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Jackie Mead Sep 2017
The Frog and The Bee lived merrily on a log, in a bog in the middle of two Rivers, the River Louse and the River Wry.

They were best friends with the Mouse who had a house on the River Louse and the Elf with one ear and the Fly with one eye who lived on the River Wry.

One day the Frog, on the log in the middle of the bog, said to his dear friend the Bee, it's about time that you and I, the Mouse with the house on the River Louse, Elf and Fly had another adventure.
The Bee buzzed excitedly and said 'what did you have in mind?'
"Well" said the Frog, who lived on the log in the middle of the bog on the River Louse, where the Mouse had his house “I was thinking that you and I and the Fly with one eye could get together with the Mouse, who has a house on the River Louse,and the Elf with one ear and set out for the town of Cry which is on the River Wry”.
” I've heard” said the Frog, who lived on the log in the middle of the bog on the River Louse, where the Mouse had his house “that there is a horse living by the course of the River who because he is getting older needs some help getting his master and friend round the very long bend.”
“I thought you and I and the Fly with one eye and Elf with one ear and the Mouse with a house on the River Louse could come up with a plan to get the barge, the horse, his master and friend around the River bend at the town of Cry on the River Wry”.
“What a great idea” said the Bee to the Frog, who lived on a log in the middle
of a bog, let's go summons our friends, the Mouse with a house on the River Louse and the Fly with one eye and the Elf with one ear and help the master and his horse round the River course”.

So the Frog and Bee set out to find the Mouse with the house on the River Louse and the Fly with one eye and the Elf with one ear and explain to them that there was a horse who needed their help to get a barge and his master and friend around the River bend.
The Mouse with the house on the River Louse and the Fly with one eye and The Elf with one hear were easy to persuade, they all agreed to let Frog, who lived on a log in the middle of the bog, to take the lead.
Frog said to the Elf with one ear “we need to you to be the eyes for the Fly with one eye and help him find his way to the town of Cry on the River Wry”.  
To the Fly with one Eye, Frog, who lived on a log in the middle of the bog said “we need you to help the Elf with one ear and be his ears, working together to find your way to the town of Cry on the River Wry”

The friends set out on their way to the town of Cry on the River Wry, Frog, who, lived on a log in the middle of the bog, croaked very nosily as he hopped from lily pad to lily pad from River Louse, where the Mouse with the house lived, to River Wry and their destination the town of Cry.

The Bee buzzed happily on the shoulder of the Frog, who lived on a log in the middle of the bog, and accepted the ride with his friend to the River bend at the town of Cry on the River Wry.

The Fly with one eye and the Elf with one ear set out together, the Elf with his perfect eye sight led the way to the town of Cry on the River Wry.  The Fly with his perfect hearing kept the Elf safe from harm and alerted him to any creature that may be nearing.

It was a beautiful afternoon and the friends would get to the town of Cry on the River Wry soon, the Frog and the Bee, the Fly and the Elf and the Mouse with the house on the River Louse, would help their friend the horse and his master get around the very long course of the River at the town of Cry on the River Wry.

After several hours, the friends all agreed it wouldn’t be long now until their friend the horse would be in sight and they would use all of their skills and all of their might to help their friend navigate around the bend of the river at the town of Cry on the River Wry.

The Frog croaked to the Bee, look our friend is in front of you and me, the horse is close to the River bend and he will soon need all his friends to help him round the bend close to the town of Cry on the River Wry.

The horse was pleased to see his friends, the Frog, who lived on a log in the middle of the bog, the Bee and the Mouse who had a house on the River Louse, the Fly with one eye and Elf with one ear, he began to neigh and cheer, at last he would have some help from his friends to get him, the barge and his master and friend around the river bend.

The Frog, who lived on a log in the middle of the bog, asked the horse “how can we assist you and your master?”.  The horse replied ” of course I need good eyes and ears and lots of noise to guide the master, the barge and me, the horse, of course, around the river bend.”
The Frog, who lived on a log in the middle of a bog, replied “I have an idea, the Elf with one ear has perfect eyes and the Fly with one eye has perfect ears, myself the Bee and the Mouse with a house on the river louse can all make lots of noise, together we will all work to assist your master and you, the horse, around the river course".
The horse did neigh as if to obey and went to find his master.  With a collar around his neck attached to the barge he lowered his head and began to walk.
The Frog, who lived on a log in the middle of a bog and the Mouse who had a house on the River Louse and the Bee made as much noise as a trio of three could possibly.
The Frog, who lived on a log in the middle of the bog, did croak, the Mouse with a house on the River Louse, did squeak and the Bee did buzz and together they made an awful lot of fuss, and the horse did neigh as if to say, he heard them all just fine.

The horse continued to walk and the Fly with one eye and the Elf with one ear did appear, and encouraged the horse to walk on, the Fly with its perfect ears did listen to his friends, The Frog who lived on a log in the middle of the bog, the Mouse who had a house on the River Louse and The Bee, and talked the horse around the river bend.  
The Elf with one ear and its perfects eyes did talk to the horse and describe the course of the river at the town of Cry on the River Wry.

In no time at all the horse, the barge and the master, his friend had gotten all the way around the large bend of the river at the town of Cry on the River Wry.
The horse did neigh as if to say "Thank You" to his friends, the Frog who lived on a log in the middle of the bog, the Bee, the Mouse with a house on the River Louse, The Fly with one eye and the Elf with one ear and invited them to stay for tea.  
The Master was so pleased that he fell to his knees and said to the creatures big and small "thank you for your help today it is fair to say that without your noise, your perfect sight and perfect talk the horse would not have made the walk around the river bend".
"Now" said the master to the new set of friends "lets set up camp past the river bend and have a cup of tea", "thank you" said the Frog, who lived on a log in the middle of the bog and the Bee, "we’d love a cup of tea".

So this very odd group of friends sat around and made mend with a cup of tea and a fire to keep them warm as they swapped stories for the night and tomorrow the friends would make their way home.

The Frog, who lived on the log in the middle of the bog, turned to his special friend the Bee and said “thank you for believing in me”
Another story based poem, it's a bit epic, thank you to anyone who takes the time to read it.
Jackie Mead Feb 2018
The Mouse with the house on the River Louse
Now has a family of 12 to feed
A husband and ten smaller mouths all reside with the Mouse in the house on the River Louse

One day the Mouse with the house on the River Louse went outdoors to explore with the intention to find something tasty and fine to feed them all

She walked to the edge of the grounds to the bank of the River Louse, where her friend the Frog, who didn't live in a house but lived on a log in the middle of a bog with his friend Bee, was waiting for his friend to serve her tea

The Frog and The Bee showed the Mouse with a House on the River Louse a table set fit for a Queen with fine China cups, saucers and plates and a tablecloth made of lace

The Mouse with a House on the River Louse was delighted and very excited as the Frog and The Bee said at half past three they would be joined for tea by a new neighbour Miss Molly

According to the Frog and Bee Miss Molly had just moved with her dog and cat, a dog named Mouse and Ferret the Cat

At half past three Miss Molly came to tea and brought with her muffins and cream
The Frog and The Bee brought scones and jam and the Mouse with the house on the River Louse brought some crackers and cheese

The children of the Mouse with a House on the River Louse joined their mother and Miss Molly, the Frog and The Bee the Cat named Ferret and the Dog named Mouse and quickly polished off the delicious tea

The children and the cat and dog all asked if they could play in the bog, the bog where the Frog lived in the middle on a log.

The Mouse with a House on the River Louse agreed and so did Miss Molly and the Frog and Bee

The children, the Cat and Dog all played happily in the middle of the bog

The children, the Cat and Dog found some sticks in the bottom of the bog and began to weave and make a raft, all they needed was a a Sail to catch the draft

One of the children squeeked with excitement  when they found a lily pad on the ground
Quickly the lily pad was hoisted atop and the raft completed and ready to sail in a hop

The children, Ferret the Cat and the Dog named Mouse were playing lovely outside the house, pushing the raft up and down as not a drop of wind was to be found
Then suddenly the wind changed direction and the northerly winds began to blow, they started really slow but the wind got faster and very strong
The children, Cat and Dog couldn't hold on for very long and suddenly they were being taken away from their safe play, being carried down stream and they all did scream

Just like that Dad came home and took out of his pocket a telephone
He called the coastguard to come quick, a raft had drifted and was headed for the slip, soon they would be in the ocean with the bigger ships

Aboard the raft 10 young mice, Ferret the Cat and a Dog named Mouse, all huddled together, to be less afraid, hoping someone would save the day

The coast guard turned up at the house and asked to speak to the Head Mouse
Mother and Father together they spoke, eager to save their children cut afloat on the boat

Then at half past four came a big roar the coastguards had saved the day, the raft had been caught and brought on board just before they got to the edge of the bay and sailed away to the bigger bay

The Mouse who had a House on the River Louse, Dad, Molly the Dolly and Frog and Bee all shouted ecstatically "Thank you Lord for hearing our prayers and sending the men who saved the day and rescued our children from the mouth of the bay"

The Mouse who had a house on the River Louse counted the heads, toes and noses of the children to confirm they were all safe and then said their goodbyes and ushered them all safely inside
The 6th and possibly final chapter of the Mouse with a House on the River Louse
Once again an epic read so thank you to anyone who takes the time to read it
Jackie Mead Sep 2017
There was a little mouse and he had a little house.

The little mouse lived in the little house in the little village on the river louse.

In the little village on the river louse with the little mouse, lived a little frog.

The little frog lived on a little log in the middle of a bog on the river louse and was friends with the little mouse.

The little frog who lived on the little log in the middle of a bog  on the river louse had another little friend, a bee.

The little bee buzzed from tree to tree, floating merrily from flower to flower, flowers that surrounded the little house occupied by the little mouse on the river louse.

One day the mouse, the frog and the bee got together for afternoon tea.

They met at the house of the little mouse on the river louse at a quarter to three.

The mouse brought some cheese, the frog brought the tea's and the bee brought the honey and they all Sat around a table in the mouse's little house on the river louse.

The Mouse, the frog and the bee declared themselves friends for all eternity in the mouses little house on the river louse.

At a quarter to four, they all went to the door and the Mouse said goodbye to his friends.  

The frog went back to sit on his log in the middle of the bog and the bee continued floating from tree to tree.

The mouse did the dishes and then rested his little head on his little bed, in his little house on the river louse.
Just a bit of fun, my dad would have loved this, it's his type of humour.
Jackie Mead Mar 2018
The Mouse with the House on the River Louse and Miss Molly the Dolly who lived next door.
Called a meeting one day of all their friends, The Horse and Master who lived round the bend,  Frog who lived on a log in the middle of a bog and The Bee,The Elf with one ear and the Fly with one eye.
It was a Council meeting they did cry, to discuss, with a little fuss, how to maintain  the countryside far and wide.
It was decreed they would meet in the  grounds of Miss Molly's house at half past three, the house next door to the Mouse who had a House on the River Louse.
It was a council meeting they declared, to discuss a problem that had come to light.
A problem they did fear if nothing was done, would grow and grow and their children would not be able to play out in the woods all through the day and into the night.
The problem they had identified was plastic cups dropped to the side, plastic wrappers left on the floor and plastic bags caught up and swept away down river where the children did play.
Fish in the pond had begun to die, when they breathed through their gills and inhaled plastic ties.
Everywhere they began to look was covered in plastic far and wide, it was beginning to disfigure the countryside.
The Humans were trying to do their bit but it was taking time and this did not fit.
They must come up with a plan and start today if the countryside as they know it, we're to be saved.
The Horse and Master spoke up first, "We can serve drinks in glass cups for anyone with a thirst, we can put up posters and implore they purchase their drink at the countrystore".
"The money we take can be used to buy a machine to wash the cups for the next ones to sup".
The Mouse with a House on the River Louse and Miss Molly liked the idea and made a note to have a word with the owner of the countrystore and if necessary to beg and implore that they start with immediate effect.
The Frog who lived on a log in the middle of the bog and The Bee did confer and the Frog and Bee did then rise. "We would like to say" said the Frog and Bee "we would like to make some signs to put around and advise people to be plastic wise and not to litter it on the ground"
"The signs would be painted on paper of course and the Master and the Horse could help" "The signs would say"
"People who come by this way today, please be aware that we don't want your plastic left behind!"
"Please be friendly and take your plastic home, don't leave it on the ground for the Fish or our children to swallow and die, you wouldn't like it and nor do I"
"Please take your plastic home with you and we will welcome you again, our Human friend"
Again the Mouse with a House on the River Louse and Miss Molly the Dolly liked the idea and agreed that posters were in much need. They asked the Frog who lived on a log in the middle of the bog and The Bee to make a start and to ask the Horse and Master to also take part.
Finally the Elf with one Ear and The Fly with one eye wanting to do their bit, they looked at each other and did say, "We would like to make brightly coloured bins that can be seen from far and wide, encouraging people to dispose of their plastic in a bin, on the side they would say "littering the countryside is a sin"
The Fly with one eye said "the coloured bins would assist humans and their children to identify the bins from afar and when they dropped their litter inside a loud noise would play indicating to children and those who struggled to hear, like the Elf with only one ear, that they had found the bin and their litter went within and not on the ground"
The Mouse with a House on the River Louse and Miss Molly the Dolly agreed and said "we have all been very inventive and were all agreed on the following  main action points to start right away.
The list was made to save the day and it looked like this:
Action1 bring in glass cups
Action 2 Implore the countrystore to supply drinks to the passerby
Action 3 make posters of paper and paint put them up on tree trunks, fences and gates
Action 4 Make wooden bins painted bright for people to fill with all their might
The Mouse with a House on the River Louse and Miss Molly went off to the store, to request and implore they stocked glasses for the folk who liked a drink this would encourage them to stop and think.
The Frog who lived on a log in the middle of the bog and The Bee together with their friend the Horse and Master who lived around the River bend set about making posters with paper and paint
The Fly with one eye and the Elf with one ear together made wooden bins covered in bright paints, which had a voice within when fed with litter did say 'thank you very much, have a nice day'

They all came together the very next day when Council met again and were very pleased with all that had be done, to keep the countryside spotless and still fun.
They agreed to take a week and then to resume again and discuss if the action points had been a success.
A few days later the friends decided to going swimming in the River Louse where the Mouse had a House and Miss Molly the Dolly lived next door.
The Mouse was pleased to see that all the children were swimming freely, they were not  tangled and tied by the river side with plastic ties.
It seems the glass cups, posters and bins had got the message across:

LITTERING THE COUNTRYSIDE IS A
SIN PUT YOUR ******* IN A BIN
It's a very long read and I appreciate anyone who takes the time to read this story. The use of Plastics is a hot topic at the moment here in the UK and I'm sure it's the same wherever you live, try buying anything that's not plastic wrapped for freshness.
Jackie Mead Mar 2020
If you are reading chapter 9 you will be familiar with the characters of mine.

There is Mouse, of course, he has a house on the River Louse, his Wife Hilda and 11 Sons and a Daughter.

Frog and Bee, they live on a log in the middle of a bog, happy and free.

The Fly with one eye and his friend dear, that is, of course, the Elf with one Ear.

The Horse and his Master, from the town of Cry.

A Dolly called Molly and her dear friends Ferret the Cat, and a Dog named Mouse, who all live nearby.

In the nearby town of Cry there live a Mayor and Mayoress, a pair of beautiful, graceful Swans.

Mr Mayor has such an air of authority, when he talked people listened, what he was saying took priority.

The Mayoress walked around with such a hypnotising grace, people would stare at her, stuck , unable to move, paralysed in one place.

Together they held people’s attention, lest the Mayor or Mayoress would think to give them a mention.

One day,  it was a warm sunny day on the River Louse and the Mouse with a house on the River Louse was sunning himself in his pretty garden, whilst Bee was buzzing closely by.

The mouse with a house on the River Louse would soon need to go indoors and get ready, he was expecting to see not only Frog and Bee but also his other friends; the Elf with one ear and the Fly with one eye.

They saw each other most days especially now the sun was in the sky and it was warm outside.

They were free to wander wherever they chose; sometimes swimming in the river, sometimes lazing on the bank, closing their eyes, having a doze.

The days passed swiftly when they were all together, no need for advice on social distancing or where to travel or indeed no need for a bellwether.

One fateful day this would all change the dear friends were soon to become estranged.

The Mouse with a house on the River Louse noticed it first; he had seen it on the news, he didn’t believe it affected him, surely he would not be affected by something started in Wan-hu.

That day the Mayor and Mayoress were visiting house to house when they came upon the house that was home to the Mouse with a house on the River Louse.

“Come in, come in” the mouse began to say but the Mayor interrupted him “I have something important to say!”

“Today we have been advised by the Prime Minister that we are no longer to have parties in the sun, a measure called social distancing has begun”

The Mayor continued to say “there is to be no more socialising with your friends until I announce these measures have come to an end”

“Most importantly he continued to say “ “you must wash your hands regularly each day with soap and hot water, pass that on to anyone within your home, your Wife your Sons and Daughter”

“now I must hasten on my way and wish you and your family a good day”

Mouse was beside himself, for once he did not know what to say, he wouldn’t see his friends anymore and the Mayor had implored him to stay indoors.

What was he now to do; who would he pass the time with if not his friends, his whole world was coming to an end.

Hilda his Wife was not so downhearted

“There are tasks indoors you could complete if you don’t want to spend the time downbeat.”

“First there is painting to be done, starting in the boys' bedrooms I was thinking wheatsheaf yellow, you know the colour of the Sun!”

“Next I am sure your Daughter would like you to take her for a ride on her new bike,  around the living room, I think the size of that room is the best.”
“by the time restrictions are lifted she will be ready for her cycle proficiency test”

“We could play a game of chess, monopoly or trivial pursuit, drink grapefruit juice or a glass of wine made from arrowroot.

“There are TV shows that have got the boys excited; like Marvel revisited and Iron Man and Hulk reunited”.

“as for you and me, we can put the children to bed, have a romantic meal, soup of carrot and a main meal of chickpea”

“Does any of this sound appealing to you?”

“Have a think and let us know what you want to do”

The Mouse didn’t have to think or take up with an alcoholic drink, he knew what he wanted to say.

“My dear wife, Hilda, you are quite right, we have each other and that’s alright”  
“if when restrictions come to an end, I will, of course, love to see all my friends, they seem like family too at times”

“For now, though I just need you, my sons and daughters and plenty of soap to wash my feet together with hot water!”

His wife and children began to laugh, they had thought the world had come to an end when Mouse was told not to see his friends.

Instead, now life had just begun, a different life to one he had once known but that was alright because he had his health, children, and wife and that meant he was not alone.

A pandemic had caused the social distancing now in place, travel had been stopped to places far and wide.  

It seemed Humans were the worse affected, but the illness had transcended from animals in the first place, the restrictions, therefore, were needed to protect all animals nationwide.

Restrictions would be in place for the foreseeable time but when lifted the whole village would celebrate with a posh ball and dance to the music of Five in a Pen.  

A posh ball so big, it would include mouse, frog and bee, molly the dolly, elf with one ear, fly with one eye , butterfly and Mayor and Mayoress, ducks of all names, squirrels and snakes, badgers and moles and all manner of creatures would attend this very posh ball.

Creatures would come from far and wide and mouse would have his children and wife by his side and would puff out his chest showing his pride.

As long as his family and friends made it out of restrictions without illness then the plan the Mayor had put in place would seem flawless.

The Mouse with a house on the River Louse knew that times were changing, the after-effects of the pandemic would be long-ranging.

That was a choice he was willing to make for his wife and his children’s sake.
If you are in isolation then my thoughts are with you and I hope you get well soon.
I wrote this to go alongside my other Poems of the Mouse with a house on the River Louse and his friends>
You are the first to read it, I hope you enjoy it and take it for what it is a light relief at this time.
Please I have not mistyped WU-Han, it is an intended difference.
Jackie Mead Jan 2018
The Frog and The Bee and the Mouse with the House lived together in peace and harmony on the River Louse.

One day the Mouse with the house did declare it was time that he moved out of there.

The Frog and The Bee did not agree and set about convincing the Mouse with the House that he needed to stay on the River Louse.

They sent out invitations to all around to attend tea at half past three.

The tea party was in honour of the Mouse with the house to be held on the banks of the River Louse and hosted by his dear friends The Frog and The Bee.

One by one each creature replied and the guest list rose quickly to Twenty Five.

The Frog and The Bee decided the tea would be civil indeed and The Frog made some scones and The Bee made some honey.

At half past one The Frog and The Bee set up some tables to lay out the tea.

At half past two the tables were laid with the scones from The Frog and The honey The Bee had made.

The scene did look grand, pots of tea and saucers of milk all laid on a tablecloth made of silk.

At half past three the guests started to arrive.
The first of the guests to arrive were The Elf with one ear and The Fly with one eye. The Mouse was delighted to see his friends, the ones who helped get Horse around the river bend.

Next came the Horse and his Master of course to thank the Mouse with the House on the River Louse for his friendship and help on the day that the Horse could not get around the river bend and the Mouse with the House, The Elf with one ear, The Fly with one eye, The Frog and The Bee all pulled together and worked merrily to assist the Horse round the river course.

One by one others did attend, there was a duck who lost his cluck but the Mouse with the House helped him every day until he could at last say "cluck cluck"

Next came a ****** who had forgotten how to weave but the Mouse with the House lay out the sticks until the Beavers memory began to tick and the ****** remembered how to weave.

Then came a beautiful Butterfly with bright red wings.  She told the Frog and The Bee that one day the Mouse had found her crying and sighing her wings had faded and she did not look grand a thing of beauty.  The Mouse ran back to his House and in his shed found a can that had Paint in Red on the side.  He took a brush and painted her wings and now the Butterfly all shiny and bright flapped her wings with all her might.

Last but not least the Mayor arrived with his glorious wife by his side.

Mayor and Mayoress Swan did agree that the Mouse with the House should not leave his friends of  The River Louse and they would indeed miss him dearly if he relocated his house.

The Mouse smiled embarrassingly and said "I am sorry he did declare, there's been a mix up, when I said" I must get out of there" it was only to the shops I intended to go but The Frog and The Bee moved too fast or I moved to slow"

The Frog and The Bee and all the guests were all delighted with the news and brought in some music supplied by "Five in a Pen" which of course were all mother Hens and they danced all night until the Moon went in and the Sun came out.

Then the Frog and The Bee said to their friend the Mouse "let's do this again next year, and Mouse can bake cake for the tea, our friends can attend and we'll dance all night to Five in a Pen and we'll eat scones and honey and cake too and we'll do this in honour of all our friends and those who live and work on the River bend"

THE END
I wrote this at 2am this morning when I couldn't sleep.
If you've read my other poems The Mouse with a House on the River Louise and The Frog and The Bee, these characters will be familiar to you and the poem will make sense.
I hope you enjoy.
Michael R Burch Apr 2020
To a Louse
by Robert Burns
translation/interpretation by Michael R. Burch

Hey! Where're you going, you crawling hair-fly?
Your impudence protects you, barely;
I can only say that you swagger rarely
Over gauze and lace.
Though faith! I fear you dine but sparely
In such a place.

You ugly, creeping, blasted wonder,
Detested, shunned by both saint and sinner,
How dare you set your feet upon her—
So fine a lady!
Go somewhere else to seek your dinner
On some poor body.

Off! around some beggar's temple shamble:
There you may creep, and sprawl, and scramble,
With other kindred, jumping cattle,
In shoals and nations;
Where horn nor bone never dare unsettle
Your thick plantations.

Now hold you there! You're out of sight,
Below the folderols, snug and tight;
No, faith just yet! You'll not be right,
Till you've got on it:
The very topmost, towering height
Of miss's bonnet.

My word! right bold you root, contrary,
As plump and gray as any gooseberry.
Oh, for some rank, mercurial resin,
Or dread red poison;
I'd give you such a hearty dose, flea,
It'd dress your noggin!

I wouldn't be surprised to spy
You on some housewife's flannel tie:
Or maybe on some ragged boy's
Pale undervest;
But Miss's finest bonnet! Fie!
How dare you jest?

Oh Jenny, do not toss your head,
And lash your lovely braids abroad!
You hardly know what cursed speed
The creature's making!
Those winks and finger-ends, I dread,
Are notice-taking!

O would some Power with vision teach us
To see ourselves as others see us!
It would from many a blunder free us,
And foolish notions:
What airs in dress and carriage would leave us,
And even devotion!

One Sunday while sitting behind a young lady in church, Robert Burns noticed a louse roaming through the bows and ribbons of her bonnet. The poem "To a Louse" resulted from his observations. The poor woman had no idea that she would be the subject of one of Burns' best poems about how we see ourselves, compared to how other people see us at our worst moments. Keywords/Tags: Robert Burns, louse, church, bonnet, lace, Scotland, Scots, dialect, translation
Jackie Mead Oct 2019
The mouse with a house on the River Louse, was walking in a field one day.
He had his head down, nose buried in a stack of hay.

He was searching for some small sticks to take back to his home; his house on the River Louse.

Now that Winter was settling in, Mr Mouse wanted to light a fire and needed some sticks to form the pyre.

Mr Mouse had his head down and therefore not looking where he was going.

Along came a lady Mouse called Hilda with a bag full of shopping.
She was happy and singing and dancing, twirling and hopping.

Hilda was unaware of the Mouse with a house on the River Louse being in the vicinity.
She was feeling hopeful, full of sanguinity.

Mr Mouse still head down looking for sticks didn’t realise Hilda was around.
He had his nose firmly pointing to the ground.

Both mice continued  with their missions.
Oblivious to each other and the weather conditions .

Mr Mouse, head down turned to his left, Hilda twirling and hopping turned to her right.
Suddenly they clashed and caused each other such a fright.
Hilda clutched Mr Mouse very tight.

Mr Mouse apologised and pulled Hilda up off the floor.
He offered to show Hilda to his front door, Mr Mouse was very proud of his house on the River Louse.

The two mice had afternoon tea and sat warming themselves by the fire.
Soon it was time for Hilda to retire to her own home but they made plans to meet the very next day.

This time Mr Mouse would not have his nose in the hay.
They would walk and talk and have plenty to say.
Until the light faded from the day and the Moon came out to play.

In less than 2 months they had fallen in love and were married on the river by a dainty turtle dove.

Now they were together night and day.
Mr Mouse still searched for sticks with his nose in the hay.

Hilda still did the shopping all the while twirling, dancing and hopping

Together they had 12 children of their own.
Now they always had company, and neither ever felt alone.
It's been a while since I wrote one of these, I thought it would be fun to write how mr mouse met his match.
A PLAY


BY



ALEXANDER   K   OPICHO









THE CASTE
1. Chenje – Old man, father of Namugugu
2. Namugugu – Son of Chenje
3. Nanyuli – daughter of Lusaaka
4. Lusaaka – Old man, father of Nanyuli
5. Kulecho – wife of Lusaaka
6. Kuloba – wife of Chenje
7. Paulina – Old woman, neighbour to Chenje.
8. Child I, II and III – Nanyuli’s children
9. Policeman I, II and III
10. Mourners
11. Wangwe – a widowed village pastor

















ACTING HISTORY
This play was acted two times, on 25th and 26th December 2004 at Bokoli Roman Catholic Church, in Bokoli sub- location of Bungoma County in the western province of Kenya. The persons who acted and their respective roles are as below;

Wenani Kilong –stage director
Alexander k Opicho – Namugugu
Judith Sipapali Mutivoko- Nanyuli
Saul Sampaza Mazika Khayongo- Wangwe
Paul Lenin Maondo- Lusaaka
Peter Wajilontelela-  Chenje
Agnes Injila -  Kulecho
Beverline Kilobi- Paulina
Milka Molola Kitayi- Kuloba
Then mourners, children and police men changed roles often. This play was successfully stage performed and stunned the community audience to the helm.













PLOT
Language use in this play is not based on Standard English grammar, but is flexed to mirror social behaviour and actual life as well as assumptions of the people of Bokoli village in Bungoma district now Bungoma County in Western province of Kenya.

























ACT ONE
Scene One

This scene is set in Bokoli village of Western Kenya. In Chenje’s peasant hut, the mood is sombre. Chenje is busy thrashing lice from his old long trouser Kuloba, sitting on a short stool looking on.

Chenje: (thrashing a louse) these things are stubborn! The lice. You **** all of them today, and then tomorrow they are all-over. I hate them.
Kuloba: (sending out a cloud of smoke through her tobacco laden pipe). Nowadays I am tired. I have left them to do to me whatever they want (coughs) I killed them they were all over in my skirt.
Chenje: (looking straight at Kuloba) Do you know that they are significant?
Kuloba: What do they signify?
Chenje: Death
Kuloba: Now, who will die in this home? I have only one son. Let them stop their menace.
Chenje: I remember in 1968, two months that preceded my father’s death, they were all over. The lice were in every of my piece of clothes. Even the hat, handkerchief. I tell you what not!
Kuloba: (nodding), Yaa! I remember it very well my mzee, I had been married for about two years by then.
Chenje: Was it two years?
Kuloba: (assuringly) yes, (spots a cockroach on the floor goes at it and crushes it with her finger, then coughs with heavy sound) we had stayed together in a marriage for two years. That was when people had began back-biting me that I was barren. We did not have a child. We even also had the jiggers. I can still remember.
Chenje: Exactly (crashes a louse with his finger) we also had jiggers on our feet.
Kuloba: The jiggers are very troublesome. Even more than the lice and weevils.  
Chenje: But, the lice and jiggers, whenever they infest one’s home, they usually signify impending death of a family member.
Kuloba: Let them fail in Christ’s name. Because no one is ripe for death in this home. I have lost my five children. I only have one child. My son Namugugu – death let it fail. My son has to grow and have a family also like children of other people in this village. Let whoever that is practicing evil machinations against my family, my only child fail.
Chenje: (putting on the long-trouser from which he had been crushing lice) let others remain; I will **** them another time.
Kuloba: You will never finish them (giggles)
Chenje: You have reminded me, where is Namugugu today? I have not seen him.
Kuloba: He was here some while ago.
Chenje: (spitting out through an open window) He has become of an age. He is supposed to get married so that he can bear grand children for me. Had I the grand children they could even assist me to **** lice from my clothes. (Enters Namugugu) Come in boy, I want to talk to you.
Kuloba: (jokingly) you better give someone food, or anything to fill the stomach before you engages him in a talk.
Namugugu: (looks, at both Chenje and Kuloba, searchingly then goes for a chair next to him)
Mama! I am very hungry if you talk of feeding me, I really get thrilled (sits at a fold-chair, it breaks sending him down in a sprawl).
Kuloba: (exclaims) wooo! Sorry my son. This chair wants to **** (helps him up)
Namugugu: (waving his bleeding hand as he gets up) it has injured my hand. Too bad!
Chenje: (looking on) Sorry! Dress your finger with a piece of old clothes, to stop that blood oozing out.
Namugugu: (writhing in pain) No it was not a deep cut. It will soon stop bleeding even without a piece of rag.
Kuloba: (to Namugugu) let it be so. (Stands) let me go to my sweet potato field. There are some vivies, I have not harvested, I can get there some roots for our lunch (exits)
Chenje: (to Namugugu) my son even if you have injured your finger, but that will not prevent me from telling you what I am supposed to.
Namugugu: (with attention) yes.
Chenje: (pointing) sit to this other chair, it is safer than that one of yours.
Namugugu: (changing the chair) Thank you.
Chenje: You are now a big person. You are no longer an infant. I want you to come up with your own home. Look for a girl to marry. Don’t wait to grow more than here. The two years you have been in Nairobi, were really wasted. You could have been married, may you would now be having my two grand sons as per today.
Namugugu: Father I don’t refuse. But how can I marry and start up a family in a situation of extreme poverty? Do you want me to start a family with even nothing to eat?
Chenje: My son, you will be safer when you are a married beggar than a wife- less rich-man. No one is more exposed as a man without a wife.
Namugugu: (looking down) father it is true but not realistic.
Chenje: How?
Namugugu: All women tend to flock after a rich man.
Chenje: (laughs) my son, may be you don’t know. Let me tell you. One time you will remember, maybe I will be already dead by then. Look here, all riches flock after married men, all powers of darkness flock after married men and even all poverty flock after married. So, it is just a matter of living your life.
(Curtains)
SCENE TWO

Around Chenje’s hut, Kuloba and Namugugu are inside the hut; Chenje is out under the eaves. He is dropping at them.
Namugugu: Mama! Papa wants to drive wind of sadness permanently into my sail of life. He is always pressurizing me to get married at such a time when I totally have nothing. No food, no house no everything. Mama let me actually ask you; is it possible to get married in such a situation?
Kuloba: (Looking out if there is any one, but did not spot the eaves-dropping Chenje).
Forget. Marriage is not a Whiff of aroma. My son, try marriage in poverty and you will see.
Namugugu: (Emotionally) Now, if Papa knows that I will not have a happy married life, in such a situation, where I don’t have anything to support myself; then why is he singing for my marriage?
Kuloba: (gesticulating) He wants to mess you up the way he messed me up. He married me into his poverty. I have wasted away a whole of my life in his poverty. I regret. You! (Pointing) my son, never make a mistake of neither repeating nor replicating poverty of this home into your future through blind marriage.
Namugugu: (Approvingly) yes Mama, I get you.

Kuloba: (Assertively) moreover, you are the only offspring of my womb             (touching her stomach) I have never eaten anything from you. You have never bought me anything even a headscarf alone. Now, if you start with a wife will I ever benefit anything from you?
Namugugu: (looking agog) indeed Mama.
Kuloba: (commandingly) don’t marry! Women are very many. You can marry at any age, any time or even any place. But it is very good to remember child-price paid by your mother in bringing you up. As a man my son, you have to put it before all other things in your life.
Namugugu: (in an affirmative feat) yes Mama.
Kuloba: It is not easy to bring up a child up to an age when in poverty. As a mother you really suffer. I’ve suffered indeed to bring you up. Your father has never been able to put food on the table. It has been my burden through out. So my son, pleased before you go for women remember that!
Namugugu: Yes Mama, I will.
(Enters Chenje)
Chenje: (to Kuloba) you old wizard headed woman! Why do you want to put    my home to a full stop?
Kuloba: (shy) why? You mean you were not away? (Goes out behaving shyly)

Chenje: (in anger to Namugugu) you must become a man! Why do you give your ears to such toxic conversations? Your mother is wrong. Whatever she has told you today is pure lies. It is her laziness that made her poor. She is very wrong to festoon me in any blame…. I want you to think excellently as a man now. Avoid her tricky influence and get married. I have told you finally and I will never repeat telling you again.

Namugugu: (in a feat of shyness) But Papa, you are just exploding for no good reason, Mama has told me nothing bad……………………
Chenje: (Awfully) shut up! You old ox. Remove your ears from poisonous mouths of old women!
(Enters Nanyuli with an old green paper bag in her hand. Its contents were bulging).
Nanyuli: (knocking) Hodii! Hodii!
Chenje: (calmly) come in my daughter! Come in.
Nanyuli: (entering) thank you.
Chenje: (to Namugugu) give the chair to our visitor.
Namugugu: (shyly, paving Nanyuli to sit) Karibu, have a sit please.
Nanyuli: (swinging girlishly) I will not sit me I am in a hurry.
Chenje: (to Nanyuli) just sit for a little moment my daughter. Kindly sit.
Nanyuli: (sitting, putting a paper-bag on her laps) where is the grandmother who is usually in this house?
Chenje: Who?
Nanyuli: Kuloba, the old grandmother.
Namugugu: She has just briefly gone out.
Chenje: (to Nanyuli) she has gone to the potato field and Cassava field to look for some roots for our lunch.
Nanyuli: Hmm. She will get.
Chenje: Yes, it is also our prayer. Because we’re very hungry.
Nanyuli: I am sure she will get.
Chenje: (to Nanyuli) excuse me my daughter; tell me who your father is?
Nanyuli: (shyly) you mean you don’t know me? And me I know you.
Chenje: Yes I don’t know you. Also my eyes have grown old, unless you remind
me, I may not easily know you.
Nanyuli: I am Lusaaka’s daughter
Chenje: Eh! Which Lusaka? The one with a brown wife? I don’t know… her name is Kulecho?
Nanyuli: Yes
Chenje: That brown old-mother is your mother?
Nanyuli: Yes, she is my mother. I am her first – born.
Chenje: Ooh! This is good (goes forward to greet her) shake my fore-limb my
daughter.

Nanyuli: (shaking Chenje’s hand) Thank you.
Chenje: I don’t know if your father has ever told you. I was circumcised the same year with your grand-gather. In fact we were cut by the same knife. I mean we shared the same circumciser.
Nanyuli: No, he has not yet. You know he is always at school. He never stays at home.
Chenje: That is true. I know him, he teaches at our mission primary school at Bokoli market.
Nanyuli: Yes.
Chenje: What is your name my daughter?
Nanyuli: My name is Loisy Nanyuli Lusaaka.
Chenje: Very good. They are pretty names. Loisy is a Catholic baptismal name, Nanyuli is our Bukusu tribal name meaning wife of an iron-smith and Lusaaka is your father’s name.
Nanyuli: (laughs) But I am not a Catholic. We used to go to Catholic Church upto last year December. But we are now born again, saved children of God. Fellowshipping with the Church of Holy Mountain of Jesus christ. It is at Bokoli market.
Chenje: Good, my daughter, in fact when I will happen to meet with your father, or even your mother the brown lady, I will comment them for having brought you up under the arm of God.
Nanyuli: Thank you; or even you can as well come to our home one day.
Chenje: (laughs) actually, I will come.
Nanyuli: Now, I want to go
Chenje: But you have not stayed for long. Let us talk a little more my daughter.
Nanyuli: No, I will not. I had just brought some tea leaves for Kuloba the old grandmother.
Chenje: Ooh! Who gave you the tea leaves?
Nanyuli: I do hawk tea leaves door to door. I met her last time and she requested me to bring her some. So I want to give them to you (pointing at Namugugu) so that you can give them to her when she comes.
Namugugu: No problem. I will.
Nanyuli: (takes out a tumbler from the paper bag, fills the tumbler twice, pours the tea leaves  into an old piece of  newspaper, folds and gives  it to Namugugu) you will give them to grandmother, Kuloba.
Namugugu: (taking) thank you.
Chenje: My daughter, how much is a tumbler full of tea leaves, I mean when it is full?
Nanyuli: Ten shillings of Kenya
Chenje: My daughter, your price is good. Not like others.
Nanyuli: Thank you.
Namugugu: (To Nanyuli) What about money, she gave you already?
Nanyuli: No, but tell her that any day I may come for it.
Namugugu: Ok, I will not forget to tell her
Nanyuli: I am thankful. Let me go, we shall meet another day.
Chenje: Yes my daughter, pass my regards to your father.
Nanyuli: Yes I will (goes out)
Chenje: (Biting his finger) I wish I was a boy. Such a good woman would never slip through my fingers.
Chenje: But father she is already a tea leaves vendor!
(CURTAINS)


SCENE THREE
Nanyuli and Kulecho in a common room Nanyuli and Kulecho are standing at the table, Nanyuli is often suspecting a blow from Kulecho, counting coins from sale of tea leaves; Lusaaka is sited at couch taking a coffee from a ceramic red kettle.


Kulecho: (to Nanyuli) these monies are not balancing with your stock. It is like you have sold more tea leaves but you have less money. This is only seventy five shillings. When it is supposed to be one hundred and fifty. Because you sold fifteen tumblers you are only left with five tumblers.
Nanyuli: (Fidgeting) this is the whole money I have, everything I collected from sales is here.
Kulecho: (heatedly) be serious, you stupid woman! How can you sell everything and am not seeing any money?
Nanyuli: Mama, this is the whole money I have, I have not taken your money anywhere.
Kulecho: You have not taken the money anywhere! Then where is it? Do you know that I am going to slap you!
Nanyuli: (shaking) forgive me Mama
Kulecho: Then speak the truth before you are forgiven. Where is the money you collected from tea leaves sales?
Nanyuli: (in a feat of shyness) some I bought a short trouser for my child.
Kulecho: (very violent) after whose permission? You old cow, after whose permission (slaps Nanyuli with her whole mighty) Talk out!
Nanyuli: (Sobbingly) forgive me mother, I thought you would understand. That is why I bought a trouser for my son with your money!
Lusaaka: (shouting a cup of coffee in his hand, standing charged) teach her a lesson, slap her again!
Kulecho (slaps, Nanyuli continuously, some times ******* her cheeks, as Nanyuli wails) Give me my money! Give me my money! Give me my money! Give me my money! You lousy, irresponsible Con-woman (clicks)
Lusaaka: Are you tired, kick the *** out of that woman (inveighs a slap towards Nanyuli) I can slap you!
Nanyuli: (kneeling, bowedly, carrying up her hands) forgive me father, I will never repeat that mistake again (sobs)
Lusaaka: An in-corrigible, ****!
Kulecho: (to Nanyuli) You! Useless heap of human flesh. I very much regret to have sired a sell-out of your type. It is very painful for you to be a first offspring of my womb.
I curse my womb because of you. You have ever betrayed me. I took you to school you were never thankful, instead you became pregnant. You were fertilized in the bush by peasant boys.
You have given birth to three childlings, from three different fathers! You do it in my home. What a shame! Your father is a teacher, how have you made him a laughing stock among his colleagues, teachers? I have become sympathetic to you by putting you into business. I have given you tea leaves to sell. A very noble occupation for a wretch like you. You only go out sell tea leaves and put the money in your wolfish stomach. Nanyuli! Why do you always act like this?
Nanyuli: (sobbing) Forgive me mother. Some tea leaves I sold on credit. I will come with the money today?
Kulecho: You sold on credit?
Nanyuli: Yes
Kul
this is a manuscript of a play, please guys help me get any publisher who can do publishing of this play
i  will appreciate. thanks
Obadiah Grey Dec 2013
Sphincter factor nine approaches
food for the fish n roaches
methinks its time for me perhaps
to open up the rearward *****.


------------------------------------
AAChoo !!

Oh, liddle sister, Josephine,
you sure don't keep your
nose real clean.
got stalactites
o' pure pea green
my infectious sibling
snot machine.
----------------------------------------
I thought that I might shoot the breeze
with God or Mephistopheles
and ask them please to ease my wheeze
of my bad back and dodgy knees
---------------------------
Croak with the raven
bluff with the crow
the urchin
the field mouse
beneath the hedgerow
in a flurry they scurry
away away go.
Yelp with the *****
howl with the hound
and bay at the moon
till the sun comes around.
------------------------------------------
Gino's bar and grill.

Away, away afore Bacchus
doles out befuddlement
and Morpheus has his way,
lest I awake to find myself
in the company of
sodamistic bedfellows
with buggery in mind.
---------------------------------
Harry Potter has grown a beard
he lives alone and turned out weird.
Dumbledore, Albus, no more
turned his toes and 'ad a snore,
Voldemort, who's *** is taut
has no nose with which to snort.
====================

Ahem !!

Behind two Lilies- sits Rose,
then Daisies
for two and a bit rows.
with Poppy, and *****
Petunia, Primrose.
and Bryony - who gets up
- my nose.
----------------------------------------------
Amen.
God bless the Cows - for beef burgers.
God bless the Pig - for their bacon.
God bless the wife n her sharp knife
for the slice of their **** she's taken.

-------------------------------------------------
We can, no more fetter the sea to the shore
nor the clouds to the sky
or tether the glint
in a lovers eye,
As sure as the shore loves the sea
so shall I love thee, together,
together for eternity,

-----------------------------------

It bends for thee
sweet chevin,
the cane thats cleaved
by three,
wilt thou now
sweet chevin
yield, my friend ,
for me.
-------------------------------------------------
There's Marmalade then Marmite
and Jams thats jammed between
the buttered bread of bard-dom
a poets sweet cuisine.
---------------------------------------------
I took up campanology
and fired up my ****.
I rang that bell
to ******* hell
till the busies
came along.
--------------------------------------------
so, I've been whittling away
at a buoyant ****-
fashioned something approximating
a poo canoe-
in it, I intend to
surf the **** tsunami of old age
to-- death;
I have named it Public - Service - Pension.


----------------------------------------------

A surreptitious delightful tryst,
with my honey, my sebaceous cyst.
she's my pimple, my wart,
my gumboil consort.
she's the zip, in which
my *******, got caught.
--------------------------------------
Frayed at the bottoms
ripped at the knee.
baggy and saggy
big enough for three.
faded and jaded
and stained with ***
but I'm due for a new pair--
Yippeeeee!!

---------------------------------------

Ther­e's Cockerel in my ear
and he bills and coo's for you
whenever you are near
goes - **** a doodle doo !!!!!,,,,,,,,

---------------------------------------------

Oh,­ for the snap shut skin
in the blue twang of youth
and to un-crack the spine
on the book of love.
now the gulping years
have flown away
we take sips of the night
and are spoon fed the day.

-----------------------------

Zeus made the Moose to be somewhat obtuse,
a big deer- rather queer- I fear.
then God gave him the nod to look funny and odd
the spitting image of you - my dear !!!

---------------------------------------

Knobbly Nobby.

Nobby has a great big nose
a great big nose has he,
and nobby knows
that his big nose,
is big, as big can be,
nobby has two knobbly knees
two knobbly knees has he,
his knobbly knees,
are as knobely
as knobbly knees can be,
don’t pity dear old nobby
for soon it’s plain to see,
that nobby has a great big ****
as big, as big as three !
now nobbys **** is knobly,
as knobly as a **** can be,
so nose and knee and ****
make three,
and we - are ****- ely.

----------------------------------

The Woman that wouldn't eat meat,
had reeaally, reeaally big feet,
her **** was as big as an hermaphrodite brig
and her **** were as hard as concrete….


--------------------------------

Hearken the clarion call of the crows
afore the snow-
they caw,
hey, get your **** into gear lads-
we gotta feckin go !!!

-----------------------------

Gods pad

I took a peek within
your house
wherein on pew, I spied
a mouse,
and in his hand,
a Bible clasped,
and out his mouth,
a parable rasped,

---------------------

I'd say she had
a pigeon loft in
her eyes and
bluebells up
her nose.

But then again
I wear a flat cap

and stroll through meadows.

----------------------------

Would you care to buy our house?
It's minus Mouse n devoid o' Louse,!
Spiders, Roaches, Bugs or other,
have all been eaten by my brother,
snaffled up n swallowed down
then jus' crapped out a - yellowish brown.
so would you care to buy our house?
from an oddly pair -- devoid of nous

-------------------------

Though the Crows got her eyes
and the Worms got her gut.
comes as no surprise
death can't keep her mouth shut.

-------------------

Bevelled slick edges
and reeaal eeaasy slopes.
Chilli dip wedges
with fresh artichokes.
Wanton loose wenches
and swivel hipped ******
Daft dawgs and dentures
and granddad - who snores.

-------------------

Been whittling away at a buoyant ****
and fashioned something approximating a canoe,
in it, I intend to surf the **** tsunami of old age;
I named it, "Public service pension"

-------------------------------

.
Well,
     I could wax on the wings of a butterfly
but, I ain't that kind o' guy.
rather kick the nuts off ******* squirrels
pluck the wings off - blue assed fly.
I'm the stuff that flops off dog chops
when he's up for it and high.
an infection in your sphincter,
a well
that's jus' run dry.

----------------------------------------------

befeathered­ and bright scarlet
is my ladies bonnet,
jauntily askew and -
lilting on a paramours
grin.

"- Gladlaughffi -"

I'm reliably informed that dear ol' Muma
sported a goatee around his **** sphincter,
now, whilst this is merely educated speculation
from my esteemed friend his "groom of the stool" ! 
who was in fact required to wear a mask,
ear muffs and a blindfold whilst he went about his business,
He did possess reeaaally sensitive fingertips
somewhat akin to a blind man reading brail,,
and, swore blind that said "**** sphincter' spoke him in Arabic
and asked him for a quick trim, (short back and sides)
I myself being a practising proctologist of some repute
am inclined to believe my friend the "groom of the stool"
as I've come recognise -- Arsolian when I hear it !!!!!!!!
-------------------------------------

In a Belfast sink by the plughole
where hair and gum gunk meet
'erman the germ-man  and toe jam
bop the bacillus beat.

________

Doctor this I know as fact
that I have a blocked digestive tract,
I'm all bunged up and cannot go
my trump and pump is - somewhat slow.
I need unction jollop for junction wallop
some sorta lotion to give me motion.
If you could please just ease my wheeze
then I needn't grunt and push and squeeze.

-----------------------------

They are breaking out the thwacking sticks
and sparking Godly clogs
pulling tongues through narrowed lips
at the infidel yankee dogs.

------------------------------------

As a paid up member of the
lumpen bourgeoisie poetry appreciation society
I can confirm without fear of contradiction
that poetry is indeed baggy underwear
with ample ball room, voluminous in the extreme
and takes into account
the need for the free flow of flatulent gassiness
that is the want of a ****** up poet.

-----------------------------------------------

She's a rough hewn Trapezoidal gal
a gongoozler o' the ol' canal.
She's copper bottomed n fly boat Sal.

I'll have thee know that
that there hat
is a magic hat,
it renders me invisible
to the arty intelligentsia
and roots me firmly
in the lumpen proletariat .
-------------------------------------------------------
Said the sneaky Scotsman, Jim Blaik.
if the pension, you wish to partake,
bend over my son, lets get this thing done
and cop for this thick trouser snake !!

I met my uncle Albert,
down at Asda, in aisle three;
he got there in a Mazda,
jus' a smidgen after me,
said he'd traversed Sainsburys,
Tesco Liddle n the Spar,
but not one o' them flogged Caviar
Truffles or Foie gras.


He sidled past the pork pies
streaky bacon turkey thighs
a headin for the french fries
n forsaken knock down buys,
shimmied 'round the ankle biters;
expectant mums to be,
popin pills for bloated ills
in the haberdashery.

Fandango'd o'er the cornflakes
and the spillage in isle four

-----------------

I'm linier and analogue,
a ribbon microphone man
mired in the dust of the monochromatic,
the basement, the attic.

------------------------------

Simple simon met miss Tymon going to the fair,
said simple simon to miss Tymon - "pfhwarr what a luverly pair"
of silken thighs and big brown eyes and scrumptious wobbly bits,
Said simple Simon to miss Tymon---------- shame about you **** !!!

So sad sweet Shirl thought she'd give a whirl to clubbercise n pound

Squat, slightly,
tilt head 45°
and squint.
See the shimmering blurry
dot in the distance?
That, timorous ****,
is ME !
Fast twitching my
narrow white ****
to the pub.

There was a young lady named Sue.
whose ***** and **** was askew,
whilst taking a ****
she'd aim it and miss
and she lifted 'er hat when she blew.


Oh Mon Dieu !!

Obi.
Michael R Burch Apr 2020
Comin Thro the Rye
by Robert Burns
modern English translation by Michael R. Burch

Oh, Jenny's all wet, poor body,
Jenny's seldom dry;
She's draggin' all her petticoats
Comin' through the rye.

Comin' through the rye, poor body,
Comin' through the rye.
She's draggin' all her petticoats
Comin' through the rye.

Should a body meet a body
Comin' through the rye,
Should a body kiss a body,
Need anybody cry?

Comin' through the rye, poor body,
Comin' through the rye.
She's draggin' all her petticoats
Comin' through the rye.

Should a body meet a body
Comin' through the glen,
Should a body kiss a body,
Need all the world know, then?

Comin' through the rye, poor body,
Comin' through the rye.
She's draggin' all her petticoats
Comin' through the rye.

The poem "Comin Thro the Rye" by Robert Burns may be best-known today because of Holden Caulfield's misinterpretation of it in "The Catcher in the Rye." In the book, Caulfield relates his fantasy to his sister, Phoebe: he's the "catcher in the rye," rescuing children from falling from a cliff. Phoebe corrects him, pointing out that poem is not about a "catcher" in the rye, but about a girl who has met someone in the rye for a kiss (or more), got her underclothes wet (not for the first time), and is dragging her way back to a polite (i.e., Puritanical) society that despises girls who are "easy." Robert Burns, an honest man, was exhibiting empathy for girls who were castigated for doing what all the boys and men longed to do themselves. Keywords/Tags: Robert Burns, Jenny, rye, petticoats, translation, modernization, update, interpretation, modern English, song, wet, body, kiss, gossip, puritanism, prudery


Translations of Scottish Poems

Sweet Rose of Virtue
by William Dunbar [1460-1525]
loose translation/interpretation by Michael R. Burch

Sweet rose of virtue and of gentleness,
delightful lily of youthful wantonness,
richest in bounty and in beauty clear
and in every virtue that is held most dear―
except only that you are merciless.

Into your garden, today, I followed you;
there I saw flowers of freshest hue,
both white and red, delightful to see,
and wholesome herbs, waving resplendently―
yet everywhere, no odor but rue.

I fear that March with his last arctic blast
has slain my fair rose of pallid and gentle cast,
whose piteous death does my heart such pain
that, if I could, I would compose her roots again―
so comforting her bowering leaves have been.



Ballad
by William Soutar
translation/modernization by Michael R. Burch

O, surely you have seen my love
Down where the waters wind:
He walks like one who fears no man
And yet his eyes are kind!

O, surely you have seen my love
At the turning of the tide:
For then he gathers in his nets
Down by the waterside!

Yes, lassie we have seen your love
At the turning of the tide:
For he was with the fisher folk
Down by the waterside.

The fisher folk worked at their trade
No far from Walnut Grove:
They gathered in their dripping nets
And found your one true love!

Keywords/Tags: William Soutar, Scottish, Scot, Scotsman, ballad, water, waterside, tide, nets, nets, fisher, fishers, fisher folk, fishermen, love, sea, ocean, lost, lost love, loss



Lament for the Makaris (“Lament for the Makers, or Poets”)
by William Dunbar (c. 1460-1530)
loose translation/interpretation by Michael R. Burch

i who enjoyed good health and gladness
am overwhelmed now by life’s terrible sickness
and enfeebled with infirmity;
the fear of Death dismays me!

our presence here is mere vainglory;
the false world is but transitory;
the flesh is frail; the Fiend runs free;
how the fear of Death dismays me!

the state of man is changeable:
now sound, now sick, now blithe, now dull,
now manic, now devoid of glee;
and the fear of Death dismays me!

no state on earth stands here securely;
as the wild wind waves the willow tree,
so wavers this world’s vanity;
and the fear of Death dismays me!

Death leads the knights into the field
(unarmored under helm and shield)
sole Victor of each red mêlée;
and the fear of Death dismays me!

that strange, despotic Beast
tears from its mother’s breast
the babe, full of benignity;
and the fear of Death dismays me!

He takes the champion of the hour,
the captain of the highest tower,
the beautiful damsel in full flower;
how the fear of Death dismays me!

He spares no lord for his elegance,
nor clerk for his intelligence;
His dreadful stroke no man can flee;
and the fear of Death dismays me!

artist, magician, scientist,
orator, debater, theologist,
all must conclude, so too, as we:
“the fear of Death dismays me!”

in medicine the most astute
sawbones and surgeons all fall mute;
they cannot save themselves, or flee,
and the fear of Death dismays me!

i see the Makers among the unsaved;
the greatest of Poets all go to the grave;
He does not spare them their faculty,
and the fear of Death dismays me!

i have seen Him pitilessly devour
our noble Chaucer, poetry’s flower,
and Lydgate and Gower (great Trinity!);
how the fear of Death dismays me!

since He has taken my brothers all,
i know He will not let me live past the fall;
His next victim will be —poor unfortunate me!—
and how the fear of Death dismays me!

there is no remedy for Death;
we must all prepare to relinquish breath,
so that after we die, we may no more plead:
“the fear of Death dismays me!”



To a Mouse
by Robert Burns
modern English translation by Michael R. Burch

Sleek, tiny, timorous, cowering beast,
why's such panic in your breast?
Why dash away, so quick, so rash,
in a frenzied flash
when I would be loath to pursue you
with a murderous plowstaff!

I'm truly sorry Man's dominion
has broken Nature's social union,
and justifies that bad opinion
which makes you startle,
when I'm your poor, earth-born companion
and fellow mortal!

I have no doubt you sometimes thieve;
What of it, friend? You too must live!
A random corn-ear in a shock's
a small behest; it-
'll give me a blessing to know such a loss;
I'll never miss it!

Your tiny house lies in a ruin,
its fragile walls wind-rent and strewn!
Now nothing's left to construct you a new one
of mosses green
since bleak December's winds, ensuing,
blow fast and keen!

You saw your fields laid bare and waste
with weary winter closing fast,
and cozy here, beneath the blast,
you thought to dwell,
till crash! the cruel iron ploughshare passed
straight through your cell!

That flimsy heap of leaves and stubble
had cost you many a weary nibble!
Now you're turned out, for all your trouble,
less house and hold,
to endure the winter's icy dribble
and hoarfrosts cold!

But mouse-friend, you are not alone
in proving foresight may be vain:
the best-laid schemes of Mice and Men
go oft awry,
and leave us only grief and pain,
for promised joy!

Still, friend, you're blessed compared with me!
Only present dangers make you flee:
But, ouch!, behind me I can see
grim prospects drear!
While forward-looking seers, we
humans guess and fear!



To a Louse
by Robert Burns
translation/interpretation by Michael R. Burch

Hey! Where're you going, you crawling hair-fly?
Your impudence protects you, barely;
I can only say that you swagger rarely
Over gauze and lace.
Though faith! I fear you dine but sparely
In such a place.

You ugly, creeping, blasted wonder,
Detested, shunned by both saint and sinner,
How dare you set your feet upon her—
So fine a lady!
Go somewhere else to seek your dinner
On some poor body.

Off! around some beggar's temple shamble:
There you may creep, and sprawl, and scramble,
With other kindred, jumping cattle,
In shoals and nations;
Where horn nor bone never dare unsettle
Your thick plantations.

Now hold you there! You're out of sight,
Below the folderols, snug and tight;
No, faith just yet! You'll not be right,
Till you've got on it:
The very topmost, towering height
Of miss's bonnet.

My word! right bold you root, contrary,
As plump and gray as any gooseberry.
Oh, for some rank, mercurial resin,
Or dread red poison;
I'd give you such a hearty dose, flea,
It'd dress your noggin!

I wouldn't be surprised to spy
You on some housewife's flannel tie:
Or maybe on some ragged boy's
Pale undervest;
But Miss's finest bonnet! Fie!
How dare you jest?

Oh Jenny, do not toss your head,
And lash your lovely braids abroad!
You hardly know what cursed speed
The creature's making!
Those winks and finger-ends, I dread,
Are notice-taking!

O would some Power with vision teach us
To see ourselves as others see us!
It would from many a blunder free us,
And foolish notions:
What airs in dress and carriage would leave us,
And even devotion!



A Red, Red Rose
by Robert Burns
modern English translation by Michael R. Burch

Oh, my love is like a red, red rose
that's newly sprung in June
and my love is like the melody
that's sweetly played in tune.

And you're so fair, my lovely lass,
and so deep in love am I,
that I will love you still, my dear,
till all the seas run dry.

Till all the seas run dry, my dear,
and the rocks melt with the sun!
And I will love you still, my dear,
while the sands of life shall run.  

And fare you well, my only love!
And fare you well, awhile!
And I will come again, my love,
though it were ten thousand miles!



Auld Lange Syne
by Robert Burns
modern English translation by Michael R. Burch

Should old acquaintance be forgot,
And never brought to mind?
Should old acquaintance be forgot,
And days for which we pine?

For times we shared, my darling,
Days passed, once yours and mine,
We’ll raise a cup of kindness yet,
To those fond-remembered times!



Banks o' Doon
by Robert Burns
modern English translation by Michael R. Burch

Oh, banks and hills of lovely Doon,
How can you bloom so fresh and fair;
How can you chant, diminutive birds,
When I'm so weary, full of care!
You'll break my heart, small warblers,
Flittering through the flowering thorn:
Reminding me of long-lost joys,
Departed―never to return!

I've often wandered lovely Doon,
To see the rose and woodbine twine;
And as the lark sang of its love,
Just as fondly, I sang of mine.
Then gaily-hearted I plucked a rose,
So fragrant upon its thorny tree;
And my false lover stole my rose,
But, ah! , he left the thorn in me.

"The Banks o' Doon" is a Scots song written by Robert Burns in 1791. It is based on the story of Margaret (Peggy)Kennedy, a girl Burns knew and the area around the River Doon. Keywords/Tags: Robert Burns, air, song, Doon, banks, Scots, Scottish, Scotland, translation, modernization, update, interpretation, modern English, love, hill, hills, birds, rose, lyric
ON SEEING ONE ON A LADY’S BONNET AT CHURCH

Ha! whare ye gaun, ye crowlin ferlie!
Your impudence protects you sairly:
I canna say but ye strunt rarely
Owre gauze and lace;
Tho’ faith, I fear ye dine but sparely
On sic a place.

Ye ugly, creepin, blastit wonner,
Detested, shunned by saunt an’ sinner,
How daur ye set your fit upon her,
Sae fine a lady!
*** somewhere else and seek your dinner,
On some poor body.

Swith, in some beggar’s haffet squattle;
There ye may creep, and sprawl, and sprattle
Wi’ ither kindred, jumpin cattle,
In shoals and nations;
Whare horn or bane ne’er daur unsettle
Your thick plantations.

Now haud ye there, ye’re out o’ sight,
Below the fatt’rels, snug an’ tight;
Na faith ye yet! ye’ll no be right
Till ye’ve got on it,
The vera tapmost, towering height
O’ Miss’s bonnet.

My sooth! right bauld ye set your nose out,
As plump an’ grey as onie grozet:
O for some rank, mercurial rozet,
Or fell, red smeddum,
I’d gie ye sic a hearty dose o’t,
*** dress your droddum!

I *** na been surprised to spy
You on an auld wife’s flainen toy;
Or aiblins some bit duddie boy,
On’s wyliecoat;
But Miss’s fine Lunardi!—fie!
How daur ye do’t?

O Jenny, dinna toss your head,
An’ set your beauties a’ abread!
Ye little ken what cursed speed
The blastie’s makin!
Thae winks and finger-ends, I dread,
Are notice takin!

O, *** some Power the giftie gie us
To see oursels as others see us!
It *** frae monie a blunder free us
An’ foolish notion:
What airs in dress an’ gait *** lea’e us,
And ev’n Devotion!
Mitchell Dec 2012
She stood up against the wooden bar lit by a stale football field that shined florescent green and highlighted polyester blue like a muse of Van Gogh or Galileo. Her hair ran down the nape of her neck like a ****** waterfall and the light of the bar highlighted her sphinx like eyes as she turned and caught his eye. He stood at a small table away from the main bar with a couple of friends who were telling stories of their old college days and he, half-listening, quickly looked away, faking to scratch his eye, for he knew he had been caught looking at the back of her and she, with her women's intuition of being observed and knowing this, kept looking and he knowing the only way not to show he had been caught was to look away quickly and very obviously; like a bad actor caught dumb and silent, clueless of their next line. They blushed and shared the heat of embarrassment in their cheeks with the sounds of worn dollar bills slapping hard against the smooth wood of the bar, the bar man eyeing it angrily as cigarette smoke surrounded them and slowly drifted up like a lost soul toward the ceiling and the piano man, eyes tight shut played for everyone there when no-one cared to listen, all underneath the dim light of the bar as they strained to look away from one another, trying to find something they could put their focus upon, but, at the same time, wanting very much to look back and have their eyes meet by mistake all over again.

He focused on the design of the bathroom placards that were in the right corner of the tiny bar where you had to turn sideways and touch shoulder's with every soul inside just to get a drink. He feigned interest in the bronze design of the men's bathroom: a tiny boy looking down at his pecker as he ****** a 1/2 inch thick stream into what the man gathered to be a sunflower ***. The boy was thrusting his hips forward, both of his hands on his side, and he showed no smile, no grin of satisfaction or victory, just a stark, blank face, as if he were thinking "I am peeing in this ***. That is all." The women's bathroom sign was of a young girl with the same kind of *** the boy had been ******* in, but it was missing the sunflower and was replaced by the *** of the girl. She stared up into the sky and into the ceiling lights and was dramatically reaching for a butterfly or bird - he couldn't make out which - something with wings and made him think of a basic metaphor that this poor little girl just wants to get off the *** and be free like the birds and butterflies and clouds in the wide blue sky.

She focused on the man's shoes. She looked at the black shine and the pristine black shoe laces, all looking like everything had just been purchased that day. "There is not a single scuff on them and the way this man cuffs his pants only a single turn," she thought to herself, "Tells me he has something of a style on him". Not so run of the mill. Something special. Something of interest.* But then, she was annoyed by the cuff of the pants because she remembered that was what all the schoolboys in her prep school would do when the day was rainy or the boys rode their bikes home from school or they were nerds. The memory immediately turned her off of the man all together, but luckily, she put her gaze back on the jet-black, seemingly un-touched leather that told her success, class, and security.

The man heard a loud Cheer's!" from his table, abruptly bringing him out of his distraction. He was forced to turn and as he did, he made sure not to look up. He kept his eyes on the table and looked for the half-full beer with the worn Budweiser coaster underneath it. He could see from the his top periphery that she was still facing him but she was looking down at something toward the floor. He fumbled with his large hands for his glass and panned his eyes up slightly. The woman, seeing the movement at the table, looked up. She stared back to where she had first caught him looking at her and waited. The man felt her looking at him and in the same instant, saw the faded Budweiser coaster and reached for his beer. He picked the glass up and as the second Cheer! was yelled, he clashed his glass against all the others, all the while keeping his head not toward his friend's faces, but turned in the direction of the bar toward the girl. He smiled at her as he lowered his glass, not taking a drink. His friend slapped him on the back and told him," You gotta' drink after the cheers or its bad luck," and so he did, still staring dumbly at her as he did. She nodded at him with a self-conscious and embarrassed grin, raised her nearly gone low-ball glass of gin and tonic and tipped it toward him and turned around to face the bar.

"I"ll stand here and wait for him to come up to me," she thought, "And if he doesn't the man is a coward and a louse and not worth my time. I have looked twice now and there is some rule in some magazine that I read somewhere, that if you look twice at a man that it is sign, not a coincidence. No, it has a purpose and though I barely know what reason I want this man to look at me other then to get a drink out of him and maybe some conversation, I am certain I have looked twice, maybe even three times. Yes. I have looked at him and I have made my interest known and now I must wait for him to either come or stay with his drunken friends. They look like frat boys cheering like that. They look like drunken, silly frat boys that wouldn't know the first thing about chivalry. Hell, they probably couldn't even spell the ****** word." She laughed under her breath and smiled maliciously to herself and caught her own reflection in the mirror and, for an moment, wanted to quickly look away. Her face did not frighten her, for she was a beautiful woman, not her skin, which was milky white with the faintest and gentlest dash of rouge on each cheek, nor her chocolate colored curls that bounded like boulder's down a hillside. She turned away from a look upon her eye she had not seen or had recognized in a very long time. Her eyes were frightened.

"Frightened?" she wondered.

The man put his beer glass on the table on top of the coaster. The foam rested at the bottom of the cup like the thin layer of ice that blows over a frozen lake, barely there at all passing with the wind. He stared at her back and liked how she leaned on her right hip and put the toe of her left high-heel to the ground, rocking the nose of the shoe back and forth like she was thinking about something playfully frivolous. Behind him, the noise of his friends became a hollow echo, drowned out by the draw of this woman. She swung her left heel back and forth like a pendulum trying to hypnotize him. Someone touched his shoulder but he shrugged the hand away as in this echo chamber he could only hear the music change tracks on the juke box. The song had changed to an old Ottis Redding song and there was nothing else in the world that he wanted to listen to in that moment. As he watched her, leaning into the bar seemingly all alone, no boyfriend or girlfriend in sight, he saw her raise her glass to the barman and knew she had something by the gentle nod of the back of her head. He then saw her point with her left finger and tap the rim of the glass. Her drink was empty. She wanted another drink. He would buy her another drink.

"There is nothing in this world that a man is more responsible for than getting a woman like this a drink," he nodded, thinking to himself and trying to pick up his courage,"One that plays with my heart like a kitten would a spool of yarn, and yet also like a vulture who would peck out the eyes of a dead man in the desert. This is nothing more then that obligation. A rule passed down from man to man, from age to age, where chivalry was not for the base reason to lay with the woman, but to honor them, praise them lightly as the rain from a heavy mist and show them to the pedestal every woman, whether they wish to admit it or not, do wish for, sincerely do at least once in there life." He readjusted his belt and realigned his shirt that had gotten crooked after the celebratory cheer and thought some more,"I'm not going to do that here, this pedestal stuff. This is more like a step toward that pedestal. Yes. A step toward the shrine she wants to trust she deserves and will one day end up on. And this shrine is all cast and painted in the blurry french film noir of dream, is it not? Aren't dreams the only thing we hope to one day come true? How often - when and if they do come true - they can sometimes disappoint and eventually turn sour like a bad orange. I hope she is drinking and that wasn't just a tonic water. If this woman doesn't drink I don't think any of this will be worth anything at all."

She stood there serene and angelic, the hand that held her drink now resting on the base of the bar. Behind the man, he heard the chatter of his friends and the drone of football scores and player updates coming from the ten or more televisions that hung from the ceiling. Someone reached out to touch his shoulder but missed him as he left the table. His name then echoed behind him but soon the sound evaporated as dew does that rests on blades of grass in a summer morning to a summer afternoon. There was only her and her smell that had drifted to his table and shrouded him with the scent of white chocolate and smoke and her delicate, porcelain hand that had held up the drink shyly but not weakly, in passing demand without that demanding quality drunk people can get like at bars sometimes. He approached her, hovered behind her, but she did not turn, and then came up to the bar to lean into. He did not turn to look at her, though he wanted to very badly, but looked down at her low-ball glass with two half-melted ice cubes and a used lime. The smell of gin came from the glass and the man smiled to himself and put his hand up to signal the bartender.

"If this man orders his drink first and walks back to that table with all of his drunken friends, I am giving up men all together," the woman thought to herself," * Tonight and forever! If he can put his hand up and not even turn to look at me, as I was doing, I thought, to be very flirtatious but gentle, then I see no reason at all to keep going with men. They are barbarians that only want to eat, drink, sleep, and fornicate with women that are easy and provide no real challenge at all in their life. If he wants it easy, he can have it as easy as he wants, but not with me. No sir. Not with me ever. Not with me for a night, an hour, a minute, or even a second."

The bartender, a stout slightly overweight man that was a little over forty with streaks of grey in his thin, short-cut hair, looking very much like he should be home reading with a nice cup of tea by his side rather than in the bar serving drinks to stranger's, approached the man and asked him what he would like.

"Two gin and tonics please," the man said, "With a slice of lime and four ice-cubes in each."

"And what kind of gin, sir?"

The man turned to the woman, "What label do you drink?" he asked.

"Pardon me?" she stuttered startled, her eyebrows raised.

"Your drinking gin, aren't you?" He nodded his head toward the woman's empty glass. The tiny lines of transparent lime skin floated on top of the water that had gathered from the melting ice-cubes.

"Yes, I am. I was just about to order."

"I'll get this round and you'll get the next one."

"Any gin is fine."

The man turned to the bartender," Tanqueray, please bartender."

He nodded and went to make the drinks.

"Your very perceptive," the woman said as she turned to face him.

"I try."

"I saw you from across the bar, but was afraid to walk up to your table for fear of getting ambushed by all of your friends. Those are your friends, right?"

"Yes," he nodded as he looked over his shoulder at them, "Old college friends all with old stories of college that, truthfully, bring me little or no joy to even hear."

"Then why come at all?" she asked, "You seem smart enough to know that if you meet up with old anything, you'll be hearing about the old times all night."

"I was forced to come."

"Someone getting divorced?"

"No," he laughed, "The opposite. Married."

"Well, I hope it's not you or this would look very bad if your fiance walked in."

"And why's that?"

She clicked her tongue and turned to look at the shelves stocked with every kind of liquor. The bottles reflected the soft orange glow of the lights that circled the bar and the colors of the television screens. The man continued to look at the woman who had turned her back on him and caught their reflection in a bottle of Jack Daniel's. He waited for a response, but she stood there silent, knowing she was playing with him. Behind him, his friends were growing louder and a tray of shots had found its way to their table. The waitress who had brought the drinks, polite and with a smile, asked them to try and keep it down. They shouted "YES'S and screamed "YEAH'S" with moronic smiles on their faces, their heads nodding up and down like a dog playing fetch. The waitress giggled a thank and walked away shaking her head with disgust when she was out of sight.

"Well," she said,"You did just order two gin and tonics and I think if your fiance walked in with you chatting with me with the same drink in both of our hands, I think she would be a little upset. I know I would be."

"Perhaps we could act like we are old grammar school friends and just happened to run into one another?"

"Well, that would be a lie."

"Yes, that would be a lie."

"Which would mean we were hiding something from said wife."

"And what would that be?"

"That you approached me after I looked at you, perhaps the look from me wasn't flirtatious, maybe I thought you looked familiar, like I had seen you somewhere, and you came up to me and ordered me a drink and started a conversation with me, much like we are doing right now."

"What's wrong with conversation?" The bartender approached them and placed the two drinks in front of the man. The man took out his wallet without losing his gaze on the woman, took out a twenty and slid it toward the bartender. The bartender took the twenty, paused for a moment to see if the man wanted any change, but left when he saw he didn't want any by not moving.

"Conversation can lead to very dangerous things," the woman said playfully and wise.

"Your here by yourself and your not stupid; someone is going to come up to talk to you."

"And your that somebody?"

"I'm sure I'm not the first one tonight."

"Your sweet."

"I try," he said as he slid the drink over to here,"Your drink."

"What should we drink too?" She asked and raised her glass, the light above them reflecting in the ice-cubes and thick glass of the high-ball.

"Conversation," he said proudly and with a smile, "And the danger that it brings."

They clinked their glasses together, their eyes never leaving one another, and they both took a long drink.

"I'm not here with anybody and I'm not expecting anybody tonight either," the woman said.

"What's your name?"

"Why?"

"I want to be able to tell my friends I met a very interesting woman, but they won't believe me if I don't give them a name."

"I'm standing right here, silly. Go and tell them you met the most interesting woman in your entire life, look over at me when they ask you what my name is, then point over to me and I'll wave."

"You'll be here?"

"I'll be here."

"Promise?"

"Go, go, go," she repeated, pushing him back toward his table, "You bought me a drink, didn't you? The least I can do is wave to your drunken college friends."

The man walked back to his table, glancing quickly over his shoulder, trying to hide it, before he reached the table. He arrived to all of them drunk, beer spilt on the table and an ashtray full of punched out cigarettes and ground up cigars. Every one of them were rocking back and forth with each other, their arms sloppily hung around their neighbor's shoulders, their eyes blood shot with their mouth half-cracked open barely breathing in the smoky, beer smelling air. The man struggled to wedge his way into the circle, and when he did, he tried to get the groups attention by screaming an
Every where there's secrets
some are dark, some light
Everywhere there's secrets
Some best kept out of sight
Everywhere there's secrets
Of the living and the dead
Everywhere there's secrets
Some are better left unsaid

Would you listen to what you heard
If these walls could talk
Would you be scared to hear
If these walls could talk
Sounds of when you sat and cried
If these walls could talk
Of the day that Mama up and died
If these walls could talk


Look about and you will see
A secret in disguise
Look about and you will see
Just don't look through your eyes
Look about and you will see
A secret, full of lies
Just look about and you will see
Where secrets soar and rise


Secrets buried in the walls
If these walls could talk
Of playing games in upstairs halls
If these walls could talk
Fighting behind bedroom doors
If these walls could talk
Would you listen to the open sores
If these walls could talk

Secrets hidden in plain sight
But absorbed by an old house
Secrets hidden in plain sight
Silent, quiet like a mouse
Secrets hidden in plain sight
of a hero or a louse
Secrets hidden in plain sight
Behind the walls of an old house

Scars and cuts and verbal stones
If these walls could talk
Could break our hearts and break our bones
If these walls could talk
Sounds of laughter and of moans
If these walls could talk
Would you hear the ancient, haunted tones
If these walls could talk
We do **** culture in uhmerica.

What is uhmerican culture anyway?
I'll explain:
it's like,
irrationalized entitlement,
moral decadence on every side
of every fence &
sick narcissistic pride
to be parasitic,
a louse *******
the life out of
the whole **** planet.

Men who have
everything
still die from depression.
Women who call
freedom co-decency
bold faced oppression.

**** first question later.

Hermits complaining
about the rain when
they know **** well
they don't even go outside.

Everyone lies to
everyone lies to
everyone lies to
everyone lies to
everyone.  

See?
It's a cycle.
A spiral.

Maybe it'll go quiet
into the night, or
maybe it'll ignite
the whole **** planet.

Has anyone else noticed
the rise and fall of
Napoleon & the Romans?  

How every worldwide empire dies?  
In a fiery gust of embarassment  
that was the special from the start.

I've grown numb
to the disgust I felt
towards everyone else &
the fact that they're all
kind of beyond helping.

Now I'm just waiting
for it all to fall apart.
Absolutely nothing to do with feminism, *shudder* I define **** culture as,exactly that ****** culture. Our food ***** our people **** our music ***** our movies **** our schools **** the news ***** & no one even knows what a book is. Think about that while you're pulling your short-shorts out your hoo-hah. Culture has been thoroughly *****, Thanks Merica.
Not any character of the jungle,
At the time power was kept by the single
Lion kind, risked jumping into the lions’ jaws,
Against their rapacity raising paws:
The hares and hyenas they could strangle
And devour; in their minds best were their laws
Providing rights of the mighty
As common and full sovereignty.

The era was worsened by men-hunting,
Whose guns were used the wildlife menacing.
The weak of the forest saw that succumbed
The lions, who were the first shot at, welcomed
The hunters and their faces showed, smiling.
They were deceived when the first seen were harmed
Like the lions by the same haughty
Men set against their sovereignty.

Some lions who survived called the animals
For a meeting, and the men-criminals
Were the main topic of their discussion.
The lions warned, “Will wipe us away those men
If can’t stand together as animals,
Fight them and save lion, hypo, hare and wren…”
Mocked and heckled the assembly
That ne’er had enjoyed sovereignty.

Each one’s motion was that there was no need
Of obeying on the lions, who to feed
Their cubs with their flesh used to take pleasure.
They thought their forest had become seizure
Of the men for lack of unity; freed
It’d be with or ‘thout a lion as major:
They’d trust who would bring unity
And help them enjoy sovereignty.

There came a time and there came protectors
Of the animals to stop the hunters
From destroying on the environment.
They showed in killing there’s no contentment.
So the hunters ceased to be predators,
And the fauna had no more sentiment
Of hating the humanity
That brought them peace and sovereignty.

Some of them were kept in zoo
And the kingship of the lions they did boo.
Cows, rabbits, goats - were domesticated,
And more than ever they were protected.
Such treatment them gave of humans new view:
The protectors or authors of the deed
Looked like who’d brought brutality,
But in their hearts reigned sovereignty.

Later on the lions found that in the strong
Claws dwelt no good power, but can be for long
Which is applied to all comfort giving,
That a king marching in front of trembling
Souls, as if to hell angels would belong,
One day will see his strength brought to nothing,
But where freedom ain’t scarcity
Kings and subjects share sovereignty.

What the beasts failed to know was the keepers
Of the zoo were children of the poachers,
Who’d found unfair deed what their fathers did,
To take good care of them had decided
And did not want to be called game-seekers’
Generation. In the action could read
Great kindness and humanity
The beasts savoring sovereignty.

A former foe may become a good friend,
Who breaks off with the past and turns his hand
Into protector, support provider –
Like Human Rights Activists. No wonder
Where they are from, people’s torn hearts they mend.
A protector has ne’er been intruder
As long as for tranquility
He works and preserves sovereignty.

A sovereign nation is not like a house
With its closed doors, and inside, like a mouse,
A wife is beaten and loses her life
Without neighbours’ intervention as if
Not hearkening the victim, and the louse
Of man not stopping is to save the life.
Is a land where people’s safety
Is denied full of sovereignty?

If at The Hague someone is indicted,
It means not people he has protected,
Nor that he has well governed Liberia,
But ‘cause people’s hearts he has filled with fear
And a lot of trouble he’s invited.
After shedding blood there and here,
The lions who’ve made their claws *****
Should be there washed for sovereignty.

Wherever the lions rage it’s no matter:
Matters the will to keep the world better.
Some Devil’s advocates would call nations
Not in Syria to find indications
Of crimes as if is found a wife-beater
At Holy Land or brothels it opens.
In a place where reigns sanctity
Won’t dwell breakers of sovereignty.


A rot of conception of sovereignty
Reeks when gangrene holds sway o’er a country,
In which Democracy swings at cannons;
Debates are feared that aim ruling with brains;
Wear noose as necklace who would change carry,
And the song “Independence” is hangmen’s.
Where lions and lambs live with loyalty,
There is unshaken sovereignty.
This poem aims to think of what sovereignty is and especially of its true concept.
http://www.amazon.com/author/bonim007
Terry Collett Apr 2014
Evening. It is the close of day. You draw the curtains across the windows of the apartment. The red curtains you bought recently, the colour having attracted you in the shop. You stand and gaze at them; with the finger and thumb of your right hand, you feel the quality of the fabric. Leonard had not liked them when he came, said they were gaudy, made the place look like brothel. He should know, you muse, bringing the fabric to your face, rubbing it against your cheek. Leonard had this terrible habit of thinking his opinion mattered more than yours, more than any others did. As if God, if he existed, had granted him a deeper insight into things than you or anyone else. You imagine him now, that thin moustache, those pale white cheeks, that nose, and those peering eyes. People were surprised when you began going out with him; surprised that you would go out with his sort. Whatever would your parents say, people said. You did not intend to marry him, at least not yet. Maybe one day if no one else turned up, if no other man came along who was willing to take you on. You release the curtains, go to the drinks cabinet and pour yourself a scotch. You sip it, let the scotch flow slowly down your throat, feel the sensation as it reaches your stomach. A warm inner glow begins as you walk to the gramophone, put on a jazz record. You close your eyes for a moment, sip at your scotch, hear the saxophone begin a solo. Leonard hates jazz, says it for the uneducated. Snob, you think, opening your eyes, walking to the sofa where you sit and gaze around the room. He is a snob, you know, but he has other qualities, qualities that outweigh his defects. His ****** prowess for one thing, his ability to spend money on you while out somewhere are both good qualities you feel. You sigh. Sometimes you wish he wasn’t so good in bed, then you wouldn’t miss him on evenings like this, when you know he won’t be coming around. Friday evenings he has chess night. Chess of all things. Moving pieces across a board, when he could be moving you across the bed, you muse. You sip the scotch again. Let the rim of the glass rest on you lower lip. You drain the remaining scotch; get up to pour another. Evening. Night. Morning, they follow so predictably. But evenings are your favourite part of the day. You hate mornings, they are too sudden, too fresh, too expectant. Like selfish children. Waiting there with all their expectations. Nights tended to be dragged out. The time when you couldn’t sleep and would lay twisting and turning, thinking about everything under the proverbial sun. Unless Leonard stays the night, but he seldom does. Goes before that. Has his fill and off he goes leaving you to your night and sleeplessness. Evening is the best part, you muse, listening by the drinks cabinet, as a trumpet goes wild in solo. You feel like dancing wildly, feel like you want to spin and twirl, and throw out your arms and toss back your head as those dancers do you’ve seen. You put down the scotch on the arm of the sofa and kick off your shoes. You begin to dance to the music, let your body unwind, feel your body become alive to the pulse of the jazz, your arms out about you, the hands gesturing like some wild animal. If Leonard were here now he would shake his head and be tut-tuting. But you don’t care because he isn’t here. Just you and the boys in the jazz band on the record. You wish they were here in person. Over in the corner of the room playing their music, watching you dance like some crazy dame. Perhaps they’d expect you to perform, expect you do more than dance. You don’t care; you don’t give a fig. At least you’d have *** and not a boring evening sitting boozing and listening to jazz records. You stop dancing and look around the room. Evening. Just you and the record and scotch. What a combination. ***. You wish you could purchase *** in a bottle like scotch. A pint of *** please. Yes, the tall one with the biceps. You laugh weakly. You sit down on the sofa, sip the scotch. Drain it. Put down the glass on the arm of the sofa. You remember the evenings you became so frustrated with the lack of *** that you were tempted to go out and grab the nearest available man, but you didn’t; too dangerous, especially around where your apartment is. You sigh deeply. All this thinking about ***. You sip the scotch. The saxophone begins a slow solo. The sound makes you feel like *******, slowly, piece by piece, until you are down to the last item and then you would stand up naked and embrace yourself. The sound of the saxophone. The evening. The rising desire to be held, touched, kissed. Where are you Leonard, you louse? You mutter loudly over the saxophone. You begin to unbutton your blouse. Button by button, pretending it is someone else’s fingers doing it. You gaze at the fingers, lick them, imaging Leonard’s face as you lick. You remove the blouse; undo the bra. You stand and unzip the skirt, let it fall to the floor. You stand there in you underwear, letting your fingers take hold of the top and slowly as if other fingers than yours were removing them over your hips. You remove them and drop them on the sofa. Naked. Evening. No Leonard. The pianist begins his slow solo. You embrace yourself, kiss your arm, kiss it and kiss it. Imagine it is another you are kissing. You close your eyes. Evening. You walk to the light switch and turn off the lights. Darkness, you and jazz. You must make love to your self. Love in that way your parents would never understand. Evening. You. Jazz. Solo. Aloneness.
A LONELY WOMAN IS PORTRAYED IN THIS PROSE POEM. COMPOSED IN 2009.
O Prince, O chief of many throned pow’rs!
        That led th’ embattled seraphim to war!
                      (Milton, Paradise Lost)

O thou! whatever title suit thee,—
Auld Hornie, Satan, Nick, or Clootie!
Wha in yon cavern, grim an’ sootie,
     Clos’d under hatches,
Spairges about the brunstane cootie
     To scaud poor wretches!

Hear me, Auld Hangie, for a wee,
An’ let poor ****** bodies be;
I’m sure sma’ pleasure it can gie,
     E’en to a deil,
To skelp an’ scaud poor dogs like me,
     An’ hear us squeel!

Great is thy pow’r, an’ great thy fame;
Far ken’d an’ noted is thy name;
An’ tho’ yon lowin heugh’s thy hame,
     Thou travels far;
An’ faith! thou’s neither lag nor lame,
     Nor blate nor scaur.

Whyles, ranging like a roarin lion,
For prey a’ holes an’ corners tryin;
Whyles, on the strong-wing’d tempest flyin,
     Tirlin’ the kirks;
Whyles, in the human ***** pryin,
     Unseen thou lurks.

I’ve heard my rev’rend graunie say,
In lanely glens ye like to stray;
Or whare auld ruin’d castles gray
     Nod to the moon,
Ye fright the nightly wand’rer’s way
     Wi’ eldritch croon.

When twilight did my graunie summon
To say her pray’rs, douce honest woman!
Aft yont the **** she’s heard you bummin,
     Wi’ eerie drone;
Or, rustlin thro’ the boortrees comin,
     Wi’ heavy groan.

Ae dreary, windy, winter night,
The stars shot down wi’ sklentin light,
Wi’ you mysel I gat a fright,
     Ayont the lough;
Ye like a rash-buss stood in sight,
     Wi’ waving sugh.

The cudgel in my nieve did shake,
Each bristl’d hair stood like a stake,
When wi’ an eldritch, stoor “Quaick, quaick,”
     Amang the springs,
Awa ye squatter’d like a drake,
     On whistling wings.

Let warlocks grim an’ wither’d hags
Tell how wi’ you on ragweed nags
They skim the muirs an’ dizzy crags
     Wi’ wicked speed;
And in kirk-yards renew their leagues,
     Owre howket dead.

Thence, countra wives wi’ toil an’ pain
May plunge an’ plunge the kirn in vain;
For oh! the yellow treasure’s taen
     By witchin skill;
An’ dawtet, twal-pint hawkie’s gaen
     As yell’s the bill.

Thence, mystic knots mak great abuse,
On young guidmen, fond, keen, an’ croose;
When the best wark-lume i’ the house,
     By cantraip wit,
Is instant made no worth a louse,
     Just at the bit.

When thowes dissolve the snawy hoord,
An’ float the jinglin icy-boord,
Then water-kelpies haunt the foord
     By your direction,
An’ nighted trav’lers are allur’d
     To their destruction.

And aft your moss-traversing spunkies
Decoy the wight that late an drunk is:
The bleezin, curst, mischievous monkeys
     Delude his eyes,
Till in some miry slough he sunk is,
     Ne’er mair to rise.

When Masons’ mystic word an grip
In storms an’ tempests raise you up,
Some **** or cat your rage maun stop,
     Or, strange to tell!
The youngest brither ye *** whip
     Aff straught to hell!

Lang syne, in Eden’d bonie yard,
When youthfu’ lovers first were pair’d,
An all the soul of love they shar’d,
     The raptur’d hour,
Sweet on the fragrant flow’ry swaird,
     In shady bow’r;

Then you, ye auld snick-drawin dog!
Ye cam to Paradise incog,
And play’d on man a cursed brogue,
     (Black be your fa’!)
An gied the infant warld a shog,
     Maist ruin’d a’.

D’ye mind that day, when in a bizz,
Wi’ reeket duds an reestet gizz,
Ye did present your smoutie phiz
     Mang better folk,
An’ sklented on the man of Uz
     Your spitefu’ joke?

An’ how ye gat him i’ your thrall,
An’ brak him out o’ house and hal’,
While scabs and blotches did him gall,
     Wi’ bitter claw,
An’ lows’d his ill-tongued, wicked scaul,
     Was warst ava?

But a’ your doings to rehearse,
Your wily snares an’ fechtin fierce,
Sin’ that day Michael did you pierce,
     Down to this time,
*** ding a Lallan tongue, or Erse,
     In prose or rhyme.

An’ now, Auld Cloots, I ken ye’re thinkin,
A certain Bardie’s rantin, drinkin,
Some luckless hour will send him linkin,
     To your black pit;
But faith! he’ll turn a corner jinkin,
     An’ cheat you yet.

But fare you weel, Auld Nickie-ben!
O *** ye tak a thought an’ men’!
Ye aiblins might—I dinna ken—
     Still hae a stake:
I’m wae to think upo’ yon den,
     Ev’n for your sake!
CK Baker May 2017
the rat ******* has been re-purposed
(conscripted in a somewhat fodder task)
brandishing irons
and quarter lines
coiled and unwavering
insidious and cunning
pent up and fired
in  his dripping shoes
and peel back skin

wheel bug and hookworm
are stolid in his wake
(all bursting grossly at the buckle!)
the heel on task;
slithering and rogue
merciless and coy
resolute and contemptuous
with his cotton mat
and quick ready quill

pungi and clapper
raise the clever snake
(croker sacks and wicker backs
dot the gasoline rainbow)
carnival barkers and kraken
(lewd in the distance)
taunting and vile
with their red beakers
and deep purple hearts

cicada and louse
high on alert
(ready to wreak havoc in the hog wallows)
the perverse cornered rat
snapping and soiled
foaming and inflamed
lurking and primed
inside his carefully crafted plan

easels and cover alls
suit this jackal well
(keefer’s little helper or so they'd say)
pickers running rough shod
all stirring up the stench
***** and conkeys
poised
and ready
to lime this cornered slug
DieingEmbers Jul 2013
On silken wings and silken strings
the garden doth awake
and from their beds those sleepy heads
their petals gently shake
a snail or two say how are you
as bumblebees take wing
to nectar sweet with sticky feet
as skylarks start to sing
a ladybug sleeps yet so snug
beneath a quilted leaf
her dreams untold as wings unfold
as earthworms crawl beneath
the ants at work refuse to shirk
they have no time to play
and cabbage whites like stars at night
take flight and fly away
the field mouse and wooded louse
attract the watchful eye
of tawny owl and feathered fowl
that own the morning sky
a homeward cat puts pay to that
no bird is fool enough
to try to land where danger stands
All teeth and claws called Fluff
so morrow breaks and nature wakes
and soon enough will we
but until then this land of men
is theirs so naturally
Nat Lipstadt Sep 6
(trigger warning: my apologies to the long poem haters,
nah, not really)

<>

Dawg!

your last and latest test be driving me crazee-
the poem conception birth rate is out of control,
them titles intriguing, stinging,
falling like curling up and dying oak leaves crunchy neath my feet,

and this little town don’t allow no burning thereof,
inclusive of leaves, poem drafts or witches

it’s not only the skin-pores, inhaling,
but the braniac neurons
that are clogging up
(ex. where’s my coffee mug hiding
when it ain’t hiding in the microwave)
and there ain’t no legal Drano for the
upper cortex contextual,
and condoms on my ears looked upright atrifling,
small & unbecoming, 
so pse. put a lid on it,
without sacrificing my nice head of grayling fibers
you graciously let me inherit ~
(thanks mom!)

soooo,
need to provide a method of contraception, legal and100% poem~proof, to keep me in decent metal health, with a natural speed limit on steadily in~fluxing immigrants of
seditious inspirational insights,
and these insider’s outside sights/sighs that
my eyes catalogue, and remind/tell, as well,
my buddies, the animals and the elements,
who constantly are hinting ‘n suggesting themselves
for yet another scripture of praiseworthy adoration

(esp. the rabbits, the ospreys, &
the nighttime starry skies,
a living tableaux de peinture…)
to pretty please
cease and desist
before *I

seize (up) and de-exist,

overwhelmed by piles of dead leaves
and out of computer memory
for anymore inspiration retention

Your earliest attention to this
Matter of Urgency to me, and

What‘a that you said?

Start a petition?
You kidding?

Might as we try to buy indulgences,
in bulk at Costco,
though they are never in stock!

I get it.

Using Pandora as your voice never fails.

You just played Judy Collins singing
Pete Seeger’s Turn,Turn, Turn.

Unsubtle.

This is my seasonal hint too,
part of my timed descent towards the
shadowed valleys + visible peaks I’ve
occasionally reached

My finale’s approchment nigh,
yet, don’t turn my heart or my senses
just quite yet,
from the spark divine you have placed within us each,
don’t let it burn brightest before
it flames out of existence
into extinction.
Appreciate the heads up, really

Most don’t know ‘bout this method of our conversing,
and the hint, the seasonal changeover, taking place now,
is mourned by my utterance with every breath of
a Kaddish prayer
contained within
a larger message:
natty, it’s time to
turn, turn, turn

Which way when,
of courses,
you’ll musically clue me in…

but you impatient being,
drawn after all in the
shape of humans,
fast forwards, nay hurtles this human,
with chariots spun from a summer sun’s
fonts and hints,
accidents and incidents,
by spectacles through spectacles,
colors emboldened by  
in a glory, glory, glorious
sun-nation

****!

Vienna Teng sweetly invades singing
Homecoming (Walter,’s Song):

but things are good I've got a lot of followers of my faith
I've got a whole congregation living in my head these days
and I'm preaching from the pulpit
to cries of “Amen brother”
closing my eyes to feel the warmth come back
and I've come home
even though I swear I've never been so alone
I've come home
I just want to be living as I'm dying
just like everybody here
just want to know my little flicker of time is worthwhile
and I don't know where I'm driving to
but I know I'm getting old
and there's a blessing in every
moment every mile…

well I'll kneel down on the carpet here
though I never was sure of God
think tonight I'll give Him the benefit of the doubt
I switch off the lights and imagine that waitress outlined in the bed
her hair falling all around me
I smile and shake my head
well we all write our own endings
and we all have our own scars
but tonight I think I see what it's all about
because I've come home
I've come home.”*
(lyrics by Tom Hall)

Got it.

so many summarize better,
but even still a bit heavy handed when
you follow up with  Sting’s “Fields of Gold,”
and even, jeez, Louse,
“Danny Boy?!”

Your DJ is a ham
(I know, not exactly kosher).

It’s my season of the muse,
extracting every remaining incantation,
knowing  there are hundreds, thousands,
of notional ideations
in my draft files,
some born even before HP!

But deny them not their use,
they cannot remain forever
unemployed,
but at their peril, double toil and trouble,
be them entrusted, encrusted, secreted
in someone else’s existence,
by your annoying divine persistence

Demanding Being,
have you no sense of
sufficiency? (1)

Eva so sweet Cassidy
ends this trip
with “Who knows where the time goes ?”

Gonna pack up this ditty,
containing a peace of deity,
drive back to the city
where all my sorrows
are streeted above ground,
inescapable resounded …

now down to  2% battery (ramming)
and this cracked -screen
whispers too gently,
“no mas”
my dearest companion,
you still don’t know
when to shut up,
or call it quits,
but I’m hearing a new crew
old familiar poets, awaiting,
who will take one up & in,
relieve you of you earthly sins,
and I hear up there,
you’ve got
unlimited
data storage
and no need for cords
and
batteries

Seeing the schooner drawing nigh,
must be the season of
‘at last, here is Shelter,’
repentance (2)


<>

n.m.l.
Weds. Sept 4,
2024
while sitting by
my dock on the sound,
who insists that it’s
soundless wavings of water
get the last silent
mention
published Friday Sept. 6,,
Sabbath Eve

p.s.
(and that’s how u put the playlist
in an Audio Visual poem,, kid)
(1) “Who by Fire
https://hellopoetry.com/poem/1833523/for-leonard-cohen-who-by-fire/
(3)

https://hellopoetry.com/poem/462537/how-i-observed-the-day-of-atonement/
<>

Ecclesiastes

To every thing there is a season, and a time to every purpose under the heaven:
A time to be born, and a time to die; a time to plant, and a time to pluck up that which is planted;
A time to ****, and a time to heal; a time to break down, and a time to build up;
A time to weep, and a time to laugh; a time to mourn, and a time to dance;
A time to cast away stones, and a time to gather stones together;
A time to embrace, and a time to refrain from embracing;
A time to get, and a time to lose; a time to keep, and a time to cast away;
A time to rend, and a time to sew; a time to keep silence, and a time to speak;
A time to love, and a time to hate; a time of war, and a time of peace.
David Nelson Nov 2013
"Master Of The House"

My band of soaks, my den of dissolute's
My ***** jokes, my always ****** as newts
My sons of ****** spend their lives in my inn,
Homing pigeons homing in
They fly through my doors,
And they crawl out on all fours

Welcome, Monsieur, sit yourself down
And meet the best innkeeper in town
As for the rest, all of 'em crooks:
Rooking their guests and crooking the books
Seldom do you see
Honest men like me
A gent of good intent
Who's content to be

Master of the house, doling out the charm
Ready with a handshake and an open palm
Tells a saucy tale, makes a little stir
Customers appreciate a bon-viveur
Glad to do a friend a favor
Doesn't cost me to be nice
But nothing gets you nothing
Everything has got a little price!

Master of the house, keeper of the zoo
Ready to relieve 'em of a sou or two
Watering the wine, making up the weight
Pickin' up their knick-knacks when they can't see straight
Everybody loves a landlord
Everybody's ***** friend
I do whatever pleases
Jesus! Won't I bleed 'em in the end!

Master of the house, quick to catch yer eye
Never wants a passerby to pass him by
Servant to the poor, butler to the great
Comforter, philosopher, and lifelong mate!
Everybody's boon companion
Everybody's chaperone
But lock up your valises
Jesus! Won't I skin you to the bone!

Food beyond compare. Food beyond belief
Mix it in a mincer and pretend it's beef
Kidney of a horse, liver of a cat
Filling up the sausages with this and that
Residents are more than welcome
Bridal suite is occupied
Reasonable charges
Plus some little extras on the side!
(Oh Santa!)

Charge 'em for the lice, extra for the mice
Two percent for looking in the mirror twice
Here a little slice, there a little cut
Three percent for sleeping with the window shut
When it comes to fixing prices
There are a lot of tricks I knows
How it all increases, all them bits and pieces
Jesus! It's amazing how it grows!

(Oh, sorry love
Let's get something done about that)
I used to dream that I would meet a prince
But God Almighty, have you seen what's happened since?

Master of the house? Isn't worth my spit!
Comforter, philosopher' and lifelong ****!
Cunning little brain, regular Voltaire
Thinks he's quite a lover but there's not much there
What a cruel trick of nature landed me with such a louse
God knows how I've lasted living with this ******* in the house!

Master of the house!
Master and a half!
Comforter, philosopher
Don't make me laugh!
Servant to the poor, butler to the great
Hypocrite and toady and inebriate!

Everybody bless the landlord!
Everybody bless his spouse!

Everybody raise a glass
Raise it up the master's ****
Everybody raise a glass to the Master of the House!


Writer(s): Jean Marc Natel, Herbert Kretzmer, Claude Michel Schonberg, Alain Albert Boublil
Copyright: Productions Bagad, Alain Boublil Music Ltd., Boublil Alain Editions



Gomer LePoet ....
I had  the wonderful experience of seeing Les Miserables performed by the local community playhouse actors this past weekend. what a performance :)
The rabbit haunts from a distance, patrolling fields for one to bear witness.
Gracefully the tenderfoot stalks, keeping a watchful eye out for Mr.Fox.
The creature walks with a slight limp, other animals often call him a gimp.
This way, that way, it all seems wrong, keeping time with a lost robin's song.

His home constructed as a single story wonder, located within a large tree laying asunder.
Family life wasn't right, as fleeting an image as a wayward kite.
A field mouse, left without spouse,
Stumbled upon the home in a tree, accompanied by a group of songbirds filled with glee.

The field mouse was asked to go, the creature in response, simply said no.
A man stumbled up, as mad as a hatter, his portly girth made it hard to imagine being any fatter.
He spoke of intrinsic right, boundless visions beyond sight.
Told the rabbit he had a duty to the mouse, saying it immoral to deprive him of a house.

The rabbit, reluctant to accept , found out from the man of the true evils in neglect.
He was told that he didn't own the home, it had simply been gifted as a goodwill loan.
That meant it was as his as much as the rabbits, regardless of any perspective habits.
With that the moused moved in, and brought with him his prized snakeskin.

Over a meal the mouse spoke of danger, coming in the form of a wandering stranger.
He told the rabbit, this creature travelled light, but usually shrouded in the cover of night.
Said the creature was not large in size, though his methods of thievery seemed quite wise.
The rabbit recoiled in his chair, as the field mouse offered up a demonic glare.

The field mouse grinned from ear to ear, sensing this rabbit's new grasp on fear.
Pulling the snakeskin from his sack, the dried shell was quick to crack.
The mouse spoke of a brave duel, between him and this monster, which had downed a mule.
He used every ounce of his cunning, and sent the legless beat running.

It wasn't good enough for the mouse, who was certainly no louse.
He tracked the snake for six long hours, through a field of partially bloomed flowers.
In the end he killed the snake, then took its skin so listeners knew the tale wasn't fake.
He held the skin, I mean the mouse, and said he'd hang the shell within the house.

Mr. Rabbit was found dead two days after, his body lay desecrated next to the snakes, hanging from a rafter.
Andrew Rueter May 2017
In my neighborhood
Your hedge presses against my hedge
In my dreams
Your leg presses against my leg
In my neighborhood
People hate me
In your mind
You overrate me
In my neighborhood
****** burns the sorrow
With you
There's always tomorrow

Neighbors are the worst
They unquench
Labors of thirst

They're also the best
When it comes to people
They're the rest

If you could do me a favor
And not be my neighbor
I need you in my house
You're stuck in my head
You're my louse

Then the neighbors foreclosed my home
Morphing me into the roaming gnome
Does a homeless man have neighbors?
Like a wild dog
With no bone to savor?

It just breaks my heart
When people run each other off the road
With their hate filled cart

In my mind the roadblock is your face
Through the window I see the hate
We'll use my roadblock to erase
Can be found in my self published poetry book “Icy”.
https://www.amazon.com/Icy-Andrew-Rueter-ebook/dp/B07VDLZT9Y/ref=sr_1_1?keywords=Icy+Andrew+Rueter&qid=1572980151&sr=8-1
Brent Kincaid Dec 2015
Jingle, jingle, Mr. Kringle
Please drop by my house.
Don’t miss it like you did last year
Don’t be that seasonal louse
That brought cheesy kinds of toys
From the local dollar store
We shopped there all the time
So we had seen them before.

I don’t want to sound ungrateful
But Action Tommy is not the same
As GI Joe. Between the two there’s
More difference than the name.
And Lego blocks fit together
To build some amazing things
Those copycat toys from Taiwan
Do not build much of anything.

Jingle, Jingle, Mr. Kringle
If you are real, please heed.
None of those toys and junk
Is really what we need.
It would be better if you could
Bring a job for my poor Dad.
Make it better than minimum, like
The one he most recently had.

And maybe a raise for Mom
Who works a full time job too.
Would a dollar an hour be such
An earth-shaking thing to see to?
So, just in general, Kringle dude,
If it wouldn’t make you awful mad
Could you twitch your nose and
Make this Christmas not be sad?
I.

A louse in a house
or a mouse on a blouse.
A bell that goes ****
or a gong that goes ****.
A gap on a map
or a cap on your lap.
A drink in the sink
or an ink that stinks.
A spleen on a screen
or a queen who is green.
A bow in the snow
or a crow that glows.

II.

A wash or a whip,
a lip or a lop,
a top or a tip,
a car or afar,
a bar or a war,
a door or a snore,
a bore or a nail,
a flail or a whale,
a run or a bun,
a sun or a moon,
a spoon or a bus,
a fuss or a sigh,
a cry or a cheer,
a fear or a smile,
a while or a pen,
a den or a cat,
a mat or a hat,
a bat or a glass,
a vase or a weight,
a mate or a fork,
a cork or a mop,
a cop or a stop.

III.

Apples and artichokes, ants and antelopes,
bees and beers, books and brains,
cucumbers and chimneys, ***** and coats,
dogs and drains, dots and dominoes,
ears and eejits, elephants and exams,
flies and flutes, files and friends,
grasses and guts, giants and gyms,
horrors and hiccups, horses and hills,
igloos and irons, irises and idiots,
jumpers and jackets, jodhpurs and jellies,
kings and kettles, kites and kittens,
lions and lamps, lemons and lunches,
mums and monsters, mosses and moths,
noses and notes, nightmares and needles,
oblongs and orang-utans, organs and oranges,
paintings and pennies, ponds and pants,
quiches and quizzes, questions and queues,
rainbows and rings, rascals and rabbits,
snakes and sprouts, sweets and salts,
trumpets and trains, tables and toasters,
umpires and ukuleles, umbrellas and uniforms,
violets and vests, violins and vials,
wheels and wings, windows and weeds,
xylems and x-rays, xylophones and xysters,
yachts and yoghurts, yards and yaks,
zigzags and zephyrs, ziggurats and zombies.
Written: October 2013.
Explanation: A poem in three parts written in my own time. I guess this is aimed primarily at young children - written mainly as a bit of fun. Although the language is fairly simple for a child to understand, some words will obviously be unfamiliar, but perhaps if read aloud a definition of the word could later be provided to the child. It is unlikely a child would use the word 'ziggurats' for example, but nevertheless, these more challenging words might be interesting to a child, simply because of the sound and unfamiliar nature of it.
briano alliano performing on saturn club rings

on saturday may 23 2015



hi everyone my name is briano alliano and welcome to saturn club rings

the first song is, i am sick with an infected mouth

you see i am trying to do the right thing

never put a foot wrong

but my mouth is infected by a caverty and a whole row of teeth that needs to be removed

i have just tipped a whole lot of methane on it

to take away the f..n pain

you see i have an infected mouth my dear

please buddha take it away

take it take it take it away

please lord buddha take it away

i am a man, a big big man, a mighty big man today my son

but my mouth is infected, i haven’t got a son, i am crazy i am crazy

please buddha remove my infection dude

don’t be rude, please buddha remove my infected mouth

i want to be as quiet as a mouse, a lazy looking louse, please

buddha remove this infection in my mouth

thanks dudes, and now here is a song i have cracked feet and an infected mouth

you see how i how i, can fucken handle life

i have work to do at the bbq, but they gave me an infected mouth

you see i didn’t ask for this, oh no i didn’t ask for it at all

you see my cracked feet and infected mouth are stopping me from being cool

i probably was drinking too much coke, i thought it was sugarfree

i could’ve been eating too many chips, oh yeah, oh yeah

my infected mouth is driving me crazy, making me feel very fucken lazy

i am watching the GWS play the adelaide crows this afternoon

after i get up from this dream

you see the feel of singing at saturn club rings

makes me feel like a really famous rock star

you see the antibiotics are working i think

last night i felt it completely went away

but it didn’t, i have to keep taking the course

and i have to miss doing the bbq because it could start up again

and force me to have a never ending infected mouth

and the men said to me, shut up, ya great big ugly snout

and now here is another number called infection infection

infection infection, why have i got this infection

it drives me really crazy, i feel really lazy

you see i am on antibiotics because that helps brings it down

and also the power of athena, makes sure you don’t suffer much for it

and i called out to athena, can you plkeae rid this, would you please stop this

****** infection, from taking too much control in my mouth

i hear my mates laughing at me ha ha ha your an allan or ha ha ha ha your like us, man

i told them i am a man with an infection, and it really hurting oh ****** yeah

infection infection, i am up here on saturn trying to drink methane to settle it down

and i have got a ****** infection dude, it drives me crazy man

i have got a ****** infection dude, i want to bring it down

you see i am up here in the cosmos, telling everyone i have an infection, dudes

party party party, till the day of the party man

here is my next song called called ******* YA ****, **** all you want

i have this infection, it drives me crazy

i wish it will go away dude

you see it’s terribly painful but i can handle it, please ******* ya ****

if ya don’t like ****, it’s just a word, please don’t judge me

as i am on antibiotics, dude, to get this infection out

please buddha, oh please buddha, get this infection out of me

you see at least i am not dead, you see i am just suffering

from weird lookups in my blasted head, i want them to stop

ya see athena, yeah, is a funny old soul, saying she will fix me up

you see my infection yeah was bad yesterday, and calmed today

but it’s still good i cancelled my plans yeah

because my infected mouth, is really sore, oh yeah, party all day long

and yeah, that is is that’s all there ain’t no more

yeah, how cools that
Joe Cole Dec 2014
I dipped a woodlouse in the ink
I set it on the page
Watched it craft fine works of art
I was stunned, so amazed by the words that flowed
I's and oh's there in repose as that louse moved its feet
None here could write with such delight
Such a one word piece of art
And so I set a color pallete down
Watched it work throughout the night
Oh, oh such a glorious work evolved
Of color tint and hue
A work so crafted, so wonderful
That could be challenged by so few
And upon that work of wonder
A one word poem grew
And all this by a woodlouse
Using six legs instead of two
Such fine and pure art penned for the artless masses who dare to post their purile work here
Mateuš Conrad Apr 2016
talk of empire can be a tedium to say the least,
the Maharajahs of India never felt more
at home with european literature and
culture overall, but class system doubly
emphasised - or as the television series proved -
hardly an affair for the pithy concerns of
pitiable folk - first season i never bothered to
sense a tightening -
you see, looking at colonialism is not looking
at racism - racism has a dynamic to it,
colonialism has a hierarchy - the two differ,
second season in i sense colonialism as the
intelligent form of racism, presuppositions too many,
racism for the poor and the idiotic and
colonialism for the rich and cultured and
Gentlemanly - pork buttocks for the fork to my care,
i said once i'm not into these post-colonial
dynamics in England - the only winners are
Australians, former convicts who care much about
preservation of the populace of crocodiles -
this 2nd season is really piling it in to differentiate
between barbaric discrimination and civilised
discrimination - i guess a prior history of instilled
hierarchy made the Maharajahs akin to the Brits
(the caste system, untouchables in Bengali),
the "great rulers" didn't mind, they were actually
trying to be kept in the commonwealth -
such aristocracy easily scared and even more easily
scarred - the aristocrats of communism came from
the intelligentsia - bookworms and hardly the
pompous old farts ready to hunt tigers replacing
goats with little children tied to wooden poles -
that's what capitalism fears, a coerced class of
intelligent people, coerced into a class, they fear this,
it's hard to control such people, collective ignorance
is too easily dissected and denied, via doubt -
hardly a reason to be a recipient of existence (out of
every instance per se, hence the sigma unfathomable) -
and to only be rewarded with entertainment?
these far-left intellectuals breed on thought to be
the sole existential reward, and subsequently entertainment;
i too find thinking a pleasure, when you assume that
there's no reward for it, or a reliability to it
being a kindred of an ***** phallus -
never mind - you see, this talk of empires has given
me an ideal conclusive remark:
landlocked empires, or, should i say,
empires that thrive on spreading via land alone,
ref. e.g. to the Mongol or the Alexandrian empire...
they're short lived, they increase landmass exponentially
and very successfully - their motto:
strike the iron while it's hot -
they depend on constant success - they require
a bacterial like membrane of being seemingly
invincible - these land locked empires come and go
very quickly -
unlike the second type of empire building,
those which also require more than horse hoofs
at a gallop, the ones that treat the power of the seas
as its arteries, and land as their veins -
the British empire, the Roman empire -
once an empire is dependent on sea and subsequently
trade, it will be convincingly successful and will
outlast all those brutal empires that spread via land alone -
russia is indeed an anomaly - but then again hardly
an anomaly given the harsh terrain it encompasses -
no one wants to live there, who in their right state
of mind would, anyway?
the russian pride has a weakness - siberia -
oh **** looks great, a 12" protruding **** of geography,
but it's Siberia, -40°C... the way i see it, Russia
is the size of from its borders with Ukraine
Belarus and the Baltic states and the Ural mountains...
the rest is Mongolia - the peoples are steppe Eskimos.
so to summarise - ambitions of empire building that
do not utilise the power of the sea are indeed
the largest but also of the shortest lifespan -
like that old fable of an old farmer dividing his land
among his sons - sooner or later it ends up
a complex intricacy akin to the Holy Roman Empire -
or as the Romans said: dub the germans holy
and you're going straight to hell! little princes that became
major beggars and leeches - the louse jealousy took over...
breadcrumb like land ownership:
20 kilograms of potatoes a year for each son,
enough to feed a pig for a month...
and yes, doubly conclusive, i don't know why
Christianity is blamed for the desecration of greek
culture, the so called "robbing of the greek culture" -
i can't imagine any singled out people
to be infused with ****** and keep it up -
Nietzsche blamed Socrates, the modern intellectuals
blamed Jesus of Nazareth... you know who i blame?
Alexander the great, a Macedonian after all,
and Aristotle (partially) -
that's the greeks though - the Mongols had nothing
prior and nothing after of note on the blank page
or care for a library, and perhaps that's all the better,
you hardly hear news from Mongolia in our
present age... they had the wind to write their history
in that great Genghis Khan Stampede;
i did tell you that the communist experiment took
place in Mongolia, didn't i? before it was accepted
as counter-Tsar pyramidal and later in the satellite states
it was first tested in Mongolia...
if you don't believe me, believe the guy who
sat in the UCL history library and was writing up
essay notes roughly 9 years ago.
(Now words written some months back more urgent then ever)!

Trumpet call to action,
sans barreling totalitarian
tilt per prez zee dent shill faction
already wrecking ball -
even without Miley Cyrus - got traction.

Das boot Trump out-
(oust him to) Mexico or Waterloo
lip smacking gangs eagerly await
bully in White House and true
as Reince prescience fore tells poe
whit yawl get lucky strike
if keep Taj Mahal shaped shoo
fur deux hundred daze
starring scary motley crue.

╰☆╮I'm royal heir to peace mongering hoarders,╰☆╮
which comb hen might handy when borders
hermetically sealed, per heil hit lore
caw zing a furor with his stark orders.

Gestapo Re Don Dint (doomsday)
I dont wanna don a quack dynasty outfit,
or that of wood chucker
but...holy *******
kudos to heckler, who deems
steam roller Trump as one mean trucker.

Thus - for umpteenth attempt to post
with noah intention
to induce rabid reaction to roast
my *** (albeit scrawny just to be cheeky),
I duck rye America will burn like toast

if.... mister money bags reaches
full term finish line of presidential electorate,
he doth stick out pudgy leatherneck
with reassurance,
sans hiz safely guarded golf coast.

My anti Donald trump screed
WE MUST DO MORE THAN YODEL LOUD: all agreed
out....out...get...lest cruel nightmare har reed
thru legislation - ding ****
the witch's dead donald drake...freed

bigotry, derogatory hate, hence
out...of...here...without...his...coat...indeed
of...armor, nor golden golfing irons greed
dilly bought with monies usurped
unpaid/underpaid migrants MUST NOT heed
no passivity, who rightfully
feel indignant and teed.

I dune hot condone political measures
paws sauté fracas mane lion kapo - louse
jabbering indiscretion via his blouse
zee and breezy haughty snub nosed
air audacity, haughty, and superiority
on par with Doctor Zeuse
herewith continues poem,

I dashed off ala hill a re: huff - to douse
Auld don self serving trumpeting and gel lee
joie de vivre dystopian *******
inducing nostalgia fin d siecle
Barack Obama utopia of yesterday
now 45th lacking prez cred,

he doth thrive to squeeze gnarly paws,
around world asper hobnobbing
with bigwigs snatching grab-bag to carouse
invariably sparking angry birds viz
puffin that retweet his sewerage bilge -

strike horror tummy senses -
for antithetical opinions heed espouse
based on scary political fracas
and ominous nightmare whar mo' will grouse
to obstruct Trump accessing black keys to arouse

looming presidential nightmare
became real - gruff louse
he crushes sacred freedoms,
whence civilization goes off bluff
analogous to a rabid Tom cat
terminating the life of poor ole Mickey Mouse.

DUCK AFTER DUMP PING THE DON
air ring ma thoughts - no matter aye ham
juiced one twenty first century mwm ape
serves as genuine s cape
to fly (during pitch

black hours of night) and escape
burning effigies, where his jumbo jet,
a sonic boom stick bewitching like Snape
temporarily tough feign ruffled feathers sans ****
pay shuss selfish lust, when world
slides down behavioral sink into Old Rotten Gotham,
where he twill jape
at distant outlier from madding crowd a gape.

At sheer inanity trumpeting strumpets donning innate
prejudice and senselessness purr
blind faith toward self avowed demigod --
seize ***** viz Cesar

his hair coiffed and puffed like it whir
wind blown kickstart ting mobs to stir
paying bodyguards
to evict ruckus-causing murmur
oh...how the masses will let this country.

Go to hell in hand basket
and rack up stratospheric global debt
cause zing this one measly mortal male to fret
that totalitarian rule will force every man,
woman and child to march....het

two...three...four, while the billionaire
turns a third blind eye speeds away
in his foo fighter jet
argh...heavens to Betsy DeVos,
how did fickle finger of fate let

this pompous ***
vacuum majority votes across world wide net
to finagle vox populi,
and groom hooligan nasty ruffian thugs
with smashed face doughy as smart putty pet

bump ping uglies henchmen bedlam set
to create their own version of the tet
offensive, despite croup
bawling ashen faced deportees,

whose tears sentence innocent to po' ver tee
branding indiscriminately vet
so culled unwanted ill eagle "aliens"
labored with nose to grindstone

fingers to the bone vainly,
their American dream parched whence whet
long story short - pondering
rental circumstance will equal net

zero importance, and will be upended if this ret
chad, ewol, googly-eyed, gastronomic,
narcissistic bullish don will set
the spark for world war three -

via gone ah re: ha...ha...ha...to all vet
tureens within American crucible melting *** -
with backs whet
unless....Katrina and the Waves,
superman or Sabrina can oust him yet.
Blue zoo hue true through due stew brew flue crew boo to you grew jew new ooh poo rue sue shoe

Pain stain bane rain cain feign sane train brain lane main inane grain

Gold bold sold mold scold cold doled fold foaled hold rolled

Feel seal real deal meal keel heal heel kneel wheel zeal steel steal peal peel

Melt felt belt dealt knelt pelt welt

Pent mint sent rent lent vent bent went dent gent glint spent tent rent

House louse blouse

Curt shirt

Bridge ridge

Pocket rocket socket walk it

Crank dank frank hank rank stank bank tank yank blank sank

Tout pout rout route lout bout clout doubt shout scout

Knoll shoal foal bowl coal dole mole whole hole roll soul toll pole

Bust rust dust crust lust fussed just must combust trust

Lewd dude sued rude crude booed aptitude mood food *******

Fort sort court report tort port quart consort contort retort cohort cavort snort

Maid raid jade laid paid ***** obeyed aid made weighed evade parade afraid glade

Ounce pounce trounce bounce

Porch torch scorch

Flounder rounder

Trace face race lace ace brace case pace waist waste

****** haunch paunch launch

Long song gong **** wrong strong tong belong

Fast mast past vast crass glass brass last aghast hast

Gulch mulch

Survive alive hive rive jive live strive

Twirl whorl curl hurl furl burl girl pearl rural whirl

Flaunt taunt haunt daunt vaunt

Hoot moot loot boot toot shoot cute jute root suit newt

Weep seep steep keep heap deep creep leap beep jeep reap

Hide side abide bride died guide lied glide bide vied wide ride tide slide

Serene ravine green gene careen obscene demean

Fin pin sin men tin wren Zen

Bought naught fought caught ought distraught drought

Meld weld held gelled knelled quelled emerald withheld

Left heft deft

Verve swerve curve

String thing bring sing king ping ring wing sting ding

Boon soon moon tune loon **** noon rune croon

Knave grave brave rave save wave crave pave
Combating poetic writers block
Chamomile and honey
Polka-dots and money
Teacup pigs are funny
I'm cold when it's sunny

Take me to your house
Treat me like your spouse
More quiet than a mouse
Less violent than a louse

Seek and you will find
The bobbin that I wind
All in love are blind
Stay always on my mind

Different is good
Don't conform to your 'hood
The trees will bring you wood
Trust in them you should

Never fear the unknown
For the trees have grown
The wind has blown
The birds have flown
My soul has shown
Mateuš Conrad Nov 2015
indeed shakespeare, the world's a stage, but give me
the stage and not the world, give me the actor's proper
compass to define himself in the stage without
the onslaught that bothered nietzsche: imagine speaking
for the entire humanity. i have one for one, where the
"actor" owns the stage, but cares little for the world
in which things are acted according to heidegger's da sein.

inside a room sits a man, reading aloud canto xxxviii,
taking in the funny parts... with ezra's specified decor
of the trilling r, the lip numbing vibrating of m and half m (n),
just to don the evening jacket pipe and waistcoat...
all the way from idaho... losing the accent of course...
like me from the backside of poland, although nearby
the signing of the treaty of *lublin
(1569)...
so there he is, sitting like a crow with a crown,
or a crown that's a crow, hunched, nonetheless eager to enjoin
with the surrounding choirs...
in the room händel's tecum principium (psalm 110) -
if händel never bothered to expatriate to
england... we'd only be left with elgar and
vaughan williams as the sole exports... what shame...
here's to the fireworks! in the room this scene... but outside
a first movement of ηoλιδες by franck...
so indeed the voodoo ****** needed for the giggle
from canto xxxviii (contrary
to what was suggested, and the suggestion
was that i could enjoy music & poetry
as much as i am now with a woman,
to prevent the waterfall from mt. ****,
the boredom, the scaly crocodile the
erasing ink of octopi... all that with a hope
for censored ****... and children and the absence
of private thinking... to appreciate it once is
not enough... and with woman of choice
only one account holds sway... tear jerker at the opera
and furthering this withstanding joy at beauty...
perhaps knowledgeable with an operatic spouse,
but no step further... in that great foundation
of life and grey matter... a tier below the merchant...
the buyer... the exchange of rotten deeds for
glistening goods - with woman the scarcity of
fed inhibitions expressed in the pure inhibitions
of sentencing blissfully haloed loneliness
into the resounding exchange of thought & voice
(esp. of someone else, once written);
no, we dare not invite profanity of such
crescendos as woman is capable of to replace
the ecstasy of the violins harps and trombones...
for indeed with a woman i'd be chained to
hear the worsened sense of symphony...
and more angina or animosity for what i prize
are relevant coordinates of executed choice
that leave no wall of my vicinity cold and
ghostly as if a dialogue with someone
was necessary; but to the poignancy of the canto:
1. the cigar-makers automation requiring recitation
    to combat the capitalistic rat infestation,
    known as mechanisation / automation,
    according to dexter kimball,
2. because of a louse in berlin
    and a greasy basturd in austria
    by name francios guiseppe.
3. on account of bizschniz relations.
4. and schlossmann suggested that i stay in vienna
    as stool-pigeon against the anschluss
    because the austrians needed a buddha
5. der im baluba das gewitter gemacht hat...
6. kosouth (ku' shoot)

and i end with that... there's more but i cannot
spare not inviting this gentleman in smockings
who said:
i say... didn't the english forgo the use of
other europeans the necessary stressors of accent
to singular letters rather than words
or word compounding, all cockney ****-side-up?
i dare say those french bass tarts
put the ' over the e, and the papa turds on top
of the o... while our kin too to sharpening and shortening
things... taking 'em fo' d' fool...
so if there's direct correlation, my german compatriot
said... itz zys: diacritic of french with o and le v. la
is the english of would not with wouldn't.
now i think the modern fictional hannibal
has a mirror proper... without the mexican doctor (
cannibal etc.) but with this villager from idaho,
making it big in london and paris...
as all "little" villager folk do...
given there's less cosmopolitan conversation about
among the slapstick nobility humour scheming
and socialite consciousness with the odd dry martini -
given there's less of all that, where you can
go to sleep at 9pm, and wake with the roosters at 5am
(in summer), milk the cow, feed the hens, pluck an organic
tomato... and get excite about village traffic - tumble weeds
speeding, ol' mcdonald wrote a poem:
a tad bit cornish, nonetheless, the sort of nourishment
that redeems.
Bathsheba Jan 2011
Does part of your confusion?
Arise from the contusion?

Of that kiss so lovingly wrapped inside a fist?

Why hold back?
What’s pain?
Just black
A void
In which to switch!

We both know that you can’t touch me
In the fortress of my mind
For only I control the drawbridge
Vermin’s
More than often blind

squeak
squeak
squeak
              
“Please let me in.
I have some wares to sell.
I’ll cross your palm with silver.
No secrets will I tell”


Little mouse
Go away
Go back where you belong

We all know the germs you carry
We all know that they are wrong

YOU

Tout yourself as honest

YOU

Tout yourself as pure

But just beneath the surface
In the sewers

YOU

DO LURE


Lure the unsuspecting
Lure the barely formed
Punting pretence of perfection
Salivating salacious scorn

“But … please Miss.
Hear me out.
You have me oh so wrong.
I'm just like all the other Joes.
Lost and all alone.
The mistake that I made was in telling you.
Thoughts inside my head.
On reflection.
Now.
I realise.
They were better off not said”


Little louse
It is too late
For your motives are plain to see
Time to move on
Time to move out

**Time to live out your sick fantasies ...
Dedicated to Helen .... no apologies this time ... lol -;)
A bunch of the boys were whooping it up in the Malamute saloon;
The kid that handles the music-box was hitting a jag-time tune;
Back of the bar, in a solo game, sat Dangerous Dan McGrew,
And watching his luck was his light-o'-love, the lady that's known as Lou.

When out of the night, which was fifty below, and into the din and the glare,
There stumbled a miner fresh from the creeks, dog-*****, and loaded for bear.
He looked like a man with a foot in the grave and scarcely the strength of a louse,
Yet he tilted a poke of dust on the bar, and he called for drinks for the house.
There was none could place the stranger's face, though we searched ourselves for a clue;
But we drank his health, and the last to drink was Dangerous Dan McGrew.

There's men that somehow just grip your eyes, and hold them hard like a spell;
And such was he, and he looked to me like a man who had lived in hell;
With a face most hair, and the dreary stare of a dog whose day is done,
As he watered the green stuff in his glass, and the drops fell one by one.
Then I got to figgering who he was, and wondering what he'd do,
And I turned my head -- and there watching him was the lady that's known as Lou.

His eyes went rubbering round the room, and he seemed in a kind of daze,
Till at last that old piano fell in the way of his wandering gaze.
The rag-time kid was having a drink; there was no one else on the stool,
So the stranger stumbles across the room, and flops down there like a fool.
In a buckskin shirt that was glazed with dirt he sat, and I saw him sway;
Then he clutched the keys with his talon hands -- my God! but that man could play.

Were you ever out in the Great Alone, when the moon was awful clear,
And the icy mountains hemmed you in with a silence you most could HEAR;
With only the howl of a timber wolf, and you camped there in the cold,
A half-dead thing in a stark, dead world, clean mad for the muck called gold;
While high overhead, green, yellow and red, the North Lights swept in bars? --
Then you've a haunch what the music meant . . . hunger and night and the stars.

And hunger not of the belly kind, that's banished with bacon and beans,
But the gnawing hunger of lonely men for a home and all that it means;
For a fireside far from the cares that are, four walls and a roof above;
But oh! so cramful of cosy joy, and crowned with a woman's love --
A woman dearer than all the world, and true as Heaven is true --
(God! how ghastly she looks through her rouge, -- the lady that's known as Lou.)

Then on a sudden the music changed, so soft that you scarce could hear;
But you felt that your life had been looted clean of all that it once held dear;
That someone had stolen the woman you loved; that her love was a devil's lie;
That your guts were gone, and the best for you was to crawl away and die.
'Twas the crowning cry of a heart's despair, and it thrilled you through and through --
"I guess I'll make it a spread misere," said Dangerous Dan McGrew.

The music almost died away . . . then it burst like a pent-up flood;
And it seemed to say, "Repay, repay," and my eyes were blind with blood.
The thought came back of an ancient wrong, and it stung like a frozen lash,
And the lust awoke to ****, to **** . . . then the music stopped with a crash,
And the stranger turned, and his eyes they burned in a most peculiar way;

In a buckskin shirt that was glazed with dirt he sat, and I saw him sway;
Then his lips went in in a kind of grin, and he spoke, and his voice was calm,
And "Boys," says he, "you don't know me, and none of you care a ****;
But I want to state, and my words are straight, and I'll bet my poke they're true,
That one of you is a hound of hell . . . and that one is Dan McGrew."

Then I ducked my head, and the lights went out, and two guns blazed in the dark,
And a woman screamed, and the lights went up, and two men lay stiff and stark.
Pitched on his head, and pumped full of lead, was Dangerous Dan McGrew,
While the man from the creeks lay clutched to the breast of the lady that's known as Lou.

These are the simple facts of the case, and I guess I ought to know.
They say that the stranger was crazed with "*****", and I'm not denying it's so.
I'm not so wise as the lawyer guys, but strictly between us two --
The woman that kissed him and -- pinched his poke -- was the lady that's known as Lou.
Ted Scheck Jan 2013
A half-century
To finally get comfortable
In semi-flabby, semi-
Muscular body.
100/2.
50 years. Old?
Young? Is there
Middle ground here?
Yo-old?
Ung?
Am I halfway to
The end of the curve?
(Better we don’t know
THAT day)

At my very strongest,
(29 years ago)
When I lived and drank
The weight room,
I was character-wise
All-time low.
Wreched louse, and
I’m insulting lice.
375lbs. nearly
2x/body weight.
As I broke a sweat
I also broke my
Parents’ hearts.
That’s irony at its
Most painful.

At Mom’s deathbed,
Six years ago,
(43, if you’re counting)
Regrets like flaming
Arrows impacting my
Heart mind soul body,
When I drove 300 miles
And waited 3 hours for
Her to get out of dialysis,
And I’m at the hospital
With 2 of my 6 sisters,
And she sees me and her
Face lit the room
Brighter than fluorescents
And I was weak
And she was strong
She was Mom
And I was child
And when we got home
I let her hold me
As I cried and cried
Like the baby I was
44 years before.
And she held me,
And brought that special
Kind of peace Mothers,
Only Mothers can impart
Upon their children.

I look at my Mom’s
High-School Graduation
Picture behind me
On the bookshelf.
I look at that picture
And tell Mom
“I love you, Mom,”
And in my dreams,
She whispers the
Words back to me.

No human being
Was, is, or ever will be
Perfect.
We are walking contra-
Dictionaries.
We shout when
We should whisper.
We paint orange when
We should draw blue.
We see death
In life,
And live according to
Two hands on a numbered
Face.
We chain ourselves to
Abusive chemicals
And complain about
Our dwindling freedoms.

We ignore the ones
We say we love
And spend rivers of
Time in a virtual
Abstract world of
New symbols that
Signify nothing
Except time misspent.

If you’re reading this,
And Mom still draws breath,
Is not just an image from
On high looking forever
At whatever pictures
Look at,
Don’t wait until the last
Moments to tell her
I’m sorry, Mom.
I love you, Mother.
Mama, sing me
That song you used to
Hum me to sleep
When I was a baby.
Thank you, Mom.
Thank you for struggling,
Sacrificing, and not
Prematurely ending my life.
Thank you for diapers
Changed,
For rashes
Soothed;
For tears flowing from
Chubby cheeks onto your
Collar, where you would
Sniff and smell them
(While I slept as soundly
As sound itself)
And cry your own tears,
Mixing them together,
Forming the salty
Lachrymal glue that
Kept you going and
Going when you only
Wanted to lie down
And rest.

Thank you, Mom.
I miss you so much.
jeffrey conyers Aug 2018
The rednecks didn't see it.
Obviously, many of us did.
The bigots refuse to acknowledge it.
Although we weren't.

Nothing about the redheaded clown fool us.
All his connection seems to be corrupt.
And now they turning color like the rainbows.

Still, the foolishness continues on.

When you defend a communist based country which your money seems to have been built.
But tear down your own agents of the best.
You were only fooling yourself.

Now your lawyer became wise.
He has a family with he mustn't cut his ties.
Your FIXER is a corrupt guy.
Not only him many others falling by the waste side.

Run Trump Run.
The feds are coming, the feds are coming.
The supporters that hated upon the best-qualified woman.
Now trying to defend this fool even more.

And look at his second in command.
He makes no sense.
Standing in the background like a fool too.

Cause the redheaded clown found him a flunky and a fool.
But this CONGRESS  that attacked President Obama now facing their own election drama.

We aware now that Obama always stood taller than the clown.
Even those against Hillary must admit they didn't want a woman running the country.

Democrats women are more outspoken.
I can't say it's in their DNA.
But their spouses let them say what they have to say?

Can't say much about this first robotic lady presently in the white house.
We know in some opinions only she seems to have a husband.
Who's a louse?

Run President Run.
We were very aware you were dumb.
Run, run, run but you show can't hide.
A classic Temptations line.

Now, look at others trying to distance themselves from the man.

— The End —