Submit your work, meet writers and drop the ads. Become a member
md-writer Mar 2021
Up on Grandma's kitchen shelf,
a temptation crocked and lidded
tight:
her cookie jar, it beckons me,
well-worn, once-cracked, now-mended -
not with mud new-daubed,
but gold
in every crack

it gleams;

but that is not the treasure
that has seized my heart.

Nay. The treasure is inside.

One time only did I reach within,
one time many-scolded.

"Not for you," she muttered,
gummy, toothless, ancient hag;
"Not for you," she growled.

"Not for any fingers seeking just to
fill their ******* mouths."

And I wondered as she said it,
as I've wondered always since,
at the force and heart within her words,
for the cookie jar was spent.

Empty. Not a crumb inside
- I felt it all around -
empty, all the cookies gone,
to places I had never trod
- in waking hours at least.

Empty - not a crumb inside, but...
...something brushed by me.
Warm and soft and...
...gentle,
like an angel's kiss, or wing;
the golden glitter of a teardrop as it
hangs in sunlit dream.

That - that feeling
is what brushed against me
(wrist-deep and guilty) in my
Grandma's cookie jar.

She bound the jar with leather
and shelved it up much higher,
and scolded me from morning until night.
But heart aflame and
eye caught in wonder,
the magic had bound me up
tight.

I dared not take it down again,
I dared not wrest it's slumber
with another groping, clumsy
hand;
but my eye and heart were on it
and as years passed,
hunger grew.

+

When Grandma died - a miracle,
considering her spells -
at last I dared to keep the jar,
up on my own cook-shelf.
And slowly I unbound it,
leather strap by leather strap,
as the days turned into winter
and the star-symphony danced.

Three years it took to free that
crock
(her spells had hardened
by some brew brought on by
death),
and when it sat untarnished, free,
once more the gold
did glew.

Humble earthen vessel, uplifted
by destruction
and the searing introduction of a molten,
fiery grace:
a simple cookie jar it was,
(this I knew)
and empty as a floor too-swept and clean.

Yet still I longed to feel the
brush of life once more,
glimmering like a secret in
the depth of that fair jar.

So I dipped one little finger in,
crossed the plane marked by it's mouth,
and waited for the magic of
the past.

It came near by gradual nibbles, a skitter-fly
ashamed
to be acknowledged, so it seemed;
but gradually one finger became two,
two three,
and three a hand.

Skitter-fly no longer, the golden pulse
it surged,
stronger by a hundred-fold
than ever I felt before;
and coiled betwixt my fingers
like a honey-snake
and warm.

I knew it then, the cookie jar,
and the cookie jar knew me.

Desire birthed and twirling,
fostered long, but now set free.

I sighed and let the crocken lid
fall back down in its place,
plunged once more the jar in black, and
emptied now for me, it sat
up on my cook-*** stack,
and winked no more
- no more for me.

After that I set a rule up,
for small-kin in my home,
that the cookie jar was sacred,
as it was in Grandma's time.
And any hand that snatched from it,
would turn-about be smacked.

+

And then I sat and waited
for a grubby little hand,
to reach down into empty space
and spark again
the gloam.
Kite Aug 2012
I am like a firefly in a jar
Never feel that I am getting far
My light burning out, flickering
My screams turn to shouts, slowly, bickering.

I am like a firefly with heavy wings
Around my eyes lay dark rings
I can't lift off, my light is fading
My skin will forever be your shading.

I am stuck in a jar, gravity killing any chances of flight
And lately I have noticed that I never get things right
I am destructive to myself and to you
A deadbeat firefly with nothing to do.

I set up this jar with my own mind
You look for me but will never find
I'm sorry I don't fly for you
I want you to know that this love is true
But you deserve better than a firefly stuck in a jar.

I thought you had mended my wings
But now I see the broken things
No one can change
I don't want to lose you
and everything you do
but you deserve better than this firefly stuck in a jar.

It's not that you aren't good enough
It's that my cracked skin is too tough
Like a second firefly stuck in the same jar
I hold you back when you can go far.

I want you to know that you are the best thing that has happened
But my light will always be blackened
Nothing unjust has given me this
My thoughts lead me spiralling into an abyss

It's not fair that you have to look after this firefly stuck in a jar
After all, I am not going far
You don't have to be stuck with this firefly in a jar.
L Jun 2015
You gave me a glass jar
We collected fireflies and put them inside
We admired them every night.
Only the two of us understood
what the flicker of the tiny lights meant.

Only the two of us understood.

One day, we walked down the beach
We walked by a stranger whose eyes
sparkled like our glass jar.
I lost my mind
I dropped our jar
I gave the stranger our fireflies
I thought he was worthy.

You ran away with tears in your eyes
and wounds in your hand
from all the broken pieces of our glass jar.

As I tried catching up, I stepped on broken glass
I hurt myself
I stopped chasing you
I let you go and went after the stranger with the sparkly eyes.

For a moment, I forgot about you and our jar and our fireflies.

One day, it rained.
The stranger left and I felt my wounds fresh again.
I thought about you and our jar and our fireflies.
I missed you.
It hurt and I cried and I promised
not to collect fireflies anymore.

I haven't seen fireflies or sparkly eyes since then.

Six hundred and seventy three days passed
I went back to the ocean and saw the broken pieces of our glass jar
The wounds are now healed but I still miss you
I picked up the pieces and glued them back together
I sent them back to you in a box with a bow
"This is yours", I said
I did not wait for a response.

One day, I saw you holding our empty jar
You were looking at me
I looked back, holding my tears
I moved close and I saw
There were no tears, no pain, no anger in your eyes anymore

I moved closer 'cos I thought I saw your eyes sparkle
I thought about our fireflies
And in that moment I realized

It was you all along
It was not the stranger with the sparkly eyes
It was you
It is you
You are my fireflies.
Miru Eirudy Apr 2018
I had a jar filled with chocolates that I keep for myself.
It never ran out of chocolates - I always refill it everyday.
For I am such hungry, addictive, craving for more.
And only my chocolates in my jar and fill my needs.
For each I take, it fills itself another two.
Every piece I take is another to fill.
Oh, how I love my chocolates in the jar.
It fills my my stomach - I could eat it forever.

I already had that jar since  was a little.
I found it from nowhere, I can’t remember where.
Ever since I can’t stop eating.
Knowing that it would never ran out, I eat endlessly.
Day by day, night by night.
Every year I make, I ate, and ate.
The jar is also getting bigger and bigger.
More for me to eat and take.

But there came a time where the jar gets large.
I couldn’t get it out, it is now heavy.
And too big to get it out of my room.
Therefore I stay inside with the jar of chocolates.
I couldn’t leave my chocolates.
I need it more than anyone.
My chocolates is my life.
My chocolates is everything for me.
A year later, the jar is too big.
It blocks the door, I couldn’t leave.
Nevertheless, I keep eating and eating.
My beloved chocolates, it  is really my everything.
I ate it all day long.
I ate it like there’s not tomorrow.
I ate it until the chocolates on the jar overflows.
I ate it until my room is filled with chocolates on the floor.
Continuously eating, one chocolate at a time.
But my hunger is strong, I take as many as I can.
Grabbing every chocolate, I eat as fast
I’m in love with my chocolates - I want to marry it now.
More, more, my body is filled with chocolates.
All I could think is my chocolates, nothing more.
I don’t care about anything, I just want my chocolates.
But my room is now full of chocolates  -  and I’m getting drowned of it.
Too much of anything is bad. :)
PrttyBrd Aug 2010
Gramma always had cookies in her cookie jar
No one ever ate them but me
The jar was her self-portrait
The silvery bun was it's lid
The slight clanging of it as it opened or closed
The smell of it
Even the thought of it,
filled me with joyous anticipation
of its internal goodness
When I was sad, or did a good job
When I worked hard, or was a good helper
When I was sick, or had a rough day
But particularly when I was in trouble
That is when it was most special
She would sneak me off to the kitchen
With a steady hand, like that of a surgeon
She would lift that lid slow and steady without a sound
A feat I have yet to accomplish
Then, in silent winks and sideways glances
When the coast was clear
I got to choose a decidedly undeserved treat
It was in the belly of that cookie jar
That I learned that she would always love me
No matter what

That cookie jar, abandoned and dusty upon a shelf
Recently found and cleaned
Laid in wait upon the table
It had been weeks sitting silent before my visit
I noticed it the moment Ma opened the door
Before the hugs, "hello"
We reminisced about that old empty jar
The jar that never matched her kitchen
The one that was poorly painted by hand
To her its beauty was hideous
She obviously did not know the secrets it held
Our secrets, mine and Gramma's
Happy to be rid of it,
The torch has been passed
As it takes its place of honor in the center of the counter
I notice that its yellow dress and red apron
Match my yellow walls and the red flecks in my curtains
It is at home in my kitchen
Even if my kitchen was purple
Now, its lessons of unconditional, eternal love
Are to be bestowed, unknowingly to my children
They will learn just how much a cookie can fix
And the secrets that are kept deep within
The belly of the cookie jar
copyright©PrttyBrd 18/08/2010
Ashlyn Kriegel Apr 2013
When you decide to love someone,
You decide to make an investment.
He sits there with his glass jar,
Waiting to marvel at the heart placed inside.
Some run to this jar
And place their entirety in his possession.
It is bright,
It is lively,
It is a shiny new heart
Regardless of the scratches or dents of previous users.
Some quietly walk by his jar
And tear off tiny pieces of who they are,
Placing them in the jar for him to look after.
The heart may not seem lovely at first,
It is shredded,
It is broken,
It is ragged on the edges,
But it still glows as bright as a full heart.
When you decide to invest,
You decide to grow,
You decide to allow wisdom to come into your life,
You decide to become more conscious of who you are as a person.
However, sometimes we find the desire to move
Our hearts to a new jar
So someone new can marvel at our beautiful heart.
We go back to his jar and may take all our heart out at once,
Or slowly in those little pieces.
But when we get to the bottom of the jar
The final piece of our heart is fixed,
Immovable regardless of how hard we attempt to rid the jar of it.
Although you made a good investment
And learned to try new things
Or become a renewed person,
That one last piece of you is machéd to his jar,
Which is his to treasure
While he watches you place your heart
In a new glass jar.
Aira G Manalo Sep 2015
You are my little glass jar
So precious though so small
You are my little glass jar
So careful not to fall

You are my little glass jar
I want to fill you with all things bright
You are my little glass jar
I wish you best with might

You are my little glass jar
You are, oh yes you will always be
You are my little glass jar
Though you may not always see
st64 Mar 2014
plea of oddities: bring the tinkling back
its bell lies silent


1.
Existing (not entirely) alone
entertaining itself with nightmares witnessed from long ago
It waited and waited
until the neighbour-orb grew to a level sophisticated enough
to house that lovely assortment of fine specimens.. of females
       that flock of dusted-crystals so long dreamt of
       that mould of sensibility, that plug of warmth
       that banner of softness
which all mirrored the opposite of their ways


2.
they fled in quiet-rebellion from inhospitable hands of the boor-males
altogether, in a ship.. down into the bowels of their breaking planet
subtleties long abandoned by the barbed-wire handling of  rough hands
these gentles could take no more and *uncoupled
themselves for good
burning, like the bridges behind them
               they disconnected and slid into a nether-sphere

When the males woke in stupor to find them gone
                 they flipped and fed in anger
and with access to goodness gone and unplaced voracious appetites
It decided to encase them.. in a giant glass-jar, preserving them in ire
until the time was right.. like a tea awaiting perfect steeping
In stasis, they remained for what seemed aeons
the glass-jar which held this army of men, was reduced
became small, like a coin.. which Foog summarily swallowed
and waited . . .  


3.
The sun turned its face in blank-horror of severe sights
                                                               splayed across the surface
forests shrank to toothpicks and died
         blue seas curled and dried
                                 meadows melted to greyish slush
every flying creature lost gravity and got ****** away, too high..
                                                        into harsh deafening-holes
when the tall sentries of oxygen.. twisted and became wiry-distorted
the sky sank and folding itself up.. hid in a black corner
                               behind the crumbling mountains

Foog hid beneath a crater made of ice, on the dark side of said planet
and once every millennium
        it felt the colliding-smack of a passing planetessimal
and it swore that somewhere, somehow..
        that punishment awaited new life

So, it shut its senses to the bay of life
       while hankering viciously for the scream of warm blood
The bell-jar inside, silent and
                        also somehow.. obscenely waiting in its oblivion



4.
Then, came Earth spinning round in flourish.. oh, the day on hand
Yet, veryyyyy far away.. an eye slowly opened
                      / /  roused by the smell of fressshhh life . . . / /



5.
A popping sound and the bell-jar was birthed from a slit on its forehead
It looked nearly quizzically at this odd creation beneath the silent-glass
this assortment of creatures trapped in the folly of Foog:
                                                                ­     oh, shall I, or not?
A cosmic joke, almost.. with so few revisions
The lid lifted and with proportion righted once more..
                                they came, oozing out in droves
Roaring from their milleniac-slumber,
                               crazed in half-remembered wounds
But alive with burning-purpose - - to find the equivalent
of
those soft-crystals

To melt the iron.. inside.



(unsolicited but self-warranted visitations:
camouflaged abductions.. secret prodding..
subtlety re-learnt.. poverty rehashed..
Fugue in a glass bell-jar.. unleashed)  



But alas, when sweet-sounds are closed again
see at whose smart-hands calamity befalls Life
Yet.. who are ultimately the ones
picking up the pieces after devastation wrought?





st, 27 march 2014
woke from nightmare.. to find this on my waking-plate.


sub-entry: day to dawn

It came in a dream.. and told me so
a day to dawn
for reckoning.
Manda Clement Jun 2014
My forgiveness *** is a jar
That lives inside my heart
Filled with all the forgiveness I have
It looks like fairy dust, glittery and golden
When someone needs some of my forgiveness I take a little from the jar and give it to them
Sometimes a little, sometimes a lot,
Sometimes more than I feel they deserve

The jar is refilled by the forgiveness others give to me
For I too need forgiveness sometimes

Right now my jar is running low
I have given away far more than I should have done
And to people who I think should receive none at all
The cutting insults he made
The selfishness she showed
Were two this week alone which emptied over half my jar
But that's what we do, isn't it...Forgive?

I am now wondering what other peoples jars look like
What shape, what size, how empty, how full
And what colour is their forgiveness? Red, silver? Gold like mine?
Do some peoples jars never open?
Sealed forever, never giving, unable or unwilling to receive?
Do some people really not care about the importance of forgiveness?

I care
I take care of my jar
I hope that when it is almost empty it will fill back up with
The forgiveness others do not want
I like to think forgiveness isn't wasted
Finds a home, a jar somewhere.
I think about things like this all the time. Am I alone? haha. Enjoy! x
Randy Johnson Jun 2015
I'm a Gungan from the planet Naboo and my name is Jar Jar Binks.
Senator Padme put me in charge once even though I don't even have the ability to think.
George Lucas brought me to life with a computer, I'm a product of CGI.
Because many Star Wars fans find me irritating, they want me to die.
Many people hate everything about me, they hate my voice, my six foot tongue and my orange skin.
Now that the prequels are over, those people are thankful that they'll never have to see me again.
This poem is based on the Star Wars Prequels.
howard brace Feb 2012
Inconspicuous, his presence noted only by the obscurity and the ever growing number of spent cigarette stubs that littered the ground.  It had been a long day and the rain, relentless in its tenacity had little intention of stopping, baleful clouds still  hung heavy, dominating the lateness of the afternoon sky, a rain laden skyline broken only by smoke filled chimney pots and the tangled snarl of corroded television aerials.

     The once busy street was fast emptying now, the lure of shop windows no longer enticed the casual browser as local traders closed their premises to the oncoming night, solitary lampposts curved hazily into the distance, casting little more than insipid pools mirrored in the gutter below, only the occasional stranger scurrying home on a bleak, rain swept afternoon, the hurried slap of wet leather soles on the pavement, the sightless umbrellas, the infrequent rumble of a half filled bus, hell-bent on its way to oblivion.

     In the near distance as the working day ended, a sudden emergence of factory workers told Beamish it was 5-o'clock, most would be hurrying home to a hot meal, while others, for a quick drink perhaps before making the same old sorry excuse... for Jack, the greasy spoon would be closing about now, denying him the comfort of a badly needed cuppa' and stale cheese sandwich.  A subtle legacy of lunchtime fish and chips still lingered in the air, Jack's stomach rumbled, there was little chance of a fish supper for Beamish tonight, it protested again... louder.

     From beneath the eaves of the building opposite several pigeons broke cover, startled by the rattle as a shopkeeper struggled to close the canvas awning above his shop window.  Narrowly missing Beamish they flew anxiously over the rooftops, memories of the blitz sprang to mind as Jack stepped smartly to one side, he stamped his feet... it dashed a little of the weather from his raincoat, just as the rain dashed a little of the pigeons' anxiety from the pavement... the day couldn't get much worse if it tried.  Shielding his face, Jack struck the Ronson one more time and cupped the freshly lit cigarette between his hands, it was the only source of heat to be had that day... and still it rained.

     'By Appointment to Certain Personages...' the letter heading rang out loudly... 'Jack Beamish ~ Private Investigator...' a throat choking mouthful by any stretch of the imagination, thought Jack and shot every vestige of credulity plummeting straight through the office window and amidst a fanfare of trumpet voluntary, nominate itself for a prodigious award in the New Year Honours list.   Having formally served in a professional capacity for a well known purveyor of pickled condiments, who  incidentally, brandished the same patronage emblazoned upon their extensive range of relish as the one Jack had more recently purloined from them... a paid commission no less, which by Jack's certain understanding had made him, albeit fleeting in nature, a professional consultant of said company... and consequently, if they could flaunt the auspicious emblem, then according to Jack's infallible logic, so could Jack.  

     The recently appropriated letterhead possessed certain distinction... in much the same way, Jack reasoned, that a blank piece of paper did not... and whereas correspondence bearing the heading 'By Appointment' may not exactly strike terror into the hearts of man... unlike a really strong pickled onion, it nevertheless made people think twice before playing him for the fool, which sadly, Jack had to concede, they still invariably did... and he would often catch them wagging an accusing finger or two in his direction with such platitudes as... "watch where you put your foot", they'd whisper, "that Jack's a right Shamus...", and when you'd misplaced your footing as many times as Jack had, then he reasoned, that by default the celebrated Shamus must have landed himself in more piles of indiscretion than he would readily care to admit, but that wouldn't be quite accurate either, in Jack's line of work it was the malefactor that actually dropped him in them more often than not.

     A cold shiver suddenly ran down his spine, another quickly followed as a spurt of icy water from a broken rain spout spattered across the back of his neck, he grimaced... Jack's expression spoke volumes as he took one final pull from his half soaked cigarette and flicked it, amid an eruption of sparks against the adjacent brick wall.  Sinking further into the shadow he tipped his fedora against the oncoming rain, then, digging both hands deep within his pockets, he huddled behind the upturned collar of his gabardine... watching.

     It was times such as these when Jack's mind would slip back, in much the same way you might slip back on a discarded banana peel, when a matter of some consequence, or in particular this case the pavement, would suddenly leap up from behind and give the back of Jack's head a resoundingly good slapping and tell him to "stop loafing around in office hours... or else", then drag him, albeit kicking and screaming back into the 20th century.  This intellectual assault and battery re-focused Jack's mind wonderfully as he whiled away the long weary hours until his next cigarette; cup of tea, or the last bus home, his capacity to endure such mind boggling tedium called for nothing less than sheer ******-mindedness and very little else... Beamish had long suspected that he possessed all the necessary qualifications.  

     Jack had come a long way since the early days, it had been a long haul but he'd finally arrived there in the end... and managed to pick up quite a few ***** looks along the way.  Whilst he was with the Police Constabulary... and it was only fair to stress the word 'with', as opposed to the word 'in'... although the more Jack considered, he had been 'with' the arresting officer, held 'in' the local Bridewell... detained at Her Majesties pleasure while assisting the boys in blue with their enquiries over a minor infringement of some local by-law that currently had quite slipped his mind at that moment.  Throughout this enforced leisure period he'd managed to read the entire abridged editions of Kilroy and other expansive works of graffiti exhibited in what passed locally as the next best thing to the Tate Gallery, whereupon it hadn't taken Jack very long to realise that it was always a good place to start if you wanted free breakfast, in fact the weeks bill of fare was tastefully displayed in vivid, polychromatic colour on the wall opposite... you just had to be au-fait with braille.
                            
     No matter how industrious Beamish laboured to rake the dirt there always appeared to be a dire shortage of gullible clients for Jack to squeeze, what would roughly translate as an honest crust out of, and although his financial retainer was highly competitive he understood that potential clients found it bewildering when grappling with the unplumbed depths of his monthly expense account, which would tend to fluctuate with the same unpredictability as the British weather, the rest of Jack's agenda revolved around a little shady moonlighting... in fact he'd happily consider anything to offset the remotest possibility of financial delinquency... short of extortion... which by the strangest twist was the very word prospective clients would cry while Jack beavered around the office with dust-pan and brush sweeping any concerns they may have had frantically under the carpet regarding all culpability of his extra-curricular monthly stipend... and they should remain assured at all times... as they dug deep and fished for their cheque books, and simply look upon it as kneading dough, which eerily enough was exactly the thick wedge of buttered granary that Jack had every intention of carving.

     Were there ever the slightest possibility that a day could be so utterly wretched, then today was that day, Jack felt a certain empathy as he merged with his surroundings... at one with nature as it were.  The rain, a timpani on the metal dustbin lids, by the side of which Beamish had taken up vigil, also taking up vigil and in search of a morsel was the stray mongrel, this was the third time now that he'd returned, the same apprehensive wag, yet still the same hopeful look of expectation in his eyes, a brief but friendly companion who paid more attention to Jack's left trouser leg than anything that could be had from nosing around the dustbins that day... some days you're the dog, scowled Beamish as he shook his trouser leg... and some days the lamppost, Jack's foot swung out playfully, keeping his new friend's incontinence at a safe distance, feigning indignance  the scruffy mongrel shook himself defiantly from nose to tail, a distinct odour of wet dog filled the air as an abundance of spent rainwater flew in all directions.   Pricking one ear he looked accusingly at Jack before turning and snuffled off, his nose resolutely to the pavement and diligently, picking out the few diluted scents still remaining, the poor little stalwart renewed its search for scraps, or making his way perhaps to some dry seclusion known only to itself.
  
     Two hours later and... SPLOSH, a puddle poured itself through the front door of the nearest Public House... SPLOSH, the puddle squelched over to the payphone... SPLOSH, then, fumbling for small change dialled and pressed button 'A'..., then button 'B'... then started all over again amid a flurry of precipitation... SPLASH.  The puddle floundered to the bar and ordered itself a drink, then ebbed back to the payphone again... the local taxi company doggedly refused to answer... finally, wallowing over to the window the puddle drifted up against a warm radiator amidst a cloud of humidity and came to rest... flotsam, cast upon the shore of contentment, the puddle sighed contentedly... the Landlady watched this anomaly... suspiciously.

     The puddle's finely tuned perception soon got to grips with the unhurried banter and muffled gossip drifting along the bar, having little else to loose, other than what could still be wrung from his clothing... Beamish, working on the principle that a little eavesdropping was his stock-in-trade engaged instinct into overdrive and casually rippled in their general direction...  They were clearly regulars by the way one of them belched in a well rehearsed, taken-a-back sort of way as Jack took stock of the situation and was now at some pains to ingratiate himself into their exclusive midst and attempt several friendly, yet relevant questions pertinent to his enquiries... all of which were skillfully deflected with more than friendly, yet totally irrelevant answers pertinent to theirs'... and would Jack care for a game of dominoes', they enquired... if so, would he be good enough to pay the refundable deposit, as by common consent it just so happened to be his turn...  Jack graciously declined this generous offer, as the obliging Landlady, just as graciously, cancelled the one shilling returnable deposit from the cash register, such was the flow of light conversation that evening... they didn't call him Lucky Jack for nothing... discouraged, Beamish turned back to the bar and reached for his glass... to which one of his recent companions, and yet again just as graciously, had taken the trouble to drink for him... the Landlady gave Jack a knowing look, Beamish returned the heartfelt sentiment and ordered one more pint.

     From the licenced premises opposite, a myriad of jostling customers plied through the door, business was picking up... the sudden influx of punters rapidly persuaded Beamish to retire from the bar and find a vacant table.  Sitting, he removed several discarded crisp packets from the centre of the table only to discover a freshly vacated ashtray below... by sleight of hand Jack's Ronson appeared... as he lit the cigarette the fragile smoke curled blue as it rose... influenced by subtle caprice, it joined others and formed a horizontal curtain dividing the room, a delicate, undulating layer held between two conflicting forces.

     The possibility of a free drink soon attracted the attention of a local bar fly, who, hovering in the near vicinity promptly landed in Jack's beer, Beamish declined this generous offer as being far too nutritious and with the corner of yesterdays beer mat, flipped the offending organism from the top of his glass, carefully inspecting his drink for debris as he did so.

     A sudden draught and clip of stiletto heels as the side door opened caused Beamish to turn as a double shadow slipped discreetly into the friendly Snug... a little adulterous intimacy on an otherwise cheerless evening.  The faceless man, concealed beneath a fedora and the upturned collar of his overcoat, the surreptitious lady friend, decked out in damp cony, cheap perfume and a surfeit of bling proclaimed a not too infrequent assignation, he'd seen it all before... the over attentive manner and the band of white, Sun-starved skin recently hidden behind a now absent wedding token, ordinarily it was the sort of assignment Jack didn't much care for... the discreet tail, the candid snapshot through half drawn curtains... and the all too familiar steak tartare... for the all too familiar black eye.

     To the untrained eye, the prospect of Jack's long anticipated supper was rapidly dwindling, when it suddenly focused with renewed vigour upon the contents of a pickled egg jar he'd observed earlier that evening, lurking on the back counter, his enthusiasm swiftly diminished however as the belching customer procured the final two specimens from the jar and proceeded to demolish them.  Who, Jack reflected, after being stood out in the rain all day, had egg all over his face now... and who, he reflected deeper, still had an empty stomach.  Disillusioned, Jack tipped back his glass and considered a further sortie with the taxicab company.

     "FIVE-BOB"!!! Jack screamed... you could have shredded the air with a cheese grater... hurtling into the kerb like a fairground attraction came flying past the chequered flag at a record breaking 99 in Jack's top 100 most not wanted list of things to do that day... and that the cabby should think himself fortunate they weren't both stretched flat on a marble slab, "exploding tyres" Jack spluttered, dribbling down his chin, were enough to give anyone a coronary... further broadsides of neurotic ambiance filled the cab as the driver, miffed at the prospect of missing snooker night out with the lads, considered charging extra for the additional space Jack's profanity was taking...

     And what part of 'Drive-Carefully', fumed Beamish, did the cabby simply not understand, that pavements were there to be bypassed, 'Nay Circumvented', preferably on the left... and not veered into, wildly on the front axle... an eerie premonition of 'jemais-vu' perched and ready to strike like a disembodied Jiminy Cricket on Jack's left shoulder, looking to stick its own two-penny worth in at the 'Standing-Room-Only' arrangements in the overcrowded cab... and at what further point, Jack shrieked, eyes leaping from his head as he lurched forward, shaking his fist through the sliding glass partition, had the cabbie failed to grasp the importance of the word 'Steering-Wheel...' someone wanted horse whipping, and as far as Beamish was concerned the sole contender was the cab driver...

     In having a somewhat sedate and unruffled disposition it had fallen to Beamish... as befalls all great leaders in times of adversity, to single handedly take the bull by the horns, so to speak and at great personal cost, alert the unwary passing motorist...  Waving his arms about like a man possessed whilst performing acrobatic evolutions in the centre of the road as the cabby changed the wheel came whizzing around the corner at a back breaking 98 on Jack's ever growing list... and why, Jack puzzled, why had they all lowered their side windows and gestured back at him in semaphore..?  Rallying to its aid, Jack's head and shoulders now joined his shaking fist through the sliding glass partition and into the cabby's face, "Who" Beamish screeched with renewed vigour ,"Who Was The Man", Jack wanted to know... *"a
Teresa Magaña Jan 2012
My Sweetness
My Fruit
Little bits of sourness that I have felt from dealing with boys ,..that I’ve let come, …in my life,…and just pass on through,
Like Tita from Agua Para Chocolate
Pouring her energy
Her feelings
Her heart in every dish she made
I poured and poured
10 bottles of red wine…Passionate red vibes
Into that Sangria containing my sweet fruit
And just a little bit,…little bite of lime
That little bit of sourness I hold inside
My energy flowing through every smile, word, and laughter that floated in the air
And bounced from vibe to vibe
And what did I get in return?
Not only the satisfaction of seeing and feeling everyone have such a great time
Giggles from buzzed and tipsy steps of folks passing me by
But the collection of singles, overflowing in the cute bartender’s tip jar
It was your singles
And his singles
And even her singles that filled up that jar
The collection of singles that fed the creative force of souls that night
Fed the souls
Fed the minds
Fed us with creativity
But most importantly
Fed us with awesome tacos at 2:30 in the morning from a place we happened to find right around the block
My Sangria bought us tip jar tacos that night
Kerri Mar 2015
I saved up all my butterflies
and put them in a jar.
Soft and steady searching.
No aggression.
Only a girl aware of the flutters that whirled by.
With one cupped hand I fill my jar.
Sealing the top to prevent majestic escape,
but giving air, and the capability to flit.
One glorious day, I willingly hand you my jar.
Gentle release.
Butterflies float.
Butterflies fly.
A plethora of colors swirling in the atmosphere.
A new world.
A new start.
Intoxicating beauty.
Time.
Distance.
Rainbow fading fast.
Melting into the promise of night.
Dark.
Cold.
Empty jar.
Alone.
The jar is shattered.
Jagged shards sparkle in the dirt.
The remains of hope and patience.
New jar. Fill it up. Suffocated beauty.
Goodbye trust.
I'm left with an eternal jar of carcasses.
This is obviously a figurative poem with the butterflies portraying love and ultimately trust.
berry Aug 2013
keep my heart in a mason jar
above your bed
take it down and look at it
from time to time

then watch with a frown
on the day the jar slips through your fingers
and plummets to the hardwood
with a crack & a shatter

"sorry" you'll mutter
with an almost interrogative inflection
but you won't pick up the shards
you'll stare blankly at the contents - my heart
it's messy, not what you wanted

stains from the girl with the mason jar heart
will haunt the floorboards and echo in the walls
and you'll wish you'd been more careful
when you had her in your hands

- m.f.
Lara Mari Jun 2019
Breathe in
Greet people, laugh at other people’s jokes, smile.
Breathe out
Wipe that smile off your face, you foolish child.
Have an internal rant at yourself, go on!
Hate yourself for your grades, your personality, your life.
Kick the door in, shatter the glass, destroy it all, but when you
Inhale
Pretend to be normal, okay? It’s not that unbearable, or is it?
Exhale
Yes, it is unbearable! Your smile has become a wince, you ******, you idiot, you maniacal stick in the mud!
I want to put myself in a teensy little jar, painted black so no one would be able to see me.
I do not want see the world and the world does not want to see me.
I can do whatever I want, say whatever I want, think whatever I want.
Sometimes, I’m afraid people can physically see my thoughts and fears.
So they force me into my worst nightmares, kicking and screaming. Begging.
I breathe in
When the air fills my lungs, I have to dream the best things. I have to be normal. I value everything.
But when I breathe out
I feel suffocated. Space and time no longer matter. I’m in my jar again.
I close my eyes, and I see a butterfly, clear and crystal blue. It’s striking boldness catches me.
I wish I were a butterfly, but the foolishness of such naive imagination reprimands me. I open my eyes and I’m back to the darkness of the jar.
I feel it spinning.
I feel it shaking.
Someone’s trying to hurt me. I just hope they don’t take me out of the jar— my home.
I inhale again, the smell of fresh air acidic.
I have to see the blinding mundanity of my life once again. I stifle a cry and turn it into a laugh, I conjure a smile.
Exhaling, Exhaling, Exhaling.
Now I’m safe, now no one can see me, no one can see me.
My own world, the space in the jar is all I OWN, but it’s all I need.
If the world is my oyster, I am trapped in it. I cannot get out.
But do I need to get out? Do I want to get out?
People try to penetrate the thin glass walls of my jar.
But I try not to let them.
They do anyway, and I shun them away. I don’t need their presence to make me alright. The silence is comforting. Because in my jar, I cannot hear a thing, not the faint voices of others, not a murmur, not a whisper.
Inhale (possibly for the last time?)
Ugh, I’m back again. I wonder if I stopped breathing, would I stay in the jar, forever??
Exhale
I will just keep shoving the stupid ******* air out of my mouth until there is no more air left.
Going
    Going
        Going
            Gone.
Alyssa Beddoe Aug 2012
The Jam Jar
Breakfast taught me a lesson this morning,
As I waited for my toast I watched my brother
Struggle with the jam jar,
He squeezed as hard as he could, he shook the
Bottle wildly, trying to get the jam out.  
The air bubble in side popped and the jelly pored out.
I watched as he smothered they jelly on his bread,
Just staring at the pile left that he didn't need.
He had more then enough but did not share with me
Instead he through it in the garbage.
It made me think of life when people work there
Buts off and get more then they need and they don't
Know what to do with it all so they just throw it away.
He handed me the jar that was now almost gone.
I shook and shook that thing I scraped the walls
Clean, but I didn't even have enough for one piece
Of bred. It made me think of all the poor people out
There that work there hardest and barley get anything
To survive on. I was about to give up when m mom walked
In and gave a full jar of jam. She reminded me that there are
Caring people out there watching out for us.
Esther Jan 2020
The Jar
I tried to feel.
I tried to understand this unpleasant feeling
For I was told it would be healing
I opened the jar where I hid them all
Like a busy ant colony,
I let them scatter and crawl all over my body
It felt as if I was drowning in a sea of memories
A sea of my hopes and fears
I tried to control them but it only brought tears.

I tried again
My heart overwhelmed with anxiety,
I opened the jar once more
And it attacked me like before
This time, it relentlessly ate away at my soul.

I reached for the jar
Filled with the urge to be free
From the feelings that bind me
They won’t let me be.

I tried so hard
These feelings so intense
Make me question my good sense
The jar overflowing with emotions
I could no longer control,
swallowed me like a black hole.

I knew what I had to do
I reached for the jar once again
Tightly, I closed it in pain
And they quickly flew away.
I told myself
“Maybe not today.”
Conceal don’t feel
I placed a jar in Tennessee,
And round it was, upon a hill.
It made the slovenly wilderness
Surround that hill.

The wilderness rose up to it,
And sprawled around; no longer wild.
The jar was round upon the ground
And tall and of a port in air.

It took dominion everywhere.
The jar was gray and bare.
It did not give of bird or bush,
Like nothing. else in Tennessee.
tamia Oct 2016
a little girl once wanted and thought she could keep the entire world. every night she cried at the sight of the stars, her heart burst whenever the flowers would bloom, she'd dance in the rain whenever it would so much as drizzle.

one night, when her little heart began to overflow with so much yearning, she walked to a cliff by the sea with a jar in hand. she opened the jar, holding it up to the sky and watched the delicate universe make its way inside it all so gently. immediately, she capped the jar and was amazed that she held the world in her hands. for many days she took it around with her, leaping through rivers on stepping stones and walking through sea shores in the light of day.

one day, suddenly, the bottle fell from her hands and her heart stopped. she could not believed she had dropped it. she picked up the jar, and suddenly it seemed as if the universe was wounded. she could not believe she did such a thing.

on the night of that unfortunate day, she made her way to a mountaintop with a heavy heart and her vision murky from tears. just as she was high enough to touch the clouds, she carefully chose a spot and stood firmly, still sniffling a little bit.

"i did not take care of you when you trusted me. i do not deserve you, universe." she said, her voice shakey as she uncapped the jar. "i am sorry."

in the same manner she caught the universe, she held her open jar towards the heavens and watched the universe pour out the bottle in wisps—the stars and planets and all of space and time dispersed before her eyes and again, she began to cry. she wondered how she was even able to keep such a beautiful thing and how she had failed it.

days passed and the girl was lonely again. as she strolled past plants and vines, they would wilt in sadness. the sun would shine so palely in the morning that even the moon could not console it. she was so sad that even nature joined her in silence.

on one morning, she woke up feeling a different beating in her heart. she stood up from her flower bed to look at her reflection, and to her surprise she found something shining just right under her left shoulder.

there, she found the universe had come back to her—not in the same jar it used to be in, but in her heart.

"do not ever think you do not deserve the world just because of your shortcomings," she heard the universe whisper, her hand in her chest. "i have found my way to your heart and here i will stay."

and that is how the girl began to carry the universe she had so loved in her heart, forever.
the universe loves you
Johnnie Rae Aug 2013
Being home is like
being back under the bell jar
(To quote the great Sylvia Plath)
Back under the bell jar, where the air
is stale and ***** and before long
you begin to suffocate.
You feel trapped as would a firefly,
on one of those warm summer nights
where you run around in the grass
feeling the moisture on your bare feet
as you catch as many of the twinkling lights
as you can before they hide for the night.
Trapped, slowly suffocating because in your nightly
adventure, you are careless and free, and this
causes you to forget to put holes in the jar
where you imprison these wonders for the night.
But only for the night, for your carelessness has caused their demise
while you sleep beside these living night lights,
they begin to die, their lights not shining so bright
anymore, yes they die.
Their death symbolizes your depression as the bell jar
closes you in and you become claustrophobic
gasping for the air you know waits just outside your prison
but it's not really there for you will never escape
this horrible place they've put you in
Yes I've twisted catching fireflies into a murderous action
but believe me,

It always was
Yellow specimens in a jar,
like plump yolks bulging
in a jelly like substance
They are so weird,
Give the jar a little wobble,
and they jiggle against each other,
they are so weird
I want to touch them.

They are egg yolks,
I've got egg on my hands,
the mystery has gone,
I liked them better before,
now they're slippy sliding between my fingers
and oozing to the floor
who put's eggs in a jar like this?
That is just weird.

I wonder if they will notice,
the two I took out;
one slipped from my fingers and
one I tasted just be sure.
better ***** the lid back on the jar and
Oh no! It slippy slid out of my goopy hands
  and landed on the floor,
didn't smash, that's impressive,
there's still ******* eggs all over the place though.
GailForceWinds Mar 2015
I wish I wish
Upon a star
I had a magic cookie jar

Inside the jar would contain
Peace and love and happiness
No war, no crime and no more pain

I’d open the jar and let the rays out
To cross the earth, flutter all about

Touch everyone and everything
From the smallest grain of sand
to the Majestic Eagle’s wing

Until I find that special jar, I’ll bend down on one knee
And pray for that day
When all our troubles go away

What a wonderful world it would be
When I close my eyes, this is the world I see
Clindballe Sep 2014
I feel like a pickle in jar.
Drowning in salty tears.
Waiting on a shelf for
someone to want me.
To drag me out of this
lonely jar and take a bite
of my tear soaked body.
I am waiting for someone
to tell the difference between
a cucumber and a pickle.
Written: September 16. - 2014
I placed a jar in Tennessee,
And round it was, upon a hill.
It made the slovenly wilderness
Surround that hill.

The wilderness rose up to it,
And sprawled around, no longer wild.
The jar was round upon the ground
And tall and of a port in air.

It took dominion everywhere.
The jar was gray and bare.
It did not give of bird or bush,
Like nothing else in Tennessee.
Lunar Apr 2016
we both had two different painting styles. he was into calligraphy, the bold and gentle strokes of black ink on white paper; i was into watercolor, the translucent colors slowly spreading to a gradient on a Canson. we were two painters with brush styles of stark contrasts.

three objects. a flower arrangement, an antique vase and grecian sculpture. we were asked to pick the most eye-catching one out of the three, paint it in our of style of representation. and so we began.

him: what will you be painting?
me: i can't tell, you might judge me for it.
him: alright, but promise me you'll show it to me once you're done.
me: okay. same to you too, then.

hours passed, and while i often discreetly glimpsed at him, he caught my eye sometimes and would make funny faces or just softly smiled at me. i could not deny that my hands were shaking as i dunked my brushes into the watercolor jar and continued to finish my painting.

him: i'm finally done. this is a masterpiece.
me: i believe it's the same for me too.
him: should we count down as we turn our boards to each other?
me: nothing better than a surprise of what's the most beautiful thing out of all the objects before us.

we flipped our boards to each other's viewpoint, and we were both shocked to be looking at ourselves, a painting of ourselves, one done by the other. he painted me in black and white, a figure-ground influenced painting, strong in lines, simplicity in its finest state, rendering me bare and raw. i painted him in pale colors, a positive reflection of him lighting up life, and soft shadings to give depth to the meaning of his existence.

after knowing this and scrutinizing our works, his cheeks turned pink as the pink on my palette, while i covered my eyes with my hair as dark as his ink. we burst out laughing and blushing at the fact that the most beautiful object before our eyes was each other.

sometimes, i wonder if he's my muse, the art or the artist. and i felt like a watercolor jar at that exact moment, as if brushes soaked with different colors were being dipped into me all at once, the tint, hue and vibrancy bleeding into the clear liquid, getting murky. it was like those colors are my emotions, and with every emotion mixing, my thoughts get murky. i guess this is how it feels to be in love with all forms of art at once.
wjh, you, and loving you, is the definition of my art.
you and only you are the meaning of my muse.
you and just you are the artist
Ash Mar 2016
I'm like your Swear Jar.
Whenever you mess up,
And let naughty words slip,
You toss a nickel in.
And everytime you lie
Everytime you cry over them
Yet another nickel will go in.

I'm your Charity case.
Filled with blind hopes and dreams.
Living on faith that things will get better.
Yet always knowing,
No amount of nickels and tears
Could clear the air
Of the words you've said.

I'm like your punching bag.
Catching all of your blows,
Easing your pain
Trying to bring you
To tranquility again.

But sometimes

I'm your pillow.
Soaking up your tears
The only one
Who's heard all of your fears.
Day after day
I bear your weight.
Because. ..

YOU ARE MY CAGE.
Making sure I can NEVER ESCAPE.
TRAPPING me with your soft embraces.
And PROMISES of what we'll do,
With ALL THE NICKELS THAT WE'LL SAVE.
I'M YOUR MISTAKE JAR.
FILLED TO THE BRIM
WITH ALL YOUR LIES.
AND HOLDING ALL OUR FALSE HOPES
AND DREAMS.

I'M YOUR SWEAR JAR.
only wanted when your
HURTING.
Mateuš Conrad Nov 2016
before i pull this one out of my *** (again - listen, these words are not coming from either head or heart, it's best to pull them from the bowels, a gut-wrenching-feeling is more potent than that "something" that "something" delusional pulled from a clenched heart... as far as i know, the brain is incapable of emotions, it doesn't understand them, and since it doesn't understand them: it ridicules them)... which brings me to point:

(a) perhaps the idea of a soul is out-dated... why wouldn't it be, 21g worth of breath does not equal a soul... hence the autopsy of man, each detail studied seperately, the cardiologist knows the heart, the neurologist the brain etc., but some items work in a solipsistic mode... the heart is robotic, automaton pump queen (and not the kind of pump you'd get from Shveeden) - thump thump thump! come to think of it, most of our bodies are robotic, automated... lucky for me: i don't have to think about the heart doing what it does, it just per se does it... i'm not even sure i'm gifted with the a.i. brain functions... but there's an underlying principle that governs all of these items... some call it the self... i prefer: the Σ ultimatum... some would call it soul... but there has to be something akin to the Σ ultimatum that allows me to become detached from this body, while at the same time be bound to it: high blood pressure, heart attack on the horizon... take the high blood pressure pills... ****... what was (b)? oh... yes...

(b) i'm sorry, virginity doesn't cut it for me, lucky me that it was isabella of grenoble that allowed me to move aside from: god, prior to losing my virginity.... roxette: do you feel excited, you're still the one (shanaia twain), fade to black - metallica... i was such a romantic before i lost this dreaded curse... i was a romantic... 19th century style romanticism... but you really can see past this sort of romanticism unless you haven't ******... these days the right complains about cultural marxism: plenty of things to complain about... it makes as much sense as a pickle in a dollop of custard... or cooking with pale indian ale to make a stew: bad idea... wine, brandy, cider? fine... beer? terrible idea to cook with... but unless you haven't lost your virginity, you can't see what cultural marxism chose as its opponent: cultural darwinism... you know how little you hear about darwinism outside of the english speaking world? zero to none, yes, it's an accepted fact, but this fact does not permeate outside of the fact per se, the fact contains itself and the whole subsequent narrative because subconsciously stored... no other people than the people who found it ensure there are subplot proof statements of a reconfirmation of the validity... the whole social science bogus trap of rating people on looks... contradicting the meritocracy of that old Socratic saying: let me be as beautiful on the inside as on the outside... if you haven't ******: you're still the same old romantic i was at puberty... once you ****... well... cultural marxism dwarfs... yes yes it's there... so? but at the same time you can at least appreciate seeing the antithesis: cultural darwinism... the romantic needs to die the most carnal death via experience... all my ideals were shattered, this perfection of woman... i very much liked the idea / not even the ideal of a woman... but when the idea fizzled out and there was no ideal to begin with... i saw cultural darwinism for the very first time and... it was as ugly as cultural marxism so heavily criticized by the conservative right of the west... so... i decided to walk the middle ground, ignoring both sides (of the argument).

(c) i wouldn't have come up with a point see, unless my favorite square schematic didn't pop into my mind, Kantian, as ever: the best philosophy is the antithesis of English pragmatism and overt-politicisation, so it has to be German, ergo? i will not explain these terms, i figured: if i nail a decent example to fit each category, that's enough: since you can then visualize the concept via the example:

analytical a priori                           synthetic a priori
there's a need to throw                   learning
a ball at                                                to throw a ball
a target                                                 at a target once
                                                            ­  the need has been
                                                            ­  established...



synthetic a posteriori                    analytical a posteriori
there's a  need to                           perfecting to throw
      throw a ball at                               a ball at a target
a target, in order
to perfect this need...

                                            baseball..­. cricket...
at least: that's how i define knowledge of something
simple without having to use mathematics
that Kant used to explain... 2 + 2 = 4...
mathematics isn't exactly a man's best friend
at explaining philosophy...
you write philosophy that alligns itself
to mathematics... no wonder: moths in books...
yawns, unfinished works...
i found that sports work just as well
as mathematics... and you have the already
primitive objects to work with...
rather than pseudo-objects: i.e. numbers...
the abstracts of perception: i'm actually 6ft2...
not 6ft1... karolína plíšková is 6ft1...
       as noted when watching her today...

  i'll admit, i'm always a bit shaky when it comes
to this sqaure, whether it's over-simplified,
notably the top left corner: analytical a priori,
i'm always of a mindset that wants to associated
this definition with: analytical a- priori...
  i.e. borrowing from atheism:
    to analyse something without there
being a prior to example...
               analysis without a prior example...
i guess that's the mojo of science... the driving force...
back to sports... bow and arrow...
   tools: target...
       whether a bow and arrow and a deer
to begin with...
or a hand and ball and a wicket to end with...

there's a need to throw                  
a ball at a target...

            and cricket was the precursor of
baseball, but prior to cricket?
   there was archery...
              and prior to archery...
   there was forever a fundamental need,
e.g. to go from point X to point Z...
   see... as much as Kant wanted...
   numbers don't really solve the "problem"
of explaining something: algebra would be
better suited... x + y = z...
                    with numbers either hovering
above, or below (in the instance of chemistry's
subscript)...

talking of squares... sūdoku...
well, if at any time the french were to receive a hard-on
in terms of inventing something,
the english: rugby, cricket, football, tennis...
the french really did read some of the hebrew
qabbalah literature, as i am doing...
magic squares...
       the secular version of this puzzle
first appeared on july 6, 1895 (the modern version)...

it came to us from India and China...
again... why do western cultural darwinists
always tell our genesis from
the perspective of: "out of Africa"?
aren't there elephants in India?
            i will not believe i originated in Africa,
i'm not an "out of Africa" sorry state of
incompetence... i place my origins in
the sub-continent... at least that's where my
current language originates from...
the great migration across the Siberian tundra,
rather than some African savannah...
after all the Bangladeshi and the Sri Lankans
(the tear of India) resemble burnt cinnamon
in tone, some even as dark skinned as
east africans...
   if the germanic people want to stick to
the "out of Africa" narrative (notably the English):
let them have it... i place my origins in
India...

   never mind, now i'll write a name's dropping
history of how july 6th, 1895 happened...
the "magic" squares...

    from either India or China (chess from India)...
moschopulus of contantinople
  introduced them (the "magic" squares)
in the early 1400s... apparently ancient qabbalists
had knowledge of them
  (so... a trip well spent)...
                             rabbi joseph tzayah (1505 - 1573)
magnum opus: responsa...
             rabbi joseph castro: avkat rokhel...
tzayah in jerusalem wrote his major work
Evven HaShoham (the onyx stone) - 1538 -
   a year later the book: tzeror ha-chaim discussing
the Talmud: he never really bothered about
the Zohar...
               the hebrai word for "letters": otiot...
divided into two:
                         tav aleph (a line of aleph)
and tav yod (a line of yod)...
                   one is to never concentrate
upon the keter within the realm of the sefirot...
hence the matisyahu expression:
   king without a crown...
                         one example of a "magic" square
later dictated into a 9 x 9 newspaper puzzle?
      2     9     4
      7     5     3
      6     1     8     (up down across = 15...
my date of birth? 15th may 1986,
no coincidence, just stating an oblivion's
worth of a "point)... 15 x 3 = 45...
   and that's about as significant as any
                               insignificance can be...

album of choice?
    old horn tooth - from the ghost grey depths...

and without even associating the arabs
to the hebrai practice of gamatria,
i once inquired an old pakistani (who tried to convert me)
what: Alif, Lam, Meem
implied in the opening of the al-baqarah sutra
implied?
   he replied: god knew...
        so i thought, you don't know what
alif (letter) what lam (letter) and meem (also a letter)
means? you have to search for god
for the answers? good look making me into
a proselyte... mind you:
if the jews abhor proselytes,
while the muslims are so so oh so *******
welcoming... isn't that a tad bit suspicious?
how can a muslim convert me
when he can't explain to me what
alif lam and meem implies at the opening
of al-baqarah?!
            let's play some hijāʾī order game...
and the three letters...
       28 letters in total...
alif (28), lam (6), meem (5)...
    i'm not even going to go into the gamatria
mental gymnsastics related to any
"significance"...
   point was made upon the question being
asked... if a muslim tries to covert you...
and he can't explain to you
the significance of alif lam meem at the beginning
of al-baqarah... they're letters...
well... how is he going to explain to you
what's bothersome about those letters
to begin with? ALM... does that imply: zakat?!
to give alms? zakat being one of the pillars
of islam?
  **** me... i haven't even converted
and it would appear: i know more than the person
who tried to convert me!

.i. Yuri Gagarin and the yo-yo

if ever the potency of a "keyboard crusader"
existed, it's now -
   i can dangle a mouse above a bear-trap
and tell an elephant of a phobia concerning
mice any day of the week,
          when in fact i'm talking about
a mousetrap: nothing more.
     hence the exaggeration in the imagery
comparison:
        or it begins with a story told in the 20th
century:
             when women put down their mascara
brushes, men put down their swords:
never mind the voice in the wilderness:
       mind the voice in the crowd -
there's absolutely no reason to speculate
urbanity and tribal environments without
addressing, or regressing the crowd,
or as i like to call it: what Nietzsche said,
minus the Wake... but now inclusive of the wake
and the Bacchus cult of fun fun fun.
            the Wake in condor terms?
we congregate praying for something to die...
      i don't pretend to be whatever
that sachet of concrete-Cartesian labels entitles me
too:        for the most part
        people say 'i am' without a thought to
govern the rain shaman telling you what thought
is required to 'be', oh, a very old ontological
stipend: you need people to experience a collectivisation,
a herding, a "bound together" sort of mentality
before the critic arrives and says: well, that's not
what i'm really about.
                    a bit like the **** firs, mouth second
debacle...
                but what heart they had, our predecessors!
what heart!
             they'd wage war over a woman,
a Helen,
                  would you wage a war against
the feminist version of Helen these days?
would you pluck a Scottish thistle over an English rose?
      true: you might be a bishop
and of lesser rank... but would you wage a war
over the women of these days?
my **** is in a pickle jar anyway! we have become
a *** of a species unburdened by an obligation...
             finally! we can become eternal bachelors
sort of ******* that we're here, and hear less and less
of sayings about the "things that matter".
            you know what vile? really really vile?
oh i know my contemporaries when i bother to
hear them talk, oddly enough never bother when they
think, i'm quiet content with a Godot stage of
a park bench and an old man as my company,
      i know Douglas Murray,
               i know the wild-eyed Icke,
but a thing that concerns me is why: the safety room
parallel to the leftist thesis of offensive speech
was put in play when a discussion took off
concerning feminism, between milo yiannopoulus
and julie bindel - that's like saying:
ask a pederast to talk for a heterosexual man
with a woman safe-space...
                                no one wants to hear
the heterosexual side of the argument....
  you'll sooner see heterosexual intellects have their
marriages come undone then get paired with either
side of the argument...
     little richard is in the pickle jar anyway,
and he's not coming out...
                it's a bit like ****** for dummies....
       hence i have to succumb to violence without
the glory, tongue waggling blah blah
when i'd gladly take a weapon and shove it into
a shattered cranium bone: had i the ****** chance to
do so!
           no heterosexual is taken seriously:
and won't be:
    of a woman to be like a rosy cushion on which
i can lay my head after the darkly toils of
    roofing, or laying bricks, or excavating the sewers...
no! let the Chinese do that:
the basic argument of slavery, although imported
therefore ****** ******* fine.
                         cryogenic fathers,
      pickled *****:      where's the middle in all of this?
     a coconut just fell from the Boddhi tree:
money!           and those that defend it,
don't know squat about the tribalism of squatters!
but hey! they have the ****** stage!
         i have a bench when someone approaches me
and talk, doing the best thing possible:
               knitting opinions -
i don't want the truth of opinions: i want a sweater,
or a pair of socks! that's metaphor for something
different altogether.
  keyboard crusader? really? can i ask you for
directions to the high street, in every single town
across the country? i can't find one!
         no one hears a heterosexual argument
on the various topics: because there isn't one -
                     as of the end of the 20th century,
working classes in the west striving to ensure
there is something mundane to do during the day
and kick back with the family in the evening
are the "inferior" neanderthals: who
haven't jacked into discovering a 3D reality
of what's otherwise a 2D computer screen and
aren't hooked on #crack;
honestly, so much debating ought to be opera,
and so much opera ought to be debating -
    ah: that famous tingle of utopian paradoxes
never in duality, but always in dichotomy.
   keyboard crusader?
really? i thought people were always moaning
about how many emails they receive:
   and never a single postcard from, say,
someplace like Venice?
           it's still early days,
                   and already we're brewing enough
cliches to replace all known nouns in
    the surrogate mother that's the dictionary
of our completed version of a soul -
if ever to be experienced upon meeting the omni-vocabulary;
jigsaws, i know my idiosyncratic version
of events, he says photosynthesis within parameters
                            of photon deconstruction of hydrogen;
'cos' it's sub; d'uh! i say god i say this perfected
version of nearing telepathy - you say god i hope you
don't mean satan's clause - great anagram to frighten
children with: the Babushka surprise of a Pumpkin head
laughing it's way toward: how easy life would be
if we had all that time to think it through as being hard,
rather than that mortal fleetingness in both thought
and body.

ii. Macbeth

it really dawned on me, when i was watching the film
Macbeth (2015) -
            there was an eeriness to it, a near perfection
of Shakespeare on screen...
           honestly? i'd rather read Kant early on in life
while i have the vigour, and leave old age to Shakespeare...
but it truly was eerie all over the place.
      i do recall seeing Romeo + Juliet
          and reading the script, and imagining the fallacy
of word for word translation from theatre to cinema
of the script: the narrator a news channel anchor,
and everything said, word, for, word.
that film with DiCaprio as Romeo and Claire Danes
as Juliet - it just felt itchy, uncomfortable -
                            Shakespeare, word for word, on screen?!
     (surprise, then astonishment, not !? or astonishment,
   then the surprise, because: it didn't really work);
and it didn't! you can't adapt Shakespeare to the screen
and put everything in! i noticed it at that ******
generous scene in Macbeth concerning the battle
of Ellon... so i was like like... this isn't typescript...
(and thank **** it isn't) -
you can't depict Shakespeare word for word,
to be honest, Macbeth (2015) is the only worthy
translation of Macbeth (the text) into Macbeth (the movie);
all this scientific exactness in previous examples
like Romeo + Juliet, the Merchant of Venice
and a Midsummer's Night Dream don't work,
it's their precision making,
     a theatre cast can take it, but a cinema going crowd,
with all these cutting and copying and repasting
    succinct moments? it doesn't work!
maybe because there's no actual narrator in the staged
examples? narrator as a necessary character understudy:
surely Puck and the news anchor are there:
don't know about the Shylock scenario...
           but these screen adaptations didn't work for me,
too rigid, too formal... in the case of Macbeth?
finally! the long awaited piquant version of Shakespeare:
all that matters, and the rest is thrown into
poetic technique: imagery, metaphor,
                everything that's necessary can be given grammar
as image and not word!
       want an example? from the text...
the Royal Shakespeare
  from the text of Professor Delius
  and introduction by f. j. Furnivall, ll.d.
         vol. v (special edition)
Cassell & Company, Ltd.

        sure, it feels like a Roman Polanski moment
akin to the 9th Gate scenic affair of a bibliophile
fetishist, and it is:

     ... (the only enemy of enso poetry
is the bladder) ...

well the screen play first:

banquo: what are these?
macbeth: live you? or are you aught
                          that man may question?
       speak if you can - what are you?
1st witch: macbeth! hail to thee
                    thane of Glamis!
2nd witch: macbeth... hail to thee,
       thane of Cawdor!
3rd witch: all hail Macbeth! that shalt be king in-after.

but such disparity, such **** as if once
of Lucretia, then of the authority,
for i have before me the original composition:
which is not worth cinema -
nonetheless, a **** takes place:
an assortment for the abdication of a king:
or as ever suggested: the wrong footed path:
never was tossing a coin in a gamble
that of tossing a crown into the air
for a court jester to appear less amusing
and more scolding.

act i, scene iii: post the battle of ellon...
  if ever the refusal to give up Greek myth,
then Macbeth's witches
      and Perseus' Graeae -
                            or naturalise a myth:
like you might not naturalise a strengthened
economy.... canonise the nation
with Elgin Marbles - Elgin: less than
what's said to be the exfoliation of the Aegean -
a municipality somewhere in Scotland:
west of Aberdeen, on the Northern Sea's
battering of the coast...
but word for word? or how to write Shakespeare
into cinema?
                 herr zensor must come into play -
you have to bypass imagery in poetic tongue
and relay it with actual images, a direly needed
necessity:

just after the three witches arrive,
enter Macbeth and Bonquo...

   Macb. so foul and fair a day i have not seen.
Ban. how far is't call'd to Fores? - what are these,
     so wither'd and so wild in their attire,
that look not like th' inhabitants o' the earth,
   and yet are on 't?
             live you? or are you aught that man may
question?

                  (how word for word, but the words
waggle from a different tongue, namely that of
Macbeth, and not that of Banquo, hence
italicised).
                   continuing:
       you seem to understand me,
by each at once her choppy finger laying upon her
skinny lips: - you should be women, and yet your
beards forbid me to interpret that you are so.
Macb. speak, if you can - what are you?
         the witches. all hail, Macbeth!
     hail to thee, thane of Glamis!
         all hail, Macbeth! hail to thee, thane
of Cawdor!
         all hail, Macbeth! that shalt be king hereafter.
            
so does he really belong on the psychoanalytic
couch? is he really that necessarily wonton of talk?
  Cawdor v. Gondor - it's an ongoing narrative.
but is he in need of a couch?
                 what sort of talk is talk when
in fact the only talk that's need to be said is the talk
of man's sexualised naturalisation for strife,
and here: as if knocking on a door:
you want to simply hear the onomatopoeia of
the Kabbalah in a woman gasping for breath
while puny Jewish boys under strict rabbinical
studies study?

                mama, take this badge from  me,
i can't use it, anymore,
            it's getting dark, too dark to see,
feels like i'm knockin' on heaven's door -
      my big mouth and man as a piston
                                               Ferrari acrobat


(even the soundtrack is a shrill, a strangulation
variant of higher pitch of the bagpipes -
not that braveheart ****** of whisking out
a song like for the love of a princess addition to:
  and can i have a madonna to boot too?
it's piercing, a whale sonar above refrigerator
white noise hum for the new age Buddha -
and that's because all the poetry has been excavated
  to suit cinema: not theatre).

and this is the first adaptation of Shakespeare i actually
could stomach...
     the genius was in how Macbeth spoke the lines
of Bonqua - so the character didn't start smacking
the narrative ****** in terms of solipsism:
even Shakespeare can be attacked on this front...
        if in the movie Banqua said all that was in
the typescript: the film wouldn't have worked...
i don't know what the big deal is with Lady Macbeth:
i thought that in the olden days
Macbeth suggested to King Duncan that:
can i leave the warring if you **** my wife?
i can go on the contract that you **** my wife
and i stop serving you?
      first impressions: strange English.
well, i'm sure she's important as it might be said:
within the programme of Orthodoxy,
            but never catholic (metadoxy) tradition of
saying: way hey! ensnare the mare in a funfair!
       and play the game: pin the tale on the donkey!
heads or tails?      it looks pretty damnable
     in the first place: as all honesty hogs to pout and
***** a hoggish sneeze out of the story.

iii. shaken, not stirred

and indeed, how many a times
did not a neon blossom sprout,
thinking it might rattle an oratory
with an oak in autumn, and behold
a swarm of leaves descend -
not out of passing ease,
but out of wishful thinking
that some indentation might be made:
with whom the hands of will reside,
and yet: to no gratifying effect,
to whatever atomic-centralisation
dream, be that ego or be it hydrogen
(lending hands: so too
electric or thus negative, neutral and
thus proto) - shake foundation
and give a revising repertoire of
              the covering dust humanity
that once made famous: never
again to learn the humility of the start;
        to whatever centric dream that
does not waver in demands of orientation,
be it father (sun), son (shadow)
  or the holy spirit (night) -
  make them earn! be obscure!
            or simply say: in the community
of the stated congregation:
  i find all to be as night,
   and safer that plague the father:
  i am not akin to the shadow:
                   but the shadow in mirror.
so, a centric dream that does not
waver in demands for orientation,
has ever or will be enthroned in man's
heart as the stability of Sabbath's demands
       for less, oh so much less to agitate with!
as too, when the ancient appliances
were adorned by countless demands of
mimic, so too our modern
fibbles are to stage a usurping of
such things demanded and their mimic;
for with such disclosure does all fate
of anewed become burdened in what
history could be: shaken,
rather than simply a stirring of the void,
nothing more than the unburdening
of sweetening a cup of coffee, of that and
the layers: or bitter at the top, drank
through toward the sedimented sweetness -
and all that: hoping i could have retained
that silver spoon lodged in my ***
          when i first met her and thought about
consolidating marriage: so fresh, eager prune
of the flesh embodiment as first
    watered ash, then entombed in marble
and the eternal... ah
               but it was all just the faintest of dreams;
so lumberjack sleep ensued,
                      as did a kindred worth ethic:
we are a long way from Eden...
      there is but the idyll of the absurd fruition of
albreit macht frei... or a redefinement of
such stakes as: what occupies our days?
                    if not war, if not disease,
if not the Chinese... what does, occupy our days?
NOYM NDMJ Jun 2022
The concept of the Bell Jar is fascinating. To anyone who has been through depression and read The Bell Jar by Sylvia Plath, you know just how accurate her metaphor is. You know that the bell jar is palpable. It’s like a hot, sticky air that floats around you wherever you go. It is your own exhalation that you inhale. Your own stench that you live in. The air in the bell jar that you hate is in reality, you. 

Plath claims that when the depression has gone, one will find the bell jar has been “lifted”. I agree with this sentiment, but I believe there are multiple ball jars. Forces that limit and harm us. Some are collectively shared ones that we all live in, such as the bell jar of the patriarchy. Some are more individual. I also believe that bell jars can transform. Mine lifted after depression, just as Plath said it would, but it left a residue. A bubble that I can easily come in and out of. It is not as inherently harmful, but it is innately isolationist. Unless I make conscious effort, my bubble Kees me in my own thoughts, separated from others. Sometimes I like my bubble. I don’t find it stifling in any way and the colorful glow of the soap under light is rather beautiful. When I make human connection, however, I stick my head out of the bubble, albeit temporarily. I get to breathe some fresh air and experience life more clearly. It is a gift to me when I am able to take part in meaningful human connection, even ones as simple as a “good morning” (meaningful is not synonymous with complex).
JB Claywell Oct 2017
We walked the Topeka zoo
yesterday and looked at
all the animals being held
against their will.

The angry zookeeper
told us about the bear
that got its head stuck
in a peanut-butter jar.

“It’s not a laughing matter.”,
he said.

The children laughed anyway.

“This bear would’ve died,”,
he said. “if we wouldn’t have
come along and taken him out
of the wild, removing the
peanut-butter jar, and nursing
him back from starvation.”

The bear was asleep in a thin tree
above our heads.
He’d climbed up there to be closer
to the warm sun,
my youngest son advised.

I wondered if he hadn’t climbed
up into that tree to sleep farther
away from the din of his jailer’s
voice as he shouted to the herds of us
who’d paid our six bucks to stand in
the cold and listen to his angry
voice tell us about peanut-butter jars
removed from the heads of bears and
how that’s what it takes to save lives
around here.

No one asked the zookeeper
or the bear if either one
of them still liked peanut
butter eaten straight from
the jar.

No one asked if either one
of them ever missed their
mothers.

We just watched the bear
sleep in the crook of the
highest branch of that
thin, leafless tree.

His head lulled into the
crook of his elbow and his
*** dangled in the chilly
air.

I suppose he was dreaming
of escape.
Maybe he pondered, dreamily,
what that zookeeper tasted like.

Perhaps he dreamed of peanut-butter
eaten straight from the jar,
knowing his head wouldn’t get stuck
anymore.

But, I bet he was dreaming
of his mother.


*

-JBClaywell

© P&ZPublications
A Bukowski-esque story poem about a trip to the zoo with my family. (I have mixed feelings about zoos.)
On Hellespont, guilty of true love’s blood,
In view and opposite two cities stood,
Sea-borderers, disjoin’d by Neptune’s might;
The one Abydos, the other Sestos hight.
At Sestos Hero dwelt; Hero the fair,
Whom young Apollo courted for her hair,
And offer’d as a dower his burning throne,
Where she could sit for men to gaze upon.
The outside of her garments were of lawn,
The lining purple silk, with gilt stars drawn;
Her wide sleeves green, and border’d with a grove,
Where Venus in her naked glory strove
To please the careless and disdainful eyes
Of proud Adonis, that before her lies;
Her kirtle blue, whereon was many a stain,
Made with the blood of wretched lovers slain.
Upon her head she ware a myrtle wreath,
From whence her veil reach’d to the ground beneath;
Her veil was artificial flowers and leaves,
Whose workmanship both man and beast deceives;
Many would praise the sweet smell as she past,
When ’twas the odour which her breath forth cast;
And there for honey bees have sought in vain,
And beat from thence, have lighted there again.
About her neck hung chains of pebble-stone,
Which lighten’d by her neck, like diamonds shone.
She ware no gloves; for neither sun nor wind
Would burn or parch her hands, but, to her mind,
Or warm or cool them, for they took delight
To play upon those hands, they were so white.
Buskins of shells, all silver’d, used she,
And branch’d with blushing coral to the knee;
Where sparrows perch’d, of hollow pearl and gold,
Such as the world would wonder to behold:
Those with sweet water oft her handmaid fills,
Which as she went, would chirrup through the bills.
Some say, for her the fairest Cupid pin’d,
And looking in her face, was strooken blind.
But this is true; so like was one the other,
As he imagin’d Hero was his mother;
And oftentimes into her ***** flew,
About her naked neck his bare arms threw,
And laid his childish head upon her breast,
And with still panting rock’d there took his rest.
So lovely-fair was Hero, Venus’ nun,
As Nature wept, thinking she was undone,
Because she took more from her than she left,
And of such wondrous beauty her bereft:
Therefore, in sign her treasure suffer’d wrack,
Since Hero’s time hath half the world been black.

Amorous Leander, beautiful and young
(Whose tragedy divine MusÆus sung),
Dwelt at Abydos; since him dwelt there none
For whom succeeding times make greater moan.
His dangling tresses, that were never shorn,
Had they been cut, and unto Colchos borne,
Would have allur’d the vent’rous youth of Greece
To hazard more than for the golden fleece.
Fair Cynthia wish’d his arms might be her sphere;
Grief makes her pale, because she moves not there.
His body was as straight as Circe’s wand;
Jove might have sipt out nectar from his hand.
Even as delicious meat is to the taste,
So was his neck in touching, and surpast
The white of Pelops’ shoulder: I could tell ye,
How smooth his breast was, and how white his belly;
And whose immortal fingers did imprint
That heavenly path with many a curious dint
That runs along his back; but my rude pen
Can hardly blazon forth the loves of men,
Much less of powerful gods: let it suffice
That my slack Muse sings of Leander’s eyes;
Those orient cheeks and lips, exceeding his
That leapt into the water for a kiss
Of his own shadow, and, despising many,
Died ere he could enjoy the love of any.
Had wild Hippolytus Leander seen,
Enamour’d of his beauty had he been.
His presence made the rudest peasant melt,
That in the vast uplandish country dwelt;
The barbarous Thracian soldier, mov’d with nought,
Was mov’d with him, and for his favour sought.
Some swore he was a maid in man’s attire,
For in his looks were all that men desire,—
A pleasant smiling cheek, a speaking eye,
A brow for love to banquet royally;
And such as knew he was a man, would say,
“Leander, thou art made for amorous play;
Why art thou not in love, and lov’d of all?
Though thou be fair, yet be not thine own thrall.”

The men of wealthy Sestos every year,
For his sake whom their goddess held so dear,
Rose-cheek’d Adonis, kept a solemn feast.
Thither resorted many a wandering guest
To meet their loves; such as had none at all
Came lovers home from this great festival;
For every street, like to a firmament,
Glister’d with breathing stars, who, where they went,
Frighted the melancholy earth, which deem’d
Eternal heaven to burn, for so it seem’d
As if another Pha{”e}ton had got
The guidance of the sun’s rich chariot.
But far above the loveliest, Hero shin’d,
And stole away th’ enchanted gazer’s mind;
For like sea-nymphs’ inveigling harmony,
So was her beauty to the standers-by;
Nor that night-wandering, pale, and watery star
(When yawning dragons draw her thirling car
From Latmus’ mount up to the gloomy sky,
Where, crown’d with blazing light and majesty,
She proudly sits) more over-rules the flood
Than she the hearts of those that near her stood.
Even as when gaudy nymphs pursue the chase,
Wretched Ixion’s shaggy-footed race,
Incens’d with savage heat, gallop amain
From steep pine-bearing mountains to the plain,
So ran the people forth to gaze upon her,
And all that view’d her were enamour’d on her.
And as in fury of a dreadful fight,
Their fellows being slain or put to flight,
Poor soldiers stand with fear of death dead-strooken,
So at her presence all surpris’d and tooken,
Await the sentence of her scornful eyes;
He whom she favours lives; the other dies.
There might you see one sigh, another rage,
And some, their violent passions to assuage,
Compile sharp satires; but, alas, too late,
For faithful love will never turn to hate.
And many, seeing great princes were denied,
Pin’d as they went, and thinking on her, died.
On this feast-day—O cursed day and hour!—
Went Hero thorough Sestos, from her tower
To Venus’ temple, where unhappily,
As after chanc’d, they did each other spy.

So fair a church as this had Venus none:
The walls were of discolour’d jasper-stone,
Wherein was Proteus carved; and over-head
A lively vine of green sea-agate spread,
Where by one hand light-headed Bacchus hung,
And with the other wine from grapes out-wrung.
Of crystal shining fair the pavement was;
The town of Sestos call’d it Venus’ glass:
There might you see the gods in sundry shapes,
Committing heady riots, ******, rapes:
For know, that underneath this radiant flower
Was Danae’s statue in a brazen tower,
Jove slyly stealing from his sister’s bed,
To dally with Idalian Ganimed,
And for his love Europa bellowing loud,
And tumbling with the rainbow in a cloud;
Blood-quaffing Mars heaving the iron net,
Which limping Vulcan and his Cyclops set;
Love kindling fire, to burn such towns as Troy,
Sylvanus weeping for the lovely boy
That now is turn’d into a cypress tree,
Under whose shade the wood-gods love to be.
And in the midst a silver altar stood:
There Hero, sacrificing turtles’ blood,
Vail’d to the ground, veiling her eyelids close;
And modestly they opened as she rose.
Thence flew Love’s arrow with the golden head;
And thus Leander was enamoured.
Stone-still he stood, and evermore he gazed,
Till with the fire that from his count’nance blazed
Relenting Hero’s gentle heart was strook:
Such force and virtue hath an amorous look.

It lies not in our power to love or hate,
For will in us is over-rul’d by fate.
When two are stript, long ere the course begin,
We wish that one should lose, the other win;
And one especially do we affect
Of two gold ingots, like in each respect:
The reason no man knows, let it suffice,
What we behold is censur’d by our eyes.
Where both deliberate, the love is slight:
Who ever lov’d, that lov’d not at first sight?

He kneeled, but unto her devoutly prayed.
Chaste Hero to herself thus softly said,
“Were I the saint he worships, I would hear him;”
And, as she spake those words, came somewhat near him.
He started up, she blushed as one ashamed,
Wherewith Leander much more was inflamed.
He touched her hand; in touching it she trembled.
Love deeply grounded, hardly is dissembled.
These lovers parleyed by the touch of hands;
True love is mute, and oft amazed stands.
Thus while dumb signs their yielding hearts entangled,
The air with sparks of living fire was spangled,
And night, deep drenched in misty Acheron,
Heaved up her head, and half the world upon
Breathed darkness forth (dark night is Cupid’s day).
And now begins Leander to display
Love’s holy fire, with words, with sighs, and tears,
Which like sweet music entered Hero’s ears,
And yet at every word she turned aside,
And always cut him off as he replied.
At last, like to a bold sharp sophister,
With cheerful hope thus he accosted her.

“Fair creature, let me speak without offence.
I would my rude words had the influence
To lead thy thoughts as thy fair looks do mine,
Then shouldst thou be his prisoner, who is thine.
Be not unkind and fair; misshapen stuff
Are of behaviour boisterous and rough.
O shun me not, but hear me ere you go.
God knows I cannot force love as you do.
My words shall be as spotless as my youth,
Full of simplicity and naked truth.
This sacrifice, (whose sweet perfume descending
From Venus’ altar, to your footsteps bending)
Doth testify that you exceed her far,
To whom you offer, and whose nun you are.
Why should you worship her? Her you surpass
As much as sparkling diamonds flaring glass.
A diamond set in lead his worth retains;
A heavenly nymph, beloved of human swains,
Receives no blemish, but ofttimes more grace;
Which makes me hope, although I am but base:
Base in respect of thee, divine and pure,
Dutiful service may thy love procure.
And I in duty will excel all other,
As thou in beauty dost exceed Love’s mother.
Nor heaven, nor thou, were made to gaze upon,
As heaven preserves all things, so save thou one.
A stately builded ship, well rigged and tall,
The ocean maketh more majestical.
Why vowest thou then to live in Sestos here
Who on Love’s seas more glorious wouldst appear?
Like untuned golden strings all women are,
Which long time lie untouched, will harshly jar.
Vessels of brass, oft handled, brightly shine.
What difference betwixt the richest mine
And basest mould, but use? For both, not used,
Are of like worth. Then treasure is abused
When misers keep it; being put to loan,
In time it will return us two for one.
Rich robes themselves and others do adorn;
Neither themselves nor others, if not worn.
Who builds a palace and rams up the gate
Shall see it ruinous and desolate.
Ah, simple Hero, learn thyself to cherish.
Lone women like to empty houses perish.
Less sins the poor rich man that starves himself
In heaping up a mass of drossy pelf,
Than such as you. His golden earth remains
Which, after his decease, some other gains.
But this fair gem, sweet in the loss alone,
When you fleet hence, can be bequeathed to none.
Or, if it could, down from th’enameled sky
All heaven would come to claim this legacy,
And with intestine broils the world destroy,
And quite confound nature’s sweet harmony.
Well therefore by the gods decreed it is
We human creatures should enjoy that bliss.
One is no number; maids are nothing then
Without the sweet society of men.
Wilt thou live single still? One shalt thou be,
Though never singling ***** couple thee.
Wild savages, that drink of running springs,
Think water far excels all earthly things,
But they that daily taste neat wine despise it.
Virginity, albeit some highly prize it,
Compared with marriage, had you tried them both,
Differs as much as wine and water doth.
Base bullion for the stamp’s sake we allow;
Even so for men’s impression do we you,
By which alone, our reverend fathers say,
Women receive perfection every way.
This idol which you term virginity
Is neither essence subject to the eye
No, nor to any one exterior sense,
Nor hath it any place of residence,
Nor is’t of earth or mould celestial,
Or capable of any form at all.
Of that which hath no being do not boast;
Things that are not at all are never lost.
Men foolishly do call it virtuous;
What virtue is it that is born with us?
Much less can honour be ascribed thereto;
Honour is purchased by the deeds we do.
Believe me, Hero, honour is not won
Until some honourable deed be done.
Seek you for chastity, immortal fame,
And know that some have wronged Diana’s name?
Whose name is it, if she be false or not
So she be fair, but some vile tongues will blot?
But you are fair, (ay me) so wondrous fair,
So young, so gentle, and so debonair,
As Greece will think if thus you live alone
Some one or other keeps you as his own.
Then, Hero, hate me not nor from me fly
To follow swiftly blasting infamy.
Perhaps thy sacred priesthood makes thee loath.
Tell me, to whom mad’st thou that heedless oath?”

“To Venus,” answered she and, as she spake,
Forth from those two tralucent cisterns brake
A stream of liquid pearl, which down her face
Made milk-white paths, whereon the gods might trace
To Jove’s high court.
He thus replied: “The rites
In which love’s beauteous empress most delights
Are banquets, Doric music, midnight revel,
Plays, masks, and all that stern age counteth evil.
Thee as a holy idiot doth she scorn
For thou in vowing chastity hast sworn
To rob her name and honour, and thereby
Committ’st a sin far worse than perjury,
Even sacrilege against her deity,
Through regular and formal purity.
To expiate which sin, kiss and shake hands.
Such sacrifice as this Venus demands.”

Thereat she smiled and did deny him so,
As put thereby, yet might he hope for moe.
Which makes him quickly re-enforce his speech,
And her in humble manner thus beseech.
“Though neither gods nor men may thee deserve,
Yet for her sake, whom you have vowed to serve,
Abandon fruitless cold virginity,
The gentle queen of love’s sole enemy.
Then shall you most resemble Venus’ nun,
When Venus’ sweet rites are performed and done.
Flint-breasted Pallas joys in single life,
But Pallas and your mistress are at strife.
Love, Hero, then, and be not tyrannous,
But heal the heart that thou hast wounded thus,
Nor stain thy youthful years with avarice.
Fair fools delight to be accounted nice.
The richest corn dies, if it be not reaped;
Beauty alone is lost, too warily kept.”

These arguments he used, and many more,
Wherewith she yielded, that was won before.
Hero’s looks yielded but her words made war.
Women are won when they begin to jar.
Thus, having swallowed Cupid’s golden hook,
The more she strived, the deeper was she strook.
Yet, evilly feigning anger, strove she still
And would be thought to grant against her will.
So having paused a while at last she said,
“Who taught thee rhetoric to deceive a maid?
Ay me, such words as these should I abhor
And yet I like them for the orator.”

With that Leander stooped to have embraced her
But from his spreading arms away she cast her,
And thus bespake him: “Gentle youth, forbear
To touch the sacred garments which I wear.
Upon a rock and underneath a hill
Far from the town (where all is whist and still,
Save that the sea, playing on yellow sand,
Sends forth a rattling murmur to the land,
Whose sound allures the golden Morpheus
In silence of the night to visit us)
My turret stands and there, God knows, I play.
With Venus’ swans and sparrows all the day.
A dwarfish beldam bears me company,
That hops about the chamber where I lie,
And spends the night (that might be better spent)
In vain discourse and apish merriment.
Come thither.” As she spake this, her tongue tripped,
For unawares “come thither” from her slipped.
And suddenly her former colour changed,
And here and there her eyes through anger ranged.
And like a planet, moving several ways,
At one self instant she, poor soul, assays,
Loving, not to love at all, and every part
Strove to resist the motions of her heart.
And hands so pure, so innocent, nay, such
As might have made heaven stoop to have a touch,
Did she uphold to Venus, and again
Vowed spotless chastity, but all in vain.
Cupid beats down her prayers with his wings,
Her vows above the empty air he flings,
All deep enraged, his sinewy bow he bent,
And shot a shaft that burning from him went,
Wherewith she strooken, looked so dolefully,
As made love sigh to see his tyranny.
And as she wept her tears to pearl he turned,
And wound them on his arm and for her mourned.
Then towards the palace of the destinies
Laden with languishment and grief he flies,
And to those stern nymphs humbly made request
Both might enjoy each other, and be blest.
But with a ghastly dreadful
Holland Feb 2018
My body spun
From one side of my garage
to the other.

In between the pillars of poles
creating space between the cars
parked in the two car garage

perfect family, right?
not even close

I unlaced my skates
tossing them in a case,
unorganized as my chaotic brain

I leaned down to pick up
a mess of what looked
like plastic

like a broken water container
crushed by the weight
of a basketball tossed without looking

being the good girl I was
I picked up the charred plastic
placing it in my hand to
throw it in the trash

I dropped it in the can
letting the pieces fall
one
by
one.

As I wiped my hands
I found a piece I had forgotten
it had the label of Prego on the side
I realized then
It was a broken spaghetti jar

I ran upstairs
to help with dinner.

I asked my mom
what I could do to
She said
"You can run that blood
under a cold water faucet"

I looked at her confused, saying
"Where am I bleeding?"

She turned my arm over
showing me the cut
glazed over my forearm
I hadn't even felt it

I didn't know
that was the moment
I would find an advantage
to not feeling pain

and an interest
in the impure
realization
that bleeding
wasn't scary...

that it couldn't hurt me
as much as the rest
of my life could.
betterdays Mar 2014
to be a speciman in a jar
inspected from all angles
not freedom,
no hopeful view
inspected for your shape,
your feelings, your i.q.

to tip and tap scream and
yell for help to free oneself,

to pace cyclically while the beat of
your innerclock ticks your
precious time away.

to watch the watchers,

hear them whispering,
gossiping, laughing,
pointing at you,

curled feotally, as far as
possible from the incessant
view.

to want one thing,
but have another.

to desire,
to emire oneself
in a,
crooked point of
view.

to be confused, restrained
by sundered synapse,
or
fixated on rythmn, numbers,
rhymes in order to get through.

to be  black ink stickmen,
in
an ink black room,
with a black dog,
chasing you....
growling out doom.

to be living a hell private
and encompassing while,
working  in uniform
oh so neat.

we are one and all,
the specimans,
incomplete.

the glass jar is there,
for
all who stumble in defeat.

....to be a speciman
in a jar
judged for ....



is a living death,
a soundless living hell

a far cry from heaven,
more an automated shell
walking, moving, talking,
exsisting.....
             in a jar...
                        ..... on a shelf.
with a big nod to, miss plath
and her bell jar.
but also from personal experience
1969 Hartford art school is magnet for exceedingly intelligent over-sensitive under-achievers alluring freaks congenital creeps and anyone who cannot cut it in straight world it is about loners dreamers stoners clowns cliques of posers competing to dress draw act most outrageous weird wonderful classrooms clash in diversity of needs some students get it right off while others require so much individual attention one girl constantly raises her hand calls for everything to be repeated explained creativity is treated as trouble and compliance to instruction rewarded most of faculty are of opinion kids are not capable of making original artwork teachers discourage students from dream of becoming well-known until they are older more experienced only practiced skilled artists are competent to create ‘real art’ defined by how much struggle or multiple meanings weave through the work Odysseus wants to make magic boxes without knowing or being informed of Joseph Cornell one teacher tells him you think you’re going to invent some new color the world has never seen? you’re just some rowdy brat from the midwest with a lot of crazy ideas and no evidence of authenticity another teacher warns you’re nothing more than a bricoleur! Odysseus questions what’s a bricoleur teacher informs a rogue handyman who haphazardly constructs from whatever is immediately available Odysseus questions what’s wrong with that? teacher answers it’s low-class folk junk  possessing no real intellectual value independently he reads Marshall McLuhan’s “The Medium Is The Message” and “The Notebooks of Leonardo da Vinci” he memorizes introductory remark of Leonardo’s “i must do like one who comes last to the fair and can find no other way of providing for himself than by taking all the things already seen by others and not taken by reason of their lesser value” Odysseus dreams of becoming accomplished important artist like Robert Rauschenberg Jasper Johns Andy Warhol he dreams of being in eye of hurricane New York art scene he works for university newspaper and is nicknamed crashkiss the newspaper editor is leader in student movement and folk singer who croons “45 caliber man, you’re so much more than our 22, but there’s so many more of us than you” Odysseus grows mustache wears flower printed pants vintage 1940’s leather jacket g.i. surplus clothes he makes many friends his gift for hooking up with girls is uncanny he is long haired drug-crazed hippie enjoying popularity previously unknown to him rock bands play at art openings everyone flirts dances gets ****** lots of activism on campus New York Times dubs university of Hartford “Berkeley of the east coast” holding up ******* in peace sign is subversive in 1969 symbol of rebellion youth solidarity gesture against war hawks rednecks corporate America acknowledgment of potential beyond materialistic self-righteous values of status quo sign of what could be in universe filled with incredible possibilities he moves in with  painting student one year advanced named Todd Whitman Todd has curly blond hair sturdy build wire rimmed glasses impish smile gemini superb draftsman amazing artist Todd emulates Francisco de Goya and Albrecht Durer Todd’s talent overshadows Odysseus’s Todd’s dad is accomplished professor at distinguished college in Massachusetts to celebrate Odysseus’s arrival Todd cooks all day preparing spaghetti dinner when Odysseus arrives home tripping on acid without appetite Todd is disappointed Odysseus runs down to corner store buys large bottle of wine returns to house Todd is eating spaghetti alone they get drunk together then pierce each other’s ears with needles ice wine cork pierced ears are outlaw style of bad *** bikers like Hell’s Angels Todd says you are a real original Odys and funny too Odysseus asks funny, how? Todd answers you are one crazy ******* drop acid whenever you want smoke **** then go to class this is fun tonight Odys getting drunk and piercing our ears Odysseus says yup i’m having a good time too Todd and Odysseus become best friends Odysseus turns Todd on to Sylvia Plath’s “The Bell Jar” and “Ariel” then they both read Ted Hughes “Crow” illustrated with Leonard Baskin prints Todd turns Odysseus on to German Expressionist painting art movement of garish colors emotionally violent imagery from 1905-1925 later infuriating Third ***** who deemed the work “degenerate” Odysseus dives into works of Max Beckmann Otto Dix Conrad Felixmulller Barthel Gilles George Grosz Erich Heckel Ernst Ludwig Kirchner Felix Nussbaum Karl *******Rottluff Carl Hofer August Macke Max Peckstein Elfriede Lohse-Wachtler Egon Shiele list goes on in 1969 most parents don’t have money to buy their children cars most kids living off campus either ride bikes or hitchhike to school then back home on weekends often without a penny in their pockets Odysseus and Todd randomly select a highway and hitch rides to Putney Vermont Brattleboro Boston Cape Cod New York City or D.C. in search of adventure there is always trouble to be found curious girls to assist in Georgetown Odysseus sleeps with skinny girl with webbed toes who believes he is Jesus he tries to dissuade her but she is convinced

Toby Mantis is visiting New York City artist at Hartford art school he looks like huskier handsomer version of Ringo Starr and women dig him he builds stretchers and stretches canvases for Warhol lives in huge loft in Soho on Broadway and Bleeker invites Odysseus to come down on weekends hang out Toby takes him to Max’s Kansas City Warhol’s Electric Circus they wander all night into morning there are printing companies longshoremen gays in Chelsea Italians in West Village hippies playing guitars protesting the war in Washington Square all kinds of hollering crazies passing out fliers pins in Union Square Toby is hard drinker Odysseus has trouble keeping up  he pukes his guts out number of times Odysseus is *** head not drinker he explores 42nd Street stumbles across strange exotic place named Peep Show World upstairs is large with many **** cubicles creepy dudes hanging around downstairs is astonishing there are many clusters of booths with live **** girls inside girls shout out hey boys come on now pick me come on boys there are hundreds of girls from all over the world in every conceivable size shape race he enters dark stall  puts fifty cents in coin box window screen lifts inside each cluster are 6 to 10 girls either parading or glued to a window for $1 he is allowed to caress kiss their ******* for $2 he is permitted to probe their ****** or *** for $10 girl reaches hand into darkened stall jerks him off tall slender British girl thrills him the most she says let me have another go at your dickey Odysseus spends all his money ******* 5 times departing he notices men from every walk of life passing through wall street stockbrokers executives rednecks mobsters frat boys tourists fat old bald guys smoking thick smelly cigars Toby Mantis has good-looking girlfriend named Lorraine with long brown hair Toby Lorraine and Odysseus sit around kitchen table Odysseus doodles with pencil on paper Toby spreads open Lorraine’s thighs exposing her ****** to Odysseus Lorraine blushes yet permits Toby to finger her Odysseus thinks she has the most beautiful ****** he has ever seen bulging pelvic bone brown distinctive bush symmetric lips Toby and Lorraine watch in amusement as Odysseus gazes intently Tony mischievously remarks you like looking at that ***** don’t you? Odysseus stares silently begins pencil drawing Lorraine’s ****** his eyes darting back and forth following day Lorraine seduces Odysseus while Toby is away walks out **** from shower she is few years older her body lean with high ******* she directs his hands mouth while she talks with someone on telephone it is strange yet quite exciting Odysseus is in awe of New York City every culture in the world intermingling democracy functioning in an uncontrollable managed breath millions of people in motion stories unraveling on every street 24 hour spectacle with no limits every conceivable variety of humanity ******* in same air Odysseus is bedazzled yet intimidated

Odysseus spends summer of 1970 at art colony in Cummington Massachusetts it is magical time extraordinary place many talented eccentric characters all kinds of happenings stage plays poetry readings community meals volleyball after dinner volleyball games are hilarious fun he lives alone in isolated studio amidst wild raspberries in woods shares toilet with field mouse no shower he reads Jerzy Kosinski’s “Painted Bird” then “Being There” then “Steps” attractive long haired girl named Pam visits community for weekend meets Odysseus they talk realize they were in first grade together at Harper amazing coincidence automatic ground for “we need to have *** because neither of us has seen each other since first grade” she inquires where do you sleep? Todd hitches up from Hartford to satisfy curiosity everyone sleeps around good-looking blue-eyed poet named Shannon Banks from South Boston tells Odysseus his ******* is not big enough for kind of ******* she wants but she will **** him off that’s fine with him 32 year old poet named Ellen Morrissey from Massachusetts reassures him ******* is fine Ellen is beginning to find her way out from suffocating marriage she has little daughter named Nina Ellen admires Odysseus’s free spirit sees both his possibilities and naïveté she realizes he has crippling family baggage he has no idea he is carrying thing about trauma is as it is occurring victim shrugs laughs to repel shock yet years later pain horror sink in turned-on with new ideas he returns to Hartford art school classes are fun yet confusing he strives to be best drawer most innovative competition sidetracks him Odysseus uses power drill to carve pumpkin on Halloween teachers warn him to stick to fundamentals too much creativity is suspect Todd and he are invited to holiday party Odysseus shows up with Ellen Morrissey driving in her father’s station wagon 2 exceptionally pretty girls flirt with him he is live wire they sneak upstairs he fingers both at same time while they laugh to each other one of the girls Laura invites him outside to do more he follows they walk through falling snow until they find hidden area near some trees Laura lies down lifts her skirt she spreads her legs dense ***** mound he is about to explore her there when Laura looks up sees figure with flashlight following their tracks in snow she warns it’s Bill my husband run for your life! Odysseus runs around long way back inside party grabs a beer pretending he has been there next to Ellen all night few minutes later he sees Laura and Bill return through front door Bill has dark mustache angry eyes Odysseus tells Ellen it is late maybe they should leave soon suddenly Bill walks up to him with beer in hand cracks bottle over his head glass and beer splatter Odysseus jumps up runs out to station wagon Ellen hurriedly follows snow coming down hard car is wedged among many guest vehicles he starts engine locks doors maneuvers vehicle back and forth trying to inch way out of spot Bill appears from party walks to his van disappears from out of darkness swirling snow Bill comes at them wielding large crowbar smashes car’s headlights taillights side mirrors windshield covered in broken glass Ellen ducks on floor beneath glove compartment sobs cries he’s going to **** us! we’re going to die! Odysseus steers station wagon free floors gas pedal drives on back country roads through furious snowstorm in dark of night no lights Odysseus contorts crouches forward in order to see through hole in shattered windshield Ellen sees headlights behind them coming up fast it is Bill in van Bill banging their bumper follows them all the way back to Hartford to Odysseus’s place they run inside call police Bill sits parked van outside across street as police arrive half hour later Bill pulls away next day Odysseus and Ellen drive to Boston to explain to Ellen’s dad what has happened to his station wagon Odysseus stays with Ellen in Brookline for several nights another holiday party she wants to take him along to meet her friends her social circles are older he thinks to challenge their values be outrageous paints face Ellen is horrified cries you can’t possibly do this to me these are my close friends what will they think? he defiantly answers my face is a mask who cares what i look like? man woman creature what does it matter? if your friends really want to know me they’ll need to look beyond the make-up tonight i am your sluttish girlfriend! sometimes Odysseus can be a thoughtless fool

Laura Rousseau Shane files for divorce from Bill she is exceptionally lovely models at art school she is of French descent her figure possessing exotic traits she stands like ballerina with thick pointed ******* copious ***** hair Odysseus is infatuated she frequently dances pursues him Laura says i had the opportunity to meet Bob Dylan once amazed Odysseus questions what did you do? she replies what could i possibly have in common with Bob Dylan? Laura teases Odysseus about being a preppy then lustfully gropes him grabs holds his ***** they devote many hours to ****** intimacy during ******* she routinely reaches her hand from under her buns grasps his testicles squeezing as he pumps he likes that Laura is quite eccentric fetishes over Odysseus she even thrills to pick zits on his back he is not sure if it is truly a desire of hers proof of earthiness or simply expression of mothering Laura has two daughters by Bill Odysseus is in over his head Laura tells Odysseus myth of Medea smitten with love for Jason Jason needs Medea’s help to find Golden Fleece Medea agrees with promise of marriage murders her brother arranges ****** of king who has deprived Jason his inheritance couple is forced into exile Medea bears Jason 2 sons then Jason falls in love with King Creon’s daughter deserts Medea is furious she makes shawl for King Creon’s daughter to wear at her wedding to Jason  shawl turns to flames killing bride Medea murders her own sons by Jason Odysseus goes along with story for a while but Laura wants husband Odysseus is merely scruffy boy with roving eyes Laura becomes galled by Odysseus leaves him for one of his roommates whom she marries then several years later divorces there is scene when Laura tells Odysseus she is dropping him for his roommate he is standing in living room of her house space is painted deep renaissance burgundy there are framed photographs on walls in one photo he is hugging Laura and her daughters under big oak tree in room Laura’s friend Bettina other girl he fingered first night he met Laura at party is watching with arms crossed he drops to floor curls body sobs i miss you so much Laura turns to Bettina remarks look at him men are such big babies he’s pitiful Bettina nods

following summer he works installing displays at G. Fox Department Store besides one woman gay men staff display department for as long as he can remember homosexuals have always been attracted to him this misconception is probably how he got job his tenor voice suggesting not entirely mature man instead more like tentative young boy this ambiguous manifestation sometimes also evidences gestures thoroughly misleading after sidestepping several ****** advances one of his co-workers bewilderingly remarks you really are straight manager staff are fussy chirpy catty group consequently certain he is not gay they discriminate against him stick him with break down clean up slop jobs at outdoor weekend rock concert in Constitution Plaza he meets 2 younger blond girls who consent to go back to his place mess around both girls are quite dazzling yet one is somewhat physically undeveloped they undress and model for Odysseus radio plays Roberta Flack’s “Killing Me Softly With His Song” both girls move to rhythm sing along he thinks to orchestrate direct decides instead to let them lead lies on bed while curvaceous girl rides his ******* slender girl sits on his face they switch all 3 alternate giggle laughter each girl reaches ****** on his stiffness later both assist with hands mouths his ****** is so intense it leaves him paralyzed for a moment

in fall he is cast as Claudius in production of Hamlet Odysseus rehearses diligently on nights o
SBohl Nov 2011
This room reeks of apathy,

but the overwhelming smell,

the horrid stench creeps,

seeping from the jar.



I have crammed too much

stuff

into it.



This stuff of angst

disappointment

damaged pride

biting regret

insecurities

loneliness

tension

failure



pain.



Pa­in crammed into a jar

shoved into a corner of

this room.



The room that used to

reek of apathy.
from my book 'How To Write Pro$eperly

LESSON 18: Marketing Your Product
Get outside and box.

How to Make Good Money as a Poet

Volume
Keep up the volume
Then they have to buy all the books
And go looking
For something good
Self-effacing



More How to Make Good Money as a Poet

*** angles
in relation to women’s personality gauge it
chart it
*** angles
Canadian research grant



More How to Make Good Money as a Poet

Poem-in-a-jar
Ode-in-a-jar
Rhythm-in-a-jar, and it vibrates when you pick it up
or could be handwritten
with desperate plea
send money
fax phoney part
please pleas
should colour of lid
indicate mood of poem
should label
indicate word topic theme
or what of material
metal lid or plastic
* Replace the safety seal so they have to punch cover
*
Note: if freshness seal broken, do not consume

More How to Make Good Money as a Poet
dead poet cookbook
dead poet cookbook



Poem-in-a-Jar

limited edition collector poetry
signed by author
artist proof worth more
more worth more
per line $1 $5 $100 sky’s the limit
capitalism:
self-effacing charity:
give-drop poem-in-a-jar to bums to sell
use as tax write-off full retail + “costs”
have party supporting charity more tax write-off
wheee! thank you, taxpayers
mmmm! tax write-off



More How to Make Good Money as a Poet

Verse libre
Convince public that your random scratch ins
have deeper meaning social import
esoteric ****** meaning
make it plainly oblivious for them
doubletalk and doublewalk
run at them
when you recite
a poem
attack poetry
possible sales to war department
note when publishing do not include how to make money poet stuff proprietary secret
information

More How to Make Good Money as a Poet

Poetry Repair
Fix other peoples poems
Putter with their pitter-patter
Charge per word (or line) no word
Fix their lines
of poetry and charge them for it
Could franchise this idea
Have walk-in shops around the planet
Poetry Repair;
Pete's Poetry Repair; friendly sounding.
Come down to Pete’s, we'll fix what’s the matter with your pitter-patter
Could increase sales by charging for coffee and downnuts
when they bring in their poems for repair
(Making money as a poet is a joke, easy living man)
Pete’s Podium of Poetry Repair
Poetry Repair
There's gotta be money in it somehow



More How to Make Good Money as a Poet

Ads
In the backs of magazines *2007 or spam
Now you can make EASY MONEY AT HOME
With the fastest growingest gosh-**** bestest
Poetry Repair
Can you spot the error in this?:
Twinkle twaddle little star
How I wonder what you are
Yes. You saw it. Easy, wasn't it? And in no time at all
you'll being doing this to even some of the greats:
Romeo, Romeo,
Oh where for **** thou Romeo
Editors pay big bucks for this stuff
Poetry repair
do it at home
Ads

More How to Make Good Money as a Poet

1 book = poems + free towel inside
free towel inside your book of poems
poem and a free towel
could be symbolic message
something about a towel and a poem
maybe the beach
maybe the *****
something about a towel and a poem



More How to Make Good Money as a Poet

poem-in-a-casket
very goth
sort by flavour
poem-of-the-month club (with underwear)
poem *******
poem *******
******* with poems on the ***
maybe women will let me write on their pantied ***
and charge them for it
(I'm voting for poem *******)
***** Poetry
I’ll be rich
fifty bucks a toss
Painted-***** Poetry
for fifty bucks a toss
I'll come to your house
and paint a poem on your *******
We'll discuss each poem
over tea and cookies
so you'll get what you like
get what you like
poem on your pantied behind, painted
fifty bucks a toss
Call now!
Breethyr Nov 2020
When i tell people about how i saw beyond reason, they tell me i'm not making any sense. Ironically, that's exactly the point. Something beyond reason can't make sense, logically, but it doesn't mean there isn't anything beyond logic.
We as people often act defying logic, although, arguably, the logic we live by is relative, and that leads to certain logical conclusions. What i am more interested in is, if all the relative points of logic can be seen as parts of objective, or even universal logic, then can i map it's boundaries? The answer is no. For the reason that if you can't see beyond a certain point you can't tell what's behind it. Say i stumble upon the logical end of my thought - it seemingly ends at a certain point, but what is beyond - i cannot know, that's why i can not tell if it's the logical end of it is relative to me or objective. But that is a logical mistake on my part. It's the relatively logical way to think, but objectively it's doomed for failure. For the same reason why we can't find the edge of our universe - not just because we don't see beyond the visible space region, but because it is impossible to reach such an edge in three dimensional space.
Allow me to logically explain why, on example of a two-dimensional space. Imagine yourself in a jar with water, you are swimming on the surface. The boundaries of the jar is your observable, or for better word - reachable universe. But the jar is not the entire universe, beyond the jar there is enormous amount of water. Whether it exists on a three-dimensional sphere or simply goes forever is irrelevant - you will never swim to the edge regardless. But if you were to be able to jump up from the surface of water then you would have understood that the true edge of this universe was actually vertical and you've just escaped through it into a new 3-dimensional one that is an extension of the two-dimensional one you previously were floating in. Now how do you then escape this 3-dimensional one you found yourself in? You know the answer, you jump into the 4th dimension - the logically only true edge of it.
Whether you can do it or not is irrelevant, what matters is what it tells us about logic - the exactly same thing - you can't reach the end of logic by simply looking around for it's borders, you have to fundamentally defy logic and go beyond it from the start.
Before we attempt that i have to lay down some things i kept secret from you until now. Why do i even chase the logical end? The answer is - i don't, i chase the fundamental understanding of the universe. "Whoah - hold up there" you might say, "what a perverse charlatan you are with your irrational methods, leave the universe to scientists!" And i will tell you - you are completely right. I don't understand anything a physicist or astronomer does when they examine what they can about the universe, but i believe, even though objectivity is not a matter of belief, to have a full understanding one can't study things from one aspect. Logic is the counterpart to fact, it is due to logic that facts exist the way they do, and it is due to facts available to us that we have the relative understanding of logic that we have today. Logic is the interpretation of the universe. And to reach a logical limit, in a sense, would be similar to reaching the limit of the universe. I can't jump into the fourth dimension of space, but i still i want to gain the fundamental understanding. I am desperate. That's why i will not stop until i have found it.
I have to derail from logic, and to do so i first need to deconstruct it. Construct is the foundation logic. By tying things into constructs, logic allows for interpretation of facts. Take for example the three dimensional space. It's construct is simple - it is existing in a three-axis fashion. There is left-right, forward-backward, up-down. Very simple, yet if need be it allows for great complexity, which can always be traced down to it's construct - three axis. To go beyond logic's very basic construct would be reaching my goal, but it is too early for that, as i can't yet pin-point what that is; i can do it for the relative space that i operate in, since with logic i interpret it, but to break down the very thing i interpret the world with is a completely different task.
Let's return to constructs. As i have realized, they are the foundation of logic. But further than that, they allow for existence of concepts. Now, beyond being a pretty word, a concept is something that we can logically interpret - understand, deconstruct or construct. Now not to play this game of terms any further, for the sake of logical simplicity i have decided that there are two types of concepts (and nothing further) - relative and objective. Relative concepts are understood in connection to other ones, while objective ones don't need the presence of others to still be ready for interpretation. The truth is, no one operates in objective constructs, because for that you would have to be outside of logic and universe, know it completely and wholly, only then would you truly be able to tell what constructs are objective. Even though relative to us, some concepts seem objective, for example - evolution, we describe it as the process of continuous adaptation. Seems very objective, right? But to proclaim such a thing is a fallacy - as even though it may be connected to our entire relative field of logic, we cannot tell whether is a fundamental property of all layers of the universe beyond our own. Another example - the concept of process. Well, time flows and with it something changes. Very objective. But time is relative to our perception of reality, there may not even be "time" at all and all there is is the way we experience the universe. What if we experienced time backwards? What if we experienced all time available to us at once? What if we did not experience time at all and stayed in a single "time-frame"? Is the concept of process still valid then? As such, all concepts available to us lie in the relative region of logic, and as far as we can understand, they don't stretch beyond it at least objectively.
Now that i have decided upon the features of logic, i need to derail. I don't know where to start so i will attempt to deconstruct a concept, and hopefully i will reach a logical failure - that will indicate to me that i have reached the limit to which i can deconstruct the concept, unless of course i have failed to stay true to logic, which seems contradictory, but really it isn't, as duality is the nature of the universe - even in logic.
If i have to "derail" then i will go with the concept of "a train". The one that travels on rails. What is a train? Is it a machine powered by fuel that goes on rails to transport someone or something, and usually consists of many connected wagons? Yes, but a lot of that is formalities, as how exactly a train works isn't a fundamental part of it's concept. The human idea of train can easily be seen in how we use the word alternatively - "train of thought". Fundamentally, it's something that travels to (hopefully)_a destination (but this train is doomed to fail). As such, i have discovered that "train" is only one of the faces for the fundamental concept of "transportation". Transportation is so fundamental to not just our existence but all life on Earth; because of this the invention of train by humankind was inevitable.
Let us transport somewhere. Conceptually, transportation means continuous movement of object by another. I want to go from point A to point B and i transport myself: i put myself in a cart and the cart takes me there. I want to transport a can of soda from the store to my fridge: i transport it there by carrying it in my hand.
I have realized that transport is a bad word for all of this, since it is not yet the most fundamental concept. What an oversight by me! Let's quickly fix this by proclaiming that more fundamental than transportation is movement. That truly is a great concept, as it is very fundamental, so please replace the word "transportation" for the word "movement" in the previous examples i'd described.
Movement is the primordial concept. I have arrived to such conclusion by thinking for an entire minute. If the construct of our perceivable reality is the three-axis, then by adding the concept of time and cause-effect into the mix, movement inevitably appears. Actually i have messed up with the terminology, so i will clean up the mess: construct of perceivable space is three-axis, but the fundamental construct of our relative reality also consists of time and cause-effect. In such a formation, movement is the primordial construct of this relative reality, as it is the most fundamental act. If you didn't know, non-movement is impossible in our reality due to the principle of relativity: even if you stay in place - from many perspectives you are in fact moving.
How does movement occur?.. What does it describe?.. A process of me moving from one point to another in a certain period of time? But what if it can also be reversed and describe me as moving in time in a certain length of space? Yes, it should, absolutely. Because from a detached perspective, it's the same thing. For me to move a certain distance, a certain amount of time has to pass; when a certain amount of time passes, i inevitably move a certain distance. I can't move to a certain distance without passing through a certain amount of time. I can't pass through a certain amount of time without moving some distance. In fact, i have an idea, i will move through time just because i decided to, and for that to happen i only need to go over a certain distance, or i may not even need to go, as i move through space all the time anyway. I still can only experience the time in one direction which is dictated by the cause-effect first being cause then effect in my relative perception of reality, but all it takes for me to go backwards is to turn around the cause-effect axis the same way i would turn around in the spacial three-dimensional axis'es. Everything would be exactly the same, just going backwards, and would make perfect sense once you apply a different logical interpretation strategy (with the effect being prior to cause).
Now i turn on the cause-effect axis in such a way that to my right is the cause and to my left is the effect. Time is at a standstill. I can't tell for sure but either i experience just one time-frame or all of them at once, but time no longer plays a part in my perception of reality, in fact now i see that to my right is the past and to my left is the future - it's frames like the one in which i currently am but slightly alternated, only if connected in a sequence they combine into time, but standalone they are like three-dimensional pictures.
I have experienced the world in a way i never had yet, but it still makes complete sense. I need to start removing parts of the logical construct. As i still witness past to the right and future to the left i decide that i can also see the alternative pasts and futures - all of those that intersect the one frame i currently inhabit. Why did i even decide i can do that? Because quantum mechanics told me i can, since according to their principles, universe is both deterministic and random - all effects occur from all possible causes and thus form infinite amount of timeline forks - all of which happen but a single observer feels like he only experiences one.
So i am an observer who turned perpendicularly around the cause-effect axis and decided that he can see what other observers he interconnected with experienced and will experience - them being technically other versions of me that cross paths in this frame. Now, when i say i've decided, you must understand, that even though factually none of this is possible, logically it is, just as much as you don't need to actually perform an action to sort of experience it - when you play a video-game or imagine things. Now, back to my experience of this ultra-reality, it is not very comprehensible, as it is similar to having not just one vision but 3 powered by infinity. I can't take it all in, but all my counterpart versions did come to this time-frame too, after-all. Which means that right here and now there's infinite amount of me, and all-together we can comprehend this mess of infinite pictures, one by one. This is definitely some sort of super-consciousness, made possible by all of us observers realizing that we interconnected from divergent paths in this one frame, which in turn was made possible from us rotating on the cause-effect axis. This is as close as it comes for me experiencing something truly divine. Not factually possible, yet logically experienceable.
Now i have seen it all - the entirety of my personal observable universe - or to be more factually correct - the entirety of my relatively available logic. Being only one of those infinite converging observers, i can't really tell you exactly what it consists of, but if you follow me in my previous steps you will understand it without me having to explain it.
Now only just one thing remains to finally derail - as i see everywhere i could ever see, and still wish to see what i could never see. Just like from that two-dimensional water i jumped into the three-dimensional air above it, i have to jump from whatever this thing i currently am experiencing to somewhere beyond it.
And i actually do so. In a way. I can't see **** here. Or at least, i can't figure out what i see, it makes no sense, it is beyond logic, beyond comprehension. Not even the infinite amount of my brethren can figure it out, it is on a completely different plane of existence, or maybe it even is unexistance, i can't know. It's completely quiet, even though maybe it is actually loud, just that the sound doesn't make any sense to me, so it's the same as if i don't hear anything. I just stare into it which is both nothing and so much everything to me that i almost drown in it. It pretty much ***** my thoughtful entirety into it much like a black-hole, it can't really do it but all my thoughts are attracted to it. It is to me like a great void that probably has lots of stuff inside but i can't possibly ever reach it, so to me it's a void. A void beyond logic, the delirious nonsense itself. I cannot reach it.
I get back from it to my plane of existence and turn around into the normal position on cause-effect axis of my relative reality. I really did it, i found that edge, that border. It's such a strange insight unlike anything else i have ever experienced in my head. I both know and don't know so much more about the universe - i experienced that black hole in my head, the end of the line for the train of logic, that drowns out into the vast void of complete irrationality relative to me. Now i know where and how to find it, and while it's not of any use to me, it brings me both despair and solace.
And did You find your end of the line?
Not a poem but a small personal philosophical absurd "treatise".

— The End —