"postscript" poems
You Are the Texture
…………………………
**~ for all of you,
you, you poet~**
Impasto
“**is a technique used in painting,
where paint is laid on an area of
the surface thickly, usually thick
enough that the brush or painting-
knife strokes are visible.
Paint can also be mixed right on
to the canvas. When dry, impasto
provides texture; the paint appears
as if, to be coming out of the canvas.**”
<1:47pm>
Cut & Paste
*is a technique used in poetry writing,
we refer back to our visions,
heard words,
the eyeful, the earful, scents,
the reads read,
all in the mind’s palette blended,
thickly, but
when
the merging fused,
every word~in~coloration,
it is unique, reincarnation,
copying impossible.
The imagery, cut and pasted from thy heart and soul,
upon canvas,
your poems~pieces each appear*
***as you-are-texture,
you becoming out of, you,
the canvas.
<2:04pm>
Postscript***
………………
it is not lost on me that the
scars, our words, herein,
as we note all too frequently,
almost casually,
are, can be, those selfsame
words/painting-knife
employed
for our first and foremost canvas we utilize,
ourselves…
our bodies,
our
very selves
salved
Jun 24, 2023
Jun 24, 2023 at 8:06 AM UTC
Having defied gravity
(not me personally
but by proxy
namely through
a dog, monkey and Soyuz
and fruit flies and bullfrogs
and lately through NASA)
I defy humility
I brave it, I challenge it
for there’s too much hypocrisy
in humility
For humility is such
that it never speaks its name
For when it speaks of Humility
it is Sans Humility
Take me
for example -
you hardly hear me
mention myself as Saint Humility, do you?
But that’s what I am, my other name: Humility
But people keep insisting on calling me Saint Humility
But I defy Humility
POSTSCRIPT
I also defy repetition
and over-emphasis
and contradiction, paradox
But, it must not be left unsaid -
in defying humility,
I think I’ve also
quite inadvertently
defined humility: Saint Me
Jul 28, 2013
Jul 28, 2013 at 7:42 AM UTC
“where time is the fly and age the fisher of men”
<>
*”until I fell forward
into fall where time is
the fly and age the fisher
of men, then when winter
begins all will be forgotten,
where time is the fly and
age the fisher of men”*
excerpt from “The Fall” by Rick Richardson
<>
that words from a different ionic state, jump as embodied ions from screen to the throat, evicting a guttural current of exclamation, you believe even with the half-heartedly palpitations from remainder of my damaged pumping heart, that these words were always intended, just for me…
boy and old man coexist, the pottage of memories stirred,
and the time is fly, and I drown in the miracle of greenest grass of
Yankee Stadium at age eight,
oasis, heaven, a child reborn in a sea of Bronx concrete,
and the swallowing up of my boyhood is forever marked henceforth, the hook has caught me, and I am of the age
once and forever
not a fisherman, but a fisher of men’s souls,
mine own is my best bait,
hooked line and sinker, and
wisdom and words
elude and delude always,
like summer is perpetual and aging a construct,
time does not fly, but slowly laps and waves
eroding our myths and ourselves upon a continuum with
no ends
~postscript~
<>
*yet I believe,
in miracles of
fish and loaves,
and that our individual continuums
will exist beyond the artifice of constraints
of
mortal time and that poems are
the forever chemicals within
our
bloodstreams,
even when our blood no longer spills*
yet I believe!
Sep 6, 2023
Sep 6, 2023 at 7:57 AM UTC
And some time make the time to drive out west
Into County Clare, along the Flaggy Shore,
In September or October, when the wind
And the light are working off each other
So that the ocean on one side is wild
With foam and glitter, and inland among stones
The surface of a slate-grey lake is lit
By the earthed lightening of flock of swans,
Their feathers roughed and ruffling, white on white,
Their fully-grown headstrong-looking heads
Tucked or cresting or busy underwater.
Useless to think you'll park or capture it
More thoroughly. You are neither here nor there,
A hurry through which known and strange things pass
As big soft buffetings come at the car sideways
And catch the heart off guard and blow it open
4.3k
Hello Poetry
Yearned.
Ached.
For so long, for a community,
That values the ineffable wonder
Of a wordsmith's creations, intended to
Repair himself and the world with bullets of
Verses.
And here you are.
Like/Dislike, matters not,
So long as we value each others work,
And the the heart echoes within
What the eyes read and the mouth whispers.
The array and disparity of your names,
A delight,
Each name a poem
In its own right.
So I resubmit a question for your consideration,
The answer is now known,
The answer is all of us.
May 2013
---------------------------------------------------------
Who's Who In Poetry
T'is a curious thing,
these verbal peddlers, tribal members,
famously well known to no one,
perhaps at best,
a kindred few, fellow-travelers.
Each a troop,
bloodied, purple hearted,
word-wounded,
anonymous unto each other,
yet all bonded intimates,
in solitary struggle united,
yet sea-parted by the very nature
of the solitude of composition.
All poets are Cain scar-marked,
purposed for everyone to see,
a warning to rabbled boors,
imagination suppressors!
World:
cherish these flawed ones,
gentle these frail but gritty,
the Lord has tasked them
to be prophets in one tongue untied,
undo the strife of Babel's division.
Poets!
Be the harpooners
of the unexamined life,
with unfettered rhapsody,
comfort caress us,
exhort the loopy
to light their illusionary candles,
turn the sad eyed lowlanders
into crinkly eye-lined smilers.
With clinical observation,
dense and demanding,
make us laugh at
the comedy of our situation,
teach us our free-to-see peep show,
reveal, unseal us
with **** empathy!
For who's who in poetry
is all of us!
saviors and failures,
recorders and decoders,
night writers of the oohs and aahs
of dreams and nightmares.
When this poet cannot,
no longer, anymore,
tastes his poems upon your lips,
keep your poems within his heart,
then he breathes no more,
and becomes one who was,
yet is,
because of you,
in poetry.
---------------
Postscript (1/25/17)
Even more true today, than four years ago.
Thank You.
May 22, 2013
May 22, 2013 at 1:40 PM UTC
I skip, across a streaming, upon random~laid
flat and comfortable flat flagstone stepping stones,
from poet to poet, color to color, poem to poem,
Auden to Whitman, Schuyler to
myself, a dingaling notion, an errant word,
the here to there, all randoms, yet,
oval chain linked all,
a question posed, an answer unknown,
a reference to an old Italian myth,
and there, and here, a body,
comes to rest,
& also,
comes to rest…
<>
led not by the nose, but the single fingered
tip that guides across a landscape patterned
painting, lost but never a loser, each implants,
each imbibes, and the H&H^ alternatively
rumbles, pounds, vibrato burns erratically,
and the difference between a life in love,
and a life in poetry,
is not a line dividing,
but a path combining,
and the only sign
upon the road,
is never a reddened "stop!"
always just a soft lavender, so tender, inquiring,
requiring, deep thoughts and reckless abandonment,
the only guide inspired when ecstatic adrift in
a season, a sea, any one of nature's designed
unlimited
schemata's of vista creations,
is this, simply stated:
What?
<>
postscript
6:27 Sabbath Sep 27
nyc
after a sunrise glorious, where
the windows eastern facing
make an irresistible irrational
pattern of golden yellow reflecting,
mirrors, and
after reading much,
and so I too, reflect, vista, vista,
what do you see, I see…What?
after reading a poem by James Schuyler,
entitled (yes, we are)
"What"^^
Sep 27, 2025
Sep 27, 2025 at 7:47 AM UTC
*in your toes and in your eye lashes
then shifting elsewhere as you choose..
We direct our focus to ever present
electricity producing that glow and
in simultaneity attend to the doing and
to the noise of this moment..
With a postscript: can we remember
as we forget...?*
Apr 10, 2014
Apr 10, 2014 at 12:19 PM UTC
Of ***** roasting pans and racks and island fog!
*if you love me, then you know poems wright themselves when standing, driving, bus riding, ********** and especially when
doing manly battle, ******* ***** dishwashing midst island fog
a passing remark goes noticed and summoned to a
Friday night feast, roasted fowl, wild rice with golden raisins and mushrooms, English spring peas, was it a Montrachet?
for dessert the washing up is obligation mine, a traditional desertion,
separation of church and state, her cooking a church in which I worship, she states eloquently:
“Unto Caesaria , Render Her the cleanup”
this is hand to hand combat, no dishwasher mechanical
can scrub like the human hand, and with body english,
water hot, but no gloves employed for this is ***** man’s work,
not for sissies, cleaning roasting pans and roasting racks
that are at least twenty years burnt and crusted with a blackened
finish, residue of other lovers and dinners P.N. (pre-nat)
array three kinds of sponges and some human & metallic *****
no one asking which came first,
the scrubbing away of life feasting residues,
or the poem writing that comes with pre & postscript sleepiness
when I say the dark stains and the grease buildup are
flavor enhancers, am beknighted with starry stares of
“how stupid do you think I am?” and sadly return to the
Battle of Agincourt, the one the American lost….*
but they do source poems that flavor life
2020
Jul 17, 2021
Jul 17, 2021 at 11:54 AM UTC
phoebe will remain my hostage until
four barrel's hipster overlords hear my plea
we're all made of sparkledust and turkish delight
and if you hate drinking sonoma butter and
having money, my doctor Archmage Overlord
said the the "happy drink" element you seek is
less like strong coffee and more like the invasion
of normandy with turkey slaughter in the background
kfc's new turkey flavored chicken tried looking
for drugs in the neighborhood but
timothy leary, his suave excellency, sheik knight of nee
abstained from the devil's coffee with headaches and brain fog
anyway, that's why i attacked the
complimentary peanuts and russian balloon juice
FURIOUS POSTSCRIPT
"no one can understand the truth until
he drinks of the feline's frothy goodness"
Nov 21, 2014
Nov 21, 2014 at 1:39 PM UTC
Sadly,
you can take the boy
out of the jungle,
but you can
never
take the jungle
out of the boy.
- mce
Apr 4, 2015
Apr 4, 2015 at 5:36 PM UTC
1
Snip! Snip!
says the scissors
Ouch! Ouch!
says the paper
Snip! Snip!
says the scissors
Ouch! Ouch!
says the paper
2
Be quiet and still!
says the scissors
It's for your own good
Yeah? says the paper
*Have you ever had
anyone cut you up like that?*
3
Snip! Snip!
says the scissors
Ouch! Ouch!
says the paper
Snip! Snip!
says the scissors
Ouch! Ouch!
says the paper
4
There, says the scissors
*I'm done
Cut you up square and neat
You're a homemade notepad now
ready to be used many times over
than when you were one!*
And says the paper:
*Oh, you stubborn dumbo!
I'm not for writing -
I'm koi paper
meant for origami!*
POSTSCRIPT
Why didn't you tell me?
*I thought you knew
what you were doing
you ****** fool!*
Feb 23, 2012
Feb 23, 2012 at 11:13 PM UTC
(AP) another tragic report today of snow mermaids resurfacing a phenomena of drastic blizzard conditions young men lost in blinding blowing winds that sends a person forging foreword then back a step are sightings of real or imagined snow nymphs naked gorgeous young women giggling frolicking through 8’ snow drifts arching limbs grinding hips twiddling fingers toes swaying long hair spreading thighs exposing privates pinching ******* pursing lips gesturing to be seduced beckoning into freezing snow entrapment eventually freezing victims into lifeless blue corpses only additional forensic evidence left behind are definite female snow angel signature tracks in surrounding snowfall areas since onslaught of February 1st storm strike 18 male bodies missing 13 bodies recovered all found grasping clutching clinging desirously to unknown source 5 men still missing if you suspect the whereabouts of any of these individuals please contact 911 authorities warn men of a certain age wear appropriate winter gear scarves raised hats lowered eyes squinting look away without delay if you think you are witness to one or more of these deadly snow mermaids GPS immediately to Police postscript in the several thousand years since these occurrences have been recorded not a single snow mermaid has ever been caught
Mar 3, 2011
Mar 3, 2011 at 1:22 PM UTC
~
frost and snow,
hail and ice...
expressions of winter's
tantalizing sights;
displays that mesmerize
with sparkling magic,
and inexplicably
its sullen moods,
its stormy, icy grip.
like a garden’s blooms
remind us of our brevity,
the cruelty of this life;
but also whispers softly
of graces found within
life's wintery courtship,
a beauty easily overlooked
or altogether missed,
awaiting springtime thaws
while tightly held within
winter’s frosty mix.
for it is here
that winter whispers
e’er so quietly,
*”i’m less like death
than you imagined,
watch closely as
i draw my knife;
and with razor edge unfurl
the frosty breath i breathe
o’er flower’s sleepy seed,
firm within my grasp
i freeze her fast asleep,
her beauty held within my arms
until the sun, my brother
can reach her with his warmth,
to stir her from
her restful slumber,
and awaken her
to spring to life.”*
~
***postscript. **
you know how it goes, you read a poem that absolutely speaks to you, so much so that it stirs a moment of creative writing out of which flows a series of lines; words for which you know you really cannot claim true authorship. this then is the inspired result of reading my friend Harlon Rivers' “that which often whispers”. i invite you to read it here -
http://hellopoetry.com/poem/1016263/that-which-often-whispers/
"winter whispers"...
intended to speak of
the paradoxical,
the irony of winter,
just one of nature’s many mirrors...
of life.*
Jan 3, 2015
Jan 3, 2015 at 1:04 PM UTC
*(A message to you
Inspired by the THR Family)*
You came to us sick, frightened, confused
What happened next became international news.
We saw you so ill, with everything to lose
Our goal was to help you because that’s what we do.
Alone in a dark ICU room
We fought for your life, our team and you.
We cared for you kindly
No matter our fear
You thanked us each time that we came near.
As each day pressed on, you fought so hard
To beat the virus that dealt every card.
No matter how sick or contagious you were
We held your hand, wiped your tears, and continued our care.
Your family was close, but only in spirit
They couldn't come in; we just couldn't risk it.
Then the day came we saw you in there
We wiped tears from your eyes,
knowing the end was drawing near.
Then it was time, but we never gave up
Until the good lord told us he had taken you up.
Our dear Mr. Duncan, the man that we knew
Though you lost the fight, we never gave up on you.
All of us here; at Presby and beyond
Lift our hats off to you, now that you’re gone.
You touched us in ways that no one will know
We thank you kind sir for this chance to grow.
May you find peace in heaven above
And know that we cared with nothing but love.
*~ postscript.
this poem is not mine; it was penned by a nurse who wishes to remain anonymous. it spoke to me of the passion with which so many, many caregivers serve, so i wanted to share it with you, and in so doing salute each of those who serve us all in the medical community.
the following was published by ABC News on 10/20/14:
"The last nurse to leave the hospital room where Thomas Eric Duncan died has written a poem about the Ebola patient, penned during the sleepless days after Duncan's death, a source told ABC News.The Associated Press. The source provided the poem to ABC News, noting that the nurse who wrote it asked to remain anonymous. Duncan, the first person in the United States to be diagnosed with Ebola, died at the Dallas hospital on Oct. 8. Two of the nurses who cared for Duncan -- Nina Pham, 26, and Amber Vinson, 29, have been diagnosed with Ebola.(Editor's note: THR refers to Texas Health Resources, the company that owns Texas Health Presbyterian Hospital.)"*
Oct 21, 2014
Oct 21, 2014 at 3:06 AM UTC
*how this came and come to be,
from gone to come to gone rediscovered but unreleased,
a passage thematic that birthed
fully formed, formal in its inception,
contented in its first appearance and
its primary coincident deception
who wrote this? not me? could not be!
yet a scented hint of
eau d’familiarité
suggests that I may have
inadvertently
plagiarized
myself
this old poem mine,
we certifiably have never met,
but nonesuch a hail fellow met,
that upon our (re?) acquaintance,
the heavens marked the occasion with
hail and neither of us deemed it strange
so we well recall our ancestor’s words*
”there is nothing new under the sun”
adding our brand new imprimatur
”not even June or the Moon or other iconic loons”
*we may have borrowed from the insights,
recollecting what happened to us when separated at birth,
envisioning like the prophets of yore what was implanted
long before we remembered it well
upon its birthday
our intertwined twinning
fate befallen*
postscript
**quaking heart, trembling pointer
dawning and dying
simultaneous
neither tissue, cell, molecule,
i am but a composite of
letters, alpha bits and bets,
recirculated songs and tunes born
like me,
compromised, bridged,
newly un and recovered,
lengthy and unabridged,
my appearance faulty,
my eyes ****** ruddy and red,
my fingered tips blend and bleed
words acquired, words invented,
marching before me,
old lands recaptured,
new ones set free
take and give -
there’s no difference -
intimation, initiation,
all
bring me home
to where my boundaries begin**
<•>
this one, for the ladies who loved its
predecessor
https://hellopoetry.com/poem/2367267/the-temple-of-you/
Apr 8, 2018
Apr 8, 2018 at 1:45 PM UTC
this verbal wishing well, appreciated,
a nut of good intentions but drives me
deeper into de-spare-ing downing detentions,
for it is only the article's genuine genius,
that elevates the human spiritus, to godlike status
no ditty this, but a wail, shriek, for
human touch is gift so greatest,
that any day passing without
either, neither but both, 'tis one
truly wasted,
a deduction on our
calculus of inited^ human intuitions,
a failure of our greatest inventions
a subtraction of our
gainful living, a purposed ecstasy
our one and only inexact
measure of measurement
that defies pedantic notions of
things of weight or volume,
but extends our own existence
sans
the armies of embrace,
the electric elected syncing,
of the shocking sharing of
closing the borders of divided spaces,
a soft contusion, a realized illusion
a de minimus of our days,
a lessening of our lessons,
a loss of earning livingness,
a nail in our coffined basket,
and here to cease without surcease,
the elemental incalculable numbered
members of our total human races,
that so tragic in a twenty four expiry,
that the bonding of affection goes
unexpressed...
offer you my armory of arms,
cleanse us both with showered kisses,
inform you thus of our emboldened connection,
voiding these lowlife separators of lineage divisors,
what matter color, gender, chosen god nomenclature,
any of this nonsensical human inventions for distancing
divested human beings from each other
tho eyes closed, and all our senses flaring,
when we confirm what we were born knowing,
there is nothing greater than the human touch
PostScript
my first and best poem of the day,
how it came to me goes unbeknownst,
but will practice what is preached
with any and all willing encountered souls,
and perhaps, come-end of day, will write,
once more, one more, re heaven on earth
7:02am
Tue Sep Thirty
Two Thousand and Twenty Five. nml
Sep 30, 2025
Sep 30, 2025 at 7:13 AM UTC
You know, my love, that the worlds we have each created for ourselves
are galaxies apart.
Our language games are mutually untranslatable.
We never had a chance, my love. Even I know that.
We would never have been able to achieve an understanding of each other
deep enough
to overcome our fear of the unknown, (and utterly unknowable),
that we symbolize for each other.
The logical, brutally rational part of me knows that we could never have made each other happy.
So why must I, though you have been gone now for quite some time,
keep my mind on you all the time?
Why do I still feel this way, thinking about you every day?
And I don’t even know you.
I write this not to try to change anything.
I have lived long enough not to hold out for what cannot be.
Despite my unwanted, embarrassingly unrealistic romantic dreams from Hell,
well, not exactly Hell,
say, from the dark cave out of which fly the blind bats of activated archetypes,
inevitably,
we still would have had to face eternity, or the lack thereof, alone.
You are still looking forward to an eternal life with God and, I realize now that, ridiculously,
I still can’t stop dreaming of an earthly paradise with you.
Nasty business, my love, that we are each in love with an illusion.
What if we lived in a world in which our longed for illusions
were not just desperate self-delusion but pointed at some kind of Truth?
Do you think that would make us happy?
Isn’t it pretty to think so, my love? Isn’t it pretty to think so?
Apr 27, 2013
Apr 27, 2013 at 2:26 PM UTC
Perchance
A lovely word, a lovely sound.
Perchance,
When I was resurrected as two bodies,
A pair of cuffed links coupled,
In My Salad Days.
With the fresh taste of freedom,
A first-born infant survivor,
At a ripe old age,
I, rebirthed, and to the fore,
Risen.
In My Salad Days,
When words fell from smiling lips,
Rain and tears flew upwards,
Each and every breath was an
Amen.
All Per Chance.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Postscript:
“To die, to sleep -
To sleep, perchance to dream - ay, there's the rub,
For in this sleep of death what dreams may come...”
― William Shakespeare, Hamlet
"To fall, but rise -
To rise, perchance to be reborn, ay, rub one's eyes in disbelief,
For in this reincarnation, who knows what dreams may come..."
~~ Nat Lipstadt, Perchance
Aug 14, 2013
Aug 14, 2013 at 12:22 PM UTC
translation from russian by rolanda
E.К
I write you from ex-colonia
grounded twenty centuries ago
by romans-sounds like a symphony
for hyperborean ear, hundred time
increased distance till addressee.
Looks like Agrippa knew what she did
the sister, worth by her madness of her brother.
Further cinematograph-nude body
bent and etc..accordingly screenplay
maid lapping in marble bathtube
horns leads triumphal aria
with a long sound. On the backstage
usual complaining on the fate,
tangent glance to the east,
muscle of cease walk
the female wolf her concrete ******
snapping, moving back to the building of arsenale
lost fatten twins.
I recollect what you didnt finish to say me
closing second door on the bolt,
on same spot there is a snow, cover up Prachechnij bridge
panorama of river, filled up by ice,
something with tear through two thousand miles
or old age with saged belly.
In our age, verticals are
soaring unreachable, slipping to result
of life, just right to dress on sandals
but hardly happens to slip into toga.
Invariable law of falling drops
down, no matter- fontain, rain, ******
Harbour of postscript...rats storm the ship.
Funeral office offers moire
from spring collection for upholstery of
coffins, grief on the faces of personals,
just in time served coffee with cream
soften disaster of final account.
I write you, for what? - after victory
of foreign football team
from the closeness of prosperous summer,
connected Alps and Andes
by wave of psychose from tv,
inflicted by joy of superiority
above..(not clear what of), and their poses
of victors is sign of ugliness
from point of view of observer-
old neurasthenic and misantrope.
Contemplating fly of pterodactyl
by eye of stamped cyclop,
gilded **** on short spike of chirch
scream by voice of Luter:
"Be blessed folks cars!",
and morning flow down by sunrise on wood
by Dmitrij Poparev
Jan 15, 2014
Jan 15, 2014 at 10:27 AM UTC
Proem
After Sir Thomas recovered the Spear of Destiny and returned it to the Pope at the Vatican in Rome, he remained there for several months serving His Excellency, attending meetings, and recovering from several minor injuries sustained while recapturing the Spear that pierced the side of Jesus the Messiah. Sir Thomas could have stayed as a guest of the pope in one of their lush suites, but he chose the bare walls of a guest bedroom at the local Knights Templar castle. The pope then called upon him for his next assignment: Leave Rome immediately, by boat, again, back to Constantinople. “Head off a Scot by the name of Sir Robert Bruce, whom our intel indicates has a map and is currently on his way in search for the Holy Grail. Sir Robert is a stubborn ally. You will help Sir Robert, but convince him that the chalice of Jesus belongs here in Rome.”
Prior to shoving off the west coast of Italy, a few miles from Rome, Sir Thomas wrote the following message, and placed it in a bottle.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
My dear sweet wife and babe within her womb
The five long years since I had lost you both
I prayed for inner peace despite my joy
Your both in heaven; worship Thee Most High
Because your love exceeds all life itself
My lips will glorify you ever more
I praise you for the rest; my living days
Your name I lift on high with my bare hands
Was on my bed that I remember you
I think of you the watches of the night
The shadow of your wings I cling my soul
The depths of which my sword shall honor thee
I yearn affections taste where two come one
The seed by faith that yields abundant life
Endures celestial kingdom's perfect place
It brings this missive to its endless oath:
To bless, release my restless heart that bleeds
Commit my swords allegiance to the Lord
To you Dagung the earth is smaller still
For every inch be searched to see your face
You disappeared, not dead but still alive
I feel the transom temper my resolve
For in this ship another search begins
The Holy Grail; Dagung I'll find you both
~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~
Postscript
I toss the bottle through the wind to stormy sea
Inside the missive of a knight in love with thee
__________________________________________
Dec 15, 2015
Dec 15, 2015 at 2:00 PM UTC
She brings me morning coffee and tissues
(Tissues, ostensibly a coaster)
for she knowing.
Poetry,
I am writing,
needing then,
to wipe up
the spilling
tears.
PostScript:
Which of the mysteries within this poem
need answers?
All or None.
Nov 29, 2013
Nov 29, 2013 at 9:31 AM UTC
(6W)
Sleep my children, you, not forgot.
Postscript:
Lured you here under false pretenses
What matters six or ten or
Nine eleven,
When each word enervates the midnite senses.
Through chance or fate,
You, selected on that date,
Thy names inscribed,
A select few, a chosen tribe.
In a megalopolis,
Where hurry and rush,
The hallmarks of the populace,
A city oft condemned as heartless,
Your place, your alphabet unique,
Permanently preserved.
Rest easy then,
Tho our names will be dust and forgot,
You individually, collectively,
Will be remembered eons on.
No need to economize,
Tears, the numbers of words,
Draw some comfort, tho minimized,
Your names, this day, all recalled,
Thus I bless you,
As you bless us,
Sleep my children, you, not forgot.
Sep 12, 2013
Sep 12, 2013 at 3:16 AM UTC
(I) Love Thy Neighbor As Thy
self
~
*how I would
honor this with
joy effervescent,
this simplest of methodologies
if only I,
could permission myself
to love myself
if only I,
knew
how to love*
~~
(II) redemption: the city of man reinventing himself
*busting bursting, this city,
ceaseless change,
old discardation,
how blind am I,
skyscrapers built in a day
how have I failed to notice
the estate changes
a master plan unknown,
the reasoned limits ever stretched.
in defiance of taste and sense,
obedient to Babel tower's net-result,
the miscegenation of language
but this is a ruse issue,
an example of me/man,
this new born spawn,
a wagging tail of
a man I know,
a failed inventor,
nary a patent
to his name
years on years
he patiently awaits
for one true inspiration
a redefinition, a redemption,
a reinvention, a new cornerstone
to lay upon it a new foundation
just a clue, a single block,
he can clean erase
start over, inaugurate
a recommencement celebration
to begin the same mistakes
here be the rub,
the irritation,
the seed comes implanted
and then
wind spread
can be only repaired, replaced
when cross pollinated
with the love of a foreign body
and his only crime, love poetry,
his crime alone, for unopened
it, and he, both-awaiting the time
when others come impatient
to bulldoze him aside*
~~~
(III) Three
three
*an oddity
an uneven symmetrical imagery*
"only love poetry"
*a three sum,
- three legged stool-
there is nothing new under the sun,
whispers the Psalmist
this I whisper
only, alone, one,
be no such!
only love poetry
until*
~~~~
postscript
***if only I,
knew
how to love***
Nov 6, 2016
Nov 6, 2016 at 10:08 AM UTC
These Lines:
etched and edged,
well-distinct and ill-defining,
clarifying and disguising,
multifarious characters,
multivariate natures.
nefarious and courageous.
thickened thinnings,
straightforward curvings,
appointed and unanointed,
given, taken, and then
redrawn, misshapen.
both boundary and limitations,
goal reached, unending destinations,
a human's realm of indefinite definitions,
These Lines:
mappings of his domain,
recordings of his failings.
my great divide,
testimonies to my endings,
visual markers of
virtuous past successes,
virtual future failures invadings.
How can they be both simultaneous?
These Lines:
double etched and sword edged,
outbound-triumphant, defending,
inbound-plaintive, wailing,
both an indefensible and defensive blade,
cutting, both ways.
*PostScript:
The twenty eight of the month of Feb-rue-ary,
clear enough ending to the muddiest, contrary,
turgid month of the ifs of a man's life.*
Feb 28, 2014
Feb 28, 2014 at 4:50 AM UTC
~
i found a broken drawer
by the side of the road;
discarded in haste
was it left by you?
did the drawer have a brother?
or perhaps a sister too?
what did it fit inside,
what was it meant to hold?
a little boy’s toys
or a girl’s shiny shoes,
a box full of crayons
or an artists tools,
a father’s colorful ties
or a mother’s sachet,
did it hold the silken threads
of her childhood ballet?
did it hold a sister’s hopes
or a brother’s pride,
a woman's negligee
for a very special night?
did it even hold a key,
and was it to her lover’s heart;
or maybe like the broken drawer
those too were shattered dreams?
maybe we are all
just discarded drawers!
the trinkets we hold,
things we need to let go;
the words we can’t forget,
the whispers that grow old.
we paint by numbers,
we color with words,
a canvas full of thoughts,
tumbles out from our heads;
words we’d like to recall,
lines we’d like to forget,
the words never said,
ones we later regret;
perhaps at the time
to us did not occur,
one day we’d hope to be forgiven
for offending with our words!
don’t let me feel useless
without the rest of the frame;
don’t cast me aside
or leave me in the rain.
take this broken old drawer
some nails and some glue,
help me find the answers;
i know i fit when i’m with you.
slide me in a work bench,
i can hold the tools;
slip me in a bureau,
i will not feel used.
place me in a vanity,
or kitchen cabinet,
in a chest so full of hope,
dreams not come true... just yet.
just don’t leave me here
where I've been thrown,
where i’ll grow cold and die.
i’m not designed to be alone,
left here on the side;
what good can come within my frame
if i’m not made a part,
for a drawer without a purpose
is a man without a heart.
i found a broken drawer
by the side of the road;
discarded in haste
was it left by you?
~
*postscript.
truly...
i found a broken drawer
by the side of the road;
discarded in haste
was it left by you?
my wife breathes life into old wood furniture. with each bureau, hope chest or buffet brought into her workshop i wonder what it held... because everything and everyone has a story to tell. what would these old pieces tell us if they could speak? and what do they tell us about ourselves?*
Oct 15, 2014
Oct 15, 2014 at 8:40 PM UTC