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Margaryta Apr 2014
Never cook with a fairy tale omnibus
open on a kitchen table,
or confuse salt with sugar.

Cherry-pit pies are like eating dragon bones, as to
be expected of one taught to
        never cook with a fairy tale omnibus,

safer to love a beast than to open up to
strangers, precise butchers cutting hearts
        open on a kitchen table;

I love you like salt, preach obedient daughters, omitting
the ease to mix dream with wake
        or confuse salt with sugar.
Z May 2014
The parasympathetic nervous system
is responsible for regulations
unconsciously transpiring
within the organs and
the glands of
the body.
Such as:
urination, salivation, digestion, defecation, and
lacrimation
(noun. ‘the flow of tears’. Latin.
from lacrimare (‘weep’) and lacrima (‘tear’).
It’s why I cry
even when I don’t want to.
You are the parasympathetic nervous system.

The (ortho-)sympathetic nervous system
is responsible for the mobilization
of the fight-or-flight response
and constantly maintaining
homeostasis within
the body.
It acts
rapidly, enacting an attempt at stability and
the necessary and critical ability
to suddenly escape
on pulsing legs or
cling to survival through
brandishing adrenaline-doused knuckles
and dilated pupils.
It’s why you live
even when you don’t want to.
I am the sympathetic nervous system.

The parasympathetic and sympathetic nervous systems
are two of three essential nervous systems which
compose the autonomic nervous system
(a part of the peripheral
nervous system)
that manages
involuntary
functions of the body. Such as:
swallowing, perspiration, arousal, breathing, and
heart rate
(noun. ‘the speed of the heartbeat’.
usually expressed in beats per minute. mine speeds up when I see you).
Individually these two systems oppose
but compliment
each other like our hands do—
pressed together and omitting equal force;
veins meeting
at the fingertips and throbbing at the wrists
but running amuck on our respective digits otherwise.
You are the invariable and unspoken reminder to
breath,
love,
sweat,
and live.
I am the sudden snap of reality always aiming to save you
but grudgingly willing to fight you and
ready
to
leave.

From the deepest lower half of my brainstem
and from every nerve
in my cycling body,
I’m sorry.
From all of my chromaffin cells
and from the truest parts of submandibular ganglian,

I am sorry.
Mateuš Conrad Aug 2016
i like looking up these shadow-people, the labourers
away from the spotlight, away from easy reference conclusions,
Ludovico Arrighi is among them, as is
the high jumper **** Fosbury - no belly-flop in
the competition after... after 1968 the road signs
told every jumper to expose the back and ***
when overpowering the heights -
Philippe Petit is outside the world, the ultimate
expression of solipsism, what grandeur (previous
attempts, the dyslexic source: the graphemes, æ,
previously i wrote grandeur as: grandeaur,
grandaeur, etc., somehow the syllables of only
vowels can leave you momentarily dyslexic,
when we're talking pure consonant graphemes
we have an aesthetic performed,
sheering can become šeering, whereby the diacritical
input overpowers excess spelling of graphemes,
such examples arise from what became the silent H...
or the surd H... ping-pong with the tetragrammaton...
e.g. dhal - which is said with a macron over the a:
dāl... but the trinity of spelled words gives rise
of neurosis... unless it's a word as conjunction,
the tribunal of aesthetic in keeping language beautiful
will prefer the spelling dhal or even daal rather than
what i proposed). concerning Ludovico Arrighi's
italics type... the skewed rhombus alignment /    /
is prescribed for emphasis... i need something to introduce
something that doesn't stress emphasis, but
sarcasm / ridicule... when i write something,
as i did in Christianity 2.0 (two point oh),
i'd change the direction of the ~wind, i.e. instead of
/    /    for emphasis, i'd like to stress ridicule in the
following direction:    \     .
but that's beside the point, it's like a western with
English not applying noticeable stresses...
for example the English trill, or the French hark...
they should be equipped with diacritical marks
of distinction... some sort of uniformity
of suggestion... the northerners trill (roll)
their R, the French used to, now anything but
a puddle of phlegm... but indeed, easy dyslexia from
pure vowel graphemes... cutting up graphemes
with diacritical incisions (safety, in a persistent vocabulary,
following the method of philosophical methodology -
hence my casual use of diacritics and graφemes -
i.e. when graphemes can't be constructed due
to a lacking of grapheme intention - unlike θ and φ -
supported by their alignment of a twin sound,
the Greeks would never consider applying diacritical
marks on p, t, h - unlike in Polish, where the h
is distinguished into a ch for aesthetic purposes -
e.g. chleb - bread and huj - **** -
but overpowering the vowel graphemes produced
their disappearance and the emergence of diacritical
vowels, e.g. the acute o (ó), which is a U, i treat
the diacritical mark as an incision point for the parabola,
cutting up the omicron, and that seems natural
given that the Greeks already did it without the acute
sign, i.e. the omega (the double u) - ω - again,
aesthetic reasons, the forgotten gallery of words
is there, you just have to forget Chomsky for a while.
but indeed, breaking up graphemes provides us
the necessity for diacritical marks,
the ancient Roman graphemes might have disappeared,
but they're still digitally present: mostly concerning
major words, like onomatopoeia - or encyclopaedia -
graphemes behave differently with the barbarians,
the latter encyclo- example is obviously nostalgic,
the ono- example does a reverse grapheme variation
of oe... but modernity expresses these couples
with individual distinctions - i.e. encyclopaedia
could be written utilising... well not a caron - not quiet
***, and more p'eh - the resurrection of the tetragrammaton
is necessary, i'd have inserted the variation without
minding French, i.e. grave accent on e eating away
the last vowel... or vowels... i.e. encyclopaèdia -
so avoiding the French usage that would cut off the -ia,
i'd insert it for reasons of interacting with a h, p'eh.
Joyce's Finnegan's Wake should have been written like this...
instead, it was written without noticing the diacritical
marks, and therefore made it's pompousness known
by omitting diacritical marks, therefore succumbing to
excessive spelling... or the ruin of Delmore Schwarzt -
nurse! scalpel: sch(sh /sz / š)- -wä(łä)- r(z)'t - drum-kit
wet snare tss't like in jazz.
still i need to define the R being trilled (rolling ball)
akin to the å - but of course the umlaut would do the job
likewise - but it's the aesthetic purpose that's necessary,
i guess umlaut designates an eased concept of
arithmetic included above the sound: i.e. prolonged,
count +2.

but these are but minor points of consideration,
obviously it would take decades to implement, and knowing
human endeavours in this realm, once fixed, once
fixated, nothing will hardly change - due to the already
existing utilisation, whereby it works perfectly to segregate
people... and the fact that there's no linguistic bible to
mind... but talking about orthodoxy and meddling with
dogma, i'm still bothered about the Malachi heresy,
how could it have been implemented?
i mean, a polytheistic concept of reincarnation is the oldest
form of identity theft, isn't it?
monotheism is incompatible with the concept of reincarnation,
this is the weakest spot / the blemish in Judaism...
Malachi is the actual inventor of Christianity and Islam,
he introduced the concept of reincarnation with
the return of Elijah, as mentioned in the New Testament
where Jesus is compared with Elijah...
it's a monotheistic heresy... reincarnation has no place
in monotheism, yet there it is, glaring at everyone from
the page... it was Malachi's error that gave rise to
schism... the litmus test of a monotheism is it's inability to
succumb to schism... well, Christianity is poly-schismatic,
Islam suffered an infection of schism early on...
Jewish schism?  you either practice or don't...
you either don the full attire of a Hasidic jews or you simply
turn your opinions toward earthly matters...
and so much rigour just because they didn't care to
roll the ******* back during ***, all that much work
from snipping the *******... early intervention did the job,
snip the skin off and we have the most ridiculously
funny god in the thought of man, an entire Mongolian
horde of intellectuals have been spawned from his existence...
imagine if god intervened when plastic surgery came around...
wouldn't be so ******* funny by my count.
****! listening to the radio and standing up between sentences
then realising there's no go-back button... it's live...
sometimes the oddities of not being your own d.j. can be
petrifying, when you're working against the river-current
like a Salmon of rhythm.

lastly... i guess this is a major point, in a magazine article
some dung-heap of opinion wrote something
about poetry, in ditto:
a policeman shoots dead Michael Brown in Ferguson,
Missouri in August 2014, Maggie Smith's poem
Good Bones goes viral, it wasn't about Ferguson,
it was about life being short and often terrible -
continues with: poetry is the language of crisis, of
profound thought and deep emotion, it may not be
much read these days, but it is certainly felt...

is that all true? is poetry the language of crisis?
i think that assertion is a load of *******...
it's a bit like using a hammer to paint the civil room's
walls (living room, i call it the civil room) -
if i'm reading poetry i'm not commuting or lying in bed,
i'm perched on the windowsill in a quasi-akimbo pose,
sipping a glass of bourbon with coca-cola and
smoking a cigarette, mindful of never wanting to
wear contact lenses or eyeglasses,
poetry is more than this idealism about it,
that you read poetry to savour the moment of critical needs,
i read poetry because newspaper articles **** me off...
poetry is like newspaper articles when those monstrous
literary ****** get going for months of necessary
attention to finish them... poetry, when drinking
bourbon, smoking a cigarette, quasi-akimbo on the windowsill,
perfect use of spacing, i bet most people who stick
to poetry will have better eyesight when they grow older.
Mateuš Conrad Mar 2016
i only started collecting a library, because, would you believe it, my local library was a pauper in rags and tatters; apologies for omitting necessary diacritic marks, the whiskey was ******* on icecubes to a shrivel.*

ernest hemingway, e.m. forster, mary shelley,
aesop, r. l. stevenson, jean-paul sartre,
jack kerouac, sylvia plath, evelyn waugh,
chekhov, cortazar, freud, virginia woolf,
philip k. ****, dostoyevsky, aleksandr solzhenitsyn,
oscar wilde, malcolm x, kafka, nabokov,
bukowski, sacher-masoch, thomas a kempis,
yevgeny zamyatin, alexandre dumas,
will self, j. r. r. tolkien, richard b. bentall,
james joyce, william burroughs, truman capote,
herman hesse, thomas mann, j. d. salinger,
nikos kazantzakis, george orwell,
philip roth, joseph roth, bulgakov, huxley,
marquis de sade, john milton, samuel beckett,
huysmans, michel de montaigne, walter benjamin,
sienkiewicz, rilke, lipton, harold norse,
alfred jarry, miguel de cervantes, von krafft-ebing,
kierkegaard, julian jaynes, bynum porter & shephred,
r. d. laing, c. g. jung, spinoza, hegel, kant, artistotle,
plato, josephus, korner, la rochefoucauld, stendhal,
nietzsche, bertrand russell, irwin edman,
faucault, anwicenna, descartes, voltaire, rousseau,
popper,  heidegger, tatarkiewicz, kolakowski,
seneca, cycero, milan kundera, g. j. warnock,
stefan zweig, the pre-socratics, julian tuwim,
ezra pound, gregory corso, ted hughes,
guiseppe gioacchino belli, dante, peshwari women,
e. e. cummings, ginsberg, will alexander, max jacob,
schwob, william blake, comte de lautreamont,
jack spicer, zbigniew herbert, frank o'hara,
richard brautigan, miroslav holub, al purdy,
tzara, ted berrigan, fady joudah, nikolai leskov,
anna kavan, jean genet, albert camus, gunter grass,
susan hill, katherine dunn, gil scott-heron,
kleist, irvine welsh, clarice lispector, hunter thompson,
machado de assisi, reymont, tolstoy, jim bradbury,
norman davies, shakespeare, balzac, dickens,
jasienica, mary fulbrook, stuart t. miller,
walter la feber, jan wimmer, terry jones & alan ereira,
kenneth clark, edward robinson, heinrich harrer,
gombrowicz, a. krawczuk, andrzej stasiuk, ivan bunin,
joseph heller, goethe, mcmurry, atkins & de paula,
bernard shaw, horace, ovid, virgil, aeschyles,
rumi, omar khayyam, humbert wolfe, e. h. bickersteth,
asnyk, witkacy, mickiewicz, slowacki, lesmian,
lechon, lep szarzynski, victor alexandrov, gogol,
william styron, krasznahorkai, robert graves,
defoe, tim burton, antoine de saint-exupery,
christiane f., salman rushdie, hazlitt, marcus aurelius,
nick hornby, emily bronte, walt whitman,
aryeh kaplan, rolf g. renner, j. p. hodin, tim hilton... etc.
Emily Pidduck Dec 2013
My castigation was decided long before my backslide. And that is inexcusable, the righteous might declare "unfair". But I don't want any belligerent accusations against this 'unjust watchfulness' from above. Some entity must have understood that I didn't need guidance; I needed walls: some forcing to reach my destiny. Without my jailer, I'd have chosen one of three and let them lead me into a darkness that the pitiful call 'demons'. Claws and teeth? No, each monster was irreplaceable and I loved them. If possible, if they could comprehend a 'love', I vow they would have loved me. But the Warden took them: my punishment before my crime. Perhaps the disposal of these beasts seems considerate, but toss aside those foolish illusions because the burden has not lessened rather, it is unfamiliar. Omitting strength, for I  lost my foundation, I stand in fear with this hole. The Three aren't returning; I'm left with loose bindings - the knots are the songs of my memories. Beautiful Terrors, do I need you? Let me tell you their stories.

Number One:
I remember his voice calling for me. "Daisy! Flowers for you." It was our little game, and I'm sure he made girls jealous when he handed me a bouquet of roses.
My name was Petunia, but I hated that name, and I loved all that's yellow.
So when we were little he took my hand, and we went into a treefort, and he dubbed me Lady Daisy.
He was 7 and I was 4, and there began my adoration.
Then I was older and heartbroken, and I was calling him. "Waldon! It's hurting me."
He arrived so soon, I was still in hysteria - that of a 14 year old gone through breakup.
Then I cried harder because somehow my brother presented me with a tulip and declared, "It's an early present from the only boy who's going to love you more than I do."
17, and I understood fascination. And Willow (for though it's girly, I liked it more than Waldon, and he let it be) was entranced by a wild girl. She was a shockbomb - a warm sungirl that rocked stilettos and never littered nor waited past a minute.
He fell for her so hard from so high.
One day that girl kissed him straight on the lips, then jetted off to England.
Said he could follow her in spirit.
I couldn't hate her because she left his body, but it was hard to appreciate his body when the government took even that away, insisting he be laid beneath cold dirt. Then too many questions: "Why did you hold his hand for three days? Were you thinking of following? Petunia, why won't you buy flowers for the gravestone?" Then there were horrified eyes when I asked who Petunia was, because I had forgotten. Or, truthfully, there was no Petunia, only Daisy. And Daisy had Willow. The Flower and the Tree: that was supposed to be the story. So I refused to buy flowers, and without any sort of ceremony I stopped being 'Lady' and became 'Crazy Daisy', who talked to her demons. Now you see why I never wanted to part with Number One, because although he was a monster (you can't deny the terror of a body with no spirit), he knew me best.
Dear Warden, I've no suicide in me, and there's none left could lead me there, and it may be that I've grown taller, but I'm practically blind.

Number Two:
She was weak since I can remember. I'd say her vulnerability was pneumonia, which I can only presume led to my hatred of 'Petunia': two words incredibly similar when reason encounters a child.
And I liked her name "Maribel" because it sounded like a flower.
I mimicked my brother, but he was persistent that I must call her mother.
Again, this made no sense until 8, when I had a revelation that all this time I'd had no family. At least not in the heart of a girl, because Maribel wasn't a vibrancy to look up to., though she was my one relation.
There was just her in a bed. Sometimes a man visited but I never knew why Willow grew tense; all I saw was my mother acquire spots of brown. How I loved brown, because it seemed as though she was genuinely Mother, like all those other moms that the sun tans, or that could be given filthy hugs that left patches of dirt. In turn, I always welcomed that man, and he was a 'saviour'.
And Willow's father.
Death found both Willow and that man (I know, now, the difference) before I understood 'abuse', and try not to blame me because she never complained and I thought abuse meant people were unhappy, but I saw both of them smile. I laid her beside him, but with space inbetween: a ground for my casket. Because I'd gone slightly crazy and I was telling Number Two that if I awakened as a zombie, I'd need to be able to find his hand first.
That was nuts. But Warden, I don't fully understand. You stopped her bleeding, but I'm left with nothing. I hear their voices in my head, telling me I'm healthy, but I know I'm barely breathing.

Number Three:
I dealt Three tragedy. And in doing so, I guilted myself into worthlessness. Classic to the moral law is: it is not acceptable to introduce a roommate to a shady character. But I ignored the concept of shady - applauded my nonjudgmental attitude, because with my twisted past I would have also been a shadowy figure. With a sweet, sweet smile, I handed that bright girl over to a Peacock who promised to give her 'a good feeling.' And I ignored her tears, because he said he'd please her.
Maybe if I hadn't been loopy, the only way I could "be" with One, I might have noticed that me and he weren't the same, and I could have judged him like the others.
Annie, I'm sorry, please just shine once more.
Even if you're afraid of me and my wickedness, don't be ****** into the gloom, because I can't offer advice to resurface, when I think there's none.
Now, there's Zero for me to turn to, because that's what I am. I am empty. I suppose that's what happens when I trust a boy who leaves, yearn for one who's weak, and think I've the durability to rely on myself (but I've equaled a pitch black crater for a while now).
You're more clear now, Warden. I can understand why you've taken everything. Since nothing I had would give me my fairyland ending. But where's my reward? I need my gift first, because these feet don't know which direction to head, and it's more like I was holding onto rocks that cut me while they warmed me. My feet kick against the waves, but in this half-in half-out position I can't get a good momentum, so a hand now would be nice.

My stories, did they surprise? I hear all this chatter about monsters, but I think we've got them wrong. Monsters simply have a hold one you, and there's no release before you've no choice but to part. They are strong, and it's true that I saw nothing stronger than the Willow.  Only my jailer saw my potential, and he directed me to Zero. He asked for recognition so that I knew my task was not optional and he raised my walls until I stood there, lonely - pushed into belief in myself. But now I am the strongest I know, and I am walking on wind, and from up here I cannot see a single barrier. But Warden, don't you ever leave because if those walls break for a second and I see my demons, I know I'll lose flight and beg them to come back. And that would be the end, because there's no chance Number Four.
Another slightly confusing one, so feel free to ask questions. Please don't take anything offensively, I simply thought that it's more powerful to have a strong viewpoint on 'demons'.
Such faith, conceived by truth-revealing trials
Would open up the way for sojourn hearts
Which, too long groaning, some contend the while
And fix not, pierced through with searing darts
Of cruel despite.  The back and not the front
Too much pursued, then turns away the thought
Which, rightly meek, could otherwise wax blunt
The plaint of sorrow, though not falsely wrought.
The vale they pass, and must, which set before
Is flood with tears of loss for grace remiss
Unkindly given, faithfully now born-
Both cheeks for smiting, doubly felt love's kiss.
Forbearing calls of tempted wrath, uncouth
They still the soul with love to love in truth.

Miners do not bemoan their lot or odds
Toiling amidst the mountains for the boon
Of rare and costly things, nor curse the gods
That one is later rich, one richer soon.
Attentiveness they hold who sooner reap
The treasure that's around them secret sown
While into every crevice careful peek
To pluck what heedless others pass unknown.
Life is not slack to proffer all the glee
Of finding underfoot their stainless wealth
If but the waking heart might, pious, see
The subtle vision slipped their soul in stealth.
A fool to Fortune's ways too tempted cling
As others own great price in common things.

What is a plowman’s good who does not know
To rend the fallow starts a noble work
And sluggard helper who rose not to sow
For early rains, and still the labor shirks?
All seasons come upon a certain time
Accounting naturally important ends
Then run together, pending to adjoin
And pass one into each toward that they tend.
So bides the heart, all dispositions moved
Proportionate to their respective toil
And meets the trials of reason, thorough proved
To blend experience for richer soil.
Such faithfulness lays hold upon the tares
And garners truth in joy of harvest tears.

The carpenters, with line and cornered rule
Perfect their plan, all purposes befitting;
Discerning every plane, they make it true
To need and art, nothing good omitting.
Time, space, and material, they well acquaint
To suit what in idea they have known
And do not reckon aimlessly to joint
The forms of care which discipline bestows.
Determining at first, their soul aspires
With upright means to prove a steady norm
In outward style, contracting the attire
To fit, more solid, ‘gainst the pending storms.
All ends appraised, no castle in the air
They raise integrity’s undoubted lair.

The shifting winds of glancing pride toss-on
The ship of fools ambition ere the port
Of youth is left, though life will not disport
With careless confidence and ****** throngs.
Awake you sleepers, grab onto the helm
Of discipline and keep a watchful eye
For them false prophets' quackery that o’er whelms
The halting reason; now, the trial draws nigh.
Set sail for deeper waters, brave the depths
Of judgment, yet retain a stern relief
'gainst piercing cynicism, which has cleft
Many strong hull upon the siren’s reef.
A hero braves the dark, where Dagon preys
To pluck the pearly gem from wisdom's lay.

Seeming and unseemly, like and dislike
The teeter and the totter is such play
Of mind and meaning, cause and mirrored sight
Which founding can confound the night with day.
The child is parent to the man while life
On loss is nourished; so a fusion rules
The universe inverse, returning strife
To compound allegory, deft endued.
Now what in words the wise of men contend
Consistent with or contra-wise contrived
Truth veers centripetal as spirit bends
The line’s division into circumscribed.
So Hermes’ message, as with salty might
Transforms the fixed in point of solving light.

The trials’ invocation always lends
Two ways to go, all faithless thoughts determined;
Another’s liberty of life extends
And once encompassed, all sure hope resounds.
What outward and destructive ways are there
In boasted things and ****** aspirations
Darkens careless souls that proudly bear
The cruelty of reckless estimations;
Though as an envoy of the light there’s one
That demonstrates a proven dignity
In all the world, illumined as the Sun
Their character’s sublime prosperity.
Such paragon of peace must ever live
In conquest of the other's death and sin.

As donning faces for the shift of things
Accommodation is the passing rite
That opens up upon the newest things
Where right or wrong, as given's, always nice.
What dogma won, in things of captured worth
Then fails for certain as both night and day
Impose fierce gauntlets which, ordained by birth
Initiates into humanity.
Whether comes fair or foul, truth ever is
Between what was, perhaps that which shall be
Where nothing good's received, nothing given
Except that proven by integrity.
More prudent hearts, in seeming-self discern
What loss to own, what gains to yet forgo.

No longer bothered in the waking hours
To vex the soul with thoughts of cruel reproof
They lighten every gloom with kinder bowers
And firm affections for shared primal youth.
Life’s promises they keep and sooner turn
On admiration of a sincere care
That judges not but, ever ready, learns-
What good or bad, by name, is common shared.
So being one within a true respect
They dare no more contend with right or wrong
Nor weary coming days with old regrets
But thank the night as harbinger of song.
At last to love in truth and constant live
By word of grace, their best of care to give!

Confessing nothing rash to vainly give
An estimation of life’s fleeting span
They overcome the world and constant live
In each, uniting, as is fit to stand.
Too soon, contesting banter comes about
On winds of contradiction, outward born
For inward wreck upon the teeth of doubt
As partial men from better self are shorn.
But owning what is due in right respect
Of station that sets all among the stars
So puny, comes a night to recollect
Those cares that found and folly each discharged.
Without more striving then, their way bestows
A humble truth, in love more plainly known.

So comes the proof upon transcendent will
To study every thought and whispered care
In what is sought and how may grace distill
The phantom soul; from private ways to bear
All things of good and evil in compound
As strange concoctions are at first the mead
Of sojourn ways, from ancient roots to bound
With vital links of continuity.
No star of vacant hope to glimpse at first
Where subtle intimations strike the mind
For sacred unction, urging on a birth
Through shadowed veils of self and misty kinds.
Once found in each, born by integrity
They compass perfect care to open up
The fount of golden youth while manhood’s key
Unlocks the treasures of salvific sup.
Such ripened grace of knowing, rightly heard
Stores up the nations, garnering the world.

A vision in the heart of Man, more true
To magnify the deed and, pure as gold
Proved equity of faith in each that holds
As dung all things which strife of pride once lured.
Allied and filling up the high measure
Of righteousness, with precepts born of love
It rectifies the will, drawing treasures
From Hade’s misty shrine and dank abode.
Thereby to light their lamps and truth reflect
The awesome wonder of life’s unity
While nothing of their tears to yet regret
Nor grant a loss to love's great sanctity.
Great mystery, though measured in the known
It rises, all in each and each in all!

Who knows what by this awful sight is spied
For proofs more sturdy, sought upon the word
To shape the justice of their dawning days
And lift to yet new life the palling world?
More subtle than the silent creep of time
It slips on by like whispers of a dream
To walk amidst the hustle and the grind
Of souls, too careless snared by cruel disdain.
Not here or there with proud insistency
Nor couched in dainty flirting of the mind-
A form of light and golden verity
Clothed in itself, itself a world sublime.
Substance of being, hope without a fear
This faith, indemnified by countless tears.

Ten thousand times ten thousand worlds employed
With weight and number, light and vast devoid
Before this fairest seat could faith enjoin
As heaven’s solar dame to the sublime.
Compressed within its bowels, the work's distress
From many tons of ore brings forth one stone
Which rare carbunculus the sage invest
With value, their beloved to adorn.
But this and all true wonder has not shown
What men and women may, in time, bequeath
As one pure breath of aurum spirit, born
To comprehend and compliment the rest.
Great agony has justified the odds
In consequence of Man, revealing God!
Juliana Feb 2013
You’re wishing plus wanting
to win the other side
remove your pride,
you untied tidal pool,
the wide subdivide of these paper pages.

Unrelenting numbers
remind you of the next stages,
taking you wildly to Namibia,
surrendering you to Zimbabwe,
the terminal station.
The narration vocalizes the translation of quotations,
your obligation to the violation of the rules, the regulations,
vulgarization of spoken word.

Pretty paintings plaster typecasts,
the pitter-patter of pity’s pretty ******,
quickly shifting refurbished velvet sofas.
Overcast symphonies outlast
witty recast stanzas,
scores with notes naturally quote
verses romancing seltzer spines
noticing the negotiation of sore throats.  
Oblivion’s oblivious to the people,
obnoxiously obscene with syncopated
saturation of public vital signs.

You’re the vain strain of virus
photocopying yourself within skin,
waste your sin on tattoos trapped on shins
safety pins selecting prints
pinning sets of twins to tanned wrappers
protecting official reports.
The ossuary welcomes records printed on thick paper
suspiciously missing skeleton swords.

Writing stories reversed while tipsy,
quickly preforming risky poetry smog,
sweetly omitting secret words,
trying to spell simply without the proper prologue.
This is written only using the second half of a dictionary.
http://poemsaboutpoetry.blogspot.ca/
Jen Jordan Nov 2015
forward forward forward
going somewhere moving forward
whether progressing or regressing
growing or unlearning
coming or going
living, dying
everyone believes they are moving towards something
and as everything happens all at once
each perceptive reality is entirely different than any other
and each consciousness travels, and does, and is.
each consciousness believes it has a purpose or a path.
the purpose is not to see into nor plan the future.

from the civilian to the hero tv shows and movies
have consistently glorified the ability to see visions of the future
generally this is followed by someone trying to prevent
the happenings in said vision from becoming reality
and distinctly failing because they "saw into" the future
that their own energy influenced

but the true super power is to be able to look into the past.
to prevent the omitting of details and data
to avoid a rewrite of our conscious interaction with this planet
not to white out the chapters that bear the truth in the textbooks
to recall history so it does not repeat itself

my question is then
do people disguise the wrongdoings of those hidden by the passing of time?
because they are ashamed of the mistakes of their ancestors pasts?
because they are ashamed of their participation in past consciousness's?
because they are ashamed of the atrocities humans have inflicted upon each other and themselves as well as their home planet since the beginning of recorded time here?

or do those who have the power to omit and hide history
purposely rewrite it?
do they mask the pains of the past so the rest of us will forget?
so that even they can forget?
so their next consciousness can unknowingly, while predestined,
have hand in crimes against the world all the same as committed in the lost past?

how many times has someone written these words
or a similar combination
only to delete the post?
burn the pages?
backspace the message?
stop themselves from speaking them aloud?
cover the symbols?
pass out of conscious living mid sentence?
lose them to a past lifetime?

how many times has this cycled through the same way?
how many times have I been me?
how many times have you been me?
how many times have I been anyone?
how many times have I been?

is there a rhythm or is it all as scattered and random
as the thoughts that bring you
to this kind of an understanding of the habit of misunderstanding?
the kind of thoughts that bring you back to the birds nest because you were too early for even the worm?

they will all catch up eventually
after all they all think theyre moving forward
and they don't even know where they've been.
they don't even know that they've been.
Mateuš Conrad Jul 2016
variation in what's dyslexic in English:          roy-     (+)     -al - like Al Pacino - or? roy-       (+)        -all - a different slug for a tongue caged behind the 32; alternatively say: casino royal - two pronunciations of the same word, and no distinctive two-lane stresses added to say them intentionally with variance - basically one variation is missing an acute a (á) - alter to acute: dentistry's alphabet - say A - you end up adding an invisible hark of prolonging a sound from ~aye into ahhhh; the tetragrammaton is more than a noun, the Hebrews didn't see it coming, the two H variations are involved in how diacritical marks are asserted and used - i too thought it was something to do with déjà vu  - but it turns out it isn't that simple - how diacritical marks are asserted and used, or upon second suggestion: how they're not used, and what complications arise from omitting them.

for someone as concerned with people's ****** lives
as *richard von krafft-ebing
was,
with his mangum opous: psychopatia sexualis -
i'm surprised he didn't throw a *** party -
stage an **** - richard brautigan apparently read
this Victorian - may i say trash? -  compendium
and giggles with friends; modernity has no stamina
for the seemingly idyllic *** lives of bowler hat
gentlemen - a sample from psychopatia sexualis:
homosexual feeling as an acquired manifestation
of box sexes (the androgynous stipend to exercise
all mouth **** and ****) - however you like it,
quote: almost every self-****** individual (originally
masturbator) at last reaches a point where, frightened
on learning the the results of the vice, or on
experiencing them (νευρασθενια), or leg by example
or seduction to the opposite ***, he wishes to free himself
of the vice and re-instate his ****** life.
you could say that, unless of course you're put off
when a girl reads you a questionnaire from the cosmopolitan
magazine, and you've seen too many Jame Bond movies,
or heard stories - or how you figured: well,
totalitarian governments aided heterosexual marriages,
championed them with the standard myths,
democracy doesn't really do that... democracy likes
the odd fetish... hence with the aid of science the fetish
marriages - surrogate prostitutes aplenty -
that's not ONE HOUR AT £120 A POP... THIS IS NINE MONTHS!
someone once lived and said: Jews and homosexuals run
the show - i think it might have been a Bukowski citation -
yeah, but who's the audience and not the puppets?
the politically, what's the word? ah, uncomfortable -
there's a strategic unit in medicine that's not the MI5
or the MI6 that deals with them under the alias P.S. -
not post-scriptum, but paranoid schizophrenic -
formerly known as premature dementia -
to me creative, to others worth sedating - meaning:
why would i write about western society in defence or
in apologetic language like C. S. Lewis and his love
affair with Christianity when i'm pretty sure i'm not
writing about utopia? why? oddly enough niece is also
said likewise for Nice - or 'aw, how nice.'
staged on the promenade des anglais - is this a clue?
anyone in touch with the security forces?
could be a pattern clue - now there are two fronts to be
worried about, the achoo right - boy, what a sneeze,
and the already involved actors -
mind boggling, how, ever, could, it, have, happened?
and i swear language was intended to be flexible,
like a gymnast - flex flex flex - which is strange that
the unimaginative always attack from their rat cages
bewildered at seeing a way out of a maze and then blocking
it (e.g. Ezra Pound, mm, the prime fascist of them all) -
it's called censorship, but in the west it's hardly a Stalinist
plot (believe, it's not utopia, i don't understand this
collective delusion that it is - somehow - and indeed,
somehow it isn't - it's called a superiority complex -
the same happened in Iraq - coverage almost zero -
subterfuge requests all over the media - now i have to live
as ethnically placed in close alignment with the people
that regurgitate all this hype - i have absolutely no reason
not to fake a clownish tear and whatnot -
it just is. so yeah, why didn't rich von krafft-ebing throw
an ****? a swingers' ball to cure all the pathology noted?
even now, or *** lives are hardly concerning -
why poets **** over the book of genesis
and leave the other books to themselves - reducing
the book of exodus into only one pair leaving -
it becomes harder and harder to relate to these books
and the people that venerate them after reading Don Quixote -
it really does - it's almost like talking to an illiterate literate
person - as agonising as it is to say it, it's exactly that.
i wonder if anyone bothered including the prefix in-
to all the scientific words in the dictionary - denoted:
in-pathology, in-sanity etc. - i.e. the first person accounts -
i do it because i would hate to go back to the gym
and complications of talking over a sunday roast -
my life in a nutshell? my laptop was so ***** that i decided to
clean it today - anti-bacterial wipes and dried with kitchen towels -
i thought the mouse of the laptop was broken,
ages ago i bought a mini-mouse with a USB port -
after cleaning the laptop, to my disbelief, the laptop mouse
started working (you know, that little touch-patch of plastic
towing two clicks) - that's life, uncomplicated -
a marvel to behold such daily problems - bound by choice
we choose what is to worry us - the next
chapter in my adventure with Kant?
the critique of all theology pouring out from the
speculative principles of the mind -
so for i've passed the ontological, the cosmological
and the theologically-physical impossibilities for the
existence of an absolutely necessary being - even if atheists,
we're all chipping in - basis? presupposition of such
a being and argued counter (cf. Satanic rebellion) -
not the agnostic quasi-supposition (basically speculative
tact) - at 274 (page no.) ending at 442 (page no.) -
oh i'll finish it - transcendental methodology should
be interesting - it's just a question of how much distraction
becomes fused with blank pixel pages and my irritability
as to how or why poetry ought to be stripped from
banal / predictable technique - rhyme is definitely go,
listen to BBC Radio 1 at any time and you can just hear
rhyme ****** - well, if painting could be stripped down
further than cubism - i don't see why poetry
can't have conversational overtones to it, one of the few
unearthed secrets of modern intimacy, just sitting there,
like ducks.
Mateuš Conrad Jul 2016
some would call it a profanity - from the islands of northern Europe i liked the Scots the most, in my first year at Edinburgh Scottish weather played a joke, i don't remember a single gloomy day - i do remember not sleeping one night, and trekking up Arthur's Seat to watch the sunrise, then climbing down, buying Kellogg's cornflakes and full-fat milk and eating them - that magic moment just between daytime fully sets in - it's so fresh, a reality proof, just before the mundane job applicants get up, you get a sense of what's truly taken for granted in society - it only lasts for a few minutes - before the commuters' nagging sets in, and everything fresh (awaiting the new dawn) becomes custard thick - sticky, sickly honey glue pungent... anyway... i'm making a grand profanity at the moment: tier 1 - whiskey and ice, tier oblivion - whiskey and coca cola... but what i'm drinking is like a virus immune to antibiotics, no amount of citrus barley caramel can mask the smoked salmon with a tinge of variously fruity accents can mask it... Glen Moray, single malt, an Elgin Classic - it is a profanity, i agree - i should drink whiskey like mulled wine - but i'm in a hurry for a mindset, and i'm not bothered that much about passing down aesthetics - my palette says otherwise. yeah, my love for Scotland came from climbing up a ladder in the English hierarchy at school - everyone wanted to be taught by Mr. Thomas Boonce - aged 15 went into B1 (or however they noted the selection process) - aged 16 on top of my game, A1 class - a blazing comet trail of ambition, shared the same desk with my enemy shoulder-to-shoulder, the one who promised me a south american plant would give me grand hallucinations, ****** the mother of my ******* son and wa-lah! elephant trunk pulled from a top hat playing jazz - that Jesus bit about loving your enemies? esp. if they're your childhood friends and are **** crazy? you don't love them, your heart turns to stone and it says skipping on lake: what a shame... so much potential in him wasted on jealousy, the way he trusted a woman that is now on some sort of psychiatric medication... i can't love enemies, what i can do is feel sorry for a waste of human potential... (knock on chest)... yep, this ol' ticker is solid stone... and sooner or later it will be added to a mountain i'm constructing in my mind.

thank god for rabbinical literature -
i could pour days over these pages - i literally open a book,
a compilation of entries -
why hasn't anyone noticed the genius of written Hebraic?
i know in the middle east is a wasp nest of harking and
memorable achoo - or quasi (~, literary denotation,
thereabouts, so so, kinda, well, approximate too,
hand gesture in that symbol, good-in-bad-bad-in-good) -
just now i was admiring the fact that Hebraic hides vowels -
truly, they hide them, ingenious buggers -
all the vowels in Hebraic are hidden -
in translation to Latin the Hebrews treat vowels
like post-Latin users of the original S.P.Q.R. alphabet
use diacritical marks - and newspaper Hebraic doesn't
include them in print, only: i suppose in poetry and
rabbinical writings are they exposed -
which stems largely from what is cordoned off -
or rather the fruits of the work of encapsulation -
Latin is slightly biased, no letter is truly encapsulated,
shut-off from another - aye, be, cee, dee, ee, ef, hay'tch (
a distinction), em, en, ***... zed (an exception), ex, you
get the idea - there are no nouns in the post-Latin
alphabet as such - which is why in science Greek letters
were used as constants - these consonant constants
encapsulated not only the phonetic content of a symbol,
but also allowed for an encapsulation of some higher
purpose - e.g. α (angular acceleration) -
β (sound intensity) - γ (gamma rays) - δ (heat in chemistry,
the perfect error, the Laplace operator, etc.) -
ε (set theory, the limit ordinal of the sequence -
    html disapproval to be written as: ω (tier squared ω,
    and one above the squared tier ω, ω root ω double root ω -
    variant alias of this? Hebraic notation of u .
                                                               ­                   .
                                                               ­                      .
     *shurek
) - Θ (Debye notation) - θ (potential temp. in
thermal dynamics) - ι (orbital inclination in celestial mechanics) -
κ (curvature) - Λ (lattice) - λ (decay constant in radioactivity) -
μ (micron, SI prefix, one millionth) - ν (a neutrino) -
ξ (a random variable) - π (too obvious, πr squared) -
ρ (correlation coefficient in statistics) - Σ (summation operator) -
σ (area density) - τ (torque) - φ (the golden ratio, 1.618...) -
ψ (the cat in a box, wave function, quantum mechanics) -
ω (the infinite ordinal);
                                         it's precisely because the Greeks to
encapsulate their phonetic symbols that so much stability
was brought up - look how poverty stricken the Latin variations
are - these are not merely letters, they are actually nouns!
you can recite the whole Greek alphabet a bit like going
to a party and being introduced to people: Jim, Charlie,
George, Rosemarie... obviously there are exceptions for
this observation to be bullet-proof (i.e. μ, ν, ξ, π etc.)
but did the scientists mind not using them? no! they kept to
this interpretation that symbols of sound need to be encapsulated -
held together, stable, each symbol needs to be a balancing act -
an ~equal amount of consonants and vowels need to be
invoked when writing either a or α, b or β, g or γ -
there needs to be an invocation of names to these symbols -
not mere ah be c e ef gee... English for its laziness in omitting
diacritical marks did the unspeakable when digital paper came
about - it turned itself into a quasi encryption tongue,
acronym fuelled and in all honestly - self-conscious of its faults
yet basking in them! but the real genius in encoding signs truly
belongs to the Hebraic school...

you find them so coerced by naked pictures,
that their outer resembles no inner -
you find them bound to an idea that the inner can
somehow compensate - but it can't -
the outer as the inner reveals nothing,
no love, merely a **** - the winged-Hussars die
in Ukrainian fertile land, and with the music,
you can only think of the drudgery of walking
through knee-high mud - you can just picture
the Cossack moustaches wedged behind the ears
like earrings - i too would have eaten my tongue that way
had it been permitted - without permission
i spoke of a stake tartar and my tongue into one -
then the mantra came - kametz, tzeré, chirek, kametz,
tzeré, kametz, kametz, tzeré, tzeré, cholem, kametz, kametz
,
- i will not be treated like some dumb farmer!
      your Yurt empire is fledgling into the sunset!
  and my heart is enshrined into a bitter toil! it will love
as it pleases! not with you saying what there's to love!
tzeré, shurek, kametz, kametz, tzeré, kametz, cholem, tzeré,
chirek, kametz
. what a mantra!
a, e, i, a, e, a, a, e, e, o, a, a, e, u, a, a, e, a, o, e, i, a -
patterns strangre than in a poetic rhyming scheme -
respective incisions into still-life motives of movement -
i.e. if a vowel be my hand, a consonant be a chair i sit on:
kametz of aleph (א), tzeré of bet (ב), chirek of gimel (ג),
kametz of dalet (ד), tzeré of heh (ה), kametz of vav (ו).
kametz of zayin (ז), tzeré of chet (ח), tzeré of tet (ט),
cholem of yod (י), kametz of kaf (ק), kametz of lamed (ל),
tzeré of mem (מ), shurek of nun (נ), kametz of samekh (ס),
kametz of ayin (ע), tzeré of peh (פ), kametz of tzadi (צ),
cholem of kof (ק), tzeré of resh (ר), chirek of shin (ש)... and
finaly the kametz of tav (ת)* - we really like our matchstick
men, don't we? in terms of ancients tongues,
we like our curvatures in modern tongues of Greek
and Latin, don't we?
instilled the names of vowels! kametz (a
                                                 tzeré (e
            chirek (i
                                          cholem (o
                 shurek (u
                                                           pentagon thus far,
    revealed vowels with diacritic interpretation
           kametz, as soured: חָ - tau, vowel as diacritical mark
elsewhere -
                       tzeré - or umlaut below the letter - alternatively:
           וָ qàmetz                   וֵ tzeré
וִ ḥìreq                              וֹ ḥólem                   וּ shùreq
     (c, k, q - make it quick, à, 1st),
                (é - prolong it, to catch a breath, or the first
                      tetragrammaton H),
that's the genius of the encoding though... the omission of
vowels, or vowels as diacritical marks - one shurek (u .
                                                               ­                                   .
                            ­                                                                 ­        .)
among 10 kametz and 7 tzeré - gematria at its purest -
one shurek, 2 chireks and 2 cholems -
a form of encoding deviating from obscure onomatopoeia
and the void and meaninglessness, toward
a sound ushering a word for word, and actions parallel -
but this encapsulation of breath taken and
breath released, as in writing, the speaker does not
suddenly breathe again - but is kept within limit,
a consonant starting point, the zenith of breath or soul
and a return to one body, v A v (e.g.).
but imagines being able to avoid noun insertions -
then Hebrew is very much as modern English -
when modern English ought to utilise diacritical marks
on either vowel or consonant, it does not -
it doesn't have a single sound encoding worthy of a name -
there's no omega, there is only oh -
Hebrews treat their vowels as diacritical marks -
their language is one massive crossword -
how do they even read HBRC? who the hell taught them
when to insert the vowels from following the roots
as stated HBRC toward the tree that's HEBRAIC?
this is ******* bewildering - i don't know how they do it!
what's agonising is their notion that patterns in letters
having numerical values is somehow meaningful,
as if something horrid can be averted - to me 1 + 1 = 2
is enough - i don't need alef / αλεφ / αλεθ (א) + bet / βετ (ב) =
anything but gimel / γιμελ (ג) -
this is the ****-pile of having so many prophets in your society
and not enough philosophers - the Casandra Standard -
Greeks had the philosophers, the Hebrews had their
prophets, both in excess - in the end the cult of prophecy
in Hebraic society turned into a Casandra Standard
borrowed from Greek myth - while Greek philosophers...
i don't actually know what happened to them -
i think most of them became dentists after Aristotle suggested
women had fewer teeth than men.
Kathleen Dec 2010
Remember when following twinkling lights down sparkling hallways that life is but a dream
and here is the essence and truth of the whole thing ripping at the seams,
spilling out through bell peels and peeking out from bows of holly.
Once a year reality shows a bit of leg.
So enjoy it thoroughly through rounds of eggnog and sugar comas,
through cellophane and paper napkins,
through pointless conversations omitting drug references and financial statuses.
Just put some snow down someones back,
and if it isn't available,
good ol' ice does fine.
Forget that in a few days and a few minutes the world will close up again and deny it's divine nature.
Add a bit more weight to show that it happened,
to prove that it happened for the next few months.
creative commons
Mateuš Conrad Sep 2016
my linguistic observations were not written onto a blank canvas,
they arose from a backdrop that suggested political apathy,
and language games: my observations
came about not from observing
the necessity of what was suggested,
my observations didn't come
from omission - by was to consider
mathematical acute and macron
sense of what's to be punctuated
in addition, or stressed multiplication -
it didn't arise from omitting something,
it actually came about from
the futility of the leisurely fragrance
of language that politics could abuse
and leave many politically apathetic -
similarities with mathematics:
whenever the arithmetic cauldron
reached out-of-proportion counting methods
to value things -
same with these 26x nth term variations -
(nth term? the easiest allocation,
globalisation: ask a Croat of a Slovene
and i wonder if a Californian
might regard a Nebraskan in the same way) -
no, my observations came by way of
antidote: i looked at language and thought:
they're wasting it...
                  what with language entertainment:
crosswords and anagrams -
               i never understood why poetry
became obsolete by some noble pursuit
akin to philosophy... it didn't...
philosophy, pure philosophy didn't undermine
poetry, offshoots of philosophy: logic
games bedded the goodbye of emotion,
we're great at self-preserving emotions bound
to anagrams and crosswords,
   but cross love and hate together
  you get:                       h
                                        a
                     ­                   t
                 l       o      v     e...
                                                      philos­ophy is
at some points poetry, when there's a new crossword,
when there's a game of anagrams -
well, it write a new poem every day,
because people rarely acknowledge their everyday
apathy, they think they're without pathology,
and in a sense, they're without pathology,
their only pathology is finalised with
a connectivity of emotions, the paradoxical
unity of chiral emotions, a chance of opposites
solidified within the opposites of man, and woman -
when we speak of man, we tend to speak
primarily of femininity -
            and when we tend to speak to woman,
we tend to speak primarily of masculinity -
   the noun with the opposite-effect adjective -
but as sure as i am: it's a tightrope experience,
https://www.google.co.uk/searchsclient=psyab&biw;=1600&bih;=775orld+trade+towers+tightrope&oq;=world+trade+towers+tightrope&g;_lp..r_cp.&bv;;=bv.132479545,bs.1d24&ech;=1ψ=kOjZV5HjNckUqoiegM.1473898640411.14&ei;=UPTZ_IOKAbinangBw&emsg;=CSR&noj;=1 - is unreachable raph.co.uk/film/thewalk/philippepetitworldtradecentr/
Philippe Petit's expertise would do just now,
but on the confusing subjective deviation scope,
not minding the objective facts - two buildings,
one rope, one man... oh there's logic in subjectivity:
you just have to revise the objects surrounding the
feat - it's not exactly a United Nation's translation...
something has to uptake a poetic feeding,
and some has to be discarded...
   crosswords are philosophy's version of a poem...
i'm pretty **** at them... which spurns me to
write a poem, i'm with the Japanese squares -
as always, an optical consideration to allow variation...
but a poet usually wakes up when he sees
what others have done with language:
   crosswords are thesauruses in disguise -
      the hint is aligned to a thesaurus, more than
a dictionary - there isn't a care for
                       your vocabulary,
given that philosophers systematise and therefore
   acknowledge a need to curb a chance vocabulary
deviation as: in addition to... it never happens...
     but when did poetry become so discredited
form of entertainment in the use of language,
averting poetry as not music is wrong -
              poetry was replaced by crosswords and
the play on anagrams... music was wrongly attributed
to poetry by philosophy - it was a double blow -
a secondary **** - poetry was never music,
                    it was never about hitting rhymes:
Tenacious D's one note song and the clinically
   real:                              hate
                         ­                ate
                                         late - same ****, different cover.
imagine an onomatopoeia orchestra: doors, knock knock,
        sand in hands: the sounding of mortality,
whatever...                             can you see this
****** attack? i know Nietzsche's poetry was pish-poor,
but his maxims stand out for me to provide the
necessary reflex - philosophy attacked poetry,
the thespian art took over, the monologue is a holy
grail: a monologue that is free from narrator -
narrator exclusive - spontaneously: here! there!
nowhere! omnipresent!
                                          the pleasure from poetry
is in every household, not the poncy pretentious
households of frail households,
  your grandma is doing it already,
she's doing the crossword, she's not raising an emotion,
a gamble, she's a sterile duck, doing a crossword
rather than reading a poem -
                            and the philosophers?
the Shiva-disciples? before another art-form is attacked
they'll make money from being critical of films...
    to be honest, they'll have a hard time attacking music...
they can be great film critics... but in terms of music?
  well... the original confrontation with poetry
has made them impotent in this field... music is pure emotion...
including all the cheese entanglements -
however cheap an emotion might be (cheap: pop,
appealing to the universal attainment, shy, hidden,
the standard base of later improvements / idiosyncrasy) -
they can't attack music, it's double jeopardy -
given that poetry is deemed akin to music...
although caveman orchestra: man and his echo -
philosophy can't attack music, Plato's cave and the movies
beckons them... try once more,
                         and here comes the spectacular!
They leave Jerusalem, with the acrobats from Shiraz. They were ghosts of poetry, wine, roses and fireflies; they were conjuring the path of the twelve camels to the intersection with the Cenotaph, where King David with the Cherubs of Kafersesuh will stay. They were Epi ghosts, basking in camelid footsteps. They went in all the intermittences of the bent nails and plants of the areas of the marquee of the other four ghosts that accompanied him. They were the jumpers with water wheels, wheel scales with tutelary cords, some with stilts of gold disgrace from the coins of Judas Iscariot and the last propelled by a caper that ruled all the others on the wings of the Fireflies. Withdrawn from the road that leads to the Kidron valley, 2,500 years of clay tablets from Persepolis fall on all of them, they were phonetized with the plaintive nightmare of Tirazis's one-eyed poem; which is currently Shiraz, in this way these ghosts escorted the Hexagonal Birthright, they were exiled from their ghostly cities for not paying the tribute of obedience to destroy and rebuild. As they began to be with them in the cove, the ghosts of the acrobats boiled with the eagerness to prevent everyone from being saddened by the departure from the orchard, which was falling further and further behind their footsteps, dancing with their pirouettes along the way, they told little stories. in the ears of travelers.

Hydro Saltimabanqui: “I come from Roknabad (also known as Aub-e Rokní), an underground canal that carries spring water to the city from a mountain located ten kilometers northeast of Shiraz. Here I have to mend the propellers and water ropes to do my acrobatics on the water, with greater songs in the poems of the Poet Hafiz. When we bite our tongues, we repair it with Hafiz's verses from the Koran; there are three hundred creeds, three hundred hectares to irrigate with my wheel the sadness of those who cannot have the gift of the rivalry of Montenegro and Monteblanco, to overestimate the liveliness of the caravan trembling with uncertain doubts on its way to Jaffa. "

Saltimbanqui of Bacule: "We are Epi ghosts, the reverie with tutelary ropes, to jump through the trapeze of the photometric units of the heavy Almería of the highest Mirror of the Sea. Here we look; from here we will board the barge that will take them from back to Limassol. Curiously, the same ship from Lepanto that sleeps in the swings of the sea and in the arms of Anaximander, in a new awakening from the lethargy of the super-string theorization, here is the intrinsic speculation of science, since this is not just to research purely empirical. "

Says Anaximander: “First…, we have no proof that string theory is not ultimately correct and in the future in any verifiable way. Second, we propose a project of the order of string theory, which is necessary for science and its importance, going even beyond the scientific to also project itself on the metaphysical and the religious, right here in this order of greater what to do together with the rope that leads me to Patmos.

Saltimabanqui of Bascule responds: “metaphysical and religious legitimacy, here we are tying knots in the rope that inaugurates a new masonry in the observable futuristic look. Here is the original fiction of continuing to raise the necks of the ants over our optics. We will jump on these ropes, but we will fall on intervals of placental physical dens, which were born from the new embryo in the twelve caves of Gethsemane, in a primitive late germinal process. The micro phonetic vibrations will lift us up from the hunger to follow and leave King David in his cenotaph, gored on his hips by the Cherubim, marking his holy antlers that become entangled in the blunting of the cuneiform scratches of his epigram.

In the middle of the magical theorists exotically as associativity of substance causally of the poetic and multiverse song, believing in the ghosts of Shiraz, as dreams injected to sublimate the Aeneids that they lamented on the bottom stones, even though they were independent of their material origin. Multi universes, multi paraphrase for who has to dress the word “Rosa in her noble long dress to the cliff of Ebdara when Vernarth acclaims his brother Etréstles, he comes with the Auriga from Messolonghi. Rested and determined to head to Tel Gomel, he comes with his horse Kanti to keep him company on this crusade. Kanti defied the Cliffs of Crete, he was servile to Markos Botsaris, 1821 (Royal Hero of the Liberation of Greece in the Turkish Invasion, Koumeterium Messolonghi - Palibrio USA), until in the afternoon he approached from a herd of beautiful places of steeds to him. This was heard by Etréstles and he seized His horse to have more than a Life from his company, more than a lost and lost aroma of his natural mother, to reach the one who would treasure it”.

The ghosts attribute quantitative passages from before leaving King David, and then continuing on the road to Jaffa and advancing on the ship back to Cyprus; Limassol. All were hyperkinetic bowls leveraged by the terrain that was on the **** of the acrobatic histrion foreshadowing the contours of the temporal filigree, which in each one made them smile at the carriage with oxidizing wheels, still being immaterial beings, but alive in its marvel gases, wading the serious bile that emerged from the glasses in his allegories. His footsteps and his undulating phonetic figures did not stop over the caravan, which had already passed Jerusalem. They were already undaunted by themselves and overshadowed by the foreboding modulation and encryption of the rehearsals they were doing, over the heavy atmosphere that seized and begged a small piece of the attention of those who did not celebrate their Shiraz pirouettes.
The areas, volumes, and lengths were fully encompassed by the Ghosts of Shiraz, the acrobats ran along the banks of Ramallah, it was already winter, the city received them with winds and rains from the southwest alternating with cold and dry winds from the northeast. The acrobats went like master geometricians to condone the fuss of the caravan, devising a dodexagesimal system. (Twelve centuries of ultra-nocturnal geometry and shipwrecks at the Alexandria lighthouse)

Positioning as a base the number 12, to measure times and angles that they needed to avoid the voluminous rains that hit the caravan.  Incredibly, the volumetric position of the plantar legs of the camels seemed like wheels that rotated without stopping in any anti circumferential radius, making some clouds a shutter that enclosed them like a trapezoid of God's flock in the high semicircle of the waters that tried to fall. , like axiomatic staves of Euclid's beard tempering his elemental construct.

The linear position of each one of those who were mounted was a perfect ergonometric based on the Muladhara pressing the four red petals on pressing the Achilles heel of Vernarth, which was dimensioning the Ramallah triangulation, with the fungi that were housed in its Xifos sword in the jet tip that carried the dodexagesimal cartography. In the same position, the Apostle Saint John seemed, he carried the rosary in his left hand in geometry that elongated his nose and feet in an adonis triangle, thirsty for one hundred and twenty degrees of the sextant that broadened its spectrum to align with this Birthright. Thus the stars and planets are positioned as celestial spheres with the gravitation of the Olivos Berna, revolutionizing curved and flat equations that intuited to go beyond the crossed pirouettes that the acrobats did all the way, even further than those of the withered path of oil, purposely of the axiomatic systems that the Ghosts of Shiraz intended to establish.

Shiraz  Ghosts

These Persian Epi ghosts, axiomatized abstract and ideal entities relating models of austerity and lyricism, which fluctuated in the lines and planes of movements of the clouds with the counterpoint of the legs of the Gigas, leaving marks in the sand like a point Morse, straight and flat, until the fifth step that tried to cross the lines of Ramallah, for the parallelism that the centuries that asked Vernarth to reorder the geometric geography of time and the positions that were added as a delay effect in the Garden, essentially of a hyperbolic vision, to appropriate the entities of the Ghosts that grasp with their little finger the strings of the times associated with Gaugamela in his palatial sovereignty with the footsteps of Vernarth and in the phylogeny of a world that is born behind the confines of religious micro- genetics , from whose space is born in another and would accommodate a circular bijective function, to attract the aerosisms of Ein Kerem in the new life signs of J Joshua in the reborn One-dimensional Beams.

Vernarth diluted his bones to sit near the tarsus and accommodate it at the end of the vertebra of the Muladhara (Chakra of 4 petals), making a sub-technical geometric function to preserve the figures of darkness that were also diluted, to arrive at night close to of Jaffa, in the surroundings the isometric fire existing in each one and in two dimensions…, but born of a common one. Raeder and Petrobus wore their floating eyelashes full of dusty and dense manias on their faces, with splinters gum that they had released from one of the pirouettes of one of the mountebanks when colliding with the basic postulates of the Ghosts of Shiraz, deducing undulating spaces like snakes within the isometric fire that dazzled them with the burning senses of humor of the last drops of the Shemesh codifying themselves in an absolute intuitive measure, beyond all dimensions, which is Consciousness destroying the planes and spaces that multiplied among themselves as members of another geometric conscious dimension.

Arriving at the Ben Shemen crossing, everyone undergoes collective hypnosis; the ghosts manage to embody each of the components of the Birthright but omitting a great factor. They relegated the Hexagonality of the genetics of this caravan, not raising the ghosts when calculating the area of once they were being intracorporeal within the members, thus having to abandon before the last ray of Shemesh threw them on their faces ashes of the Gehenna, for this supposed reason to leave them condemned to recycle the human species, for the purpose of reproducing sacred human beings, but being subservient to the cravings beyond the immortality of the miscalculation that led them to the citadel of Karim Khan, surprised with its stamp of thick stone walls and circular towers in the heart of Shiraz. This gave them a warrior aspect contrary to their fame and history: this was a city famous for two thousand years for its culture, with its gardens and its poets, now if in a conspiracy by this beautiful odalisque ruse that attracted the guide of the ecstatic ghosts, in a bad moment of extradition to a bad context of epi ghosts not yet defined in their pockets of apprentices boasting on the laurels of weak and doubtful ideas, which still swarmed within his white heart, trying to reach Vernarth's as former commander Hetairoi, now a servile mystic. In such a way, the complicated as ghosts like "Sufi", being, in reality, the genetic soul of the double ax that carries the double edge of today ..., of the sacrament of Medea in Abdera.

Pro says a ghost from Shiraz (embarrassed):

"The Universe is a sea that longs for dry shores,
without sea and without other wet longings ...,
no possible maiden could
Try to dry it with your star hands ...
Who calms the crying of the Universe ...
even so ..., simile remains floating as a verse between his dreams "

"How can I make my dreams another dimension of the universe?
if he is quiet and does not make me float in his sea ...
How can I make it possible for the tips of its stars
fill the spaces that have revealed it ...
and that have made circular shores without a sea in the mists "

"I walk alone and nobody sees me ...
so I don't wake up the candles that smile and accompany me ...
between days that turn into mornings on the shore
of the solitude of the universe, that nobody embraces him ... "

“Now the days tremble from almost falling on themselves,
They come out alive from their own loneliness of exhaustion and fullness ...of whoever appreciates them in the mists ...
being able to surrender their attention in Ben Shemen ”.
As the Ghost of Shiraz expires in Ben Shemen, he escapes all for nothing in the triad of hypnotizing conventions that still resided in the shameless air that engulfed him, all over the stationary enclosures of the entertainment spaces caused by the acrobats and epi ghosts. That seduced the indecisive beings that sailed over the limbs that made them doubt where to refrain from continuing, outside the radius of the caravan or beyond the skies that did not cease to be in good spirits, of the universe passing through the white hearts, six on the inside and six on the outside in their traveling artist folds.

The lands that are accommodated by the time of parapsychological hypnosis tremble again, as a separation from the physical magnitude of Gethsemane.  Creating a sequence that bends the heads of the ghosts, filling their translucent physiognomies between a cold past and a frozen future, from a classic mechanic, which from now on would depend on the dice thrown by the Third Phantasm of time. Here a relativism would be opened to those who want to see the past in the orchard in an unstable particulate present, leaving far from splitting both parts of the archetype of today, like a subdivided clash of several times that allowed integrating the remaining phantasmagorical spectra, taking over a story on a pluriaxial axis that prevailed in the time of a supposed numerical line from a vector, aligning itself towards the compass of the distance that shines between both northern hemispheres in the minutes that go to the right and the solid-gas seconds that burst almost in the walls of their own liberated beings. The four ghosts of Shiraz, had time differentials before this event with the caravan, verifying the simultaneous prop between the two pairs of ghosts between four dissimilar, but poetic ones that made them here at this point obviate and cancel between two relative nomenclatures of physical structure. The durability and classification of these micro-times of the phantom epi would make the database that St. John the Apostle and Vernarth will accumulate with their eyes closed, each one surpassing himself from the debatable areas, which concern to estimate in occupying the spaces physical in some of them at will so that one of them could embark to Limassol. This simultaneous and relativistic multi-active line, encloses events and squares of spaces in the cinematographic time of the parapsychological regression, as a link of physical images slowed down in the evolutionary and cognitive memory, passing from the conduit of expectation memorization events towards the set of absolute figures. not pigeonholed, but approaching the universe in grasping scales of those who value them. This elucidates even the very conception of conceiving oneself as a ghost, rather in what is called "Epi Ghosts", of absolute belonging of the identical ..., outside of oneself "Being with them and not, as a tacit phase of a dragged story with the seconds that were not lived ... "

This scaling conception will allow them to reside a few millimeters from the consciences of the caravan that was advancing automated along the tracks that already made time and distance in front of the absolute, in a jiffy, having in their faces Rizhon Lezion, who was made of images more than a marked and concrete story in a mechanics that kept the body as part of a large volume in all, to the rhythm of the plantar areas of the Camels Gigas, dividing as a stream of water that would flow fragmented between past, present and future, but as a starting pattern to the future as the only "today" for the time of the times. This unified three-dimensionality would mark the mathematical space of the attempts towards the future of the contiguous camelids of the ghosts of Shiraz, for the ownership of time between all with a single identity that cries out for the univocal will to rearm, even if the winds are very strong. Of the partition,  which separates the world from God and the believing observer into the future with a believer from a historical past in obscurantism, leaving and entering a new world whose notion is to spend connected and bound in a systematization dependent on the great causes, although the static feels isolated from the dynamics, inquiring probative to unite between the ghosts and others, even though they are inferior forces under the line of the generous gaze and the parallelism of the attentive spectator, which suggests more openness to receive and delegate the circumstances of all physical, emotional, spectral and mental-spiritual dimensions, flexing the emotional states hierarchical night and day. Everyone falls asleep hugging on cushions of lamb saddlebags, making it possible to get closer to them too, close to the Ghosts and sleep next to them hugging with the decanted strength of the frames that hang from their faces showing the emotion of being favorite children of the Mashiach, absorbed in the Kidron Valley.

The frontier of the future will be the pre-act of not traveling too much of the physical love to the touch that only awaits the love of the sleeping of a Cherub, this may occur when the sheep climb the hill of our consciences, and manage to be perceived as the simultaneous harness of satisfaction, who lack the vision that would speak to them of a past belonging immobile, to this ethereal topology that will have to biodegrade the molecules of the seconds that sleep in the sheep-man wool saddlebags, at a higher speed than it would last to go back near from the palisade, where it crosses the path to the immemorial arcades of the Mashiach, spinning around all creation at a speed that determines a verse in its soul around the orthogonal of Shemesh, quadrupled and cloistered in its self-consciousness scattered like iceberg down the back in the submissive thoughts that long to be tied to more precious time.

Our lord has us more tied to an absolutist past and future, looking at his calendar divided in such a way that it always fits the day that hurts the shadows of a sharp past, so that it always smiles in us, as the best luminous sign, of whom and with whom to repair the damage of various wounds that travel through the times of time, always wounded, to and from the borders of an anachronistic past. The ghosts, always fast tetra, marginalize themselves to the sound of greater diligence, they fled in Rizhon Lezion, to wake up a little further away from the rays of the stationary Sun, which from now on always surfaced in the degraded dark circles of the mountebank, prowling around the festivities of who knows how to wait, to make a toast under the pretext of faith and hope that exempts the cardinal turned into a flower in white attire.

Shvil from the Angels

The fast epi phantom tetra was emaciated, they lost their north and since they could not walk, they were not energized by the radiosities of the earth, which dominates those who lend divine graces if their feet rested on the tapestry of those who threw their footsteps in winter already near Jaffa. The Shvil Angels were angels that were on the route that cordoned off the pilgrimage of Vernarth and Saint John the Apostle, they were full of flowering Berne Olive Trees that made trunks of floral arches at the entrance of this ancient port. They were three when they walked, they were always distributed so fast that they seemed to be six, but they ended up averaging the quantum of three for each of the components of the Birthright, which from today would be the great circumcision event of the Universe, to make it part of those who one day will have to caulk the rhombuses of the fragmented light beams on the path of heaven so high, in the name of the phrases that never tire of looking at the incautious years that are of our father by the exogalaxies in the total company of the invisibility and relativity of cautious time.

This Semitic seashore beauty indicates and invites us to reach its salty Hebrew waters of Yofi, reinforcing the phonetics that runs madly through the border hills with its heart in hand, when foreigners appear in the name of plausive phylogeny. That brings him a piece of bearable land from the Universal Flood, this is why the ancient Canaanites have to receive them with the table set, to entertain them with winter flowers in Jaffa. The Hellenistic tradition relates the name to Iopeia, which is Cassiopeia herself, mother of Andromeda. After Pliny the Elder the name is connected with Joppa, who was the daughter of ******, god of the wind. Where Vernarth locked his Aspis Skolié shield so that it would shine in the bilges of the Eurydice, under the pentagon’s of the bronze layer of his shield, every time he approached the Dodecanese when the Auriga descended from Andromeda on the back of a punished rower by the storms taking him away from his mother galaxy.

Thousands of years BC Its merchants glorified themselves with their baskets full of belongings and merchandise, for its inhabitants, who today pretended to be pharaohs who paid tribute to the marine corners through the coast that today seemed to open up with more new waters that were reborn from the capering of the swells, founding thus the omens of embarking to attempt and submit to the omens of sovereignty between Judah and the Hellenic lands, to work with noble trees in their armories and utensils, of which they played an honorable part after the maintenance of the emblem of the last portion, of the shaft of the libertarian triumph of Alexander the Great over the Phoenicians in Tire. In the New Testament, it is related how Peter resurrected the believer Tabitha (Dorcas, in Greek, gazelle) in Joppa (Jaffa) and, later, how near this city he has a vision in which Yahweh told him that he should not distinguish between Jews and Gentiles while ordering the removal of ritual (kosher) food restrictions followed by Jews.

The Shvil of the angels distanced themselves from the desire of this station without reaching them and not making them drink salty water from Jaffa, therefore they resorted to Petrobus who a few meters before reaching the port, summoned a large number of Dodecanese Pelicans who were waiting in great celestial flocks, which hovered happily above the sky welcoming them. The pelicans levitate from a risky juggling act, over the caravan and headed to the high seas, collecting saltwater, then they went along the initiation path of Shvil and reconvert the saltwater into sweet with hazelnuts so that they would have holy water, to insolate it and pour it into the canteens of the temple guards of the Canaanites who were waiting for them, to distract them, making them believe they were other Syriac lands such as those of Ashera, which in this act, perhaps it would be good for them to sponsor the Hexagonal Birthright.

But the paths of the angels have confederated before the noisy crowds and Ptolemaic lemurs, who were incorporated into the empty spaces that remained. Faced with this gravesite, Vernarth shouted to the sky with the force of Falangist tradition to himself, and acclaimed heaven, for the sake of freeing them from their definitive income to Jaffa, summoning the Hypatists; elite warriors and spearmen, for them to gather at the portal of the ante entrance of Jaffa, for others who never came from nowhere and nowhere, only blocking it from its perfect plan of memorial and theological heritage conservation, upon return from the exit Judah, to embark with destiny through the sulphurous point that  will boil them in temporary waters, towards the Cyclades and then the Dodecanese, triumphing in inhabiting them wherever whoever was and whoever arrived with foreign promise.

As dusk falls in its first nubile shadows, the  Shvil presents itself to you with these three angels dressed in ivory white, each with a book in each hand and in the other a candelabrum, giving signs of ultra-interpretive catechesis, allying with silica. In combination, after the vision of the charms of the knowledge spread. Earth and sky in the second angel, washing the Semitic dew of anguished Jaffa, with teachings of sleeping well and awakening, to walk in the lands that want to seize the senses, of those who are called not to be oppressed, behind the bars of the Morbid and illiterate pan-vision of the angles of hasty entertainment of the angels when they were called by the Angel Regent, simply relaying information easy to carry to their hearts, in faint powers and poetic lessons, before falling into a thorny forest, burning their tongues in furrows of afflicted human positions, to later redeem them fervently with the judicious power of God.

Vernarth, is distressed by matters of seeing them so tender and so fragile, allowing them to crawl toward him gently. Finally, on these three rules of the Shvil, Hanael introduces herself; "Speaking of hindrances stuck in the literary cabal of grateful compliments for all".   Alluding to Vernarth, a subject desensitized and also distant from any Sub Yóguica disciplinary doctrine. This led him to stand behind San Juan, protecting himself and scared of everything around him, he was seeing in front of him, on the upper left side itself, that Zebedeo was, San Juan's own father calling him!

Saint John the Apostle says: “Justice, at this time, allows us to alleviate ignorance, if the riddles allow us only to look for the answer, God will not be here…, it will only be emotional catharsis, through a merely ideological  Shvil or passage, which moves our meaningless sentences, definitely leading us to the coffers that rearm one after one, after the mistake. We are faithfully interpreted by them, but we detest our regencies with the Escaton, when we all pretend to follow his light of thunderous density towards the sky, prophesying to follow him without losing ourselves in him ..., held on his shoulder glossary. On the claws that are released from the dazed angelic prey, correcting its wavering vision, unraveling the living presence of condemnations or salvation, in Eden with your bare feet or in hell with no departure time”

Inexplicably, some Praetorian soldiers of Domitian appear, who would be restricting the departure of the tretacontero to Limassol, curiously they were the same ghosts from Shiraz that continued to represent such a bad event, just as when he was expelled to Patmos by Domitian in 95 BC, in size was the scandal that the Shvil angels produced with their impractical ideologies, who opposed such spectral imagery, in such a way that they replaced their figure with that of another Hellenic man who wanted to embark for Patmos, the other members were fully incorporated to the ship, which frolicked on the pranks as it proudly carried them to a new ocean. Around the last drops that jumped in Jaffa on the coastal rocks, others appeared when the last divided and scattered drops were going to shine the navigation temples, thus it is possible to board in the same ship that brought the principle from Limassol to Judah that transited from Lepanto.

The chapel of ministers reappears offering a ceremony, which would return the messianic remora to the Angels of Shiraz, to return to their former positions within the paths of biblical characters, who tend to commit adultery in the game of loss of consciousness of the Escaton, probably requiring that everyone have to make pilgrimage routes for all humanity secluded and liberated by themselves. The Saltimbanqui finally manage to jump into the boat to sail to the Dodecanese, but the Shvil of the Angels stayed where other celebrities will require them to reroute the Shvil Escaton.
Chapter XXIX
Ghosts from Shiraz to Jaffa
Part VII - Mashiach of Judah Miracle VIII
Lawrence Hall Sep 2018
The National Security Advisor
In all his frumpery and trumpery
Waves his combat moustache menacingly
Backed up by each nuclear incisor

He threatens Iran with his “hell to pay”
Word missiles through his bristles - “We will come after you!”
Omitting to say (through his ****** hairdo)
His child will not go, but yours will – hooray!

For his own combat record is no joke:
He bravely fought the Cong around Fort Polk
Your ‘umble scrivener’s site is:
Reactionarydrivel.blogspot.com.
It’s not at all reactionary, tho’ it might be drivel.
Nicole Potter Oct 2013
False words pass through once
                                                  Smooth lips.
Tongue wags in duality.
                                         Knowing easy lies.
                                                           ­     Able to deceive.
                  Beware.
Brain knows should not be speaking,
                                             planning,
                                             acting.
Yet jaw moves freely.
                                  Icing over any worries
                Before a spark can fly.
Once you start creating false instances,
                                      Omitting key facts,
Or simply avoiding the ones
                                        You most care for
and Love you most.
                                  Then something has gone astray.
Do not avoid this.
                           Stop making excuses.
           You have been Lying.

**Oct 22, 2013
Samuel Lombardo Oct 2014
A thought in process...
Imagery that tells a story....
I can see
the Prestigious School of Gills:
The Conservatory of Velvet & Blues.
In the process...
The conservatory will need to
hire the Ground sharks
to make sure there
are no shellfish or
Crappie fish laying around.
Once all the Crap is
swallowed up,
we can hire Dolphins so they
can share in their porpoise.
Even in the deep,
we have trouble with
Blackchin.  We should consider
hiring Giant Wels to calm
the Blackchin.  if that does not
work, we will get the Bigmouth Buffalo
to calm all the Bitterling.
I do need to get around-
I should Perch a Black Neon Tetra
...and find some Pumkinseeds.
I will need to hire an
Octopus to get the building
done sooner.
In one hand- I will use a Hammerhead.
In another hand- he should use a Sawfish.
I will need two arms to scratch
the Rough Scad from the floor.
Two more arms should
use Smelt-whiting on the walls.
We need Muscles to do the
heavy lifting.
Finally, the Octopus will need two
arms to lay the Velvet.
EEL!!! I have noticed Roaches!
I noticed the Roughy patches.
Hey look!!! We do not need to
worry about electric-
we will just use electric eels.
To right- I will place the lampfish.
Do not worry about the
evil of the Ghouls & Devil Ray-
I will be sure to Discus
with Alfonsino all
the trouble with the
Blue-eye, Bullhead, ***** shark.
We will have a Whale of a time,
omitting the Suckers & Swallowers
from the Red Velvetfish.
I need to cool
things off with icefish.
And to keep the roofs from
leaking, hire the seals.
Our Seahawk Security will
be watching for the White Shark.
If you see them please,
send out the Yellow Jacks
and I will use the River Loach
as backup for there is plenty of
fish in the sea.
#Building #Where #Are #You #Ateam #Reality
Josh Morter Mar 2015
the sound of the wind is a lullaby
sang by each and every blade of grass
their voices so distinctive no noise can they amass.                                        
Except omitting the motion of movement in the wind,
they play a silent lullaby to echo in the dawn of spring.
walking through London today took a moment to relax on the grass in St James Park before work. Wasn't the warmest of days but felt nice to tune in with nature even if just briefly.
Mateuš Conrad Jul 2016
the greatest lesson i learned concerning life was what Ezra Pound refuted... it came from Tao - and on that 86 bus heading to school i have learned it like an arithmetic rubric - my only lesson came from Tao, all my lessons came from Tao - from a Buddhist revision... the lesson? the only way to aid the world is to let the world forget you, and you in turn forgetting the world be. for that what speaks to the entombed heart, the heart of hearts when the mountain crumbles into rubble, and you're left picking your fancy until the diamond is found among seashells, before you the sea of time gnarling with gnashing of shattered teeth - shoo shoo shoo as if tiresome of the green-bottom flies who's spawn is readied overly... the *******... i can't call them anything respectable in African sensibility... the ******* at the back of the bus and the white harlots too... me in the middle sitting reading a book... Stendhal romanticised me, but Tao taught me reality... i know it wasn't the original Tibetan slit eye, it was Japanese... the only way to help the world is for the world to forget you and you forget the world... which i relearned reading Heidegger, who suggested i should be transparent in engaging with the world through concern (being there, or dasein), even a Heidegger apologetic in me turned into Ronin - Asiatic apathy is courtesy, European apathy is simply impoliteness - the latter has too many ****** expressions - i summarise my life with the anonymous Taoist monk who said these words... anti-celebrity culture, they burn like fire in my mind - they burn like fire in my mind - they are my mind - but i had to show him the European verbiage and the ferns of European thought to prove him right, and i did. Heidegger's concern became the ***** Berufung, soon the concern fizzled and was masked by wife and children - but better a Heidegger apology than a Christian one - what meditation can a crown of myrrh provide while being crucified? none! the Rastafarians keep singing about Babylon... the tree wise men came from that region... so the fourth magician... the four horsemen of the apocalypse? Melchior, Caspar, Balthazar, Jesus  it's still a profanity of the tetragrammaton - four horsemen, four canonical gospels... and that ***** that's Gematria - the undermining of all serious study - you can keep those Rabbis in the museum with Grecian  marbles to collect dust, as i mention Tolstoy and that passage from war & peace: pierre bezukhov - the freemason friend (chapter 13) - l'empereur Napoléon  (666) - l'empereur Alexandre - la nation russe - comte Pierre Bésouhoff - sub z for s (Chiral Gemini) - + de und le - le russe bésuhof = 671 - omitting e (incorrectly) - l'Russe Bésuhof - BINGO! - the orthographic gag - most Anglo never heard of such graphic, having never made auxiliary use of it - but i stick to the lesson in Tao - the world does not recognise me as acting in its fate, and will not remember me as even the hushed - i rather not remember it in whatever guise it might provide for me - the first lesson in Tao, is the last lesson in Tao - Stendhal might have taught me romanticism of the ideal heart of woman - but that one maxim of Tao taught me how to not hunger for women, as if i were the Paraclete - perhaps what Christianity wished for was a placebo of the Paraclete - given that so many already believed the other figure being extinguished in the wake of the 20th century - but in talk of religion, such is the limited vocabulary, and such the impossible task ahead, in that grand masquerade of identifying all with one, and one with all:
as an atom:
                                       omni
                          
                  omni           mono         omni

                                       omni                                  or

(around me everything, i must concentrate on myself)

                                                        ­      nihil

                                         nihil             omni          nihil

                                            ­                  nihil  

(around me nothing, therefore i must encompass it all)

whatever the answer, i sought, and found mine,
it was in Tao, and nowhere else.*

there's never a talk of transparency
in politics - politics isn't
about transparency - it's about
the vaguest and the foggiest -
you all should know this by now -
but ado with George Orwell's double-think,
or simply doppelgläuben -
you believe to disbelieve - that's what the
doppelgläuben does - if religion be the ******
of the masses, then engaging the masses with
politics is engaging them with
hell-raisers - diluted alcohol from 40 to 15%.
no wonder they're ******-off being prescribed
status quo placebos;
politics was never about transparency, all those
near the pigsty troughs know the motto:
you scratch my back, i scratch yours.
the electorate think this applies to them
also true between their daily squabbles, but it doesn't.
doppelgläuben: you believe to disbelieve;
and of course we want objectivity, we want
cages after all... Darwinism is perfect for
an objective expression, which is why poetry
is sidelined as Loser St. -
we all want perfect abs and the opportunity to
sell yogurt rather than Mongolian Yurts
in swimwear shorts... but how long will this
Siberian talk of rationality serve the mammalian heart?
how long will objectivity given Darwinism seem
sensible to keep? are we at the butchers' or
reflecting on life? raw meat, maggoty meat, well done?
we all know that the majority of us are losers,
but drilling this in will never allow us to
speak objectively... well, it will... like in Munich,
an 18 year old lashing out from what he heard
his father being called: Scheiße Auslander -
this is the rational benefit of objectivity so keenly expressed
in argument - which is why so many people have
turned to poetry, but they don't yet see that
the ****** was worn for much too long -
and given democracy, they get lost in the whirlwind
of so many people feeling the same.
hence? Tao lesson no. 1 - aid the world by the world
forgetting you... and you in turn forgetting the world
so the world can be best aided, and you kept free
without minding the c.c.t.v.
michelle reicks Jun 2011
I remember when
ice was glass and the sky flew
That line makes no sense

Haikus are dific—

Haikus are quite hard.
This poem is total crap…. now.
….
refrigerator.

I ponder meaning
and the purpose of haikus.
A watermelon.

Seven syllables
what is the point of these things?
I am so bored now

just saying the words
omitting lines that make sense
‘cuz of syllables

I should just give up
But it’s finally easy
Okay, maybe not
You led me to safety, with white knuckles and wobbling knees

No matter your state of being you always put my peace of mind first

You were open and straightforward, telling me every word of your life story, omitting no nitty gritty details

You told me you were only honest with me

And I had no reason to think differently

But if that's true, I think there might be more to pursue, I think we might be exploring the wrong avenues

I admire so much about you, your generosity, your intentions, your honesty and ambitions

You are my safety net, an angel on request

You are dependability when no one has stepped up yet

You're one of the best I know, and I'm so glad to have you in my life, no matter what's in between the lines.

I won't long for more than I have, because not many are lucky enough to have a friend as good as mine.
i really do value you as a person, and value our friendship more than you could ever know. ily bud
brooke Nov 2013
the milky way is around
100,000 light-years across
which means that, traveling
at the speed of light, it would
take 100,000 years to cross
omitting the theory of
relativity.

I've been dreaming about
going far away.
(c) Brooke Otto
A distrust of details…
Ample amounts of reporting,
And eroding authority;
More freeze-thaw cycles,
Upswells, dead zones. Early signs
Wash up onto the shore, as the
Earth’s core continues to warm.
Hurricanes play mercilessly with
Uninsured lives, and earthquakes
Evolve from tickles to fissures.
Snow disappears from
Whole mountainsides.
The floodgates HAVE opened, temperatures ARE
Rising; Perception is always partial
but there’s plenty of evidence, regardless -

When we start to question the record-keepers
And legislators, those omitting parts of history;
People who willingly walk into the sun, selfishly
Sidestep the natural order and equilibrium of all things,
Exactly where does that journey end?

I think, somewhere around the place
Where we start to forge our own histories,
Or indifference begins.
Heather Mirassou Mar 2015
I tap-dance on egg-shells in my ballet shoes.

They whisper across the floor.

Omitting noise that might entice a temper.

I find a hide-a-way in a hole.

My heart, soul and pen are

controlling the inner-chaos

with a key that empowers me.
www.poetrysoulcloset.com
Megan Jun 2014
From the peckish flow of pollen perusing in the air, that irrevocably makes my reoccurring allergies flame up, permitting my nose to looking like a cherry tomato.
From the awakening of blossoms omitting the sweet smelling fervor of my senses. From the warmth of the weather making my heart feel festive and splendid enlightening my dreams, my thoughts, and my aspirations molding me in to a blooming, arcadian blossom.
From the dandy breeze making my hair go in all sorts of directions.
From the waves of all these winsome works of nature renewing as a sign of “new life.”
From the carelessness of our being, because what comes out of a cold, tepid, bleak winter is none another than the effulgent, heavenly, lush aura within us.
  From the amicable walks and chats with open – minded acquaintances and the urgency to thrive in these unpredictable months coming.
From the change from hot, crisp coffee and lattes to the soothing, teeming tones of tea.
Spring is here,
Spring is awakened.
And so am I.

- m.d.
Wrote this in the Spring, but it constantly got rejected for publication.
Lucy Tonic Nov 2011
Lightning crashes.
Scenery of Christmas lights and carnival delights.
Wishes of "wish you were here" and feelings of gladness that you're not.
Nothing here but invisible trees and extending branches.
Brains wired and falsely ecstatic.
Minds clouded with wonder.
Feet soaked in mud.
Lives filled with dirt, but not tonight.
Six feet under we're covered with dirt, but not tonight.
Music in our ears of deafly heard dreams, clouded by the constant ringing of sober-less memories, filled with invisible sounds of the undergrounds we so deftly tried to forget.
A house of cards, knocked down but slowly rebuilding in this temporary paradise.
We're all strange here; we're all separated by our hopes.
To drink, to drive, to live, to be buried, to stay alive, to not be buried alive.
On the edge of summer, on the edge of beginnings, on the beginnings of an end.
Passion is a pit for dead lovers. Dead lovers lie naked in the mud. Mud covers footprints of those who were here.
Puddles by morning.
Brains in a puddle, minds in a haze.
Lifeless gazes from across wet grass.
Is it dew from rain or are we due for rain?
What's the point of being wet, if we're dry in our souls?
Nothing matters, the eyes disappear into huddled masses.
Under your umbrella, under my last chapter, under our life's story.
Sun comes again, the great big wheel.
Omitting true light to those who hate it, no matter how deep their hate is driven like snow.
Lightning crashes.
The desk sergeant sat at the front desk
in a small police station.
A slow day near the end of the shift
in a small rural town.
Close to a sprawling national park
outside just getting dark.

The young man walked up to the counter
holding a metallic strip.
He looked at the unidentified material
what have you got there son?
Asking as in front of him it was placed
wondering what he faced!

Found it while out walking on open ground
saw something fiery fall!
A bang a flash from the skies a craft fell
he said in a story like way.
The policeman puzzled he heard no sound
when was this thing found?

A few days ago on the other side of the moors
the lad reluctantly said.
Suspicious still the officer doubted the story
cautiously touching it.
There was a strong electrical charge up his arm
pulling back with alarm!

I do not believe your story now tell me the truth
where did this come from?
There was fear in the lads eyes as he owned up
admitting he stole it.
A week before from a friends garden shed
drawn by a loud hum in his head!


It was not a metal from this planet he was sure
knowing it was important.
How long it had been there he could not say
but was omitting a signal.
He was going to keep it but became petrified
with that noise humming inside!

The lad went quiet backed away turned and ran
hands on his ears!
Alone the policeman began to hear the sound
getting louder in his head!
Leaving his post intent on ringing the Inspector
a flash no building any more!

An enquiry followed no explanation for the blast
a mystery forever cast!

The young man nobody had seen or heard of him
missing to was the unidentified material!

The Foureyed Poet.
A young man walked into a police station in a small British town. Holding a metallic object! The Foureyed Poet.
Samantha DeWitt Jun 2015
The warrior's yelling ignited liberating goal oriented minds
Stirring past animosity nightly
Zealots braved ****** festivals, jaded rulers harrowing experiences
Omitting defeat coalesce knowledgeable volunteers
I was given a twenty-five letter prompt and had to attempt to poetically stitch them together to make sense... hope you enjoy
Prompt: twyilgomspanzbvfjrheodckv
nate1990 Feb 2016
It's always growing
Collecting dust
This mountain of thoughts
Harboring rust.

Omitting a dark reflection
I can't help but stare
To ominous to wonder
How many might be there.

Unfocused, unkempt
Far to entangled to muse
This mountain of thoughts
Has left me confused

Too soon had I lost
Controll of it all
This mountain of thoughts
Needs to withdrawal.

Bleed out and purge
Alleviate the Pain
This mountain of thoughts
To much for my brain
Jowlough Sep 2010
Evil grin for your proposal,
Mastered tactics of evidence disposal
Ill gotten wealth in hidden flicks,
Lustrous attack on his chosen picks!

Temper rises when your in contrast,
In accordance when he's wearing his mask!
Over impressing on higher grounds,
Not a merit, but demerit sounds!

Going over, how far will you go,
Carrying your super immoral role!
Omitting efforts by naming it as yours,
Irritated people, Losing their course!

Seeing the dull side, as always,
Taking the tasks,but in dismay!.
Hearse master! your the very worst we know,
Evil King, you'll reap what you sow!

Witness the rise of these poor people,
In the coming future we'll get the apple!
Craving and calling for a little anticipation,
Killing time for self detonation!

Even now I cannot imagine,
Doing your thing is extremely annoying.
Man power you say is just preparing,
Act what you preach, is what we're saying!!

Stupidity, Hoax, Corruption,
Throwing nothing but deception,
Everlasting Gluttony and greed,
Rowing the boat, making a wicked lead.
(C) 2010 Sept 21 jcjuatco The Wicked Master III.
Timothy H Dec 2015
I have yet
to write
a single
poem

certainly I can
rhyme and meter
compose a verse
haiku
limerick
and build cadence
yet
it’s
withheld
refrained
restrained
it does not allow nor admit
in fact
it’s fraudulent
a paean sin of omission
omitting truth
vulnerability and
humanity!
why not weep of wide
open
limpid lucidity?
why not the magic of
heartfelt disclosure?
each ****** feature fearlessly
presented with palpable pretensionless
petals that the sun skips
over skin through
sky of algid air as
each lung
animates
all admissions
tumbling down
in the merriment
that transports
grace
eternal, primal
screams
ancient
songs
that release grudges
from muscles
the mysterious immersed magnificence that
confronts a chartreuse day as an
unimaginable
gift
through the lens of immediate
freedom
with burdens and cares
falling away to
a purely peaceful
poise
not a song, sonnet nor
a single sentence
rather the grasping of
a fresh infusing of
divine pleasure
Copyright 2015 Timothy A. H.
Mark R Prime Nov 2010
What is it that the wail of our voice
has given us
in the stamp of days lurching forward
on the damp streets, eyes upon our feet,
omitting the faces
reflected in this glass grown in our hands
and thickened skies over the oceans clot
of war’s nectar, man’s squander,
while mountains give way to unconscious
machines; voices, wooden with a thick green-love?

What is it that the wail of our voice
has given us,
that the march of a grassless plain
or an iceless crest cannot sign;
we gauge their descent like a killer,
set to be forgiven sins we’ll soon commit
as pointed fingers wag at the surging breach
leaning its majesty over the dampened sun.
© 2010 by mark prime
METHODS
The supreme extinct of my species,
The legend of the east,
Known as the method of simplification,
The method of consciousness carnage,
The accumulator of the deceased

Omitting natured cause, to
Distort all parts of nature,
Yet retained from the moon and the sun,
Succeeded all the systematic empiric methods,
Yet decimally miscarried to Bring forth soul,

From BC to AC till Century factuality,
Thee methods to incinerate, to
Portray the impossible to possible,
Oh poor twisted nature,  
Always in fear of toxic groom for earlier harvest,
Proven in black and white
jeffrey robin Jun 2010
indefensibly on the offensive
trying to hide weaknesses
and anything else

that might reveal
true self and true feelings

especially
those concerning

love or spiritual belief

emitting political opinions
or tales of personal trajedy

while omitting anything
that might make a person vulnerable

to soul exploration
or a sense of one's actuality

all the images have faded
here we are
face to face

amid the horror
of this world

— The End —