Like a psychotic docent in the wilderness,
I will not speak in perfect Ciceronian cadences.
I draw my voice from a much deeper cistern,
Preferring the jittery synaptic archive,
So sublimely unfiltered, random and profane.
And though I am sequestered now,
Confined within the walls of a gated, golf-coursed,
Over-55 lunatic asylum (for Active Seniors I am told),
I remain oddly puerile,
Remarkably refreshed and unfettered.  
My institutionalization self-imposed,
Purposed for my own serenity, and also the safety of others.
Yet I abide, surprisingly emancipated and frisky.
I may not have found the peace I seek,
But the quiet has mercifully come at last.

The nexus of inner and outer space is context for my story.
I was born either in Brooklyn, New York or Shungopavi, Arizona,
More of intervention divine than census data.
Shungopavi: a designated place for tribal statistical purposes.
Shungopavi: an ovine abbatoir and shaman’s cloister.
The Hopi: my mother’s people, a state of mind and grace,
Deftly landlocked, so cunningly circumscribed,
By both interior and outer Navajo boundaries.
The Navajo: a coyote trickster people; a nation of sheep thieves,
Hornswoggled and landlocked themselves,
Subsumed within three of the so-called Four Corners:
A 3/4ths compromise and covenant,
Pickled in firewater, swaddled in fine print,
A veritable swindle concocted back when the USA
Had Manifest Destiny & mayhem on its mind.

The United States: once a pubescent synthesis of blood and thunder,
A bold caboodle of trooper spit and polish, unwashed brawlers, Scouts and      
Pathfinders, mountain men, numb-nut ne'er-do-wells,
Buffalo Bills & big-balled individualists, infected, insane with greed.
According to the Gospel of His Holiness Saint Zinn,
A People’s’ History of the United States: essentially state-sponsored terrorism,
A LAND RUSH grabocracy, orchestrated, blessed and anointed,
By a succession of Potomac sharks, Great White Fascist Fathers,
Far-Away-on-the Bay, the Bay we call The Chesapeake.
All demented national patriarchs craving lebensraum for God and country.
The USA: a 50-state Leviathan today, a nation jury-rigged,
Out of railroad ties, steel rails and baling wire,
Forged by a litany of lies, rapaciousness and ******,
And jaw-torn chunks of terra firma,
Bites both large and small out of our well-****** Native American ***.

Or culo, as in va’a fare in culo (literally "go do it in the ***")
Which Italian Americans pronounce as fongool.
The language center of my brain,
My sub-cortical Broca’s region,
So fraught with such semantic misfires,
And autonomic linguistic seizures,
Compel acknowledgement of a father’s contribution,
To both the gene pool and the genocide.
Columbus Day:  a conspicuously absent holiday out here in Indian Country.
No festivals or Fifth Avenue parades.
No excuse for ethnic hoopla. No guinea feast. No cannoli. No tarantella.
No excuse to not get drunk and not **** your sister-in-law.
Emphatically a day for prayer and contemplation,
A day of infamy like Pearl Harbor and 9/11,
October 12, 1492: not a discovery; an invasion.

Growing up in Brooklyn, things were always different for me,
Different in some sort of redskin/****/****--
Choose Your Favorite Ethnic Slur-sort of way.
The American Way: dehumanization for fun and profit.
Melting *** anonymity and denial of complicity with evil.
But this is no time to bring up America’s sordid past,
Or, a personal pet peeve: Indian Sovereignty.
For Uncle Sam and his minions, an ever-widening, conveniently flexible concept,
Not a commandment or law,
Not really a treaty or a compact,
Or even a business deal.  Let’s get real:
It was not even much in the way of a guideline.
Just some kind of an advisory, a bulletin or newsletter,
Could it merely have been a free-floating suggestion?
Yes, that’s it exactly: a suggestion.

Over and under halcyon American skies,
Over and around those majestic purple mountain peaks,
Those trapped in poetic amber waves of wheat and oats,
Corn and barley, wheat shredded and puffed,
Corn flaked and milled, Wheat Chex and Wheaties, oats that are little Os;
Kix and Trix, Fiber One, and Kashi-Go-Lean, Lucky Charms and matso *****,
Kreplach and kishka,
Polenta and risotto.
Our cantaloupe and squash patch,
Our fruited prairie plain, our delicate ecological Eden,
In balance and harmony with nature, as Chief Joseph of the Nez Perce instructs:
“These white devils are not going to,
Stop ****** and killing, cheating and eating us,
Until they have the whole ******* enchilada.
I’m talking about ‘from sea to shining sea.’”

“I fight no more forever,” Babaloo.
So I must steer this clunky keelboat of discovery,
Back to the main channel of my sad and starry demented river.
My warpath is personal but not historical.
It is my brain’s own convoluted cognitive process I cannot saavy.
Whatever biochemical or—as I suspect more each day—
Whatever bio-mechanical protocols govern my identity,
My weltanschauung: my world-view, as sprechen by proto-Nazis;
Putz philosophers of the 17th, 18th & 19th century.
The German intelligentsia: what a cavalcade of maniacal *******!
Why is this Jew unsurprised these Zarathustra-fueled Übermenschen . . .
Be it the Kaiser--Caesar in Deutsch--Bismarck, ******, or,
Even that Euro-*****,  Angela Merkel . . . Why am I not surprised these Huns,
Get global grab-*** on the sauerbraten cabeza every few generations?
To be, or not to be the ***** bullgoose loony: GOTT.

Biomechanical protocols govern my identity and are implanted while I sleep.
My brain--my weak and weary CPU--is replenished, my discs defragmented.
A suite of magnetic and optical white rooms, cleansed free of contaminants,
Gun mounts & lifeboat stations manned and ready,
Standing at attention and saluting British snap-style,
Snap-to and heel click, ramrod straight and cheerful: “Ready for duty, Sir.”
My mind is ravenous, lusting for something, anything to process.
Any memory or image, lyric or construct,
Be they short-term dailies or deeply imprinted.
Fixations archived one and all in deep storage time and space.
Memories, some subconscious, most vaporous;
Others--the scary ones—eidetic: frighteningly detailed and extraordinarily vivid.
Precise cognitive transcripts; recollected so richly rife and fresh.
Visual, auditory, tactile, gustatory, and olfactory reloads:
Queued up and increasingly re-experienced.

The bio-data of six decades: it’s all there.
People, countless, places and things cataloged.
Every event, joy and trauma enveloped from within or,
Accessed externally from biomechanical storage devices.
The random access memory of a lifetime,
Read and recollected from cerebral repositories and vaults,
All the while the entire greedy process overseen,
Over-driven by that all-subservient British bat-man,
Rummaging through the data in batches small and large,
Internal and external drives working in seamless syncopation,
Self-referential, at times paradoxical or infinitely looped.
“Cogito ergo sum."
Descartes stripped it down to the basics but there’s more to the story:
Thinking about thinking.
A curse and minefield for the cerebral:  metacognition.

No, it is not the fact that thought exists,
Or even the thoughts themselves.
But the information technology of thought that baffles me,
As adaptive and profound as any evolution posited by Darwin,
Beyond the wetware in my skull, an entirely new operating system.
My mental and cultural landscape are becoming one.
Machines are connecting the two.
It’s what I am and what I am becoming.
Once more for emphasis:
It is the information technology of who I am.
It is the operating system of my mental and cultural landscape.
It is the machinery connecting the two.
This is the central point of this narrative:
Metacognition--your superego’s yenta Cassandra,
Screaming, screaming in your psychic ear, your good ear:

“LISTEN:  The machines are taking over, taking you over.
Your identity and train of thought are repeatedly hijacked,
Switched off the main line onto spurs and tangents,
Only marginally connected or not at all.
(Incoming TEXT from my editor: “Lighten Up, Giuseppi!”)
Reminding me again that most in my audience,
Rarely get past the comic page. All righty then: think Calvin & Hobbes.
John Calvin, a precocious and adventurous six-year old boy,
Subject to flights of 16th Century French theological fancy.
Thomas Hobbes, a sardonic anthropomorphic tiger from 17th Century England,
Mumbling about life being “solitary, poor, nasty, brutish and short.”
Taken together--their antics and shenanigans--their relationship to each other,
Remind us of our dual nature; explore for us broad issues like public education;
The economy, environmentalism & the Global ****** Thermometer;
Not to mention the numerous flaws of opinion polls.



And again my editor TEXTS me, reminds me again: “LIGHTEN UP!”
Consoling me:  “Even Shakespeare had to play to the groundlings.”
The groundlings, AKA: The Rabble.
Yes. Even the ******* Bard, even Willie the Shake,
Had to contend with a decidedly lowbrow copse of carrion.
Oh yes, the groundlings, a carrion herd, a flying flock of carrion seagulls,
Carrion crow, carrion-feeders one and all,
And let’s throw Sheryl Crow into the mix while we’re at it:
“Hit it! This ain't no disco. And it ain't no country club either, this is L.A.”  

                  Send "All I Wanna Do" Ringtone to your Cell              

Once more, I digress.
The Rabble:  an amorphous, gelatinous Jabba the Hutt of commonality.
The Rabble: drunk, debauched & lawless.
Too *****-delicious to stop Bill & Hilary from thinking about tomorrow;
Too Paul McCartney My Love Does it Good to think twice.

The Roman Saturnalia: a weeklong **** fest.
The Saturnalia: originally a pagan kink-fest in honor of the deity Saturn.
Dovetailing nicely with the advent of the Christian era,
With a project started by Il Capo di Tutti Capi,
One of the early popes, co-opting the Roman calendar between 17 and 25 December,
Putting the finishing touches on the Jesus myth.
For Brooklyn Hopi-***-Jew baby boomers like me,
Saturnalia manifested itself as Disco Fever,
Unpleasant years of electrolysis, scrunched ***** in tight polyester
For Roman plebeians, for the great unwashed citizenry of Rome,
Saturnalia was just a great big Italian wedding:
A true family blowout and once-in-a-lifetime ego-trip for Dad,
The father of the bride, Vito Corleone, Don for A Day:
“Some think the world is made for fun and frolic,
And so do I! Funicula, Funiculi!”

America: love it or leave it; my country right or wrong.
Sure, we were citizens of Rome,
But any Joe Josephus spending the night under a Tiber bridge,
Or sleeping off a three day drunk some afternoon,
Up in the Coliseum bleachers, the cheap seats, out beyond the monuments,
The original three monuments in the old stadium,
Standing out in fair territory out in center field,
Those three stone slabs honoring Gehrig, Huggins, and Babe.
Yes, in the house that Ruth built--Home of the Bronx Bombers--***?
Any Joe Josephus knows:  Roman citizenship doesn’t do too much for you,
Except get you paxed, taxed & drafted into the Legion.
For us the Roman lifestyle was HIND-*** humble.
We plebeians drew our grandeur by association with Empire.
Very few Romans and certainly only those of the patrician class lived high,
High on the hog, enjoying a worldly extravaganza, like—whom do we both know?

Okay, let’s say Laurence Olivier as Crassus in Spartacus.
Come on, you saw Spartacus fifteen ******* times.
Remember Crassus?
Crassus: that ***** twisted **** trying to get his freak on with,
Tony Curtis in a sunken marble tub?
We plebes led lives of quiet *****-scratching desperation,
A bunch of would-be legionnaires, diseased half the time,
Paid in salt tablets or baccala, salted codfish soaked yellow in olive oil.
Stiffs we used to call them on New Year’s Eve in Brooklyn.
Let’s face it: we were hyenas eating someone else’s ****,
Stage-door jackals, Juvenal-come-late-lies, a mob of moronic mook boneheads
Bought off with bread & circuses and Reality TV.
Each night, dished up a wide variety of lowbrow Elizabethan-era entertainments.  
We contemplate an evening on the town, downtown—
(cue Petula Clark/Send "Downtown" Ringtone to your Cell)

On any given London night, to wit:  mummers, jugglers, bear & bull baiters.
How about dog & **** fighters, quoits & skittles, alehouses & brothels?
In short, somewhere, anywhere else,
Anywhere other than down along the Thames,
At Bankside in Southwark, down in the Globe Theater mosh pit,
Slugging it out with the groundlings whose only interest,
In the performance is the choreography of swordplay and stale ****** puns.
Meanwhile, Hugh Fennyman--probably a fellow Jew,
An English Renaissance Bugsy Siegel or Mickey Cohen—
Meanwhile Fennyman, the local mob boss is getting his ya-yas,
Roasting the feet of my text-messaging editor, Philip Henslowe.
Poor and pathetic Henslowe, works on commission, always scrounging,
But a true patron of my craft, a gentleman of infinite jest and patience,
Spiritual subsistence, and every now and then a good meal at some,
Sawdust joint with oyster shells, and a Prufrockian silk purse of T.S. Eliot gold.

Poor, pathetic Henslowe, trussed up by Fennyman,
His editorial feet in what looks like a Japanese hibachi.
Henslowe’s feet to the fire--feet to the fire—get it?
A catchy phrase whose derivation conjures up,
A grotesque yet vivid image of torture,
An exquisite insight into how such phrases ingress the idiom,
Not to mention a scene once witnessed at a secret Romanian CIA prison,
I’d been ordered to Bucharest not long after 9/11,
Handling the rendition and torture of Habib Ghazzawy,

An entirely innocent falafel maker from Steinway Street, Astoria, Queens.
Shock the Monkey: it’s what we do. GOTO:
Peter Gabriel - Shock the Monkey/
(HQ music video) - YouTube//
www.youtube.com/
Poor, pathetic, ******-on Henslowe.


Fennyman :  (his avarice is whet by something Philly screams out about a new script)  "A play takes time. Find actors; Rehearsals. Let's say open in three weeks. That's--what--five hundred groundlings at tuppence each, in addition four hundred groundlings tuppence each, in addition four hundred backsides at three pence--a penny extra for a cushion, call it two hundred cushions, say two performances for safety how much is that Mr. Frees?"
Jacobean Tweet, John (1580-1684) Webster:  “I saw him kissing her bubbies.”

It’s Geoffrey Rush, channeling Henslowe again,
My editor, a singed smoking madman now,
Feet in an ice bucket, instructing me once more:
“Lighten things up, you know . . .
Comedy, love and a bit with a dog.”
I digress again and return to Hopi Land, back to my shaman-monastic abattoir,
That Zen Center in downtown Shungopavi.
At the Tribal Enrolment Office I make my case for a Certificate of Indian Blood,
Called a CIB by the Natives and the U.S. Bureau of Indian Affairs.
The BIA:  representing gold & uranium miners, cattle and sheep ranchers,
Sodbusters & homesteaders; railroaders and dam builders since 1824.
Just in time for Andrew Jackson, another false friend of Native America,
Just before Old Hickory, one of many Democratic Party hypocrites and scoundrels,
Gives the FONGOOL, up the CULO go ahead.
Hey Andy, I’ve got your Jacksonian democracy: Hanging!
The Bureau of Indian Affairs (BIA) mission is to:   "… enhance the quality of life, to promote economic opportunity, and to carry out the responsibility to protect and improve the trust assets of American Indians, Indian tribes, and Alaska Natives. What’s that in the fine print?  Uncle Sammy holds “the trust assets of American Indians.”

Here’s a ******* tip, Geronimo: if he trusted you,
It would ALL belong to you.
To you and The People.
But it’s all fork-tongued white *******.
If true, Indian sovereignty would cease to be a sick one-liner,
Cease to be a blunt force punch line, more of,
King Leopold’s 19th Century stand-up comedy schtick,
Leo Presents: The **** of the Congo.
La Belgique mission civilisatrice—
That’s what French speakers called Uncle Leo’s imperial public policy,
Bringing the gift of civilization to central Africa.
Like Manifest Destiny in America, it had a nice colonial ring to it.
“Our manifest destiny [is] to overspread the continent,
Allotted by Providence for the free development,
Of our yearly multiplying millions.”  John L. O'Sullivan, 1845

Our civilizing mission or manifest destiny:
Either/or, a catchy turn of phrase;
Not unlike another ironic euphemism and semantic subterfuge:
The Pacification of the West; Pacification?
Hardly: decidedly not too peaceful for Cochise & Tonto.
Meanwhile, Madonna is cash rich but disrespected Evita poor,
To wit: A ****** on the Rocks (throwing in a byte or 2 of Da Vinci Code).
Meanwhile, Miss Ciccone denied her golden totem *****.
They snubbed that little guinea ****, didn’t they?
Snubbed her, robbed her rotten.
Evita, her magnum opus, right up there with . . .
Her SNL Wayne’s World skit:
“Get a load of the unit on that guy.”
Or, that infamous MTV Music Video Awards stunt,
That classic ***** Lip-Lock with Britney Spears.

How could I not see that Oscar snubola as prime evidence?
It was just another stunning case of American anti-Italian racial animus.
Anyone familiar with Noam Chomsky would see it,
Must view it in the same context as the Sacco & Vanzetti case,
Or, that arbitrary lynching of 9 Italian-Americans in New Orleans in 1891,
To cite just two instances of anti-Italian judicial reach & mob violence,
Much like what happened to my cousin Dominic,
Gang-***** by the Harlem Globetrotters, in their locker room during halftime,
While he working for Abe Saperstein back in 1952.
Dom was doing advance for Abe, supporting creation of The Washington Generals:
A permanent stable of hoop dream patsies and foils,
Named for the ever freewheeling, glad-handing, backslapping,
Supreme Commander Allied Expeditionary Force (SCAEF), himself,
Namely General Dwight D. Eisenhower, the man they liked,
And called IKE: quite possibly a crypto Jew from Abilene.

Of course, Harry Truman was my first Great White Fascist Father,
Back in 1946, when I first opened my eyes, hung up there,
High above, looking down from the adobe wall.
Surveying the entire circular kiva,
I had the best seat in the house.
Don’t let it be said my Spider Grandmother or Hopi Corn Mother,
Did not want me looking around at things,
Discovering what made me special.
Didn’t divine intervention play a significant part of my creation?
Knowing Mamma Mia and Nonna were Deities,
Gave me an edge later on the streets of Brooklyn.
The Cradleboard: was there ever a more divinely inspired gift to human curiosity? The Cradleboard: a perfect vantage point, an infant’s early grasp,
Of life harmonious, suspended between Mother Earth and Father Sky.
Simply put: the Hopi should be running our ******* public schools.

But it was IKE with whom I first associated,
Associated with the concept 1600 Pennsylvania Avenue.
I liked IKE. Who didn’t?
What was not to like?
He won the ******* war, didn’t he?
And he wasn’t one of those crazy **** John Birchers,
Way out there, on the far right lunatic Republican fringe,
Was he? (It seems odd and nearly impossible to believe in 2013,
That there was once a time in our Boomer lives,
When the extreme right wing of the Republican Party
Was viewed by the FBI as an actual threat to American democracy.)
Understand: it was at a time when The FBI,
Had little ideological baggage,
But a great appetite for secrets,
The insuppressible Jay Edgar doing his thang.

IKE: of whom we grew so, oh-so Fifties fond.
Good old reliable, Nathan Shaking IKE:
He’d been fixed, hadn’t he? Had had the psychic snip.
Snipped as a West Point cadet & parade ground martinet.
Which made IKE a good man to have in a pinch,
Especially when crucial policy direction was way above his pay grade.
Cousin Dom was Saperstein’s bagman, bribing out the opposition,
Which came mainly from religious and patriotic organizations,
Viewing the bogus white sports franchise as obscene.
The Washington Generals, Saperstein’s new team would have but one opponent,
And one sole mission: to serve as the **** of endless jokes and sight gags for—
Negroes.  To play the chronic fools of--
Negroes.  To be chronically humiliated and insulted by—
Negroes.  To run up and down the boards all night, being outran by—
Negroes.  Not to mention having to wear baggy silk shorts.



Meadowlark Lemon:  “Yeah, Charlie, we ***** that grease-ball Dominic; we shagged his guinea mouth and culo rotten.”  

(interviewed in his Scottsdale, AZ winter residence in 2003 by former ESPN commentator Charlie Steiner, Malverne High School, Class of ’67.)
                                                        
  ­                                                                 ­                 
IKE, briefed on the issue by higher-ups, quickly got behind the idea.
The Harlem Globetrotters were to exist, and continue to exist,
Are sustained financially by Illuminati sponsors,
For one reason and one reason only:
To serve elite interests that the ***** be kept down and subservient,
That the minstrel show be perpetuated,
A policy surviving the elaborate window dressing of the civil rights movement, Affirmative action, and our first Uncle Tom president.
Case in point:  Charles Barkley, Dennis Rodman & Metta World Peace Artest.
Cha-cha-cha changing again:  I am Robert Allen Zimmermann,
A whiny, skinny Jew, ****** and rolling in from Minnesota,
Arrested, obviously a vagrant, caught strolling around his tony Jersey enclave,
Having moved on up the list, the A-list, a special invitation-only,
Yom Kippur Passover Seder:  Next Year in Jerusalem, Babaloo!

I take ownership of all my autonomic and conditioned reflexes;
Each personal neural arc and pathway,
All shenanigans & shellackings,
Or blunt force cognitive traumas.
It’s all percolating nicely now, thank you,
In kitchen counter earthen crockery:
Random access memory: a slow-cook crockpot,
Bubbling through my psychic sieve.
My memories seem only remotely familiar,
Distant and vague, at times unreal:
An alien hybrid databank accessed accidently on purpose;
Flaky science sustains and monitors my nervous system.
And leads us to an overwhelming question:
Is it true that John Dillinger’s ******* is in the Smithsonian Museum?
Enquiring minds want to know, Kemosabe!

“Any last words, *******?” TWEETS Adam Smith.
Postmortem cyber-graffiti, an epitaph carved in space;
Last words, so singular and simple,
Across the universal great divide,
Frisbee-d, like a Pleistocene Kubrick bone,
Tossed randomly into space,
Morphing into a gyroscopic space station.
Mr. Smith, a calypso capitalist, and me,
Me, the Poet Laureate of the United States and Adam;
Who, I didn’t know from Adam.
But we tripped the light fantastic,
We boogied the Protestant Work Ethic,
To the tune of that old Scotch-Presbyterian favorite,
Variations of a 5-point Calvinist theme: Total Depravity; Election; Particular Redemption; Irresistible Grace; & Perseverance of the Saints.

Mr. Smith, the author of An Inquiry into the Nature
& Causes of the Wealth of Nations (1776),
One of the best-known, intellectual rationales for:
Free trade, capitalism, and libertarianism,
The latter term a euphemism for Social Darwinism.
Prior to 1764, Calvinists in France were called Huguenots,
A persecuted religious majority . . . is that possible?
A persecuted majority of Edict of Nantes repute.
Adam Smith, likely of French Huguenot Jewish ancestry himself,
Reminds me that it is my principal plus interest giving me my daily gluten.
And don’t think the irony escapes me now,
A realization that it has taken me nearly all my life to see again,
What I once saw so vividly as a child, way back when.
Before I put away childish things, including the following sentiment:
“All I need is the air that I breathe.”

  Send "The Air That I Breathe" Ringtone to your Cell  

The Hippies were right, of course.
The Hollies had it all figured out.
With the answer, as usual, right there in the lyrics.
But you were lucky if you were listening.
There was a time before I embraced,
The other “legendary” economists:
The inexorable Marx,
The savage society of Veblen,
The heresies we know so well of Keynes.
I was a child.
And when I was a child, I spake as a child—
Grazie mille, King James—
I understood as a child; I thought as a child.
But when I became a man I jumped on the bus with the band,
Hopped on the irresistible bandwagon of Adam Smith.

Smith:  “Any last words, *******?”
Okay, you were right: man is rationally self-interested.
Grazie tanto, Scotch Enlightenment,
An intellectual movement driven by,
An alliance of Calvinists and Illuminati,
Freemasons and Johnny Walker Black.
Talk about an irresistible bandwagon:
Smith, the gloomy Malthus, and David Ricardo,
Another Jew boy born in London, England,
Third of 17 children of a Sephardic family of Portuguese origin,
Who had recently relocated from the Dutch Republic.
******* Jews!
Like everything shrewd, sane and practical in this world,
WE also invented the concept:  FOLLOW THE MONEY.

The lyrics: if you were really listening, you’d get it:
Respiration keeps one sufficiently busy,
Just breathing free can be a full-time job,
Especially when--borrowing a phrase from British cricketers—,
One contemplates the sorry state of the wicket.
Now that I am gainfully superannuated,
Pensioned off the employment radar screen.
Oft I go there into the wild ebon yonder,
Wandering the brain cloud at will.
My journey indulges curiosity, creativity and deceit.
I free range the sticky wicket,
I have no particular place to go.
Snagging some random fact or factoid,
A stop & go rural postal route,
Jumping on and off the brain cloud.

Just sampling really,
But every now and then, gorging myself,
At some information super smorgasbord,
At a Good Samaritan Rest Stop,
I ponder my own frazzled neurology,
When I was a child—
Before I learned the grim economic facts of life and Judaism,
Before I learned Hebrew,
Before my laissez-faire Bar Mitzvah lessons,
Under the rabbinical tutelage of Rebbe Kahane--
I knew what every clever child knows about life:
The surfing itself is the destination.
Accessing RAM--random access memory—
On a strictly need to know basis.
RAM:  a pretty good name for consciousness these days.

If I were an Asimov or Sir Arthur (Sri Lankabhimanya) Clarke,
I’d get freaky now, riffing on Terminators, Time Travel and Cyborgs.
But this is truth not science fiction.
Nevertheless, someone had better,
Come up with another name for cyborg.
Some other name for a critter,
Composed of both biological and artificial parts?
Parts-is-parts--be they electronic, mechanical or robotic.
But after a lifetime of science fiction media,
After a steady media diet, rife with dystopian technology nightmares,
Is anyone likely to admit to being a cyborg?
Since I always give credit where credit is due,
I acknowledge that cyborg was a term coined in 1960,
By Manfred Clynes & Nathan S. Kline and,
Used to identify a self-regulating human-machine system in outer space.

Five years later D. S. Halacy's: Cyborg: Evolution of the Superman,
Featured an introduction, which spoke of:  “… a new frontier, that was not,
Merely space, but more profoundly, the relationship between inner space,
And outer space; a bridge, i.e., between mind and matter.”
So, by definition, a cyborg defined is an organism with,
Technology-enhanced abilities: an antenna array,
Replacing what was once sentient and human.
My glands, once in control of metabolism and emotions,
Have been replaced by several servomechanisms.
I am biomechanical and gluttonous.
Soaking up and breathing out the atmosphere,
My Baby Boom experience of six decades,
Homogenized and homespun, feedback looped,
Endlessly networked through predigested mass media,
Culture as demographically targeted content.

This must have something to do with my own metamorphosis.
I think of Gregor Samsa, a Kafkaesque character if there ever was one.
And though we share common traits,
My evolutionary progress surpasses and transcends his.
Samsa--Phylum and Class--was, after all, an insect.
Nonetheless, I remain a changeling.
Have I not seen many stages of growth?
Each a painful metamorphic cycle,
From exquisite first egg,
Through caterpillar’s appetite & squirm.
To phlegmatic bliss and pupa quietude,
I unfold my wings in a rush of Van Gogh palette,
Color, texture, movement and grace, lift off, flapping in flight.
My eyes have witnessed wondrous transformations,
My experience, nouveau riche and distinctly self-referential;
For the most part unspecific & longitudinally pedestrian.

Yes, something has happened to me along the way.
I am no longer certain of my identity as a human being.
Time and technology has altered my basic wiring diagram.
I suspect the sophisticated gadgets and tools,
I’ve been using to shape & make sense of my environment,
Have reared up and turned around on me.
My tools have reshaped my brain & central nervous system.
Remaking me as something simultaneously more and less human.
The electronic toys and tools I once so lovingly embraced,
Have turned unpredictable and rabid,
Their bite penetrating my skin and septic now, a cluster of implanted sensors,
Content: currency made increasingly more valuable as time passes,
Served up by and serving the interests of a pervasively predatory 1%.
And the rest of us: the so-called 99%?
No longer human; simply put by both Howards--Beale & Zinn--

Humanoid.

if i was a pearl i’d feel itchy scratchy stuck inside an oyster shell if i was a tree i’d  be a big fat redwood fantasizing about Julia Butterfly Hill living and peeing around me if i was a dog i’d be a Catahoula hound if i was Italian i’d be Sicilian if i was pasta i’d be spaghetti if i was Icelandic i’d be Bjork if i was a rock star i’d be Elvis Presley Bob Dylan Jimi Hendrix Jim Morrison John Lennon Bruce Spingsteen Maynard James Keenan if i was i writer i’d be Herman Melville Mark Twain James Joyce William Faulkner Thomas Bernhard Yukio Mishima Naguib Mahfouz Phillip K. **** Gabriel Garcia Marquez Annie Proulx Lydia Davis if i was a poet i’d be Walt Whitman Sylvia Plath Ted Hughes Gwendolyn Brooks Pablo Neruda  Heather McHugh Carl Sandburg Robert Frost Arthur Rimbaud Dante Alighieri Homer if i was a painter i’d be Leonardo Da Vinci Michelangelo da Caravaggio Johan Vermeer Rembrandt van Rijn Paul Cezanne Marcel Duchamp Jackson ******* Mark Rothko Ad Reinhardt Anselm Kiefer Susan Rothenberg if i was a photographer i’d be Man Ray Ansel Adams Edward Weston Diane Arbus Robert Mapplethorpe Sally Mann Helmut Newton Richard Avedon Annie Leibovitz if i was a philosopher i’d be Socrates Plato Aristotle Jean Jacques Rousseau Sören Kierkegaard Immanuel Kant Karl Marx Georg Hegel Friedrich Nietzsche Henry David Thoreau Ralph Waldo Emerson  Jean-Paul Sartre Jean Baudrillard Michel Foucault if i was a singer i’d be Woody Guthrie Otis Redding Grace Slick Bob Marley Joni Mitchell Marvin Gaye Johnny Cash Patsy Cline June Carter Patti Smith Chrissie Hinde Nick Cave P J Harvey Beyonce if i wa a band i’d be Velvet Underground Ramones *** Pistols Clash Cure Smiths Joy Division Uncle Tupelo Pixies Nirvana Nine Inch Nails Madrugada Sigur Ros White Stripes Thee Silver Mt. Zion Memorial Orchestra Justice of the Unicorns if i was a boot i’d be Chippewa Frye Ariat Red Wing Tony Lama Wellington if i was a shoe i’d be Christian Louboutin Jimmy Choo Kedds Chaco Chuck Taylor p f flyer if i was a dress i’d be Channel Dolce & Gabbanna Giorgio Armani Marc Jacobs Comme des Garçons if i was a cowboy shirt i’d be H bar C Rockmount Temp Tex Karman Wrangler Levis Strauss Lee if i was a hat i’d be a Stetson Borsalino Stephen Jones if i was a fruit i’d be a mango apple banana blackberry if i was an scent i’d smell like fresh perspiration jasmine sandalwood ylang ylang the ocean if i was a doctor i’d be a gynecologist neurosurgeon if i was a flower i’d be a hibiscus rose orchard if i was a stone i’d be a sparkling ruby diamond opal if i was a knife i’d be a k-bar switch-blade machete if i was a gun i’d be a Remington Winchester Beretta Glock AK-47 if i was a car i’d be a Lamborghini Ferrari BMW Saab Volkswagen GTO Ford Mustang Dodge Challenger if i was a  TV show i’d be Law and Order if i was actor i’d be Charlie Chaplin Humphrey Bogart Steve McQueen Robert De Niro Ed Norton Shawn Penn if i was an actress i’d be Marlene Dietrich Ingrid Bergman Natalie Wood Audrey Hepburn Marilyn Monroe Helen Mirren  Meryil Streep Brigette Fonda Robin Wright Julianne Moore Angie Harmon if i was a female comedian i’d be Gilda Radner Lily Tomlin Nora Dunn Joan Cusack Sarah Silverman Tina Fey if i was a  football player i’d be Sid Luckman George Blanda Walter Payton **** Butkus Mike Singletary Joe Montana Jerry Rice Payton Manning LaDanian Tomlinson  Drew Breeze if i was a celebrity i’d be Charlotte Gainsbourg if i was a rapper i’d be Tupac Shakur if i was a movie director i’d be Sam Peckinpah Robert Altman Stanley Kubrick Roman Polanski Werner Herzog Rainer Fassbinder Louis Bunuel Alfred Hitchcock Jean-Luc Godard François Truffaut if i was a bird i’d be a eagle hawk sparrow bluebird if i was a fish i’d be a dolphin shark narwhal Charlie the tuna if i was breakfast i’d be a French toast pancake folded in half with 2 strips of bacon in between if i was a cold cereal i’d be snap crackle popping rice crispies shredded wheat cheerios oatmeal if i was tea i’d be Japanese green matcha Irish breakfast Tulsi Thai holy basil Lapsang souchong Luzianne Lipton if i was a soap i’d be French hand milled ayurvedic Avon Ivory Dove Pears Aveda  if i was a man i’d be a football basketball baseball tennis swimmer athlete if i was a woman i’d be a track star runner writer painter gardener doctor nurse yoga mom i'm just scratching the surface and the beat goes on lahdy dah dah

the motherships are
hovering overhead
& to the east,
apollo breathes fire
past the ******* incisors, like
'try &
catch me now'

now,
or never.

to my west I felt nothing
but the most
uncomfortable comfort.
it's just.
too.
much.

becoming barefooted
clouds of dust I run
to the godlight
& in time I find I
also become
disenchanted.

& I'm just freeezing
& my feet are filthy & bleeding
but
anything for that rush

tell me somethin brother
do ya cluster with the others?
are you some
undiscovered color
in the monochrome gutter?

are you sixsixsix seven
aren't you *** & heaven

dost thou seek
the foul
or the feather'ds;
brother of blood
& sweat,
is thou the sheep
or the shepherd?

wolfman.
we want the teeth.
to the tooth, troopers.

how rude;
I can see right thru
that wool suit
all too true to the stupor,
stupid.

don't you know I know you,
don't you.

And it's difficult to remember something as the very name of Eisenhower
Or flowerbaskets
And tired movies made of silicone and
Aftersex
Or sixteen candles echoing out of an imaginary suite with cigarettes at every table
And green lawns
Barbershop conversation
The reflection of the sun in special trees
Or my best friend Jesus Christ
Or the smell of the theater that one day with the cynics who just got back from a tennis match and barbwire still laced delicately around their thoughts and
Nihilism
And automotives
And priestess Jane or Henry's gloomy doppelganger who reads alternative magazines and loves the aesthetics behind broken glass
And fine tuned musical instruments

It's difficult to remember
Lonesome Fridays smoking on a park bench trying to finish the puzzle
Or synagogues you've never been in
Or insurance
Or newspaper articles detailing the misadventures of Mr. City
(Of course of course! Take your shoes off at the door and make yourself at home)
We're tossing all our sewage into the ocean
that's far from clean as it
LOOKS anymore these days
That's anything
And everything except for the glowing mountains seen faded and wintry behind Apartments and the
"Glorious Mexican House of Spices"
Never been in there either

It's difficult to remember
Times of Mr Twin Sister
Or Joan Jett in the hallway
In a highschool who's psychology classrooms have become a time capsule in the ground/
Or the gentle skinny ******
Wearing Broadway makeup and
Kafka tattooed on his shoulder
I like his hat
He looks at me suspiciously
Or the guy who is yelling his order at the counter when it's quiet here anyways
Or the mariner who has a hobby of the saxophone
Or 1970s *******
Or the sheepskin bikeseat fad that's yet to come but I'm predicting it now!
Or two dollars and twentyseven cents at the beginning of Allen Ginsberg's America
"I've given you all and now I'm nothing"

It's difficult to remember
The Oriental
Sacramento flies
Midnight Moon
Quarter to four
"The Immortalization Commission"
Remodelled hotels downtown
Where mandalas on the floor became a
Tiger lily luminous
And the kimono is yesterday's painting/
Dearest Darling
When I was feeling down!
A staircase in reverse (??)
The sound a kiss makes
It's difficult to remember
Colleen's earrings
Or Washington State
Or air conditioners in Bali
The Indian ocean's daybreak hymn
To Seminyak
Or whatever happened to Steve from the Airplane out of Taiwan
On 3 days awake
Hello Kitty nursing stations
****** (Kubrick's version)
Cardboard taking up half my bedroom
It's difficult to remember until I jot it down and then its a sudden forever
Sunshine Superman in a cafe spontaneous
drawings with someone I just met who has some ******* attitude/
Who hops fences and has feral ideas
People! En Masse! Te Amo!
You're all in wolven liberty
And vague postulators
And holy prostitutes for the dollar
Sad eyed intellectuals
With undergarments made of breakfast cereal/
Seaferry poetry is different from
Trestle in August poetry
Or henna handshakes
Or the Napoleonic era
Sweet Cherry Pie
The tulip's tongue
Garabajal
Cloudy first day of July
Was hotter yesterday
But not too hot

It's difficult to remember
Antiquity
The pale horse Studebaker outside the clinic
With a glossy red trim and **** I wish that was my ride
Andy Warhol's exploding plastic inevitable
Nearsightedness
Angels and their ability to shower with a a snap of their fingers
Distant harp music
Better him than me
Bananas almost ripe
Green aquatic
Reclusive junkies
Palomo's appliances
Questions for the next time
How much I like what you like and how I like that you like what I like
Ahh that's not my bus
I'm trying to get to the city!
That one quote Socrates is known for about knowing nothing as true wisdom
Supermarkets being built on top of liquor stores burned down a while back
Monopolies
Tragedies
"No Love Lost"
THE HOUSE ON HAUNTED HILL
Your guess is as good as mine
Never tried to eat Asian food in Asia
It was all pasta and good cider that tasted like pineapple
Rain hitting the window and I'm
Drowsy again
God Save The Trees!
Curly hair looks good on boys
Torn up blinds
Queer as a three dollar bill
If Bill costs 3 dollars I'm sure he's caught something better safe than sorry
Sage advice
I'm the very model of a modern major general
Golden yen and international currency
Incense in the bedroom and how good it smells
There's my bus! Applying for a better job than the one I got now
But that's how it always is right?
Chasing satisfaction
1007 apt
Porch ornaments
Unique names
Unique style le style
The extra charge on foreign ATMs
Cordoroy polo shirts
Flooding in New York!
When someone's face screams *******
"Slippery when wet"
Dine N Dash
Grass gone yellow
Confidence in dyed hair and capes as long as wedding gowns
But less expensive
Doors that always seem to be locked and I'm wondering 20 year later what's behind them?
Albino animals
White thoughts as clouds or
Abstractions
Weathers nicer in Florida but who cares
Festivities this early in the day
Automatopeia
Do sad orphanages still exist?
Just like the movies
Midnight in mirrors
That sick puppet at the shoe shop used
To know how to really hammer it down
And now he's weak and forgotten
Never heard the words of a true prophet only Oceania
Or the private temple near Apollo Bay
Like Japanese gardens behind that gate
Will I ever see it
Make a proud example outta ya misbehavior
Form without function
Exhausted spiritualism
*** Kettle Black
negative photographs of dark rooms
And there's laughing coming from SOMEWHERE
Essays on kleptomania
Had a bad dream I became a cliche
Surrounded by other freaks and there was a lovely ***** I fell in love with her
We married in Oregon by the sea her name was rosy
***** rosy
Check your mailbox for nails
And what you don't wanna hear/
If you were a vegetable you'd be organic!
Empire
Satirical bubble gum
Satori
Linda Lovelace and her special party trick
That's someone's fantasy
Diamond in the rough
Mister guy with two black eyes frequents the adult playhouse
Hes fully stocked on fishnet leggings
He's too proud to put them on himself but
Has nobody else around
Boo hoo
Swigs back the whiskey and trips down the stairs getting a third black eye in the process
Marion came by with her dog the other day
Wanted her box of clothes back but he loved to sniff them to remember her
But she wouldn't have it

"Honey I'm going to call the police!"

"Ah they don't give a **** they have bigger things to worry about"

"Yeah you got that right shrimp **** enjoy my unwashed *******"

And she never came back again
He started losing the vertebrae in his spine 1 by 1 and you know where this is going
I won't say he was a poor man because he had it all coming to him the *******
But he coulda had a better start if you ask me.

It's difficult to remember
And even more difficult to forget
After the fact

Seagull opera
Giganticism
Portrait of the artist as a young man
Losing one's pencil when the best idea of your life drops down from heaven and into your sorry head
Signs graffitied to have funnier meanings
Cruelty
Impassive
The Loyal Lioness
And Bangladesh has too many kitchens
And not enough dishes
When I was young I used to say Island as "is-land"  
Which is true it is land
But the Europeans probably stole it from somebody else anyways/
I left my future behind
And objects in the mirror are closer than they appear
Im no illusionist
I'm terrified of the cracken
Father feels the same way about
Hotels
Why bother/
This has been going on and on for a while are you tired yet
Is your patience being tested
Mine isn't because this wasn't an all-at-once kind of rambling
It's extremely important to laugh at least
Once a day
Otherwise you'll find yourself a politician
In no time at all
Rockefeller
(         ) Quaint home to die in
I think
Trains create great music
Float on
Sink into yourself
Roses in a crooked alley
That's people
Busy busy busy busy
Let's describe a situationist
I'm not a fan of bright colors on clothes
Your best shade is blue
Bricklayers transcription of Don Quixote to a skyscraper
Rocket thyme
& Garden
Erratic children's
Insomnia
The doorbell repeatedly
Vancouver riots/ I saw that live on the news!
Pictionary with the surrealists
N Dada TV set MC Escher
Antenna
You're in the Twilight Zone now
Dear Ramona
I'm trying to make it up to you
With a brightness only seen when you're ready to see it so please for the love of God don't blame me when it's not appearing
The tapestry hidden
Keep your blankets clean
And avoid hospitals unless you're fine with fishbowls & the halogen
The water gestapo
Storage lockers full of unacted plays and
Antique microwaves
Emitting the nostalgia of the cold war era
And what a waste of time that was /
Walter Wanderleys presence in Autumn universities
The opening of Vivre sa Vie
Salvador Dali's pluvial taxi
Lightbulb epiphanies
Aquariums and their protestors
Zebras in the shade
Two wrongs dont make a right
Elizabethan theater
Saloon shootouts in a fever dream
I lost and bled out all over the rustic wooden floor
A maiden reached out for me and El Paso did play I woke up and pretended nothing happened/
Funerals for bad People who did bad things
My first memory of a cat beneath the mattress
Hello Dolly!
Auditory learning
Psychotherapy
Lillian the landlady lost her ladle and labeled little Lyle as a lair
The Black panther movement
Reading symposium some years ago and
Making note that Phaedo was still my favorite dialogue/
Zen Buddhism
Xoxo xoxo
The day Gypsies were replaced with
Surface ****** appetite
And not the real thing
Newspaper clippings
Hypnotism when all other options are out
Mystical visions of sidewalks
And the love of your life stepping through a door you've never seen
Maybe Yes No I Don't Know
Creature comforts
Che Guevara's problem is that his beard made him too easy to recognize
(Also that little hat!)
Chinese cough medicine didn't work
For long I still wheeze sometimes
Domestic violence thru the wall
Ceiling fan probably doesn't even work!
Dimpled laughter
Yankee Hotel Foxtrot
In skytrains to Commercial
Bermuda in her mind
And courtesy in her voice
I'm no Arthur Rimbaud
But you already knew that
Alcazar of Seville
Filling up the shipbottle
Here's your paradise
Now relinquish it as it is
False!
Hare Krishna
Nowhere Fast
El Diablo and the
Portofino loaf left rotting on the countertop
Latin children speak of the sacred viper
You'll hear of it after this but we'll never see what the ******* meant
Heads alternating round the social current
Of my lively city
There's a dog soaking up the rain
And songs are made in honor of
Recent catastrophes
Trials are dealt
Cards cast to the gutter
New York quiets down for the news of another war
You scratch my back I'll scratch yours
Skeleton key
Ballad of the last wailing zoo
THE ATRIUM
Complexity in simplicity
That's how Brainard got me!
Elderly overcoats
Hiding purest LSD
Is a fan of Hawaiian T shirts
And a communist
What if I was a Freemason
Or owned a tanning salon
Faint crimson
What did Marv look like again?
"You're surrounded by people who love you"
Coffee when one needs it
GOODBYE BLUE MONDAY
Tattoos on the wandering man
Oriental chimes and the people who own them
Bus stop regulars
Vines overtaking power lines
The hypnogogic state
Strawberry light softening
The mind
Sister Ray LOUDLY PROCLAIMING
doitdoitdoitdoit
Passing the graffiti n Pluto neon
Halal wide awake another Saturday
Where's the Karaoke
Flashing by here
Those who find comfort in a bridal scavenger hunt
Or expensive beer
And here comes the hooded clown
Clamoring about his favorite
Loudspeaker
Telling me my time is soon and the noise
Drowns out the drowsy bliss
After hour spirits the perfect time for
Writing and trying to read distant Chinese
Indecision on the tip of the tongue
"NOW WHO IS THAT KNOCKING
ON THE CHAMBER DOOR?
COULD IT BE THE POLICE?"

I'm completely off the topic
And into Apartment lobby photosets
Low battery phone calls
Confessions
Nauseated reverb
Trying to see the attachment people got with bingo halls
And moving companies
Ah no luck again
Eve is at it with her showtunes
Halfway methodology
Triage
Paisley headbands left
Distraught on the quivering
Heater
Dwindling sunsets
We're truly disciples of the moon spirit which grants us more energy
(This is according to a drunk I met one night)
Or ***** old men
When the horizon is engulfed with
A winking cinder
Suitcase at the door
Last time
First time
Magician never reveals his fetishes
(They all have to do with bags under your eyes)
Employment office dramas of my friend the one who blinded a social worker
And the one who blamed Islam
And the one whos philosophy entirely consisted of Spooky Action at a
                                            DISTANCE
Parisian riots
Queer youth
Didn't make the team! Jester
'cross the hall who's beard suggests
Ishmeal n car battery n expired vegetables n rain which crosses the line n
***** cranberry n
Poorly fitted suits n
Harsh pigment n incense shops n
Bocca     secret towns
With churches more beautiful than any you'd find in your own city
n the cultural market
Xylophone ear to ear
Soul cleansing starting at only
$89 (with a 6 month guarantee)
Sophie's birthday and her picnic at Victory Park
The nearby bums trying to sell tea mugs and
Loose wires beside gated convenience stores
I'm an Island away attempting a poem
And never bought a scratch n win
Or heard the same song more than seven times in a row or been in a column
Or escaped the washhouse
Invested in a birdcage for next year
Been to a palm reading
Visited Oasis
Smoked salmon
Told anyone else about Montana
Screamed the things I'd like to scream
** Word of the day
Or kissed a lunatic or swallowed the corpse of yesterday
I keep her on my neck until
I'm too anxious to let go
Counting streetlights
Jeans worn in and faded to be sent off to
A lonely caffeine addict
Christmas Eve I'll be reading a postcard from San Francisco
Asking the same questions
My imagination is made of a different material than last week
Now it's the same color as your hair
HEY that's a good pickup line to use in the heart of the Canadian Embassy
Drinking discarded music resembling a sweater you may have said YES to if it wasn't so unsure of itself
And now Mr. Acker Bilk ascends thru the window of an August home
Like a lazy hornet
I'm still lost without identification
Or a nice belt
As happens when one uses a quality item too casually
How did uphill suddenly seem so downhill?
I'll claim a waterfall
For SALE that inevitable Indonesia
Greyhound O another greyhound O another greyhound
I'm fretting too much about not enough
Delayed the Airport and the yellow question

????

II

What if I knew how to read the curb?
Or translate drunken droll
What if I was never tired again and could
REALLY do anything I set my mind to?
What if I was the first cigarette that cured cancer instead of caused it?
What if I could end superstition
And walk underneath any ladder I wanted?
What if I could make it with a young Audrey Hepburn!?
What if I stopped pretending to be a microphone and got on with "it"
What if the grocery store closed later
And I opened earlier?
What if parking lots werent so sad
All the time?
What if gravity simply had enough of exotic birds and specifics?
What if we stopped trying to recreate what is truly lost?
What if foreign children embraced
Wasting time instead of
Midnight starry bicycles
And the antics of a monk
Disguised as a romantic?

There are those that worship God
And those who worship the Sun
And those who worship nothing at all
But I suppose on the last bus
We're all the same exhausted
Voice who can't wait for next pay day
What is an empty bank?
Or authenticity
What is there to prove anymore?
I hope I don't die tonight and regret
Being impulsive for once
You're a smart shadow
And a dull character
Pushing the last of the daisies
Get the lamp to turn on again
Give the pavement something to look forward to with your walk
Be consistent in being inconsistent
If there's a word there's a ***** and a poem for it!
We all oughta worship
Nothing at all except
Clarity
Compassion with ones neighbor who either forgot the pay the electricity bill or couldn't afford to
We're a swimmin

I speak of fear, sheer limbic,
Reptilian fear, and there’s the rub:
Obliterate thought and all that’s left is fear,
And fear’s known associates & cronies:
Hunger, Thirst, *** & everything else
Triggering our amygdale nether brains,
Each synapse a single primal scream,
Rich Reichian fodder and sacrificial yawp,
Whitman’s bleating syllable, straight bedrock,
Down low on the Hierarchy of Human Needs.
Abraham Maslow: another shrewd Jew from
Brooklyn, New York. Atta boy Abe:
Adrenaline pure and simple,
An instinct for survival.
I suppose my only regret in life,
Was that I was not old enough to be
A victim of the Holocaust.
I mean nothing facetious or disrespectful by this.
(Like Jesus, I was born a Jew.)
All I mean is that a stint at Auschwitz or
Bergen-Belsen, might have done wonders for me,
Saving me much time, given the number of books
I’ve read on the subject, just trying to get my heart &
Mind around the throat of evil.
My story is truth, not science fiction.
Yet, I confess to having some difficulty
Discerning the difference lately.
Perhaps this is why my mind wanders.
That’s probably what I love best about Stanley Kubrick—
Another insightful New York Jew.
His vision of space, namely the shrewd perception,
That after 5,000 years of recorded human history,
It was going to be difficult.
It would be a challenging enterprise,
Noodging the human race to choose,
A more cerebral path;
A state of mind & brilliant grace,
Embrace a kinder, fearless self and future.
Kubrick understood he must first take us to Odulvai,
Our primal anthropological killing fields,
Then he could transport us to outer space.
Only then, could we evolve,
Adapt to cooperation and tolerance,
Shift our future focus,
Our natural and spiritual resources,
Our potential.
Collaboration not competition.
2001: A Space Odyssey: released
A year before the Apollo program
Put a man on the moon, five years
Before the space station Skylab.
Kubrick’s gift to mankind was a clear new perspective:
Man in space looking back at a very small holistic Earth,
And an infant self, both diminished,
Made insignificant in a vast cosmic context.
Other forces were at work, of course,
Lying in wait as always, global forces
Co-opting the vision, drowning it in an old
Unabashedly mercantile reality.
That Darwinian old world order,
Again, reducing human existence
To an economic absurdity.
Globalism: the scariest Bond villain yet.

“One of the effects of living with electronic information is that we live habitually in a state of information overload.”                                                      
                                                                                      Marshall McLuhan
So, let’s review:
Man is a thinking animal.
Stanley Kubrick took us to space to get us to think.
Marshall McLuhan:  “There are no passengers on spaceship earth. We are all crew.”
Hemetucky: what was I thinking?
The Rapture for the 1%:   The Language of the World and The Language of Enthusiasm explains why Sir Richard  Branson’s ****** Galactic will only be taking the richest among us to space.
Ian (Limey Futurologist) Pearson:  “Binary is already the dominant language on Planet Earth with today’s machines having more conversations in 24 hours than the whole of humankind since the birth of Eve.”
Larry Flynt:  “**** is the answer to everything.”
Goofy:  “Yeah, I ****** Minnie. I shagged her rotten, baby!”  
Winston Smith:  “Do it to Julia!”
McNugget Buddies:   “Parts is parts.”                                          
Stunod: “Donuts-a -spella backwards issa stunod.” Think about it.
Tony Soprano.  “You ****** stunod, it's a joke.” (Stunod:  in southern dialect Italian means stupid, or a stupid person) http://(www.urbandictionary.com) define.php?term = stunod  / buy stunod mugs & shirts
Marshall McLuhan:    “Jokes are grievances.”
Mike “The Situation” Sorrentino:  “Antonio Gramsci thought that Stalin and Bolshevism could save him and Italy from Fascism:  stunod.”
The Cloud:  My acceptance of the Cloud into my life and my changeling cyborg self is by no means a capitulation to the surfing life.
Paulo Coehlo:  “The God you seek; that someone who awaits you is you.”
Howard Beale:  “That’s the God *******.”
God:   “Because you’re on television, stunod!”
The Elders of Zion:  Nu?
Meir Kahane:  “Let us not suffer from a national amnesia that causes us to forget who and what we are. No trait is more justified than revenge in the right time and place. I know that American and Israeli elections must be limited only to those who understand that the Arabs are the deadly enemy of the Jewish state, who would bring on us a slow Auschwitz - not with gas, but with knives and hatchets. Vote for Newt!”

**** Jagger:    “Get Yer Ya-Ya's Out” (40th Anniversary Edition, Rolling Stones)
Keith Richards +Fijian palm tree = Stunod.  
Marshall McLuhan:   “The more the data banks record about each of us, the less we exist.”    
Howard Beale: “If there's anybody out there that can look around this demented slaughterhouse of a world we live in and tell me that man is a noble creature, believe me: That man is not only full of *******, that man is  stunod.”
The Nam, Part I:   a demented slaughterhouse within a microcosm and grains of beach sand inside micro-Cosmo Kramer’s shorts. When I was in the Kingdom of The Nam I was always under the influence of some drug, mostly my own pure adrenaline when scared shitless--a frequent condition for me—not only my own piquant adrenal juice but other stuff like ****, hash, Thai stick, *****, amphetamines, H-Horse ******, quaaludes, horse tranquilizers and Russian *****. The drugs were always a welcome and needed friend, a respite from the horrors of war in Southeast Asia. To meditate & levitate, to transmigrate & navigate, to negotiate & regurgitate myself, I needed a head start if I was going to SLIDE through what would be called a wormhole today, making a three-dimensional movement between different parallel universes, a conquest of time and space. Cue our favorite narrator:
Rod Serling:  “You unlock this door with the key of imagination. Beyond it is another dimension--a dimension of sound, a dimension of sight, a dimension of mind. You're moving into a land of both shadow and substance, of things and ideas. You've just crossed over into the Twilight Zone.”
WWII, Part I:  A slider now, I SLIDE to my father’s war—the War in Europe in the years before V.E. Day, May 8, 1945. Suddenly I’m flipped right out of the jungle to Germania, to Deutschland in the winter of 1945. I am a P.O.W. of the Germans, sent out into the economy as slave labor. It’s February in Dresden, Germany, the Baroque capital of the German state of Saxony, the city called lovingly by her (****!) many lovers: “The Florence of the Elbe.” It was a long time ago, during the war and I Survived to Tell the Tale. I am a wet floppy Kilgore Trout; I’ve flopped right out of the Twilight Zone into what appears to be an underground meat locker in Dresden. There are animal carcasses hanging from the ceiling and the building is known as Slaughterhouse Number 5. I am a lucky ******* because even though I don’t know it yet, I’m in the safest place in the entire city. Cue the Bombing of Dresden, a strategic military bombing by the British Royal Air Force (RAF) and the United States Army Air Force (USAAF).  In four raids, 1,300 heavy bombers dropped more than 3,900 tons of high-explosive bombs and incendiary devices on Dresden. The resulting firestorm destroyed 15 square miles (39 square kilometers) of the city centre and killed many thousands, according to **** figures-- largely discredited by the victors who not only get the spoils but get to spin the history any which way but loose. Casualty figures were 200,000 and death toll estimates went as high as 500,000. Or maybe just 25,000 total, if you believe the ******* Anglo-American valkyries who unleashed the wrath of Khan’s Smoking Joe’s Barbecue Ribs and Hotlinks. Win a war, get a medal and a seat in Congress, maybe the White House; lose a war, get indicted. You’re going to Nuremberg, pilgrim, or the ******* Hague.
Kurt Vonnegut: “World War II was over and I was standing in the middle of Times Square with a Purple Heart on and a purple hard-on.”
Colonel Kurtz:  “We fight for the land that's under our feet, the gold that's in our hands, women that worship the power in our *****.  I summon fire from the sky. Do you know what it is to be a white man who can summon fire from the sky? ...What it means? You can live and die for these things, not silly ideals that are always betrayed  . . . I swallowed a bug. Who are you, captain?”
Willard:   “Please allow me to introduce myself, I'm a man of wealth and taste. I've been around for a long long year, stolen many man's soul and faith. Stuck around St. Petersburg when I saw it was a time for a change. Killed the Tsar and his ministers, Anastasia screamed in vain. I rode a tank, held a gen'rals rank when the blitzkrieg raged and the bodies stank. Pleased to meet you, hope you guess my name.”  
WWII, Part II:  The bombing of Dresden had to have been some kind of a violation of some International Code or Geneva Convention. But, of course, the bombers, the Victors, ran the Nuremberg show trials. The bombees didn’t get a chance to say much, didn’t want to make a fuss, seeing how generous the Army of Occupation was with their coal, gasoline, clothing and food handouts. But I was there when it was safe to climb out of the meat locker, and immediately got put to work on the après les bombes clean-up. I was there doing the ***** work, a corpse miner, tasked with collecting the fried grasshopper remains of so many unlucky Krauts who were simply burned alive, like heretics at the Inquisition. So it goes.
William Tecumseh Sherman: “War is Hell, Babaloo!”
Colonel Kilgore: “You can either surf, or you can fight!”
Sam Bottoms: “I dropped a tab of acid at the Do-Long Bridge, so I think I’ll surf for awhile: ‘I see a world in a grain of sand, and a heaven in a wild flower, Hold infinity in the palm of your hand, And eternity in an hour.’ Reading Blake: for years it was the only way I could block out the war, that and losing myself in a bunch of undercover assignments. Yeah, it was William Blake, I-Spy and lots more acid; that how I dealt with PTSD.”
The Nam, Part II, LT DAN:  “Good job, trooper; those ******* drugs got you coming and going, sliding so fast you’ve missed latrine duty 3 times this month. Now go get 5 gallons of diesel fuel and gasoline, mix it together and torch that ******* feces, soldier.”
** Chi Minh:  “This ain't no party, this ain't no disco, this ain't no fooling around.”
***** Friedman:   “The Democrats and Republicans are the same guy admiring himself in the mirror.”

Muhammad Hosni El Sayed Mubarak:   “Vote for Pedro.”
Drew Gilpin Faust, Harvard:    “Fight Fiercely!”
Marshall McLuhan:    “I wouldn’t have seen it if I hadn’t believed it.”
The Author:   I am a disaffected angry old man, formerly a disaffected angry young man; a Hopi-Italian Jew with Chinese offspring, namely my left-brained son, a mathematical genius but having a tough time dealing with idiots, the many truly stunod people in the world.  Then there’s my Rose, my sweet King Lear-jet daughter, like her half-brother, not yet finished paying for my sins. My offspring are haunted, visited upon daily by their father’s  ghosts, ghosts created, ghosts hovering over me, from wars hot and cold and peace lukewarm and cloudy, like the uranium ground contamination on the mesa, visited upon mothers and infants  and children who seek only a glass of cool water from the spring not to be glow worms in the dark, leukocytes made insane by something in the water. My sins, a father’s sins; things I did to curry favor, to ingratiate and advance myself with the 1%, things I did to get ahead in life, to get what I thought my father and others in the ancestral slipstream had failed to get, twice to the Rabbi for a get (Hebrew: גט‎, plural gittin גיטין), to get the edge my kids need now, the edge I never had, and life reduced to an exercise in ultimate combat, little more than a cage fight, man against man and God against all. The things I did for money and position shame me now. And shame is a large  source of my anger.  I will remain angry. I will hang on to my anger at God and myself and all who have been disappointed in me, by me, especially the cavalcade of short-term caretakers, women used, abused, left behind and forgotten. Why am I me? Sometimes I think that’s the way I’m programmed. But it’s okay, like Gaga: “I'm beautiful in my way 'Cause God makes no mistakes I'm on the right track, baby I was born this way' Cause God makes no mistakes, I'm on the right track, baby, I was born this way and will I continue to surf the Cloud: even though God is dead and I don’t believe you, or me, or them.
Basic: remember Basic?

10   A IS FOR ANGER NEXT 20
20   START STEP TWO ANGER KUBLER-ROSS INFINITE LOOP
30   GOTO 10
10   A IS FOR ANGER NEXT 20
20   START STEP TWO ANGER KUBLER-ROSS INFINITE LOOP
30  GOTO 10
10   A IS FOR ANGER NEXT 20
20   START STEP TWO ANGER KUBLER-ROSS INFINITE LOOP
30 A IS FOR ANGER NEXT 30
30  GOTO 10 Ad infinitum

~
Black as coal.
Moth or myth?
It helps with the lights out.
And travels by thought.

Cleopatra enters Rome,
Dropping names,
Reciting pagan poetry,
Knocking on forbidden doors.

Nicole sees shadows
Of her former self
Staring back at her,
Rock paper scissors,
The color of three.

Give and take after take
On the burning soil
Of a blurred crusade.

Typewriters
And other assorted weapons
Form white lies and alibis,
Calibrating the dusted variations
Of a caught-on-camera obscura,
It is a dark waltz,
Some small hope still,

Yet there's a comma after still.
~

odd. i see two chairs.

one room and one room
  
keeping the herd
while the nether
keeps the
paired.

a brute union of tough love and apathy
and middle-class *******
chafing on the sun drenched schema
of our dispossession.
like clever lads with epilepsy
only
the lights change
when
the frequency of
your questions
overclock the
enchilada.

the whole thing. baked in alaska.

striking a match
with a land
slide.

but absolutely, "no slide rules ".

every thing
to scale.

so the truth expands as you extend humility.

like an olive branch
in your boulevard
of baroque
naps.

life, is how sleep gets up in the morning. to yawn at the dream.

and
never quite
seem to remember
to tell

but recalls

given but only two algorithms of time, or trigonometric said in chemistry, vectors: para-, meta-, and ortho-, i'd be bored with merely mind two assertions of a beginning, one with that in this atmosphere, and one with all possible atmospheres... and a third missing? that wouldn't do! i'd need a third algorithm, to fluctuate between the atomic and the fully formed, clearly historical, ideally biased on humanism to the point of being scientifically fictional, or, to put it mildly, a Welshman in the Jurassic Period; forgetful about Freud's necessity of having allocated dreams a complexity of language necessarily worth deciphering: i want to know why the Welsh invested their lack of unconscious-imagination's (dreams) worth of the couch to digest dragons, as a much dated predisposition to unearth dinosaur skeletons, and feel absolutely no revealing remnant of collecting a people to the assimilated tongue, yet upon discovery disperse them, and abhor the nativity of the said tongue as futile when given the agility of a colonising tongue.*

what the difference between only my entombed heart
knows the difference to, write a poem as personal as this
one enables me to write one in the φarmacy (φ + θ = F...
nein veto) - politicians have lost the art of ρetoric - they simply
lost it... it's a sunken ship they try to revive while mending the sails...
we keep the Indian Summers and my hope that the
(a double definite, paradoxically accurate
given this) turnip fade-away
red becomes godly ivory when her cinnamon
choc auburn pleases her heart,
just then it might please, and i might
redeem myself, away from the Irish pub
and the aunts knitting a wedlock of
salient harmony for the churchyard
where the Sunday's best made the most
impression with the forthcoming grave
of a Kubrick marriage: redeemed with wearing
masks, later a damnation, of worn
lied attention, performed for a social status excuse:
x ambassadors: mainly Jews...
rage against the machine: mainly Black
converts to Islam...
where's the energy, with a skateboard of:
white cool everyone's happy,
or with: i'm angry... i'm angry...
                              martin Luther King was a renegade
without a hippy skateboard....
                       so it sold a million of toothbrushes
and a million fluoride attaches of rot...
cos the buck was necessary for the pristine example
of the founding father: Abram Lincoln -
got the appropriate shave, never got the congress
to suggest the kiss was a (fl)oral excuse for oral ***
upon the f.g.m. Eden minded when Egyptian
contra was suggested - yes, also called fluoride -
or Fl... then oral...  so the Frappuccino
and later the khaki chinos,
or ambrosia Mussolini and the 5 p.m. tea
catch phrase, so it just felt like dodging a meteorite
so the people could yawn when watching a movie
about Dinosaurs... or like i said:
just before earth was inhabitable, Mars was wheezing...
just before Earth gave us the sterile environment of
having landlords we had the masters of Mars...
they lived there, when Earth was inhabitable we had
Martians... compared to Earth Mars became the second moon...
but prior to the hospitable nature of earth
acquiring us, Mars was just as habitable...
this is the point where we acknowledge common sense
of the Chinese and the Welsh prescribing us Dinosaurs with
Dragons when digging up fossils and carbon dating....
this is where N.A.S.A. says... **** me... we just invested in *******...
between Darwinism and the microbe and a lot of blanks...
and the big bang... the best intermediate solution we
have is to say: before earth became habitable Mars was the first
project of divinity's expressing competence with failure
and revision.... when Mars was habitable
the sun was much smaller and much warmer...
this is the third route to seek origins,
you have route 1: from monkey came the rational man,
or the **** quasi sapiens... later the
**** deus pseudo sapiens...
2. the big bang and on the basis of nouns:
a real ****** way to say genesis...
or... 3. prior to earth Mars was the prime concern
of divine ingenuity...
through the times Mars became less volcanic and more Saharan,
just like earth at the beginning...
i mean Mars was the first earth... hence we inherited the
warring archetype...
or like philosophers: standing outside all of time and space
and a toilet blockage of imagination...
we're waiting for the third version... Venus turning
into earth... forget the monkey and man...
i itemise the sphere of the sun third time lucky...
as faked war we inherited, so too the fake love of those
to inherit our blunder... and thus the combination
of what's to be said in the first place, or anything at all...
Venusian love of the purified mammalian leveraging
simpleton onomatopoeia knock-knock... who's there?
woof! this is the alternative third route...
the one establishes us in the dynamical face of monkey
gene disparity economic, i.e. so similar... yet so different...
the other the big bang.. and then the third...
before earth became habitable, Mars was the suggested
preference... well, with the two obscene time-scales
this third alternative is in no way equally obscene.

Old Katherine Kimberly had a sty near her eye
it was a bleeding abhorrent electric
dream spilling out her sanity
the sty was not just any regular sty
it was a satyr placed there by cruel forever
just because
why not

old KATHERINE KIMBERLY had a
mute cousin who came over for tea
when K.K was feeling down, he wanted to be a comedian
but this wouldn't work out for obvious reasons.
old Katherine Kimberly
had a recurring nightmare involving the world around her inverting it's layout, a backwards realm with backwards chairs and backwards backs
everyone looking like they suffered a dramatic accident
spine snapped but still walking
she was the outcast with her even shoulders and
delicate form but there it was that sty by her eye
wouldn't quit not even with sleep.
She went to see a doctor about the nightmares he prescribed a miracle
didn't work
so she went to church
met some wiry bald-spot
evangelic addict figure who
gave her mysterious bagged-and-untagged drugs
(those didn't work either)
nothing would help.. Kimberly came to the conclusion that the sty and the dreams were correlated in some spiritual, cursed sort of way.
Nobody could see it they promised

"No! no! you look fine, everything is in order god knows what you're on about Kim"

but she scratched and scratched for hours in her bedroom and looked in the faded mirror with microscopic detail and sure enough it was/gone??
since when??
she could feel it there, she was no hypochondriac it was alive and feeding off her still
that HORRIBLE THING!
some months now or maybe more it had always weighed her down but now gone
or never there...?
IMPOSSIBLE!
this wasn't over, old Katherine Kimberly would tear this ****** apart on a sub-atomic level and make sure it would never haunt her in any respect from "this day forth!" she said poetically,
wearing a conservatively fashioned dress with green flowers on it
and green grass, too.

She took to the New York subway on a Wednesday, the time was.......2pm
and she was headed to the drycleaners but not the one closest her apartment, the people that ran that one were pushy and irritating.
She was going to "Maude's" she and Maude had lovely conversations about the Gardener who lived one floor up from her who sometimes allowed a small hello from his lips on the way up, off of work.
She liked what he liked
or at least she imagined that to be true
but then again we all do that
it's a bad habit
he could be a total *******, she thought.
Old Katherine Kimberly walked in and opened the backroom there was Maude listening to Brian Eno
(Cindy Tells me/HERE COME THE WARM JETS/1974)

"THE RICH GIRLS ARE WEEPING"

Maude heard K.K come in and swiveled around in her office chair with the one off-kilter wheel which she didn't do a very good job of fixing.
"Well I don't shop at Ikea, its no wonder why, Kat"

"This sty! I know it looks like it's gone, but it isn't, do you still have any of that herbal remedy stuff you told me about earlier?"

"yeah, yeah.. the stuff you refused take way back when?"

"I admit I was being stupid, I just need help, I'm out of options and I'm kind of on a bad trip right now, see? some ghoul at the church gave me these pretty pink pills, said they were from mars and that they could cure anything! O Maude I was desperate and now I'm hallucinating all sorts of wack. I'm afraid I won't come back from this! I dunno what to do Maude! I dunno what to do!"

"Relaxxxx poor doll, you're always getting caught up in messes like this. It's like I said! you gotta settle down with that Rupert, he seems like a genuine guy, real caring, real. I'll help you, I have that herbal medicine in my car I will be right back"

Maude left hastily with a pat on K.K's shoulders as she went
K.K was going cuckoo
she suddenly felt that on a very metaphysical level her atoms were remembering this drug
always
and that when she died, eventually..some innocent child would be reconstituted with her atoms
to live with this for all time
and to be forcefully admitted into a psychiatric ward
pleading for lobotomy!

"What is this? what did I take? does that Kubrick-looking ****** use this often? how is he even tethered to reality?" she was dizzy, good thing she was sitting down..

Maude came back, shaking her head in sympathetic disapproval
"Jeez.. you've gone down the rabbit hole as far as ailment is concerned, that's for sure"

"What do you mean..?" Katherine Kimberly kept her feet grounded to the carpet as to not sway reality to a snowglobe catastrophe.

"Well you say the sty has something to do with the nightmares, or vice-versa, so you took drugs from a complete stranger! only made things worse, I'm sure.. and now you've come to me"

"That's true" K.K agreed
"Why do this to yourself?"
"I've been lost, out of tune, completely washed.."
(((((())))(((((()(((((((((())))(())))))))))()()()))))((­(())))))))))
she was going to continue, but felt like vomiting

She lept from her seat and hunted for a bathroom,
A vicious tabla bleached her brain
with supernatural viscosity
her body played like a cosmic instrument
for a higher being in a higher realm.
Next, the frantic sitar which reminded K.K of July and
the humid balcony marijuana, Ravi Shankar melodically spinning in her living room.
This was a much different experience.. as made clear by her
convulsions
the viper's final dose of venom

"The great spirit lifted his hand without much ado, and split apart Flower Mountain's ten million layers." - from Elder Ting Stands Motionless. (Blue Cliff Record)

"-******* that ******* from the church
why I ever listened to him-
-I feel like I am afloat atop the world able to see the stars as vibrant eyes! but I'm wavering without a sense of gravity. I am at once motionless and spinning!-"

A lot more trouble than it was worth,
O the wisdom of consequence!
K.K, poor doll, lucid consciousness
and an acute awareness for her disposition in this Universe
and all alternate universes for that matter.
(Including the version of her that decided against taking those pink pills from that pink-cheeked man, Stanley Kubrick lookalike ******* probably only posing as a religious man, they never met in one reality, they ****** in another. In one he is god! he is the only god! and in one she is god! anything better than this reality now! her lungs foaming up with death)

GLOBE-O-VOOTY/
GUIDE-O/
ME SOFTLY/
GET THIS THREY-WAY/
OUT FROM MY MIND/
(That's VOUT language for you, there. Slim Gaillard's timeless bop language)

after puking up the rest of her morning meal
she wiped her mouth dry with her sleeve and
reunited w/ Maude who handed K.K that herbal
music
and wished her well

"Look, I know it's none of my bussiness.. but if I were in your shoes, I'd make some changes.. that's all I'm gonna say about THAT"

so Katherine Kimberly went home, she wept
wept about her disposition
about her mistakes
about that inoperable mental sty which was more than a sty
parasitically latched onto her for ages
she wept about how boring people were
how after all this protest and bloodshed
we're just the same as before if not less intellectual!
this fever dream of a day hath made her realize
that she SHOULD make a change.
Hell, Maude was right, sometimes insufferable (tho not as much as others)
She couldn't keep doing this, whatever this was.

The herbal medicine was contained in some cutesy vial
a kind of amber-shade
thick liquid.
Just in the fashion of Lewis Caroll she
drank up her prayer potion, with the sensation that the room was expanding around her, shrunk down to the pathetic dreamer once again,
and so she tried to sleep this desperate sickness off.

One floor up, Rupert thought about whether or not he should *******, he decided to make some coffee instead, continuing where he left off on a new-age book about hypnotism.

I was driving
And thinking
(Dangerous, I know)
Thinking, hard, fast,
And even, slow;
(Did I slow down)
That is a question
Best answered for
Another poem.
(My driving?
My thinking?)

You distracted me.
I wish you would
Please
Stop doing that.
Sheesh.

I was thinking about
Robbery.
Of the armed persuasion.
Why 'armed' robbery?
Weaponized sounds better.
More exotic.
Forearmed?
Elbowed?
Wrong limb classification.
Handed robbery, unless
Prosthetics are involved.
Hooked robbery?

Unarmed robbery-
(Unhanded? UnHAND, me,
Sir!)
Is that just simple
Theft?
And is a simple
Theft ever really
Simple?
Ah, the philosophy of theft.
I think I want that,
Therefore, I exist,
Because want cannot
Exist on its own.
(Or, maybe: Want
Has pre-existence;
It is VIRTUAL
Minus the virtue-part
Until it becomes…
ACTUAL)

I’ve stolen over
My years.
I’ve taken things
That pretended to belong
To someone else.
They belonged to me
Even less.
Ad Victorum Spoilas
(To the victor, goes the spoils)
Spoiled is right.
I still feel
Residual guilt over
These crimes.
I’ve never witnessed
A violent crime.
Never been in the holdup
Of a middle.
Never seen a man
Wearing a ski mask
Running perpendicularly.
(Why are women never
Mentioned running?
Away from the scenes
Of robbery?)
Heels.
(Men are, I mean)

Stanley Kubrick Scenes
Of Robbery:
The Shining: Uncut
Take 146:
“This time, Jack,
Pretend you're a ballerina
Holding up a
Leotard store.”

I cannot wrap my
Mind around the thought
Fathered by the impulse
Grandfathered by the
Desperation of needing
Wanting
Something so badly you’d
Wager your ability
To wander, to mosey on
Along the boulevard, up
The hill, past the
Graveyard that you only
Remember was the dead
Sleeping a mile past it
In the car with which you
Are legally able to operate.

Hey! I think I’ll grab
This gun, and put bullets
In chambers, and possibly
Hide my face behind
A silly mask, and then,
Possibly, point it at
Bank Tellers?
Pregnant Ladies.
Clowns.
Mimes.
OK, I can see threatening
Mimes.

Besides appearing to
Be the most harmless of
Professionals,
They get paid peanuts.
And they get guns
Stuck in their faces
All the time.
So step 1 goes with
Hitches, glitches galore.
Video surveillance.
Dye-marked money bags.
Security guards lurking.
Dudes with cameras.

So you’ve stolen
The public’s money.
You’re in the getaway
Car, ineptly named,
Because whatever the
Percentage
Of bank robbers who
Free, clear, and cleanly
Get away has to be
Impossibly low.
What do you have, now,
Now that you have
What you risked sharing
A cell with Bubba
To steal?

Sadness. Grief. Guilt.
Stained hands.
Equally stained heart.
(And oh yeah, lots
Of marked/unmarked
Bills)
Do you feel anything
Anything at all?
Having your fun
Stuffing bills into the
Garters and ******* of
Bored strippers?
Buying expensive alcohol
And, later, waking up having
Vomited and voided yourself
In the back of a limo
That has, on top of it,
A giant chicken?

None of us,
Not ONE of us,
Knows the time of
Our demise.
We will be gone
One moment,
And Here before Jesus
The next.
At the Foot of the
Judgment Seat of Christ
Himself. Almighty God.
Quaking, trembling,
Feeling the truest form of
Respectful fear,
Fearful respect.
Shed of our human skin
Our spirits filled with the
Substance from the choices
We omitted and committed.

I know Jesus Christ
As and Is My Savior.
The god of money
(Mammon)
Will not be there
To Judge me.
God has ears, eyes.
He sees, hears.
Every thing.
ALL THINGS.
Little gods are both
Blind and deaf
(If the blind and
Deaf can be said
To exist for non-
Existent things).

Jesus will recognize me
As one of his own.
Satan might be skulking
Around, looking for
Those who chose anyone
Else but Christ as
Savior.
(Like the green cottony
Stuff that many think causes
The world to rotate)

The sweetest words I’ve
Ever dreamt of hearing
I will hear from the
Mouth of the Man who
Created everything
By speaking it aloud.
The ore in the ground
That eventually went into
The gun that I never pointed
At someone else
While taking things
That didn’t belong to me.
The trees that yielded
Some of the paper
(Most of it’s linen)
That was the money
In someone else’s
Account
From the bank I never
Robbed because I was
Too afraid of the
Consequences
Of
Theft.

that you may read poetry without a tongue, with a plight
of sore eyes, of eager eyes, only eyes,
and shelter yourself from the rain
with a hand agreeing to greet it falling extended:
plucking mushrooms as you
might be reasonable meeting it with
umbrellas - but umbrellas
far beyond the flowery gutter of scent
and decaying ambition where the frugal
fungal arise like lechery of goblin ****
celebrated - some might add
a dice throw of Macadamia nuts -
eyed i too you the death-stinker;
this is the English revision of Zulu -
primitive tongue extended into abstract,
by those speaking English as foreign,
my English is an English reversed on
the colonialists - its a robbing tongue when
effectively used, with this in mind
i'm starting to think the Irish are bigger *****
than the Welsh even with the middle exported
as V into France and the longbow-men -
remember the antonym of German compounding
is the hyphen in English - optic talk -
failed rubrics of arithmetic for one,
failed rubrics of spelling the other -
i wish you knew English as well as you once
you knew Swahili - i actually wish you knew
Swahili ably talking to you grandparents...
i'm not your grandfather, even though
i wish he wishes he was -
you became gluttonous in tongue as they in body,
fat overdose from mono-linguistic apartheid -
you let them undermine the bilingualism
inherent in you... the Prussians
and the Russian and the Austrians never stole our
tongue... of course we devolved it borrowing
too many words, but loan nouns are never able to evolve
into slang, into urban talk that deconstructs nations,
where once was France now there's only Paris,
the same with England and London;
that you may read poetry without a tongue,
and make tongue read unto mind a Braille -
goosebump fidgety prickle - sour palette without
saying Thai in York - for the eyes to see the deformity
at hand, for the tongue to turn silent for one evening
alone, Venetian snares of the omni- eyed fake
entrusted with Cerberus' oath (only howl a wake
when your master Hades passes into the Styx for
voice of democratically reprimanding judgement over all
souls to arise from droplet into their own content
river form); for i too would have taken to resurrecting
the tongue, but the tongue was forgotten for a purpose
of agility in sports and un-thought poetics of excessive
rhyme, hardly the jazz, hardly the blues,
and hardly poetry - jazz i agree beyond measure a mint
cloud among the down-pouring heavy-clad-grey-clouds
of Mozart - i admit the blues the invigoration -
but rap? rap i just don't get.
me and this homeless man just laughed it off:
and i'm a Brazilian (blue tracksuit bottoms,
yellow t-shirt, green hoodie) - Eminem nemo Emo?
get the beach bleach out... we're going to stain those
starfish as coordinates' worth of horoscope... twirling
twirling twirling... cartwheels a'hoo a'hoo a'hoo ha hey.
i mean, sorry, i don't get the "hood" -
i don't get post-grunge either... i think i'm getting old -
and it's true what they say... the only black friend
was a drug dealer - wanted me to teach his daughter
to play the guitar... i said i listened to Bob Marley's sons
and he said i listened to culture -
racial stereotypes can be fun, i guess, if you're honest
about them... keen on the Illuminati,
so i said: anything better than Kubrick's eyes wide shut ******?
n'ah? hell, if it can't beat that, what's the interesting part?
or as i itemise the rewards the Koran states...
those 72 virgins... is that a metaphor for gym membership?
if you're a lazy drunk like me... the last thing
you want is 72 eager beavers.

I broke it off with the love of my life  
Two weeks after I started a second full time job
Which would have given me enough money
To rescue him.
When I had told him,
His eyes fluttered away from mine
Like a parent's would
And being twelve years older than me,
I guess he had room to look at me like that.

What do you do when the one person who you care about
More than Kubrick or living
Decides he does not want to
Put you in a position where
You have to take care of him
Even though you've always been the adult in the situation
And you've grown quite fond of it?
What do you do when not even a week after the parting
You find yourself
Growing attached to another walking disaster
Who's body may quake when you touch him
But who's skin crawls with the ghosts
Of lost admiration
Under your fingertips?
In a world where I was made out to be a goddess
I am now just another cog in the bougeouise high-earning machine.
I let love make me it's victim and now
I am the Greek goddess of regret
And I am fascinated by the way men ruin themselves.
He told me he didn't want me to have to be
The person who is constantly drowning in work
Just to keep our heads above water
But I would have walked to hell and back
Barefoot
If it had meant helping him and staying with him.

Today I woke up in the same bed as my new love
And when my fingers grazed his bronzed
And toned back,
I looked for your scar
And it wasn't there
And I panicked.

Tomorrow I will wake up in bed alone
And I will look for my own scars
And I will find them
Stretching across all the skin you caressed
And the heart you left in shambles
And I will rejoice in being home.

The nights have become the most difficult
(Never sleep again, never rest again)
To manage.
Deeper, dreadfully
I soar into what I do not believe,
Into a pain much too real
And much more haunting
Than I have ever experienced.
The ghosts are back, Stephen,
They have returned to become the captain
Of my being,
To lust and breed and **** again.
I feign interest
And parry their blows back
Though my defenses are falling
And the blanket on my bed
Is never,
(Never sleep, never lay)
Ever quite long enough to cover me.
My worries today
Are an overheating boiler,
(COME QUICK I NEED HELP
I'M DYING HERE)
Pumping steam and pressure
Out of my jagged edges.

It is getting harder and harder to breathe.
Do you believe in God, Stephen?
I know Kubrick called you and asked the same
Many years before my birth,
But today I need your answer more than ever,
In that my every move seems to propel me
Into many-a-numbered
Ceiling and wall traps
And I am being crushed,
(Never sleep, never rest)
Soiled and trampled at the hand of fate.
I once thought myself too intelligent to believe,
But now I need a higher faith
If only to know that darkness is never truly darkness
And the candles I have left burning in my body
Will never be blown out.

Did you really see that boy,
That childhood friend of yours
Struck down by a train
In your ever so tender youth?
Was his blood and brain matter
What came to you in your darkest hour
As you wrote about presidential suites
And Danny Torrance seeing reverse ******
Played out in front of him for eternity?
Is ****** played out for eternity in your mind,
Too?
(Do you Shine, Stephen?)

They taught us about you in school, Stephen.
They made you out to be a God in yourself,
A novel machine
Intent on overpowering the industry
For your own gain and prosperity.
But those who read you,
(Those who know, those who feel)
Know you as a human.
You spirit, you singer,
You light of my life,
(You twisted man, you monster, you seer of sights)
You have kept the world alive
With sparks and shines
Under eyelids
For decades.

Stephen, I have stuck my hand in the wasp nest again.
Bring me your salvation.
Bring me
(Your understanding, your writer-virtue.)

And so I write to you today,
A young girl of but 18
With her own Shine set to murderous visions
And Terrifying conundrums.
My ghosts follow swiftly in my foot trails
And your novels warm my lap as I try
(So hard, so)
Desperately
To hear your voice,
Bellowing with contempt,
Your tone so monotonous and
Matter of fact,
Even when speaking of such malicious things
I have to stop children from buying your movies at my job
Because I could get in trouble if they see
Jack Torrance kissing a decaying woman
Or Carrie being burned alive in her prayer closet.
(I could get in trouble with the law
If they see the truth you speak,
The tales of loss and preservation you weave.)

Because of you and the horror you have struck me with,
I leave the lights on.
I am fearful
(But so hopeful)
Within myself each day.

Because of you
I have seen men and women
Find peace
Within their own private Overlook Hotels
Housed deep and high
In the mountains of their own consciousness.
Because of you
I have found
(Breathe in, breathe out,
Nothing to see here)
Solace
In my self-contained
Madness.

I'm only interesting
To men who want to discuss Kubrick
And **** after.
In a world where we expect our lovers
To pull themselves under the influence
And sodomized freely,
I expected mine to rise above
And he did.

The Burden of Creativity
is that somethings I do
somethings I say or think
won't make sense to anybody but me

let's use for example Mr. Kubrick, first name Stanley
who took 178 takes of one scene grandly,
I'm sure everybody was tired and worn into the ground
but The Shining was one of the greatest movies around

so though this may sound self serving to a point
painting pictures with verbs and drawing landscapes with words isn't an easy way to make coin

but that's the curse of Creativity,
a lot of things Don't make sense, even to me

THE CROWD at Raf Simons’s Spring 2017 menswear show at Pitti Immagine Uomo in Florence seemed more uptight than usual, yet that’s exactly how Mr. Simons intended it: Scattered among the wound-up throngs of editors, buyers and gate-crashers were 266 secondhand mannequins, some seated stiffly, others frozen into upright positions, all clothed in archival pieces from his 21-year career in fashion. Though the dummies were arresting, the Belgian designer, 48, later downplayed this unconventional look back. “The pieces weren’t chosen with a certain kind of curatorial intention,” said Mr. Simons. “I didn’t want it to look like a typical kind of retrospective.”

Mission accomplished: Between the spooky setting in a cavernous former train station, the wooden mannequins and his decision to show “off calendar” (forgoing his usual Paris Fashion Week time slot), it all felt more like a Robert Gober art show than a museum tribute. Mr. Simons is, after all, still hard at work, his every move watched by industry insiders amid speculation that he may be joining Calvin Klein—after concluding 3½ years as creative director of Christian Dior’s women’s collection, in 2015.

Mr. Simons continued to riff on his signature elegance in his Pitti Uomo menswear show. The cornerstone of the collection was a series of loose, photo-enhanced shirts, knits and jackets created in collaboration with the Robert Mapplethorpe Foundation: voluminous pieces emblazoned with images of Debbie Harry or eroticized flowers by the photographer, who died in 1989.

Much like his designs, our chat with the usually circumspect Mr. Simons reflected a broad array of preoccupations and influences. He was outspoken about tailoring (“so much bad suiting out there”) and his design process (“no system, no rules, no structure”) but also about mobile phones, the African countryside and ’70s dance music.

One of my favorite spots in the world is: Puglia in Italy. There’s a house by the sea I go to, and outside, it’s just a horizon line. It’s that feeling of eternity: It allows you to think. If you put me there, I wouldn’t need love or anything anymore.

Between the country or the city, I prefer: the country. I live in Antwerp, a city that’s kind of like a village.

A place I’d like to visit again is: Kruger National Park in South Africa. It’s mind-blowing how it sits so far away from anything you’ve ever experienced in a city. There were no people, no proof of human life, just animals and animal behavior. It’s survival of the strongest, which is fascinating.

One thing I’ve had forever is: A yellow T-shirt with a black print on it from the movie “The Shining” that goes way back to when I was a teenager.

If I could be granted one wish, it would be: solidarity. That may sound emotional—politically emotional—but with everything that’s happening, I wish everybody would just let each other be in peace.

A current band I love is: The **. At first they seemed weird but they overwhelm me—massively—all the time with their intelligence. They may be the group that’s had the most impact on me in the last five years.

An old album I still listen to is: Kraftwerk’s “The Man-Machine” [1978]. My 1998 show was called “Kraftwerk” because I had four boys in red shirts in it who looked like replicas of the band members.

If I could tell my 20-year-old self one thing, it would be: grab and protect love when you find it. Cherish it, focus on it, concentrate on it.

My dream client would be: anyone, really. When I design, I am thinking about a lot of people, not just one. It’s more about connecting to a certain kind of generation or a certain kind of person that will connect to what we do.

I always wear: Adidas Stan Smiths. I have had periods where I only wore Stan Smiths, maybe from age 15 until I was 25.

The place that most inspires me is:everywhere. Some people have to go for a swim or have a holiday to be inspired, but for me, it’s there when I walk out the door.

My favorite movie directors are: Stanley Kubrick, Todd Haynes and Alfred Hitchcock.Kubrick’s movies are so visually striking, especially “2001: A Space Odyssey” and “Eyes Wide Shut.”

I collect: art. I started collecting more than 15 years ago. Cady Noland, Richard Prince,Cindy Sherman, Isa Genzken, Rosemarie Trockel, Charlie Ray, Robert Gober are artists that have made a huge impact on me on all levels, emotionally, conceptually, visually.

The hardest part of a man’s wardrobe to get right is: the tie and suit. [There is] so much bad suiting out there in terms of fit, style and fabric. So, when I design, I don’t start with fit or fabric, but with meaning. The phrase “suit and tie” has a special place in our vocabulary.

One of my favorite books is: The Christiane F. book [“Zoo Station: The Story of Christiane F.”—about a teenage ****** addict]. The movie [1981] was an amazing interpretation, but the book is more striking.

I feel most proud about: simple things like being able to handle love and friendship and family. Or taking care of my dog. Of course, I do also feel proud of what I do.

I am a big fan of: furniture design, especially French or Swiss designers such as Jean Royère, Pierre Jeanneret and Jean Prouvé as well as Japanese-American designer George Nakashima. I love how beautifully designed furniture sits in history—it’s unpretentious.

The one thing I always travel with is: my sweatshirt from Vier, a skateshop in Antwerp. “Vier” is the Dutch word for four. I always take it on flights because I refuse to put on the pajamas they give to you.

I wish I could always be with: my dog, Luca, a Beauceron, who behaves like everything except a dog—more like a cat or a frog. She’s still a baby.

The one thing I wish didn’t exist is: mobile phones. I am old enough to remember how it was before them. There was something much more beautiful about not having one. We communicated in such a different way with each other.Read more at:http://www.marieaustralia.com/formal-dresses-2016 | www.marieaustralia.com/vintage-formal-dresses

Michelangelo from marble made man,
Beyond Perfection.
An Ultimate image,
as Apollo's Earthrise on Luna,
or Showcase #4.
Germany has it's Beatles,
Just as Liverpool does too,
And I've seen pictures of a wall that stretches the length of China.


Pyramids rise out of the Deserts of Egypt,
The Jungles of the Aztecs,
and the Mountains of the Mayans.
A Colosseum still stands in Rome,
And every temple envy's the ones in Angkor Wot


For every age a legend.
For every actor a role.
For every writer a story,
and painter a painting,
and general a battle,
and architect a structure.
Wright and Wolfe and
Orwell and Wells and
Kafka and Kubrick and
Lenin and Lennon and McCartney
and MacArthur and Patton
and Plato and Dvořák.


There is a perfect apple pie in every mother's mind.
A perfect game in every pitcher's eye.
A work of art around every corner,
Stuck to refrigerators,
And tucked away underneath children sized beds.
Hanging in every high-school hallway,
Spray painted on every highway overpass.
A Planet-wide gallery
as simple as a finger-painting,
As grand as that canyon out in Arizona.
A world full of masterpieces...


But for me...


Only you...


Only you.

I was told today
That my life choices
Offend some.
Offend,
The same word my editor used against me
As a precaution
When I told her
That I wanted to write an opinion article
About why Mark David Chapman
Should be released from prison.
I was warned that I would offend some readers,
And that was to be expected.
After all,
It was an opinion piece.

But today I was told
That some of my lifestyle choices offend
And I couldn't help but to ask:
"Which ones?"

At which point this woman lost her **** on me.
"How can you possibly be having relations with a man
So much older than you?
Isn't he graying?
Isn't he...
More mature, intelligent than
You?"

And I felt my world implode.
This woman, this foul, wretched beast with ****
Was openly denouncing
Everything I had built myself on over the last year.
And I could tell this woman
Went home to a white picket fence and
Screaming, spoiled, ******* kids,
And a husband who beat her ***
But was at least in her age range
Every night.

And I seethed.

And I sobbed.

With what wretchedness I took down the notes of the Earth today,
For it continued to turn
Even as I felt myself shattering inside.
How can one be so obsessed,
So offended by another's
Choice in love;
As if I even had a ******* choice
To begin with?

Who's to say
That even though I don't go home
With him every night,
That I don't go home to solace and peace
And all those other ******* things
I could never find
While making out with men my age
Who had whiskey and PBR on their breath
And strong, red cigarettes twisted in their knuckles?

Who is there to say
That love is not present
In our every move, our every caress
During the films we watch every time we see each other?
We watch The Shining and he holds me close
Because jump scares make me scream like a little *****.
We watch Moonrise Kingdom
And I can feel him kiss my cheek,
Making me blush
As he remarks on how we are so much like
Those children on the screen.
So in love.
So innocent.
So tender you could puke.

I have nightmares with every evening-fall
And he dies in each of them,
Making each night a new horror
That I have seen so many times.
I woke up screaming in his bed once
And he was clutching me from behind,
His arms coiling my midsection,
His panicked breath hot on my neck.

You don't cry over scaring someone
You do not love.

He loves video games,
Megaman's his favorite.
When he tells me the stories
Because the games are much too hard for me,
I see his brown, sparking eyes
Alight with a shine of wonder
And I know
He doesn't know that he's a hero in himself,
Much like his little blue childhood
Role model.

My picket fence
Could easily be sufficed
With the balcony of a small apartment
Or a suburban chain-link fence
So long as I know
That I am standing on or behind it
With him at my side.

Twelve years is not a death sentence in love,
Neither is being told that your choices are offensive.

There is a beauty that comes
With courting an older man.
Words flow easier,
Advice is given without judgement.
Arguments are had over
What the **** Alex Hirsch meant with that episode,
Rather than who the hell were you just texting?

I am young.
And I am in love,
The kind I would not mind
Inviting in for the rest of my days.

He is not graying.
He is not a monster.

He is my friend,
My lover,
My partner in crime,
The man I make watch too many Stanley Kubrick and Wes Anderson movies,
My darling,
My sweetheart,
And the light of my life.

I couldn't care less if that offends you.

Like outposts of Empire
with synchronised obedience,
instincts are embedded
every command unseen, unheard, but done.

People flee toward and from them
in blind eyed hope,
but they are mere reflections
of remote entangled entities,

engaged and yet repellant.

Giant men shake hands
tectonic plates shift, foundations shake.
Little people reach for each other
and fractures knit together.

Like Kubrick’s femur tossed by apes
our existence evolves and spins,
In time will it fall to dust from where it came?
to lie extinct between two poles.

a soft packet of Marlboro's seems ****
these days,
and can i be the flirting first
to give a **** movie critique?
three black guys,
a white girl -
elephantiasis thoroughly established -
no, not the ******* part, the thing you flinch
as to have said: embraced -
      i'd be called a knife-weaving loner with
that sort of dangle -
    and there's me thinking:
that thing is readied for a Serena Williams'
buttocks - it's doubly pelvic in terms
of gravity, how many more inches
do you actually need to bypass those
*******? 12" ain't enough!
              plus, given the size of the actual
thing, how much of it will you actually
get soaked in phlegm while she ***** it
off into an ice-cream? i'd say a third if
not a fifth of it - the rest is kinda lost...
you need an African girl with enough
**** to tickle the tip of that skyscraper you'll
never get to build.
hard looking at the truth, isn't it?
you sorta hope it were a Pythagorean sample
of lecture notes on a beach on Rhodes...
      **** me: and they told me i was naive
but there's still
that:
and all that Darwinism and white self-loathing
to eradicate colonialism -
those 12" chocolate extensions were there
with fat enough bums... 'cos' you had to
bypass enough third-party jiggles
to get to the opportune part of insemination -
white girls and their ******* idea
of a shortcut... well done...
if you have an *** that's bulging enough
to be called the double pelvic or what
geneticists call the double-helix:
then i'd mind singing: and i am a tripod too!
believe me: in 20 years time Kubrick will
not be relevant... **** on the other hand?
next to the apples at a market stall.
               and i am holding a packet of
Marlboro's in my hand, a soft-packet,
sexier than Kenyan Camels sold without
filters (in a soft packet also) -
                  i'm still wondering about the white
girls' shortcut... a ******* tried to make me
strangle her neck by saying: all the black
boys have it... inch for inch...
               i told her: i bought an hour of gymnastic flex,
not your opinions.
         then in dodo the theta goes missing
when everything goes albino crazy when stated
in: discotheque -      techno oceanic -
                         tec (as: shortened) -
odd, isn't it: we are perpetually stating the halves -
never really the blunt obvious,
      charismatic loss of dynamo of language -
oh i'm not jealous, i'm thinking of all the things
i don't have to buy: perfumes, jockstraps,
     daffodils, we're-strangers-type-of-dinner-dates:
        let's freshen things up: escapades Francais -
the new risque - pervert dogs ******* strangers'
legs in the escalator sort of: till death do us part.
                       i just have 12" of concept
in a Nigerian buttocks to define gravitational
                                            pistons when
           that excess is matched with a buttock that's
twice an armchair: and only half to the said, ****:
or what i like to call the onomatopoeia filter:
         it doesn't sound like i'm knocking on a door
and the subsequent opening -
it sounds like i'm knocking on a crocodile's cranium
                and the ****** thing never shuts up!

The piano towers before me like a black monolith
its keys are the bones I'm learning to swing
teaching technology tediously
until I can explore space
between man and self.

I put myself in stasis
while I battle my machine.
The piano assumes autonomy over my command center
cutting off my air supply
until I'm completely disconnected
floating in space.

The piano requires my focus and dedication
so I go to boot camp
to pay my dues.
I see everyone marching in the same direction
I want to put soap in a sock
and make them stop.
But they willingly wash out one by one
the commitment too demanding
they **** themselves in the process
but I'm able to survive
because I view myself as a joker
allowing me to accept abuse.

Applying the skills we've learned
becomes war
everybody's trying to shoot me down
and firebomb me.
How am I supposed to compete
when they'll **** the audience's **** for five dollars
or snipe at me from inside their homes?
I'm safe behind the cover of my piano
but they've got me pinned down
and I can't move.

I need a nightingale to nuzzle up to my ear
and chirp the secret chord or lyric
that will allow me to enter the gates of Beverly Hills
with one simple word. Fidelio.

I want to be so successful
I'm able to get into Illuminati ******
and walk around looking like a witch doctor
saying, "Yo, they're really ******* on the coffee table, nice."
until I'm ordered to get back to playing piano
and start wondering
if at my highest aspirations
I'm just a rich man's *****.

As uncompromising and unfaltering as Kubrick
he shook and hung his head
he sighed a question
'what do you know about the temperature change'

even the sparrow wants a taste of dark
in that coalblack shadow.
filter the moonbeams and put a check on your heart
you know where you must start.

in the mirror, through the mirror
through the Looking Glass, Alice,
yes to nourishing carrots
no to drugs and stay in school.

Some years ago, on a Monday, I met Joyce at Whitlows.
I bonded with her over bourbon and cokes.
She wore a black dress; sloping V, open back
It clung to her thigh, as though her skin
Was coated in sweets: sugar, honey, syrup.
Her face shined under the light overhead:
Denim eyes, velvet lips, an upturned nose.
She went to G.W.; read Junot; rode thoroughbreds;
Spoke Arabic; ate okra; watched Kubrick.
At the foosball table, I touched her wrist. She touched my arm.
The next day, after coitus and coffee,
I went to my car and found a ticket.

One day Dostoyevsk talked to me in dreams.
In my early teens, way before the time of my life.
A stripling adolescent,
misspent juvenile youth.
I sat on the roof of the bakery,
reading The Devils.
Over and over again,
until it started to make sense.

Before Kierkegaard,
I found life hard,
no meaning, no dreams came true.
Quantified in my mind,
applied to doctrinal differences I found within,
authenticating the delusions and disorientation of this absurd world we live in.

It all Sartre(d) with being and nothingness.
A cultural movement brought to public providence.
Ominously before I was born,
but I was still torn between being,
and nothingness,
like everyone else.
Distinguishing secular humanism,
rejecting pseudoscience,
apparently.

Now the Blade run’s across my skin.
Married to the cause,
with the force like Harrison,
can you appreciate the retort of
my existential crisis.
We could get lost in the Matrix,
in the “necessary absurdity of the human condition and the horror war”
Like Kubrick.

There’s beautiful new tricks I use to wake up each morning and go about my personal piece of silver screen.

A noite chega, soturna, calada. Os remédios parecem não fazer efeito. Sozinho novamente com meus pensamentos, embalado pelo som do ventilador e das batidas do meu coração.
Nao sei porque ele insiste em bater, parece um esforço inútil.
As horas passam lentamente, como nos movimentos de uma duna. A areia do tempo descendo vagarosamente pela ampulheta. Se ao menos pudesse ver. Me sinto cego, queria eu estar cego?
Minha decepção só não é maior que a decepção que causei.
Não há lugar aqui senão neste papel para a dor, uma fraqueza que todos tentam esconder - por questão de sobrevivência provavelmente. Os amigos poucos que me restam seguem suas vidas enquanto tento ser feliz, ao menos por eles.
Saudade aqui toma outras formas, como uma tortura ao melhor estilo Stanley
Kubrick em “Laranja Mecânica”, em que as imagens passam repetidamente por minha cabeça sem que eu possa fazer absolutamente nada.
Família, amigos, amores, à distância de uma chamada, uma chamada. Para quem ligar, como?
O cárcere em sua pior faceta, o isolamento social. Conto nos dedos de uma mão as pessoas com quem consigo manter uma conversa. Mesmo assim nao consigo conversar, a cabeça e o coracao nao estao aqui, eles fugiram, estão lá fora, espero que a minha espera.
Outro cigarro, mais um café. Quantos mais, quantas mais palavras? A caneta e o papel são meus melhores amigos, às vezes até me entendem. Monólogos em horas, diálogos em outras.
Me pergunto qual seria o limite entre a sanidade e a demência aqui. Se é que existe um, estou eu ficando são ou louco?
Nao era quando cheguei, provavelmente foi o que me trouxe aqui, agora só me resta um caminho a seguir e tenho que achá-lo sozinho.
Não tenho arrependimentos, aqui não há lugar para eles, há agora um só caminho a seguir, em frente! Adiante!

99 cents for an iced tea
At the corner liquor store
But when the men in suits came and shut it down
We couldn't go there anymore
The man at the register never could add
Or maybe he short-changed us all
It wasn't the quarters he took from the kids
But the product in back made him fall
The stuff was the kind like none you'd ingest
Just go in for the coffee because that'd be best
Avoid all the product he put in the back
Because not only will you have a heart attack
But your mind and your eyes would be decieved
And the things you would see would be believed
Like Dave in the last five minutes of Stanley Kubrick's depiction
Of a Space Odyssey, but you would mistake reality for what he wrote as fiction
Up would be down and down would be blue
And your poor little brain wouldn't know what to do
All those misfiring connections made right by gunpowder
Your neural responses as sensible as chowder
Like Less Than Jake said, "I don't think I can yell any louder!"

Like Shaw and Dreyfus
Like Kubrick and duval
Like Klinski and Herzhog
Just like Derek and Clive
A bit like Eric and Ernie
Not at all like Cannon and ball
Antagonism is a tactic
Not loved by one and all

Kettle drum *** *** *** *** *** ***
There is the moment of the sun breaking over the edge of the moon
In that Stanley Kubrick’s movie what was it called?
In 2001 the towers fell and we still don’t have a colony on the moon
It turns out the monkey’s bashing each other’s brains in with bones was as far as we got
The bones got bigger
But didn’t transform into “the greatest cut in the history of film”
But who cares right? I got my iPhone
And make sure you capitalize that P
Because if you don’t you’ll get a red underline
Because even Microsoft knows that apple is a big deal
So lets have a little fun while the reigns loose in our fingers
“look mom no hands”
But I really don’t want to get all like that
I want to watch the candle burn down to the wick
And light a joint using the last bit of flame
Or heat a spoon whichever is your fancy
The beauty is in our solecisms
The comedy in the autocorrect
Corrected by our own machines recursively
We are in a never-ending project
Of retrofitting meanings to decisions made at whim
Out of necessity
Because the decision must be made
And explained afterwards
God I must sound preachy
I try not to be
Because it’s easier not to care
But harder in practice

I really ****** myself up this time-
blood dripping into the palms of my hands
I started laughing through my tears
couldn't wipe them away
too busy trying to stop the bleeding
this broken heart has made scars again Mom-
but everyone around me is too busy to notice
or maybe I've just gotten better at hiding them-
hiding them behind this smile I like to paint
but see I never thought I was a good enough artist
the silence and the solitude like to tell a different story.
I turn the page,
watch as the silhouette of the last
makes it hard to read in between the lines-
too many pages of me have been unturned
too many chapters that go unread
there's a lot more to me than just a synopsis of this facade.
I click my tongue-
I make touch each one of my fingernails
Seems I am here, cognitive.
But from the view out of my retinas
all I see is blurred vision
a skewed understanding no glasses could fix
my far-sightedness in people has made me blind
there is no side to this story that can be unseen
expose of me, decompose with me.
I would like to waste away with you
but my views are too backwards
and it seems I am lost once again.
Reality makes me feel less real than dreaming nowadays
everything feels like such a dream
but most of the time it's just a nightmare.
I sit back and wish to drink this ***
the kind that's red and has little danny speaking tongues-
this lightbulb burnt out,
the hallways are lined with red
and nothing is shinning anymore
it's no longer a diamond
it's just all Kubrick zirconium.
watch me like your favorite novel
read me like your favorite movie-
never let me disappoint
but someday soon you'll get tired
and you'll pick something else
to fill the void of convincing yourself you like change
but nothing feels as good-
and the cycle repeats.
I would like someone to never tire of me
but these eyes have made way for more tragedy
and the bags under them make way for travel.
I will paint a smile upon my face,
tie a t-shirt around the open wound
so I can maybe stop the bleeding
and I'll pick up this part of me
place it upon my shoulder right where there's a chip-
because that's where it fits
that's where my heart is.

Snow Day
by Ryan P. Kinney

“God ******* ******.”
The car is stuck.
Forward or Reverse
The tires just spin,
Taunting me
White powder, fluffy on top, but thick and heavy at the bottom, is piled above the hood

“This ******* thing’s not going anywhere”
Now what?

Another of Ohio’s freak snow storms,
In April.
Winter’s one last *******,
A send-off, reminding us that he’ll be back

My cavalier is no match for several feet of snow
And I’m stuck two miles from home

I don’t usually mind the winter
I like the variety
I love the calm the white blankets bring
Silencing and hiding all the filth of our careless summer decadence
It’s a splendor I’ll never be able to create
A peace I will never know

But today,
Winter’s ******* me
Please, just not today
April 25th
Her day

I glance around
I left my phone at home too
I didn’t want to hear from anyone
No one telling me, “It’ll be ok.”

I have to get out of here
I can’t sit here
Winter’s trying to stop me
Slow me down
Nothing stops me,
Catches me
If I stop, I think
The cold catches up with me
I catch up with myself

I click on my flashers
“I guess I’m walking.”

I open the door and immediately am assaulted by a frigid gust
I crunch into the snow and realize,
Water Resistant does not mean Water Proof

I close the door with a loud thud,
Look ahead,
And resign myself to a miserable walk,
Hoping that the angered flush in my face keeps me warm

I begin walking,
One step at a time
My head is cast to the ground
Each time I try to look up,
My head gets knocked right back down

My mind wanders to the scheduled routine of the day.
“I’m not making it to work”

I look back at my car
The door I just slammed is already buried
In a few minutes all that will be left is a couple of blinking lights,
Fading into the background

I remember how much I used to love snow days as a kid
Now it just means I could lose my job
I’ve been on thin ice for the last year
My work has suffered
My heart is not in it anymore
My heart is not in anything or anyone anymore

I just don’t care
The only reason I’m still there is a desperate need to cling to something stable
Something,
Anything,
The house that she left me with
That car,
That thing that represented freedom since I was 16
When I first asked her to be mine
Which is now a rusting death trap,
Stagnant and immobile on this wasteland road in the middle of nowhere

I wouldn’t be surprised if my job wasn’t already drafting my termination letter
How the hell am I going to pay my mortgage?
Or for that car I apparently need?

A violent artic chill hits me in the chest
Penetrating my jacket
And blowing right through me
Trying to rob me of any warmth I have left
“Tough luck, ya *******. You won’t find much there.”

I look where I’ve been again,
Following the chill with my eyes
My car is long since gone,
A memory, hidden beneath a curtain of iridescence
My footprints disappear the moment I make them
Any evidence of my every struggle
Gone before I can make another move

Before me is an unpainted canvas of nothing
A void, so much more ominous than the blackness of night
The white,
The light
Promises more than it ever has to offer
She’s a cruel lover
Who will let you in
Expand into your pupils,
Make you think you are seeing for the very first time
She will explode into your mind
And fill you with the euphoria of hope

But, it’s a lie
She wipes the slate clean
And decides,
This canvas was never meant to be painted on.
At least, not by me

Better to have the black.
It may hide all the horrors and fears of childhood
But, it’s honest
It never offers false altruistic promises
Sure, it’s a mask
But, no more than my own face
Pretending that it does not crack in the mirror

My steps are getting harder now
Ice has encased my work boots
My toes have long since ceased any feeling
And my face stings with every gust

I can only inch forward,
One foot at a time,
With every ounce of my will

Religion says, it is in these times
When Jesus walks with you
(or whatever deity)
My footprints vanish before I can make them
I certainly see no others beside me
Even he gave up trying to carry the weight of the world on my shoulders
Atlas shrugged,
And all I got were two broken vertebrae

“Why the hell am I still trying?”
“Nothing I do makes a difference”
“Come and get me now,
I’M HERE.” I scream

If Kubrick could see me now,
His little cockroach would be laughing it’s *** off
At the futility of this scene.

A single tear slides down my check
Warm and harsh against the bitter cold
I haven’t been able to cry since she left
Just numb,
So cold…
Void of anything, but hurt

I take a deep breathe
That hurts too
I can’t remember what it’s like not to hurt

I’m still plodding on
One foot in front of the other
One step at a time
Each moment takes an eternity to feel

I should just let go
And fall

When the thaw comes
They’ll find an empty car
With its lights flashing
And an even emptier person
With no light left in him

Why did she do this to me?
Why the **** am I always left alone?
Why am I always so ******* cold?

A salty torrent begins to burn my face
Mucous slides into a week’s worth of stubble

I can’t do this.

As I say this,
Feel this,
Finally feel anything…
I slow
The weight in my heart getting heavier with every step

I’m still moving

In the distance,
Partially shrouded in a cascade of flurries
I begin to make out something of familiarity;
My driveway
Behind it I see my porch,
And a maroon door
My home finally comes into view
The lights are still on