girl with the same kind of *** the boy had been ******* in, but it was missing the sunflower and was replaced by the *** of the girl. She stared up into the sky and into the ceiling lights and was dramatically reaching for a butterfly or bird - he couldn't make out which - something with wings and made him think of a basic metaphor that this poor little girl just wants to get off the *** and be free like the birds and butterflies and clouds in the wide blue sky.

She focused on the man's shoes. She looked at the black shine and the pristine black shoe laces, all looking like everything had just been purchased that day. "There is not a single scuff on them and the way this man cuffs his pants only a single turn," she thought to herself, "Tells me he has something of a style on him". Not so run of the mill. Something special. Something of interest.* But then, she was annoyed by the cuff of the pants because she remembered that was what all the schoolboys in her prep school would do when the day was rainy or the boys rode their bikes home from school or they were nerds. The memory immediately turned her off of the man all together, but luckily, she put her gaze back on the jet-black, seemingly un-touched leather that told her success, class, and security.

The man heard a loud Cheer's!" from his table, abruptly bringing him out of his distraction. He was forced to turn and as he did, he made sure not to look up. He kept his eyes on the table and looked for the half-full beer with the worn Budweiser coaster underneath it. He could see from the his top periphery that she was still facing him but she was looking down at something toward the floor. He fumbled with his large hands for his glass and panned his eyes up slightly. The woman, seeing the movement at the table, looked up. She stared back to where she had first caught him looking at her and waited. The man felt her looking at him and in the same instant, saw the faded Budweiser coaster and reached for his beer. He picked the glass up and as the second Cheer! was yelled, he clashed his glass against all the others, all the while keeping his head not toward his friend's faces, but turned in the direction of the bar toward the girl. He smiled at her as he lowered his glass, not taking a drink. His friend slapped him on the back and told him," You gotta' drink after the cheers or its bad luck," and so he did, still staring dumbly at her as he did. She nodded at him with a self-conscious and embarrassed grin, raised her nearly gone low-ball glass of gin and tonic and tipped it toward him and turned around to face the bar.

"I"ll stand here and wait for him to come up to me," she thought, "And if he doesn't the man is a coward and a louse and not worth my time. I have looked twice now and there is some rule in some magazine that I read somewhere, that if you look twice at a man that it is sign, not a coincidence. No, it has a purpose and though I barely know what reason I want this man to look at me other then to get a drink out of him and maybe some conversation, I am certain I have looked twice, maybe even three times. Yes. I have looked at him and I have made my interest known and now I must wait for him to either come or stay with his drunken friends. They look like frat boys cheering like that. They look like drunken, silly frat boys that wouldn't know the first thing about chivalry. Hell, they probably couldn't even spell the ****** word." She laughed under her breath and smiled maliciously to herself and caught her own reflection in the mirror and, for an moment, wanted to quickly look away. Her face did not frighten her, for she was a beautiful woman, not her skin, which was milky white with the faintest and gentlest dash of rouge on each cheek, nor her chocolate colored curls that bounded like boulder's down a hillside. She turned away from a look upon her eye she had not seen or had recognized in a very long time. Her eyes were frightened.

"Frightened?" she wondered.

The man put his beer glass on the table on top of the coaster. The foam rested at the bottom of the cup like the thin layer of ice that blows over a frozen lake, barely there at all passing with the wind. He stared at her back and liked how she leaned on her right hip and put the toe of her left high-heel to the ground, rocking the nose of the shoe back and forth like she was thinking about something playfully frivolous. Behind him, the noise of his friends became a hollow echo, drowned out by the draw of this woman. She swung her left heel back and forth like a pendulum trying to hypnotize him. Someone touched his shoulder but he shrugged the hand away as in this echo chamber he could only hear the music change tracks on the juke box. The song had changed to an old Ottis Redding song and there was nothing else in the world that he wanted to listen to in that moment. As he watched her, leaning into the bar seemingly all alone, no boyfriend or girlfriend in sight, he saw her raise her glass to the barman and knew she had something by the gentle nod of the back of her head. He then saw her point with her left finger and tap the rim of the glass. Her drink was empty. She wanted another drink. He would buy her another drink.

"There is nothing in this world that a man is more responsible for than getting a woman like this a drink," he nodded, thinking to himself and trying to pick up his courage,"One that plays with my heart like a kitten would a spool of yarn, and yet also like a vulture who would peck out the eyes of a dead man in the desert. This is nothing more then that obligation. A rule passed down from man to man, from age to age, where chivalry was not for the base reason to lay with the woman, but to honor them, praise them lightly as the rain from a heavy mist and show them to the pedestal every woman, whether they wish to admit it or not, do wish for, sincerely do at least once in there life." He readjusted his belt and realigned his shirt that had gotten crooked after the celebratory cheer and thought some more,"I'm not going to do that here, this pedestal stuff. This is more like a step toward that pedestal. Yes. A step toward the shrine she wants to trust she deserves and will one day end up on. And this shrine is all cast and painted in the blurry french film noir of dream, is it not? Aren't dreams the only thing we hope to one day come true? How often - when and if they do come true - they can sometimes disappoint and eventually turn sour like a bad orange. I hope she is drinking and that wasn't just a tonic water. If this woman doesn't drink I don't think any of this will be worth anything at all."

She stood there serene and angelic, the hand that held her drink now resting on the base of the bar. Behind the man, he heard the chatter of his friends and the drone of football scores and player updates coming from the ten or more televisions that hung from the ceiling. Someone reached out to touch his shoulder but missed him as he left the table. His name then echoed behind him but soon the sound evaporated as dew does that rests on blades of grass in a summer morning to a summer afternoon. There was only her and her smell that had drifted to his table and shrouded him with the scent of white chocolate and smoke and her delicate, porcelain hand that had held up the drink shyly but not weakly, in passing demand without that demanding quality drunk people can get like at bars sometimes. He approached her, hovered behind her, but she did not turn, and then came up to the bar to lean into. He did not turn to look at her, though he wanted to very badly, but looked down at her low-ball glass with two half-melted ice cubes and a used lime. The smell of gin came from the glass and the man smiled to himself and put his hand up to signal the bartender.

"If this man orders his drink first and walks back to that table with all of his drunken friends, I am giving up men all together," the woman thought to herself," * Tonight and forever! If he can put his hand up and not even turn to look at me, as I was doing, I thought, to be very flirtatious but gentle, then I see no reason at all to keep going with men. They are barbarians that only want to eat, drink, sleep, and fornicate with women that are easy and provide no real challenge at all in their life. If he wants it easy, he can have it as easy as he wants, but not with me. No sir. Not with me ever. Not with me for a night, an hour, a minute, or even a second."

The bartender, a stout slightly overweight man that was a little over forty with streaks of grey in his thin, short-cut hair, looking very much like he should be home reading with a nice cup of tea by his side rather than in the bar serving drinks to stranger's, approached the man and asked him what he would like.

"Two gin and tonics please," the man said, "With a slice of lime and four ice-cubes in each."

"And what kind of gin, sir?"

The man turned to the woman, "What label do you drink?" he asked.

"Pardon me?" she stuttered startled, her eyebrows raised.

"Your drinking gin, aren't you?" He nodded his head toward the woman's empty glass. The tiny lines of transparent lime skin floated on top of the water that had gathered from the melting ice-cubes.

"Yes, I am. I was just about to order."

"I'll get this round and you'll get the next one."

"Any gin is fine."

The man turned to the bartender," Tanqueray, please bartender."

He nodded and went to make the drinks.

"Your very perceptive," the woman said as she turned to face him.

"I try."

"I saw you from across the bar, but was afraid to walk up to your table for fear of getting ambushed by all of your friends. Those are your friends, right?"

"Yes," he nodded as he looked over his shoulder at them, "Old college friends all with old stories of college that, truthfully, bring me little or no joy to even hear."

"Then why come at all?" she asked, "You seem smart enough to know that if you meet up with old anything, you'll be hearing about the old times all night."

"I was forced to come."

"Someone getting divorced?"

"No," he laughed, "The opposite. Married."

"Well, I hope it's not you or this would look very bad if your fiance walked in."

"And why's that?"

She clicked her tongue and turned to look at the shelves stocked with every kind of liquor. The bottles reflected the soft orange glow of the lights that circled the bar and the colors of the television screens. The man continued to look at the woman who had turned her back on him and caught their reflection in a bottle of Jack Daniel's. He waited for a response, but she stood there silent, knowing she was playing with him. Behind him, his friends were growing louder and a tray of shots had found its way to their table. The waitress who had brought the drinks, polite and with a smile, asked them to try and keep it down. They shouted "YES'S and screamed "YEAH'S" with moronic smiles on their faces, their heads nodding up and down like a dog playing fetch. The waitress giggled a thank and walked away shaking her head with disgust when she was out of sight.

"Well," she said,"You did just order two gin and tonics and I think if your fiance walked in with you chatting with me with the same drink in both of our hands, I think she would be a little upset. I know I would be."

"Perhaps we could act like we are old grammar school friends and just happened to run into one another?"

"Well, that would be a lie."

"Yes, that would be a lie."

"Which would mean we were hiding something from said wife."

"And what would that be?"

"That you approached me after I looked at you, perhaps the look from me wasn't flirtatious, maybe I thought you looked familiar, like I had seen you somewhere, and you came up to me and ordered me a drink and started a conversation with me, much like we are doing right now."

"What's wrong with conversation?" The bartender approached them and placed the two drinks in front of the man. The man took out his wallet without losing his gaze on the woman, took out a twenty and slid it toward the bartender. The bartender took the twenty, paused for a moment to see if the man wanted any change, but left when he saw he didn't want any by not moving.

"Conversation can lead to very dangerous things," the woman said playfully and wise.

"Your here by yourself and your not stupid; someone is going to come up to talk to you."

"And your that somebody?"

"I'm sure I'm not the first one tonight."

"Your sweet."

"I try," he said as he slid the drink over to here,"Your drink."

"What should we drink too?" She asked and raised her glass, the light above them reflecting in the ice-cubes and thick glass of the high-ball.

"Conversation," he said proudly and with a smile, "And the danger that it brings."

They clinked their glasses together, their eyes never leaving one another, and they both took a long drink.

"I'm not here with anybody and I'm not expecting anybody tonight either," the woman said.

"What's your name?"

"Why?"

"I want to be able to tell my friends I met a very interesting woman, but they won't believe me if I don't give them a name."

"I'm standing right here, silly. Go and tell them you met the most interesting woman in your entire life, look over at me when they ask you what my name is, then point over to me and I'll wave."

"You'll be here?"

"I'll be here."

"Promise?"

"Go, go, go," she repeated, pushing him back toward his table, "You bought me a drink, didn't you? The least I can do is wave to your drunken college friends."

The man walked back to his table, glancing quickly over his shoulder, trying to hide it, before he reached the table. He arrived to all of them drunk, beer spilt on the table and an ashtray full of punched out cigarettes and ground up cigars. Every one of them were rocking back and forth with each other, their arms sloppily hung around their neighbor's shoulders, their eyes blood shot with their mouth half-cracked open barely breathing in the smoky, beer smelling air. The man struggled to wedge his way into the circle, and when he did, he tried to get the groups attention by screaming an
Paul S Eifert Nov 2012
The bloom of the cut rose
leaks into the water glass.
She fixes breakfast.
I sit thereabouts waiting.
I trouble my coffee with a spoon.
Her slippers scuff softly on the floor.
Her dreaming slowly leaves her eyes.
I rub my homely morning face.
The finger of a tree taps the glass.
It will not be admitted
with the pale, newborn light.
The world already goes its way.
It minds if we are slow to follow.
The street grumbles at my well-used robe.
Matins bells predict a running out.
We keep our peace
longer than we should.
Ann Williams Ms Jan 2017
[Refrain 1 Confidently]
Our mum is such a softie, no matter what we do
She always gives us what we want, and hugs and kisses too.
We get up late, don’t go to school, and hang about the street
We drop our litter on the floor and scuff it with our feet.  

But now …
Do you think we may have gone too far?
Perhaps we should say sorry?
Or is it too late for that?

[Refrain 2 Less confidently]
Our mum is such a softie, no matter what we do
She always gives us what we want, and hugs and kisses too.
We get up late, don’t go to school, and hang about the street
We drop our litter on the floor and scuff it with our feet.  

But now…
I don’t know about you, but I’m frightened.
I’ve never seen her like this.
Even when she was cross, she never shouted,
And never, ever hit me.

[Refrain 3 Hesitantly]
Our mum is such a softie, no matter what we do
She always gives us what we want, and hugs and kisses too.
We get up late, don’t go to school, and hang about the street
We drop our litter on the floor and scuff it with our feet.  

But now…
She has turned her dark face upon us.
Her steely eyes glitter, her upraised hand
Threatens the very worst you can imagine;
Storm, earthquake, thunderous wave, a hail of fire
Burning, consuming, killing, laying waste.

[Refrain 4 A desperate gabble]
Our mum is such a softie, no matter what we do
She always gives us what we want, and hugs and kisses too.
We get up late, don’t go to school, and hang about the street
We drop our litter on the floor and scuff it with our feet...

Is it too late?
Do we have a final chance?
She was so fair, so bright;
So kind, so all-providing, so benign…
But, now …
brandon nagley Sep 2015
i.

Mine Dame
Unfasten mine cream pigment barong;
Scuff the tiny button's, serenadeth me with Tagalog.

ii.

None need for baon
Where we shalt go is not strained by materialism;
This is not a place of Balaam.

iii.

Mother-naked, ourn quiddity's latched
None leviathan demonic's, no human electronic's;
Mine darling, hug closely, none murrain pain's to be hatched.

iv.

Mine foremost, drinketh with me
Amour's Buko juice as a toast;
A barkada of high-up angelic's to guide ourn ghost's.



©Brandon nagley
©Lonesome poets poetry
©Earl Jane nagley dedication/Filipino rose
A barong is a Filipino style shirt for a man... For you wondering title.
Tagalog is one of the Philippines many dialects.
baon other words is personal items.
Balaam is one who was worshiped in ancient israel. Also Balaam is known as a demon in Torah one who rules many dominions of demons.
Mother-naked just means purely naked.
Quiddity means
the inherent nature or essence of someone or something.
Leviathan means -noun
(in biblical use) a sea monster, identified in different passages with the whale and the crocodile (e.g., Job 41, Ps. 74:14), and with the Devil (after Isa. 27:1).
Murrain is an infectious disease of animal's.
Buko juice pretty much Filipino coconut water.
Barkada is slang for group of friends in the Philippines..
Christina Murphy Jul 2012
if i could measure myself by your terms,
i would become that feeble pile of gray dust
you sweep under your rug,
or blow off of the dashboard of your shiny blue car.
i could be that lonely scuff mark on your shiny white shoes,
new and barely broken in.
new and barely broken in, like that heart
perfectly beating in your perfectly toned chest.
when did it become so easy
to trim my value into useless puzzle pieces
trying tirelessly but aimlessly
to fit into those tiny awkward spaces we create.
i spent the last few years of my life,
attempting to escape comfort, fearful
of it's promise--like loathing the end of the night,
i have run fast into the moonlight,
hid beneath my covers, shaking, screaming
JUST ONE MORE HOUR.
it can not be over.
you can not be leaving me now,
can you?
while i am swelling up with tears,
and need to be felt, so deeply now
beneath your skin? i pick and scratch
at your freckles, but you are cute and made
of wrought-iron dimpled blonde steel,
and i, too weak, too worthless,
too useless, to bend you into
pretty loving shapes.

how can i fear the end now, that is it finally
seemingly eternally here. where do we go
now? how can i rest, abandoned, leaking
words, dripping
thoughts into a bucket that,
at any moment
can
spill.
this is goodbye.
Lyn Senz 2 Apr 2018
by Danny Smith

The old man rises from his chair
gently cursing the ache that crept into his bones
when he wasn't looking

His slippered feet scuff the carpet
making a journey they know without him
to the window

He watches down on the cars
as they flash through the rain on an urgent journey
somewhere

Leaning forward to rest his forehead
on the cool damp pane that shields him from it all
his prison wall

The cars seem to softly merge
as fragments like a broken mirror
tease and torment

A lifetime of dreams and tomorrows
that somehow became painful yesterdays
much too fast

Squeezing his eyes tightly closed
he remembers her face and the soft scar on her cheek
a perfect imperfection

The laughter and cries of children
running to him with chocolate smeared mouths
grown now, gone now

All of them to different worlds
ones where he was afraid to travel to
out there

Plenty of time to make it through
but the nights seem to skip the sunshine days
sentenced

he shuffles back to the chair
lowering himself with limbs that can't be his
removes his slippers

Reaches for the polished shoes
years old but hardly worn and still uncreased
laces them

Moves slowly through the house
turning of lights, collecting a wallet
a pack of cigarettes, a photograph
pocketing them

The old man stands at the open door
just a fragment of someone elses memory, as he walks
into the rain


©Danny Smith
one of my favorites. it may be the only
copy on the internet. I couldn't find it.
it used to be on the 'Poemish' website
which is gone now. He had maybe only
12 poems in all that he submitted, and
they were all good, but sadly this is the
only one I decided to save. He lives/lived
in England as I remember.
pixels Jun 2014
And when I die,
surely from sin and dirt and living-

Do not bury me in white.
Do not brush my hair and paint my nails.
Do not shine my heels and iron my dress.
Do not speak of me so bittersweetly.

Bury me in lingerie with frayed lace.
Muss my hair and smear my lipstick.
Scuff my boots and rip my tights.
Speak of me with thinly-veiled vehemence.

Do not love me,
when I am dead.
For none did during life,
other than in the glow of a t.v.
that only played to hide the moans.

Do not bury an imposter
and spin tales of a sweet ******
who died too soon.
Bury a *****
and rage that you were not the one
to finally silence her.
Sora Mar 2013
The scuff of sneakers, boots and flats form the solid and stable beat.
Add in the chuckles, silences and brief interruptions to create the varying and rhythm.
All that remains is what goes unsaid but is speeding around in your mind.

That man from Uzbekistan,
He was telling us how peace and non-violence starts with us,
With middle-schools, with teens, with future leaders
To all those who laugh, when I say violence is never the answer,
You're the ones I worry about

That man from Uzbekistan,
He was speaking to us about how the kids had a parliament in Uzbekistan
Those kids had  a say in what their fate would be

Believe it or not,
But adults are not the only things to make up our society...
Infants, toddlers, 5th graders, 8th graders, 11th graders, seniors, the diseases make up us, us..

So maybe parents shelter us too much, or not at all.
And kids throw fits in the grocery store
While teenagers attempt to jump off the nearest bridge
This is our society..
But we're like those kids in Uzbekistan
We have a say in what our fate will be

That man from Uzbekistan,
He was sharing out how blessed he was to be living here in the United States
Even though he could live in a much more peaceful and welcoming society.

I have no idea how many years i will be,
Or what has to happen before we get the message across..
That's what's played out isn't acceptable

The American people,
Were baffled, devastated, overwhelmed
That all those stereotypes really were mixed within us.
Obama stood up in that room
With a shaky camera man, staring while he slumped and grieved
He addressed our nation,
Homeland,
Country
Community
Family
About Newtown,
Clackamas Town Center

No leader should ever be forced to speak about children dying long before there time was up

Or about average people ducking and diving from bullets

Gun Control is only a little layer
And that's the start of our restoration to end up being a peaceful, safe country
It begins with how youth are shown how to solve problems.

I'm willing to reach my hand out to every single state in this country
And if that means devoting everything I've got to making our restoration successful,
Then so be it..

No leader or person should be raising candles to the sky for little kids to see that they are missed.
And I took all of this in at a Lebanese Luncheon
I have come to succumb to a certain cliché, a cache of questions that so often seem to scuff the dance floor of adultolescents. “Who am I?” of course, a major inquiry but more importantly, “Who do I want to be?” and what am I becoming and when I become it, will it become me or will I not even want it…like a portrait of my mother…tattooed to my ***, her dear old face like some wretched rash (truly I’m not that crass). So I am scared of tomorrow and uncertain of now but everything used to be fine, so allow me to go back just a bit, to when I was, say about… FIVE.

I remember reclining on my grandmother’s couch in Hoboken, New Jersey watching star wars, I believe it was episode FIVE. Her apartment smelt of ***** and rice and beans and that reek of regret that rises from the corpses of broken dreams, and I can still see the light from the T.V. screen illuminating every corner of her living room, from the bookshelf, to the door with the welcome mat--an ironic greeter--to the picture of Jesus perched over the heater smiling down on and blessing the liars and cheaters who so often filled that room with soiled consciences and beaters. So there I was, I was FIVE, and I can clearly recall what I wanted to be, who I wanted to be in that moment: A Jedi! Oh it was a long time ago and it was far, far away, but I can still see the look on my grandmother’s face as I raced through space with my light saber broom beating Sith with a stick, protecting the room from Vader’s invaders making storm trooper stew, my weapon—my whisk; my rivals—my roux; the force—the flames, to boil the brew and the voice of my father at forty FIVE years of age telling me to quit messing around. And I said with a wave of my hand, “No, you quit messing around.” He said, “Why don’t you be a Firefighter?” I said, “no!”  “Why not a football player?” I said, “no!” “Jedi’s can’t marry. Jedi’s get lonely.” I said, “I want to be a Jedi and a Jedi only!” But like fire and fog and old Ben Kenobi, ideas like this must eventually fade.

So I grew to, I’d say about ten years old, that’s FIVE plus FIVE moving on to grade FIVE. Picture, if you will, me—the shortest kid on the little league baseball team, with grand aspirations; huge heaps of vivacity, and a strike zone too small for those poor umpires to see and I knew—I KNEW who I wanted to be: A baseball player! And an actor. A writer, crime fighter—the Jack Bower type who’s always in danger—a **** Tracy with *****; a heterosexual power ranger. Oh and an astronaut chef with a part time job as a rapper who talks about ******* and death and riches and **** holding the mic in my right and my junk in my left a protection of the kids in the crowd who might see my ******* brought about due to... back up dancers. Oh, and the president of the United States as well.

Now let’s jump to fifteen, that’s FIVE plus FIVE plus FIVE, I was a freshman in high school and still a freshman in life. But neither of these were important you see, and I rather gave up on the prospect of “me.” I traded my goals for an xbox which came with a discounted dose of apathy. ‘Cause high school is brimming with a bizarre batch of habits. When forced to attend one must endure or adapt it’s those tactless tactics those impractical practices; each pupil’s polluted with perturbing antics. So for much of that year I stayed home ignoring the mornings who tried to tell me I was alive and forgetting the spinning of the earth in its lonely slow dance to the daily tune of nine to FIVE.

I did outgrow that depressing stage. And now, here I am pushing twenty. That’s FIVE plus FIVE plus FIVE plus…it’s hard to believe but believe it I must. But these fingers that wipe away tears when I cry and fight, call for peace, encourage, deride, make decisions, rock hard, and swat away flies, shake hands, ask questions, and give high FIVES are so ******* familiar. So you see, I have put a great deal of thought into this and I think what I want to be is… FIVE.

Don’t you remember? When wherever you lived was the tip of the world, every rock you found was a glimmering pearl, and every face pointed at you grinned with jealous geniality. When Santa Clause, the Easter Bunny, Jesus Christ, and easy money all had proper places in reality. When bunk beds were marvels standing miles from the floor and the little things were the greatest things on earth, and “stupid” was a swear word, each trip was an adventure, and every pocket was a candy cluttered purse. Grass was green not “getting too long to maintain” and skies were blue not “looking like they might bring rain” There was no need to feign a demeanor, there were no chains. You were unbound. And pain was a temporary hiatus from satisfaction…not the other way around. Everyone loved you, whether they loved you or not. No one judged you for your blindingly ignorant smile. You were pancakes and balloons and Saturday morning cartoons and guilt-free, care-free love—you were a child.

I don’t want to go back to that time in my life. I have no desire to swap my mind for comfortable bliss. What I want is to close my eyes for just FIVE seconds and when I open them again, the world will be new.
Jenny Pearl Nov 2013
There's a crack in the floor
Whether from old age or misuse
There's a crack in the floor.

There's scuff marks where chairs have been pulled across the room
There's scratches where kitchen utensils fell
There's dirt, whether carried in from outside or a prolonged build-up of a weary mind.

There's a crack in the floor
It's in the middle of the kitchen
A novilon road map to the life of a lonely woman
Did the crack grow larger as she grew stagnant?
Did she notice the ever creeping gorge,
or the rust covered table legs?
Did she feel trapped by her own rusted legs or was she so far down the hole that she'd forgotten how to use them?

There's a crack in my floor
Not visible, not tangible
Just there...looming
There's scuff marks and scratches
There's dirt and rust
There is need for a new floor.

But how? with my feet planted firmly
Not sure whats beneath out-dated self abused easily trusting floor
It's so damaged. No one could love this floor.
But I do. i I do? Familiar and comfortable, is that love?
It's also unforgiving, not compassionate with mistakes..
That's not what I want.

If I rip it up, how long to get a new floor?
How long will it take to remove the deep settled in scars of the old?
Did it make impressions in the foundation?
If I break it out, where will it end?
I just see darkness, scared of the mysteriousness that's within the soil
What if through all this, the crack is still there?

There's a crack in the floor
Whether from old age or misuse
There's a crack in everyone's floor
some just larger than others.
kirk Nov 2017
The television is getting worse, I have noticed on its viewing
What the **** is going on, what do you think your doing ?
Maybe its ungrateful, but our minds are just left stewing
Why must people endure repeats, through years of program queuing?
An example is the game shows, there on every side just brewing
We're paying for the privilege, its the public that your *******

We don't want Deal Or No Deal, with all those crap crisp boxes
Q.I. is not that interesting, it has too many paradoxes
Who Wants To Be A Millionaire ? is that just a stupid question?
I would love to Strike It Lucky, so what is your suggestion?

Pointless has the correct name, cos that's exactly what it is
Has Jasper Carrot got Golden *****, or is he *******
Why is there ***** Money, did they ran out of toilet tissues
Julian Clary had Sticky Moments, and outrageous camping issues

Whenever Opportunity Knocks, well just open the door
If your going to Take Me Out, then what are you waiting for?
Don't Name That Tune In One, I'd rather hear it all
A Question Of Sport is so boring, its hardly on the ball

Is it the Weakest Link, because the chain is full of rust?
Didn't Blockbusters close down, and the video shop go bust ?
Why Should I Supermarket Sweep, Dale can sweep it himself
The pyramid Game is just, an apex polyhedron triangular shelf

I Don't want to go on Mastermind, and look like a ******* fool
If I went Through The Keyhole, then I must be minuscule
Why Would I Lie To You? wouldn't that be a bit two faced
I'm not sure if Celebrity Squares, are really all straight laced?
Could you please repeat yourself, I did not Catch that Phrase
Just how many crystals where there, in the Crystal Maze?

Was Spin Star cancelled, because celebrities where break dancing
Or was it Bradley Walsh's giant fruit, that needed some enhancing?
Why is it called The Chase, when there's no chasing involved?
The Chasers are sat on there arses, so The Chase is never solved

I don't think it is the Wheel Of Fortune, even if you do
You don't really get much fortune, till you solve the final clue
Paul Daniels said Every Second Counts, so forget the introductions
Just get on with the game play, don't even bother with instructions

Philip Schofield played with Five Gold Rings, isn't that just wrong
I thought that Five Gold Rings, belonged to a Christmas song
Ted Rogers read such stupid clues, it made it hard to win
No wonder 3.2.1 contestants, usually won poor Dusty Bin

I would really love to drink, some of that Celebrity Juice
But first I'll have to find out, which ones are tight or loose
I'm not lucky enough to have 300 Blanks, with a lovely lady in a bed
I'll have to hand it to myself, and have a Blankety Blank instead

Mr & Mrs is outdated, most Marriages are not enforced
Those couples who where happy once, are probably divorced
Treasure Hunt used a Helicopter, clues found by Anneka Rice
She ran around quite frantically, but her **** was rather nice

Isn't Ann Widdecombe a dark horse, she liked a Cleverdick
I Suspect if she had the chance, she'd like a **** that's thick
There used to be Telly Addicts, but now they are history
We no longer want Noel Edmunds, or crap games on our TV

Poor Bully tried to play Darts, but his aim was far to high
It isn't all that great or Super, missing the Bullseye
Come on now Jim its not fare, making the contestants cry
To look at what you could have won, and kiss the prize goodbye

Naked Jungle was a one off, Keith Chegwin in the buff
I'm glad it did not continue, so please don't Call My Bluff
Countdown has been on for years, we've had a ****** enough
Only Connect and 15 to 1, are hard and far too tough

Family fortunes and Eggheads, we don't want all this stuff
Fort Boyard and Mock The Week, stick them up you chuff
Going For Gold and Gladiators, too old and looking rough
University Challenge and Impossible, there really dull and duff

Never Mind The Buzzcocks, it's a forgotten piece of Fluff
Crosswits and Chain Letters, should be dragged of by the scuff
Hole in the wall and Alphabetical, are so right of the cuff
The Cube and The Million Pound Drop, I'd walk of in a huff

Many game shows throughout the years, all needed a good host
But there isn't any spontaneity, so none of them can boast
Instead of reading from a script,and acting liked their dosed
Take the plunge make it your own, don't be a mindless ghost
Why don't hosts try to be their best, and try to be their most
Wouldn't it make more sense, to keep your audience engrossed

Ben Shepherd comes to mind, he doesn't seem all there
With his ****** expressions, weird smile and stupid stare
How did he become a host, was it all based on a dare
Why is his act robotic, its more than we can bare

Its like watching a recording, this isn't really fare
If we are subjected to this crap, then we deserve a share
I guess its our misfortune, its enough to make you swear
We're already at our Tipping Point, so we no longer care

Now I'm not saying that every host, is as bad as old Ben Shep
In fact there is at least one guy,who has a better Rep
He may not be a large man, in fact he played a Lep
But at least he isn't wooden, and he's with you every step

Warwick Davis's Act is Tenable, and he has not compromised
With good hosting skills, jokes and quips Warwick has realized
Although I'm not a game show fan, I am pleasantly surprised
He stands tall over the other hosts, even though he is pintsized

Why keep making game shows, was there a voting pole?
I believe there are too many, they are so ******* droll
As bad as all reality, the schedules they both stole
Axe the ******* lot of them, and chuck them down a hole

Just take a look at Brucie, may god rest his soul
He was around for decades, and hosting was role
Taking over all the shows, seemed to be old Brucie's goal
The years weren't kind to old Bruce, they definitely took there toll

There is a Brucie Bonus, available for every Generation
All you really needed, was the right kind of motivation
Nice to see you to see you nice, was Bruce's obligation
Life was the name of the game, in a family situation

A cuddly toy on a conveyer belt, in a prize observation
Didn't he do well all, depends on your own determination
If You Play Your Cards Right, Dollies Dealing a sensation
You don't get anything for a pair, maybe its infatuation

You can freeze but you cant stick, all dealt in isolation
Do you want to bet on it, was a gambling invitation
The price was always right, just use your imagination
Come on down to old Bruce, win a car and a vacation

Maybe he's a legend, with Bruce's game show graduation
A chance to host a new show, a Good Game realization
What's on the board miss ford, moving on to a new creation
It turned camp when they shut that door, and hired Larry Grayson

What was it with Bruce Forsyth, he was far too keen
He monopolised the hosting, on the game show scene
Seizing every opportunity, ever since he was fourteen
Just like Command and Conqueror, on the TV screen
He took on all the game shows, maybe he's just mean
But I cant help but to wander, where else has he been?

With all of his catchphrases, and a chin that was obscene
A wig that was like shredded wheat, it never should be seen
I don't know if I'm being harsh, it maybe his routine
And its all in his makeup, and part of Bruce's gene
Perhaps he liked the studio, and had too much caffeine
Along with the all dodgy food, in the BBC canteen

Now Challenge screens the game shows, but there all so ******* old
We've already seen all these games, they've already all been sold
I do not mean to sound too flippant, but why wont you be told
Your sending your viewers up the wall, and your audiences cold
Now let me state what's obvious, I hope I am not too bold
We don't want all these rehashed games, there hardly TV gold
Bellis Tart Dec 2010
As I walk down these streets, I'm smiling
the streets aren't slippery,
they aren't riddled with puddles,
the sky sits like a blanket,
just resting on the top of the city
As I draw in a deep breath
of cold, crisp air
I'm slapped in the face
as it all comes crashing back
with every click clack and scuff of my shoes on the street top
it's as though my feet aren't mine
they walk, and I have no say
in where they go
or how fast they move,
or where they stop
I know they think they're going to the market
I know they think they'll walk the isles
and I know they think they'll carry me to the checkout
but unfortunately I know
that although they are amazing feet
and they've gotten me where I am today
they will not pay the bill at the grocery store
and their full time job as my carriers
leaves no precious time for moonlighting
so it's been left up to my soul
it's will to survive is much stronger than the feet
it knows that though I've done somethings
somethings that hurt too much to allow them to turn into memories in my mind
that scar, and brand and torment the soul
injury after self inflicted injury
that us two, we belong together
that even though I may have sold you,
dear soul
to someone else
for just enough money to pay the checkout clerk
to fill my stomach, if only for one day
to feed my demons, and steady my crutch
you forgive me, for my survival is yours
you know this pain I feel, for it's your pain too
so when, dear soul
tomorrow comes, and I always wake up,
with that brief moment just before I allow my eyes to open
where it's like staring at the sky, walking to the beat
of my feet click clacking down the street
as I feel the crisp air move into and fill my lungs
and escape quickly a little warmer
when nothing else in the world is in my mind
you are there.
(c) 04/12/10
Homunculus Oct 2014
Venom so vile, and inveterate drips,
Into the pits of our souls,  
Our benevolence slips, and
We grow cold in our minds, as
Resentment grips,
Because distress is the drug, and  
We gotta get our fix, so

We turn on the television,  
Staring blankly at the news, and
We hear how a man shot another,
For a scuff on his shoes, and

Our heads start to tingle, and
Our minds start to race,
Bathing in that horrid glory
Of our ultimate distaste, but

I'll divulge with you a secret,
We indulge it, and we keep it
Cause we love the panoramic view,
Of all the shame and the disgrace
We just wanna chastise, vilify, and hate
Everything is beautiful,
As long as we're irate, and
Everything's alright, when
We've got something to fight,

A fine line indistinct
Between disgust, and delight
An ethics, of immorality,
Whose only function's to
Perpetuate this ****** war machine's
Supposed immortality

We've got a war on drugs, war on crime,
Wars on poverty and terror, with our
Warning level stuck on orange,
Drones flying through the air,
Libya, Pakistan, Syria, Iraq, Iran, and
Shamelessly, we dropped so many
Bombs upon Afghanistan

Compassion has become a pipe dream, and
I believe to some it might seem
Relatively clear, that we're
Addicted to the fear,
Like a ****** with a needle,
It is what we now hold dear,
Fear of guns, rejection, pain and crime,  
Fear of the unknown,

Maybe that's why we so persistently
Preserve the status quo, and
Rest with such insistence, deep
Within our comfort zones, but
Treading unfamiliar waters is how
We have always grown, yet

We can't swallow this fear, instead
We wallow in our tears, inside
This dark shadow cast across
The stark meadow,
Of concrete desolation, forged by
The greed of modern man, and
We can't even acknowledge it,
Though deep inside, we understand,

We know we can't sustain,
Our selfish ways like this forever, and
Soon we'll see the tree is fruitless,
In this ruthless endeavor,

One must wonder, however,
If it will come to a stop,
Only in the mushroom clouds,
When the last body drops, or

Can we take the strides,
To truly turn the tides?
To stop the fight, and then unite?
To voice dissent, and then repent?
To break free from our government's
Corruption, destruction, and
Obstruction of justice
We vote these people into office!
How is it that we trust this?

They're planting seeds of corporate greed,
With hyper rich evading taxes,
They live as kings, as the inner springs
Are poking from your mattress,

They facilitate depreciation of,
The education system, 'cause,
They know that you won't retaliate,
While lacking in real wisdom,

They take from you your right to know,
They build your mind a prison, but
You're partially complicit,
In the consent you have given,

Stop this **** procrastination!
Stop this social *******!
The truth must be awakened now, and
Action must be taken,

The time has passed for watching idly,
Sitting by, and being patient, so
Brothers, sisters, time has come.
With vigor, we must hasten!
softcomponent Oct 2013
I will clamor atop mountains and fire flares from Everest to contest the interrelated anonymity of can'ts and don't's and wasted places with covered spaces taken by sadists with nothing left but the trace of a face; have-not's become robots in the mist of my nicotine blood-clot, distraught because it's all a ******* weak-spot

if you hit hard enough.

if you spit far enough.

if you write like it might make a difference and not just a scuff on the new polished hood of a ******* Mercedes Benz..

who are you again?

- - -

I tackled my trousers like they were Bowser in Mario, I'm still looking for my own impresario.. go on, try and call me another Joe Blow and I'll know that you meant to say I'm on a quest to Joe Blow your mind.
as far as I'm aware we're both just as blind so whatever I find in my mind is a sign of the times I confine to finite from infinity; I'm looking to have Salinger-like salinity. **** masculinity, it's all femininity, and within divinity you'll find me in vicinity.. scared, frightened, lost to evil affinity with zilch for priority.

I'm aimless. Goalless and faceless a ghoul who wishes to fill his void with school.. but the rule is disillusioned, imprisoned and moving, and written on loose-leaf like life.

I'm worth the hype.

but I'm not your type, I'm your type-face and font, san-serif you flaunt, and look at us now, it's just blood on our hands.. our names written out in childlike comic sans. we wanted, we waned, we haunted, we craned

our necks

to look past the deck

saw islands as specs

in the distance.

this whole life is persistence, and some hallow insistence that I am much more than industrial pistons.. so listen

you wanted this, and I wanted that.. I'm not so pretty with eyelashes to bat, so instead I still sit and I sat.. past tense and all that, but the grammar is last in my mind as I tap on the keyboard.

"Sing Free Bird!" screams the crowd. "Be a Free Bird!" I vowed

to myself.. on a shelf, eyes wide open and melting the matter that makes up this tattered trash called reality; but in all actuality I'm actually insane. plain as a bagel washed-off in the rain.. and just as soggy.

just as groggy. just a hot-key for those who forgot me ( and they're all free... now).  

I wipe the sweat off my brow as I cow-tow to the ouch in my bones, a lack of texts to my phone as I read Buddhist koans while my stomach moans like the fall of the Roman Empire. my entire life is on fire.. or was. now it's just moldy, just old bread with a fuzz.. so I tossed it again and forgot about zen because it's irrelevant, not a 10 out of 10, I can name off the labels, samsara, nirvana, brahmanic, the Lama.. but somehow I'm just as empowered to cower.. to tower above like a camera angle provided by angels who dangle on quantum entanglement.  

I strangle myself in profundity, it's no fun to be me.. sometimes. but what do I see when I turn out the light? I can't tell you, but I know that it's mine.

and I'm fine. as long as it's mine, I'm fine. I'll find my right rhymes as finite time slithers by. I'll find my right rhymes by the day that I die. and we'll all sigh in relief..

*** then I'll finally be the thief to steal your attention with words such as these:
go on, try and call me another Joe Blow and I'll know that you meant to say I'm on a quest to Joe Blow your mind. as far as I'm aware we're both just as blind so whatever I find in my mind is a sign of the times I confine to finite from infinity; I'm looking to have Salinger-like salinity. **** masculinity, it's all femininity, and within divinity you'll find me in vicinity.. head spinning in constant affinity.

**finishing.
Latiaaa Feb 2014
Boys are weird!
Us girls will never understand them.
They scuff their knees up and walk out the house with tousled hair,
Can they ever think before they do?
They swing, climb, run, and jump on everything!
Just stay still.
Boys will be boys,
With dirt on their faces and cuts on their fingers.
They stick gum in girl's hair,
Carry slimy frogs in their pockets.
Their appetite is atrocious,
Are they gentlemen deep down?
Boy's language is all washed up,
They'll call you hot instead of beautiful.
They're full of burps and hung up on videogames,
Wrestling in the house every second.
Do they have a nice side?
Dads will keep a good eye on them,
Making sure they're good for their daughters.
Boys never stay like this,
They grow up to eventually become a *man.
Lauren Jan 2013
Flighty, exciting people do more for me than
coffee dates, 6 months together, here's a heart shaped necklace.
I want you to kick me when I'm down and do nothing to help
so that when I stand I have skinned knees and a scratched face
smiling up at you. Kiss me and tell me to pull myself together
because all the ribbon has been used to tie together boxes for me
that contain coal, cat litter, razor blades and ****.
All the tape in our house has been used to keep my mouth shut
forcing me to tear it off and scream
for you to kick me down again
and have me stand on my own.
annh Jul 2019
Spin me some velvet,
Scuff me over with gravel,
Pick me some bluesy strings;
Tie me a bunch of wildflower quavers,
Let’s hear how your phoney sax sings.

Dip me in treacle,
Needle me with soul,
Groove me some dirt and some bass;
******* your ***** devil’s pipe strong,
Let’s play us some bourbon and lace.

Spin me some velvet,
Scuff me over with gravel,
Lay me down in meadowsong;
Rent me a dime’s worth of old dust and daydreams,
Honey chil’, you cain’t do me no wrong.

‘Sometimes I sound like gravel and sometimes I sound like coffee and cream.’
- Nina Simone

‘Sing me a love song in a slow, southern drawl to the tune of sunny days.’
- Kellie Elmore, Magic in the Backyard

https://www.telegraph.co.uk/culture/music/8587751/The-devils-horn-always-plays-the-best-tunes.html
Dave Robertson Nov 2021
Rattle the cassette
with the biro etched “Car Mix”
grab the keys from mum’s bag
“Fill up what you use!”
“…Ok, can I have a fiver then?”
scuff to the car in unsuitable boots
slump in, adjust mirror, checking stupid fringe
which then existed
snap in the tape so the first bars
of G-Funk, grunge or B*Witched pulse
then it’s off to pick up
shotgun
st64 Feb 2013
Here lies wealthy aunt Dot
Let us pray for her, people
Let us pray for Dorothy Keeper
For here comes the grim reaper.

They called her Marie-Antoinette
Breaking fast on cake and tea
While gorging whole on tamarinds
And tittering her high-squealed laughs.

She wore her sky-scraper heels
With such care, they'd always look new
With no scuff marks, but in the end,
She hurt her back and broke her ankle!

She lived in such a mansion
You'd need an elevator to get to ***
Her gardener had his own butler
While her dogs had weekly pedicures.

Yet when they found her, on her last
She was bedecked in every wealth imaginable
Burdened tables, with rarest delicacies
But not a crumb of mercy on her plate.

You see, the ones she thought valued her
Were simply riding high on tails
They were cloven deep through the ranks
While rank decay sat fat in every corner.

Always one to expect return
She did little to relieve that scorned idea
When nephews begged for bursaries
She'd shoo them gone; let pets sap cream.

Now, upon her mortal hour, her eyes did sink
So deep in sharp despair.
Her ragged breath her kin did hear
And mere perfunctory embrace she felt.

Her sickness begged a touch of care
A little sweetness, a glance of kindness
But pitied eyes swept aghast around
At the splendid array in her mausoleum.

Nephews now grown men stand and look
They shoo not the flies around her mouth
For minds locked ******* heartless past
Fail to discover any worthy pattern.

No one could give what she desired
So they turned all from patient, one by one
To their cosy, quiet homes
Save the little boy, silent by the door.

They knew not that their paltry lesson in humanity
Screamed for mercy; to alter, make good flow
The little boy turned, to change the tide
*** for tat pays not; we should all know that!

Peace and mercy, she but sought now
And in his utter silence, he gave her that
Her eyes pled such deep appeal
His heart bled at their steep reveal.

Most unfortunate turn of events unseen
When the boy now held beneath his eyes
Heavy, darkened rings of suffering
Intense subject of compassion.

Years later, no one would know that
Upon her deathbed, she bequeathed him silent gift:
That, until kin break spited cycle
He would bear the brunt forthwith.

And now, Aunt Dot has died
All return to home and hearth
Yet no redemption till the day is due
And the soul awaits .......ever patient.

Star Toucher, 22 February 2013
Black and Blue Apr 2014
A wise man once told me that all people are like precious metals.
He told me this in different words than I will use, but I took this to heart.

We are mined from ***** places; these miners see the value that lies beneath our harsh surface.
We are plucked from our resting places, sent to great, large cities where we will be put over fire to burn out our impurities. 

We will go through pain and fire.
We will melt and be tortured.
We will cry and scream and we will suffer.
All of our repulsive imperfections will float to the top while this is happening.
To purify gold, it must be melted.
To purify silver, it must be melted. 

It must be melted and the rough **** that exists within and without these bits of precious metal must float to the top to be extracted. 
Sometimes, this process must happen multiple times.
Sometimes, we must use chemicals and medicines to make sure it happens properly.
To purify us, we must be melted.

These are our trials in life.
This fire represents our hardships.
This fire represents every life change that we don't want to happen, but must pull through.
This fire represents each truth that we don’t want to know, but have to accept.
This fire represents each person that walks in and out of our lives like rainstorms, pouring for hours and moments before disappearing on the wind, never to be seen again.
This fire represents each night we must spend alone, crying for someone to save us.
This fire is us.
This fire is self-preservation.
This fire doesn't last.
And after the fire is over, and our imperfections are drawn away from us, we are perfect.

Of course no one is ever perfect, but no metal is ever completely perfect; everything that glitters is not gold.

After the fire has died, and we have been poured into new molds, into new people, we are stronger.
With our disfigurements gone, our molecules bond tighter to form a stronger metal.
With our faults gone, we sparkle and shine for the world to see.

After we have been pulled from the ground, after the fire has died, after we have come out as stronger, prettier people, there is still a chance for staining. 
We may scuff and stain, we may grow new impurities, but then we must suffer fire again.

It is an ongoing process.
We are never perfected.
We are ever changing, yet we are solid as metal. 

A wise man once told me that I resembled gold, that everyone around me resembled gold. He once explained this to me in such a way that it changed my mind about hardship.
I now meet it with open arms.
If I couldn’t handle the fire, it wouldn’t burn for me.

A wise man once told me that eventually, when the fire was extinguished, I would be a stronger person.
A wise man once explained to me that I am not alone, that everyone must hurt to get stronger, and that I will emerge from the fire.
This man changed my life, and I hope that maybe I can change someone else’s life.
That maybe I can help scrape the imperfections from someone’s boiling surface. 

That maybe I can help myself become purer, by purifying some other gold or silver.

After all, at the end of the day, a wise man once told me we are all like precious metals:
We are all gold.
Day Dec 2015
-

it's winter again and here we are, the same loop that caught me up in
your whirlwind last time now making home between your lungs as your head
rests against my shoulder and your face finds a place to nuzzle against my neck.
i wonder what's different as i watch your hand reach for mine and then i realize it's because
i learned to grow without you and grew without you from one long moon to the other.

-

when i called you a sunbird, i didn't mean a phoenix,
even though i didn't know it then.
see, it's been an entire year and i've learned how to create and swallow flames whole and stomp on
the ashes and even though i'd scattered yours and wished for you to rise
from them before, now i wish i'd dug my heels in a little better and cast them all aside
for good, buried you too far that you wouldn't be able to find me again, dosed and
dosed and dosed until there was nothing left of the scuff-mark under an ocean.

-

maybe i'm just bitter.
and some part of me loves it. it's a vicious part, who's still searching for that other half
and knowing now that it was never in your hands and even if it was, it's been passed off
and i won't find it with you.
great tragedies are written for stages of life, not the makeup of entire stories, and
i'm not about repetition. you already got your chapter.

-

there will be days that i start purely about me and that will end purely about me.
regardless of anything, i vow now, that i will make sure of this.
i will find (an)other boy(s) to sleep beside, just sleep beside, and i will love it and you will
hate it and i will love them. i'll be looking at them like i looked at you and you
will look at your phone each time it buzzes and hope it's me and
i won't even think to text you.
i will be selfish, ******, and karma encourages and assures me so.

-

i was willing to wait eternities.
i was willing to wade lava and tread air and hold my breath until you wanted but you chose to
snip the string that held me to your wrist and now i've found freedom in the sky and i feel
broken and torn and incomplete but infinite and i found all of this without you.
you're too impatient, and you keep wanting to 'prove to' me something you and i both know
doesn't exist. only children get mad for getting back what they'd already given out-
and i'm sorry that i'm not for not wanting to be with you.

-

i wish you didn't love me now.

-

i wish it wasn't so easy not to care.
-

Someone once ended a poem with a quote that said ""Missing" is a part of moving on." (- Unknown)
Just in case any skylarks wanted to know how to remedy this ache. Trust me.
Lindsay Alley May 2013
Fluorescent flickers illuminate the stained cement floors of the hallway. Your slippered feet music an uneven pad and scuff. This ***** city is home, whatever that means. This ***** city holds you like you're someone else's child. A burst of joy and music reaches for you through the window; someone bangs a door and you turn on the tap. As water sputters onto your toothbrush you catch a whiff of Dakota Jim's racist southern drawl, a puff of his ketamine breath.

You walk to the window, toothbrush dangling.

[Oh London, I know you love no one, but nights like this I feel your heartbeat in your embrace.]

History swells beneath your feet. Your eyes land on a seated figure, his grand headdress of feathers overpowering the tableau, his gaze calmer than the other mad happy swirls that make up the crowd. It makes you wonder what he sees. Probably nothing. You will learn that when he seems profound it is usually an accident. You are penned in by jagged skyline hieroglyphics. History swells. Your heavy hearted story is a speck consumed in all this history. All the history you were taught in school was death, you remember your mother bemoaning this war generals and battle dates history. You wonder at how much death this place has seen, how many lives the city has birthed and eaten, hungry mother staving off starvation.

We all write our stories on other people's bones. Of course the greatest cities would leave the greatest scars. And what did you come here looking for anyway?

[Hello Momento Mori city. I see you. I see your rooftops straining to **** stars. Do you mourn for your dead? Are they heavy in your belly? Are you going to eat me, too?]

But now, if you drag your little mind back from the immensities, everything around you is alive. Everyone is dancing, happy to be caught in her belly. Or her womb. Not one of you knows which, but there you are. In the courtyard, the small, steady figure of Freddie Stitz brings a lit cigarette to his lips and smiles up at you in the window.

Wipe that toothpaste off your face, you look ridiculous. Go back to bed.
Alex Hedly Jan 2014
The heater still rattles
With the bobby pin I dropped in there while kissing you
And every time I hear it, it creates a new beat
A stronger one
A louder one
A beat that yells to me "You'll never forget him"

The heater seems to produce the smell of your cologne
During late nights when I miss you
The smell that made my stomach flop
The smell that still peppered my skin once you left
A smell that shouts "You still love him"

The heater still has a dent
From all the times we sat on it
And that causes the air to blow into my face
And dry my tears late at night
Just like you did
Tears that howl "He was-no scratch that-IS perfect"

The heater still has a scuff on it
From the morning you threw your she at it because it stopped working
And it produced warmer air after that
Almost as warm as you
Before you left
Now the air is cold
A cold that screeches "He was your everything"

And the heater still has your jacket on it
Because I can't bear to move it
And in the early mornings I put it on
And drink a cup of coffee
Like I did with you
By the heater
A heater that screams "Maybe he still loves you"
broken Dec 2015
the day after his cousin died, he stuck his hand onto the hot frying pan when his mother wasn’t looking. she cried rivers all the way to the emergency room and the only thing he could say when she asked why he did it is “I touched her last. I touched her last”
the doctor came into the sterile room and said he lost three out of five fingerprints on his right hand, but he would be okay and so would his shaking mother. the boy had hugged his bright-eyed cousin before she shot herself and I think the bullet hit him too
let’s not tiptoe around coffee-stained details, that boy didn’t grow up to be an inspirational anti-suicide activist. he put up defense mechanisms and lined his entire body with barbed wire, and he’s been piercing people with his touch ever since
truth be told, I loved that burn marked boy, I did
but he threw me to the wolves when I got too close and maybe he felt guilty about sending me to the bottomless darkness he lived in or maybe he still can’t forget the way his cousin kissed him on the cheek before she put ammunition to her head, but I saw him at the gun store on the corner two weeks ago
it still hasn’t sunk in that he followed the exact path his cousin did that destroyed him when she was seventeen and he was only ten. he walked in her blood-traced footsteps all the way to the end of his existence, didn’t he?
he bought the gun, he loaded it
he probably started a note
do you think he started a note?
how many times do you think he’s tried to write it in the past seven years, broken pencil ends and the smell of tired lead
how many times do you think he tried to write it on Sunday? Sunday is God’s day, right? that’s what he always says to me
said
it’s a past tense
that’s what he always said.
I wonder how many pieces of notebook paper he crumbled up before he decided that his final words weren’t good enough to be seen by the people he was leaving alone on Earth
he always said he wanted to fly and I wonder if they can fly up there like all of the stories say when they talk about angels and I wonder if he can actually fly now
I wish that I could see those scribbled lines on discarded pieces of paper just so I could know why he did it
but maybe I’m lying to myself
maybe I already know why he did it
I knew it the day he said he couldn’t take it
the day everyone told him to stop being so overdramatic and grow up and be a man
I remember the exclamation points at the ends of his sentences like lines and flashing lights that screamed “help me”
the days his smile would say everything’s okay but his eyes looked like he was already dead
I wonder what his eyes will look like now
I wonder if he’ll still be the simple kind of beautiful when he’s in a coffin
what do you think his mother will pick out?
she always loved that red shirt
but he hates it
he likes blue
he liked blue
he liked a lot of things
he liked running and baseball and 3am movies and math and sometimes English and never science and most of all, he liked self destruction
I wonder if he gets to see her, if there is an afterlife like all of the Christian books he studied tell of
I wonder if she would tell him that there was never anything he could have done to save her back then
I wonder if he would regret letting himself float away that night
I wonder,
was there anything I could have done to save him?
why didn’t I?
I saw it
I saw the scars that were a little newer than the ones I had memorized before
I saw the sadness in his eyes on Friday
why didn’t I do anything?
but…I did
I asked
I asked him if he was okay
“I’m fine”
“I’m great”
“I’m happier than i’ve ever been. It’s okay. I promise. I’ll never go back to that bad place. I just have to keep my head up and keep going, I’m amazing lately”
exaggerations
false truths
lying through his teeth
I always know when he lies because his smile gets a little too wide, too artificial, and he can’t look me in the eyes unless he’s telling the truth
but he’s never going to look me in the eyes again
do you think it hurt?
do you think it was instant?
I wonder if the hurt made him happy like it used to when he scratched lines into his skin and ran until he collapsed
I don’t know if it actually made him happy
he thinks he deserves the pain he inflicts on himself
a sadistic self destruction is what he thinks he deserves
thinks?
is it thought?
this hurts
turning every present tense into a past tense feels like someone stabbed me in the chest
or maybe even shot me
how funny is that?
not at all
maybe a little ironic
the police will investigate the blood stains on the hardwood floor his father installed back when he was half sober and they’ll write down every scuff they see and they’ll have a sketch artist draw the green eyed boy who offed himself
he’s just a statistic to them
just another case
just another rotting body that they get paid to sign a death certificate for
they don’t know him
they don’t know where his scars came from
they don’t know that his dad gets angry when he drinks, and he drinks a lot
they don’t know his little brother
they don’t know what style he writes his paragraphs in
they don’t know him at all
he’s so much more than just a casualty
a casualty to suicide
another number that the hotlines can use to try to get money to save teens with razor blades and sad thoughts
another percentage
BUT HE’S NOT A PERCENTAGE
HE NEVER WAS
how would he feel about this?
he loved math
he was good at it
how would he feel about being another tick mark on some scientific research paper about the risks of drugs and alcohol and falling in love and teenage suicide deaths
falling in love
did I fall in love?
can you be in love with someone who is dead?
someone whose heart has stopped beating
maybe his heart stopped beating a long time ago
right with his cousin’s
did I mention that I saw him Saturday?
he was in the batting cage when I took my sister to the park right beside it
we talked and he said he was great
but I watched the news today
the news, can you believe that?
I only watched it because I had a terrible feeling in my stomach as soon as I woke up early Sunday morning
it’s Tuesday now and the police issued a report and my mother brought your mother a casserole and a bottle of wine
the police told us what happened with blank stares into the TV cameras
you died early Sunday morning
in the middle of the night
you always loved 3AM things
I saw you at 7 that night at those batting cages
I asked you what was wrong
you said you were okay
I knew you were lying and you were bleeding internally and I was scared you would fall into pieces of skin and broken boy right before my eyes
I put my hand on your shoulder and asked again
you didn’t look me in the eyes
you never did
you never will now
never again
you said you were so happy
your eyes pleaded for help, didn’t they?
I hugged you
it seems like a dream now
I hugged you and told you to stay safe
and then I left you alone in that batting cage
and I had no idea you were still planning your demise
more police reports
the news is informative
that’s what my grandpa always says
your parents were out of town
your parents were at a family reunion a state away
one you didn’t want to go to
phone records show that you didn’t call anyone after 10AM on Saturday, the robot officers in blue repeat
oh my God
I’m not supposed to use the Lord’s name in vain, that’s what you always said
that’s what your cousin taught you when you were eight
but you aren’t here anymore to correct me
I’m watching the news with shaking hands and I think I might break into sad molecules right here
because I know my bad feeling was right
the pit in my stomach wasn’t lying
God,
I did it
I held the broken boy before he shot himself in the head because he wanted to be sure that this time he would actually die, unlike the time he slit his wrists on his bedroom floor
it’s true,
I touched him last
b for short Aug 2015
When I was a little girl, I occasionally loved to wear dresses. Not because they made me feel pretty, or because that’s what the damning norms of society taught me I should wear—I wore them because I loved how it felt when I would spin myself around. I’d scuff my Mary Janes, litter my tights with runs, and twirl around until my balance ran out and my little knees met the ground. No scrape or brush burn kept me from the thrill of that momentum, smiling wide as the material rose up to meet my fingers while I flew around in haphazard circles. I’d watch the colors of this huge, painted world blend and blur together, amused that, for a moment, I was out of my own control.

Eventually, much to my dismay, I grew up in nearly all of the ways a little girl can.

I realize, as an adult, that it’s important to harbor the mindset that we should regret nothing. After all, every experience typically gifts us with a little wisdom nugget, right? We collect them and look back fondly on the good and the bad, carrying our souvenirs with us as we move forward. Well, I have the nuggets (heh), but I can’t help but feel some regret as to how I came about retrieving them. Recently, there have been so many instances where I want to hop in the Doc’s Delorean, go back in time, grab the hands of little me, and spin ourselves into oblivion. We crash in the grass, eyes closed, world still spinning. In the midst of giggles and grins, we lay on our backs, watching the clouds come back into focus. I turn my head and look at her, fully prepared to tell her everything she needs to know to protect herself from all of the hurt and pain I know she’ll come to endure in the next couple of decades. I want so badly to save her from it all, but before I can speak, she does.

“Don’t worry, I can see it,” she looks at me, warmly.

“See what?” I ask, catching my breath.

“I can see all of the cracks in you.”

I don’t have the words for her, as she searches my face. She traces the outlines of my cheeks, somehow still as round and rosy as her own. Her eyes are my eyes; a bewildering gray green—unchanged, even after all of these years. In that moment, I realize that I’ve forgotten just how young I actually am.

“You don’t have to tell me about them. I know they’ll be mine someday.” She smiles and turns her eyes to the sky.

I’m in awe of this child—her understanding and intuitive nature. It left me perplexed.

“You already know what I’m going to tell you?” For a brief second, I relived the heartache, the fear, and the anger—and I wondered if she understood, I mean, truly understood what she was saying. “But if you know, then how can you be smiling?”

She turns back to me, lips curved sheepishly into a grin—an expression we had come to perfect. “Because where you’re cracked is the prettiest part of you. You fill them with gold and silver and all the rest of the glittery colors. They’re not empty—just spaces replaced with things that mean more to you than what was there before.”

I imagined this—a map of myself, sporadic damage branching out in all directions, repaired in technicolor brightness, more eye-catching than ever. I fell in love with the thought of my tattered soul, patchworked into something my heart could use to keep warm.

I kissed her, lightly, on her little forehead—a thank you for the words I still didn’t have, and hugged her tight.

“You should get back now,” she said, still grinning, “you don’t want to miss it.”

I don’t know what she meant by that exactly, but I had this unmistakably good feeling that she was on to something.
©Bitsy Sanders, August 2015

I realize this is not what we'd call a "poem" but rather poetic prose. Either way, it had to get out. Thanks for your understanding.
kfaye Sep 2012
.wet as

long-sound
footsteps on the scuff of downturned sidewalks

estranging.
distance
.from us

as wrought iron bridges
meeken,

aching.
like a saxophone

.the
pin-patter
softcomponent Apr 2014
coffee-cup perched between Amazon's of Grass-- the contents of which quiver a little with the shadow of the tree. above the purple-white porch-chair, the solar system point-of-direction pierces the glades of Leaf-Life, luminescently revealing the innards of each branch so-as to witness the plant-bones in-stretch-divine oh the summer breeze! (i have no lessons to teach you)

the yardened-gate tilts from wood-brown to moss-green to scuff-mold, shadows of an evergreen forming a movable continent across the half-mooned top-shave entrance-to-an-ancient-palace. were I an expert in floral pretend, I would be able to name for you the blue flowers which grow at the foot of the tree-I-don't-know-the-name-of (each branch percolated upwards and fanning out, bunchy-bulbs at each tip and jummed together, small leaves blooming outward from a springly inwardness). every time I lift the mug from out the Amazon's of Grass, there is a dent in the forest of calm accepting itself as if I grew here as well. (i have no lessons to teach you)

lawnmowers, the sound of suburban tribal beauty, signal spring or summer as sun-dance must have to ancient Egyptians and Coast Salish together forever in longhouses. There is nothing old about the world, save for childhood memories and parents with wine and with cornflakes, remembering you as a child as if it were not your lifetime ago (but yesterday). you run your mouth on the revelatory spark: both mom and dad were as launched to the planet and new just as much when they asked each other to dance circa 1991. The Berlin Wall had fallen, and Yeltsin was preaching The-End-Times when they asked each other to dance circa 1991. I come to the same conclusion-confusions as they did, and who says anyone is ready for anything? what did they know circa 1991? (i have no lessons to teach you)

Jennifer, in her Pink Floyd pajamas, eats her tofu wrap and wipes her fingers with napkin. she picks the fallen remains with a spoon and sees I'm writing beneath the tree. 'do you want some water?' she asks, I call her sweet and say yes, she takes the plates in and missions to grab the bottle. Sputnik Sweetheart by Haruki Murakami and Sleepwalkers by Christopher Clark sit apart on the sunny-side of the lawn as archives of contemplation in different directions and yet under the same solar system point-of-direction (the one and the many). how absurd it is to realize that every single story has occurred under the same sun, on the same rock. how absurdly beautiful. how protectively healed, the race can become (as death saves all from tragedy, whilst causing it all the same).

the shade under Leaf-Life seems to fill itself in, sketching an extra darkness to contrast the brightening sun. God continues to paint my life, on occasion resting from paint to back picture with narrative, typing calmly and furiously across the pages of existence to write me a myth. I become an image of what you imagine me to be, and the words you read are the widow of imagination once expressed unto the world.

you can imagine, but I won't be listening. unless you take the page and turn to me to point and say, 'shall we discuss?' it all remains a strangers question and answer, so as you can enter my head-long at will and believe what I do from inside what I call my home, you wonder how close we are in spoken word, and believe you may take value from these excerpts. and you may.

but as I write, all I can think is,

(i have no lessons to teach you).
phantasmal Aug 2013
the night is silent
the sound of leaves rustle
along cracked pavements
you scuff your shoes on the platform
as moonlight glints
off the smooth round edges of
pebbles that are scattered along
rusting railway tracks

the wind whispers
as repetitive ringing sounds
you hear the bell signalling
the arrival of the train
the leaves once tranquil are lifted
in the thin hurricane of night breeze
and coal smoke

the train conductor reaches out
and you cautiously slip
a near faded ticket into his pinched fingers
with a simple turn of the handle
you watch your ticket shredding
and your feet step forward
into the train

inertia brings you stumbling
to the opposite side of the cabin
your hands press softly against
frostbitten windows
and your breath steams the glass
landscapes flutter by;
they are butterflies melting into the night

you run your fingers along
the battered cloth seats and tattered posters
it is cold
and the abandonment seeps into you
from the floor through the soles of your shoes
you shiver

time in the still air slows while
the scenery rushes by as the train picks up speed;
already your worries seem like history
the distance between you and reality
drags on wider but
you don't mind
as you stand in the empty train cabin
with your empty soul and empty eyes

you finally feel as if
you are safe

- - -
JM Romig Jul 2011
Sitting a corner booth by herself,
sipping on a Long Island Iced Tea
and reading Keats.
Hands down, she's the most
captivating person in this bar.

Fingertips calloused, and hands nicked and scraped
like she'd been in a fight with experience
and went down swinging.
Eased into her seat like slipping naked into a hot bath.
Smiled with all her teeth
like no one was looking.

Left her phone at home,
in pieces on the kitchen floor.
Tonight was the night she was going to forget all about the custody battle
the bill collectors
the late night fights about who was right
and who was left in the room with all this shattered glass to clean  up
the long sobbing nights with her pillow and her secret shame
the regret for time poorly spent looking for love in bars and cold blue eyes
the years that separated her from twenty-two –  when she was young and delusionally happy.

With her body language, she unknowingly spoke to me:
Tonight, I came to drink and dance.
Don't bother me with pick up lines.
Pick up artists, go find another canvas.
Mine's been painted over plenty.
I don't have the time to save anymore white knights from their mother's ***.
That fairytale story always ends in Shakespearean tragedy.
Plus, the **** horse leaves scuff marks on the dance floor.

I take one last sip
and slip the bartender an extra twenty-
tonight the nightingale drinks for free.

I leave before she can thank me.
Copyright © 2011 J.M. Romig. All rights reserved.
Madeline Oct 2012
this town is an artistic afterthought -
forgotten and almost there

and when i went walking today i looked down at my feet and i thought,
"pebbles like people."
it rains in the mornings here.
start with a gray sky and end with a gray sky,
and the rain is the most comforting thing.
it tip-taps on your shoulders like,
"i'm here too,
and i feel
what you feel."
it's an old friend.

the buildings all lean on each other -
their stone and their thatch,
their brick and their brawn.
they say,
"we know what we saw,"
and they make tiny skylines against the purple morning sky.

the streets are slick with rain,
black and worn
with the boots of wanderers like me
and the scuff of passersby like you.
they lead into secrets and roads
that i don't want to know about yet.

it rains in the morning here -
it paints our town all the oranges and pale greens of fall that you miss.
it pops the purple-gray of our stilting homes and offices,
our neat schools
(catholic is so relative, and innocence depends on how you look at it.)

it rains in the morning here -
and i can only dance when it rains.
fiona fenn Jan 2012
One year older
No more wiser
Aging an inevitability

Unwanted
like rain in summer
or a scuff on a new pair of shoes

A day for celebration
should be a day for mourning
black veils and chrysanthemums
a footstone for the grave

A retailers delight
for card companies and cake shops
not for halfhearted smiles
or aging discontent

For me, just another day

One year older
no more wiser
aging an inevitability
brooke Feb 2013
we're such slaves to neon signs
silent buzzing 7-11's at 2 a.m.
dirtier inside, these nights are
a sort of yellow tint, variation;
high. But the avenues are not
grey graffiti anymore, the rocks
come alive, the city never sleeps
and the streets are all knowing
creatures that take the heat, take
the feet, throb and glide, glide
scuff, panel, catch the curb
the streets are the only ones
who love our
shadows.
(c) Brooke Otto

something a little different.
Ben May 2017
The floors are always too clean
So many feet and not a scuff anywhere
And it's too hot
From the crowds and the heat
Still cranked up in summer

All the store displays look the same
Ridiculously dressed mannequins and
A bunch of prepubecents
Cluttering around the entrance
Or worse
Pubescents spending their parent's money
To look like the mannequins

There is nothing of value on any
Of the three floors
Yet it's all marked up at a premium

I am no different
My eyes jump from window to window
Face to face
My mind working over time to take it all in
In my confusion maybe I'll start
Handing out my credit card
"Give me three of those"
"Six of these"
"As much of this as I can afford and then some"
"Thank you, thank you, thank you"

We can all go home mannequins
Faceless and frozen
We won't scuff the floors
Or crowd the stores
Just remain on display
A cheap plastic statue
A Renee Feb 2010
I know you hear me laughing

Scuff my shoes all down this street

These temperamental sulfur sidewalks

Burn as far as I can see

I was dancing, dancing for

I was dancing for you

Hoping you would notice

The searing message that I drew

Exaggerations your routine

Now I’m acting out for more

The finale can’t come in

When it’s never left the shore

I was dancing, dancing for

I was dancing for you  

I know you had to let me down

Now I wish you’d let me up

My blind devoted smiles way to easy to corrupt

You should deafening predictions that never crossed my mind

This teenage charade can never end

When you’ve tucked the curtains behind

I was dancing, dancing for

I was dancing for you

Hope you’d come teach me

The moves that I already knew
Jason Drury Jun 2012
She is the pedal
they come to gaze upon
her slow dance
where she will meet the ground
the music starts this custom
filling the air with a hypnotic trance
she begins her decent
bending and twisting
the wind her choreographer
she beautifully floats
not one scuff of her feet
she has honed this skill
the stage is set
with a glow of orange lanterns
and perfect wood detail
frames her exquisite shape
as she gets closer
the instruments grow faint
in slow time lapse motion
the pedal has reached the ground
I am the **** in the vase.

Meticulously crafted.

Flawlessly sculpted.

****.
Tainted.

I am the scuff on the wall.

Brilliant blue.

Solid finish.

Scuff.
Brown.

I am the scratch on the record.

Smooth song.

Steady beat.

Scratch.
Halt.

I am the glitch in the brain.

Routine start-up.

Keep it going.

Glitch.
Freeze.

— The End —