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And some time make the time to drive out west
Into County Clare, along the Flaggy Shore,
In September or October, when the wind
And the light are working off each other
So that the ocean on one side is wild
With foam and glitter, and inland among stones
The surface of a slate-grey lake is lit
By the earthed lightening of flock of swans,
Their feathers roughed and ruffling, white on white,
Their fully-grown headstrong-looking heads
Tucked or cresting or busy underwater.
Useless to think you'll park or capture it
More thoroughly.  You are neither here nor there,
A hurry through which known and strange things pass
As big soft buffetings come at the car sideways
And catch the heart off guard and blow it open
Mike Essig Apr 2015
Sadly,
you can take the boy
out of the jungle,
but you can
never
take the jungle
out of the boy.
- mce
Mateuš Conrad Jan 2017
that's 3 weeks without a keyboard,
that's 3 weeks on a dual-detox -
         that's that: roughly: antagonism
of: once upon a time...
           there can only be one Hans Andersen,
and as the story goes: ol' granny
   passed on the tales, without which:
no talk of posterity, and seances at
the theatre; alternatively: what if Kierkegård
opted for opera, rather than theatre?
    well: horrid is the task of dropping names,
as if being a village idiot, in that
capacity: giving directions... no such thing!
  nonetheless: a horrid task...
3 weeks... without this horrid world-entanglement...
amphetamines in the wild west,
                   and yet... everything slows down...
that's 3 weeks without such ''luxury''...
    and would you believe it?
3 weeks went by: in a blink of an eye.
             strange, or what 21st century writers
fail to recognise: the ******* canvas has changed!
any-single-one-of-them bothered to scrutinise
this new canvas? anyone?
     ah yes, it's still in its adolescence -
it's still: Dostoyevsky, scuttering in the grand
dungeon: that's the Moscow underground.
             the canvas! the canvas!
                             and indeed, if this be some
bellowing horn, from the depths of some forsaken
place... i'll go into the street, and sabotage
civilisation with graffiti...
                     then again: i have the least
expectations, such that capitalism works...
poetry... and what investment have you made?
nil, or almost nil... evidently: zilch!
      ah, but to have invested in canvases,
a studio, paints, brushes... see... no one sees
investment in poetry: primarily because the poet
has done the minimal...
            unless of course it turns out to ****
with a hot poker something once resembling
nations... which now resides in the insane asylum
(even though those, have been abolished)
                           , nation - ooh! what a ***** word!
the left irksome sometimes uses it:
in theory: the nation-state...
                        and then there's the resurgence of
ancient Greece... in a sing-along:
maybe 'cos i'm a Londoner... brother! brother!
Athenian! Athenian!
                                       but we are born into
a Spartan wedlock... no one really bothers to
**** our gob with Shakespeare...
    then again that is the schizophrenia (alias
dualism) in humanity... thus, to be frank,
psychiatry can be congratulated, it has provided
one useful term... and i will use it, over and over again,
in a non-symptomatic way, because, i find,
it stands, as if the Olympic Graeae (Zeus, Poseidon
and Hades) eating the carcass of some inhabitant
of Tartarus...
                               evidently: tartar steak...
doubly evident: tartars, or the remnants of mongols,
settled in crimea, and elsewhere in the Ukraine...
   tartar                      tra-ta-ta-ta... ku ku ryku!
a ja fu! krecha! a ja znow... fu!       radowitą
uprzejmość... skłaniam...  
    or what i call: rising spontaneously from the depths...
polymaths applauded, the tribunal resides in
bilingualism... trenches... history... perspectives
and current affairs... wicker man media...
                        so... an example of pedantry?
ó....               that's an orthographic dignitary -
        an aesthetic muddle... as is
c-ha                               contending with samo-ha...
     ch                            came from antagonism of
cz                                   which was later antagonised
by č               in česka.... say that: hen party
bound to Prague... in the Czech republic...
                                          ch      k..­.
i am, quiet frankly... standing at the feet of the tower
of babel... and i'm looking up, and i see
correlations, and i see decimal marks,
which, when given enough geography,
can seem like England and the isles,
       and central Europe...
    Iberia? phantom of Seneca...
  eureka! let's begin, once again...
  why is there a continuum beginning with
Plato and Aristotle?
                                           we could become
reasonable people... told to deal with madmen...
we could claim beginnings with Seneca...
and Cicero...
                      and why? the Romans loved poetry...
the Greeks antagonised Homer...
            the Romans loved Horace, Virgil,
                           Ovid... perhaps we should really forget
beginning with Plato and Aristotle...
       the former has become a church,
the latter a dentist's assistant (minus the ancients'
concept of a joke).
                      evidently i have to finish off reading
Seneca... his educational letters to Lucilius....
      moralising ******* that he was, thus, perhaps
a nibble at Cicero? but i must say:
                           it has to begin somewhere,
so not necessarily in stale-bread Athens...
                      and having such perspectives helps
in claiming casual conversation?
   assuredly - if it doesn't involve talking about
the weather...
                                which is always a great mystery
   if it's given enough aurora.
   onto the mystery of dialectics,
as discovered by Alfred Jarry in his Faustroll
Pataphysics contraband...
                                                nag­ging agreement...
nodding without approval... (chapter 10) -
beginning with αληθη λεγεις εφη
        (you speak the truth, he replies) -
   and ending with ως δoκεì
                              (how true that seems)...
and then some dub-step...
        know nothing dROP! boom! jiggy jiggy,
get the rhythm.
   as i always find it hard to look at
    diacritical arithmetic...
                                  given the following
represent a prolonging: hangman:
       å, ā and ä...
                             esp. in Finnish -
stratum: hedningarna täss on nainen.
                        rolling yarn, plateau, two dips;
and i will never say something profound...
i'll just say something no one else has said,
benefit of the doubt? somewhere, someone,
                                      kneels at the same altar.
  such are the distinction - invaders from the
north, and invaders from the south...
                                           even with
crusading Golgotha mann -
the times? many bats, supers, spiders,
but not enough readings of thomas mann...
                              easily befallen into prune-nosed
high-airs... it comes with the diet of literature...
   unfortunately.
                              and with yet another book:
i have burried yet another living person
i could have had a beer with, and conversed.
it always happens, every time i read a book
i have to attend a funeral... by reading a book
i have burried someone alive...
                          shame, in all frankness...
    i will sit in a congested train, touch a breathing
body, and consecrate the touch with
a warring genuflect - harbringer of a Teutonic
passion for initiation: a komtur's slap across the cheek.
   chequers played with passions...
           and some have to be approached like
caged animals, their vocabulary as cages,
                and the whole world before them:
cageless!
             some have indeed become so encrusted in
their daily: routine, that it would take a zoologist
(thrice oh, begs some sort of diacritical marking)
rather than a psychologist to understand them...
    like the darting dupes they are, enshrined in
20% gratis! smile! have a nice day! boxing day sales!
all but pleasantries, fathoming the grave.
   stiff vocab and all other kinds of perfume...
                           a king and his charlatan knights,
who are merely ditto-heads.
                  and not of this world, afresh -
among the nimble hands prior to birth -
surely there is: more grandeour in birth
   that entry via a ******...
                            the greatest pain of ****...
and when the ancient treaty was signed
under the name: Augustus Cesarean - or
recommended for a need of aristocracy -
    it was, for a time, the mana magnetism:
and such was the rule of poetry:
rather than a crown, donned the laurel leaves...
donned the laurel leaves...
    and such was the covenant from ancient
foes when trying to assimilate the Jew...
three kings from Babylon,
                         the child in Egypt...
          no good tides from Nazareth...
         a crown of myrrh - later overshadowed
by dogmatic sprechen, simpler: thorns...
yella things... or rzepak, Essex is filled with it...
rzepak... so why bother adding a dot above
the z, when you get capricious and use rz to
denote the same?! thus a science:
voiced retroflex fricative... Stalingrad!
                       can you really stomach this kind
of jargon? if it wasn't for science fiction:
science would be twice removed from gott ist tot,
*******' worth of pondering, given the close
proximity rhyme... nothing that rhymes should
ever be taken seriously, it should be hymnal!
                         Horatio! mein lyre!
   mein Guinness leier! rabbi krähe -
     and they deem that ****** white when talking:
thinking? i'd prefer Cezanne in real life -
   maggot wriggling and all...
                                          as much eroticism
as bound to a dog slobbering its testicles:
which means ****-all in an almighty stance
   for a dollop of halleluyah in Nepal.
well: pretty talk, pretty pretty pretty: i feel pretty,
oh so butter-fly-e.
                                    2 week stance,
***** in autumn... but so many Swiss hues
coming from the same concentration of decay!
shweet!  zeit-ser!        and that's me talking
kindergarten german: innovation begins with
a fork and a spoon, should the tongue come to it...
            i see a poem,
i see something worth bugging... c.i.a.,
f.b.i., hannibal's lecture in Florence, Venice for
the rats... bugging... shoving...
  shovelling... necro grounding, rattling...
    windy via north... Icelandic...
drums along incisors of abstract gallop:
violins... fringes of the mustang... airy airy...
all regresses toward the Vulgate...
         like ****, like said, and the only pristine
stress comes with vanilla ice-cream,
or a medium-rare beef ****! hmph!
                         fa fa fa excesses with that hurling
puff...
                      and i did finish Kant's
critique of pure reason... minus two calendars...
but, so help me god, the 2nd volume was hiding
under some corner...
                           thus, from transcendental methodology
came plump apricots, plums and pears...
             sweet decay fruit baron...
              and it's called sugars in the intricacy of pulp...
lazily grown, dangling on that caricature of
a formerly known: full crop of wheat-crude fringe.
    2 years... honest to god!
         but so many books in between...
i was given a recommendation...
i cited it already... kraszewski's magnum opus...
29 books...
                       although that's history fictionalised...
but nonetheless, it really was about
     the cossack uprising in the 17th century...
   and it was, as i once said, something i can forgive
sienkiewicz - the film version,
as in: i will not read a book once it has been adapted
to a movie... it's self-evident that too many
people have read a piece of work and are gagging
for a conversation... but where's the playground?
           ******* cherades!
  chinese whispers and a Manchurian candidate!
  i thought as much.
                          and whenever it's not a preplaned
escapade, what becomes of the day?
     was it always about a stance for carpe diem?
  syllables: di                em.
                            carpe is said with more lubricant.
corpus diem. well, that's an alternative, however
you care to think about it.
                and whenever you care to think about,
the proof is there: mishandling misnomers:
poets as tattoo artists... although no one sees the ink,
signatures on a reader's brian (purposively altered,
toward a Michael Jackon he-he, and other:
albino castratos the church venerates!)...
   that's 3 weeks in a catholic country...
  3 weeks... if only the football was better,
      i'd be called Juan Sanchez...
               but, evidently, the football is bad...
     so it's catholicism on par with a sleeping inquisition...
no one really expected Monty Python to conjure
that one... because it never really took place,
not until a trans-generational exodus
postscript 2004... once western brothels were exhausted,
and the Arab started ******* a hippo...
              then it was all about lakes and rivers
and Las Vegas 2.0 in Dubai!
                     you say quack... i say:
                                                    easy target.
and they did receive a blessing from Allah...
enough ink to write out Dante's revision of the Koran,
and some Al-Sha'ke'pir to write a play called:
the Merchant of Mecca.
  last time i heard, when the reformation was
plauging Christendom, no one invited the Arabs...
these days i think the little Lutherans of Islam
watched too many historical movies...
me? pick up a crucifix and march to Jerusalem?
  and is that going to translate into:
   blame the populists! blame the nationalists!
it's like watching a circus... why is the Islamic
reformation asking for third party associates?
                  i was happy listening to
the klinik... albums: eat your heart out...
time + plague...
                             once again: the world narrative
gags for enough people to conjure up
     a placebo solipsism... and that's placebo
with a squiggly prefix (meaning? how far
that ambiguity will take you) - ~placebo...
well: since existentialists were bores...
it's about time to head for Scandinavia
   and ask: is that " ''                 for passing on
an inheritance, or better still: ripe for
acknowledging ambiguity?
                          and if you can shove this
  into your daily narrative... you better be
a connaisseur of chinese antiques...
                frailty... then again, theres: ******;
well hell yeah *****'h, it's a murky underwold
after all.
                     and yes: that's called a petting word...
some say hombre, and we'll all be amigos
and muskateers at the end of the story.
                                    finally... i feel like i'm writing
a poem that i'll never end...
              why? it was supposed to be about
how John Casimir of Sweden championed
  the crown away from his brother Prince Charles
(volume 1)...
                      the bishop of Breslau...
a recluse... couldn't ride a horse...
    then again: nothing worthy imitation...
beginning with a donkey...
                               the transfiguration of palms
into whips... 2000 years later
talk of Hercules is madness... that other bit?
complete sanity.
                              well... if that be the case...
the book is there... i signed it, 2nd volume of
Kant's critique...
  
| | | | | | | | | | | | | | | | | |
| | | | | | | | | | | | | | | | | |
| | | | | | | | | | | | | | | | | |
| | | | | | | | | | | | | | | | | |
| | | | | | | | | | | | | Y| | | |
| | | | | | | | | | | | | | | | | |
| | | | | | | | | | | | | | | | | |

        an oak... in a forest of pine...
an oak in pine wood...

then onto the wood of sighs:

aH aH aH aH aH aH aH aH
aH aH aH aH aH aH aH aH
aH aH aH aH aH aH aH aH
aH aH aH aH aH aH aH aH
aH aH aH aH aH aH aH aH
aH aH aH aH aH aH aH aH
aH aH aH aH aH aH aH aH
          (somehow the surd escapes,
and later morphs into, but prior to)

a short script: variation on MW...

      pears' worth of blunting runes:
opulance s and ᛋ - versus z,
    congregation minor: the interchange, ß,
buttocks and *****, minus phantoms of erotica.
yet, taking into account trigonometry...
sine (genesis 0), and cosine (genesis 1),
or            M                                   W
(no Jew would dare believe the Latins have
the second 'alf of the proof: that loophole of all
things qab-cannibal-mystic - cravat donning
mystique - a flit's worth of sharpening,
or dental grit... flappy tongue,
flabby oyster, lazing for a crab's palette)...
so?

1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0
1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0
1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0
1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0
1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0
1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0
1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0

of course there's an
Nat Lipstadt Feb 2018
PostScript:
number me thus, in the company of the good but the forgotten,
still will be of goodly cheer gotten,
for though ***** could not be saved,
not one goodly man found in all of the ****** lot

except for one, a true audience
a single rapt good  knave worthy word enslaved
thus will we be saved,
thus call me Lot

<>
https://hellopoetry.com/poem/469617/the-night-king-ego-died-by-mine-own-handsept2013/
writ Sept. 2013; modest edits 11/28/17
Left Foot Poet Mar 2019
The Fidelity of Transmissions

”Cells, the units of life that compose our bodies, are able to make copies of themselves to help us grow, fight disease and recover from injuries. Cells have built-in mechanisms that maintain
  the fidelity of transmission  
of genetic information from one generation to the next, and to control cell division in a timely manner, allowing our bodies to build or rebuild various tissues.”

~~~
when the poetry cri de cœur grows unbearable ,
sound mystery-science calms his tumbling transcendency

alas, here too, his ears sit up straight when stumbling on a invitation to
“come write,” for hid within the science jargon, oft rests a snipers shot

redirecting the didactic mind back to the
everyman’s land where-poetry cells split,,
commanding him to delve into, visit new brain wrenching vistas
“the fidelity of transmission”
at its macro level, for science is micro-poetry,^
n’est-ce pas

~~~
when you love another
the transmission is a slow pour,
or a radical jarring,
the fidelity extremely extraordinarily variable

the loveliest unpredictable

the sip sip of eyelid kissing adoration,
the irrational irrigation of the no-space-between,
when the television remote disappears in the couch crack,
the screen, complete static, perfect complement, to a rigorous experiment of

the loveliest unpredictable

we manually conjoin fluids in her mouth’s petri dish,
stain the slide for observation,
in full Imax color observe the cells busting and doesy-do’ing over to
a new partner, where bonds of fidelity attach a partnership clause to

the loveliest unpredictable

when a child emerges, the first words are
find that remote, just kidding, first comes a comestible demand,
mother’s milk 98 degree heated,
feed me a white solution to any unanswered cell’s questions, what a

loving predictive predicate

scribble this, ****** that, change a diaper,
while debating whose baby’s assemblage resembles,
overjoyed at the experimental outcome,
proofs of the fidelity of transmission,
the outcome notated, but science demands no bias confirmation,
another test required of tissue rebuilding

the loveliest unpredictable

~~~

^postscript
for is He not laureate greatest poet of all,
developer of the scientific architecture,
inventor of varietal sunsets, moonscapes,
individualized singularity of snowflakes,
love making, gravity and the preprogrammed death
of your own cells,
etcetera etcetera etcetera
all just poetry in motion in fluidity,
ah, fidelity fidelity
fidelity
Sat., March 9, 2019
Raj Arumugam Jul 2013
Having defied gravity
(not me personally
but by proxy
namely through
a dog, monkey and Soyuz
and fruit flies and bullfrogs
and lately through NASA)
I defy humility
I brave it, I challenge it
for there’s too much hypocrisy
in humility
For humility is such
that it never speaks its name
For when it speaks of Humility
it is Sans Humility
Take me
for example -
you hardly hear me
mention myself as Saint Humility, do you?
But that’s what I am, my other name: Humility
But people keep insisting on calling me Saint Humility
But I defy Humility


POSTSCRIPT
I also defy repetition
and over-emphasis
and contradiction, paradox
But, it must not be left unsaid -
in defying humility,
I think I’ve also
quite inadvertently
defined humility: *Saint Me
Nat Lipstadt Jun 2023
You Are the Texture

…………………………

~ for all of you,
you, you poet~



Impasto

is a technique used in painting,
where paint is laid on an area of
the surface thickly, usually thick
enough that the brush or  painting-
knife strokes are visible.

Paint can also be mixed right on
to the canvas. When dry, impasto
provides texture; the paint appears
as if, to be coming out of the canvas.


<1:47pm>

Cut & Paste

is a technique used in poetry writing,
we refer back to our visions, heard words,
the eyeful, the earful, scents, the reads read,
all in the mind’s palette blended, thickly, but
the merging fused, every word~in~coloration,
it is unique, reincarnation, copying impossible.

The imagery, cut and pasted from thy heart and
soul, upon canvas, your poems~pieces each appear
as you-are-texture, you becoming out of, you, the canvas.

<2:04pm>


Postscript*
………………

it is not lost on me that the
scars, our words,herein,
we note too frequently, almost casually,
are, can be, the selfsame
words/painting-knife
employed
for our first and foremost
canvas we utilize,
is ourselves…
our bodies, ourselves
Fri Jun 23
2023
Mateuš Conrad Aug 2018
.perhaps it's a good thing,
that i don't succumb to witty
rhyming poetry...
i hate rhyming poetry as much
as Bukowski hated disney...
Homer didn't rhyme...
  and all the better for it...
this rhyming fetish,
whereby, when you start
rhyming, succumbing to
some quasi orthodoxy?
   getting caged?
       better than rhyme...
   noticeable signs of impromptu,
and absolutely no, so
signs of editing...


      if god is dead in philosophical
discussions...
then rhyme is dead
in poetic composition...
    we, really don't need curriculum
poetics for GCSE students...
cages, entrapment,
   not bothering Stendhal from
the brink of a post-existentialist
despair sitting in
that other graveyard,
  the library shelf...
    and seriously?
    why Jane Austen on the 5 quid
banknote, and not Mary Shelley?

and there's a reason why i will
not make a single youtube video...
why?
       on a certain level of the popularity
stratum,
   it's become this,
  american nostalgia for high school,
the gossiping, the undermining,
the atypical Brutus confidant circle
of "content" creators...
   net-novellas -
   a bunch of people my age...
******* up to the tele-novella
       ergonomics that Polish grandmothers
watch, imported from Turkey...
or the English 1985 Eastenders
soap opera...
   ******* have to be different,
through and through,
drive on the "wrong" side of the road,
then they have to start calling
tele-novellas, soap-operas!

short attention span, sure sure...
no problem...
          do your ******* homework
during the week, watch the omnibus
on the weekend...

what's this one youtuber, who said
something about the advertisement blockers?
by the way...
   Samsung?
     all videos have been demonetized...
perhaps on the odd occasion
a vevo ad... but that's about it...

       advertisement blockers?
  seriously?
   are these people so ******* impatient
that they can't locate the mute button?!
i see an advert: MUTE...
   i think of something,
   to craft an anti-zombie
   pause, moment, anything...
    why block advertisement -
when you can merely mute it...
and listen to the vacuous sound
of celestial orbits?

        within a certain tier of content creators,
it's already the ****-smearing,
soap opera, back in a high school
playground "nostalgia"...
  sorry... not for me...
but thank you, for taking the effort,
to take a reed, dive into a lake,
and breath through it,
while remaining covert, hidden...

         again... numbers numbers numbers...
i'm still exercising a freedom of
"speech", but i rather prefer the
practice of writing, as the appropriate
res extensa of the vector origin
for this cascade, the res cogitans
as it were...

   and there really are only two forms
of nuanced language:
a study of philosophy,
   or the study of: law...
      but this youtube **** show...
   this: back in high school,
no revenge time...

                 i only tuned in for the music,
but then these youtubers started
propping up in the recommendation
list for the music i was listening to...

die krupps postscript suggestions
came up with x,
   wooden shjips came up with y...
lao che came up with z recommendations...

on a side note...
   ha ha!
    mark manson's book...
  the art of not giving a ****...
it mentions Bukowski...
  only read the sample...
        that he was a, loser...
and loser is specifically derogatory
term in American society...
to which i reply?
   and what the **** did
mark manson, actually win?
Bukowski at least won
a childhood where his father beat
him silly in the ******* bathroom...

you haven't exactly won anything,
mr. manson...
   if you didn't lose anything
to begin with;

and if you have?
   let's see the follow-up of
to your bestseller,
         of "not giving a ****";
but we won't, will we?
      - hardly brown-nosing,
the guy's dead,
1997... i have to keep
the integrity of the dead
on my bookshelf...
      
      who reads this
reverse masochism of the self-help
literature genre, anyway?
you can't even use these books
as a counter to a decent roll
of toilet paper!
   unless you want to scratch,
ahem, sorry, wipe your *** with
the pages, and start an **** bleeding!
You know, my love, that the worlds we have each created for ourselves
are galaxies apart.
Our language games are mutually untranslatable.

We never had a chance, my love. Even I know that.

We would never have been able to achieve an understanding of each other
deep enough
to overcome our fear of the unknown, (and utterly unknowable),
that we symbolize for each other.

The logical, brutally rational part of me knows that we could never have made each other happy.

So why must I, though you have been gone now for quite some time,
keep my mind on you all the time?

Why do I still feel this way, thinking about you every day?
And I don’t even know you.

I write this not to try to change anything.

I have lived long enough not to hold out for what cannot be.

Despite my unwanted, embarrassingly unrealistic romantic dreams from Hell,
well, not exactly Hell,
say, from the dark cave out of which fly the blind bats of activated archetypes,
inevitably,
we still would have had to face eternity, or the lack thereof, alone.

You are still looking forward to an eternal life with God and, I realize now that, ridiculously,
I still can’t stop dreaming of an earthly paradise with you.

Nasty business, my love, that we are each in love with an illusion.

What if we lived in a world in which our longed for illusions
were not just desperate self-delusion but pointed at some kind of Truth?

Do you think that would make us happy?

Isn’t it pretty to think so, my love? Isn’t it pretty to think so?
Raj Arumugam Oct 2010
Part 1 At the Saint’s Book Store (Singapore, 1970)


when I was just 15
and just after
a trip to the National Library
I saw a slim volume
at the Saint’s Book Store
(named after a TV series
and true to the borrowed name,
a second-hand book store)
and its spine said: Kama Sutra


Now that’s a title
they don’t have at the National library,
I mused
and I took it down off the shelf
and stood, agape -
transported to Ancient India
by the very seductive picture
on the cover page;
didn’t make me feel like a saint at all


but my reader’s instinct
got the better of me
and so I opened the book
in which the Introduction
ran boringly longer
than the main meat of the text
and so I went on to
Vatsyayana’s
own enigmatic words


This I must have-
I said to myself,
after only five pages of Vatsyayana
and the sticker label on the
used book replied: $2.50
I bought the book
and walked home
and had no lunch that day






Part 2 ***** Science


What are you reading?
asked little Somu,
a year younger than I was


It’s a Science book,
I said, turning away from him

If it’s a Science book,
the little rascal said,
why are you hiding it behind
another science book?


Mind your own business,
I said,
Hardly taking my eyes
off Vatsyayana’s classic


I’ll mind my own
if you tell me what it is;
otherwise dad
will come to know of it-
and you won’t be able to tell
him to mind his own business


Oh! I said, angry and afraid,
and I threw down my books
(the cover book and the hidden book).
You’re too young for such things.


But he looked at me
as only a dangerous blackmailer can
and I yielded to his request -
I would summarize aloud each chapter
for him as I finished reading each
(That’s the trouble when
fate throws you in
with siblings who don’t read)



And day in and day out
over the next few weeks
I summarized the Kama Sutra –
no, I don’t think I summarized,
I extemporized,
I added details, I confess –
for the benefit of non-reading Somu
that silly pumpkin of a brother
who didn’t understand a word of what I said!






Part 3: Weird History



That night as we lay
on our mats on the floor
Somu asked me:
You know…I was thinking.…
ever since you provided
your summary of the Kama Sutra
delivered in such melodramatic actor’s voice…
I’ve been wondering….Do you think Dad knows
the Kama Sutra?



Oh, I said immediately.
How would
dad know
about the Kama Sutra?
It’s been banned In India
since the middle ages.
He only knows
Hare Rama, Hare Rama…
Now, maybe it’d do you good
to repeat the mantra 100 times
and go to sleep…
You might end up in Vaikunta.


And then insomniac Somu said:
What’s that book you were reading
this afternoon
covered behind your
school History Text Book?


Oh God! Nothing escapes the eyes
of this sibling who came a year after me;
and I had to make an honest reply
or he’d pursue me to the ends of the earth:
Oh, it’s another book
I found at the Saint’s Book Store;
it’s called The Perfumed Garden;
it’s in Arabic and you won’t understand a word;
you can read it when you’re fifty
because that’s how long it’ll take me to translate the work


Somu, the silly sibling ever,
sat up on his mat and looked at me suspiciously:
When did you learn Arabic?
You can’t even read Tamil properly,
you monolingual Indian!



And irritated, I said:
Oh shut up and sleep…
Don’t you go digging into what I do.
I learn all sorts of things in my own time –
and you’re best, little brother,
to stick to Hare Rama, Hare Rama
Or Hara Hara, Siva Siva…




And for that,
the traitor of a brother told all our school mates
I was reading ***** Science
and weird History!







Part 4: The Puritans Come Home



What is a young boy
just turned fifteen,
said the outraged visitor to my father
doing with a copy of Kama Sutra?
And he pointed his bony finger
at me, sitting with my brother Somu
and his thirteen-year-old son Kittu;
we kids sat on the floor
and the dignified adults
sat elevated on the sofa

And he continued:
So, tell me,
what is a young boy like
that doing with erotica?
Is this the time for him?
This is the time for him to study
his textbooks and do his homework.
And the outraged father
pointed his finger at my sheepish father
and he continued:
Your son goes to the same school as my son –
and I’m afraid he’ll be a bad influence.
At History lessons and Literature class,
my son reports,
your boy asked the teachers why
they don’t teach Kama Sutra.
This is outrageous and crazy!



My father looked at me
but couldn’t see my eyes
thanks to my state-welfare
horn-rimmed glasses
and he said to the outraged visitor:
I don’t know…
He reads all sorts of stuff…
He discovers all these books
at the National Library
and bookshops…
He’s read Gandhi’s biography…
and now it appears
he’s discovered Kama Sutra…
Should we really stop him?



The uncertain father slumped in the sofa;
but the outraged father jumped up
dragged his son Kittu to the door
and he turned around and said:
You call these discoveries?
Get him to stick his nose
in his school textbooks!
He will come to no good!
He will bring you shame!
You call these discoveries?
I’m not coming here anymore –
and turning to his son
he said:
Don’t ever talk to that boy;
don’t you ever be near him!

And off they went,
Outraged Father and Trembling Son
into Dusty History.





Conclusion


My father and I looked at each other;
not a word was said –
and he is not here today
for a translation of what I write here now


As for my little brother
that traitor who had told Kittu,
I took both books
The Kama Sutra and The Perfumed Garden
and hit him smack on his head:
and he has remained
stunted physically and mentally ever since








Postscript



What’s that thick book,
said Somu two weeks later,
on the shelf?

That’s Origin of Species
by someone called Charles Darwin,
I said.

Is it one of those ***** books?
he asked.

I think so, I said. I heard some religions
have it blacklisted
so it must be *****.

And what’s that one beside it?

That’s Shakespeare, I said. Complete Works.

Is it another of your ***** books?
said Somu.



Well, I said to this juvenile sibling
just a year younger than I.
There must be many ***** parts in the volume…
You can never escape dirt…it’s all part of life.
Path Humble Sep 2023
“where time is the fly and age the fisher of men”

<>

”until I fell forward
into fall where time is
the fly and age the fisher
of men, then when winter
begins all will be forgotten,
where time is the fly and
age the fisher of men”


excerpt from “The Fall” by Rick Richardson

<>

that words from a different ionic state, jump as embodied ions from screen to the throat, evicting a guttural current of exclamation, you believe even with the half-heartedly palpitations from  remainder of my damaged pumping heart, that these words were always intended, just for me…

boy and old man coexist, the pottage of memories stirred,
and the time is fly, and I drown in the miracle of greenest grass of
Yankee Stadium at age eight,
oasis, heaven, a child reborn in a sea of Bronx concrete,
and the swallowing up of my boyhood is forever marked henceforth, the hook has caught me, and I am of the age
once and forever


not a fisherman, but a fisher of men’s souls,
mine own is my best bait,
hooked line and sinker, and
wisdom and words
elude and delude always, 
 like summer is perpetual and aging a construct,
time does not fly, but slowly laps and waves
eroding our myths and ourselves upon a continuum with
no ends

~postscript~

<>
yet I believe,
in miracles of
fish and loaves,
and that our individual continuums
will exist beyond the artifice of constraints
of
mortal time and that poems are
the forever chemicals within
our
bloodstreams,
even when our blood no longer spills


yet I believe!
a tribute to one of the best poets around
I don't care about your politics
Your choice is your choice
I don't care about your religion
Or if you like girls or boys
Red, pink or yellow
Purple or black
Kiss or **** me, bore or thrill me
Put a knife into my back
I care about the things that make you smile
Never out fashion, always in style
Songs and singers and players
Beethoven, Bach  & Slayer
Worlds of words for your escape
Poetry and basement tapes
I live for the smile that I bring
To your face whenever I sing
That Beatles song, the one I made
Into a lullaby when you were a babe
Yes, life's a long and winding road
You carry that weight, it's a heavy load
But in the end indeed I have found
You can count a lot of blessings when you finally turn around
And that's the smile I'm talking about
No room for disagreement or doubt
No room for religion in paradise
No need to choose sides or ask for advice

*PostScript
God listens to the praises and prayers of His people
But He REALLY loves the sound of laughter
Nat Lipstadt Oct 2013
for Angelique, who found it (at) last,
and who, loved it best
--------------------------------------------


first, I read,
thus educated,
became addicted to
the musicality of word~notes,
enamored with
the artistry of
singing language,
the power to
lift, imagine,
evoke, touch
your skin,
so far away, yet
mine thru smoke,
scribed, now
mine to stroke.

explore, uncover,
the secret interiors of
what was placed
inside of
each of us,
at inception,
without exception.

the keys,
the word picks to
unlock the freedom
to be fearful,
yet courageous.

we, start, all of us,
at the same
starting line,
we, all feel
we, all believe in
the primacy,
the rightness of
I.

but then, one must
began to
observe others.
crossed over the boundary
of mine own
preemptive prepositions,
superseded the need to be
superman,
saw different truths
in the eyes
of others.

listened to the soul songs
of the R&B; breezes of
scented strange,
coming to open
ears, nostrils,
eager to learn how
wind chimes sound in
Nepal, Berlin and the Florida Keys.

standing up, stopped lying,
both up and down,
committed to be
uncommitted to the unjust
accursed ego,
rejected the sophistry of
solipsism.

then changed directions.

went back inside
to relish the passion of
pleasure of both
affection and hatred,
receptors on wavelengths
that varied, in sine,
in in side in in the
co of mr. me.

that the only way out,
to responsively accept,
that to close
the distances within,
to realize real synapses
of words,
there was only
the pathway of
the existence of
outward bound.

kindness, warmth
and generosity,
or
cruelty, inhumanity,
utmost selfishness.

needed to choose.

made my-choices.

thus provisioned and endowed,
voyaged to a place
where there was
no cover, no excuses,
only mirrors that exposed
what lay neath every artifice
conjured up by man to
mislead, deceive, and obfuscate.

There, this place,
where I was
neither the smartest,
bravest, saddest, or wisest,
I sat down and said,
said out loud
words directed to
give yourself away,
myself and anyone
who cared to listen:

”my tongue and my eyes are
one and the same,
my fingertips and my voice,
interchangeable,
my combination of words,
special even if not original,
they are as original to me
as the first prior writer and
the next,
who will create them
anew one more tme,
after he, like me,
leaned to
write them effortlessly,
and to
give yourself away...”


with out fear,
I selected a single word,
a solitary glance,
saw the poetry of an
open window's enchantment,
a head lifted momentarily
from a pillow,
then struggled mightily,  
wept for days with no
verbiage to effect,
make visions entrancing,
no skills,
butterfly net
to capture
the magic of
your loving
my signs.

disgusted by mine,
mine mediocrity,
with the greatest
of effort,
mine,
yet, yielded no results

except scraps of phrases,
that I retrieved
from crumpled sheets
that decorated the
wasteland of my first efforts.

took those phrases,
ran them over my tongue,
over and over again,
intrigued by
their lily lilt,
their unity,
the sensuous pleasure they gave.

how one word
coupled a tune,
the notes of this
new contiguous,
contagious alphabet
rang truer than most,
and moreover,
led me to another that
somehow phrased forward,
sallied forth in rhyme,
like those wind chimes,
now making perfect sense
with the one that followed,
from varied places
so distanced, but now one,
and a couplet was born.

of what did I write?
of what I knew.

no complexity,
nor trickery employed,

no matter that plain words
are my ordinary tools,
with them I scribed
the small,
the little,
what I saw.

grabbed the middle,
held onto the
gravity of the center.

simplicity my golden rule.
write they say,
about what you know best.

rely on and in the
diurnal motions,
the arc of
daily commotions,
in which
do we not all excel?

this poem flew
off my fingers,
twenty, thirty,
maybe sixty minutes,
in the skies above
these United States
of mine,
on American Airlines.

one of my
chiefest blessings
that luck threw onto
my punched ticket,
being born here.

was it effortless?

If you sat beside me,
what would u have seen?

flying fingers urgent unbidden,
neither struggling nor stopping
for the chimes were mine,
once I heard the first verse.
but first ringing was give
unto me by a reimer,
asking how,
I write so effortlessly?

the question innocuous sorta and
sorta knot,
a challenge to
my poetic essence.

I looked inward,
to look outward,
started where
all poems start,
in the quiet places
where you and
I think and thought.

unsure of the answer,
began to begin,
sing and sin,
my fingers,
simple secretaries,
transcribing lyrics
that those
selfsame wind chimes
tuned me up,
turned me on
simple thoughts,
simpler truths
herein recorded and
sworn before you,
most writ on this day that
the Americas have chosen
to recall another kind of
explorer, Columbus.

explore, explore
and then again
explore s'mores.
no matter if it is
covered ground,
covered it once more,
till you see that land
differently, colored so
no one has ever seen
them quite your way.

be an ocean pacific,
that cannot be pacified.

relish the chance,
relieve yourself
of that urge to burst,
put on paper,
gift to me and to
everyone else,
so someday,
we can say
together,
we saw *together,

through one
single set of eyes
upon a ship of
foolish words,
a real child born
in a mind!

new places re-discovered,
yet now storied stored,
living in our
Siamese chests,
to forever keep.

PostScript:

"With or without you,
I can't live,
And you give yourself away,
And you give yourself away....
Only to be with you,
But I still haven't found
what I'm looking for..."
U2.
Notes:
October 14th, 2013,
Taking the Northern route,
between the bear and the empired state,
between and over states where
coal is mined, automobiles built.

if you deem these words poetry swells,
I smile, for they are simple product of
waves of looking, seeing out, out,
an oval airplane window
what lay below,
preparing it
for storage
upon your
eyes.
Pearson Bolt Apr 2017
you scratched our initials
into the surface
of the polished wooden table
behind Redlight Redlight
with the key to my heart.

P + S.

a brief message
etched in time
for all to see.
you grinned up at me
when you'd finished,
ombré fluttering slightly
in the evening breeze,
and said, unabashedly,
"it was the first thing
that popped into to my head."

P.S.

sometimes, i still think
of how your hands clung insistently
to my windbreaker when we sat
on the pier, how our bodies
synced in quiet harmony.
National Poetry Month, Day 24.
b Jun 2018
As far as I remember
You came in a dream
Washing your blonde hair
Causing quite a scene.

No words left to swallow
No swords left to fall on
I thought you looked nice
But what the hell do I know right.

Cold september evening
Under friday night lights.
A family affair
A quiet kiss goodnight.

A bullet through my stomach
Coming through my spine.
Feeling dead as air.
Feeling cold as ice.

Never learnt my lesson
Not sure what it was
What I was supposed to learn
What I should overcome.

Anytime I’m anywhere
I always see the same
Pictures on the wall.
Things I gotta take

And I’d beg for your forgiveness
If I was certain I was wrong.
But somewhere in these pages
Is my secret siren song

All that I have
Is all that I shared
I pray someday you hear this
I pray someday you care

I know it can’t be me
I think I understand
How I could love a girl
And how she could **** a man.
coming soon
Nat Lipstadt May 2013
Hello Poetry


Yearned.
Ached.
For so long, for a community,
That values the ineffable wonder
Of a wordsmith's creations, intended to
Repair himself and the world with bullets of
Verses.

And here you are.

Like/Dislike, matters not,
So long as we value each others work,
And the the heart echoes within
What the eyes read and the mouth whispers.

The array and disparity of your names,
A delight,
Each name a poem
In its own right.

So I resubmit a question for your consideration,
The answer is now known,
The answer is all of us.
May 2013
---------------------------------------------------------


­Who's Who In Poetry  



T'is a curious thing,
these verbal peddlers, tribal members,
famously well known to no one,
perhaps at best,
a kindred few, fellow-travelers.

Each a troop,
bloodied, purple hearted,
word-wounded,
anonymous unto each other,
yet all bonded intimates,
in solitary struggle united,
yet sea-parted by the very nature
of the solitude of composition.

All poets are Cain scar-marked,
purposed for everyone to see,
a warning to rabbled boors,
imagination suppressors!

World:

cherish these flawed ones,
gentle these frail but gritty,
the Lord has tasked them
to be prophets in one tongue untied,
undo the strife of Babel's division.

Poets!

Be the harpooners
of the unexamined life,
with unfettered rhapsody,
comfort caress us,
exhort the loopy
to light their illusionary candles,
turn the sad eyed lowlanders
into crinkly eye-lined smilers.

With clinical observation,
dense and demanding,
make us laugh at
the comedy of our situation,
teach us our free-to-see peep show,
reveal, unseal us
with **** empathy!

For who's who in poetry
is all of us!
saviors and failures,
recorders and decoders,
night writers of the oohs and aahs
of dreams and nightmares.

When this poet cannot,
no longer, anymore,
tastes his poems upon your lips,
keep your poems within his heart,
then he breathes no more,
and becomes one who was,
yet is,
because of you,
in poetry.
---------------
Postscript (1/25/17)

Even more true today, than four years ago.
Thank You.
a revised, minor modestly different, version was published in Feb 2016 as
Orphans and Poets, Peddlers & Members https://hellopoetry.com/poem/1564122/orphans-and-poets-peddlers-members/


and then finally another different variant, more personal was published in
Aug 2016 as
https://hellopoetry.com/poem/1734088/the-harpooner-of-the-unexamined-life


the harpooner of the unexamined life

"Be the harpooner of the unexamined life,
with unfettered rhapsody, comfort caress us,
exhort the loopy to light their illusionary candles,
turn the sad eyed lowlanders into crinkly eye-lined smilers."

writ many years past, just another dusted off phrasing,
composed from life's lecture notes, collected by eyes tired
from the hazing,
eyes wearied by the addict-strong,
incessant observational needing,
of celebrating the loopy,
they who make this planet
capable of laughing at itself,
a helping habit for mutual survival...

should you spot a man ungainly wrought,
weighted down by a harpoon cross
cursed  'pon his Cain-marked back,
you need not move to the other side,
'tis only a make-believe poet,
with his recording device,
seizing your rhapsodies to rhyme,
his collected artifacts, your crinkly smiles,
his meat, his metier, his chosen career,
a comfort caresser of your illusions into
a shapely sculpture of words for you to keep,
a token of your now examined worth,
a celebration for the keeping...
___________-

special thanks to those who rediscovered these poems recently and brought them back to me for refreshing cherishing these old word friends.
CharlesC Apr 2014
in your toes and in your eye lashes
then shifting elsewhere as you choose..
We direct our focus to ever present
electricity producing that glow and
in simultaneity attend to the doing and
to the noise of this moment..

With a postscript: can we remember
as we forget...?
SS Aug 2015
I long for something new.

I want so much to no longer *long for you.
Or for you to long for me too...
Mateuš Conrad Dec 2016
i know of Knausgård -  sure, and i share this concerns for
the art of taking to lumber and chopping,
  as novelists tend to do, write with an axe,
philosophise with a hammer...
          metaphor turned into imagery
counter-turned into literalism...
   i once imagined him not being there -
i once wrote ich kampf, stressing
that it was an indefinite expression
of expression, primarily due to the content
of the pronoun... and i was referring also
to the definite expression (much obliged,
atheism, a- without, and the- with,
or indefinite and definite articulation) -
the English eye sees one stance as definite,
and another as indefinite, and juxtaposes
the two interacting...
                          they duly interchange...
i can say ich kampf and say i internalise
verbs: a movement of the hand,
   a strutting or a waltzing circumstance
of owning a body... that's what it's indefinite...
that's why Sartre slithered in counter to
his expanse in philosophy: because i really loved
his novels...
                          but in terms of a mein or
a mit (including me) struggle i find not
ease... no one dares to devalue ****** as a human,
not talking about the past history in purely human
terms urges the postscript of a dictator,
it actually elevates him to a godly status...
           not realising the human is to make flaws
of what the en masse does: raises him to a godly status...
     Zeus had a beard... not a Charlie Chaplin moustache...
right now he's laughing in his grave...
                      old Aldous ******...
   and aren't dictators born because people find their
surnames a little bit funny? it starts so
innocently...          and then it morphs...
   and it becomes an unstoppable morphing...
    yes... i know of a certain number of fellow
      contemporaries... because i want to? no,
because i have to. like rewatching the 2015 film
android - some films you have to rewatch...
   what's being debated? autism and artificial intelligence...
   hyperactive autism, i grant you that...
        it dawned on me... at autistic person could
fake a normal human response treating it as
      artificial... artificial also means mimicked -
  it means that "smart" guy at a bar reciting poetry
he hasn't written... artificial intelligence or the study of it
or even creating it has nothing original about it...
it's not groundbreaking in the same sense that
discovering champagne or penicillin is...
or l.s.d., because these examples have the magic of
being discovered by chance... humanity has been
artificially simulating intelligence since time
immemorial... it's that natural consequence of not being
endowed with a peacock's array of feathers
   to create a soothing, and sickly gentle wind of a woman
resting in a hammock under the shade of a palm tree...
artificial intelligence was inherent in us...
       it's the unravelling of the historical noumenon of man,
the per se that has only crept up on us,
   and before the reality of such a foundation being
established... the humanities create the "prophetic"
citations of it being true: in the "near" / impeding future.
    if god is a noumenon, then man cannot be a
phenomenon... but he is and paradoxically the two
of mutually compatible on a basis of exclusive rather than
an inclusive naturalisation...
               we are talking nature:
  we are talking god naturalised by the medium
suggesting: for i am bound to create obstacles and test
the body, rather than the mind of man...
    as so is man, also naturalised by the medium
of the elements, saying: for i am bound by a body,
   and have to utilise the body first, to overcome the wind
and the snow and the furthermore, until i reach
the labyrinth of the mind...
  and man has done just that, he has bypassed the struggles
of the body, and created entertainment using
the body that once struggled against the elements...
   for he has created the god Minotaur: and the psychic
labyrinthe... as with the Titans whom the gods
usurped, so too comes the twilight of the gods...
but being usurped by demigods...
       Minotaur was a demigod... who usurped the gods
of the trinity that were Zeus, Poseidon and Hades...
        for only the Greeks could create a Judaic bewilderment
as to why a sign was given unto an infant...
           but that's getting technical...
the film, android (2015)? it supports the misconception,
the anguish of a highly functioning autism...
      whereby showing a woman's carelessness in the realm
of adaptability with what some would claim to be
the beginning point of: overcoming the elements...
sure the odd tsunami and earthquake...
   but there's also the tiger, and winter, and parasite,
   and diseases of so many variations...
              man has not been endowed with complete
control over his surrounding... but in becoming partially
overlord of the ones tamed, he has created a mental
labyrinth... a world of such complexity that will
inevitably produce instances of autistic genius...
                 artificial intelligence is already imbedded in us,
just as cloning and Islam has already existed
(Christianity is too schismatic to be considered a cloning
definition... and Judaism as a monotheistic principle
has a heresy embedded in its orthodoxy that it simply
ignores: reincarnation... the Malachi heresy...
  that a second Elijah comes... and god becomes a half)...
   we see artificial intelligence everywhere...
        if the myth goes that woman fed man the original
lie of Eden... then man has nothing else to do than
attempt to polymer that one single lie...
       and repeat it... a reverse intrusion to what "could"
have been an utopian splendour.
      we all see artificial intelligence rummaging about
in the choices people make... it's called lying
   to gain access to a ****** gratification...
  or as i like to call it: a way to compensate our falling short
of the norm, a norm that focuses upon creating
   the most complex startup a Silicon Valley genius
can't comprehend... a family.
    these times prescribe such a bewilderment...
              families are artefacts of what some believe
precipitated into barbarity so close to us: the 20th century...
        and all those arguments you hear that might
discourage the opposite ***, as in damning your parents
for a piece of seashore **** fest of the *****?
   probably came from a person born from a surrogate
mother... well... an incubator, a very expensive *****...
   homsexuality created the evolution of prostitution,
once bound to the genitals... now bound to the womb...
     i.v.f. kids calling natural kids ******...
   i never liked the matrix movies in all honest...
but we're seeing the reversal of the original idea...
                 in the matrix of knowledge... hearts become
piñata: chockies sweet, sensations abundant,
  the spectrum is yours.
                but this poem isn't really about that...
i can sip a whiskey and actually find these things when
i start to utilise these symbols... it sometimes happens
that they fall through... all i was really thinking about
is the "theoretical" score of 147...
                      i'll call them billiards rather than *****
to excuse a "he-he" Michael Jackson laugh at a chance
of "nuance"...
       yellow (2), green (3), brown (4), blue (5), pink (6), black (7)...
and plenty of red (1)... points in bracket respectively...
                  of course from childhood memory i sided with
ronnie... also from Romford... an obscure town in Essex
that oversees the shard and canary wharf from
a distance...                    but watching snooker as a child...
          not too bad at pub-snooker: i.e. pool...
and that game show when snooker was hot back in
the 1990s... big break, with jim davidson as host...
    and of course: john virgo as the rejuvenated
                         ghost of alex higgins... this whiskey
swiggly is on me al.
                 but this final... ****! at one point it was
a century after a century...
                     chess with mathematics, trigonometry
and Pythagoras in motion...
                                    the gods playing with saturn
and jupiter neptune planetary arrangements...
            i can't word it properly... but it'll definitely sound
better than a concussion after too much rugby and
the rough-stuff of "manhood" strutting with bulging
muscle tensions... rather than this Japanese warrior-monk
in a waistcoat and bow-tie swirling a stick in the air...
           i just thought of one thing...
15 wildebeests on an African savannah...
       out comes one lioness...
    and she nibbles at the pack... and she picks off
the weakest of the 15 wildebeests...
              she nibbles the pack before the pack breaks away...
         she looks left (red) and then looks right (yellow,
green, brown, blue, pink, black) -
                      and she picks at the pack, one by one
they fall... but there are two games going on...
   there's the no-man's land snooker where the game is
about entrenchment, and snookering the opponent
for a foul... and then there's the tsunami snooker...
which kinda looks like one person playing chess...
     with no opponent other than a chance mistake...
misjudgement on the case of instinct and how they ******
well know what angle to fudge the white lioness
                onto the billards... and with what force...
      tsunami snooker, or cascade snooker is basically
a monologue...
                             after seeing 3 centuries in a row
you get to crave classical snook -
                                       the mind games of safety shots...
   and teasing, and tempting, and teasing, and tempting,
before the Rubic cube unravels itself,
   and you find that light at the end of the tunnel...
                        and the black pops into...
i'll be honest, i haven't watched snooker for a long time...
        maybe that's why i feel so enthusiastic about it...
       it's sometimes good to be fed this mundane diet
of sport-fanaticism that football is in accordance with
religious dogma... it's a good thing...
             then you end up watching a game of snooker
and all these things start firing up your brain...
   and you end up saying:
      the Taj Mahal can be there for all i care...
the Grand Canyon can be there for all i care...
                    such things don't really require a photograph
with my gimp-face trying to make other people jealous
by actually being there: only to take a photograph,
rather than feed into the air and the thrill of being there...
        as they say... it's a small world after all...
better get used to it being much bigger inside your head.
fray narte Sep 2021
Eyes. Heartbreak is her sunlit memory barely held by a wooden clothespin. It hangs and glares before your eyes, mocking as it fades into an empty filmstrip. Heartbreak is a lost soul left to perish in her ghost-town, and warmer sunsets are lifetimes away. A wonderwall left standing, pinned polaroids, desperate scratches. You had fought hard and long, for this, but homes are made for breaking and crumbling and leaving, especially in the losing side.

Mouth. Heartbreak is a paper-tag of a goodbye caught in her lips. It is a metaphor that melts at the soft space under your tongue, a certain bittersweet taste made for drowning with a cold lager, a stranger’s whispers, and the perils of his unfiltered cigarette kiss. Heartbreak is taming a manic scream into a delicate, defeated sigh, out of sync with the way she breathed. But then sighing still hurts, and breathing still hurts because you’re alive – you’re so ******* alive for this unbuffered pain.

Chest. Heartbreak is begging your chest not to break amid a listzomaniac rush. Heartbreak is a prosaic throbbing, a treacherous ***** stuck in your ribs, begging to be held like it doesn’t hurt. Heartbreak is a site of buried lavender lithiums, asking for a eulogy; but silence is equally as oppressive. It is your body betraying you, like a city undone by its smokes. It is a quiet word – not a poem, because poems are beautiful despite the pain, and this isn’t. This isn’t.

Hands. Heartbreak is your shaky hand flipping through the last three pages of a tragedy — a heroine dies, a stray star falls, a maiden leaves on a horse-drawn carriage. There is no changing of the ending. Heartbreak is reaching for the empty space in bed, leaving your fingers in technicolored bruises. How can emptiness break one’s bones? Heartbreak is scrubbing your skin dry, raw, and untouchable where she once laid her kisses. Heartbreak is your nails digging through her letters in utter despair — for invisible ink, a promise in the postscript, an estranged lover in familiar flesh, only to find torn sheets, spilled wine, and finality.

Legs. Heartbreak is coming home to ***** laundry all over these cold, wistful floors. Heartbreak is walking in hushed tiptoes only to trip and fall down a memory lane – a kaleidoscope of all the wounds that can possibly hurt. It is catching an empty train to somewhere unloving her is possible – doable. Heartbreak is teaching your legs to run away from the chaos of her naked skin, and not to fall at her feet. But still, you fall and you fall and you break what’s left of your bones chasing after something that’s already gone – long before it has said goodbye. So turn your back and hold your heart — it breaks harder, louder, and worse before it settles down and sits as quiet aching: a forgotten filmstrip, a soundless breath, a calm poem, a serene night.
Ben Nov 2014
phoebe will remain my hostage until
four barrel's hipster overlords hear my plea
we're all made of sparkledust and turkish delight
and if you hate drinking sonoma butter and
having money, my doctor Archmage Overlord
said the the "happy drink" element you seek is
less like strong coffee and more like the invasion
of normandy with turkey slaughter in the background

kfc's new turkey flavored chicken tried looking
for drugs in the neighborhood but
timothy leary, his suave excellency, sheik knight of nee
abstained from the devil's coffee with headaches and brain fog
anyway, that's why i attacked the
complimentary peanuts and russian balloon juice

FURIOUS POSTSCRIPT

"no one can understand the truth until
he drinks of the feline's frothy goodness"
flarf flarf flarf flarf flarf
Terry O'Leary Nov 2016
Once wars were fought with sticks and stones
to flog the flesh and batter bones
and conquer lands, defending thrones -
though gods provoke, not one atones.

The multitude (by hordes beset
with battle-ax or bayonet)
braved blades, dyed red and dripping wet -
the stains were wiped with no regret.

When raining blood, the teardrops spill,
enough to drown the daffodil
that withers in the mourning chill -
who was it said 'thou shalt not ****'?

The mad machine's now mechanized,
torment and torture legalized,
blind barbarism globalized
and wrath of demons sanitized.

Each rival's right (whichever side)
committing holy homicide
in names of gods diversified -
like Cain and Abel fratricide.

Above, a Drone that terrifies -
a button's pushed, a missile flies
to rip apart, to vaporize
(defending life, they fantasize).

Dismembered victims everywhere,
most, non-combatants, unaware -
a lone survivor, solitaire,
unfolding hands, too late for prayer.

Beneath the dust, a baby lies
with mouth agape, with bleeding eyes,
arrayed in death that money buys -
though warriors watch, none empathize.


The media's impervious -
in truth they're ever devious
for fear that reason's dangerous,
find every question treasonous.

Through eyes lit up like rosy sores,
embedded scribes report on wars
with tales to line the cuspidors -
the Fourth Estate? A herd of ******.

To paint the slaughter civilized,
objective news is sodomized -
when foreign streets smoke, pulverized,
the body counts are minimized.


Big Berthas boomed in days of yore
but now the tanks spit spikes of Thor
and mortar shells like raindrops pour
upon the lands of Nevermore.

The grumble of a hand grenade
is drowned in claps of cannonade -
assorted charnel chunks lie flayed
in battlefields where kids once played.

Somewhere a ******'s bullet flies,
somewhere a voiceless victim dies,
somewhere a famished orphan cries
while weapons warble lullabies.

The bunker busters burst the sides
of dwellings where mankind resides
and innocence in darkness hides -
the die is cast, but who decides?

Use cluster bombs and barrels too,
(crude critters in the wartime zoo),
to shred more souls than hitherto -
choose death en masse, avoid the queue!

The leaders lead (twelve steps behind),
enmeshed in intrigues, well enshrined -
yes, powers, business (so entwined)
pull twisted threads, ensnare mankind.


The mercenaries hack and maim
(god's creatures crippled, morally lame),
do beastly things that none will name -
well-paid for such, they feel no shame.

The ****** bombs and phosphorus
and ghastly weapons gaseous
are scattered widely, bounteous -
behold the desert wilderness!

Yes, Agent Orange burns slow and calm,
may leave behind a blazing palm
(or better yet, a molten mom
inside a hut)  in Vietnam.

And phosphorous… its flame so white,
exploding, falling through the night,
commemorates the Sacred Rite -
and babes in arms, thus blessed, ignite.

Cast chlorine, sarin or VX…
a lethal dose (or side effects
like blistered lungs) will serve to vex -
but death in war? No one objects…


Constructing A-bombs's arduous -
uranium, depleted thus,
can trash a tank with little fuss,
cause natal cankers, cancerous.

But doomsday warheads (dropped or thrown),
ignited, leave the sun outshone -
beneath a mass of melted stone
lies powdered ash, once flesh and bone.

When atoms split in bombs debased,
vast cities smolder, laid to waste,
a million sinless souls erased -
perhaps, one day, all life effaced.


You close your eyes but can't ignore
that body parts and bags of gore
are bursting through golgotha's door,
and strewn beyond the ocean's roar
like rotting fish that wash ashore.

Why can't we stop and end all war…


POSTSCRIPT
Regard the dreary death Arcade
of Armaments (a fruitful trade)
and tally up the millions made
by ghouls that raise a colonnade
of miles of missiles, weapons-grade,
in Armageddon's crazed parade,
and hide behind a masquerade
of lollypops and lemonade
while planning new an escapade
for sending armies to invade
and loot far oil lands, unafraid
of misery and grief parlayed
until our final days cascade
into a hell no more delayed
by happenstance or luck outplayed
that leaves society decayed,
bombarded with a fusillade
of lies upheld and truth betrayed
by pundits in the shifting shade,
and crises of the world clichéd
as sung in solemn serenade
by journalistic hacks that preyed
on wide-eyed folk in sham charade
that lulls to sleep with eyelids weighed
by tiny tears that disobeyed
to stay behind the barricade
and bathe the modern-day crusade
of war in cheers and accolade.

The bottom line? Just profits paid
for deadly sins that god forbade…
Raj Arumugam Feb 2012
1
Snip! Snip!
says the scissors
Ouch! Ouch!
says the paper
Snip! Snip!
says the scissors
Ouch! Ouch!
says the paper

2
Be quiet and still!
says the scissors
It's for your own good

Yeah? says the paper
Have you ever had
anyone cut you up like that?



3
Snip! Snip!
says the scissors
Ouch! Ouch!
says the paper
Snip! Snip!
says the scissors
Ouch! Ouch!
says the paper


4
There, says the scissors
I'm done
Cut you up square and neat
You're a homemade notepad now
ready to be used many times over
than when you were one!


And says the paper:
Oh, you stubborn dumbo!
I'm not for writing -
I'm koi paper
meant for origami!





POSTSCRIPT
Why didn't you tell me?

*I thought you knew
what you were doing
you ****** fool!
(AP) another tragic report today of snow mermaids resurfacing a phenomena of drastic blizzard conditions young men lost in blinding blowing winds that sends a person forging foreword then back a step are sightings of real or imagined snow nymphs naked gorgeous young women giggling frolicking through 8’ snow drifts arching limbs grinding hips twiddling fingers toes swaying long hair spreading thighs exposing privates pinching ******* pursing lips gesturing to be seduced beckoning into freezing snow entrapment eventually freezing victims into lifeless blue corpses only additional forensic evidence left behind are definite female snow angel signature tracks in surrounding snowfall areas since onslaught of February 1st storm strike 18 male bodies missing 13 bodies recovered all found grasping clutching clinging desirously to unknown source 5 men still missing if you suspect the whereabouts of any of these individuals please contact 911 authorities warn men of a certain age wear appropriate winter gear scarves raised hats lowered eyes squinting look away without delay if you think you are witness to one or more of these deadly snow mermaids GPS immediately to Police postscript in the several thousand years since these occurrences have been recorded not a single snow mermaid has ever been caught
Nat Lipstadt Jul 2021
Of ***** roasting pans and racks and island fog!

if you love me, then you know poems wright themselves when standing, driving, bus riding, love-making and especially when
doing manly battle, ******* ***** dishwashing midst island fog

a passing remark goes noticed and summoned to a
Friday night feast, roasted fowl, wild rice with golden raisins and mushrooms, English spring peas, was it a Montrachet?

for dessert the washing up is obligation mine, a traditional desertion,
separation of church and state, her cooking a church  in which I worship, she states eloquently:
“Unto Caesaria , Render Her the cleanup”

this is hand to hand combat, no dishwasher mechanical
can scrub like the human hand, and with body english,
water hot, but no gloves employed for this is ***** man’s work,
not for sissies, cleaning roasting pans and roasting racks
that are at least twenty years burnt and crusted with a blackened
finish, residue of other lovers and dinners P.N. (pre-nat)

array three kinds of sponges and some human & metallic *****,
no one asking which came first,
the scrubbing away of life feasting residues,
or the poem writing that comes with pre & postscript sleepiness

when I say the dark stains and the grease buildup are
flavor enhancers, am beknighted with starry stares of
“how stupid do you think I am?” and sadly return to the
Battle of Agincourt, the one the American lost….



but they do source poems that flavor life

2020
*sometime last year?
If you found it
It was never lost
Just tossed aside
In the room with the faux fox furs,
and the tanned cow hides.

Inside you always knew
That you couldn't face it
Couldn't erase it.
Tried to wipe it from your memory.
But being free comes at a price
You wouldn't pay
So what should be locked away is not.
And you've got,

Sleepless nights,fevers a chill
That lack of will when will won't do
And you know why.
You should have forgotten but now you cry in the endless doom
Give me room,give me room,I can't breathe.
Grieving does that
Knocks you flat and caves you in
And anything you ever thought you knew
The news is, you do
Now.

How do we reconcile the years and the miles that have been,seen and gone
Only the burning in the soul goes on.
If this is hell and well why not
Just something else you've got.

And if you find what was not lost
Put it back in place
Forget you ever saw my face or heard my voice
Your choice
I have mine.

Time
So little left
And I have wept my tears
That don't bring no added years.
The crying's done
I had my fun and can't complain
Still,
It seems a shame
I wish the clock was slow
Not wishing to go
But I will.
SE Reimer Oct 2014
(A message to you
Inspired by the THR Family)

You came to us sick, frightened, confused
What happened next became international news.
We saw you so ill, with everything to lose
Our goal was to help you because that’s what we do.
Alone in a dark ICU room
We fought for your life, our team and you.
We cared for you kindly
No matter our fear
You thanked us each time that we came near.
As each day pressed on, you fought so hard
To beat the virus that dealt every card.
No matter how sick or contagious you were
We held your hand, wiped your tears, and continued our care.
Your family was close, but only in spirit
They couldn't come in; we just couldn't risk it.
Then the day came we saw you in there
We wiped tears from your eyes,
knowing the end was drawing near.
Then it was time, but we never gave up
Until the good lord told us he had taken you up.
Our dear Mr. Duncan, the man that we knew
Though you lost the fight, we never gave up on you.
All of us here; at Presby and beyond
Lift our hats off to you, now that you’re gone.
You touched us in ways that no one will know
We thank you kind sir for this chance to grow.
May you find peace in heaven above
And know that we cared with nothing but love.



~  postscript.

this poem is not mine; it was penned by a nurse who wishes to remain anonymous. it spoke to me of the passion with which so many, many caregivers serve, so i wanted to share it with you, and in so doing salute each of those who serve us all in the medical community.  

the following was published by ABC News on 10/20/14:

"The last nurse to leave the hospital room where Thomas Eric Duncan died has written a poem about the Ebola patient, penned during the sleepless days after Duncan's death, a source told ABC News.The Associated Press. The source provided the poem to ABC News, noting that the nurse who wrote it asked to remain anonymous. Duncan, the first person in the United States to be diagnosed with Ebola, died at the Dallas hospital on Oct. 8. Two of the nurses who cared for Duncan -- Nina Pham, 26, and Amber Vinson, 29, have been diagnosed with Ebola.(Editor's note: THR refers to Texas Health Resources, the company that owns Texas Health Presbyterian Hospital.)"
Evan Stephens Jan 2021
O tunnel of firs,
tied with rain,
were you watching too,
when my parapet
ate a hock of indigo
at seven, and, still hungry,
gobbled a dull star?
Were you watching
from cold roots,
little grove, when
something unfaithful
happened? A curling lip
received a sacrament
of apple cider vinegar
under clouds of hospital gauze.
O firs, you never tell me anything,
too proud by half in your
gowns of needles.  
That's alright - I'll lay until
the night slips over the line,
and imagine a kind of morning
where I have nothing to tell you either.
Nat Lipstadt Apr 2018
how this came and come to be,
from gone to come to gone rediscovered but unreleased,
a passage thematic that birthed
fully formed, formal in its inception,
contented in its first appearance and
its primary coincident deception

who wrote this? not me? could not be!

yet a scented hint of
eau d’familiarité
suggests that I may have
inadvertently
plagiarized
myself

this old poem mine,
we certifiably have never met,
but nonesuch a hail fellow met,
that upon our (re?) acquaintance,
the heavens marked the occasion with
hail and neither of us deemed it strange

so we well recall our ancestor’s words

”there is nothing new under the sun”

adding our brand new imprimatur
”not even June or the Moon or other iconic loons”

we may have borrowed from the insights,
recollecting what happened to us when separated at birth,
envisioning like the prophets of yore what was implanted
long before  we remembered it well
upon its birthday

our intertwined twinning
fate befallen*

   postscript

quaking heart, trembling pointer
dawning and dying
simultaneous

neither tissue, cell, molecule,
i am but a composite of
letters, alpha bits and bets,
recirculated songs and tunes born
like me,
compromised, bridged,
newly un and recovered,
lengthy and unabridged,
my appearance faulty,
my eyes ****** ruddy and red,
my fingered tips blend and bleed
words acquired, words invented,
marching before me,
old lands recaptured,
new ones set free

take and give -
there’s no difference -
intimation, initiation,
all
bring me home
to where my boundaries begin


<•>

this one, for the ladies who loved its
predecessor

https://hellopoetry.com/poem/2367267/the-temple-of-you/
Nat Lipstadt Aug 2013
Perchance*

A lovely word, a lovely sound.

Perchance,*

When I was resurrected as two bodies,
A pair of cuffed links coupled,
In My Salad Days.

With the fresh taste of freedom,
A first-born infant survivor,
At a ripe old age,
I, rebirthed, and to the fore,
Risen.

In My Salad Days,
When words fell from smiling lips,
Rain and tears flew upwards,
Each and every breath was an

Amen.

All Per Chance.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Postscript:

“To die, to sleep -
To sleep, perchance to dream - ay, there's the rub,
For in this sleep of death what dreams may come...”

― William Shakespeare, Hamlet

"To fall, but rise -
To rise, perchance to be reborn, ay, rub one's eyes in disbelief,
For in this reincarnation, who knows what dreams may come..."
~~ Nat Lipstadt, Perchance
Part of a  longer poem called In My Salad Days.  

*Wikipedia:
Modern use, especially in the United States, refers to a person's heyday when somebody was at the peak of his/her abilities, not necessarily in that person's youth.
Mike Essig Jul 2015
It is
a long day
since
last night.

  ~mce
rolanda Jan 2014
translation from russian by rolanda


                                                   E.К
I write you from ex-colonia
grounded twenty centuries ago
by romans-sounds like a symphony
for hyperborean ear, hundred time
increased distance till addressee.
Looks like Agrippa knew what she did
the sister, worth by her madness of her brother.
Further cinematograph-**** body
bent and etc..accordingly screenplay
maid lapping in marble bathtube
horns leads triumphal aria
with a long sound. On the backstage
usual complaining on the fate,
tangent glance to the east,
muscle of cease  walk
the female wolf her concrete ******,
snapping, moving back to the building of arsenale
lost fatten twins.
I recollect what you didnt finish to say me
closing second door on the bolt,
on same spot there is a snow, cover up Prachechnij bridge
panorama of river, filled up by ice,
something with tear through two thousand miles
or old age with saged belly.
In our age, verticals are
soaring unreachable, slipping to result
of life, just right to dress on sandals
but hardly happens to slip into toga.
Invariable law of falling drops
down, no matter- fontain, rain, ******.
Harbour of postscript...rats storm the ship.
Funeral office offers moire
from spring collection for upholstery of
coffins, grief on the faces of personals,
just in time served coffee with cream
soften disaster of final account.
I write you, for what? - after victory
of foreign football team
from the closeness of prosperous summer,
connected Alps and Andes
by wave of psychose from tv,
inflicted by joy of superiority
above..(not clear what of), and their poses
of victors is sign of ugliness
from point of view of observer-
old neurasthenic and misantrope.
Contemplating fly of pterodactyl
by eye of stamped cyclop,
gilded **** on short spike of chirch
scream by voice of Luter:
"Be blessed folks cars!",
and  morning flow down by sunrise on wood

by Dmitrij Poparev
SE Reimer Jan 2015
~

frost and snow,
hail and ice...
expressions of winter's
tantalizing sights;
displays that mesmerize
with sparkling magic,
and inexplicably
its sullen moods,
its stormy, icy grip.
like a garden’s blooms
remind us of our brevity,
the cruelty of this life;
but also whispers softly
of graces found within
life's wintery courtship,
a beauty easily overlooked
or altogether missed,
awaiting springtime thaws
while tightly held within
winter’s frosty mix.
for it is here
that winter whispers
e’er so quietly,
”i’m less like death
than you imagined,
watch closely as
i draw my knife;
and with razor edge unfurl
the frosty breath i breathe
o’er flower’s sleepy seed,
firm within my grasp
i freeze her fast asleep,
her beauty held within my arms
until the sun, my brother
can reach her with his warmth,
to stir her from
her restful slumber,
and awaken her
to spring to life.”


~

*postscript. **

you know how it goes, you read a poem that absolutely speaks to you, so much so that it stirs a moment of creative writing out of which flows a series of lines; words for which you know you really cannot claim true authorship.  this then is the inspired result of reading my friend Harlon Rivers' “that which often whispers”.  i invite you to read it here -
http://hellopoetry.com/poem/1016263/that-which-often-whispers/


"winter whispers"...
intended to speak of
the paradoxical,
the irony of winter,
just one of nature’s many mirrors...
of life.
Nat Lipstadt Nov 2013
She brings me morning coffee and tissues
(Tissues, ostensibly a coaster)
for she knowing.

Poetry,
I am writing,
needing then,
to wipe up
the spilling
tears.


PostScript:
Which of the mysteries within this poem
need answers?
All or None.
Nat Lipstadt Apr 2023
Family biz takes us on the Acela train to Washington, D.C.,
a many-hour tour of the Monuments upon the Mall inclus,
never on a prior agenda, despite semi-frequent visitations,
but this time, rose early, in the cool morning, to touch and be touched

She asks if we have time enough for the Vietnam War Memorial,
time enough plentiful, no inkling her purpose was manifold, nay,
woman-fold, relating a story of a first teen boyfriend, they vowed,
to never lose touch, tho they became geographically distanced

On New Year’s day, a promise to each other, to speak on the phone,
they do honor this commitment, he will call, for in your early years,
solemn promises, honor, memories potentialities, galvanize bonds;
first love’s easy camaraderie birth tender promises, kept well-tended!

Till one year, no call comes, and desire, necessitates her to be
the protagonist, only to learn that Gerald, drafted in ‘68,
did not return, his parents inform her, the story told wistfully,
a Ranger locates his name, her reflection strains to reach his letters

Only I see her eyes filling and brimming, the shoulders ever
so slightly sagging and know this moment needs memorializing,
for we shed tears so rarely, that this youthful relationship, now more than threescore extant is why we built this black granite wall


Visit the Jefferson, MLK, Washington’s obelisk, and of course
the author of “of the people, by the people, for the people,”
a humble visage, humanizes his grandiose, white robed presence,
assessing his potential measure of life assassin-shortened, we exclaim

”if only, what might have been!”

but no tears are shed, but for a name of a young man,
taken before his prime, who enabled a girl to taste deep own-self, at an age we barely ken the words revealing our true emotive, or understand the color palette of serious, meanings of how we tick…

she’s easy overcome, I wonder, was she inside feeling, exclaiming,
”if only, what might have been,”
but no words emitted, only tears, that a tissue so softly takes away,
I think who among us, yet sheds sad tears for the days of our youth?

this poem in fufillment of my obligations, witness, memorializer,
arm to be leaned on, carrier of Kleenex, compatriot tear-shedder,
empathetic, sympathetic and recording secretary
that our past, is never truly past,

it is just waiting for a reflection,
resurfacing one more time
on a high polished black
granite slab

<postscript>

black granite mirrors sandblasted refresh cut scars into our consciousness and for some, our conscience, as one who
rarely thinks of and forgets to reflect on the life lottery he won,
back in 1968, so he was not called to serve, exclaiming

”if only, what might have been!
In Memoriam
Gerald Levy
Nat Lipstadt Sep 2013
(6W)

Sleep my children, you, not forgot.

Postscript:
Lured you here under false pretenses
What matters six or ten or
Nine eleven,
When each word enervates the midnite senses.

Through chance or fate,
You, selected on that date,
Thy names inscribed,
A select few, a chosen tribe.

In a megalopolis,
Where hurry and rush,
The hallmarks of the populace,
A city oft condemned as heartless,
Your place, your alphabet unique,
Permanently preserved.

Rest easy then,
Tho our names will be dust and forgot,
You individually, collectively,
Will be remembered eons on.

No need to economize,
Tears, the numbers of words,
Draw some comfort, tho minimized,
Your names, this day, all recalled,
Thus I bless you,
As you bless us,
**Sleep my children, you, not forgot.
The day will come inevitable,
When thy names be spoke,
By those who witnessed or knew you not,
Like victims of another holocaust,
Sleep my children, you, not forgot.
Thomas Dec 2015
Proem

After Sir Thomas recovered the Spear of Destiny and returned it to the Pope at the Vatican in Rome, he remained there for several months serving His Excellency, attending meetings, and recovering from several minor injuries sustained while recapturing the Spear that pierced the side of Jesus the Messiah. Sir Thomas could have stayed as a guest of the pope in one of their lush suites, but he chose the bare walls of a guest bedroom at the local Knights Templar castle. The pope then called upon him for his next assignment: Leave Rome immediately, by boat, again, back to Constantinople. **“Head off a Scot by the name of Sir Robert Bruce, whom our intel indicates has a map and is currently on his way in search for the Holy Grail. Sir Robert is a stubborn ally. You will help Sir Robert, but convince him that the chalice of Jesus belongs here in Rome.”


Prior to shoving off the west coast of Italy, a few miles from Rome, Sir Thomas wrote the following message, and placed it in a bottle.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
My dear sweet wife and babe within her womb
The five long years since I had lost you both
I prayed for inner peace despite my joy
Your both in heaven; worship Thee Most High

Because your love exceeds all life itself
My lips will glorify you ever more
I praise you for the rest; my living days
Your name I lift on high with my bare hands

Was on my bed that I remember you
I think of you the watches of the night
The shadow of your wings I cling my soul
The depths of which my sword shall honor thee

I yearn affections taste where two come one
The seed by faith that yields abundant life
Endures celestial kingdom's perfect place
It brings this missive to its endless oath:

To bless, release my restless heart that bleeds
Commit my swords allegiance to the Lord
To you Dagung the earth is smaller still
For every inch be searched to see your face

You disappeared, not dead but still alive
I feel the transom temper my resolve
For in this ship another search begins
The Holy Grail; Dagung I'll find you both

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

Postscript

I toss the bottle through the wind to stormy sea
Inside the missive of a knight in love with thee
______________
The first part of poem is a narrative.   The rest is Blank Verse, which is Iambic Pentameter without Rhymes.    The Cadence is "unstressed/STRESSED"  like "da DUM da DUM da DUM da DUM da DUM"

I hope you enjoy the poem.     Thomas

— The End —