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"leathered" poems
Thread. Pierce. Weave. Her leathered fingers pulling it though from one single taut line, until it forms a flowing tapestry of a quilt. She forgets. The mail. The laundry. The casserole that burned her house down. The threads are her memories that have been lost. Each one a moment, a place, a person. She forgets. Their names. These threads are the last she will weave. Family acts as thread. The quilt that catches her as she falls farther from herself into an image as faded as the last photo of her husband. Thread. Pierce. Weave. Thread Pierce Weave. She forgets. The quilt. The daughter finds it, and sees a half spelled out name. She forgets. Her name. The daughter brings her mother her memories. The daughter helps guiding her mother’s hand. Thread. Pierce. Weave. Thread. Pierce. Weave. Thread. Pierce. Weave. Threads become patches, patches from the cloth. Thread. Pierce. Weave. Thread. Pierce. Weave. Mother and daughter weave together an inheritance. The quilt is finished, a single name. She utters the name she has been trying to find. She remembers. Her Grandson.
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Oct 11, 2014
Oct 11, 2014 at 4:10 PM UTC
Thread
Against layers of western pop and soulful jazz, I find myself yearning for the sound of traditional music These ears know well the tune that reminds them of home. My blood dances to the thumping of the tabla, the melodious clash of castanets and plucking of strings on leathered guitars. Traditional music is the voice of my silenced ancestors; and the treasure that is the legacy they have left behind for us. Each night I will remind myself of the beauty of Algeria and the sound that vibrates its fertile soil and resonates in my heart. Reaching out to hold the hands of those who came before me; we stand united by the melody of our anthem.
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May 17, 2014
May 17, 2014 at 3:18 PM UTC
Traditional Music: Algeria
I dream of leathered men, I dream of you, touching me, ******* me, loving me. Hold me in your clutch, dominate me, make me yours. Your voice like velvet, and your body like diamond. Cut me, mark me, I am your canvas. I am your art. The cruelest artist with a delicate touch. I beg of you. I whimper in pleasure. More please. "Be a good boy for me" "yes sir" on my knees. Complete submission. Take me to space. Make me forget all that came before you.
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Jul 9, 2022
Jul 9, 2022 at 11:31 AM UTC
Dreams pt.2
The dust will gather on beaten forge which crafted hardened steel. Even hardest blade it gorged, but all forget the Blacksmith. Rooted deep in township’s yore with a trade of kings and conquest. Upon him once relied your lore, but all forget the Blacksmith. Leathered hands, up night and day with visage of steel and focus. Sparks will reign and fly and spray, but all forget the Blacksmith. But when your steed wears down his hooves or your gate-posts starts to splinter, you’ll be found needing hardened grooves; you won’t forget the Blacksmith. For it is he who works all day And keep the townsfolk working. If you need hardship kept at bay, Don’t forget the Blacksmith.
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Jan 5, 2018
Jan 5, 2018 at 6:21 AM UTC
The Blacksmith
Polished off the filler rods now lifes got me dreaming soley about the silver lining the spooning of the woman on the moon Keep mapping the schematic, the big move heading straight to the oil soaked cash Ready again to make the great dash This time I'll save my dimes for those unavoidable hard times I'll pile it under my matress a secrete stash thats all mine Work my *** to the bone by welding up a storm Sitting all leathered up on my light weaver throne To meditate and consentrate on 13 times the suns bright Keep the eyes focused and fixate count to ten when the mechanics frustrate Troubleshoot the lines of life fix the issue then collect the lute.
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Dec 18, 2011
Dec 18, 2011 at 6:14 PM UTC
Welders rhyme
the night of the fake dead has become eternal (i will wear Susan Lucci's face for it) staggering through excesses unknown and the uncertainty of this ranking system, you tried to eat my earlobe but lost interest in it quickly. your scent safe in this butterfly net, i am surrounded by the murderous howls of your perennial buttercups, determined to tempt my animal ******* instincts.      (enuma elish la nabu shamamu)      (shapiltu ammatum shuma la zakrat) i have tripped in the garden of Eve's desire and felt torrents across my cheeks of alternating salt and sugar-sweet nectar. i have held the red locks of wort and danced on the blossom-littered ground in remembrance of wandered attention.      (When in the heights heaven had not been named)      (and below, firm ground had not been called...) i have wept in the shadow of Adam's twin towers and seen the rift between the continents ebb and fall under silence's blanket. i have leathered my skin under this star to defend my eyes and tongue from the bite of the turtle goddess. i have seen the feast of the water, devouring the naked soil of Pangea, and tasted its salt with my eyes. i have undertaken the toil of the shaduf, churning mud and planting seeds for the return of the floral messiah.      (Amaru baur rata)      (Shagane Ir Imshi) i have borne the yoke of the oxen and reaped stalks of wheat in the summer's first harvest i have broken bread with companions under starlight mixed embers glowing log light orange dynamo      (The Flood swept thereover)      (His heart was filled with tears) Will you scream for me? Can you profess the holiness of my mission? My name, my motif, echoes across the ages... Siaynoq! Siaynoq! Siaynoq! In the end we are called upon by stronger forces, blank expressions, glassy eyes Siaynoq! Siaynoq! Siaynoq! the cold of the world's knife, pressed against the flesh of our selves, unconscious rhythm heartbeat pounding twisted sense rhumba of a thousand tiny shards Siaynoq! Call me to a greater purpose Siaynoq! Spill my blood across the sand
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Sep 28, 2013
Sep 28, 2013 at 7:01 PM UTC
The Creation of Man
the night of the fake dead has become eternal (i will wear Susan Lucci's face for it) staggering through excesses unknown and the uncertainty of this ranking system, you tried to eat my earlobe but lost interest in it quickly. your scent safe in this butterfly net, i am surrounded by the murderous howls of your perennial buttercups, determined to tempt my animal ******* instincts.      (enuma elish la nabu shamamu)      (shapiltu ammatum shuma la zakrat) i have tripped in the garden of Eve's desire and felt torrents across my cheeks of alternating salt and sugar-sweet nectar. i have held the red locks of wort and danced on the blossom-littered ground in remembrance of wandered attention.      (When in the heights heaven had not been named)      (and below, firm ground had not been called...) i have wept in the shadow of Adam's twin towers and seen the rift between the continents ebb and fall under silence's blanket. i have leathered my skin under this star to defend my eyes and tongue from the bite of the turtle goddess. i have seen the feast of the water, devouring the naked soil of Pangea, and tasted its salt with my eyes. i have undertaken the toil of the shaduf, churning mud and planting seeds for the return of the floral messiah.      (Amaru baur rata)      (Shagane Ir Imshi) i have borne the yoke of the oxen and reaped stalks of wheat in the summer's first harvest i have broken bread with companions under starlight mixed embers glowing log light orange dynamo      (The Flood swept thereover)      (His heart was filled with tears) Will you scream for me? Can you profess the holiness of my mission? My name, my motif, echoes across the ages... Siaynoq! Siaynoq! Siaynoq! In the end we are called upon by stronger forces, blank expressions, glassy eyes Siaynoq! Siaynoq! Siaynoq! the cold of the world's knife, pressed against the flesh of our selves, unconscious rhythm heartbeat pounding twisted sense rhumba of a thousand tiny shards Siaynoq! Call me to a greater purpose Siaynoq! Spill my blood across the sand
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64
at two years old, your curious hands happened upon a bottle of flea medicine that lay waiting on the counter. your mother was absent as usual, off on an errand, or walking the dog. unwatched, your enterprising fingers eased the lid from the container, and you poured the sweet-smelling liquid down your throat. the world was still so new to you, and it seemed to be made for tasting. who could blame a child with a thirst for more than mushy peas and applesauce? two days later they released you from the hospital, your stomach pumped dry. when you were six, idly exploring the woods of your mother’s sprawling estate, you paused a moment from imagining faerie queens flitting about in the greenery to take rest on a log, your undiscerning eye not betraying its secret: within it was a nest of wasps, and thinking they were faeries you dared not move as they rose in a cloud above your head and overtook you, leaving your body peppered with painful angry sores. you fell to the ground. a hired man, strong and tall as the oak trees, saw your quick descent and ventured after you, made a hammock of his arms to bear you like a fallen soldier back to your mother’s house, his tough sun-leathered skin immune to the assaults of the faerie battalion. at eight, playing in the small child-sized house in your aunt’s garden, you sought to make stained glass from the broken shards of the playhouse window. having no tool at hand, what better way to shatter the clear, flat plane than with your fist? before reason could take hold of you, you drove your hand through the glass, and the raw edges cut deep into your veins. blood flowed in rivers from your wrist. your aunt, ever watchful, rushed from the house to stop your body’s catharsis with a dishcloth. the jagged unpainted shards lay forgotten on the ground.
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Feb 16, 2011
Feb 16, 2011 at 10:05 PM UTC
The Many Near-Death Experiences of My Mother
at two years old, your curious hands happened upon a bottle of flea medicine that lay waiting on the counter. your mother was absent as usual, off on an errand, or walking the dog. unwatched, your enterprising fingers eased the lid from the container, and you poured the sweet-smelling liquid down your throat. the world was still so new to you, and it seemed to be made for tasting. who could blame a child with a thirst for more than mushy peas and applesauce? two days later they released you from the hospital, your stomach pumped dry. when you were six, idly exploring the woods of your mother’s sprawling estate, you paused a moment from imagining faerie queens flitting about in the greenery to take rest on a log, your undiscerning eye not betraying its secret: within it was a nest of wasps, and thinking they were faeries you dared not move as they rose in a cloud above your head and overtook you, leaving your body peppered with painful angry sores. you fell to the ground. a hired man, strong and tall as the oak trees, saw your quick descent and ventured after you, made a hammock of his arms to bear you like a fallen soldier back to your mother’s house, his tough sun-leathered skin immune to the assaults of the faerie battalion. at eight, playing in the small child-sized house in your aunt’s garden, you sought to make stained glass from the broken shards of the playhouse window. having no tool at hand, what better way to shatter the clear, flat plane than with your fist? before reason could take hold of you, you drove your hand through the glass, and the raw edges cut deep into your veins. blood flowed in rivers from your wrist. your aunt, ever watchful, rushed from the house to stop your body’s catharsis with a dishcloth. the jagged unpainted shards lay forgotten on the ground.
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68
I shall write of simple things. I shall write of dark skies and black dogs, gardens full of red tomatoes and green spinach, of small streets where children walk through the haze of distant summers. I shall write of mountains and men, of the sea, of fishes and porpoises and whales. I shall be among the plains and write of old ranch hands with gnarled fingers and leathered countenances. I shall tell of cities and concrete and lies, of schools and scoldings, of hurts and healings. I shall whisper of things human, of love and lone- liness, of suffering and supplication, of tender moments and terror. I shall write of the simple and profound, for they are one, borne of the same center, which we call infinity. TOD HOWARD HAWKS
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Jun 18, 2019
Jun 18, 2019 at 11:46 AM UTC
I SHALL WRITE OF SIMPLE THINGS
***you are leathered with residue decaying the rust off your skin with our initials crawling into alabaster sheets that all I have really felt while staring out at the streets we're people fading by egotistical lack of self confidence even though I admit using seducing strategies possibly disgusted by my own emotions that I am placing ****** thrills on my own configuration because it's humid and blatant unkowling breathing ruthless sentiments of our holy communion I am splitting into a holy sin drenched in blissful wartime rations of water or passion your cotton skin and these sheets bold statements between white teeth it’s all a fading mystery you said I’m something childlike your hands are stained cherry and even if they were around my neck I’d whisper your name like a vesper simply waiting for the day to come where it all fades because you refuse to be a young god no matter how it seems to be to me in all of my naivety***
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Mar 11, 2017
Mar 11, 2017 at 7:44 PM UTC
Cherry Naivety
After years on this earth, I have weathered and grown. As a child, I did things, I had joy, love, and goals. In early summers, my life was a canvas for scar tissue: hot pebbles burned soft skin into calloused glory, the sun beat down and leathered my skin, chlorine and dirt turned my young hair to gray. When I was young, I etched tunnels in my bones, with crayon and marker, I forged deep ivory valleys. Some see this as cruelty, a sad deterioration, but this atrophy is experience, the catalyst of life! Years later, I sit here next to a painted sunrise. With jell-o, gray matter rots on my styrofoam tray. I wish for the summer, hot pebbles, and crayons, for the laughter of youth and its calloused adventures. But I've retired, so I sit idly in this plastic wheeled chair, watching monitors beeping with ebbing heart lines, grieving for my gray hair as it turns back to brown, mourning, as my unused bones fill with marrow to the brim, watching, heartbroken, old age clutching my hand, as my wrinkled skin smooths away.
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Mar 28, 2018
Mar 28, 2018 at 11:39 PM UTC
Wrinkled Skin (draft two)
Evening cleats The Bay, As cavalcades of passive argon, sulphur on the ogham slicks, to treacle ways toward the seeding cooling of the hours,... The sleights of crimson, fringe the bruising cower of the West, to brightly die behind the leathered hill. From a wrist of tallowed amethyst, a Tiercel purls a last ellipse, and in his sinking helix ships, the Sommes of curdled estuaries, to brood the closing Mill....
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Aug 9, 2016
Aug 9, 2016 at 1:11 PM UTC
The Steel Mill
I was made for war My hands are soft, my lungs are weak I was made for war I have no discipline, I live to feed my flesh I was made for war My mind………my mind……………… It still contains the coal Hot, burning, aware, remembering that I was made for war My leathered soul, dust covered, grey still burns I feel it whisper, because I was made for war Lord, Oh my Lord Harden my hands Open my lungs Discipline my mind and Teach me to starve my flesh Because I was made for war. [Ephesians 6:12-13]
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Sep 4, 2014
Sep 4, 2014 at 8:33 AM UTC
I was made for war
You are a traveler of the South lands brown, a leathered skin coyote desert walker of the Sonoran sands crafty, black magic witch a shaman, lucid dreamer Yaqui Indian spell weaver of visions, of paintings in the sand mixing colors, peyote flowers red, the melting of the aloe bowers dark blood, the blooming agave towers thick with snakes, the fire and hiss that burns black of sacaton grass the quiver and flash of flying sparks igniting night, time traveling to the stars.
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Feb 12, 2016
Feb 12, 2016 at 11:16 PM UTC
Yaqui man
My tongue is leathered vvith glory an oral  j  u m  p   r o p e             in the darkness! Joy!!! might you trip && break a femur to make a meal of yourself? Once prepared alongside the parsnips && carrots I relish your eyes && make no apologies for being Don't be sad to be svvallowed Some are not as lucky
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Apr 7, 2017
Apr 7, 2017 at 2:09 AM UTC
Glory
I can't seem to understand These happenings Scraped and leathered hands Wipe away the stinging tears Of this ardous transformation Saying goodbye to everything That no longer Feeds me Pulling from my old, tight skin Growing into The skin I was meant to be in.
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Jan 5, 2018
Jan 5, 2018 at 4:48 PM UTC
Seventeen
We are young, they say, like the new stars forming, like the ocean sounds adorning sleep to the city dweller, with his leathered face but handsome pay. He's exchanging the sirens for a more rhythmic pace, taking off his coat and professional face, to press you to the wall, forgetting the Keats and the Byrons that came before. We are young, I'm sure, despite having to crawl, despite disappearing into the city sprawl, and returning half a person, only memory intact, and a stream of shutting doors. You're giving up too soon. Too soon a disciple of established fact, too soon beguiled by your own stage-lit act; a smile worn, rather than felt, a dress bought for him, but never touched, and for all of the hands you may have dealt, not a single one has kept you young.
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Sep 21, 2014
Sep 21, 2014 at 7:23 PM UTC
The Fountain of Youth is Full of ****
Seats sat around standing tables void of conversation, whilst waitresses danced around the homeless clearing up their desperation with no fuss- just a cloth wipe across the surface and a smile to a lonely face; hard wood walls closed in like coffin-lid, coffin-hinged cases. One man alone in the corner held hands with his coffee cup and looked up hoping for familiar faces. And his finger snapped around the rim, for this cup of coffee was his only drink of the day. And his fingers broke around its handle, for this cup of coffee was his wick and leathered-spine candle. And his fingers melded to the cup, because this cup of coffee burnt like coughed-up cigarette butt-stubs.
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Apr 19, 2013
Apr 19, 2013 at 1:13 PM UTC
NEW YORK DINER, NEW YORK HOMELESS
Push and Punt I wander where you are heading, punching above your weight? Sometimes resolvent with a leathered face where's the forgiveness? like a two way mirror it stretches  both ways, culpability I hear you opine, when you kick the germane tin can, if you had known the source of your ails, you'd have less of the turbulence
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Jan 17, 2013
Jan 17, 2013 at 6:26 PM UTC
Locomotive wandering
Being divorced is not very much fun Two kids, no dad, life on the run A king-size bed with two pillows But she’s sleeping alone On a whim she headed East to the West The Cowboy convention in Tucson With her new boots and hat And old friend Laura Lee, wearing a vest This Hollywood screenwriter has seen them all Jive city slickers with cell phones and new cars It had been so long since she’d really been kissed Her love life needed a punch, it could not make a fist Samuel Dawson was born on and still lived on the ranch He rode fence, chased cattle, is one studley man With a soft streak as demonstrated by his craft He works wonders with leather, why it was art He too was lonely, this singular man He’d cleaned himself up since his wife went and made other plans For he had deserved it, so he sat hoping to sell Wishing he’d find that artesian well Stop the action, let me set the stage There he sits at his craftsman’s booth Underneath the canopy in the hot afternoon sun Here comes Rebecca meandering along She lingers and fingers his feathered and leathered strands He smiles and she notes his mustache and tan They talk, she will not turn away Laura Lee shouts, “Let’s get on the way.” This is where the story begins One cowboy love that has no end She’s still a writer on fine TV shows Sam is the wrangler, whom everyone knows Loves a lady who fancies parasols On hot Summer days, who now rides a horse Who no longer leads a half-finished life Where western handicraft is everywhere in sight And their love is on course Some don’t understand, some don’t want to know But bridges are built wherever you go Even on land with no river in sight When a cowboy finds love he succumbs without fight The ranch is now located in Southern Cal The fence he mends is picket, see for yourself For I know them, and please call me Sam She’ll be home in a few, I’m her lover man.
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Dec 16, 2016
Dec 16, 2016 at 2:15 PM UTC
Cowboy Love
Being divorced is not very much fun Two kids, no dad, life on the run A king-size bed with two pillows But she’s sleeping alone On a whim she headed East to the West The Cowboy convention in Tucson With her new boots and hat And old friend Laura Lee, wearing a vest This Hollywood screenwriter has seen them all Jive city slickers with cell phones and new cars It had been so long since she’d really been kissed Her love life needed a punch, it could not make a fist Samuel Dawson was born on and still lived on the ranch He rode fence, chased cattle, is one studley man With a soft streak as demonstrated by his craft He works wonders with leather, why it was art He too was lonely, this singular man He’d cleaned himself up since his wife went and made other plans For he had deserved it, so he sat hoping to sell Wishing he’d find that artesian well Stop the action, let me set the stage There he sits at his craftsman’s booth Underneath the canopy in the hot afternoon sun Here comes Rebecca meandering along She lingers and fingers his feathered and leathered strands He smiles and she notes his mustache and tan They talk, she will not turn away Laura Lee shouts, “Let’s get on the way.” This is where the story begins One cowboy love that has no end She’s still a writer on fine TV shows Sam is the wrangler, whom everyone knows Loves a lady who fancies parasols On hot Summer days, who now rides a horse Who no longer leads a half-finished life Where western handicraft is everywhere in sight And their love is on course Some don’t understand, some don’t want to know But bridges are built wherever you go Even on land with no river in sight When a cowboy finds love he succumbs without fight The ranch is now located in Southern Cal The fence he mends is picket, see for yourself For I know them, and please call me Sam She’ll be home in a few, I’m her lover man.
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45
I wish we named every rainstorm. Hurricanes get everything, but It's easy to have everything when All you do is take. I used to think that falling Asleep was the same feeling as Earthquakes shaking the grounds. Don't get stuck in the chasm. Washed up memories, shoe box Chachkis, left untouched through the Eye of the storm. Who knew these Relics would follow you here. Crying as the pouring rain stops Is impossible. All of the tears have been taken. But rippling water is overrated. Have you ever seen sand slide through The Sahara Desert. I've been there. I've seen it. I watched as each minuscule grain slid Down the valley ridges built from years Of wind storms making piles. Piles idiosyncratically stretched across its reddened face, Maybe modeled by the smoldering surface of mars. Lay down and let it wash across your leathered skin. Sensations spreading, each nerve on every centimeter of you Lighting up, marquee, competing with the hot desert suns. A million dandelion spores dancing ballet. Tip top, tip toes to a tarantella timing. Buried under dunes, only too soon to Uncover you once again. You wouldn't believe how something Solid can so namelessly float across the land.
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Jan 9, 2016
Jan 9, 2016 at 3:21 AM UTC
Unnamed
Today, I miss, The gunslinger in your stride, Toting a bootfall, swagger laugh. The plump of a whiskered cheek Turned sunny side up Harley Davidson pony tail, Leathered up decorum, Wild Child riding in on a heart of gold Every now and then When the cowboys seem so small I think of you Long shadowed against the platform of my childhood Hear the faint whistle of John Wayne on the wind Calling the memories up like An Ole Spice bear hug And the loss Hits like a gunshot
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May 26, 2015
May 26, 2015 at 11:14 AM UTC
Uncle Joe
when critique is about, the unsuspecting walk like peacocks, showing off the wooden dutch slacks of fear prior to criticism, forging a proof of god so debased that it would require the holocaust to have taken place. - yes, this call is immediate, what's the severity? - immediacy in all circumstances. - sounds terrible. - yep, blood in my **** too. - ooh, dialectical diarrhoea? - skidding at one hundred miles per hour with a popsicle swerve on the slurp. - trafalgar sq. fountains? - lions roaring in alabaster to the breaking of bony hinges. - triage. - can i see him face to face. - no, you need to speak to him first via the triage telephone system. - so he's the now receptionist and knows the daybreak slots with chemical compounds. - no, thingy thingy, dum dum **** a toe, crackle fun pull a twig: we're    the receptionists, he prioritises the eventuality of a cancer advert. - three quid down the drain? - yes, we, the receptionists of the world will stand against the robotic onslaught! - ****** on winter sledges. - exactly. - not exactly, you, receptionist, you jane, me tarzan, you book face to face, now. - you tarzan, you straighten bananas. - you jane, you book, appointment. - you tarzan, you straighten bananas. - you jane, you book, appointment, now. - me jane, me receptionist, me on the conveyor belt of corn crop patched harvestable. - me i.q. - me one hundred and fifteen. - face to face to farce. - farce to bloke to pole. - pole leaning on a pole. - englishman eating a napkin. - blackjack and ingredients for the pride of britain: vindaloo child. - sloshed on a cricketeer's return. - puns and cardamon cardigans of colour without scent. - pushy apple sours coloured acid green without the mojo juice. - spank that gimp ***** into a piglet. - leathered up, boots on parole. (who the hell is talking now?) - i need to see the doctor face to face, i need my sick note to live on:    on brink of day in ultraviolet twilights, and drink. - are you a banker? - i'm a sick man, a beggar. - we only provide sickness to the rich and famous. - so what do i get? - premature death. - oh, can i have a bank account with that? - oh sure, as long as you can accept debt. - 5% like standard a.e.r.? - no, 2000% - so my debt interest will be crazy dizzy above my savings interest rate? - yes. - do you sell *** positive syringes? - we're accommodating. - thank you very much. - thank you. - goodbye morrow and marrow tight. - bones ashore. - **** all ahoy.
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Sep 12, 2015
Sep 12, 2015 at 8:58 PM UTC
serialisation of western society (triage appointments)
when critique is about, the unsuspecting walk like peacocks, showing off the wooden dutch slacks of fear prior to criticism, forging a proof of god so debased that it would require the holocaust to have taken place. - yes, this call is immediate, what's the severity? - immediacy in all circumstances. - sounds terrible. - yep, blood in my **** too. - ooh, dialectical diarrhoea? - skidding at one hundred miles per hour with a popsicle swerve on the slurp. - trafalgar sq. fountains? - lions roaring in alabaster to the breaking of bony hinges. - triage. - can i see him face to face. - no, you need to speak to him first via the triage telephone system. - so he's the now receptionist and knows the daybreak slots with chemical compounds. - no, thingy thingy, dum dum **** a toe, crackle fun pull a twig: we're    the receptionists, he prioritises the eventuality of a cancer advert. - three quid down the drain? - yes, we, the receptionists of the world will stand against the robotic onslaught! - ****** on winter sledges. - exactly. - not exactly, you, receptionist, you jane, me tarzan, you book face to face, now. - you tarzan, you straighten bananas. - you jane, you book, appointment. - you tarzan, you straighten bananas. - you jane, you book, appointment, now. - me jane, me receptionist, me on the conveyor belt of corn crop patched harvestable. - me i.q. - me one hundred and fifteen. - face to face to farce. - farce to bloke to pole. - pole leaning on a pole. - englishman eating a napkin. - blackjack and ingredients for the pride of britain: vindaloo child. - sloshed on a cricketeer's return. - puns and cardamon cardigans of colour without scent. - pushy apple sours coloured acid green without the mojo juice. - spank that gimp ***** into a piglet. - leathered up, boots on parole. (who the hell is talking now?) - i need to see the doctor face to face, i need my sick note to live on:    on brink of day in ultraviolet twilights, and drink. - are you a banker? - i'm a sick man, a beggar. - we only provide sickness to the rich and famous. - so what do i get? - premature death. - oh, can i have a bank account with that? - oh sure, as long as you can accept debt. - 5% like standard a.e.r.? - no, 2000% - so my debt interest will be crazy dizzy above my savings interest rate? - yes. - do you sell *** positive syringes? - we're accommodating. - thank you very much. - thank you. - goodbye morrow and marrow tight. - bones ashore. - **** all ahoy.
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58
i walk out the door and it's a living anti drug ad---- grannies in pink with scars up and down their legs, youth with big black glasses chewin' out their teeth chumpin' for my change to score, leathered out n' shot up tracked all all over ***** men swaying with grins beating their heads against walls calling for MORE MORE MORE...  just one more score... skeletal grave home... street sleeping slums of lonliness
0
Sep 8, 2010
Sep 8, 2010 at 12:53 PM UTC
drug=g=g d
The walls are circling now, Closing in around me, And the demons push forward, Sparring my sides. I am surrounded. Oh dove, This is not your place. Your freedom taunts me. Why do you choose to witness such torture? Exorcist, You cast the leathered bats from me. You, who watches me writhe Utters spells and prayers, And pulls me from my depths. Oh dove, I shall gasp water when you flee.
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Jun 6, 2010
Jun 6, 2010 at 11:33 AM UTC
Dove