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"saxophone" poems
the planets. the peaches. pruned. picked. for the reaches. the centuries. a second to the eternities. you can have it. say laugh when. you hear the jazz note. the voice of all that i spoke. the saxophone. like dialing digits of truth. on the telephone. come on. say one and two. up and down. the diversity in one single crown. upon the ears of sound. it's the heart's listening device. toss it like rice. at a wedding. human genes get paired up. and twisted. so simple. it comes in flavors of licorice. red and black. off and on. check the track. when the needle skips. we find all these differences. let me bring it back. for diversity. zeroes and ones. spread the spectrum. across high and low frequencies. it's so easy. let the record speak. can you stay on beat. the principles of the high. the sincerity of the meek. whatever lies between. is one or the other. blended across the centuries. and all mothers. give birth to the last. man to the first. follow that. discussion of high low. mid ranges get blown. saxophone pace the flow. get pricked by the tweeters. soul from the bass feeders. save the appetite. for the words that i write. and then speak. you you. not me. splitting hairs. atoms. quarks. and light. beams. like a smile. across a broad spectrum. either off. always on. high low. then get gone.
0
Oct 3, 2014
Oct 3, 2014 at 10:18 PM UTC
diversity
In the hands of someone talented The strings of a violin winds of a flute keys of a piano can move you to tears Just closing your eyes and letting the music flow you can hear them all Cello Viola Violin Flute Clarinet Saxophone Trumpet Harp Piano In the hands of talent you can be moved to tears
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Jul 16, 2014
Jul 16, 2014 at 8:13 PM UTC
Talent
Hear the bass, grace notes race all over the place Cymbals paced, hi-hats chase, weaving between the bass The piano - chords struck with wide spanned hands Poly-rhythmic, multi-layered sounds in strands The timbre of reed vibrating against warm metal Precision; a sixth, a ninth and an eleventh interval A major, a minor scale; a frantic modal sweat A small sound for mankind; but a truly giant step Each note slices through the eclectic beat-drop Singing and whispering this post-modern be-bop Multi-phonics scream, like controlled feedback The seductive saxophone – this weapon of attack The boundary is stretched, new ground broken The holy saxophone has never thus spoken And I pay homage, all my deepest respects Go to the man who made those giant steps
0
Aug 22, 2011
Aug 22, 2011 at 9:25 AM UTC
Giant Steps - dedicated to John Coltrane
Two fine films: The Lost City and Blood Diamond. I joined Blood Diamond during a village massacre and said to my wife A gun in every home. Those devils would think twice before razing the village and seizing the boys. A well-regulated militia. The local militia the most interesting moment in a strong film with motive (economic, emotional), action (chases,       fights) and a **** sexless love story. Use of violence by the local militia for a limited purpose: protect the       community, the young from the janjaweed. The crop from the **** Limited scope and defensive posture but armed and coordinated, cooperative, the men (and the women)       side by side. Warriors at the gate, you will not run, you will not bargain. Just violence = limited scope, defensive posture. Great music. Cuba, Africa. The Lost City, when the communists tell the club owner under threat       of violence No saxophones in the band. The saxophone! Invented by a Belgian--Look what the Belgians are doing in the       Congo! When the state's violence is turned against the citizenry for non-violent acts. This quiet neighborhood, July, undergirded by violence, force. That's a given-- any farmer, custodian, EMT will tell you that. Without just violence Gandhi's scope, and King's, might be vanishingly limited, negligible (but not non-existent)?                                                        Regarding King the matter is simple -- he was non-violent but dependent upon federal force to counter the South's violence. No doubt without the larger force, the non-violent would be       overwhelmed by southern violence. Here, non-violence was a tactic, not an ethic. Gandhi, however, had no violent partner to protect him from the       British. Or did he? 1. There was the potential violence of the population, which Gandhi     restrained but could release which the British feared, and 2. It was the restrained (limited scope) violence of the British that     allowed Gandhi to exist rather than be extinguished--this restraint     was a (British) cultural imperative (limited scope) as well as     emanating from Britain's view of India as a protectorate and     valued citizen of the United Kingdom (defensive posture). What about violence or threat of violence to compel compliance with       community as in mortgage foreclosure, driving without license, drug possession. Perhaps it is necessary violence to maintain orderly commerce, the       common space, and preempt bad behaviors associated with       otherwise neutral, private acts. The defensive posture is the common good; the limited scope is       forgoing deadly force. But the citizen, too, must maintain a disciplined, armed non-violence, in case the state (the janjaweed) engages in an unjust, autoimmune       violence. Hence, a gun in every home.
0
Aug 11, 2015
Aug 11, 2015 at 9:56 AM UTC
A Gun in Every Home
Two fine films: The Lost City and Blood Diamond. I joined Blood Diamond during a village massacre and said to my wife A gun in every home. Those devils would think twice before razing the village and seizing the boys. A well-regulated militia. The local militia the most interesting moment in a strong film with motive (economic, emotional), action (chases,       fights) and a **** sexless love story. Use of violence by the local militia for a limited purpose: protect the       community, the young from the janjaweed. The crop from the **** Limited scope and defensive posture but armed and coordinated, cooperative, the men (and the women)       side by side. Warriors at the gate, you will not run, you will not bargain. Just violence = limited scope, defensive posture. Great music. Cuba, Africa. The Lost City, when the communists tell the club owner under threat       of violence No saxophones in the band. The saxophone! Invented by a Belgian--Look what the Belgians are doing in the       Congo! When the state's violence is turned against the citizenry for non-violent acts. This quiet neighborhood, July, undergirded by violence, force. That's a given-- any farmer, custodian, EMT will tell you that. Without just violence Gandhi's scope, and King's, might be vanishingly limited, negligible (but not non-existent)?                                                        Regarding King the matter is simple -- he was non-violent but dependent upon federal force to counter the South's violence. No doubt without the larger force, the non-violent would be       overwhelmed by southern violence. Here, non-violence was a tactic, not an ethic. Gandhi, however, had no violent partner to protect him from the       British. Or did he? 1. There was the potential violence of the population, which Gandhi     restrained but could release which the British feared, and 2. It was the restrained (limited scope) violence of the British that     allowed Gandhi to exist rather than be extinguished--this restraint     was a (British) cultural imperative (limited scope) as well as     emanating from Britain's view of India as a protectorate and     valued citizen of the United Kingdom (defensive posture). What about violence or threat of violence to compel compliance with       community as in mortgage foreclosure, driving without license, drug possession. Perhaps it is necessary violence to maintain orderly commerce, the       common space, and preempt bad behaviors associated with       otherwise neutral, private acts. The defensive posture is the common good; the limited scope is       forgoing deadly force. But the citizen, too, must maintain a disciplined, armed non-violence, in case the state (the janjaweed) engages in an unjust, autoimmune       violence. Hence, a gun in every home.
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58
*Flute Elegant, fragile Captivating, enticing, comforting Cleansing your soul, intensify your spine Alluring, controlling, compelling Powerful, sophisticated Saxophone*
0
Aug 2, 2016
Aug 2, 2016 at 12:56 PM UTC
Hand In Hand
I love to watch you play Hear the sweet notes drift out of your saxophone A lovely melody You don't always see me I listen all the same Such lovely skill escaping in the form of sound coming out of that wonderful saxophone Maybe it's not the sound That enchants me so But the handsome player Whom I get to call my own My gorgeous love   Smart and talented to the end <3
0
Dec 25, 2014
Dec 25, 2014 at 11:15 PM UTC
My Saxophone Player
Can I write you a love song I’ll sing it softy in your ear all night long Blow gently without words on my saxophone Diamond and Pearls behind the throne A beautiful ensemble meant for only you As I give credence too Take my hand Cross this journey with me as I sing about faraway lands Past Egypt pyramids shifting Morocco sands Lay back my love, allow your mind to silently drift Feel the enchantment of my piano keys as it spiritual uplifts I’ll sing love songs of old A cappella chorus echoed from deep within my enlighten soul I’ll sing to you about the blues, society’s injustice, and elements of darken storms Keep your heart warm, while playing my French Horn Enrapture foretold from this dedicated symphonic poem A music sheet of percussion, woodwind, brass, keyboard, and strings Harmony carrying the mind away as the joy of coming spring I’ll hum your favorite beats, can you feel the crescendo now Fiddle from the heart by the sweat of one’s brow Submerge your cerebral cortex, lose yourself in the sultry tunes Harp sounds bathe of light kissed from the illuminating moon Destiny overcasts in the lyrics Fate floating stratospheric Karma of others handled in the eyes of satiric Opera, I give you so grand in its grace French Creole dialect murmured among silk and lace Sounds of my flute resonant to face Allowing my Cello sounds to thoroughly embrace Can I write you a love song Body and soul serenading soprano to keep you standing strong My guitar stringing your philosophies along An equal equation, one plus one equals two Emotions, feelings, sentiments, its tenor expressed only for you No compass to my heart, my seasonal love found in hidden melodies Trombone guiding back and forth breathless as it please Orchestra sounds Ascending minds, bodies, souls, pass the opening clouds, divine and profound The last note sung by me as we gradually come down Beautiful music embraced, needs never to make a sound Shh, close your eyes Meditate on the music for a little while Hush sweet baby don’t say a word My heart softly tweets to a mockingbird If that mockingbird don’t sing Can I write you a love song created only for your being As minds are sightseeing Hearts fleeing Timpani drums guaranteeing Entwined of our divine wellbeing Emotions freeing Crooning of bodies heard as the day is long Can I write you a love song
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Sep 9, 2018
Sep 9, 2018 at 10:39 AM UTC
Can I Write You A Love Song
Can I write you a love song I’ll sing it softy in your ear all night long Blow gently without words on my saxophone Diamond and Pearls behind the throne A beautiful ensemble meant for only you As I give credence too Take my hand Cross this journey with me as I sing about faraway lands Past Egypt pyramids shifting Morocco sands Lay back my love, allow your mind to silently drift Feel the enchantment of my piano keys as it spiritual uplifts I’ll sing love songs of old A cappella chorus echoed from deep within my enlighten soul I’ll sing to you about the blues, society’s injustice, and elements of darken storms Keep your heart warm, while playing my French Horn Enrapture foretold from this dedicated symphonic poem A music sheet of percussion, woodwind, brass, keyboard, and strings Harmony carrying the mind away as the joy of coming spring I’ll hum your favorite beats, can you feel the crescendo now Fiddle from the heart by the sweat of one’s brow Submerge your cerebral cortex, lose yourself in the sultry tunes Harp sounds bathe of light kissed from the illuminating moon Destiny overcasts in the lyrics Fate floating stratospheric Karma of others handled in the eyes of satiric Opera, I give you so grand in its grace French Creole dialect murmured among silk and lace Sounds of my flute resonant to face Allowing my Cello sounds to thoroughly embrace Can I write you a love song Body and soul serenading soprano to keep you standing strong My guitar stringing your philosophies along An equal equation, one plus one equals two Emotions, feelings, sentiments, its tenor expressed only for you No compass to my heart, my seasonal love found in hidden melodies Trombone guiding back and forth breathless as it please Orchestra sounds Ascending minds, bodies, souls, pass the opening clouds, divine and profound The last note sung by me as we gradually come down Beautiful music embraced, needs never to make a sound Shh, close your eyes Meditate on the music for a little while Hush sweet baby don’t say a word My heart softly tweets to a mockingbird If that mockingbird don’t sing Can I write you a love song created only for your being As minds are sightseeing Hearts fleeing Timpani drums guaranteeing Entwined of our divine wellbeing Emotions freeing Crooning of bodies heard as the day is long Can I write you a love song
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53
There is a storm gathering in             my womb soon to explode into a thousand crimson stars lighting up my veins with fire and unraveling deep-set,           knotted scars and the gentle rage outside my window presses on, inside my head as I lie here, my thoughts twisted in a cozy, yet empty bed my thoughts unfurl in misty haze            curl into                       smoky                  rouge as nightsky thunder rolls into creamed saxophone                           deluge the snare drum beats in firelight ripple sheets in silky flutter as my fingers strum my womanly instruments into loamy, primal butter my voice in quiet utterance as the heavens open            to heavy rains                     that liquefy                            my desert                  hydrate my            bare-soul caves so I electrify my echoes into fruited, crystal drips frothing up my cherry wine upon these moistened, hungry lips
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Jan 19, 2018
Jan 19, 2018 at 9:36 AM UTC
hydration
Streets of the city has recently bathed, with a sudden hour long mid-Summer's rain. Romeo trudged down the empty street, towards his lonely pad located on a terrace. He had nothing to call his very own, excepting his dear old Saxophone! The crowd in the hotel applauded as he played, since he played with empathy like every other day. He had met his Juliet briefly once, those were the moments of a happy trance! The saxophone has countless musical notes embedded inside, - For our Romeo to play them out night after night. Yet so many Romeos like him shall slowly fade away; And the saxophone shall play their dirge at the end of the day!                                                            -By Raj Nandy, New Delhi
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Sep 16, 2017
Sep 16, 2017 at 11:23 AM UTC
ROMEO AND HIS SAXOPHONE!
The concert was about to finish .. And now it's her turn .. With her instrument .. With her golden saxophone .. The lights were diminished .. And she started playing her favorite musical note .. With her heart that is full of feelings .. And her closed eyes .. In her special world .. The air goes out from her lungs softly like tears .. And the great audience feels every tone .. She doesn’t see them .. She doesn’t hear their clap .. Only his soul that is around .. And Only his voice that is heard .. Then his beautiful smile .. With tears in his eyes , He said ''You're the best'' Then she looked at her saxophone .. And remembered years ago .. At one of their nights .. During one of their phone calls .. - You know babe , I adore the Saxophone .. - Really ? - Yeah , it's my favorite instrument .. - Hold on .. - What's this noise around you ? - Nothing just my family .. - Hmmm , didn't they sleep ? - No , gonna call you after sometime .. - Ok no problem .. And after sometime he called her back .. - Now tell me what will you do when you get a saxophone .. - Haha , I really don't know but I've never thought about having one before .. As they used to do , He started telling her a story before sleeping .. She doesn't care about any stories .. She just loves listening to his voice .. She stays silent .. To listen and feel .. Every single word .. And while listening , The call was over .. She did a call again and again .. No answer .. She called his home .. No answer .. Again and again .. No answer .. The phone was ringing away from his sleeping house .. Without his family noise that didn't exist .. Among a lot of people .. In his crushed car .. Between his dead body .. And That New Golden Saxophone
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May 28, 2013
May 28, 2013 at 1:09 PM UTC
That New Golden Saxophone ..
The concert was about to finish .. And now it's her turn .. With her instrument .. With her golden saxophone .. The lights were diminished .. And she started playing her favorite musical note .. With her heart that is full of feelings .. And her closed eyes .. In her special world .. The air goes out from her lungs softly like tears .. And the great audience feels every tone .. She doesn’t see them .. She doesn’t hear their clap .. Only his soul that is around .. And Only his voice that is heard .. Then his beautiful smile .. With tears in his eyes , He said ''You're the best'' Then she looked at her saxophone .. And remembered years ago .. At one of their nights .. During one of their phone calls .. - You know babe , I adore the Saxophone .. - Really ? - Yeah , it's my favorite instrument .. - Hold on .. - What's this noise around you ? - Nothing just my family .. - Hmmm , didn't they sleep ? - No , gonna call you after sometime .. - Ok no problem .. And after sometime he called her back .. - Now tell me what will you do when you get a saxophone .. - Haha , I really don't know but I've never thought about having one before .. As they used to do , He started telling her a story before sleeping .. She doesn't care about any stories .. She just loves listening to his voice .. She stays silent .. To listen and feel .. Every single word .. And while listening , The call was over .. She did a call again and again .. No answer .. She called his home .. No answer .. Again and again .. No answer .. The phone was ringing away from his sleeping house .. Without his family noise that didn't exist .. Among a lot of people .. In his crushed car .. Between his dead body .. And That New Golden Saxophone
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53
I can't play no saxophone but I can hear it played. Sometimes it's a lady sighin; sometimes it's a workin man. But when it is an orphan cryin I wish I could hold that child and play. I can't hold that child in these ***** hands of mine. I can't stop his cryin. I can hear it way down here on the sidewalks of the streets he's a child of. Why, Lord, can I hear that saxophone but never play?
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Jan 26, 2013
Jan 26, 2013 at 12:36 AM UTC
Saxophone
It was a restless night denuded of sleep So since it was warm and windless I hit the streets Walking under ancient oaks draped in Spanish moss My path inevitably led to where Everything was at a complete loss Crescent Moon Memorial Cemetery For the dead Where all lie below earthly care Was where my feet had somehow led Row upon row of forgotten names In all of their endeavors Have been eased of their earthly pains And now as I trudged by at a quarter to three A low chorus and chords of music Through the mists came floating to me It startled and intrigued What now is this ? So I had to go see for myself And I silently crept to where came the origins of bliss In a circle of bench seats and monument stones The strangest thing I saw , that of the unborn Ghosts and skeletons playing with bones and singing in moans A see through piano , trombone , bass , saxophone and a silver cornet And one wailing guitar completed the set On the translucent petal bass drum Was the name of the ethereal band And to a catchy tune I began to hum Crescent Moon Memorial Buried Blues Band The epitaph on the vaporous drum stated And I soon found myself a loyal fan What seem like a lifetime they continued to play Quaint rthyms and lyrics now made my day . . . and night ! As the sounds drifted across the river out onto the bay But far off I heard the mornings cock's call Then phiff . . . vanished all into the fog Not a trace as if covered by an invisible pall And then a ray caught the gleam in my eye And I knew that when the time comes Here's where I want to be placed after I die
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Dec 11, 2014
Dec 11, 2014 at 8:38 PM UTC
Crescent Moon Memorial Buried Blues Band
It was a restless night denuded of sleep So since it was warm and windless I hit the streets Walking under ancient oaks draped in Spanish moss My path inevitably led to where Everything was at a complete loss Crescent Moon Memorial Cemetery For the dead Where all lie below earthly care Was where my feet had somehow led Row upon row of forgotten names In all of their endeavors Have been eased of their earthly pains And now as I trudged by at a quarter to three A low chorus and chords of music Through the mists came floating to me It startled and intrigued What now is this ? So I had to go see for myself And I silently crept to where came the origins of bliss In a circle of bench seats and monument stones The strangest thing I saw , that of the unborn Ghosts and skeletons playing with bones and singing in moans A see through piano , trombone , bass , saxophone and a silver cornet And one wailing guitar completed the set On the translucent petal bass drum Was the name of the ethereal band And to a catchy tune I began to hum Crescent Moon Memorial Buried Blues Band The epitaph on the vaporous drum stated And I soon found myself a loyal fan What seem like a lifetime they continued to play Quaint rthyms and lyrics now made my day . . . and night ! As the sounds drifted across the river out onto the bay But far off I heard the mornings cock's call Then phiff . . . vanished all into the fog Not a trace as if covered by an invisible pall And then a ray caught the gleam in my eye And I knew that when the time comes Here's where I want to be placed after I die
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40
the tune had been haunting london for weeks past, but when the lights went out, they went out fast. none of us thought those days would end. the music would always be there anytime we needed a friend. the sweetness of the soprano; sprinkled over a sultry saxophone; the steady heartbeat of an upright bass; titillating trumpets tooting a tune. the raven-haired lady: the envy of the room; the men could only dream of being so lucky. the ladies could only scream, hoping to catch the tall dark stranger's eye. at the end of the night, we all sang a whiskey lullaby. but the wind blew cold- it made us shiver. the band packed up their magic. the soprano ran off with the tall dark stranger. all alone and without home, the raven-haired lady blew her mind out, nowhere left to roam. nights became weeks and weeks became months. our throats were perpetually plugged with lumps. it's hard to say how meaningful it can be- the touch something can have, no matter how seemingly arbitrary- until it is gone with the wind.
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Feb 19, 2018
Feb 19, 2018 at 2:26 PM UTC
the night the lights went out.
It's summertime. The saxophone jazz sounds are pirouettetting the waves to find their own balance. It's a mauve inner dance in almost everything around. More exactly, the melodious movable sounds become soundable movement needing a reverberation time to dissipate the energy. The movement releases its own purity to become simple fecundity. The pulsed sound waves are also old memories lost in the natural green. The saxophone looks much more like a Tahitian prince dancing his love on the sand. The singing mauve sea waves have a sadness taste at sunset. The last one is a watery mermaid and he embraces her while searching the high. The sounds need touch and life. They need to dematerialize and to disappear into the universe. The saxophone remains a solitaire keeping safe his evanescent hermetic equilibrium.
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Mar 21, 2013
Mar 21, 2013 at 8:16 PM UTC
Summertime
THE SAXOPHONE STORY BY RAJ NANDY The Saxophone is perhaps the most expressive instrument next to the human voice. Was made by Adolphe Sax, a Belgian, through a deliberate choice! He wanted to offset the tonal disparity, - Between the string, wind, and brass instruments, with musical clarity ! He felt that the strings ones were overpowered by the wind instruments. While the wind instruments got overblown by the brass ones instead ! Now what would happen if the best qualities of these three instruments types, Could in a fusion blend and coalesces into a single instrument type ? So finally at the age of 20 years, in March Eighteen Hundred and Thirty Four, Adolphe Sax created a magical instrument for the World to hear and adore! It had the power of the brass, the flexibility of the strings, and the woodwind’s variety and tone; Which got christened after Adolphe Sax as the SAXOPHONE ! Adolphe’s famous composer friend Hector Berlioz in Paris City, Gave this new instrument wide publicity! In 1844 the Sax was presented in the Industrial Exhibition at Paris; And subsequently got patented on 20 March 1846. It soon got adopted by the Bands of the French Army. Making other instrument makers to become green with envy! The Sax was 80 years old when it became part of the musical instruments of the Jazz Band. A small bore mouth piece was created to suite the varying tonal qualities required by Jazz. Initially, 14 different sizes of Sax was created by Adolphe. Today only five types are in use for us to hear and see; The Soprano, Alto, Tenor, Bass and the Baritone Saxophone. They now form a part of our Jazz music's backbone! - By Raj Nandy FOOT NOTES : Adolphe Sax (1814-1894) , son of famous musical instrument maker Charles Joseph Sax of Belgium. Woodwind Instruments = Flute, Clarinet, Bassoon etc. Brass Instruments = Trumpet, Tuba, Cornet etc. String Instruments = Violin, Guitar, Harp, Banjo etc. The Saxophone today has become the very backbone of Jazz Music! ** ALL COPY RIGHTS ARE RESERVED BY: - RAJ NANDY **
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Apr 10, 2016
Apr 10, 2016 at 11:06 AM UTC
THE SAXOPHONE STORY
THE SAXOPHONE STORY BY RAJ NANDY The Saxophone is perhaps the most expressive instrument next to the human voice. Was made by Adolphe Sax, a Belgian, through a deliberate choice! He wanted to offset the tonal disparity, - Between the string, wind, and brass instruments, with musical clarity ! He felt that the strings ones were overpowered by the wind instruments. While the wind instruments got overblown by the brass ones instead ! Now what would happen if the best qualities of these three instruments types, Could in a fusion blend and coalesces into a single instrument type ? So finally at the age of 20 years, in March Eighteen Hundred and Thirty Four, Adolphe Sax created a magical instrument for the World to hear and adore! It had the power of the brass, the flexibility of the strings, and the woodwind’s variety and tone; Which got christened after Adolphe Sax as the SAXOPHONE ! Adolphe’s famous composer friend Hector Berlioz in Paris City, Gave this new instrument wide publicity! In 1844 the Sax was presented in the Industrial Exhibition at Paris; And subsequently got patented on 20 March 1846. It soon got adopted by the Bands of the French Army. Making other instrument makers to become green with envy! The Sax was 80 years old when it became part of the musical instruments of the Jazz Band. A small bore mouth piece was created to suite the varying tonal qualities required by Jazz. Initially, 14 different sizes of Sax was created by Adolphe. Today only five types are in use for us to hear and see; The Soprano, Alto, Tenor, Bass and the Baritone Saxophone. They now form a part of our Jazz music's backbone! - By Raj Nandy FOOT NOTES : Adolphe Sax (1814-1894) , son of famous musical instrument maker Charles Joseph Sax of Belgium. Woodwind Instruments = Flute, Clarinet, Bassoon etc. Brass Instruments = Trumpet, Tuba, Cornet etc. String Instruments = Violin, Guitar, Harp, Banjo etc. The Saxophone today has become the very backbone of Jazz Music! ** ALL COPY RIGHTS ARE RESERVED BY: - RAJ NANDY **
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50
Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! The world is holy! The soul is holy! The skin is holy! The nose is holy! The tongue and **** and hand and ******* holy! Everything is holy! everybody's holy! everywhere is holy! everyday is in eternity! Everyman's an angel! The bum's as holy as the seraphim! the madman is holy as you my soul are holy! The typewriter is holy the poem is holy the voice is holy the hearers are holy the ecstasy is holy! Holy Peter holy Allen holy Solomon holy Lucien holy Kerouac holy Huncke holy Burroughs holy Cas- sady holy the unknown buggered and suffering beggars holy the hideous human angels! Holy my mother in the insane asylum! Holy the ***** of the grandfathers of Kansas! Holy the groaning saxophone! Holy the bop apocalypse! Holy the jazzbands marijuana hipsters peace & junk & drums! Holy the solitudes of skyscrapers and pavements! Holy the cafeterias filled with the millions! Holy the mysterious rivers of tears under the streets! Holy the lone juggernaut! Holy the vast lamb of the middle class! Holy the crazy shepherds of rebell- ion! Who digs Los Angeles IS Los Angeles! Holy New York Holy San Francisco Holy Peoria & Seattle Holy Paris Holy Tangiers Holy Moscow Holy Istanbul! Holy time in eternity holy eternity in time holy the clocks in space holy the fourth dimension holy the fifth International holy the Angel in Moloch! Holy the sea holy the desert holy the railroad holy the locomotive holy the visions holy the hallucina- tions holy the miracles holy the eyeball holy the abyss! Holy forgiveness! mercy! charity! faith! Holy! Ours! bodies! suffering! magnanimity! Holy the supernatural extra brilliant intelligent kindness of the soul! Berkeley 1955
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4.3k
Footnote To Howl
Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! The world is holy! The soul is holy! The skin is holy! The nose is holy! The tongue and **** and hand and ******* holy! Everything is holy! everybody's holy! everywhere is holy! everyday is in eternity! Everyman's an angel! The bum's as holy as the seraphim! the madman is holy as you my soul are holy! The typewriter is holy the poem is holy the voice is holy the hearers are holy the ecstasy is holy! Holy Peter holy Allen holy Solomon holy Lucien holy Kerouac holy Huncke holy Burroughs holy Cas- sady holy the unknown buggered and suffering beggars holy the hideous human angels! Holy my mother in the insane asylum! Holy the ***** of the grandfathers of Kansas! Holy the groaning saxophone! Holy the bop apocalypse! Holy the jazzbands marijuana hipsters peace & junk & drums! Holy the solitudes of skyscrapers and pavements! Holy the cafeterias filled with the millions! Holy the mysterious rivers of tears under the streets! Holy the lone juggernaut! Holy the vast lamb of the middle class! Holy the crazy shepherds of rebell- ion! Who digs Los Angeles IS Los Angeles! Holy New York Holy San Francisco Holy Peoria & Seattle Holy Paris Holy Tangiers Holy Moscow Holy Istanbul! Holy time in eternity holy eternity in time holy the clocks in space holy the fourth dimension holy the fifth International holy the Angel in Moloch! Holy the sea holy the desert holy the railroad holy the locomotive holy the visions holy the hallucina- tions holy the miracles holy the eyeball holy the abyss! Holy forgiveness! mercy! charity! faith! Holy! Ours! bodies! suffering! magnanimity! Holy the supernatural extra brilliant intelligent kindness of the soul! Berkeley 1955
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42
Friday- the most promising day of all. The beginning of the weekend, but the one day that will spark appall. Down on Mainstreet all the girls In their fringed dresses, pouting their foxy lips and their hair waving in short messes. The hags frown as the winged ladies pass by- displaying their carriages a little sly. Oh, but Jane's favourite speakeasy was 'The Back Room' down on Norfolk Street: the place where the lost creatures meet. Tin ceilings, velvet wallpaper, plush thrones and back in that dark corner, there is the sound of low moans. 'A whiskey, neat, please' as a shadow in a tuxedo walked towards her and he whispered 'Hi,' in a sensual purr. 'Who are you?' he stirred, 'Oh, I'm Miss Doe' and he lept into the stool with a swift flow. And the jazz trumpets married the spontaneous harmonies and the saxophone created sublime melodies. So they sat as idle as ghouls in the dim spotlights, until Jane asked Mr Buck: 'D'you fight in the war?' And he whined 'Cambrai, Amiens and Lys' - his lips seemed a little sore. 'I'm sorry - do I know you?' His face looked as familiar as Jay to Nick. A brief pause in time at that smile. That was the final chord to the "lick". He drove her down to Roslyn- to his replica of Versailles and Jane looked intensely shy. 'Oh, do come in,' the desperado soughed. And she walked into the gilded palace which Cupid's presence bowed. 'I have a favour to ask of you, Miss Doe. Would you be as kind to wash away my woe?' And as they congressed under diamond chandeliers, his comrades gathered around the bed in amorphous silhouettes; watching disgustedly. As for Mr Buck he was an alien, skin-to-skin with a haunted beauty and Miss Doe- a labourer on duty.
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Jun 24, 2017
Jun 24, 2017 at 6:32 AM UTC
Flapper Jane (Doe)
Friday- the most promising day of all. The beginning of the weekend, but the one day that will spark appall. Down on Mainstreet all the girls In their fringed dresses, pouting their foxy lips and their hair waving in short messes. The hags frown as the winged ladies pass by- displaying their carriages a little sly. Oh, but Jane's favourite speakeasy was 'The Back Room' down on Norfolk Street: the place where the lost creatures meet. Tin ceilings, velvet wallpaper, plush thrones and back in that dark corner, there is the sound of low moans. 'A whiskey, neat, please' as a shadow in a tuxedo walked towards her and he whispered 'Hi,' in a sensual purr. 'Who are you?' he stirred, 'Oh, I'm Miss Doe' and he lept into the stool with a swift flow. And the jazz trumpets married the spontaneous harmonies and the saxophone created sublime melodies. So they sat as idle as ghouls in the dim spotlights, until Jane asked Mr Buck: 'D'you fight in the war?' And he whined 'Cambrai, Amiens and Lys' - his lips seemed a little sore. 'I'm sorry - do I know you?' His face looked as familiar as Jay to Nick. A brief pause in time at that smile. That was the final chord to the "lick". He drove her down to Roslyn- to his replica of Versailles and Jane looked intensely shy. 'Oh, do come in,' the desperado soughed. And she walked into the gilded palace which Cupid's presence bowed. 'I have a favour to ask of you, Miss Doe. Would you be as kind to wash away my woe?' And as they congressed under diamond chandeliers, his comrades gathered around the bed in amorphous silhouettes; watching disgustedly. As for Mr Buck he was an alien, skin-to-skin with a haunted beauty and Miss Doe- a labourer on duty.
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lyrical rhymes, beats in epic time dance around ten times the dime that's beats per minute, 100 plus wonderful noises reminiscent of us dark poets sing of ravens and owls while I sing of roars and howls serenades in escalades, roll down the powershades Dubstep beat-drops, guitar string heart-throbs all of them blast through my Skullcandy's dance the dance of wine and brandy drunken and wild and not so mild spark animal instincts, to hunt and mate mangled sheets and broken beds lie below the newlyweds as the saxophone and trombone softly sweep around their home Deadmau5, Skrillex and Nero party hard to Guitar Hero while I slave over my laptop listening to the beat drop.
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Mar 12, 2013
Mar 12, 2013 at 12:05 AM UTC
Everytime the beat drops
I saw you there And the neon signs and your tears Reflected in your irises Made you more beautiful And the alcoholic haze made me believe If just one night could work You could come with me We could have our happy ending We could leave this life and place And your dress ****** from engineers schemes And I love that forgotten woman More than the orange trees and John But for our child she gave her life And I still love her That Vietnam Bride
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Aug 8, 2013
Aug 8, 2013 at 4:15 PM UTC
"Our song played on a solo saxophone"
Every noise he makes every screetching noise he plays. Louder and louder i cover my ears. I close my eyes tight and think happy thoughts. Its too loud i said. All i want is for it to stop. I cry every note he plays. I want to bang my head against the hard ground. I want to see the blood flow out as he plays his song. It hurts to think i cant even finish this poem. It becomes more and more loud even his song cries out for help. We been through so much even beaten by a clutch. Although he plays till night i am still in fright.
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Jan 9, 2013
Jan 9, 2013 at 5:14 PM UTC
Saxophone Nightmares
Take my saxophone Take my piano Take my guitar Take my mandolin Take my washboard Take my harmonica Take my sunglasses Take my hairbrush Take my Bible Take my clothes Take my trophies Take my baton Take my ballet shoes Take my cane Take my sword Take my monkey Take my collections Take my cat Take my house Take my memories Take my plans My, that was a heavy load. I feel so light.
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Nov 25, 2010
Nov 25, 2010 at 9:01 AM UTC
Like A Feather
The trees expand with my eyes, here in this solace, this international scene. Pigeons, rowboats, the water and a solitary swan – each a gift or a gift’s ribbon. Snaking off into the air, a balloon is cradled by the bustle of the restless London-summer’s landscape. The ordinary habitation is so releasing: a miniature smile scooters by; slow sweeps of saxophone notes clear the sky; two bodies blended in shin-height grass release a single sigh. Abstractions felt but failed by my speech take root here. Like semi-singed threads or strings, they slide upward from the dirt to grow leaves.
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Jul 4, 2012
Jul 4, 2012 at 7:47 AM UTC
Hyde
friday night    a veritable heat wave and i'm getting   a trombone smack down girl is tearing it up on saxophone   and i hear the rhythm i've never heard such a sensitive trumpet seen such a true believer on bass bring it you crazy kids bring it legends of jazz i will listen
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Mar 14, 2014
Mar 14, 2014 at 10:37 PM UTC
some trombone for your ***
Like a discordant chord striking the piano deaf, Or a saxophone that lost its swanky *** appeal, When you breathe down the neck of my violin, The horsehair refuses to bow, When you huff out your limitations into my harmonica, You disrupt my harmony, Throwing me offbeat. [But I refuse to be beaten].
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Aug 2, 2013
Aug 2, 2013 at 12:16 AM UTC
Cacophony